#im writing a story about this au

[iolitemoth]

making an outer wilds au that takes place sometime after the end of the game, can’t wait to inflict it on the world /hj

what i’ve got so far:

-everyone is human(oid. human-like? not sure, still have to iron it out)

-much of the main cast is in college; their field of study mirrors what they specialized in/talked most about in-game (ex.- hal = ancient languages, gabbro = quantum physics, riebeck = ancient cultures + architecture)

-they’re all part of a club called Wild Ventures

-Sunstone + Hal are the newest members

-Gabbro + Sunstone have hazy memories of a life they lived long ago, but don’t recall until one fateful meeting when Sunstone joins Wild Ventures as its’ newest member

-Solanum is there <3 she uses a text-to-speech device and has a walking stick; i considered giving her prosthetics but decided against it

-Gabbro is hard-of-hearing and wears hearing aids; they alternate between speaking and sign

-Gabbro writes poetry

-Gabbro and Solanum are both studying quantum physics

-ironically, Sunstone has a deep distaste for the sun

-like the game, there is like one (1) gendered person in the entire cast (it’s solanum)

. . . . . .

bonus sunstone

[erinwantstowrite]

bear with me here because i'm gonna ramble about something i've been thinking about for a while... and i'm not complaining, i'm just noticing

sometimes i think we've leaned so far into the vigilante side of the batfam that we miss out on what really makes their characters: detective work. we need more mysteries in their lives that don't lead up to some big bad "we already know who's doing it" or an "end of the world" or "yet again: this fucking guy." we need more stuff where spy movie music plays in the background and dumb adventures that don't lead up to some huge grand event with a big name villain. the shock factor stops being shocking or interesting in any capacity if we're like "Gah! the Joker! ... Again!" or whatever

does that even make sense? like "yeah sure they're blowing up a building again and there's hostages. oh look they're gonna poison the water supply." these aren't bad and that's not what i'm getting at because obviously this is a classic for comics. you need to have characters/antagonists that show up more than once and who can make a story better by being in it. and i did say to bear with me- that's because im tired. so like i hope im getting this across the right way? it's just that sometimes i don't wanna see a huge explosion, i want these motherfuckers solving a regular murder or a disappearance or regular corruption in a local office without it being tied to a grand reveal like "actually this person knows you as a long lost relative" or "they were at that circus can you guess which night they went?" that kind of thing? if you get me? like... more of the small time stuff makes the big stuff important, it makes it stand out more. at some point, the format gets repetitive even if you're switching up the villains. you can make these situations/mysteries still fun to solve for the characters and fun to read for the audience if you do it right

the concept of a detective dressed as a bat and having a sidekick in traffic light colors is inherently goofy as hell??? but that is what is so charming about it??? i think we have lost the balance between them being silly while also being intelligent with important conversations that criticize the world as we see it and teach lessons and can go over dark topics. nowadays it's always end of the world problems or just straight up the most gruesome true crime you can think of?? or they can ONLY do the dark stuff and the criticism without offering a balance of the good in the world. or we keep coming back to the FUCKING JOKER-

like yes they are vigilantes and with that comes a different level of their work, but their brand should be a mix between a black and white detective film that can get very nitty gritty and a classic spy movie, that kind of thing. at the end of the day, it's what makes them so different from the superheroes. that's what appeals to me.

seeing them in the big superhero groups is fun, don't get me wrong. it's always funny to see them standing next to people who are so powerful they never really fit in with anyone but each other, who chose to step up and use their powers for good. the Bats' specialty is Gotham and yet here they are stopping a god or whatever. and they do stop the god or whatever, all the while being an important leader and strategist to their teammates. they're important to have in these cases. but if there's a world ending event every time i pick something up, it's not as fun

the fact that they are so very human and not fantastical is why i like reading them. it's what makes the joke of people, even Gotham citizens, theorizing about them being cryptids, funny. they're fucking weird but that's because they're detectives. people who love to solve mysteries usually have a fatal flaw of curiosity. they forget the bounds between social interactions sometimes because they're used to working through problems or being intertwined with partners that understand them. but they're very much human. so human that it hurts them in many ways. and idk i've just been thinking about it lately and idk what point i'm trying to get across actually

it's just that in my eyes that's how it really is for Batman- a black and white movie narrated by a very serious man who took up a job to help people, one that has a deeper commentary on the world and viewed outwardly as pessimistic but actually has a deep hope for his city and who tries to help even the people who have wronged others. He's a stationary man in the belief that him being a constant can serve to soothe others and help them move forward. He stays in the middle of the path so he can tell everyone what is up ahead. he blends into the Gotham rainy night to serve justice but in a way that saves both the victim and the perpetrator. (the way he tucks a Robin into his cape is the same he does for Gotham with his mere presence.) and his background is actually so important to his story and yet people still somehow gloss over the lesson from it? he lost his parents because of a man who was on the opposite end of the spectrum to where he was in life. and yet he chose to help the people like the man that killed his parents. he could have done anything else with his power and money, but he instead is choosing to bring as many people up with him as he can. He's Mr. Serious that no one else can get a read on. and yet he walks into a room and he's already piecing together your life and what you're going through because he thinks it matters. he comforts people who have lost something or someone or themselves. I picture Batman and I don't picture a man trying to save the world, I picture a detective walking around a crime scene and trying to save at least one person every time he puts on the cape. and he put on the cape and became a vigilante because then he could go out of the bounds of what laws have been set up- and specifically, Gotham has other people in power who are corrupt, keeping the system that way. that's why Batman being a billionare and throwing himself into helping people at the risk of his own life is so important. he knows that if you are alive, you have something or someone to lose, no matter who you are. the dude is a bleeding heart but he doesn't know how to express it, in fear that if he gets too close, if he moves down the path with them, he'll be lost again

and then he's met with someone who should be a complete opposite, but isn't at all, because they're two sides of the same coin. his partner in crime, his son, a boy that is nothing like the black and white world that he sees. and that's the point in his life where he first sees that potentially getting lost is worth the risk. Robin is color and passion that needs guidance to move forward, but can not do so unless the stationary man learns to move with him. the kid is loud and reckless and you'd think he's from a different genre from the detective but they aren't so different, really. not when you look close enough. Dick grew up moving from place to place and seeing the world, knowing so many different people from different cultures. He's been learning to fly and jump and embrace the free fall his entire life. He's clever and he's sharp, and he thrives in the action and adventure. it's that perspective that compliments the stationary man. one is steady and the other pushes. he's the same genre but a different generation. and Batman introducing him to the way of life he chose for himself was another way he could save someone. because let's be real for a second? Dick would have gone down a very dark path had he not had Bruce, who understood, who saw not just himself in the kid but also saw who the kid has been his entire life until now. he saw Dick's parents, he saw the family he had in the circus, he saw the joy he had in what his family was doing. he saw the grief and the fire and the color that Dick's world was made of. because to Bruce, it always matters. Dick had to come to terms with Bruce's perspective to help anyone who they come across, to always give more chances, and it kept Dick from losing his color

what gets me is that the man who lives in the black and white world can actually see many different shades of gray (because black and white always needs the medium), whereas the boy in a world of color and light can get so focused on the bright that he can become single minded. and yet the boy sees a world of color and delves deeper into the lives of the peolle they come across and can be much more open minded, and the man in the black and white world sometimes forgets the shades of grey are right there. they are just like each other. they can exist without the other, but do they want to? because the black and white can be built up into the colored image, like the inking and shadows drawn on a comic book page before the colors are added in. they meet in the middle to complete each other. Bruce has been passing the story over to the next generation for a long, long time, even before his story was complete. and just like with the first Robin, it was so for every Robin afterwards. they each color in the lines differently, but that's what makes Robin so special, so unique. they are an art style that branches into their own life, but can not forget where they started: tucked into Batman's cape and the inky black of his world

and so detective work really frames their hunanity to me. the mysteries they get their hands on, the glimpses into the lives of Gotham citizens that they swore to protect, it's fascinating. it's what makes their story stand out compared to the people who can lift trucks or cast spells or run around the world in seconds. so yeah ig that's what i'm trying to say? that i want to read more of that? in both canon and fanon. cause even the small time villains we see can be like. AWFUL people and it takes out the fun of their gimmicks. and if it were any other day this would be a more coherent post but alas, it is not any other day

[clown-friend-gt]

could you imagine a g/t cinderella story? like two characters who meet while they're the same size, but one of them is secretly a giant/tiny? whether it's through a spell or sizeshifting or whatever but for one night they get to go to an event where everyone is normally bigger/smaller than them. and they meet someone there and hit it off but then the clock strikes midnight and they have to run away. but instead of leaving behind a slipper their love interest catches a glimpse of them at their true size just before they get away

imagine a borrower-turned-human shrinking back down to their normal size and slipping back into the palace walls. imagine a giant-turned-human slowly growing back to their normal size and leaving an accidental trail of destruction in their wake? there's so many other possibilities, those are just some off of the top of my head

I have an AU I'm writing that has a few chapters that incorporate some of these ideas, but those characters technically know each other before they meet at the ball. I'd like to see a story where the characters meet for the first time at the ball, so I wanted to share this idea with everyone here. let me know what you think!

[biblically-accurate-dca]

au where moon fills in while sun is "on vacation" and nothing bad happens

[slowlysoluminary]

after that wack-tastic piece of media i figured we could all!! use a break!!!!!!! so!!!!!!

(more) doodles below the cut. and some commentary! Hurray!

^^ Post game is interesting. Most of the timeloop is about figuring the deal with the memories, some of it is about sif comng to terms with the king, and the very very end of it is about everyone regaining their memories.

so i say it again post game is REALLY interesting!!! because everyone, collectively, is trying to balance their old memories and their new memories. everyone except siffrin. who is not 1:1 old siffrin but is the closest to it, considering how much loop's been through.

loop??? becomes corporeal at some point in the end.

it's very bittersweet! i think! the whole of the party does an "i want to remember!!!" sequence, fighting with their own minds to fill the gaping holes they'd always ignored.

-- loop, after realizing the extent to which they're familiar with the party, had tried desperately to get the party to remember them throughout the loops. in hopes that something would change. they never remembered.

at the same time, siffrin is talking to the king - they're fighting with eachother physically and verbally, desperately trying to get the other understand. resetfrin is not the siffrin the king hated so earnestly, not the siffrin he tried to snuff out.

over the course of many conversations with the king, siffrin caught on. the king is the major lore dump here and is who causes most of the narrative development because i say so !!!!!!!!!!!!

actually. about post game. do you know why their designs are like that

resetfrin hated the lack of autonomy he had over their own body so they decided to. cut their hair. it's a bit curlier now that there's not a lot weighing it down

they decided not to keep the star stuff the king gave them. yada yada character development or whatever.

they gave their cloak to loop!! who is. siffrin again. physically at least. both siffrins are siffrin but with clear differences! like hair length and hair texture! and ohhhhhhhh no what do you mean the universe gave them the wrong body?? what?????? how cruel!!! how blasphemous!!!!!!!

loop hated the idea of keeping her hair darkless (mirror pronouns for loop btw!!! remember that!!!). it reminded them of what it was like to be ghostloop. which they hated!!! but they couldn't have their hair be lightless because that was resetfrin's new thing, so... they just. kept dying the bottom parts of it lightless. it's a compromise

how does the party distinguish the two siffrins, name-wise? uhhhhhh. ask me that question later. idk.

if.... if i have pre-game planned out. and post-game planned out.

then the inly thing I don't have planned out is the ACTUAL time loop bit

it's quite daunting because? that's like the entire point of the original game? it feels like i hve to live up to so much and like fhe loops have to have such a packed, coherent story

though, to be fair, most of what I'm writing will just be. the time loop bit. so i guess I'm figuring it out as i go

anyway, actually talking about the two sketches above, ghostloop is for SIFFRIN'S EYES ONLY!!! she can hit things but things can't hit her and all that.

after figuring out, through past loops, that the King can't see them, they realized siffrin was their only connection to the physical world. The Last Piece Left of them, physically and metaphorically. the whole time they longed for something else to acknowledge their existence. acknowledge theyre real

they also realize they can do Fuckery

the king has a Sixth Sense for loop's Fuckery,,, flipping him The Bird resulted in a rather quick death for Siffrin. whoops!!!!!

this au is. more closely revolved around gloop than i thought. don't worry!! i have a lot of gloop content planned! but. but you need to understand the pain of resetfrin and the king. the misery snd desperation fhe king felt about his country. siffrin pleading with the king, countlessly, hoping to see some SEMBLANCE of the man he once knew. you need to know the missing pieces the party finds, a hollow feeling settling itself around their hearts. you need to know so bad.

so you'll get gloop content! i am a big fan of the little guy myself, really. but !!! this au is not ONLY about them, believe it or not! hehe. haha. giggles. ok ill stop

[starry-bi-sky]

okay so i was thinking of a joke earlier about how in DPDC Amity Park's slogan "a great place to live" is not only city propaganda but also the city lording it over the rest of America for being normal. But then I remembered that, despite how many DCU Cities with heroes in it there are, the amount of cities in America without heroes still far outnumber the amount of cities in America WITH heroes.

So I did a little digging so the joke would still land. Something most heroes have in common is that they operate in major cities. What makes a major city? I found that the general consensus is that the population is roughly over or around a million. THEN I looked up the populations of cities in the DCU that I thought of off the top of my head. So Gotham, Metropolis, Starling City, Central City, Jump City. All of them ranked up to millions in population (most of them were in the tens of millions).

Amity Park's wikipedia describes it as being similar to specifically Philadelphia, Chicago, and San Francisco.

Philadelphia's Population: 1.576 million as of 2021 Chicago's Population: 2.697 million as of 2021 San Francisco: 815,201 as of 2021

Whiiich means that Amity Park if we take that from canon, is probably a major city. There are approximately 19,000 cities in America with probably less than a hundred that are major cities. Adding the DCU major cities wouldn't skew the data too much.

Which MEANS that I can make the joke that Amity Park's "great place to live" is not only just typical city propaganda, but also its Amity Park lording it over the other major cities for being one of the only major cities that doesn't have problems bad enough to warrant a superhero or a vigilante. Cue stage left the Fentons and Phantom :)

Amity Parkers were probably SO proud that they didn't need a superhero. They didn't have to worry about things like 'world ending threats' and 'super-powered individuals' and 'staggering property damage'. And then enter Fentons.

It also could be used as an excuse for why nobody took notice to Amity Park getting ghosts if folks like me aren't huge fans of the notion of a media blackout via Tucker, Technus, or the US Government. Or if you want to keep Amity Park as its urban city self. Amity Park's news on ghosts gets drowned out in a week because there's news on more popular, well-known cities going on every other day. The shit going on in Amity Park is every other major city's regular Tuesday and it gets filtered as such.

[lazycranberrydoodles]

its prosecutor jiang wanyin!!!! oh fuck!!! / gifs + au rambling below the cut / follow for more mdzs x aa crossover stuff :3

all the gifs i made (poses traced off franziska):

hes so similar to franziska when you think about it. theyre both deeply insecure tsundere adoptive younger sibling of successful main characters. who carry whips. something something edgeworth choosing death and wwx actually dying also

his share code is HWFEFF if you wanna use him in a trial! you can't share backgrounds but heres the scenery from the donghua i used.

the easiest way to put custom stuff into objection.lol is to send it in discord and then use the link from opening it in your browser :)

a whole lot of AU stuff

the art im making is for if mdzs was an ace attorney game, playing from WWX's POV to solve various mysteries/cases over the course of the plot. so this scene would be from turnabout goddess, which would loosely cover the dafan mountain mystery.

cases include:

Turnabout Revenge (Mo Manor, quick introductory first case)

Turnabout Goddess (Dafan mountain, the good times flashback)

Turnabout Saber (the man-eating castle (omg hiii nhs))

The Blind Turnabout (Yi City arc)

Turnabout Deviation (the Koi Tower conference, Empathy on NMJ ala turnabout memories or beginnings. opening cutscene is his qi deviation)

The Blood-Soaked Turnabout (second Burial Mounds siege, flashbacks: Xuanwu, Sunshot, YLLZ, Nightless City massacre)

Turnabout Lotus Seeds (testimony about JGY, tree scene, golden core reveal, bathtub scene. opening cutscene could be JGS' death but that would make it canon rather than ambiguous)

Turnabout Confession (Guanyin temple)

the problem with splitting novel!mdzs into turnabouts is that flashbacks are a huge chunk of the book but they don't have mysteries/ cases to solve so they've gotta be lumped together with present day stuff. imo? many of the flashbacks would likely have to be abridged so they could be retold ala DL-6, SL-9, or the fourth grade incident, where characters talk about it over some pieces of art. this is really difficult when theres a metric ton of unspoken, complex, and signifcant history between every character lmao

there's not as much of a problem with the cql timeline but i have not finished it. so.

the opening cutscenes in ace attorney always show the murder and/or the murderer plotting. the first cutscene of the game would be MXY summoning WWX, muttering about getting revenge on his family (it would also be good for him to mention the yllz being dead because that's how the novel starts.) cut to WWX's POV as he wakes up covered in blood and the investigation segment begins.

for investigations of monsters (goddess, saber, etc) the cutscene would be a scene of some poor throwaway cultivator getting their shit wrecked.

it would be cool to make a breakdown for JGY but again I need to review that scene cause I don't know who I'd base him on. maybe Vasquez or Dahlia.

tell me your thoughts!! i'm working off of a mdzs summary/ skimming the novel because i don't remember it too well so if i get anything wrong please yell at me

Jin Ling's sprites & Nie Huaisang's sprites / masterpost

[pinetreespants]

Dissenting usually ends in death

(my keyboard borked so enjoy my nasty ass writing.)

[johnbleepingzoidberg]

UNTITLED EVIL LUIGI AU COMIC THING | Page 2 & 3 of (???)

Eggman Bowser’s come to make an announcement. Particularly to shut down any premonitions Mario may be holding onto a little too tightly. Bowser and Mario are able to set aside their differences (for now, at least) so that they can work together on a common goal-- figuring out where the hell Luigi is.

(A/N under cut)

---

believe me when i say i really wanted to link all the pages together in a neat, practical way so that everything would appear more organized than it actually is, but tumblr hates me and won’t let my posts show up in the tags if i include a hyperlink of any kind. :D

i read somewhere that tumblr only disallows posts from showing up in tags if it includes an external link (vs an internal/link to another tumblr page), which, in theory, shouldnt be an issue since the pages i’d be linking to are also on tumblr but regardless it’s not cooperating with me anyway. i’ve been on tumblr for what feels like a million years but this is the first time ive tried to make my posts cohesive like this so if anyone knows how to fix this issue im all ears 🙃 for the record, everything related to this au will be going into the following tags on my blog: #my art, and #evil luigi au. we’ll just have to sort things that way for now, i guess 😭

i start work tomorrow so can’t say when there will be a new page but i do have a lot planned out already. so hopefully i’ll be able to continue what ive started for at least a handful of more pages 🤠 next page will be fun to work on. for a bowuigi-centered story, where’s the luigi?! he’ll show up soon. just in the form of a flashback for now though 👀

also sorry if my handwriting is evil. it’s just personally easier/faster to write out everything by hand than type everything out but i may try to type the next page’s dialogue to see how it goes and to see if it makes things look ✨cleaner✨

(also also i spent so much time trying to figure out how to draw them doing a handshake for the “truce” panel. i ultimately failed. therefore.... fist bumps LMAO)

[ohmytiredheart]

It's uncanny how much the FNAF lore actually makes sense if you look at it through the eyes of TMA

[batcavescolony]

I need a 911 time travel fic (I don't care about the logistics we had coma dream and ghosts I want time travel) just so s1 Buck and Chimney can be told that they're now family, that Chimney marries Bucks sister and they have kid(s) together. I think that would break them, also over all s1 118 seeing the family that they're gonna have, Imagine it.

[mintypsii]

author x barista cafe au (sanji is competing against himself)

[d8tl55c]

early in the morning after dead'nt, orange has a question.

usually he'd still be asleep long past now, but he wanted to ask about... TDL.

without the others interrupting.

so, he goes to chosen's door.

immediately this plan starts to slip off the rails.

no one knows where dark is.

...........because the others may or may not have spent the entirety of last night searching for him in every nook and cranny except there and they said they'd tell him if they found him and no one woke him up yet so

that means, the only logical conclusion is: he's in chosen's room.

so how is orange gonna ask chosen his question????

well, usually, chosen lets him just walk in.

s0!

here goes nothin

he opens the utterly silent door.

green made it special for cho, because they didn't want anyone to ever hear it being opened.

as a special bonus, yellow was able to code the door in such a way that it would never need any maintenance related to sound: its hinges and latches would stay pristinely quiet, forever.

so chosen doesn't wake up when orange sneaks inside.

they wake up when orange takes one step in, spots bright red, and fails to stifle a gasp.

"oh shit!!" orange whispers.

chosen's eyes peek over the covers.

"I'm sorry! i didn't know- uh, i would've- if um- i can come back later-"

they stare at him. "what's wrong." chosen prefers clear and concise, especially early in the morning.

"you-" orange carefully picks his next words. "and him-"

they're in the same bed.

"yep." chosen nods.

orange stands there.

then he shrugs.

"um, sorry. on our shows, this is always a big point of conflict. we don't know why. so i just didn't want to- you know. assume otherwise."

"oh. thanks...?" chosen blinks sleepily. "yeah, it's okay."

"okay!"

"you wanted something?"

"yeah, so-"

orange cuts off again midsentence.

TDL is beginning to stir.

dark emits the highest little squeak-whine that orange has ever heard (even compared to red's baby rabbits), and raises a hand to tug chosen back down to the pillow.

chosen turns their entire face to him, trilling.

they both perform a little brushy-brushy head bonk thing.

then chosen maneuvers their body (under the covers) so it, presumably, mingles more tightly with dark's.

this is satisfactory - for now. dark grumbles about it and stuffs his head under chosen's chin.

orange stands pixel-perfectly still by the door.

"you were saying?" chosen finally turns back to him.

"uh," orange stalls.

dark's eyes open.

he awakens with terrifying speed, untangling from chosen, hoisting up from the covers, and raising a warning fireball within milliseconds.

the room shifts into blazing color and stark shadows.

he shrieks,

"GET OUT!!!"

it seems dark does not, "okay" this situation.

orange drops, scrambles, and miraculously operates the door with enough precision to tumble out the other side unscathed.

silently, the door shuts itself behind him.

...

the fireball is put away.

...

"cho, why do you allow The Beast into your room?"

chosen snorts. "it was him who rebuilt you."

dark snarls. "are you SURE it wasn't some trick? you watched the whole time? i don't trust it."

"i trust him."

"why? how?? you do understand why i have reservations about it???"

"yes," chosen nods. "But I trust him."

They press their very cold head into dark's very warm head, and both of them sigh in relief.

"He brought me you."

dark huffs. "mm."

...

"and other things," chosen concedes. "you... weren't there."

"tell me."

...

outside, orange is still collapsed, upside down, against the wall, across from chosen's door, where he crashed earlier in his escape.

red has just found him while coming upstairs to check out the commotion.

"orange!? u okay?"

"yeap," orange strains. "all good."

"what happened?"

orange's hand flops on the floor towards chosen's door. "you were right. dark's in there."

red takes a second to digest this.

then his hands fly up to his mouth.

"what're they doing in there?????? did you see???"

"yes. i dunno."

"were they ? ? ?

fucking ? ? ? ? ? ? ? ? ?"

orange squints at him.

through the door, two voices loudly interrupt,

"NO!"

the angrier voice adds,

"AND FUCK OFF!"

red squeaks and hurries back down the stairs.

orange sighs deeply.

this has been a terrible learning experience for all.

[spontaneousglitterbees]

[bonefall]

Super interested in how you plan to write Leopardfoot! I feel like both fanon and canon tend to make her into a sweet mom(tm) who’s super sad that Tigerstar is evil, very similar to how Goldenflower is usually treated. What’s her thoughts on Pinestar and him leaving? How did she influence Tigerstar? What are her political beliefs?

Society has progressed past the need for sad moms who stare tearily at their evil sons and boohoo about all the murder. It's MOTHER AGENCY TIME

BB!Leopardfoot was FEROCIOUS. Her father was the indominable Adderfang, and he taught her about the importance of honor and glory. When Tigerpaw was given to Thistleclaw as an apprentice, she was proud of it. It felt perfect to her-- that her father's apprentice was now her son's mentor.

For his brief rule, she supported Sunstar completely. It helped that he came after the disastrous and embarassing exit of Pinestar, which ruined the legacy that she wanted him to give her son. Pinestar was a damn coward and a codebreaker... and she assured Tigerkit that he was more HER son than his.

She even gives him a life, for Legacy, in defiance of StarClan

She was friends with Bluemoon for a time, but after ascending to StarClan, she learned about the Forget-me-nots.

This changed her opinion of her. Leopardfoot supports Thistle Law, STRONGLY so.

She supported THISTLECLAW when he tried to forcefully void the Queen’s Rights. If Bluemoon hadn't broken the code, then what did she have to hide?

She backed off when Thrushpelt leapt to her defense though, "She didn't reveal it because she doesn't love me are you happy now??"

Leopardfoot: *awkwardly turns away feeling like an asshole now, tea SPILLED, her friend's dirty laundry EXPOSED, thought she was crusading for the law but she just dug up drama*

Towards the end of Pinestar’s reign, he was getting exhausted. He wanted peace. Leopardfoot wanted kittens around that time, and figured that there was no better cat than the son of Oakstar, architect of the infamous Crusade Era.

If Pinestar had no children, a glorious bloodline would have died out. She wanted it for her kits. Pinestar agreed on the condition that he would be their Mi, which she happily accepted.

So when Pinestar left, she jumped into the nursery to take over and had to explain to her kits where their Mi went.

She drove it home to them that he abandoned everything, because his weakness took over. They would never be like him, she promised.

Mistkit died very young. Nightpaw made it to apprenticeship before she also succumbed. Tigerclaw remembers very well how hard it was to lose his sisters.

Leopardfoot herself was taken shortly before TPB, in Spottedleaf's Plague. Her death causes Tigerclaw to have a bit of a moment.

After the trial in Bluestar's Flowers, Leopardfoot leaves StarClan along with a bunch of other Thistle Law supporters, including Thistleclaw himself. She joins the BOTTE at the end of OotS, fighting to the end with her son.

She misses him a lot, and remains in the Dark Forest to the current arc. She chose her path; and has the dignity to walk it.

She does miss StarClan sometimes though, and will tell you stories about it if you ask.

In terms of demon friends, she's somewhere in the clique between the harsher and softer spirits.

She dislikes Morningstar, Cloudberry, and Ryewhisker on the softer end, and has come to resent Thistleclaw and Finchflight on the other, but likes Darkstripe, Leopardstar, and Silverhawk.

Gets along with a range of "mid" level demons.

In particular I imagine she hangs out with Darkstripe a lot. Taste test buddy, he asks her to try his experimental recipes because she's honest but not mean. One of the few Thistle Law supporting cats he hangs out with after the double-death of Tigerstar.

He calls her Lefty. Her official nickname is "Left" but he calls her Lefty.

(Clanmew: her name is Saorpwyyar. Others call her Saopr. He calls her Sapyy.)

Her mom and dad Swiftbreeze and Adderfang are here too, following Thistleclaw like she did, but she's been minimizing her contact with her dad. She feels like she is owed an apology somehow but also doesn't have the emotional intelligence to know that it's what she wants.

She just knows that she feels really bitter talking to him, and that's unpleasant.

She used to be VITRIOLIC with Pinestar, who is also here, even going after him physically when he chose to join in with the Dark Forest trainees. But now... honestly so much shit has happened, she just doesn't like seeing him. She wishes he wasn't here.

I write her being very dignified. She doesn't like to admit publically she was ever wrong and speaks with confidence, quietly backing off and not wanting to speak about her mistakes. She loves her children and her family, but explores the world in a very "self-centric" way, trusting her feelings and personal judgement over anything logical.

A reactionary sort of person, if that makes sense.

Her Land Mar has to develop over time because she is an ex-StarClan migrant (damned souls get theirs instantly after judgement), but it's called the Fence Cliff. It's a picket fence that blocks off a sheer drop, making a sharp turn down the cliff face and acting as a walkway. Follow the fence down the slope, and you can access the Dark Forest's town biome.

[babblingeccentric]

Kinktober 7: Heat, Sabo x Reader

Look there's an elaborate backstory for this but I'm not going to explain it, maybe one day I'll write it all out. What you need to know is that Sabo is Ace's omega and Reader is an omega in love with Ace.

Contains: omega/omega, abo, heat, fingering, clitoral stimulation, crippling amounts of guilt on reader's part, nesting

Lying on his side, Sabo plasters himself to your back hooking his chin over your shoulder to nose at your scent glands

You shiver.

“C’mon. Let me help.”

His long fingered hand sneaks over your hip and begins gently stroking your swollen clit as you’re anxious and crying. You’re scared near witless of the first actual heat help you've ever had. You don’t know intimacy like this, can’t stop thinking of how you don’t really deserve it. About how Sabo would not offer this so freely if he knew you loved Ace, and maybe even loved him. 

You’re also scared because you know omega solidarity is a myth, that omegas are as dangerous to you as alphas.

But even still with this fear the endless waves of your heat have worn you down and when what you desire is practically in your cupped hands shouldn’t you at least enjoy it?

So you let Sabo tease and cajole you into your first satisfying orgasm of this heat. Then he’s piling on another and another until finally the stress takes its toll and you pass out in the haphazard nest.