#im like a third way through it

[justanothertraveller42]

Hey so who wants to join me in running away to work aboard an internet undersea cable repair ship

[hinamie]

spiraling

[welcometogrouchland]

[ID in ALT] I've made posts before about Talia/Dick co-parenting Damian moments (will never happen but let me dream) and this came to me in a vision. Took me ages to finish for some reason 😭 and then even longer to post

[arundolyn]

"Oh, this? Don't be ridiculous! It's not a marriage certificate! Look closely, okay? Throw away all your hangups, and simply do what you feel. Aren't you just dying to sign it? Won't it feel good? 3... 2... 1... sign!"

[hyohaehyuk]

Lovingly gazing into your coworkers eyes while he's talking about the sexual and emotional tension of your characters is crazy 🙃

JA: Yeah, and then also playing that off against that tension and the aftermath of some of those fights. It suddenly rebuilds this sexual and emotional tension. Like you said, you get to explore the breadth of a relationship. But yeah, they’re each other’s endgame, aren’t they? In the books, they always come home to each other. I think it’s telling that that seems to be the denouement or the end of a lot of the novels: Louis and Lestat being petty and in love.

cut via wolfganglestat

transcriptions by greedandenby

Full video (unfortunately i can't find the original source so i am linking 2 videos posted by fans on yt):

Interview With The Vampire | Nicole Drum from Comicbook.com talks with Jacob Anderson and Sam Reid

[velichorus-k]

The worst thing about making animatics is questions like 'what does an axolotl skull look like from slightly below and head-on?' because lemme tell you people love taking photos of axolotl skeletons FROM THE SIDE!!

[james-p-sullivan]

it was my birthday yesterday and my mom got my the deku tree lego set (im so lucky i know) and i haven’t finished building it yet but guys look at hestu

LOOK AT THE KOROK

[shepards-folly]

[mipexch]

forgot to post this but here’s the devil & his malewife

[n0bluev]

@fushiglow hmm….wonder who i’d draw this for all of a sudden and why… 🤔🤔

[azaisya]

I’ve been reading Lynn Flewelling’s Nightrunner series so here have some obscure book fanart! This is a scene from the end of the book because I still haven’t stopped thinking about Alec running after Seregil and knocking him off his horse for being an idiot. I would draw that, but I can’t draw horses

[puppyeared]

if escape rooms as team building exercises became popular im not sure if id be more excited or terrified

[mercless]

🗡 mad cowboy disease....

[mellotronmkll]

Think I've finally mastered she's an angel on accordion I'm so happy

[metanarrates]

the scenarios require an endless raising of stakes, playing games with people's lives until they paradoxically cease to have impact. a dokkaebi's life depends on playing this system well. in certain ways, constellation lives depend on it too. there is a necessity to create an endless churning of content no matter who gets crushed under the wheel.

but in kim dokja's wake, something changes. we have constellations who will continue watching an unpopular story, despite it losing a lot of what made it exciting. and we have a dokkaebi who will continue facilitating that unpopular story, despite the fact that its influence is waning. they have come to care about it regardless.

a lot of orv's situations and characters reflect kim dokja in some way, which makes sense considering that orv is a million words long character study in the form of a fantasy novel. but something I find interesting is that when kim dokja changes people, it doesn't make people any less a reflection of him, despite how much he often hates himself. instead, so many the positive changes he enacts are ones that make other people more like him. the ones who come to love the story will act more like the reader who loves the story above all!

[corfisers]

i really need to finish this one day