#in a chaotic way but i did

[poorly-drawn-mdzs]

I know those eyes.

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[deadtiredghost]

The bro's be bro-ing

[starry-bi-sky]

danny and officer martinez's relationship in "late at night, when the nightingale sings" in a nutshell:

Martinez: FREAK! GET YOUR FUCKING KID!

Battinson, on the other side of the crime scene: he don't bite

Martinez, with Nightingale firmly attached his arm, visibly biting him: YES HE DO!

*points at them* Danny is the Bugs Bunny to Martinez's Elmer Fudd.

Another Officer: i can't believe you're fighting with an actual twelve year old. Martinez: i swear to god that is not a twelve year old, that is a little hellion that crawled out of batman's shadow one dark and stormy night and decided to dedicate his existence to tormenting me. Officer: Are you really that mad about him putting a sticky note on your back-- Martinez: thats not the point

in danny's defense: the word "freak" is. a mini beserker button for him for.... obvious ghostly reasons, so like, even if its not directed at him, he still very much unappreciates Martinez's insults at Battinson. Danny may or may not be projecting.

he's not going to hurt the guy! not in any serious or permanently disfiguring way at least! But he is going to leave mean sticky notes on the square part of his spine that he can't reach, and stick salt in his 3AM Late Night Crime Scene Coffee, and kick the bottom of his heel while he's walking so he stumbles. And other petty, infuriating things that tally up and boil over, over time.

[simphic]

Libra szn all year. Happy Birthday 2 our Alien Superstar!

had to include the fake tl cause who doesn't love funn

[skrunksthatwunk]

thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.

[crow-of-paradise]

Emmrich Kisser • Harding’s BFF • #1 Solas Hater ↳ ALESSIO "ROOK" DE RIVA

[lord-squiggletits]

Reread/skimmed my oldest Pharma apologism posts (mainly the ones about Pharma not being a functionist) and it just occurred to me that possibly another reason the fandom saddled Pharma with the "functionist bigot" label is because his introduction by First Aid says that everyone hates Decepticons, but Pharma really really hates Decepticons. Mix that with the portion of the fanbase that lionizes and whitewashes the Decepticons, and I can easily see it entering common fanon that "Pharma hates Decepticons -> the Decepticons are freedom fighters wrongly maligned by the Autobots/the franchise -> Pharma must be a bigoted functionist since he hates Decepticons who represent freedom."

The simpler explanation is just that Pharma is an antagonist and therefore gets the "everything about him must be evil and wrong" black-and-white analysis so common in fandoms in general, but given some of the bizarre Decepticon takes I've seen I can also easily see Pharma's Decepticon hatred being taken as a sign of him being bigoted and evil.

Though AGAIN in this case it would still be singling Pharma out as a bigot for crimes/flaws that multiple other Autobots are guilty of like.

Oh, Pharma hates Decepticons? Well a lot of other Autobots hate Decepticons too, First Aid's narration about Pharma even says "we all hate Decepticons"; for that matter, there are a lot of Decepticons who hate Autobots. It's a massive civil war that's lasted for a lifetime causing two groups of people to be stuck in a near-permanent blood feud, you can't assume that every Autobot who hates Decepticons (and vice versa) hates them because they're a bigot. Maybe there's been a war where both sides have been building an ever-increasing mountain of reasons to hate each other, so hating the opposite faction is a social problem caused by war and politics rather than a sign of individual moral failing.

Pharma worked at the New Institute so that means he must be evil/bigoted? Chromedome and Brainstorm also worked at the New Institute, but there's no widespread fandom shunning of them or headcanoning them as bigots.

Hell, even the very premise of assuming Pharma is a functionist bigot for hating Decepticons is ignoring the very premise of Pharma's motives, which are, uh... being blackmailed by the leader of the Decepticon Justice Division, who represents the ultimate form of Decepticon ideals to the point of literally wearing their symbol as his mask? So how were we jumping straight to "oh Pharma hates Decepticons bc he's a posh bigoted functionist" when there was a far more immediate interpretation/headcanon of "Pharma hates Decepticons because he's being tortured and blackmailed by one."

That's not to say that Pharma couldn't have hated Decepticons before Delphi, and I think you could make interesting headcanons/extrapolations based on either idea. But still. It kinda feels like people saw Pharma and just wanted to make him the Token Evil Autobot who's the opposite of our Good Heroic Autobots regardless of whether evidence from canon supported it or not.

Good riddance to bigoted functionist Pharma fanon, I'm so glad that the majority of Pharma fanon these days actually gives him a chance and puts him on equal footing as other Autobots.

[moldy-flowers]

Sakura and her comically oversized axes

[danwhobrowses]

Good Morning world because I turn on my PC to learn that Callowmoore is Fucking Real!

Fuck Yeah.

[milolovesbmc]

idk if you take doodle rq's or not but if you do can i very very politely request an itty bitty transfem rich :3

I MOST DEFINITELY DO!! It's been a long time since I've drawn anything be more chill related, but here's a rich for you :3

Some close ups under the cut!! (With better quality)

He/him transfem butch bisexual Richard Goranski Canon

[poorly-drawn-mdzs]

Why are you running?

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[point-two-two]

You see the thing at the heart of Russian Roulette that makes it so clearly queer (even though that was probably Not the intention) is that they're giving up So Much for each other.

Like Yassen's perspective is well-documented and well-analyzed; Hunter pushes him, trying to find a breaking point, and he just gives. Gives his memories (the watch) and gives his humanity (everything), just continuously gives way until there's barely any of him left, because he wants to please Hunter.

But it's the same on John's side. We don't have his perspective so it's much harder to see his inner conflict but it is certainly there. For the mission of course he had to kill people, but he wasn't supposed to get attached. He wasn't supposed to try change anything within Scorpia, only collect intel. He clearly had moral qualms against teaching Yassen. And then he went and got attached, tried to get a trainee out, and did *gestures vaguely at Vosque* all that. Like yeah, it worked (short term) but it was still a gamble. He kept going past his own boundaries to pressure Yassen out of Scorpia and that's really not much different from Yassen's bottomless willing to bend to Hunter's demands.

That's the core of the story and the core of their relationship; John chipped off parts of himself for Yassen's sake too. It's reciprocal, the way they sacrifice their selves for each other. And that's love.

[sesamestreep]

“requiem for methuselah” crazy ass episode for many reasons. Kirk is being fully insane, like I don’t actually think, even controlling for how quickly and easily and readily he seems to fall in love with anybody at the slightest encouragement, that he’d go that bonkers for that android woman he just met while everyone on the ship was this close to dying, but that’s neither here nor there, because in the background you’ve got an equally but much more subtly insane episode for Spock, who extremely uncharacteristically admits to experiencing an emotion (or nearly experiencing, whatever) and that emotion is ENVY of all things. And then spends the rest of the episode warning Kirk away from this new love interest (something that doesn’t usually happen, even when Kirk has very inadvisable love interests) and is, in the end, the person who accurately identifies that Rayna’s competing love for Kirk and Flint is ultimately what overwhelms and destroys her with the most killer line in maybe history???

And then to wrap it up we get an equally uncharacteristic sort of denouement scene (TOS loooves to cut an episode off right after the actual climax, leaving little time for falling action or character reflection, or to stick a sitcom-y button on the end where the gang all smiles and laughs at their misadventures and everything resets to zero, which is not a criticism, it’s just the style of that era of tv, honestly) where Kirk is literally miserable over Rayna’s death (again, kind of unusual for a lot of his love interests, he tends to be able to move on pretty quickly) and Spock goes to see him and he falls asleep right in front of Spock (also odd) and then when Bones comes in to give the final word on Flint, Spock waves him off from waking the Captain (tender) and Bones gives him that awful speech about how it’s sadder that Spock can’t even imagine the love Kirk felt for this random android woman than it is that Kirk lost her in the first place (debatable but also rude) and how his great tragedy is that he can’t love at all like they can and how all he wishes is that Kirk could forget about all of this and move on. AND THEN, to have Bones leave and Spock go over to Kirk and very gently, tenderly, reluctantly touch him and put his hand to his forehead and tell him to forget and HAVE THAT BE THE END OF THE EPISODE??? What am I supposed to do with that??

[qwuilty]

finally getting around to playing tokimeki games again

[aeons-behind]

critical role c3e90: a story told in captions

[spacebagfullofstars]

Honda Oddysey Scene but in Evolution

This is a snippet of my X Men Evolution Deadpool AU that's been on my mind lately. Inspired by the most talked about scene in Deadpool and Wolverine

It was hard to tell when exactly the night rolled around. It was still dawn when they arrived in San Francisco and they haven't left their beaten up meat truck since.

Wolverine was still driving without any kind of direction. His mask was on, but his frown was visible through it. Deadpool, driving shot gun, seemed to had completely dissociated himself from his surroundings. He was switching between radio stations and trying to find the right music. The mutant, unfortunately, had to suffer through each song whenever the other man changed his mind. Currently, they were listening to Cher's 'If I Could Turn Back Time'.

A few seconds passed. Another switch, they were listening to 'War' by Edwin Starr.

Another few seconds. 'Shake your Groove Thing' by Peaches and Herb.

Another few seconds. 'Sugar, Sugar' by the Archies.

Before another few seconds passed, Wolverine reached out and turned off the radio, momentarily returning his attention on the road. The lack of eye contact and how quickly it happened made it come off as passive-aggresive.

"I was listening to that." Deadpool said, in all his audacity. Logan didn't give him the luxury of response. The mercenary tried to focus on the window, but without the background noise, his need to open his mouth grew stronger.

"I was going to give you half of the cut, you know." He said after a second, looking at Wolverine, who still refused to give him time of a day. "I'd never make it not worth your time. Think whatever you want of me, I treat my business partners with respect."

"You lied to me." Logan suddenly growled. Somehow, he sounded even more angry than usual.

"Strike two, ferret man." Deadpool said, making a peace sign at him. "I said that I needed your help, and I said that the old Hydra base could be of interest to you. Not my fault they didn't have any info on your past. That didn't count as lying, I just didn't tell the whole truth."

The mutant snarled, making Deadpool jump. He saw him gripping the wheel, which he was sure would leave a few dents. Not that he planned on returning the vehicle at that point.

"What? Tell me honestly, would you help me if I came up to you and said: 'Hey, Wolvie! Some rich weirdo paid me to go and steal something from this place that looks like a horror rip-off of Area 51! Also, did I mention that this place is full of freaky water tanks? Also also, did you know that apparently, our healing factor isn't immune to drowning?'"

"Would've been nice knowin' that before you waltzed right into a trap." Logan retorted through gritted teeth.

"You've had your healing factor longer than I have." Wade said, leaning against his seat and crossing his arms. "That one's just on you."

And just like that, Wolverine's buttons were pushed. Without any warning, he made a sharp turn. Deadpool regretted not tightening his seatbelt when he had the chance as he crashed onto the door next to his seat. The truck fell off the road and down the hill. It was far from a pleasant experience, but thankfully, it survived to tell the tale. It landed on a beach right under their road. It was empty, so the mutant parked on its sand.

As soon as the vehicle stopped, he swung and punched Wade in the face. The mercenary screamed, hiding it in his hands. He was lucky that he wore his red mask because he was pretty sure Logan broke his nose.

"Dude-!" Wade shouted. Before he fully recovered, he felt a strong grip on his neck. Now that Logan wasn't focusing on the road, all of his rage was directed at him.

"You want an apology? Fine, I'm sorry!" The mercenary managed, holding onto the hand crushing his neck. "If I knew you'd be so mad, I'd ask that brute Sabertooth to come!"

Logan roared as he slammed him against the back of the seat.

"You lied to me! You wasted my time! And because of you, we're bein' hunted down like animals!" The mutant's voice was barely there with all those grunts.

"I didn't lie!-"

"Yes, you did! You used my lost memories against me! You knew how much it meant to me to regain them and you still manipulated me into doin' your dirty work! You used me as a weapon, just like everyone else!"

"... Oh, boo-freaking-hoo!" Deadpool frowned, growing more defensive. That shift caught Wolverine off guard. "Little Wolverine can't remember his first day in new school! Guess what, jerk, I don't remember much after my experimentation either! But I don't let that hold me back! Here are some hard pills to swallow: You're so desperate to know your past that you let me of all people make a monkey out of you! Me! Keep trusting the wrong guys and soon you won't even have a future to look forward to!"

After he finished, he looked back at Wolverine. He was staring at him with this empty look that freaked him out even more than the angry snarl. Suddenly, he let him go and Wade fell back on his seat. He coughed and massaged his neck.

"Look, Wolv. I'm sorry." He tried, because he couldn't handle seeing him like this anymore. "Really, I am. But take it from me, maybe it's better to just forget... No hard feelings?..."

He didn't know yet that he said too much. Wolverine was silent for a few more moments. Then, he wheezed. The mutant threw his back against the seat, and running his hand up his scalp, he succumbed to his laughter. It wasn't a pleasant sound at all. It was strained, almost hysterical, and obviously provoked more by his fury than actual amusement. Still, it was the first time Deadpool actually made him laugh.

"Oh wow!... " The mercenary said through his nervous chuckle that was muted by Wolverine. "So that's how you laugh! Just as terrifying as the rest of you!... I didn't say any joke yet, though."

"You didn't have to." Logan sighed deeply, partially regaining his posture. The next look he gave Wade was entirely venomous.

"You are the biggest joke I've ever seen! There hasn't been as much of an audacious, or insecure, or callous stain on humanity than this manchild I have the displeasure of sittin' right next to! You're good for nothin' but spreadin' mysery everywhere you go! You ain't got no morals, no friends, and you make it everyone's problem, 'cause you can't ever accept the fact that your actions have consequences!" Logan paused to catch his breath. Deadpool visibly shrinked in his own seat. Suddenly, the mutant's claws came out and he shoved them to the back of the truck, scraping its surface in a long line.

"Oh, how I wish I pushed you off that cliff first time we've met! Maybe that would've gotten the message through your dense skull, just how much I want to see you set on fire! Hate doesn't even begin to describe what I'm feelin' towards you! Ain't no wonder why that blue woman you keep yappin' about hasn't come back to you yet! You have to make up an imaginary girlfriend to protect your delicate feelin's from the fact that nobody will ever want you! How 'bout this hard pill to swallow: The doctors that tortured you didn't ruin your life! You did! You have to act like an obnoxious clown, otherwise no one would ever give you the attention you're so obviously cravin'! I can't wait for the day when you'll wake up and realise that you'll be spendin' the rest of eternity alone, and you can thank only yourself for that! But that's just wishful thinkin', 'cause you're-" His claws pulled back and he slammed his fist against the marked metal.

"-too-" Slam!

"-stupid-" Slam!

"-to think of anythin' outside of your own bubble of insanity!" SLAM! The wall bended and partially fell apart, just enough for them to see the inside of their cargo.

At long last came the silence. Logan used his hand to support himself from collapsing. He panted and bared his teeth at the mercenary who grew concerningly quiet. Not for Logan, though.

"No more jokes, bub?" He leaned closer and sneered, not being able to resist one last jab. "Come on, give me a real tear-jerker. I'm feelin' like laughin' for a change."

He looked directly into Deadpool's eyes. All he saw in them were two empty voids. The mutant settled back on his seat and tried to catch his breath. A second later and he would've regretted some of the things he said.

"... Take it back." Deadpool murmured softly. Had it not been for Wolverine's super hearing, he would've missed it.

"You don't know when to quit, do you?" The mutant snorted loudly. It was his own enjoyment of seeing the mercenary be put in his place that led him to lower his guard. Before he knew, Wade grabbed the back of his head, painfully gripping a handful of hair and hood.

"I said take it back!" He roared with the anger he never let anyone see. Without any warning, he slammed Wolverine's head against the front of the car. Then he did it again and on his third time he accidentally turned on the radio.

'Why Can't We Be Friends?' by War started playing.

Slam!

'Express Yourself' by Madonna.

Slam!

'You're the One That I Want' from the musical Grease.

"Why you little-!" Wolverine wouldn't take it any longer. He grabbed onto whatever he could and prevented Deadpool from slamming his head again. He pulled out his claws and jammed them into the other's right shoulder. Wade cried out. Using the moment of distraction, the mutant freed himself. Then, he grabbed Wade's head, pulled him close, and then slammed his head against the radio. This time it played 'Don't Go Breaking My Heart' by Elton John and Kiki Dee.

Despite being a taller man, Deadpool had to trouble slipping into a different position in his limited space. He kicked Logan onto the door, breaking the window and leaving a huge dent. The mutant growled, glaring back at him with pure fire in his eyes. Deadpool tried to throw a hit, but Logan caught his fist and then repeatedly punched him in the face. Wade dodged and a hit full of claws meant for him punctured the already beat down back of the truck.

The mercenary used this for his advantage. He managed to grab Logan by the shoulders and then threw him in order to take down the rest of the space separating them from the cargo. They both fell into the cold, smelly abyss where they could barely see each other. Not that it would stop them.