#iirc they do that every season

[kaiserouo]

i forgot how to play this game

[nomairuins]

had 2 take a break 2 think abt a different one of my princesses. back 2 it

[bunnyb34r]

Finally started hacking away at the overgrown rose bushes and I'm so fucking exhausted and in pain 😭 bitch....

[kraviolis]

if i had to guess, i’d estimate that only about 1/3 of all the fanfiction i’ve written has been posted.

[oddlittlestories]

Thinking about Cuddy.

House is a genius. I’ve written about how Wilson is equally talented.

But Cuddy is, too.

One of three(?) female deans of medicine in the country. One of the youngest. And every time the spotlight turns onto her, she does things no one else can do.

She has a kid by herself. Wilson points out that a man in her position would have a wife, two nannies AND two assistants. (She tries to hire an assistant and the job is so demanding they quit regularly.)

She consistently gets things for the hospital no one else can get and is the trump card only she can play. In 5 to 9, she gets (I think) 7%, which is far and away better than her opponent, her board, or anyone else but her thought she could get.

In season 1, iirc it’s implied SHE brings in Vogler, and she’s the only person who can stop him when he starts tearing the entire hospital apart to get at House.

In season 3, she ends the nonsense with Tritter.

She’s also the only person who can and will keep House on her team (no one will hire House or Foreman, other than her). And she’s the only person who can wrangle him, canonically (I disagree with canon, but Cameron does hand the reigns back to Cuddy with this exact statement). Moreover, she makes House an ASSET. In 5 to 9, she explains that PPTH is on the cutting edge, which includes their world famous ddx department.

And! Despite the fact that House routinely accuses her of being an administrator and not a doctor anymore, she still successfully treats patients from time to time. She helps ddx the babies in Maternity. She saves her patient’s baby in Fetal Position. In s5 Joy, she clocks that something is wrong with the mom when no one else does, and pushes until the diagnosis is made and saves both their lives. She figures out the diagnosis in Joy to the World at the same time as House, and is so kind and respectful to the folks caring for the baby, yet still makes sure she gives the baby what she needs.

I have to admit that I don’t remember s7-8 well enough to go through those, but it’s clear to everyone that Cuddy is a great doctor. Much like Wilson, she gets dismissed in part bc she gets too emotionally involved. And it’s also clear that no one really understands her work or how good she is at it. Everyone only sees their part, and she has to see all of it and make it all fit together, making sure everyone gets what they need. Her ability to flip between caring and hardass undermines her ability to seem tough, but it’s also necessary. If she couldn’t care, she wouldn’t take such good care of her people or patients. If she couldn’t toughen up, she’d let people walk all over her. It’s a unique style, and not without its pitfalls, but it’s all hers.

And like Wilson, she doesn’t get seen as a genius. In fact, she barely gets acknowledged as smart at all. A lot of her successes come from charisma and social intelligence. And those things often get dismissed in women, especially women who care as deeply and obviously as Cuddy does. The ability to juggle so many things gets dismissed as “basically being well-organized,” and also, no one really SEES what she does. It sometimes takes her a minute, but she reads people like THAT. She figures out and outwits that sociopathic drug dealer. She sees through most of House’s lies. She often settles with plaintiffs because of guilt, but she also often talks them out of suing the hospital in the first place.

Cuddy is just as good, and just as brilliant, at her job as House and Wilson. But she doesn’t get seen as a genius anymore than Wilson does.

[am-i-the-asshole-official]

Quick PSA for people calling things bait for legal reasons. (Like saying something couldn't have happened because someone would've immediately gotten arrested/ that it is perfectly legal/ whatever.)

DON'T unless OP has told you what country this happened in. Just because it isn't like this where you live doesn't mean it isn't like this everywhere.

I know this is an edge case, but one you encounter surprisingly often as a non-USian.

Diagnoses too--the one that mentioned Asperger's the other day and people were falling all over themselves to go "um sweaty this is rage bait, we don't call it that anymore" when (iirc) there are very much non-US countries that do absolutely did my head in. I've also had to explain hemispheres and seasons to people. Do not assume every post is about the US, and if you do, try not to get condescending about it.

[lamare-sims]

Sims 2 UI Browser

Did you know there's a cheat that lets you play with UI?

Ctrl-U

Well, it mostly lets you find UI elements and move them around

It helped me make wider design dialog window

There's a search bar and info

Track Mouse checkbox is super useful, takes the browser window right to the element you hovering over

What's the use?

Say, you're looking to edit the pause button

The weird number 0x27d7258f is its ID (selected item on the picture)

Now you can find it in UI Data files

Open the ui.package in \TSData\Res\UI (or if you're using a UI mod, you may want to edit its files instead)

Select all UI Data recourses (try Ctrl-A) and extract them somewhere, into a new designated folder maybe

There's gonna be a lot of text files in a UI Data folder

Search that folder for "0x27d7258f" using standard Windows Explorer / File Explorer. It'll find the files with the pause button

What can you do with it?

Edit position by changing coordinates:

area=(170,192,190,212)

I call them start width, start height, end width, end height

IIRC, these coordinates are relative to parent element, not absolute (start where parent's position starts, not where your screen starts)

Find group and instance numbers of its image/icon:

image={499db772,a9200127}

Icons are also found in the ui.package, although they may be in a different one

There's a ui.package in every pack's folder, and you probably used your latest one to extract UI Data files (like SP9), but the pause icon is in the base game's ui package. Some weather related icons may be in Seasons' package and not in anywhere else. You get what I mean

There are all sorts of color options (in RGB, I assume):

fillcolor=(204,204,204) colorfontnormal=(0,0,0) colorfontdisabled=(0,0,0) colorfonthilited=(0,0,0) colorfontnormalbkg=(0,0,0) colorfontdisabledbkg=(0,0,0) colorfonthilitedbkg=(0,0,0) forecolor=(255,255,255) bkgcolor=(0,0,0)

Not all of them might be relevant for all elements, though

If an element has text, font may be edited:

font=0x00001318 font=GenSubHeader font=BuildBuyModeFooter

Looking at bigger elements, there are also a lot of flags and properties. Here's some interesting ones:

moveable=yes sizeable=no titlebar=no outline=no align=lefttop wrapped=yes opaque=yes

You can guess what they mean

Hm. Design tool window is moveable, but isn't sizeable. What if?..

Nah, simply changing "no" to "yes" didn't work

Search shows there are no sizable windows in game, except for UI Browser itself and a few other "browsers" I haven't seen, so we can't easily copy how it's done

Maybe some day

That's it for random UI modding stuff you didn't wanna know :D

[theawkwardvirgin]

Just remembered something that baffles me about secular media. They insist on framing spiritual warfare (and specifically exorcisms) as something that’s like…. “old church”, something that “oh well we used to do that, but not anymore, that would be silly to do that now in our ✨enlightened age✨”.

I’ve seen it in Criminal Minds and in Supernatural and I think in Lucifer as well?

And it’s just such a confusing choice??? Like, where did these people get this idea???? Why is it so wide-spread??????

Every diocese that’s big enough to support them has an exorcist. We’re not told who that exorcist is, but we have one.

One of my religion professors shared a story with us from a few years ago when he had traveling exorcist visit his class! The guy was based at the Vatican iirc and traveled around as needed. He was on sabbatical for a break.

I get that part of it is ease of plot and getting side characters out of the way do the MCs can do their thing, but even then I do not fully understand it because the truth is so much more interesting!!! You’re telling me you’d rather have Dean and Sam be shut down by a skeptical old priest who insists they don’t “do that anymore” when a real priest would be like “don’t do anything until I call up the exorcist and get a proper investigation going”?????? Now that’s new. That’s interesting and a new kind of challenge they haven’t faced before.

And I can’t help but think that part of it is because our belief in the spiritual and spiritual warfare makes people uncomfortable. It’s all hunky-dory as long as they can dismiss us as being “those Jesus people who have too many rules”, but the second we start showing a true belief in the supernatural, a supernatural that can and will TANGIBLY affect us, they lose their nerve and start watering it down.

I’m reminded of an episode of Buzzfeed: Unsolved where Ryan and Shane went to a Catholic priest before going to their one demon location a season. It was obviously for a joke, but the priest took it dead seriously, and I think it really threw the guys off. It was very entertaining, and a much more realistic example of what would happen irl.

[plumbogs]

Making Sims 2 University Fun: my personal guide

I've noticed that while it's probably one of the most utilized of the expansions, TS2's university is generally seen as a slog. Which makes sense. It has a completely different gameplay loop than the rest of the game. But it's very handy to send your sims to college, especially if you use any of the various mods that limit careers based on education. So here's my big guide to making university an actual fun experience to play through (to me, at least).

The university expansion is, uh, very tailored to the 2000s college party time animal-house tropes. the pack becomes more fun when you treat it that way and let your sims be stupid young adults who streak and fool around on campus and throw parties. which, by default, is tricky because of the gameplay that requires so much skill building and assignments. which the rest of this guide will also deal with.

Note: I make some pretty big changes to normal university gameplay, to the point that it does require a bit of modding and at least one instance of fooling with simpe. there's probably also easier ways to do it, and of course everything is optional. maybe you do like keeping sims in dorms for the entire time and just three-speeding trough it all.

*mods: there are a few absolute must-have mods to me.:

TwoJeff's College Adjuster. It's basically an all-in-one controller to adjust semester timing, change semesters, plus a bunch of other features. The semester timing is the most important to me.

Active Classes is still in testing, but it almost completely changes how I play college sims. Once again, I'll detail gameplay later, but actually sending your sims to class makes for a much more fun campus experience.

No College Time Progression On Community Lots: this goes hand-in-hand with the previous mod.

Community Time: IIRC you have to do a little editing in SimPE to make it work right with University - this post explains what to edit. I don't know if I'm allowed to share the exact edit I made as a download. This might seem redundant after the last mod, but there's a reason for the madness: while one group of sims are in their active classes, the other students can do things on the home lot.

Instant Pledge for Greek Houses: This one is important for greek house gameplay, which is later.

SimBlender: There's like, 500 different edits of the SimBlender, and I think all of them have the main function needed for my college gameplay, which is teleportation. You can use a comparable teleporter if you fancy.

Simlogical's University Break is another important one for me, but it's not really necessary if you don't want it. I usually give the sims one break day per season - more on that later.

Autonomous Casual Romance is not required, but it sure adds a lot of fun to your college experience. You can also do any number of professor-limiting, custom degrees, etc mods and fixes you want.

*mods i do not use: there are mods to change the number of/length of semesters, but I seem to run into issues with them so I use the college adjuster to do the same things. I also don't really use any major overhauls, or mods that make term papers faster. I did have the tuition mod for a bit but grew tired of using it.

*general timing changes: I do seven-day seasons with longer lifespans for all sims and play rotations each day. These are the things I do specifically for university:

Four semesters: I only do semesters 2, 4, 6, and 8. Every time a new semester starts, I just use the College Adjuster to set the correct semester for each sim. I use the default length of 72 hours.

Synchronized finals: I use the College adjuster to reset the timer so the finals are all around 6-8am, and synchronized for each sim on a lot. This makes it easier to keep track of timing and skills. Also, all sims in university run on the same 3-day semester. Finals are the same day for the entire college each round. Once again, that just makes it easier for me to keep track of college-wide events for gameplay reasons.

Because this means there's 3 days per school year, and two school years per season week, it syncs better if they get a day off every Sunday using the University break mod.

Teens are sent to college on the same schedule. I send teens to school when they have 14 days or so left, with maybe an extra day or two if the college is currently in the middle of the semester.

*Gameplay: living situations: Here's where the meat begins. Now all your sims are on the same college schedule, they're all being sent to school, and now they need to actually move into college. I follow a real rule a number of colleges use: Every student spends a year in the dorms. Just their freshman year, then they have to move somewhere else. I find that this gives them a chance to meet dormies, adapt to being on college, and sorta figure out what kind of young adults they are. Plus, this gives them time for joining greek houses, which will be talked about later.

I do this because I like seeing sims as their own little characters with arcs and whatever and it forces me to think about what exactly they would be doing in college. Some sims get so frustrated with the constant mess of a dorm, some sims thrive by making friends with every dormie. Sometimes they start new drama with the others they came from high school with. Nothing quite like losing your high school sweetheart to some stinky dormie, after all.

After freshmen year, the students are kicked out of the dorms. They can get an apartment, they can rent a house, they can move into a greek house if they join one. Either way, they need to live somewhere. You can let them stay in the dorms, but I prefer somewhat smaller college households and divide them accordingly. Which gets into that whole greek house situation:

*Gameplay: greek houses. I gamify the Greek houses. I play SSU in my megahood, which comes with a fraternity and sorority, and you can do whatever setup you like there if you dislike gendered houses. Or abandon them all together and ignore this section. There are a few important elements:

Freshmen cannot live in Greek houses. They can, however, pledge while living in the dorms and move in right after their finals end. This includes dormies. There are benefits to the dorm, such as free housing, more social opportunities, usually more money per household since I cheat to make the greek houses actually nice to live in with things like pools and comfortable furniture, etc.

The Greeks have to be recruiting consistently. To keep the house going, they need to constantly be bringing in new members, either playable OR dormies.

Any recruited dormies are required to move in. You can townify them after graduation if you don't really get attached to them, but every member of the house is moved in. I use the instant pledge mod to get rid of that annoying requirement where they have to hang out on the lot so long before moving in. That, and they also move in after finals. You can teleport or invite them on and just ask them to move in. Whatever you want. Then, you must set them to be sophomores. Beyond that you can do whatever. They're playable now. Have fun.

You gotta let the Greeks party. Throw toga parties all the time and use a teleporter to maximize guests. Generally, ALL members of ALL greek houses are teleported to a party by default. Add more dormies, any friends, anybody in the dorms - the kids need to recruit and the easiest way is by forcing everyone on one lot. If you have autonomy mods or realistic alcohol, sit back and watch the madness unfold.

I don't really play wants-based, so playables that join greek houses is more based on vibes or friendship with existing greek members than wants.

*Gameplay: what do you mean we have to study??? Yeah. I made it this far before even bringing up the whole point of college. This is also where it gets a little more complicated and changed up, so bear with me.

I don't do wants-based, again, so I generally just try to make sure sims are at least passing by default. Whether they go beyond a C is up to whatever. I usually try to get knowledge sims to their 4.0s or sims that just seem like they'd take it seriously to max GPA.

ACTIVE CLASSES ARE SUCH A LIFESAVER. You can use the pre-made lecture hall or make your own. Put some skill-building objects in there, and if you like flavor theme the lecture halls around majors. I have a business/gen ed building, a science lot, and an arts lot, each with two classrooms (plus the library contains a classroom). I do believe I made an edit to the mod to make the class performance go higher with active classes, as well, so attending class every day is the bare minimum to get a passing grade.

The active class lots also contain career reward skill-building objects. These are nice because your sims can request to be taught by other sims on the lot. If you have a mod that allows non-students to visit uni lots, this helps even more with faster skill-building.

Every day, I send groups of sims with similar majors to their class. If there's a mixed-major group, each sim group gets one day in active class per semester. (So if there's an economics major, a bio major, and an art major, each one attends class on a separate rotation and the others do the normal autonomous go-to-class where they leave the lot and disappear). They attend one or both of the lectures and otherwise exist on the college lot to skill-build, socialize, eat, etc.

Outside of class, sims will usually research if they're not doing great. I honestly barely bother with assignments or term papers unless the sim actually wants to do them or are aiming for a high GPA. Maybe they go hang out at the lounge or downtown to fool around. Maybe they just fester at home. Whatever they want.

*other gameplay/storytelling things: I usually will take advantage of the aspiration change after their sophomore year if I realize that their aspiration just doesn't really jive with how they act. It's realistic to me. They had many years since being like, 13 when they first had their aspiration selected. I'd like to implement more in the way of holidays/events, personally, but that's not really relevant either. I usually give them an outfit change as well, and I like to go hard with the idea that they're going through a bunch of weird fashion phases. You know you want to give them a mohawk, just for a few days, don't you? Dye their hair red? Shave it all off? Have fun with it.

All of these things combine for me, at least, to make the college years a lot more engaging/interesting and less of a slow "move to a dorm -> study -> read books -> meet needs -> graduate" loop. There's a lot more storyline development that comes from sims being able to enjoy their time as young adults, too, such as the regular polycule jealousy explosions and party fights. It serves to break up anything they had going on as teens and give them a little direction to enter adulthood with. This concludes my little mini-guide, feel free to steal all my gameplay style or just take inspiration if you please. Or ignore it all and shake your head and call me an idiot. do whatever you want forever.

[hamable]

It’s really interesting to me how elusive Kipperlily Copperkettle has been throughout what is now the first half of the season.

She’s the closest thing we have to an identifiable Big Bad. She gets established in episode 3 to be constantly vigilant, capable of eavesdropping on anything and everything.

And then she’s physically MIA (iirc) for seven episodes, barring her scene with the food trucks at the start of episode 7. I think she’s said to be present at the assembly this most recent episode (ep 10) but she doesn’t appear to be an active participant in anything. That inaction is eating away at me… bc I know she’s doing something.

Talk about haunting a narrative… I’m constantly aware of her nonexistence. I’m paranoid. With every episode that we don’t hear from or interact with KLCK, she grows more terrifying to me. Brennan made sure to establish right away that she could be listening at literally any point. Riz tried to keep that at the forefront of his mind initially, but even he let that idea fall to the wayside as stress built up and time passed.

I think we’ve settled into a false sense of security in this respect. I think that at any point Brennan can and will drop a KLCK bomb on us and oh boy it’s gonna be deliciously messy.

[alucardens]

Yeah though seriously- you might not ship Buck and Tommy and that's okay- everyone is entitled to their opinion as long as it doesn't harm anyone- what makes it not okay is when you say things like you're being queerbaited- in a show that *literally* has a canon lesbian couple (where one half of the couple is a main character) SINCE the first episode of the show, that, 1) consistently, as a couple, have storylines that get resolved in a way that shows the writers aren't brushing the characters away, and arcs that show character growth.

2) NONE. NONE. Of the canonically queer characters have been harmed in a way that resulted in permanent death. And when they do get in harms way (which is inevitable- this is the nature of the show), it's done in a thoughtful way- their actions and risk of death/ injury WOULD add something to the plot/ storyline. Their loss would have an impact on us as the viewer. They would not be meaningless deaths. And aside from death, even queer characters who 'exit the main storyline of the show' but are otherwise alive, are still done with thought and care. I mean, (and spoilers for the first few seasons of the show,) Michael's storyline lasted (iirc) about 3-5? seasons. (We are not talking about meta events such as why they removed the actor from the show). He and his (named AND on-screen) husband, David, move to help people. His husband is literally a neurosurgeon. There was literally an episode revolving around Michael's proposal to David. Even after they've moved away, they're STILL referenced and talked about. They're not pushed away or ignored like the way some shows treat characters who aren't there anymore.

Josh (my bby fr), who's also been canonically gay since his first appearance, also has a arc that's real and very very relatable to most of us. The show takes it fucking seriously as well. And Josh is GOOD. Even as a side character, he's not reduced to the 'gay best friend'. As I said, he has his own storyline and arc, he has his own opinions, he's good at his job.

Aside from the main characters, imo, 911 also does a damn good job of showing that queer people exist. You might not like it because 'oh they're showing queer people who are in danger/ not happy/ dying.' To which I'd respond by saying that you're watching a show about paramedics. As much as we like to say this is the gay firefighter show (accurate lmao), we need to remember that there's going to be dark themes in this show.

I don't remember every call they've come across that involved queer people, but we for sure remember the 'we ever only wanted to go together' scene, with the elderly husbands. Yes it involves death. That's why we're seeing this scene in the first place- the engine wouldn't have to respond to a call if there wasn't a call in the first place. But it also fucking shows queer people growing old together and making a life for themselves. The opening scene is literally a montage of the husbands' relationship over the years. I don't know how many mainstream shows put that much fucking care in queer characters.

And then there's also the wlw couple in that car accident thing- not as significant as the husbands but like, that's the point, is it not? Not all their calls are significant- we don't even see all of them. The point is that they just show queer people existing as a general thing. It's not strange that the two women who were in the same car in a crash are both gay. There's no weird over-sexualised kiss. There's no show or mention or even hint of homophobia or confusion by the firefighters. It's fucking normal. So yeah. Do I ship endgame Tevan? Not at this moment. Do I like them together as a couple right now? Fucking yes. My personal opinion is that I like Buck and Eddie together more (at least for now), but why would I not ship Tommy and Buck right now? It makes no fucking sense not to. Buck is in a happy (queer) relationship, he's still figuring himself out as a bi man in his 30s, he's dating a masc man, who's past is messy and has since grown (oh look at that, another character arc revolving around a queer person), and they're clearly fucking happy together.

Anyway. I have a lot of feelings about this lmao. You want proper bi representation? Bro. I don't know what to tell you but you're looking at it.

[purple-nightfall-writes]

real talk though i'm legitimately so excited for each and every one of the teamups this season. banger after banger after banger. genuinely, no sarcasm, i really do love how many of them are reprises of some sort. it feels like we're getting a lot of the best teamups from different previous seasons all mixed together in one series and it's gonna be SO hype to watch it all play out.

the gaslight gatekeep girlboss impulse team is gonna be SO fun to watch! even just in the first episode there's already been double life callbacks that are just so excellent from a character angst perspective. scott and cleo ribbing pearl about winning double life and pearl just playing into the absolute perfect level of "awkwardly laughing along" for her character. c!pearl teaming up with the people who betrayed and abandoned her in the darkest game for her, trying to act like everything's okay and this is fine she'll be fine it's all gonna go fine. oh this is gonna be SO juicy. also impulse is there and i love that for him. c!impulse is the perfect counterbalance, a stranger to their fraught history, just awkwardly glossing over the tense atmosphere and hoping it all goes fine. this is gonna be so good i'm HERE for it

return of renchanting is just absolutely incredible them just immediately falling into lockstep as a duo they're perfect no notes can't wait to see how devastating of a story those two make for us this time

team bet already has such a fun dynamic with ethubs scrapping like an actual married couple on the verge of divorce and tango just egging them on, i was laughing so damn hard during their interactions they just have such excellent chemistry and i CANNOT wait to see where this goes. also iirc tango hasn't teamed with bdubs since last life i'm sure it will go excellently hehe >:) no lingering fear of betrayal there nope

sub-one club is hysterically funny i'm so happy to see grian and mumbo teaming they have FANTASTIC creator chemistry and skizz has such a good dynamic with both of them. whatever the hell they have going on with mumbo's paranoia arc is SO hilarious i was crying laughing during that bit. also just grian teaming with Those Two is gonna be hilarious in terms of like. the wildly contrasting levels of situational awareness

god the bam team i love them so much scar and jimmy are such a fun duo together and i love lizzie so much. they have such underdog energy and everyone is talking about how they won't survive long but i think we're forgetting that scar is actually like. really good at the game. i do think jimmy has gotten a lot better too i think they're gonna do a lot better than people expect. lizzie is a wet cat though and i love that for her

gemjoel is a terrifying teamup they're going to absolutely scare the hell out of everyone when they start making enemies. just so excited to see how their dynamic develops too as the season progresses.

bigb is a surrealist force of chaos and i love that for him

basically i'm pumped as hell for this season it's all gonna be so amazing and i just can't wait

[freak-accident419]

Helloo, I hope you’re doing alright!! I was wondering if you can make a fic about Josh Futturman that’s set after the show?? Like at around the early 2000s (since they end up in 1999 iirc) And when he meets the reader at his new job he gets a crush on them so he invites them over to hang out :-)

I think it would be cute fluff (like a little kissing) but if you can manage to make it smut that’s good too :P

His Silver Lining

Josh Futturman x GN!Reader

Summary: Josh had been adjusting fairly well to the year 2000 after tragically getting stuck in it. Though for quite a while, he had developed a crush on you ever since he first met you during his new job at Blockbuster. He finally gets the courage to ask you out—which was inviting you over at his place to watch a horror movie.

Word Count: 2.7k

Content: fluff, gender neutral reader, takes place in year 2000 (after season 3 events), Josh uses “Pastman” for a fake name, spoilers for season 3

(A/n: First of all, I’m doing just fine, thanks so much anon !! Second, I don’t know if this was exactly what you wanted based on the request, but I hope it’s okay !! I can’t tell if it’s half-assed, but it was the best I could do!)

-

Josh adjusted quite well to the year 2000. He found a place to live, got a simple job at a Blockbuster store in Pasadena, and almost accepted his life here in this timeline. Sure, he would usually make a few slip ups like the fact that NYSC would break up, Britney Spears’ conservatorship, and the existence of the Xbox, but nobody would think too much of it; to them, they were just wacky, pessimistic predictions—except for the Xbox, of course.

You were a regular customer at the Blockbuster store. You were quite the film buff, immersing yourself in old cinema and classics as you would rent a new movie every twice a week. And it was almost love at first sight for Josh when he saw you at the counter renting The Last Starfighter—it was destiny.

A bit sheepish from how attractive you were to him, he stammered over his words a bit clumsily, which you only smiled admiringly at.

The first thing he noticed about you were your eyes. They were bright and optimistic. With this, it revealed to him that you were quite charming and friendly. The second thing he noticed about you was your style—your fashion was unique, yet delightfully peculiar. It was sort of refreshing to see, which made you stand out compared to anyone else he’s met. And he should’ve seen this first if it weren’t for your eyes, but the third thing he noticed was your smile. It was so beautiful that he couldn’t believe that it was himself that brought you to grin like that.

“‘The Last Starfighter’? Really?” Josh asked after he came out of the trance you put him in, ringing you up.

“Yeah, I know, I… It’s a bit of a classic, hell, I was, like, nine years old when it came out, but… Y’know… I’m just… Expanding my horizons. I kinda just immerse myself in mostly eighties movies,” you chuckle. The cashier was endearingly dorky to you. He had soft brown hair and eyes, with a cute smile, undeniably caused by you. You’ve never seen him before however, and you came here frequently, so you assumed he was a new hire.

The movie you’re renting would only remind himself of his own life—how his video game became reality, bringing him into the most traumatizing and insane adventures. Hell, it took him a month to finally stop seeing his parents from afar ever since he got trapped in this timeline. So the subtle mention of it would have sparked melancholic nostalgia in him under different circumstances, but right now, he was far too distracted from how pretty you were.

“Yeah, it’s… it’s an alright movie, I’d say,” he replied with a faint chuckle, reinforcing your belief in the film as you took out your cash to purchase the rental.

“Hey, so, um, are you new here?” You asked briefly.

“Yeah. Yeah, I am. Did I—did I make it that obvious? Like was there something unprofessional I did—”

“No, god, no,” you giggled—it was the sweetest thing Josh had ever heard in a long, long time. “It’s just—I’m a regular here. Rent movies all the time. Usually Brandon or Steffie rings me up. When did you start?” You asked, watching him place your money in the register, then retrieving the amount of change you had.

“Oh, like, a week ago,” he answered, giving you your change.

“Well,” you peered at his name tag, “Josh. Welcome to Blockbuster. Get used to seeing this face every twice a week.”

He chuckled softly to himself, almost in fluster as well, because he knew he would look forward to be seeing you frequently. “I’ll look forward to it, um…” He trailed off with anticipation as he handed you the VHS tape and receipt.

“Y/n,” you grinned, taking it in your hands and making your way to the exit.

And so, the last thing he noticed about you was the silver ring on your right index finger.

***

It was like this for a couple of weeks. You would come in, get a movie, exchange smiles and giddy laughter, then leave. He would observe the movies you would rent, though he would also occasionally make some more accidental slip ups about the future:

“‘Dead Poets Society’?” He raised an eyebrow as he looked at the VHS cover. You nodded pridefully. The image of Robin Williams caught his attention. “A shame he died. He was awesome.”

“Neil Perry? Yeah, I suppose,” you reply.

“Wh—Oh,” Josh stammered in realization.

***

“‘Dawn of the Dead’? Hell yeah! That man, Zack Snyder, is a genius.” He declared with a wide grin.

“Who?”

He looked back at the cover. This was the 1978 movie. The Zack Snyder version wouldn’t come out until four years from now. “Oh.”

***

You brought up a ‘Back to the Future’ VHS at the counter, causing Josh to raise an eyebrow.

“Huh.” How ironic.

***

You came into the Blockbuster store once again. Over time, your crush on Josh only increased. There was something about his dorky, sweet, awkwardness that charmed you, that even on days you didn’t feel like watching a movie, you went anyways and rented one as an excuse to see him again.

Today, Josh had a confident mindset—this was the day he was going to ask you out. He felt very prepared to speak to you once you would walk up to the counter with a movie.

“Hey, Josh,” you smile softly as you see him at the counter.

“Oh, hey, Y/n. Got any specific movie you’re looking for, or are you just gonna browse today?”

“Well, now that you mention it,” you began, “Do you have any movie suggestions for me?” You walk to the front counter where he was, crossing your arms on the surface with an expecting smile on your face.

“Hm. Depends,” he answered. “What, um… genre are you looking for?”

“Not sure,” you shrugged. “Just anything. Any movie you’d like.”

“A movie I like?”

“Yeah,” you smile.

“Why me?”

“Eh. I guess I trust your taste.”

With an attractive chuckle under his breath, he led you to a specific aisle of the store. Then, he finally grabbed a movie for you.

“Sleepaway Camp?” You raise an eyebrow as you gently took the VHS from his hands.

“Yeah. Yeah, um, it’s a really great horror movie,” he claimed. While Josh would usually be scared shitless of this kind of slasher, he was so desensitized to nearly everything due to all of his time travel adventures. He witnessed his companions chop up his co-workers and saw his work crush’s head explode right in front of him. And plus, he already watched this movie, so he knew where all the scary parts were.

“Horror movie? I don’t know if I’m much of a horror person,” you bit the inside of your cheek and smile kindly.

“Wait. You’re scared of horror movies?”

“I didn’t say I was scared—”

“I think it’s heavily implied.”

“No, I… I quite enjoyed the—The Silence of the Lambs and—”

“No, no, no, Y/n, that’s different. Like, you gotta watch Sleepaway Camp. It’s crazy. Like, insane,” he emphasized.

“I don’t know, man,” you laugh softly.

It’s now or never, Josh thought. “Okay, okay, how about this: we watch it together. At my place. I have a TV and microwavable popcorn. I can even let you know where the jump scares are and everything,” he initiated endearingly.

You offer a coy smile as you fidget with the ring on your finger. “Josh Pastman, are you seriously asking me out?” Because his six-year-old self exists in the same timeline as him now, he would’ve had to have a cover name—which was actually the same one he used back at the meth lab.

You could swear you saw his face flush red a second after you said this, making you giggle to yourself.

“I—Well. Sorta. Well. Only if—if you—if you would want to—”

“I’d love to, Josh,” you interrupted charmingly, looking at the back cover of the VHS’ clamshell to skim through the movie’s details.

“W-wait, really?” He blurted in surprise. While he did intend to ask you out, he never really expected you to actually accept it—his self confidence was fairly low and the poor man has never gotten a break.

“I mean, yeah, sure, why not? Bold of you to suggest a horror movie for our first movie together, though,” a smug smile appeared on your lips. You suspected he would choose it because you would inevitably cuddle with him in fear. It really wasn’t his intention, though. It was genius, nonetheless. “Hm. Respect.”

Josh stammered over his words, slightly abashed. “I—Wait—No, that’s—”

“I’m just messing with you.”

He sighed in relief. He was adorable. “Okay, so, the movie’s fine? We can—we can change it—”

“It’s all good, Pastman,” you laugh. “Don’t sweat it. I’m gonna be busy for the upcoming days, so is tonight gonna be alright with you?”

“Yeah. Yeah! That’s—that’s perfect!”

You scoffed playfully at his mannerisms. “I’ll see you then, Josh.”

“I’ll—Yeah! Yeah, I’ll see you then!”

***

“Oh my god, I hate you, I fucking hate you,” you breathed in his neck as you held onto him tightly. A quite gruesome, unsettling scene had just appeared on the TV screen, not like it was the first one that occurred, but you were at a point where you couldn’t take it anymore.

Josh was blushing furiously as he felt your warmth on his body, your hands clutching at his shirt, and face buried in his neck. It felt nice for him to protect you, holding you in his arms, feeling his blood rush to his face.

It was an unintentional plan. It practically wasn’t even a plan to begin with. But it was genius nonetheless.

“Hey, it’s not that bad, it’s just shitty special effects of the eighties,” he chuckled, looking down at you.

“Dude. I get nightmares of even the most mildest crap,” you argue.

“Yeah, well, at least we’re not watching The Human Centipede. Now, that shit is fucking crazy.”

You grimace as you hear the title name. “I don’t think I even wanna know what that is.” And you wouldn’t. Not until another 9 years, give or take.

You peek fearfully at the TV screen with uncertainty. “If I see shit like this in my dream tonight, I am going to fucking destroy you,” you claim.

“Oh, really?” Josh raised an eyebrow.

“Well, yeah. I know where you live.” The two of you laugh softly. It was a beautifully, harmonious sound, your laughter. The way your voice overlapped with his, it was a sweet symphony. He had the greatest laugh. You finally moved your face from his neck and looked at him. Then he looked at you. Another calm, shared laugh until he finally grabbed the remote to pause the movie.

As you remained to grip onto his shirt, he glanced at your silver ring. “Hey, what’s—what’s that?”

“What’s what?”

“That!”

“Wh—what?”

“The—the ring.”

“O-oh, my ring?” You chuckled softly as you look at the shiny band hugging your finger.

“Yeah. What’s the—what’s the deal with it?” You raise an eyebrow as you looked at him with playful uncertainty.

“Well, I always believed on ‘the bright side,’ you know? The saying that ‘every cloud has a silver lining’. Like, when shit hits the fan, there’s at least one advantage coming from it.” Josh looked in your eyes as you explained, yourself too preoccupied with the carvings on your ring. “And a silver ring is quite literally sort of like a silver lining. I know—I know it’s corny, but a friend gave it to me, and I guess it means a lot.”

He hums in response, not taking his eyes off you. You were gorgeous. “Take this moment, for example,” you start, finally looking back at him, which elicited another blush on his cheeks. “I am being scared shitless by this fucking eighties horror movie, but… at least I’m watching it with my favorite Blockbuster employee.”

His eyes widened, quite comically as well. “I—I’m your favorite?”

You nod with a polite smile.

“Me?”

“Yes.”

“Not even—not even Steffie or Brandon?”

“N—”

“Not even Matty? He’s, like, everyone’s favorite, he’s so kind, and—”

“Josh! Holy shit!” You exclaimed, giggling at his disbelief. “They’re all nice, yes, but you are definitely my favorite.”

He slightly parted his lips in awe, then grinned sweetly. “Well, I hope you’re happy to know that you’re my favorite customer.”

“Oh yeah?”

“Well, yeah. Even the guy who knows so much about video games, that guy cannot take your place.”

“Oh jeez, so technically I did have competition, huh?”

“Eh, not really. I like you too much.”

Josh actually couldn’t believe he just said that to you. He wanted to play it cool, but his eyes widened once he processed what be just told you.

You blushed softly instead, smiling to yourself as you bit the inside of your cheek. “O-okay, so, why’d you ask me about my ring?”

“Well, initially, I was curious. But also, I thought that if you had to explain and think about something else, you would forget at least some of the scenes in this movie that freaked you out,” he explained.

“Wait, really?”

“I feel a little bad. I don’t want you to get nightmares because of me.”

“Seriously? That’s so sweet of you, Josh.”

“Well, yeah. I mean, it’s not a big deal, anyone wou—”

“I mean, I know that, but,” you intervened, “It’s not just that, you… You’ve always been so amazing to me, you know? You’re kind, and charming, and patient, and… you are really funny.” Josh smiled at you bashfully as you chuckle. You were so charmed by him. He stood out to you, and you didn’t really know why. He was kind and considerate, like everyone else, except it wouldn’t feel the same—in the best way possible. Josh paid close attention to you. He genuinely admired you. “You’re a really great guy, Josh. I would… definitely be lying to myself if I said I wasn’t crushing on you for a while now.”

His eyes widened, and you just smiled faintly. “W-wait, really? You—You like me in that way?”

“Um, well, yeah. I thought—Was it not obvious?”

“I—I don’t know, I—”

You both laughed together, feeling nothing but giddiness and contentment.

“But yeah, um, I really like you too,” Josh claimed after the laughter died down. “I just… I looked forward to seeing you every week because you’re just… You’re so amazing! And it just… blows my mind that you like me back, because why would someone as perfect as you, like such a loser like me?”

“Hey, you’re no loser, Josh,” you chuckle. “There’s a reason why I like you, alright?” He let out a scoff, but then nodded with a cute smile on his lips. “Hey. You said I was perfect.”

“Yeah.”

“You really mean it?”

“Of course, I do!”

You looked into his eyes quite intimately. They were brown and doting. He was beautiful.

Your hands were already on him, as you had held onto him tight in reaction to the gory movie scenes. So it wasn’t difficult to trail your hand up to the side of his neck. It seemed like he read your mind, because he remained quiet, shy, yet prepared. His eyes would switch from looking into yours and your lips.

You whisper lightly, “Can I—”

“God, please do—”

You two kissed each other slowly, yet passionately, your hands moving more comfortably to his face as you adjusted your legs slightly. His lips were soft and gentle, moving deeply with yours in the comforting silence of the room. You both were generous with your actions, as well as intimate.

Josh had realized; you were his own silver lining. It absolutely sucked to be trapped in a reality that wasn’t his, a timeline that he was forced to adjust to. That was the shittiest thing about it. But at least you were something great that came out of it all. With all of the calamity and mishap he’s experienced, you seemed to be his only comfort, an anchor to keep him stable in this reality.

You continued to kiss each other, which sort of transitioned into making out, as he held onto your hand, moving his finger gently over your ring. You gave him hope. That life here was going to be okay.

He was going to be okay.

[bylrlve]

Warning! Potential Spoilers for Stranger Things 5!

A compilation of recent tweets made by Alex and others about the mileven ‘making out in a field’ leak. Alex is insisting that this scene is separate from the sequence involving them talking on the rooftop, the scene which was leaked as a video back in January. According to 011scenes this scene happens ‘at the beginning’ aka in episode one.

The issue? Alex’s sources are people who speak to paps (which she lied about in answering a cc question; either that or she’s clueless), and who deliberately feed her inconsequential things production dgaf abiut because it distracts from the juicy shit e.g., what Mike and Will are doing. She was told ‘Robin and Will have a scene’ and that morphed into ‘Will is in his unrequited mopey Steve era, Jonathan and Robin don’t share scenes’, etc. The source said nothing about Byler being finished or about passionate makeouts.

I’m suspicious of the second anon’s claim about Finn, as Noah is straight-up went on TikTok live right before filming commenced in January to read out byler endgame and Byler kiss comments lmao. The bit about the love triangle being kept under wraps seems accurate enough - they’re openly passing out scraps of mileven to leakers to pass onto Alex, and it’s pretty clear they didn’t care about that mileven video hitting national news website in the Uk (daily mail). Byler? On lockdown. The only thing we know is the hospital stuff and that’s due to specific leakers, and even then it’s not that much. It is clearly a big question going into s5 for the GA, so it being kept tightly guarded is unsurprising.

The context of the kiss will be interesting, regardless of if it’s pro-mileven or somehow anti-. Alex indicates that it’s only them present in the field - BUT she’s also said that she outright leaves Will out of ‘leaks’ and gave the example of Max, Lucas, and Will having a scene but her only reporting Lumax having a scene, so… S4 mileven was a concerted effort to show that the characters had matured from s3, and that their fight was more serious. They only kissed once, and that briefly, and were… unaffectionate at the end of the season, to say the very least. The reversion to kissing in broad daylight, in an apocalyptic setting when El will be mostly hiding with Hopper from the military, feels a little out of character - and will certainly be jarring tonally and thematically.

Alex received this dm ^ back in February (discussed in my first leak post), which stated that hopper is annoyed by mike’s continuing presence around el. I and many others (including Alex iirc) dismissed it, as Hopper and Mike are on good terms at the end of s4. If Mike and El are still doing reckless things in s4, and if the old pattern of isolating El from others just to kiss re-emerges, though… The veracity of this is very shaky: the time skip occurs gradually over episode one, not in between episodes 1 and 2.

It’s important to note that many leaks are undoubtedly missing context. Just today, Alex brought up how she was right about Mike ignoring Will at the airport, about their fight, and about the airport kiss. Yes, she was, but she lacked the tonal subtext of the scene itself, which portrayed Mike’s behaviour as inexplicably phony - and of course, she lacked the lynchpin of this plot, which is that Will is in romantic love with Mike. She completely missed that, and it meant she missed every important aspect of this plotline.

Byrhop, a highly reliable st acc who’s closely following filming, was able to ascertain that Vickie is at the farm.

Lastly, I want to go over everything I know to try and map a trajectory. The Byers are living in the radio station before it’s overrun by military and they flee to the Turnbow farm - I personally am not sure of when exactly this occurs. There is a leaked hospital file showing that Karen Wheeler is attacked by a demogorgan. The file is dated as 1/1987 but it could be a prop error, as I’ve seen claims that she’s attacked when Holly is taken..

As we know, according to the leaked episode 2 title, Holly Wheeler goes missing. This likely occurs at the end of episode one, but the chronology is unclear. Karen being attacked could happen here, and I’ve seen claims that it happens in episode 2. Mike and El kiss in episode one, and as I’ve said this has been overblown greatly by Alex. The chronology of this is also unclear. At some point in episode one, Mike and Dustin are at the high school and interact with the jocks. Mike is wearing the same outfit he wears on the rooftop - dark trousers, blue and black shirt with a yellow collar, etc. As this is what he wore in the official pic released by Ross of him in his room, I am speculating that this is the first outfit he wears in the story proper, after the last time jump to November 1987, and that he may wear it throughout episode 2 as well

In episode 2, Mike, Nancy, and Karen have a plotline at the hospital. From official BTS pics, we know Robin and Vickie are there as well. The above anon does not mention Mike being injured, and its description of Karen’s mindset does not tally either with her having being attacked by a demogorgan prior or with Holly being abducted. It’s likely that they have partially but not totally accurate information; or else it’s a point in favour of Holly being taken and Karen being attacked after this happens, at the end of episode 2. I have confirmation that Mike is injured in episode 2, as are several other people - I discussed this in a post a few days ago - please discount the forehead kiss anon section of that post. This was confirmed by an extra who played a nurse on the scheme and by a different source later. The second source confirms that Will shows up last, and is crying and blaming himself for what happened. - I also have confirmation that El doesn’t show up to the hospital at all. The nurse extra also confirmed that Mike and Will ‘share scenes’ although he was not present for those so can’t speak as to what happened in them - I don’t have an image of that text so didn’t include it yesterday.

The forehead kiss anon is definitely not real (check @will80sbyers) but the rest seems to be.

Lastly, Atlanta-filming insinuates that the m*leven rooftop scene occurs after the hospital subplot. It’s unknown how they came to this conclusion.

To summarise: m*leven kiss in episode one, potentially during one of the staggered time jumps (my speculation) and the short rooftop conversation between them likely in either episode one or two immediately before something involving Hopper and Joyce occurs down in the field that alarms El. I’ve seen conflicting into on when Holly is abducted - either episode one or episode two. In episode 2 Mike, Karen, and Nancy go to the hospital for plot reasons. If this occurs after Holly goes missing, it is likely to be related to that. I am speculating that Holly vanishing, whenever it happens, accelerates the byler plotline, as Mike will more-than-likely seek out Will for advice, reassurance, information. In episode 2, Mike gets injured somehow at the hospital, along with several other people in a small-scale mass-casualty event, and ends up being admitted to the hospital. As I’ve said, it seems to be rock-solid that Will arrives and is crying and blaming himself for what happened, and Will stays with him but El is nowhere to be found in this plotline. We know from BTS pics that Robin and vickie are also there, and I’ve seen claims that Jonathan shows up to be with Nancy, but have no proof or knowledge of the providence of such claims, so… take that for what it is. It is pretty certain, as far as I know, that El is not there.

One possibility is that Will is possessed at least temporarily in 501-2. Perhaps there’s another superspy, ‘it’s a trap’ situation? Will Byers would never be reckless with the safety of Mike Wheeler or his family… but I bet Vecna and the mindflayer are just itching to attack the one salvation standing between them and Will. Something to muse on.

The timing of the rooftop scene is very important. El not showing up at the hospital is unlikely to happen after it. The scene is very clearly about affirming their relationship- whether as lovers or as friends. It’s likely that she’s distracted by Max, who is her main plot, but this is a narrative. El not being present for Mike, while Will is there and crying and staying by his side? That is telling of a potential rift that opens up in their relationship between episode one and two. There is a pattern of problems arising in their relationship in episode twos. In s2 El reached out to Mike during his call but he walked away while an ominous stinger played. In s3 they broke up at the end of episode 2. In s4 they had their disastrous roller rink date.

A few days ago, I gif’d the rooftop scene, and speculated that they’re discussing being friends, and that El apologises for not being there and Mike says ‘No. You should have been.’ before basically saying that he’s okay because Will was and “you’re all friends to me.” The ending of s4, to me, potentially marks a shift in Mike’s attitude to El, as much as it does for hers to him. In the hospital she seeks him out by resting a head on his shoulder, and she did speak briefly with him prior about Brenner, but he offers her no comfort beyond a stiff arm around her. When they arrive at the cabin, he walks in with the other boys instead of staying with her - as shes’s clearly very nervous and emotional about reentering the cabin. Finally, as we have all observed, she directs an almost angry look at Will and Mike before stomping into her room and slamming the door - a parallel to s3 after the phone call with Mike where she knew he was lying. When it pans back to Mike, and Will asks if they’ve talked? He rolls his eyes. Unlike in 403, he does not seek her out and push through her self-isolation. He leaves her be. This, coming from Mike the Paladin, suggests that he’s kind of done with trying.

El’s attitude has been convincingly dismissed by M*levens as simple grief over Max causing her to retreat as she always does. It is bizarre, however, that the monologue did nothing at all to make her feel she could rely on Mike, and much more so that he’s very apathetic.

I posit that they might, maybe, fall into old habits of passivity and inertia and string the relationship along over the time jump. Perhaps the kiss is from one of the interim jumps between March 1986 and November 1987? I could see El having too much on her plate to really address it, and feeling that she doesn’t want to push him away - after all, he did give the big damn speech. The kiss could be a parallel to Boyce and Stancy. If that Hopper leak is accurate (doubtful), perhaps they fall back into habits of clinginess and immaturity while still being deeply unhappy. Nurse extra stated that Mike is no longer trying to be normal, and that he’s discovering himself, being himself again, and being the support he once was - the wording rather implies that it means being the support to Will.

Of course, I could be wrong, and it could be that they’re doing very well, and that the kiss is indeed as happy and loving as Alex paints it out to be… but I am skeptical bc of the hospital, and because of El the brave protector not rushing to her boyfriend’s side. It’s simply too early to say. If my musing on whether Will was possessed and effectively set Mike up (against his will ofc) is correct, and if my lip-reading is correct, Mike speaking affectionately of Will here could be due to the fact that he’s intimately witnessed Will being possessed, and he knows Will would never do something like that on purpose.

Finally, definitely worth noting that there have been no signs of any NPC love interests. Will’s storylines are being protected well from leakers, so people could be missing something, but there has been no indication of it. What we are getting, though, is a focus on Will’s love of Mike, and his selfless devotion.

All of this is incredibly shaky, and I’m interested to hear your guys’ opinions on alternate sequences of events. Whatever the truth, clearly m*leven is inconsequential to the production, as it’s being deliberately leaked to distract from the real juicy stuff.

Oh, and I just want to wrap up by mentioning this bit of idiocy. Someone in Alex’s inbox sincerely thought that the production actually kills fields they want to look dead-looking, rather than editing it. And Alex agreed.

[mcybree]

I prepared this ask in the Notes app only for Tumblr to not let me copy and paste the text so here’s a screenshot bc I’m not typing all that again lol

there’s this funny trend i see in trafficblr art, in that, when there’s a lineup of every past winner, most players will be surrounded by symbols that were relevant to their POV, and perhaps drawn with the last emotion they’d felt just before death (or maybe just whatever emotion the artist most associates with the character). The winners might be doing something, or in a pose that reflects how they won—there are a million ways to make a life series winners’ piece. What’s funny about it is that no one ever seems to know what to do with Scott. He’s most often just standing there looking mildly disgruntled. And for the symbols he’s most depicted with, it’s typically poppies, which are only relevant to the first season; last life scott does not place any importance on poppies, poppies dont ever come up beyond a brief interaction in episode 1, and jimmy as a whole is less relevant to scott’s pov in last life than he is in every other season.

not that this is an issue with the art; the pieces are beautifully done, it’s just representative of how little fandom discussion there is about scott’s win thematically. Most discussion I see are about the watchers and how they hate scott for defying him or whatever, but watcher lore is not discussion of the series itself as much as it is a fan creation that is retroactively applied to create meaning.

Scott’s Last Life win, to me, was achieved through accomplishing what Third Life Scott could not.

Scott spent 3L waiting for his day one ally to die. He kept Jimmy at a distance, often fully gearing himself up first before backtracking to help Jimmy along. There’s a funny disparity in episode 5, where Jimmy spends the entire episode trying to get good enchants on his iron armor, while Scott sets up a villager and gets good enchants for the full diamond set that he’d already had in storage, in about half the time Jimmy took trying to accomplish his own goal, iirc. This disparity is also something scott acknowledges with the “I’ll always be more powerful than you” line, but it’s been a while since ive written a post like this so i unfortunately do not have the episode number memorized on that one anymore. But Scott goes on to explain that he’ll always have better armor and weapons, which is why Jimmy could never kill him. This is all to say that Jimmy and Scott do not stand on equal grounds in their alliance, and, more importantly, Scott does not depend on Jimmy. The progress Scott makes in Third Life is entirely his own, with Jimmy as more of an afterthought than a teammate.

This is what landed Scott his all time lowest placement. After Jimmy dies first, Scott loses sight of his priorities and dedicates his remaining time alive to avenging Jimmy, rather than focusing on his own longevity (like he’d go on to do in future seasons). And, in that way, Scott’s attitude towards Jimmy (disposable, going to die, unreliable) was an indirect contributor to Scott’s low placement.

In contrast: Scott could not have won Last Life without Pearl. Scott has to rely on Pearl from day 1, having only two lives to start with himself. Pearl gives Scott two lives total. Pearl and Scott are almost always together. They made it to the final four by each other’s side. And that forced day 1 reliance on pearl breaks down the role scott typically assumes (*he’s* supposed to be the person people rely on, he’s supposed to be the one bringing everything to the table) which curbs his tendency to see himself as above others, which then allows for the most genuine happiness i have ever seen him have in an alliance.

The comparison between the way Scott talks to Pearl and the way Scott talks to Jimmy is like night and day. Scott doesn’t compliment or otherwise say anything supportive towards Jimmy (save for the “I believe in you! MCC has trained you for this moment!” during Jimmy’s dare to flare attempt) until after Jimmy has already died. With Pearl, however, Scott is much more open about his care towards her, saying that she’s his best friend and that he loves her as early as episode 2. There’s more examples but between last life and third life, Scott’s attitude towards his primary ally is completely different, and i think it’s symptomatic of Scott allowing himself to love and be vulnerable rather than keeping himself at a distance. And i think that it’s so special that scott won the season where he was so close with his day one alliance, directly because of his day one alliance.

because, to me, one of scott’s defining characteristics is his self reliance. He will have allies, yes, but he often assumes a supportive role and acts as a supplier. He doesnt like taking things from other people. Last Life is different because Scott relies on Pearl, too. It’s also not a coincidence that last life is the only season where scott is normal about jimmy but that’s a different post

tldr yes scott won last life with the power of love but not in the way people say he did (ignoring the boogeyman curse was strategy ☝️)

I SHOULD NOTE, though, that the boogeyman curse was still a fail. Although purposeful, Scott receives the penalty and apologizes to his team. He says he just couldn’t bring himself to do it. I do think that his words here aren’t fully honest— he’d admitted earlier that this choice was fully for strategy. But I also think his apologetic attitude here is genuine. Scott is a perfectionist, he needs to succeed; failing, though purposeful, still hurts. He feels the need to apologize. It means so much to me that his win in last life directly follows the choice to fail on purpose. I’m insane though idk

third life scott embodies scotts flaws while last life scott is him overcoming them 👍 is what im trying to say 👍 last life scott is everything that third life scott could not bring himself to be, in allowing himself to love and depend on other people and overall just be a person.

[zenosanalytic]

Something that really struck me about Scavengers Reign(***SPOILERS*** Btw), and which is REALLY RARE to see in any sort of media, is how it presents facility with violence as something Dangerous and Bad, and incompetence at/refusal to use/hesitance with violence as a generally sympathetic quality.

Like:

Sam has his knife and he reaches for it allot, but mostly he uses it purely as a tool. IIRC(and I might NOT be), he only uses it as a weapon twice and the first time he absolutely gets his ass kicked(tbf: he's fighting a sealouse the size of an elephant at the time), and the second time, while he Murks an Aquatic Murderlemur like a Boss, he's, effectively, (and again I really cannot emphasize this enough: ***SPOILERS***) an Undead Super Soldier being driven around by a parasiteseed latched into his heart&nervous system, and it tries to take advantage of the situation to infect Ursula. So like: this historically good dude's facility with violence, while it saves Ursula from being drowned and eaten, is IMMEDIATELY followed by something deeply sinister.

In a flashback we see a rando named John using a rifle to hunt food, and he turns out to be under the influence of the same Parasiteseed Sam is, so once more we have capacity for violence being narratively near to something sinister about the character.

Ursula uses violence(I think?) a grand total of Once in the entire season, during the aforementioned Giant Sealouse Fight while it's feeding on Sam, and she totally gets lucky with it: She flings herself onto the Louse's back, manages to grab onto Sam's knife sunk there, then flips the louse on its side and guts it before it can get up again.

Azi is interesting because at the start of the story she's well-equipped, including a homemade Guandao(which: Respect u_u), and quick to use violence but she's ALSO presented at this phase of the story as Kind of a Dick, spcl to Levi, her robot companion. BUT!!! She still sucks at fighting. She tries to use the Guandao to take on some Giant Tonguecrabs and they just kind of bully her out of the way until she manages to get one of Levi's flares and deploy it(and blow her and Levi up a little). She uses it a second time to fight Hollow(a psychic monkey thing that Just Wants Some Food, Guys, he's cute and misunderstood and Did Nothing Wrong, Guys <:[ ) and she's not AS incompetent this time, even manages to get a hit in, but she still gets her ass totally handed to her, and almost dies. Later she attacks a REAL asshole named Kris, succeeds, and IMMEDIATELY gets bonked in the head with a rock for her troubles. Her most successful confrontation is near the end, confronting Kris for the final time when, in the process of threatening her with a knife, Azi chooses to stop and appeal to her better nature instead. It doesn't change what Kris is going to do, but it convinces Barry, and they both leave to save Ursula and the Passengers.

Barry loathes violence and conflict, tries to talk people out of it when it comes up, and is good at throwing rocks to stop it.

Kris is one of two(three?) characters we see being consistently competent at violence, and every single time she does it's presented as something sinister which alienates her from others and herself. She's unambiguously presented as a selfish, lying, self-damaging, manipulative villain, and she very much gets the end you'd expect from that.

Kamen is another of the two(three?), and he uses that most human of super-powers, The Ability to Throw Stuff, to kill a bunch of animals and feed them to Hollow. This Does Not Go Well. Kamen's presentation becomes more nuanced later in the series, but for most of it he's presented as a selfish, angry, corner-cutting fuckup and his use of, and facility with, violence is presented as part of this.

Hollow is the Third(?) of the Three(??) shown to be competently violent, and he is presented as an Unambiguously and Terrifying Antagonist in the later half of the story, and wildly Destructive to the "protagonists". He even "Kills" Levi; the sweetest of Robots! BUT! It's ambiguous what's really happening here. To begin with, Hollow doesn't commit violence until having watched Kamen do it Allot to feed it, and when it DOES it's first violent act is done to save Kamen's life(though even then it's a pretty sinister scene). Secondly the extent to which Hollow compels Kamen to violence is ambiguous; Kamen's initial killing spree DOES occur while his eyes are glowing(a sign of Hollow's psychic influence), but Hollow is FLABBERghasted by being presented with his kills; they still EAT them, but if Hollow was compelling him to kill, that he killed wouldn't be so surprising. It's possible Hollow compelled him to "get food"(this seems to be what Hollow's species does; compelling animals susceptible to their influence to pick berries and nuts they can't reach for them, and that's the first food-related thing Kamen does for them), and Kamen interpreted that into hunting when getting fruit was too hard for him. Third, the closer to Kamen Hollow gets, the more violent it gets, and the more protective of its connection to Kamen. Fourth, while Hollow is psychic, it's not really clear how much it understands human minds and thinking. The initial impulse is to assume psychic things are smart but I think it's important to remember this is just how these creatures eat. While WE see the visions Kamen experiences to manipulate him, for all we know Hollow is just Pushing Buttons and Pulling Levers in there. Clearly it knows the image and voice of Fiona, Kamen's ex-wife, but does it understand what those things mean to him, or what it's "saying" to him through those things, or is it just inducing emotions and impulses? A good example of this is its destruction of Levi. Levi was programmed by Fiona, and she gave it her own voice(which: they did this real cool and subtle gender thing with this which I loved :>). Kamen's motivation throughout this is his anguish over Fiona and desire to save her, so why would Hollow destroy Levi? Is this an act of jealousy, or does it only understand that this voice causes Kamen pain, and attacks it as a threat? The series never clarifies. After Avi's final confrontation with Kamen/Hollow leads to their separation, she scares Hollow away by just... throwing a rock near it like it was a raccoon or something. The question of how much of Hollow's actions are intentional vs instinctual is never clarified.

so Anyway:

I just Thought This was Neat :>