#ik i say this every year but

[storm-of-feathers]

yeah yeah rainbow capitalism is bad and whatever but like. when I was a child, being pro gay was not the popular or lucrative choice. I'm happy that times have changed.

[heartorbit]

i'm sending this endless melody to a nameless you

[bruciemilf]

Peter B admitting to Miles that the non stop tragedies and losses shaping their stories are hard, harsh, and , knowing they can do something about it, cruel even. Then saying the GOOD aspects essentially outshine them. But that's not true. That's a classic toxic positivity line, used to justify shitty, unequal politics. " But at least we have this one good thing" WE CAN HAVE THAT GOOD THING AND NOTHING ELSE. WE AREN'T MADE TO BE IN PAIN, AND PAIN SHOULDN'T MAKE A HERO.

What Miguel doesn't understand is they don't owe the world suffering.

[hinamie]

crying @ my first vs most recent megu these r not the same person heLP

[ghostdnfie]

me to dream stans having to see/put up with shit from morons (spineless ccs and their fans) vs me to said spineless ccs and their fans

[princeofuchiha]

Every once in a while something will happen in naruto that just makes me go,,, Kishimoto,,, have you ever actually interacted with a child,,,

[pigeonxp]

the buddie playlist, pigeonxp edition.

for a smidge of context, some of the songs are not specifically buddie coded to me. some of the songs can be considered specifically eddie or specifically buck coded, such as My Kink is Karma, which i (in the context of this playlist) consider eddie specific. there are a few like this but the majority is buddie specific.

as another mention, this is my opinion only, hence the title. i am open to suggestions to this playlist and it is always ready to be added to.

[raiiny-bay]

>:-)

[superm4ks]

Kit do you not rep Charles anymore 😭

Of course I do he’s prime I just need a break from his team and that fucking dog

[c-kiddo]

so sad that in the tmn reunion tonight(?) caduceus is going to be interuptted from watching hydraulic press and slime videos on youtube in bed to have to fight an evil moon. ableism .

[tenebrous-dream]

the first style boutique/savvy game really didnt do anything to get as much love as it does

[aliferousdreamer]

so i've been rewatching season 4 of the next step for the first time in years and hoooo boy do i have a lot to say t

[incorrect-ikevamp-quotes]

Live footage of ur fave mod getting ready in a wedding dress below the cut /j:

[the-hot-zone]

the imagery and audio of the opening scene of s1e1 of arcane is just insanely well done for the set-up of the show’s themes and central conflicts. this is just a quick analysis (that spiraled) of what i notice as i’m re-watching, but—

a) the POV of “jinx” with the scribbles overlaying the aftermath of destruction and devastation lay the groundwork for not only what represents her POV to us, the audience, but also to where it originates. this is one of the first things we see in e1: the scribbled faces appear on the enforcers and on the dead bodies even as powder herself has her eyes covered. the echoes of violence reach her even as she tries not to look. retrospectively, we are meant to notice how "jinx" was already forming years before she started “jinxing” jobs with vi and the gang—the violence of her circumstances and the impact they have on her as a child played a key role in what the show calls her "instability," in what we understand as her development. her scribbled vision is first associated with violence done to her and those around her before it is associated with her later choices, which arguably can be rooted in her circumstances (more on this later). this is central to what arcane as a show wants to establish wrt their commentary on violence as a cycle and consequences that cannot be undone regardless of one's actions.

b) the most striking imagery to me: blood running down the faces of the statues on the bridge between piltover and the undercity, being made to look as though they are crying. the bridge is a key piece of imagery introduced in this opening sequence that arcane returns to throughout later eps. the expression of these statues is still, solemn, and silent. they are guardians of the bridge between piltover and the rest of the city. the tears of blood, however, have moved the unmovable. this can be interpreted in a couple ways, but here's mine. the blood as tears represents the ongoing mourning for those lost to violence. vander's resistance failed in multiple ways in that it did not end piltover's rule over the undercity, nor did it save those who fought in the resistance. moreover, this bridge is revisited in e2, and we see the bloodstains never left. they cannot be washed away; the memorial to those who were lost—vi’s parents—remain, and we see vander ask vi if she’s willing to lose powder to a war, just like she lost her parents. later on in the ep when vi approaches deckard, a drop of blood runs down her face like a tear. she, too, steps into the role (or tries to), as a stone-faced guardian, but violence moves her. particularly, it moves her out of powder's life, contributing to jinx's development.

c) when vi is about to cry, it looks like she’s holding herself back before she breaks down, and only then does powder also cry. there are a couple subtle moments throughout this first scene that express the extent to which powder revolves around vi, and this is one of them. powder takes her cues from vi: just minutes ago in the scene, powder only looks at the bodies because vi stopped. so we have this interpersonal level of reliance between these two, but the show doesn't want us to forget where the cues for vi come from. powder looked because vi stopped. vi stopped because the devastation around her made her stop.

d) throughout this scene, music is the dominant auditory experience. however, there is one sound that breaks through the music: the weight of vander’s gauntlets dropping to the ground. the break in the music is meant to express the weight of this decision. it's the only sound of an action that reaches the viewer as he throws the gauntlets down in favor of picking up the responsibility of vi and powder. with this action, he attempts to abandon his cause in hopes to protect vi and powder,

e) but vi looks back. we see her glare back across the bridge towards piltover, her eyes narrowed, and we understand that a key part of her character will be resistance. and to cross that bridge, she must put on vander’s gauntlets. we see her try to embrace this legacy throughout the first ep and beyond—“this is the exact job vander would’ve pulled when he was our age” is what vi says to her friends when on that first job to steal from jayce's workshop. and throughout the first few eps we see vander’s legacy called into question, with a focus on his legacy of resistance against piltover. that's the legacy those around him prefer, including vi herself. but it’s also a legacy he’s rejected in favor of another: his work to protect the lanes through non-violent means. silco’s later criticism of “you’re willing to die for a cause but not fight for it” towards vander perfectly encapsulates vander’s decision to put the gauntlets down, and why he still fails to prevent violence, particularly against vi and powder.

overall: the opening sequence is vital for establishing the link between vi's and powder's relationship and the violence enacted against the underground by piltover. the show's theme expresses that the former would not exist without the latter. the tragedy of jinx isn't just an interpersonal tragedy. it's a circumstantial one. it's an environmental one. it's a societal one. remember: mylo first drops the name jinx when he says powder jinxes every job. but there wouldn’t be any jobs to do--the coins coming into the lanes wouldn't be "only from crime"--without the violence piltover has enacted against the undercity.

there’s a lot of pain in asking ourselves the “if only’s” of these first few episodes. but if the alternative for powder killing claggor and mylo was for her to come on the mission to save vander anyways, to fight anyways, then there was never a choice. when powder says, “I’m not a fighter,” and vi responds, “you don’t have to be,” vi fails to understand the consequences violence has already had on her sister. in powder's mind, you don't have to fight translates as you don't belong here. the only way powder knows how to help is to fight--it's what vi (and everyone around her) taught her, even inadvertently. the show tells us that there was never a real choice in any part of this sequence. the real legacy was the violence topside enacted and continues to enact against the underground. what prevents vi from coming back to powder is ultimately marcus, regardless of his motivations.

what the opening sequence, and those first three eps, tell us about the show’s defining conflict is this. in a system built on inequity, its defining characteristic will always be violence, and whether those subjected to that violence try to fight it, live within it, or take advantage of it, the consequences cannot be undone. there is no going back.

[itsalwaysdark]

i like overthink everything now it makes me feel so dumb. i used 2 be able to just talk 2 ppl but nowadays every single thing im like Is that actually going to make them hate me. Yes probably. and then i just dont respond which makes ppl hate me. this is how it is

[keeps-ache]

there are a couple changes i would make to the keyboard if i could:

wiggly exclamation mark

bleeding heart emoji

varying snake emojis (more poses would be fun)

question mark with a little heart for the dot bc, well,

more explosions

and that is all thank you