#im so down bad for these two

[vivaciousoceans]

Cubans leave manhattan and come back with beards, that’s so iconic

[norrisgrl]

papaya boys

[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[that-sarcastic-writer]

No cause the way Colin WAITED for Pen to say yes, to give him permission to touch her. He got on his knees FOR HER. And when she said they were just friends he backed up, with TEARS in his eyes, like he was devastated but still backed down. And God the way he was looking at HERRRR. like he was at her feet begging for more after just one kiss. Who would've thought consent was such an attractive thing. I am not fucking well.

[cozylittleartblog]

worst way to start my new year, thanks. i have a lot of things to say about these companies but i'm tired and just keeping it focused to the pin side of things for this one. do not ever buy pins from these companies, literally ALL of them are stolen from small artists like me. if you want to buy enamel pins, check out etsy, and artist's personal websites and shops! (though even Etsy has some bootleg pins that ship straight from china, so tread carefully…)

Every pin I've designed is, thus far, EXCLUSIVE to my etsy. if you find it anywhere else, it's been ripped off! and once these stupid bootlegs pop up, it's basically a never ending game of whack-a-mole trying to get them all taken down...

[starry-bi-sky]

Unpleasant Revelations - DPxDC Ficlet Idea for the Stillborn Au

"Have you met my youngest, Damian, Mr. Masters?"

Its only from twenty years of long, hard experience and practice that Vlad doesn't increase the room temperature from 'borderline uncomfortably cool' to 'unbearably hot' the moment Bruce Wayne pulls his youngest and "only" biological son out in front of him.

He puts only in quotations because twelve year old Damian Wayne looks scarily, uncannily like one Daniel Brown. Jack and Maddie's foster son, second victim of their foolishness, and only other halfa in existence. Second only to him.

It's nauseating how similar they look. From the scowl and terrible glare on the young boy's face, to his brown skin -- which was only a few shades lighter than Daniel's, the shape of his nose, and even the strange winged edge of his eyebrow. Something that Vlad has long since come to find endearing on the child he considered a son of his own. The only difference was that Damian had dark, sharp green eyes.

Daniel's eyes were blue. The same glacier shade as his father's, who stood behind Damian with a proud, oafish smile on his visage.

It was infuriating how similar they look. Vlad might not have rapidly swung the room temperature from one extreme to the other, but he can't stop himself from letting the fury burning within his core from slipping out and raising the temperature up a few degrees.

Because it really only meant one thing.

Damian Wayne and Daniel Brown were related.

Damian Wayne and Daniel Brown were brothers.

Standing in front of him, it was clear as day. He can already picture a phantom image of Daniel standing beside Damian, the same scowl written on his face, the same glare carved into his eyes. The only difference being the dark, exhausted circles beneath them that seemed to be permanently painted onto his skin. The only thing missing being the permanent loneliness and vigilance permeating his being like a scar.

This, if revealed, would be enough to ruin Bruce Wayne's reputation. Or, at the very least, darken it quite a bit. The great philanthropist Bruce Wayne with another secret blood child? One related to his youngest? One that had been put into foster care? Seemingly thrown away?

It would be a firestorm.

One that Vlad is not keen on starting.

It would ruin Bruce Wayne's reputation, yes. But it would hurt Daniel in the process -- the harassment he would face alone might just be enough to break that fragile child completely. That was just not something he could allow. Or, even worse, bring him into his biological father's care and custody -- something Vlad was even less willing to allow.

It's not out of kindness to Wayne that Vlad will keep mum about this.

His grip on his champagne flute tightens, just a bit. He's still aware enough of the world around him to not let it shatter in his hands. His plastered, pleasant smile tightens around the corners, and he forces his focus to slide from Damian to Wayne.

"The resemblance is uncanny, Mister Wayne." He says, slanting his smile to the side slyly. Although he's not talking about the resemblance between Wayne and his son. Rage simmers beneath his skin, burning coal and embers in the core of his chest, nestled between his lungs, as he meets the man's eyes.

Wayne swaggles his head proudly, his ditzy smile widening as he squeezes his son's shoulder affectionately. Bastard, Vlad wants to spit.

He breathes in through his nose, and exhales out through his mouth. The champagne in his hand cools, and stops its unusual bubbling.

The Damian boy scoffs under his breath, his mouth still coiled upward into a scowl. With the revelation of his blood relation to Daniel evident, Vlad's not sure if he should find it endearing or not.

He is not Daniel, so he decides that it's just simply irritating. He decides to ignore it.

"And you said he was your only biological son?" He asks, voice lilting and head tilting. He knows its a suspicious question at worst, insulting at best. But considering Wayne's past proclivities, he can hardly call it an unexpected question.

Damian puffs in great offense, face twisting angrily. It reminds him of Daniel when Vlad insisted that he was wrong about something or other, and for a moment his heart swells, fond.

But this is not his child, and so the feeling quickly crashes and burns, simmering back into rage. This was not Daniel -- this was his replacement. A replacement that Wayne was free to keep.

Wayne chuckles, idiotically, as if he'd said some funny joke. Vlad's other hand, the one gripping his cane -- something he's required ever since he was dispatched from the hospital all those lonely years ago -- tightens instead. He grinds his teeth -- him and Jack Fenton would get along like a house on fire, he hates it.

"I can understand why you'd ask that, Mister Masters," Wayne says, squeezing Damian's shoulder again, "but yes, Damian is my only biological son. Although that doesn't mean I don't love my other children any less."

Bastard.

For all his posturing and flouncing about caring for his city and his children, Vlad never would have thought the Prince of Gotham capable of abandoning one of them.

But, well.

They all have their dark secrets.

And what one man throws away, another man picks up. If Bruce Wayne didn't want the treasure child that was Daniel Brown, then Vlad Masters was more than happy to take him instead.

"I see."

[aroaceleovaldez]

What is the PR disaster in question that made Rick announce TSATS? I wasn’t active in the online fandom at that point

Of course! This was awhile ago so it figures people don't remember it/aren't familiar:

Basically a couple years back (2020) the fandom had some posts circulate discussing the ways different characters in the Riordanverse were written poorly or offensively. There was a masterpost that went around tumblr but the two major points people were particularly focusing on were Piper and Samirah (particularly because Piper had featured prominently again in Trials of Apollo recently and the third MCGA book had further emphasized and discussed Samirah being Muslim, since it was supposed to take place during Ramadan). Basically each had multiple posts breaking down the ways they were depicted incorrectly or offensively. The entire fandom for a little bit was VERY intensely discussing this (and it's around this time the "RR crit" tag got very popularized on tumblr - it did exist before, but suddenly was being used VERY frequently - cause it was that wide-spread - though the discussion took over basically every side of Riordaverse social media on different platforms). People really wanted Rick to respond to these criticisms, so he did!

He made two blog posts, one about Piper and one about Samirah. He has since deleted both so the links are to archived versions. The short version: he essentially tried to justify his poor research and double-down that he hadn't written them offensively, actually, people were just being mean to him. The fandom, of course, reacted poorly to this.

[Further elaborated events under the cut since this got a bit lengthy]

(Fun fact, this all happened within a month or so of the time i posted an open letter on aphobic tropes in the Riordanverse that Rick replied to, and then he immediately followed with announcing that Reyna was intended to be ace-coded [which cause a LOT of fandom debate] before Rick dipped for a couple of weeks, and then came back to post the blog posts in response to Piper and Sam stuff. So I like to jokingly refer to this as "The time I imploded the fandom/drove Rick off of twitter." Twas I that set the house ablaze.)

Rick fully left social media after this and the LT Musical social media manager became Rick's social media manager for the time being.

So this all happened June/July of 2020. Tower of Nero would end up being published in October of 2020 and a few months after that Rick would state that he was done with the series and wouldn't be writing any more series installments involving Percy, and also that he wouldn't be writing a Nico quest following Tower of Nero as it "wasn't his place to" and encouraged the community to write their own versions of Nico's story.

The community continued to circulate the tumblr posts and discuss the topics of Rick's offensive character depictions, and this is also where we see the dramatic shift in how the fandom depicts Piper in fanwork (though in most cases it is admittedly not an improvement 😬) because of all this discussion. This is also around the time when the fandom brought Viria under scrutiny claiming that she was whitewashing Piper as part of the same discussions, through the justification that she was drawing Annabeth as having tan skin (which she does canonically), and if Annabeth has tanner skin then Piper then that's whitewashing Piper? Except they were using completely separate images of not fully rendered Piper art versus Annabeth in dramatic lighting, so it's all very awkward and poor logic, and did actually get kind of racist. A lot of people were calling it "Tannabeth Blackchase" (yeah, i know) or similar and a common sentiment you'd see repeated is "Don't draw Annabeth as having darker skin than Piper, because that's offensive/racist/whitewashing." (Note: it was not phrased "don't draw Piper as having lighter skin than Annabeth" - we also won't get into certain offensive depictions of Native Americans, but I digress). But yeah, the Annabeth stuff in all that did not age well at all.

Anyways, in October of 2021 however Rick would announce that he was co-writing The Sun And The Star - with a lot of heavy emphasis on how Mark Oshiro works as a sensitivity reader, and some false advertising from the official social media that Mark Oshiro was the first time a non-Riordan author would be collaborating on the series (disregarding the ghostwriters completely). One of the big criticisms in the breaking down of issues in Rick's writing was his lack of ever seeking a sensitivity reader, and fans claiming that a sensitivity reader could solve a lot of the problems. This was basically Rick's "look! I totally listened!!!!" (though it did little to actually improve things, based on the book) and in TSATS as well Piper gets a large cameo at the end where the text very directly addresses a lot of points made in criticism of Rick's writing of her.

We also then of course got the CoTG trilogy later, explicitly stated to be for advertising purposes for the show.

So basically, short version: Rick came under scrutiny for a lot of offensive writing within the span of two months, made some bad blog posts doubling down about it, left social media. TOA ends. Rick says he wasn't going to continue the series/write what would become TSATS. Community celebrates the end of of the franchise but also continues to discuss Rick's poor writing and the blog posts at length. Rick suddenly announces TSATS and Mark Oshiro's involvement. Everybody gets distracted from being mad. Show announcement stuff also happens and the discussions peter out.

[flintbian]

There's a disabled angel in good omens 🥺

[moeblob]

A lil guy !

[hijinxinprogress]

12 year old tim realizing robin’s not coming back to gotham and deciding that it’s Batman’s fault so he has to ruin the little bit of sanity and peace of mind Bruce has managed (read: struggled) to keep in his grasp:

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[arom-antix]

Me? Posting finished art? Ain't no way :O

No but @korruptbrekker reached out to me and asked if I was interested in doing a collab (go check out their piece here, I implore you), and you know I could not say no to such a wonderful artist asking lil ol me to do something fun like this. We ended up doing a swap @laugaheim and I came up with ages ago that I so sussinctly refer to as a moodboard-sketch-lineart-render swap. Rolls right off the tongue, right? Nah but it's exactly what it says. Make moodboards, swap and sketch from the other's, swap again and line the other's sketch, and then swap once again and finish the piece you sketched.

Very big thanks to Brekker for reaching out! This was so fun, I hope we can do something together again in the future!

[thefrsers]

feeling very NOT normal about this😭😭😭

[grimesgirll]

you'd been begging daryl to take you hunting.

"why don't you take her?" rick implored. "she's not a bad shot."

"we'd be bowhunting, not rifle hunting." daryl distinguishes with a grunt.

"i can learn," you assure him, holding your compound bow in your hands. "technically, i've been shooting since i was seven."

"once a summer for fifteen minutes while peddling cookies," he states.

"c'mon, she learned a lot at camp." rick rebuts, grinning at you. "right, doll, didn't you learn how to build a fire and purify water?" you nod. "none of us have frozen to death or gotten diphtheria yet, so i'd say you should at least give her archery skills a chance."

"please?" you borderline beg, breath hitching as you see your morning not going how you planned. "i really wanna learn to track."

daryl doesn't say anything, just looks from you to the bow in your hand. rick interrupts whatever thoughts he has with a sigh. "daryl, why don't ya just take her? she clearly wants to go with you." he gestures to you. "how can you say no to her when she's asking so nicely? unless you think it's too hairy for her out there and we should just spend the day tucked inside here."

you whine at the idea. you want to be outside.

that spurs daryl into saying a rushed, "grab your heavy coat and your arrows."

you grin at rick who despite assisting in your victory, looks disappointed that you'll be gone for the day. while daryl is busy grabbing his crossbow, you slink over to rick, wrapping your arms around his neck.

“thanks,” you seal your gratitude with a kiss.

he wraps a firm arm around you. "you're welcome, sweetheart," your leader punctuates with a hand dug in your hair while he brings your face to his. you almost don't notice daryl until he's huffing by the doorway and you're kissing rick goodbye one last time and scrambling to grab your bow before dashing out the door after your boyfriend.

gone from alexandria, you and daryl take off on foot towards what he’d described as the best hunting grounds in the nearest fifty miles.

"be sure to quiet down," daryl tells you, abstaining from cringing as your boots crunch every leaf on the forest floor beneath them.

"sorry," you giggle. you try to quell your footsteps but it's hard when you're so captivated by the beauty of the woods.

before everything happened with the dead walking, you loved being outside. growing up in scouts and regularly camping had turned you into someone who was all too reckless outside for their knowledge of the woods. yes, you knew that predators and walkers lurked around every corner out here but you just want to crane your neck and stare at the sky through the trees, or let your eyes wander over the meandering streams.

that's why daryl is watching you like a hawk.

years of tracking has made him hip to everything going on around him. truth be told, if anyone or anything were on your trail, you were a dead giveaway. stomping about the way you are, you're bound to scare off any small game but he's trying to be patient with you. it's not like you had to keep it down at your hippie dippie kumbaya girl scout camp or on sunlit afternoon hikes. daryl, on the other hand, moved about undetected like it was second nature. had to be quiet if you wanted to actually to leave the forest with a meal.

he's watching you and the woods just to be safe. it's hard not getting distracted by you the way you're getting all caught up in the trees and the vivid greenery surrounding you.

the sight of you; pink lips parted just slightly with your head tipped all the way back to look for bird nests have his jeans getting cramped. you're just so excited to be outside.

it's not like you don't go on walks every day in alexandria with judith or join them on occasional outings beyond the walls. there's just not as much room for you to leave with how dangerous even just scavenging is turning out to be, so it's harder to get you out for a remote nature walk.

"what're we tracking for?" you ask.

daryl pushes a branch out of the way, holding it back as you pass under before catching up. "whatever you don't scare away with all that noise."

you snort. "so no deer?"

the redneck laughs. "not with the way you're tramping through here."

"what about pheasants?" you question, tiptoeing over a particularly rocky section of daryl's trail. "or do we need dogs to find them?"

"you don't need no damn dog to hunt pheasants."

"a decoy?"

"you just gotta' be patient." he clicks his tongue. "but it's not like you'd know anything about that." you let out a small whine and his breath hitches.

"just askin'."

"i know, girl."

"so what're you shooting for?"

daryl shrugs. "think' we can probably find something further up the ridge. rabbit, squirrel, something 'for you to aim at."

you nod and knock an arrow. following your boyfriend as he takes you past one of his favorite creeks outside of alexandria, leading the way as you pad along on the forest floor behind him.

your shotgun is slung on your back in its strap, understudying the compound bow you’d dug out of the armory. there were many fewer bow users in the apocalypse than there should’ve been. for every bow hunter, there were fifteen idiots blowing off the head of whatever or whoever they encountered with some barely functional, scavenged handgun. maintaining the skill and the arrows for a bow wasn't necessarily for the lazy.

you really didn't have much experience with archery or hunting for that matter. rick joked that you were a duck hunter but that had been dumb luck. while scavenging for gas along a riverside park, you'd seen some geese and fired your shotgun. rick couldn't be upset about the noise when your impulsive assault on the waterfowl was what filled your stomachs that night. and as a reward, rick filled you up just the way you liked it that night.

you'd go out firing on random flocks of geese more if it meant rick would fuck you the way he did that night. you were losing your mind - putty in his hands - from all the praise. his good girl who shot their dinner. marking every thrust with more praise.

the naughty bundle of nerves between your legs awakens at the thought of receiving the same treatment from daryl. he didn't love spanking your ass red or doling out punishments like rick, but you wanted to see his face after you caught something. after you shoot a deer with your bow. he would be so proud of you, giving you a celebratory kiss before helping you field dress your harvest.

whatever route daryl is following takes on an impressive incline, giving way to a fragmented vista of the tiny green valley. you wish you had binoculars. once your eyes stop scanning the sky for hawks, an auburn mess of hair catches your eye. even through his black windbreaker, you can see the outline of his muscles along his back. his form and thoughts of him taking you up against a tree cloud your brain until you hear your name.

"yeah," you answer, looking up at daryl who's stopped to pause below a short, dense pine. he motions for you to squat with him and you do, settling into a perched position with your loaded bow sat on your knees.

“right here is the perfect pass along the ridge to come up and over the mountain,” daryl explains, blue eyes catching a bit of sunlight. “a bunch of game will be scampering around as the day goes on. won’t see any deer right before noon though. not that they’d wanna walk up here with your loud ass.”

you snicker before sending him an apologetic look. “sorry, dare’. i’m not used to being quiet like that.”

i know, baby, he wants to say but just points to your knocked arrow. “wanna have that ready. never know when a squirrel’ll come skippin’ by.”

“yes, sir,” you croon, smirking at the way his eyes darken and he playfully ruffles your hair.

settling into a cozy state of surveillance, your eyes start to droop. rick had kept you up after daryl went to bed. this was before you woke up with the urge to accompany daryl on his hunt, so you probably only got four or five hours of sleep. typical rick keeping you up with sweet temptations like his hands on your breasts, his warm mouth on your torso, licking down to your clit and reigniting that fire that’s consumed your core earlier in the night.

you start to feel it stirring when your mind wanders to the man sitting beside you. you smile sweetly at him when he catches your gaze and ask an innocent question about pheasant hunting again that breaks the silence.

then you’re relaying the story about the time your cousin fell out of his tree stand after one too many beers.

daryl guffaws. “that’s some’ shit merle would do.”

"yeah, it was pretty stupid of him."

the quiet returns. you sigh. the silence meant to lull the local game into a false sense of security is boring you. you came out here for some one on one time with daryl and to learn to track, not to sit in silence in the cold for god knows how long.

you close the distance between you and daryl. tucking yourself into his side, you earn a look from him. "i'm cold," you commiserate.

the archer has to look away from your doe eyes to keep his zipper from popping. he mentally debates pulling you closer until he gives in and tugs you to his chest, ruining your position holding your bow.

both of you know you’re eventually going to do what you do best in the cold; get distracted by warming each other up. it’s evident from how you sink back further against daryl. nonchalant even when you feel his hardness against your ass.

“feeling warmer,” you update him.

“good,” he murmurs when you press your head back to his chest. you feel warmer; despite your layers, daryl has gotten your core going enough for you to feel it from head to toe.

you imagine a wave of pleasure, not just flickering body heat as you turn around and face his groin on your knees.

“not out here,” he mutters with a gasp of your name. his belt falls and your hands start on his zipper, progressing the metal zip all the way down until a sturdy hand grabs yours. “don’t you wanna catch something?” he reminds you of the reason you even trekked up here.

you shake your head yes.

“then what’s this all about?”

you roll your eyes. “dare’, I’m bored!”

“i told you that half’a hunting is waitin’!” daryl chides, pushing your hands down.

tears well in your eyes. the older man exhales; he’s fucked.

“dare’-,”

“don’t you start.” he tells you, grasping your chin in his hand and leaning down to kiss you. you tilt upwards eagerly into the kiss from the pine needle littered ground. “you’re gonna scare anything left up here.”

daryl disconnects from you when your bow is lowered to the ground. his thumb slips into your mouth and without hesitation, you treat his thumb to the same treatment he’d gotten last night.

it’s not long before he’s finally saying, “fuck it!” declaring out loud what you’ve been yearning for the entire morning.

with another smirk, you strip him of his pants until he’s popping out of his boxers. your mouth is on him an instant - it’s cold after all. first thing, you envelope him in your mouth, pulsing downstairs again when his hands find warmth in your hair. you don’t need him to guide your head down to the base of your cock for you to take him into your throat.

the black shotgun you’d proudly toted - even after it’d been confiscated at terminus - is deposited hap-hazardously on the ground while your bow is on the other side of your legs. daryl’s ditched his crossbow at this point, opting to explore the far reaches of your throat with his cock while the bow stands against the other side of the tree.

your boyfriend’s breath hitches again. you overfill as much of his cock as you can into your mouth until you slide yourself up and off, taking a break to catch your breath.

fucked out and face flush in spite of the cold, daryl is pleasantly surprised when you dive down to pay his balls some serious attention. you loll each one into your mouth, leisurely progressing up his length with gentle licks until you’re gingerly kissing the head, locking eyes with him.

disregarding the chill beneath your knees, you dip your mouth down on him again, licking a new trail up his rock hard cock. thinking about how painful it must be in this cold, you give into him when he thrusts into your mouth.

hands in your hair, daryl is in heaven. getting head under the trees? sign him the fuck up. you two have fooled around outside before of course but that wasn't usually by choice. without having to worry about a horde of walkers hot on your trail or horrors like cannibals hunting you, he could lean back and just enjoy the sight of you between his legs, swirling your tongue around the head of his cock.

for a moment, he worries that the sounds you make as you swallow his length will attract walkers but he's too hard to care. you bob up and down, trying to take more of him each time. his hands guide you until he's bucking in your mouth and feel him spill down your throat.

daryl's gonna have to take you hunting more often.

[httpiastri]

perfect

[wickmitz]

— THE ELECTRIC-FEVER REMEDY.