#if you want to write a fanfic do it yourself

[thatssomegoodsoup]

Hi! Could you do The Doctor x Reader where the Doctor turned the reader into a humanoid animatronic(?) toy when he was still Sawyer? Maybe they rejected him when they were human, found out about the experiments etc. I'll leave it up to you~

imagining so much angst for this one! (I might actually write a fic for once)

HARLEY SAWYER X READER FANFIC

CONTENT WARNING: death

Youu were first assigned to work with Harley Sawyer (to say this man was annoyed would be an understatement. He didn't want to work with anyone else). Eventually Sawyer warmed up to you, liking how well you contributed to his work. And soon, he caught himself catching feelings for you, and you caught feelings for him. You two would subtly flirt all the time during work.

And soon, due to your intellect, you climbed the ranks, from intern to researcher to junior researcher to senior researcher to second in command beside Sawyer.

And the more your rank grew, you more you learned about the experiments they were doing. The Bigger Bodies Initiative. And the more disgusted you became. They were using CHILDREN? The children they had said they would find loving homes for. They were using children to make monsters. And Harley Sawyer, your love, was at the front of it all.

To say the reader broke down would be an understatement. You had loved a monster all this time. You felt disgusted with yourself. With your job. With your feelings, your heart, everything. But, you still loved this man. So, you kept it down. But in the back of your mind, there was a voice saying you shouldn't love this man.

This voice made you become resentful. When he finally asked you out, you let everything out. You insulted him, called him a monster, and said you'd never date someone like him. This made him very angry. How DARE you reject him. You were HIS! HIS AND NOBODY ELSE'S! And you and Harley grew apart. Argument after argument. To be honest, he both hated and liked your new "feisty personality". Others saw you as a danger for how outspoken against the experiments you had become. Whispered threats were thrown around in the background. But Sawyer insisted that your knowledge was important. And it brought you some fear that Sawyer was the only reason you weren't ending up as food for an experiment or dead at the hands of a researcher or task force. I mean, he couldn't let the only one he loved die now, could he? He had to come up with another plan, before the others took matters into their own hands.

Meanwhile, you had your own plan. To save the orphans. To out Playtime Co as the monsters they truly were. But you were too late. As you went to leave the lab, to quit your job, to enact the first phase of your plan, Sawyer grabbed you and held you back, taunting you with "squirm all you want germ" and "you would be lucky to be with SOMEONE like me". He knocked you out, and made you into one of his experiments.

He made you into an animatronic version of yourself. To capture your beauty for all eternity. When you awoke, all you could feel was anger, and, in the back of your mind, heartbreak.

After the Day of Joy, you had made it your mission to find Harley and eliminate him. And you killed or hurt anyone else who stood in between you and him. You had become what you had sworn to destroy. A monster, fueled by anger, rage, and hatred.

Then came the day you finally made your way to him.

Needless to say.... you didn't stand a chance.

And as you laid dying in his robotic arms, you didn't feel....anger. You didn't feel the disgust at the actions of what he had done. You felt....regret. Guilt. A pang in your heart that you had only felt when you had started working at Playtime Co. alongside Dr.Sawyer.

And for the first time in a long time, you looked at Sawyer with something more than disgust and anger. You stared at him with love. As the light faded from your eyes, you reached for his cheek...well, the side of his TV, and smiled, your animatronic eyes betraying your current state; your eyes depicted peace and love. You watched as his eye slowly turned fearful. He gripped your animatronic form tighter, holding onto something so fragile. You fell limp, taking your final breath in his arms. And he held tighter.

The look of horror in his eye when you reacted with love instead of rage and fear for the first time in many years could not be described. He felt...sadness. Regret. Grief. For the first time in his life.

He sat there in shock for the longest time.

And then....willpower, longing, a strong desire, overtook his mind.

No. NO. He has to find a way to bring you. He has to bring you back. He HAS TO. He will bring you back. He WILL bring you back. He WILL find a way.

"I will bring you back."

"My dear love."

"I don't care what it will cost me."

"This isn't how I'll let it end...."

I hope this was what you were expecting! I don't really write fics, I normally write....oneshots? Headcanons? But I saw the prompt and had to go for it! I'm honestly really proud of how this turned out.

credit for divider: @nicodefresas

[ineffable-doll]

Tips on adding tags to fics

I wrote a guide last year about writing fanfic summaries (check it out here) and thought it might be useful to do a follow-up on tags! (Please note that this is AO3-specific and focuses entirely on the Additional Tags section. And also that all of this is just my opinion.)

I see folks often lament that they don’t know what tags to add to their fics; I think the biggest struggle comes from folks not knowing what purposes tags serve. So, let’s discuss that!

Convey Tone

The first thing tags are used for is to tell the audience what tone to expect from the fic. Is it a lighthearted comedy with some sweet moments? Tag it with Fluff, Humor, and Comedy. Is it a dark, slow, depressing tale that ends poorly? Try Heavy Angst, Sad, Bad Ending.

When looking for a fic to read, people want to know what the vibe is so they can find the fic that matches what they’re in the mood for. The summary is useful for this, too, but the tags are where you can really confirm: Yes, this is a fic with Light Angst, Humor, and Happy Ending.

In short: use tags as tone indicators. Not all fics cleanly fit one tone or the other, so overlap tags accordingly. It’s normal to have some contradiction; that’s the nature of storytelling.

Some common tone indicator tags:

Fluff

Tooth-Rotting Fluff

Domestic Fluff

Romantic Fluff

Light-Hearted

Crack

Crack Taken Seriously

Hurt/Comfort

Emotional Hurt/Comfort

Comfort No Hurt

Hurt No Comfort

Humor

Some Humor

No Plot/Plotless

Light Angst

Angst

Heavy Angst

Angst With a Happy Ending

Eventual Happy Ending

Sad Ending

Bad Ending

Happy Ending

Hopeful Ending

Ambiguous/Open Ending

…and more!

2. Content Warnings

Next, tags are a great place to add content warnings for your fic. Notes can go into more detail or be used for chapter-level warnings, but putting the broad categories of your content warnings in the tags is a good idea so those who wish to avoid certain types of content can do so, and those specifically seeking out heavy content can find what they’re looking for.

AO3 has the Archive Warnings function to help with this, but tags can elaborate on or specify warnings that don’t fit the Archive Warning categories.

Not everyone likes content warnings or sees the point of adding them, or they feel that they ruin the surprise element of storytelling. I won’t make a detailed argument here, but consider content warnings a sign of respect for your audience and their wellbeing. Triggers are very real things rooted in trauma and the least you can do is give someone a heads up that what you wrote could negatively affect them. Plus, as mentioned, sometimes darker content is exactly the thing someone wants, and a warning can actually be another way to attract a reader.

A very very short list of content warning tags to consider (and here’s your own heads up for mentions of upsetting topics in this list):

Death

Grief/Mourning

Violence

Canon-Typical Violence

Torture

Blood

Abuse

Alcohol

Drugs

Rape/Non-con Elements

Mentions of Rape/Non-con

Consent Issues

Mental Health Issues (there are lots of more specific tags for this category)

Panic Attacks

Ableist Language

…and more!

(There is definitely more that could be said regarding content warnings for Explicit fics, but I don’t read or write those, so you’ll need to look elsewhere for that.)

3. Searchable/Fandom-Specific

One of the most useful aspects of tags is being able to search the entire Archive via tags and/or filter content by tags (both to include and exclude – familiarize yourself with AO3’s Filter system if you haven’t already). So, you’ll want to include tags that folks are searching by. Tone indicator tags are used this way, but so are fandom-specific, character-specific, and relationship-specific tags.

If you have no idea where to start, look up the fandom/character/relationship you are writing for and filter AO3 by that. Then, spend some time looking at tags and filtering by different ones. See what comes up. Reading fic is always the best way to learn how to tag them, and that’s especially the case here. Maybe you’ll end up creating a new fandom tag!

While fandom-specific tags are not necessary, they can help make your fic easier to find, especially in large fandoms. Note that fandom-specific tags will usually have the fandom listed in parentheses at the end.

It’s difficult to make a list of tags for this sort of thing, but here’s some common structures I’ve seen over the years:

[Character Name] Needs a Hug

Asexual/Aromantic/Demisexual (etc.) [Character Name]

Oblivious [Character Name]

Dramatic [Character Name]

Sweet [Character Name]

Angry [Character Name]

Disabled [Character Name]

Autistic [Character Name]

Agender/Nonbinary/Trans [Character Name]

[Character Name] Has Anxiety/ADHD/Tourette’s etc.

Ambiguous [Character Name] and [Character Name] Relationship

Queerplatonic [Character Name] / [Character Name]

They/Them Pronouns for [Character Name]

Teacher/Superhero/Artist/other profession [Character Name]

[Character Name]-centric

Touch-Starved [Character Name]

[Character Name] is Bad at Feelings

[Character Name] Has Self-Esteem Issues

…and more!

Another category is tags for specific scenes, missing scenes, story arcs, episodes/chapters/parts, and so on, such as:

The Night at Crowley’s Flat (Good Omens)

Cloud Recesses Study Arc (Modao Zushi)

Post-Mogami Arc (Mob Psycho 100)

And there are plenty more that are so fandom-specific that they don’t fit an exact category:

Alternate Universe – No System (Scum Villain)

Heaven is Terrible (Good Omens)

Xianle Trio (Tian Guan Ci Fu)

4. BONUS Topic – Canon Divergence and Alternate Universes

One of the most fun parts of fanfic is toying with canon, so here’s a list of tags that can convey your fic’s relationship to the canon story. These are for fics that maintain a strong relationship with or resemblance to canon.

Pre-Canon

During Canon

Post-Canon

Canon Compliant

Not Canon Compliant

Alternate Universe – Canon Divergence

Alternate Canon

Fix-It

Not a Fix-It

Fix-It of Sorts

Some fandoms have specific tags regarding canon compliance with only parts of the given media – usually the case for franchises or works with big gaps between installments.

Not Canon Compliant With [Media Name] [Season/Episode Number]

Next are Alternate Universes (AUs), which are so divergent from canon to the point of not even being in the same world. There are more types of AU than I could dare list here, and several are also fandom-specific, but here’s some generic sorts that come to mind:

Modern Setting

Human

High School

College/University

Roommates/Housemates

Soulmates

Superheroes/Superpowers

Fairy Tale

Urban Fantasy

Science Fiction & Fantasy

Meet-Cute (can also be Alternative Universe – Different First Meeting)

Meet-Ugly

…and more!

5. BONUS BONUS Topic – Romance

Lots of fics on AO3 are written for romantic ships, and there are a LOT of tags to categorize different types and stages of these ships. These tags are useful to establish reader expectations (and again, for filtering). Some common examples:

Pre-Slash

Pre-Relationship

Developing Relationship

Established Relationship

Love Confessions

Love Realization

Drunken Confessions

Mutual Pining

Not Actually Unrequited Love

Getting Together

Getting Back Together

Moving In Together

Falling in Love

Marriage

[Friends/Enemies/Strangers/Rivals/etc.] to Lovers (can also have three stages, such as Strangers to Friends to Lovers or Lovers to Enemies to Friends)

Flirting

Slow Burn

Denial of Feelings

…and more!

There are also tags to specify what physical affection the characters engage in:

Holding Hands

Cuddling & Snuggling

Hugs

Kissing

Making Out

Almost Kiss

First Kiss

Second Kiss

Literal Sleeping Together

Non-Sexual Intimacy

No Smut

Explicit Sexual Content

Implied/Referenced Sex

…and more!

Aaaand a few non-romantic ones to toss around, for fun:

Best Friends

Platonic Relationships

Friendship

No Romantic Relationships (goes under the Relationships section, not Additional Tags)

Found Family

Friendship/Love

Ambiguous Relationships

Queerplatonic Relationships

Family

Parenthood

Love

Siblings

Developing Friendships

Parent/Child Relationship

…and more!

This guide got out of hand, and I still didn’t cover everything I could have, but I hope this was a helpful overview and makes tagging a little easier for you going forward! Here’s AO3’s tagging page for more info. Feel free to drop your own tips in a reblog/comment or ask questions if there’s something you want me to elaborate on. <3

[lets-try-some-writing]

A reminder for myself and other writers in the form of a Q&A style response:

My writing sucks

No it doesn't. Perhaps it is untrained, but it is never worthy of being degraded. The words you weave are a gift that you can cultivate. Never forget that.

What if people don't like my work?

Some people won't like it, and that is the way of things. But that is no reason to be afraid to make the lovely things you have in that marvelous brain of yours. No one else thinks like you do, and no one will ever make the thing you want the same way you could. There is no harm in making something, even if it is not received well. Perhaps someday someone will find themselves changed because of what you have brought into being.

Is it even worth it?

You decide if it has worth or not. Does it bring you joy? Does it increase your skill? Does it challenge you? Does it make you see the world in different ways? Are there people who are touched by it? You decide what makes your work worthwhile. Your life is your own, and no one can choose what should matter most to you. But with that said, every word you write is one step closer to mastery. Never give up because of a lack of engagement.

Are my ideas too crazy/niche?

You'll find your audience, regardless of what you create. There is a place for everyone, and while it is quite likely that farther thrown concepts won't find much ground in bigger fandoms or audiences, there will always be a few who appreciate it. Cherish those people.

I'm worried about my writing style/formatting.

Everyone has their own unique way of going about things. No two writers will ever be the same and that's fine. So long as your work fits into the grammar rules of whatever language you are writing in and doesn't look like a huge text block or otherwise makes no sense paragraph wise, it's probably fine. Most of the smaller issues can be hashed out through a quick chat with a beta reader or even a google search or two. Your style though? That's something you shouldn't stress. It will change as you do and readers will love or hate you for it. Tolkien and C.S Lewis had totally different ways of going about their work and both are beloved. Remember that you can be different too.

I should be writing an original work, not fanfic.

Writing an original work is a draining and monumental effort. Folks make it sound easy, but it isn't. Not usually. And you know what? That's perfectly fine. You don't have to get into writing and instantly whip up the next Harry Potter. In fact, most young writers who do get into things and try to go nuts end up burning out because they lose interest or are not quite skilled enough to bring their vision to life. Fanfiction is a brilliant training ground, a place to test new things, explore your interests through the use of premade templates and worlds, and otherwise begin to develop your style. There is no shame in learning through templates and prompt lists. Besides, if you get good enough at what you do, all your fanfic writing may bear fruit later down the line.

Have some faith in yourself writers. And do be sure to hydrate and take care of yourselves.

[abbyssgf]

𝐰𝐢𝐟𝐞!𝐬𝐞𝐯𝐢𝐤𝐚 𝐱 𝐟𝐞𝐦!𝐫𝐞𝐚𝐝𝐞𝐫 | 𝐬𝐩𝐫𝐢𝐧𝐠 𝐜𝐥𝐞𝐚𝐧𝐢𝐧𝐠

• concept: spring was coming and with that spring cleaning, during cleaning the basement with sevika you pleased her to lift the boxes so you could glance at her muscular arms. when sevika noticed it the both of you ended up having a sex against the wall<3

• words: 2.0k

• warnings: trans!sevika, sevika has a dick, pet names; baby, babe, darling, etc, sex against the wall, dirty talk, cursing, yeah that's probably all

• author note: that's was so fucking good to write, omfg. I need to calm down after writing this anyway enjoy the fanfic! :P

Spring was coming so it was obvious that you and Sevika had to do the spring cleaning of your house, mostly you wanted to throw away things you no longer need 'cause you didn't want to have essential things in your home knowing you or your wife won't use it.

Right now both of you were packing things you didn't use from your basement, sitting on the floor in your basement. Sevika was wearing a black tank top which showed off her muscular arms and you couldn't just stop looking at her and her well toned body. She also wore short black baggy shorts that she had pulled down to her waist so her abs when she raised her arms were also very visible to your eyes.

Sevika didn't notice at first your glances towards her 'cause she was mostly focused on packing things she didn't need, she didn't want to distract herself 'cause you scolded her one time for being distracted and not doing her tasks but now you weren't even better. All of you could think about is Sevika and her well muscular body, how those arms feel around your body and how good those hands would feel on your hips while she would fuck you from the back-

Your cheeks flushed and you shake your head to calm yourself down. After all, from the both of you, you were the one who wanted to do the work as quickly as possible but now you weren't even able to focus because of your wife.

"babe" Sevika’s voice stopped your thoughts and your eyes met. "everything is okay?" she asked with a gentle voice, she noticed that you were a bit doze off and it concerned her, god, only is she knows why you were a little bit off.

"no, everything is okay, baby, you don't have to worry," you said to Sevika and smiled at her, trying to convince her that you were absolutely okay. more than okay. "Are you sure you're feeling okay?" she asked and you nodded "uh-huh"

Then an idea comes to your mind "I've packed the things, could you please lift it and… carry it to the living room?" you asked your wife and she agreed. "Of course, babe" sevika answered and picked her own box and then your, without knowing she flexed her muscles and she disappeared into the living room.

"fuck" you cursed under your breath not knowing why you couldn't focus on the tasks. You grab another box and start placing things into this. not longer than a minute, sevika showed up again in the basement and looked at you. She walked up to you and leaned to place a kiss on your head, you looked up at her and slightly frowned. "what?" you asked and she just smiled "nothing, I just wanted to kiss my beautiful wife" she responded and you playfully rolled your eyes.

"come back to work" you said to sevika and she sighed, pretending to be irritated. "what if I don't want to?" She asked with a sly smirk and you looked at her "sevika" you scolded her and she rolled her eyes playfully, she knew to better not to tease you when you started to call her her full name "alright, alright" she murmured and in a silence the both of you continued to packing the boxes.

In a few moments you and Sevika packed a few boxes and every single one you asked (politely and gently of course) your wife to lift them up for you 'cause as you said to her 'it was too heavy' and you couldn't do it.

When Sevika lifted up a really one light box she raised her brow and looked down at you "Sweetie" she started which made you look up to see her gray eyes "it's light, you can lift it up by yourself" she noticed and started to notice something about your behavior.

"oh" you murmured trying to play, shocked, you stood up and smiled shyly to her "well, I didn't notice it, vika" you answered to her and your gaze accidentally slipped down to her muscular arms and then to her eyes. She caught it. That was it. A sly smirk came on her lips and you knew that your little evil plan had been discovered.

"you just wanted me to lift those boxes up so you could look at my arms, baby?" Sevika asked you in a playful tone, teasing you knowing damn well that the answer was positive. She dropped the box carefully and took a step forward to you.

"…maybe" you answered as she walked to you with that stupid smirk on her lips. Sevika stood in front of you and wrapped her arms around your waist. "You could just ask me to flex my muscles in front of you, you know, I would gave you a private show" Sevika murmured as she started to place kisses on the side of your neck. You moved your neck to the left side to give sevika more space on your neck.

Sevika hummed oto your neck and she moved her lips from your neck to your jawline and then she stopped to look into your eyes. "you don't know what you do to me" she murmured and before you could answer her, she connected your lips in a passionate, warm, wet kiss, dominating your lips, sliding her tongue into your mouth sloppily while her hands moved down to grab your butt and squeezed them.

you whined in her mouth and placed your hands on the back of her muscular arms while you were making out. "sev" you moaned between your kisses and sevika squeezed again your butt with her hands "yeah?" she hummed into your lips, not wanting to stop kissing you.

"I want you" you said as you stopped the kisses for a moment to catch a breath and to say that to Sevika. "yeah, I guessed that" she answered with a smirk on her face, teasing you. You rolled your eyes at her words and groaned "vika, i'm fucking serious" you replied to her with a slight grimace on your lips and she kissed you on the corner of your mouth.

"i know, baby, relax" Sevika murmured and one of her hands slipped under your t-shirt. Her hand brushed your skin and a shiver ran down your spine. "I'll take care of you, yeah?" She murmured to your ear and she placed her hands on your pants. Then she picked you up, you immediately wrapped your legs around her waist to make sure you won't fall. Sevika placed her hands underneath your things and she pinned you against the nearest wall.

"Fuck, sev" You whined and you captured your lips into another sloppy, wet kiss while your hands started to touch sevika's body. You slipped your hand underneath her tank top, your hands started to move over her skin and toned abs and you could hear her soft whine from your touch.

Sevika could feel how her cock twitched at your movements and she knew she needed you now. In a second. at the moment. "baby, please" Sevika whined into your mouth and you moaned at her words. "You want me, sev?" you asked her as your hand slid down to her bulge in her shorts. "fuck, yeah" She murmured as a response to your words.

Sevika carefully let go of one of your legs, still holding you with hers, to take off her shorts. You helped her a little and you took off her black boxers. Excite rushed down to your core as your gaze stopped at her long, thick, hard cock, from whose head pre-ejaculate flowed.

Quickly, you slipped off your shorts and underwear along with them and sevika helped you take them off completely, throwing them on the floor next to you. Sevika's hand wandered to her dick and she wrapped her hand around him.

"c'mon, baby, I want to feel you inside me" You said to Sevika and she nodded, she needed that too and both of you knew it. Your breath stopped for a moment when Sevika directed her dick to your hole and after a while she slid inside you, the sound of your and Sevika's moans echoing throughout the basement.

"fuck…fuck, sev, mhm" You whined as you started to adjust to her length. Sevika's hand tightened underneath your thighs as she needed her whole strength to stop herself from pounding into you right there, right now but she knew that you needed a moment or two to adjust to her long, hard cock.

"that's it, baby" Sevika mumbled to you. Sevika groaned and leaned forward to you and placed a kiss on your neck "you're so fucking perfect" Sevika said to you and with that she started to move her hips. You moaned at the friendly feeling and your arms tightened on her muscular back.

The angle was perfect, you could feel all of her dick inside you. the sound of skin slapping against each other and the wet sound of your arousal echoed throughout the basement. It was almost embarrassing how pornographic the sounds were.

Every moan from Sevika's mouth, the movement causing her cock to hit your G-spot perfectly made you closer and closer to cumming here and now. "damn, vika" you whimpered and you leaned your head against the wall, moaning at the feeling.

"you're taking me…" Sevika groaned as she moved her hips back at forth, pounding into you "so fucking good" she ended her sentence and she started to move more quickly and that made you moan from pleasure.

"this clit is perfect for my cock, baby, god, i love you, i love your pussy" Sevika murmured as the pleasure and making you come on her cock was the only thing in her mind right now. "mhmp, vika, oh fuck" you moaned as you could feel your body was close to come on her cock.

Sevika could feel that you were close to coming, she felt how your pussy tightened around her cock and she groaned at the feeling. "cum on me, darling, cum on my dick" Sevika babbled while she was digging into you.

A few of her movements were enough to make you come, your eyes rolled back into your head from the pleasure, your breathing was ragged and heavy and your whole body was filled with pleasure. Moments later after you Sevika came and her cum was inside you and a shiver of pleasure ran through you. Your and your wife's heavy breathing was the only sound between you for a moment.

"i love you, vika" you murmured to your wife in a weary, gently voice. Sevika smiled gently and leaned to place a soft kiss on your lips. She took this moment to pull her cock out of you and you both moaned into each other's lips. Your cum and her dripped between your thighs and you sighed.

"Let's go to the bathroom and clean you up, okay?" Sevika said to you and you nodded. "yeah, the boxes can wait one more moment longer," you said to Sevika and she smiled warmly at your words. "yeah, you're right," she said and scooped you into her arms. You giggled at it and wrapped your arms around her neck.

"I'm sure these boxes won't miss us" Sevika said in a playfully, joking tone and you snorted with laughter and kissed her on her check. "i'm sure that too, sev" You replied to her and in Sevika's arms she carried you to the bathroom and took care of you there.

taglist: @abbyslvrrr @noacinno @nytloq @l0vel3tterl0ver @pizzabbs @dvrkhcld @sannyangel89 @moondient @maat2hot

[gilbirda]

How to Write Women, a quick guide by me

Hello! I was recently inspired to write a series of educational posts so I thought maybe it would be useful for someone.

I want to preface this that there is no criticism intended. I understand that female characters in general have been neglected in media, and I don't blame fandom for not understanding how to write a woman if there hasn't been a good reference in their lives.

My objective is that you, the reader, finish this post with a basic structure and few questions to ask yourself when writing a female character; and with the terms and curiosity to research more if you'd like to expand.

I'm no professional writer, but I've been writing for more than 20 years at this point, and I specialize in writing female protagonists and writing organic romantic storylines.

Here we go.

I want to write a woman, where do I start?

Writing women, at the end of the day, is no different than writing a man. Really, that's the trick.

Disappointed I'm not giving some kind of hot takes about this?

Good.

Because it should be that simple, but to get to that point we should unravel some baseline thought process that can and will get in the way even if you try to write a good female character.

A few questions to ask yourself are:

Why am I writing this character?

Does she have agency in her own story?

Does she have her own goals and aspirations?

Let's break them down:

Why am I writing this character?

What do I like about her? Is she annoying? Is she a hero? A villain? An antagonist? What thing do I like about her canon characteristics (for fanfic writers)? What would I change?

As mentioned at the beginning, female characters usually are not very well written. They are usually fridged or used only as a reminder that MC (usually a man) has emotions and vulnerabilities.

Take a moment to think about it. Think about the feelings her character gives you, and what are the things you do know about her. Think about wasted potential, or unanswered questions about her actions and plot lines that left you wanting more.

If you find her annoying, wonder why — usually, a female character being "annoying" or "not interesting" is tied to her not being developed enough, and pushed into a one-dimensional role. Pay attention at how many speaking lines she has, that usually gives you a clue of how much her character is developed.

Once you have decided who you want to write, this is where it gets interesting.

What kind of story do you want to tell? What role does she play in it?

When making the structure of the story and developing the plot, wonder about how exactly the female character(s) add to the table. Again, female characters can fulfill any role in a story, but watch out!

Bitchy mean girl lesbian

Motherly mommy mom/sister/friend that takes care of everyone

The "healer" of the team

These 3 roles have been used as boxes to fit female characters for ages. Be careful if you think you are pushing her into one of these.

But how can you avoid the tropes?

Does she have agency in her own story?

Or: if you remove her from the story, nothing changes?

Go into your mind palace, and remove the interactions and scenes the female character is in. Does the story still work? Could her lines be easily delivered by someone else?

If the answer is yes, then she doesn't have any agency.

It doesn't matter if she is a main character or a supporting character — she should have a say on the events or some kind of influence in the development of the plot.

Maybe she has a skill that is needed multiple times during the story, or maybe she has past experiences that are a mystery and unraveling her secrets reveals a plot twist, or maybe turns out she was the traitor all along. Make her MATTER.

Does she have her own goals and aspirations?

Or: Is she existing for someone else's sake?

This one is useful for the "mommy" character or the "healer" character.

Go into your mind palace again and think if you remove the female character's loved ones from the equation, does she have something to do?

If the answer is no, then she doesn't exist for herself.

She could still love and take care of others, but she has to exist for something else than that. Make her dream and yearn, and make mistakes, and sacrifice thing for selfish reasons.

Romance is usually a goal given for female characters (and that's a whole other topic I hope to write another post about), and it's a good one! Just be careful with falling for the trap of swapping the people (usually men) she exists for.

Give her hidden agendas, convoluted selfish secret reasons, make her want to destroy the world! Make her want to pursue the truth, chase someone for revenge, be a thrill seeker. Make her HUMAN.

In Conclusion

A quick trick I use when I write female characters is: If I swap her gender, nothing changes?

Of course there's nuance, but that keeps me grounded when even the questions I went over in this post are not enough for me.

Again, writing female characters should not be that different from writing men. If it feels different, ask yourself why and try to understand where the thought comes from.

NOTE: If the point of the story is to discuss the problem of codependency, or portray a toxic relationship, by all means skip checking about agency or her having goals. Rules are there to break them, but first you have to understand them.

I hope this helps someone and I will add and edit this post as needed, maybe to add useful links.

Happy writing!

[nereidprinc3ss]

I didn’t mean to have so much to say about this but wow do I!!!!

Lots of people say they love domestic spencer reid but I don’t think they love domestic spencer reid like EYEEE love domestic Spencer Reid. Because I love domestic spencer reid where he’s doing nothing. Or he’s being kind of….. not an asshole but…… where it becomes clear that he’s just dealing with his own shit and he’s a flawed person and then I love domestic Spencer Reid where he’s dealing with his own shit and he’s a flawed person but he can still say I’m sorry!!! And they can hug and it’s okay because loving someone requires being close enough to sometimes hurt them!!!! And the realism of this kind of fic just fills me w so much joy like THISSSS is what I want from tumblr dot com I LOVEE the meditative fics where nothing crazy happens and the plot comes from the authors understanding of rich interpersonal relationships!!!! I love!!!!

This was also beautifully beautifully written like a breath of fresh air wow I truly am so lucky to get to read work from such talented people thank you for writing this and thank you for sharing it with us!!

So anyway here are the lines that jumped out at me. There is really no rhyme or reason, I tend to extra love lines that are a little philosophical and ponderous about human connection and boy was this full of that!! I am not a literary critic I am just a girl full of thoughts

You wonder if this moment is real, or if it is something you are inventing to survive.

I just think this is an jarringly astute and concise observation of something we as humans do all the time in relationships and again there is nothing I love more than an observation about human connection that I can point at and go MEEEE I UNDERSTAND THAT I KNOW HOW IT FEELS!!!! It’s very exciting to me!!

Or maybe you are lying to yourself, pretending love is something you can bear no matter how heavy it gets.

This to me was a kind of honesty most fanfic lacks and obviously most fanfic is supposed to be optimistic and perfect and reflect the readers desires back to them but quite frankly to me it hits harder when there is this subtle kind of interpersonal angst and strife that is something we can feel and recognize within ourselves it makes it easier for me to actually connect to the fic. Rather than watching it like a movie I can recognize this kind of sentiment and it’s far more immersive to me and therefore a lot more fulfilling and rewarding and interesting to read

Maybe that’s the point of all of this—not two people standing side by side, but two people learning how to take up the same space, how to move around each other without losing themselves in the process.

YEAH MAYBE THAT IS THE POINT!!! THE POINT OF EVERYTHING!!! THE POINT OF MY ENTIRE LIFE!!! This to me is just beautiful and very succinctly summarizes something I’ve been working on and will probably continue to work on for the rest of my life and I think really the whole point of love and the lesson most people need to learn!!!! Once again I like my fluffy fanfic tempered w this kind of realism!! It adds so much texture

"Oh, lovely. I've got you, it's me. I'm here, I've got you," whispered reassurances pressed into your hair, your ear, your cheek, as he moves.

No yeah actually this IS the sexiest thing a man could possible say or do!! Like care and pay attention and be present and observant!!! I won’t even be talking about this because I love it too much to dissect it

Anyways this is maybe making me look crazy I just haven’t been engaged with fanfic very much recently and I did not go into this with the intention of having anything to say about it afterward but to my own personal deep surprise was so motivated to!! And it was so beautiful and so lovely I had to say something. Pls excuse if I’ve gone overboard!! This is just such a good example of fanfic at its absolute best to me like this is what it’s forrrr this is what I wanttttt!!!! Thank you for writing thank you for posting beautiful

mouthful of sunlight (18+)

Some nights, Spencer can’t sleep. His mind runs too fast, too far, tangled in cases, in horrors he can’t unsee. But in the quiet of morning, wrapped in the hush of young sunlight, he finds solace in you—the warmth of your breath, the slow, steady rhythm of your fingers tracing his skin. The comfort is fleeting; distance is inevitable. His absence lingers in the empty side of the bed, in unfinished cups of coffee, in the soft weight of his sweater draped over your shoulders. But when he returns—exhausted, unraveling—you stitch him back together with soft reassurances, gentle hands, and the familiar ease of laughter. warnings: sexual content (who tf am I), very very wordy, mentions of a cannon-typical case, longing, some angst if you squint, mostly reader and spencer being lovesick fools wc: 7.6k

You wake to the sound of rain, soft against the windowpane. The sheets are warm, tangled around your limbs, heavy with the scent of sleep and him. Faint traces of his cologne linger in the cotton, something clean and quiet, the ghost of him woven into the fabric.

Spencer is still asleep beside you.

You turn your head, slow, deliberate - shifting too fast might startle him awake. And there he is, curled into the pillow, his body half-buried beneath the blankets, face softened by the hush of morning. His breath moves through the space between you in slow, measured exhales, lips parted slightly, lashes resting against his cheekbone.

You could spend lifetimes watching him like this.

The curve of his mouth, the way his curls press against his forehead, the fine lines at the corners of his eyes—the ones you're not sure he knows about yet. You think the mentioning of them would send him into a spiral about aging and lost time but you love their presence. It reminds you of how he's laughed with you in the past, their arrival a notion of his genuine joy. The body keeps score in freckles and scars, and time can be found in the weight of sleepless nights and too many days spent carrying more than he should.

In sleep, he is weightless. The tension he wears so often—creased brows, tight shoulders, fingers restless against his knee—has melted away, leaving only the quiet.

You reach for him before you can think of it, fingers trailing over the ridge of his knuckles where his hand rests on the pillow between you. His skin is warm, his palm lax, open. He doesn't stir so you let yourself press further, sliding your fingertips up the length of his wrist, feeling the slow pulse beneath his skin.

Spencer Reid is always thinking. Always calculating, always predicting, always existing a step ahead, untethered from the present moment.

But, right now, wrapped in the hush of morning, doused in soft rainlight, he belongs here. With you.

The thought is terrifying in its simplicity.

You swallow, pressing your fingers a little firmer against his wrist, grounding yourself in the proof of him. His pulse beats steady against your touch, and you let it lull you, let yourself fall into its rhythm.

Spencer stirs beneath your touch, just the faintest twitch of his fingers against the pillow.

You go still.

A part of you—the part still tangled in hesitation, in old wounds and old fears—worries he’ll wake, that he’ll blink at you with those sharp, knowing eyes and startle away the calm you've fostered. You love Spencer, asleep or awake, but the peacefulness of this moment is something to be cherished. You want to watch him more, to exist in this lulling moment between seconds where life doesn't matter.

He doesn't wake, though, and instead, he shifts closer, instinctive, unconscious. The space between you vanishes, his breath warming your collarbone, his hand brushing against your arm where it lies between you. He is reaching for you without realizing it, drawn in like something inevitable.

And god, that does something to you.

You exhale, slow, careful, and let yourself watch him again, let yourself sink into the quiet reverence of it.

The morning light has stretched further now, slanting through the window, gliding through the messy sprawl of his hair. He is all sleep-heavy limbs, the weight of him pressing into the mattress in a way that drags you forward, leaning against him.

Flesh and bone, heartbeat and heat.

He is here. He is yours.

The way he leans into you even in sleep, the way his fingers twitch like they are searching for yours, even now. The way his body gives him away, whispering the things his lips have not yet said.

You cannot be careless with this. With him. But before the weight of it can settle too deeply into your chest, before you can let yourself spiral, Spencer shifts again—his breath catching, his brow furrowing just slightly, lashes fluttering against his cheeks.

You barely have time to think before his eyes blink open, slow and heavy-lidded, thick with sleep.

It takes a moment, his hazy eyes focusing and unfocusing. Still, he sees you. Not just looks, not just registers your presence; he sees you.

His lips part slightly, and for a moment, he only stares, like his mind is still catching up, like he’s still tethered somewhere between dreaming and waking. Blinking like he's not sure if you're a dream. Likely, everything is clouded by sleepy eyes and fading memories of dreams.

Then, his voice, quiet, still wrapped in the softness of sleep, “Morning.”

You don’t trust yourself to speak, so you do the only thing you can—you lift your hand, still resting near his wrist, and press your fingers over his pulse once more. A quiet confirmation. A tethering.

Spencer exhales, slow, deliberate, and then he turns his hand, just slightly, just enough, so that his palm meets yours.

His fingers curl between yours, and you feel it—the certainty, the weight of something unspoken settling between your ribs.

There is morning, and then there is night.

There is sunlight spilling over Spencer’s sleeping form, gilding his cheekbones, illuminating the curve of his mouth. And then there is the stark contrast of shadow—of sterile hotel rooms, of the sharp, artificial glow of a bedside lamp casting his face in harsh relief.

His fingers, curled loosely around yours in the golden hush of morning, become hands gripping the edge of a desk, knuckles white, trembling with exhaustion. His voice, soft and thick with sleep, morphs into something raw, something fraying at the edges.

"I don’t know how to turn it off."

It takes you a moment to realize what he means.

He’s still in his suit, the fabric rumpled, the scent of cheap motel soap clinging to his skin. There’s a stack of case files beside him, a half-empty cup of coffee that’s long since gone cold. He doesn’t meet your gaze, just stares down at his hands, fingers twitching like they’re desperate for something to hold onto.

"Spencer."

Your voice is quiet, hesitant, as if anything louder might shatter him completely.

"Come to bed."

He shakes his head, exhales sharply, dragging a hand through his hair.

"I can’t."

A fight, sharp and cutting. His voice raised, your hands clenched into fists at your sides.

"You don’t get it," he snaps, voice raw, eyes burning. "You don’t know what it’s like to have a mind that never fucking stops—"

"I do," you interrupt, and the way he flinches makes your chest ache.

A pause.

Silence stretching between you like a wound torn open, bleeding into the space between your feet.

Spencer exhales, shakily, and when he speaks again, his voice is barely above a whisper.

"Then why do you keep trying to fix me?"

And there it is.

The knife twisting.

You inhale, but the breath never quite fills your lungs.

The thing is—you don’t want to fix him.

You just want him to rest.

To sleep without nightmares. To let you hold him without feeling like he has to apologize for the weight of his existence. To believe, even for a second, that he doesn’t have to earn the space he takes up.

But you don’t know how to say that in a way that won’t turn into another wound, another reason for him to step back, to pull away.

So instead, you say nothing.

"Fuck. I'm sorry." And it's that simple, really.

Sorry, arms finding each other, whispers of "I know" pressed into necks and soft conversations easing racing minds.

Spencer can't stop the relentless chase of the case in his mind. You can't stop the constant overthinking of being enough, of your body, of desires edging into too much.

Morning. Again.

Spencer, golden in the dawn, the soft breath of sleep still heavy in his lungs. Your fingers ghost over the ridges of his knuckles, tracing the delicate architecture of him, the places where bones knit together beneath skin. Flesh and blood. A body, human and whole.

Then, blood, dark and seeping through the gaps in his fingers, staining his cuffs. Not his blood. Someone else’s. A case. A mistake. A man who didn’t survive the night.

His hands shake as he scrubs them raw in the motel sink, crimson swirling down the drain, his breath coming too fast, chest rising and falling like he’s drowning, like he can feel it slipping between his fingers, the weight of every life he couldn’t save.

You touch his shoulder, and he flinches.

Time lurches.

His head on your lap, hours later. His hair damp, fingers curled weakly in the fabric of your shirt, like holding onto you is the only thing tethering him to the present.

"I don’t know how much more of this I can take."

Morning.

Back in your bed, the light different now, stretched across the sheets in delicate bands. You can’t tell if you’re awake or dreaming.

You wonder if this moment is real, or if it is something you are inventing to survive.

Spencer shifts beside you, a quiet sigh escaping him, and you watch, desperate to memorize the shape of him here, untouched by grief, by the heaviness of what he carries.

You want to wake up to this every morning.

But the truth is, you don’t.

You wake up to the version of him that drinks too much coffee, to the one who is always looking at things that aren’t there, playing scenarios in his head like a film reel stuck on loop. You wake up to the version of him that gets lost in thought mid-conversation, who chews at his nails until they bleed, who flinches awake from dreams he won’t tell you about.

And you love him anyway.

Maybe because of it.

Or maybe you are lying to yourself, pretending love is something you can bear no matter how heavy it gets.

Mornings like this, where he sleeps beside you, still and warm and untouched by the weight of the world—stretch, slow and unhurried, slipping into the day like honey dissolving in warm tea.

Spencer moves through your apartment with the careful quiet of someone who knows how to exist in shared spaces—how to make himself at home without ever taking up too much of it. He is measured, gentle, a man who has spent too much of his life folding himself into small places, and yet, with you, he expands.

You watch him from where you stand at the kitchen counter, hands wrapped around a chipped ceramic mug, warmth seeping into your palms. The coffee is slightly too bitter, but you drink it anyway, because Spencer made it. Because he takes his with too much sugar and no milk, and you take yours with just a little, and the contrast is something you love.

The morning light catches in his hair as he moves about the kitchen, curling slightly at the ends where sleep left it unruly. He wears his clothes loose in the morning—his pajama pants low on his hips, his sweater slightly too big, slipping past his wrists when he reaches for things. He is soft here, unguarded in the way that makes your chest ache.

You don’t say anything when he hums under his breath, something classical, a song you don’t recognize but have heard him play before on nights when he lets the record spin long past midnight.

You don’t say anything when he pours his coffee with one hand and flips absentmindedly through the book he left on the counter with the other.

But you do say something when he starts reading aloud.

“You know, according to the Journal of Neuroscience, studies show that sleep inertia—”

“Spencer,” you interrupt, smiling into your mug.

He pauses, blinking at you, book still in hand. “What?”

You shake your head, setting your coffee down, stepping toward him until you can reach for the book, plucking it gently from his fingers. He lets you take it, watching as you slide it onto the counter behind you, clearing the space between you.

“We’re supposed to be waking up,” you murmur. “Not filling our brains with research before we’ve even eaten breakfast.”

Spencer tilts his head, eyes flickering over your face like he’s considering it. Then, his lips curve, slow and warm. “That’s how I do wake up.”

You roll your eyes, but there’s no bite to it. You both know that you love when Spencer rambles, miss it when he's gone, call him craving the sound of his voice when he's away on trips. “Come here.”

You reach for him, and he comes easily, stepping into the space you make for him, folding himself against you like he belongs there.

Maybe that’s the point of all of this—not two people standing side by side, but two people learning how to take up the same space, how to move around each other without losing themselves in the process.

Spencer exhales as you press your cheek to his shoulder, hands slipping around his waist, fingers curling into the soft fabric of his sweater. His arms come around you in return, slow and careful, pressing you against him like he knows exactly how to hold you.

The shape of each other, the cadence of shared breath, the quiet rhythm of a love that is not loud or fast or reckless, but something slow and deliberate.

Spencer is slow to let you go.

Even as you shift, even as you move to pull back, his fingers tighten just slightly at your waist, anchoring you there for a moment longer. You don’t resist. You let yourself be held, let yourself stay.

But then his stomach growls. Loudly.

You grin against his shoulder. “Well, that’s attractive.”

Spencer groans, burying his face in your neck. “I knew I should have eaten before I went to bed.”

You laugh, pressing your hands to his sides. “Come on, genius. Let’s get you some food before you start reading case files on malnutrition.”

He sighs, exaggerated, but finally steps back, rubbing a hand over his face as you turn toward the stove. “I do have a study on nutritional deficiencies and cognitive function bookmarked somewhere.”

You glance at him over your shoulder, raising an eyebrow. “You have studies bookmarked on everything.”

Spencer shrugs, completely unapologetic, and moves to lean against the counter beside you, watching as you pull out a frying pan. He doesn’t help—doesn’t even pretend to help—but he does reach for the bag of coffee grounds again, refilling your mug and his, making himself useful in the way he always does.

“You want eggs?” you ask, already cracking one against the rim of the pan.

He hums, peering into the fridge. “Only if you make them the way I like.”

“You mean, as you proclaimed the first time you stayed over, the right way?”

“Yes,” he says simply.

Neither of you mention how he burned them immediately after, distracted by kissing you in the early light filtering through the curtains of the kitchen window.

You huff, but it’s all affection, and he knows it.

Spencer doesn’t sit while you cook. He doesn’t retreat to the table or get lost in a book. He stays right here, a constant presence at your side, sipping his coffee, occasionally nudging your hip with his when you get too focused.

When you plate the food, he takes his with an approving nod. “See? Perfectly cooked.”

“They;re just scrambled, picky,” you tease, nudging him toward the kitchen table with your hip.

Spencer grins, mouth full of toast. “I have standards.”

You snort, setting your plate down across from him. “Oh, I know. That’s why you’re dating me.”

He swallows, takes a sip of coffee, and then, without missing a beat, says, “No, I’m dating you because I’m in love with you.”

Your breath catches.

He says it so easily.

No hesitation. No grand declaration. Just a fact, spoken between bites of breakfast, like it’s something he’s known for years.

You blink, lips parting slightly, and Spencer—Spencer, who notices everything—tilts his head, eyes softening.

“Hey,” he murmurs, reaching across the table, brushing his fingers against yours. “I didn’t mean to—”

“No,” you say quickly, shaking your head, covering his hand with yours. “No, I—I just—”

You exhale, glancing down at where your hands meet, at the gentle press of his fingers against yours. Then, quieter: “I love you, too.”

The corner of his mouth lifts, slow, small, but full of something deep, something certain.

“I know,” he murmurs, thumb tracing slow circles against your skin. “But I still like hearing it.”

And so you say it again, just for him.

Just because he likes hearing it.

“I love you.” Spencer smiles.

After breakfast, Spencer lingers at the table while you move about the apartment, rinsing dishes, wiping crumbs from the counter. It’s a soft sort of silence. When you pass by him, his hand brushes against your hip, absentminded but full of intent, a touch that says I know you’re here. I know you’re mine.

You catch his wrist, squeezing gently before letting go.

Neither of you speak as you make your way toward the bedroom, but Spencer follows, because of course he does. Because his place is beside you, moving with you, orbiting within the same small universe.

Inside, the morning light has stretched further across the bed, creeping in golden streaks over the fabric. The air is warm with the scent of sleep, of coffee, of him.

Spencer moves first, tugging his sweater over his head and tossing it onto the bed. His hair goes staticky, curls fluffed from the fabric, and you reach out instinctively, smoothing them back into place. He stills beneath your touch, the corners of his lips twitching.

“You’re going to make it worse,” he murmurs.

“Probably.” You grin, carding your fingers through the strands anyway, just for the sake of touching him.

Spencer huffs a laugh, but he doesn’t move away.

You let him slip his fingers beneath the hem of your shirt, lifting it over your head in one fluid motion. Let him reach for the zipper of your trousers, sliding it down with the same care you’d shown him.

There’s nothing rushed about it.

Nothing frantic, nothing heated. Just this. Just hands smoothing over fabric, fingers brushing against skin in passing, the quiet, unspoken promise of I know you. I love you. Let me show you.

Spencer tilts his head, gaze flickering down, not to your lips, but to the hollow of your throat, where your pulse flutters beneath your skin. He watches it like a scholar studying something precious like he’s measuring the exact rhythm of you, the precise way you exist in this moment.

And then, with all the patience in the world, he leans in.

Not rushed. Not desperate. Like he has all the time in the world to memorize you.

His lips brush your jaw first—so soft it could almost be nothing, just a breath, just a thought of touch. Then, lower, trailing warmth along the delicate line of your neck, the curve of your shoulder.

Your fingers find his wrists, not to stop him, but to hold him there, to feel the heat of him seeping into your skin.

You shift—not much, just enough to press closer, enough to let your forehead rest against his, enough to let his breath mingle with yours.

His hands slide higher, fingertips grazing the curve of your ribs, the warmth of his palms bleeding through the fabric like sunlight through frosted glass.

Like he understands, without either of you saying it, that this is the sacred part. Not the wanting, not even the having, but the holding. The staying.

He presses his lips to your temple, soft and sure, and you feel it—the weight of love settling between your ribs, deep and real.

“I want you,” he murmurs, voice low, full of something aching.

You shudder, your fingers tightening around his wrists. “You have me,” you whisper.

Spencer swallows, pressing his forehead against yours again, his hands gripping you just a little tighter as he breathes you in.

You feel his adoration in the way he moves—hesitant, reverent. Like he’s unraveling you thread by thread, pulling you apart just to piece you back together in the way only he knows how.

His fingers ghost over the curve of your waist, not grasping, not pulling, just feeling.

Your breath catches when he finally presses closer, the full weight of him sinking into you, a slow collapse into something inevitable. His body is warm, radiating heat like a fever, like a star burning too close to your skin. You curl your fingers into the fabric of his shirt, twisting it tight in your grip, grounding yourself in the weight of him.

He exhales against your jaw, warm and unsteady.

“Look at me,” he murmurs.

You do.

And god, it’s unbearable—the way his eyes search yours, wide and dark and pleading.

His breath stutters when you reach up, cradling his face in your hands, fingertips skimming the sharp angle of his cheekbone. He leans into your touch like it’s instinct, his lashes fluttering, his lips parting slightly, his chest rising and falling in time with yours.

“Spencer,” you whisper, his name slipping from your lips like a prayer.

He answers you with a kiss.

Not rushed, not desperate. His lips move against yours, unhurried but insistent, a careful exploration, a patient claiming. His nose brushes yours, his breath mingling with yours, the quiet sounds of longing pressing into the spaces between you.

You sigh into his mouth, and he shudders, his fingers tightening against your ribs.

“Again,” he whispers.

So you kiss him again. And again. And again.

Until the space between you is nothing, until your bodies are tangled in sheets and sighs and whispered names, until everything is breath and warmth and wanting.

His hands find yours, fingers threading together, clinging, pressing, grounding. His forehead rests against yours, his breath uneven, his body trembling with the weight of this.

“I want you,” he whispers, voice wrecked, shaking, repeating himself.

You tighten your grip on his hands, pulling him closer. “I know,” you breathe. “I know.”

And when he moves again, when his lips find yours with a new kind of urgency, you know—you feel it in your bones—this isn’t just wanting. It’s everything.

Spencer kisses you like he’s searching for something.

Like the answer to every unsolvable equation is pressed between your lips, tucked beneath your tongue, hidden in the soft give of your sighs.

And you let him.

Because you know this—this rhythm, this language you’ve built together. The slow pull of hands over fabric, the careful way he unravels you. The heat that grows between you, steady and unrelenting, like a pot left to boil over.

Spencer exhales sharply when your fingers find the sharp ridge of his collarbone. You press your lips there, breathing him in, and he shivers.

Spencer is reaching for you again, already fitting his hands to the curve of your back, already tilting his head to press open-mouthed kisses to your shoulder, your throat, the place just beneath your ear that makes you sigh.

“We’re going to be late,” you murmur, though you don’t mean it.

Spencer hums, his lips still pressed against your skin. “I don’t care.”

You laugh—a breathy, delighted sound that he swallows with his next kiss, his hands smoothing over your ribs, pressing warmth into your skin.

His trousers slide lower on his hips, and he makes a sound—low, breathless, almost dazed.

And then—“I’m sorry,” he murmurs suddenly, against the corner of your mouth.

You blink, pulse stuttering. “For what?”

“For all the times I haven’t been here.” His fingers tighten at your waist, like he’s grounding himself in the weight of you, in the proof that you are here. “For leaving. For missing too much. For—”

You don’t let him finish.

You press your lips to his, pouring everything into it—forgiveness, love, understanding.

When you break apart, your voice is quiet but sure. “There’s nothing to be sorry for.”

Spencer exhales, shaky and relieved, and then—

Then he laughs, something soft and breathless, because you’ve pushed his trousers past his hips and now they’re tangled around his ankles, and it’s clumsy, and it’s human, and neither of you can bring yourselves to care.

Your own clothes follow, piece by piece, scattered and forgotten, because this is more important.

Spencer is warm everywhere, all golden skin and careful hands and parted lips. He hovers over you, his breath fanning over your cheek, his fingers tracing slow, reverent paths down your arms, your sides, like he’s still memorizing you.

And when you reach for him, guiding him closer, pulling him in, he exhales a sound—soft, broken, something like ah, like yes, like finally.

You sigh into him, arching, meeting him where he waits, and the warmth between you turns molten, turns necessary.

Spencer presses his forehead to yours, his breath uneven, his fingers twining with yours in the sheets.

“I love you,” he whispers.

And you—You're lost in the heat, the smell of him. The gentle movement as there's nothing left but you and him and him and him.

"Ah, Spencer," you breathe, and he shushes you.

"I know, I know."

It's quiet, it's breathy laughs, it's warmth building building buildig until something cracks - it has to, it's necessary, it's perfect and lovely and hot honey dripping down your thighs to gather into something greater, something perfect, something more.

It should be impossible, the way you fit together.

Like something sculpted by hands that knew what they were doing, shaping flesh and bone with deliberate care, pressing you into each other until there is no separation, no beginning or end. A seamless thing. Thread looping over itself, over and over and over into infinity. Until it cannot be separated from itself, until it is one ball of mass and moving and friction.

Heat and pressure and warmth build into something more, more more. Spencer is calling your name as if you are lost, you're grasping his back to remind him you're right here.

He tumbles and you're stuck on the edge, unable to follow. It's a brilliant thing, watching him. Eyes screwed shut, tightly. Breath coming out in spurts and spasms. Love, love, love. Pouring out of him and into you.

It's warm, so so warm, and nearly enough to send you to the place of glass shattering and pleasure fluttering and complete unity.

It isn't until Spencer's hips are faltering that he notices you there, hanging on the precipice of masterpieces yet unknown.

"Oh, lovely. I've got you, it's me. I'm here, I've got you," whispered reassurances pressed into your hair, your ear, your cheek, as he moves.

And you fall after him, tumbling down into something safe and known and foreign and unlearnable.

When you clatter back onto Earth, Spencer is warm against you, chest rising and falling in the slow, steady rhythm of shared breath. His fingers—long, elegant, familiar—trace mindless patterns against your arm, mapping you the way he memorizes pages, theories, entire histories. As if you are something to be learned, something to be understood.

As if he hasn’t already written you into the marrow of his bones.

Your limbs are tangled in the sheets, in each other, some quiet aftershock of connection humming between your skin. He shifts, pressing a lazy kiss to your temple, the edge of your jaw, the corner of your lips, his breath still heavy with you.

Whole. Uninterrupted.

Until—

A loud grumble splits the silence, echoing off the walls.

Spencer stills.

You blink.

And then—

Your stomach rumbles again, louder this time, an undignified protest against your distraction.

Spencer bursts into laughter.

It’s warm, breathless, human, cracking through the solemn weight of the moment like lightning through a storm. He drops his head against your shoulder, shaking with it, his entire body vibrating with amusement.

“Oh my God,” you groan, covering your face with your hands.

Spencer’s still laughing when he rolls onto his back, his hand dragging down his face as he tries to compose himself. He fails, utterly, letting out another breathy chuckle before turning his head to look at you.

“I’m sorry,” he says between soft huffs of breath, his eyes bright with mirth. “It was just—so poetic, so profound—and then your stomach actually growled.”

You peek at him between your fingers. “You're going to give me shit when you essentially did the same thing earlier?" You ask, aghast. Spencer nods his head, cheeky smile overtaking his face.

You groan again, but it’s half-hearted, because Spencer is still laughing, and it’s the kind of sound you’d willingly make a fool of yourself for, over and over again, just to hear it.

"Did you not have any of your stellar eggs?" Spencer asks, pulling away from you.

You both wince as connection is lost, resisting the urge to pull him back in again, to be selfish and keep the warmth of him near.

He stretches, arms raised above his head, back cracking. You stay still, stretched across the bed as he moves into your bathroom and wets a washcloth.

"No, I don't really like scrambled."

Spencer hesitates, at the foot of the bed, one knee propped up on the edge. "What?" He asks, frozen, still as a statue.

"I'll eat them but this morning they were too eggy."

"Too eggy," Spencer mutters, voice aghast, cleaning you before pinching your thigh playfully. "Come on, time to get you to work."

The moment lingers, shifting into something softer, something easy.

And then—

You’re standing in the kitchen, hours later, Spencer in his undershirt, stirring a pot of something that smells like warmth, like home.

Your stomach grumbles again.

Spencer smirks, not even turning around. “Should I start reciting poetry, or—”

You throw a dish towel at him.

||||

There is the weight of Spencer pressed against you in the morning, the heat of his breath on your skin, the steady rhythm of his fingers tracing patterns into your ribs. And then there is the cold side of the bed, the imprint of him faded from the sheets, the silence of an empty apartment that settles like dust in your lungs.

He’s gone.

Not forever. Neer forever.

But the difference between knowing something and feeling it is vast, and this morning, you feel it.

The bed is too big. The air is too still. The coffee is too bitter without his absentminded habit of adding too much sugar to the pot when he thinks you aren’t looking.

His absence moves through the space like a ghost, turning everyday things into echoes of him.

A book left open on the table, spine cracked, a scrap of paper sticking out with notes in the margins.

A half-full mug beside the sink. He always assures you he'll finish it later but never does. You don't mind, savoring the reminder of him when he leaves in the middle of the day with little notice.

The sweater he left draped over the back of a chair, smelling like warmth, like him, like something undone.

You exhale, pressing your fingers to the edge of the table as if grounding yourself, as if it might keep you tethered.

You knew this would happen.

It always does—cases that stretch into days, weeks, phone calls that come at odd hours, the sound of his voice wrapped in exhaustion and apologies, the waiting, the not-knowing.

You reach for your own coffee, cradling it between your palms, letting the heat seep into your fingers.

Your phone buzzes. A message. Short, simple.

Spencer: I miss you.

The breath in your chest stutters.

Your fingers hover over the keyboard, a response forming before you can even think about it.

You: I miss you too. It’s too quiet here.

Three dots appear. Pause. Disappear.

You wait, staring at the screen, willing the space between you to close, even just a little.

Spencer: I’ll call you tonight. Stay in my sweater until then.

You let out a breath, something soft, something caught between a laugh and a sigh. You reach for it, slipping it over your shoulders, wrapping yourself in the remnants of warmth.

It’s not the same.

But for now, it will have to be enough.

||||

The door unlocks with a quiet click.

You don’t move right away.

You should—should stand, should cross the room, should meet him in the doorway. But instead, you sit still, curled into the couch, the weight of waiting still heavy in your limbs, pressing you down.

Footsteps. Familiar, careful.

“Hey,” Spencer murmurs, quiet, hesitant, like he isn’t sure if you’re asleep, if he should wake you, if he’s allowed to break the silence.

You inhale sharply, and that’s what does it—what snaps the moment in two. You push up from the couch, feet hitting the floor, your body moving before your mind catches up.

You are in his arms.

He exhales sharply at the impact, his bag slipping from his shoulder, his arms wrapping around you with something desperate, something relieved, like he’s been waiting for this moment just as much as you have.

The scent of him—faint cologne, the sterile bite of too many hotels, the quiet warmth that is Spencer—hits you all at once. You press your face into his shoulder, fingers curling into the fabric of his jacket, holding tight.

“You’re back,” you breathe, and it’s obvious, unnecessary, but you need to say it, need to hear it, need to confirm it.

Spencer laughs—soft, exhausted, fond. “I’m back.”

You feel the words vibrate through him, feel the shape of them beneath your hands, the weight of them settling between your ribs.

“Did you miss me?” You laugh, a quiet, breathy thing, your grip tightening on his jacket.

“Not at all,” you say, pulling back just enough to look at him, to see him. His face is tired, his eyes a little shadowed, but there’s something soft there, something bright just beneath the surface.

His lips twitch. “Liar.”

You hum, tilting your chin up just slightly, brushing your nose against his, letting the warmth between you settle.

“Say it anyway,” he murmurs.

So you do. “I missed you, Spence.”

His breath stumbles and he kisses you.

It’s not rushed. It’s not desperate. It’s homecoming, warmth where there was once cold. It’s touch where there was once absence. It’s the quiet, certain return of something that never really left.

It takes a while for Spencer to let go and, even when he does, he keeps a hand on you. Not even after the kiss fades into breaths, not even after his bag is abandoned by the door, not even after you’ve guided him toward the couch, pressing your hands to his shoulders until he sinks into the cushions with a sigh.

You don’t ask him about the case.

Not yet.

Instead, you move around him, nudging his shoes off with your foot, smoothing his hair back from his face, pressing your fingers into the stiff muscles at the back of his neck. His eyes flutter shut, and he exhales slow, like he’s unspooling one spiraling thread at a time.

“You look exhausted,” you murmur, brushing your knuckles over his cheek.

“I feel worse,” he admits, cracking one eye open to look at you. “I think I might actually be a ghost.”

You hum, tilting your head. Slowly, you press a finger into the center of his chest, thumping it against his sternum twice. “I don’t know, you feel pretty solid to me.”

Spencer lets out a breathy chuckle, shaking his head. “Okay, fine. Maybe I’m only part ghost.” He waves a hand in the air, "I hover between realms, or whatever those silly books you read would say."

“Well,” you say, ignoring the dig at your admittedly less-academic reading preferences, pressing your lips to his temple, lingering, “if you were a ghost, you’d be a talkative one. Following me around, rambling about hauntings and historic criminal cases—”

Spencer scoffs. “I’d be a great ghost.”

“Would you?”

“I’d be an educational ghost.”

You snort, letting your fingers trail down his arm, wrapping your hand around his wrist, pressing against the pulse there. “I think I prefer you educational and alive.”

Spencer smiles, but it’s softer now, more worn, and when he leans into you, it’s not just playful—it’s relief.

You shift, curling into him, letting him fold himself against you like he’s been waiting for it for days. He buries his face against your shoulder, his breath warm against your skin, and you feel the tension still lingering in him, the weight of something else.

Something he’s not saying. So you just hold him.

One hand drifts into his hair, threading through the soft curls, the other smoothing over his back, steady, slow. His fingers flex against your side, gripping, holding, grounding. He sighs, deep, exhausted, pressing closer like he’s trying to escape something.

You kiss the crown of his head. “You don’t have to tell me,” you whisper. “But you can.”

Spencer is quiet for a long moment, his breathing uneven, his fingers still pressed into your skin. “The case was a little boy,” he murmurs, barely above a breath. “He lost his—” His voice wavers, and he swallows hard. “His whole family. We nearly didn't find him in time."

It's the most he can give you, the most that the public has probably heard, too, but it's enough to impress upon you the true horrors he's facing.

You close your eyes, tightening your arms around him. “Spencer.”

He shakes his head, shifting just enough to rest his forehead against your collarbone. “I just—I keep thinking about him. How small he looked. How scared.”

You press your lips together, blinking hard, willing yourself to keep it together for him. “I’m sorry,” you whisper, voice thick. “I know that doesn’t help, but I am.”

Spencer exhales shakily, nodding against your skin. “It helps.”

You don’t know if that’s true, but you keep holding him anyway. Keep smoothing your hands down his back, keep whispering his name, keep pressing your lips to his temple, his cheek, the corner of his mouth, like you can will the heaviness away.

“I’ve got you,” you murmur against his skin. “You’re home.”

Spencer lets out a slow, shuddering breath. “Yeah,” he whispers. “I am.”

Spencer doesn't move much, pressed against you, letting himself be held. His breathing steadies, his hands no longer gripping like he’s afraid of being pulled away.

You shift, just slightly, pressing your cheek against the top of his head. “You wanna do something mindless for a bit? Watch bad TV? Read a book with no footnotes? Stare at a wall together?”

Spencer snorts, muffled against your skin. “Tempting.”

“I'm very persuasive when I want to be.”

“That’s one word for it.”

You pull back just enough to look at him, narrowing your eyes. “Excuse me?”

Spencer finally lifts his head, and there’s something lighter in his expression now, the weight of the case still lingering, but no longer pressing quite so hard against the edges of his mind.

He shifts, settling further into the couch, his knee bumping against yours. “You bullied me into watching a terrible documentary about haunted dolls last time I came back from a case.”

Your mouth falls open in offense. “It was informative!”

Spencer levels you with a flat look. “It was ninety minutes of a guy holding up dolls to the camera and whispering ‘Do you hear that?’”

You press your lips together, fighting back a laugh. “Okay, maybe it wasn’t the most scientific—”

“There was a scene transition shaped like a skull.”

“You didn’t have to watch it!”

Spencer gestures at himself dramatically. “I was physically incapacitated by exhaustion!”

You shove at his shoulder, laughing now, and he catches your wrist easily, pressing a quick, warm kiss to the inside of it before letting you go. The gesture is so easy, so thoughtless, that your chest goes tight with it.

Spencer sighs, shifting so he’s half-leaning against you again, pressing his forehead briefly to your shoulder before pulling back. “But,” he admits, softer now, “it was kind of nice. Sitting with you. Not thinking for a bit.”

You hum, tucking your legs beneath you, leaning into his warmth. “I am great at the whole ‘not thinking’ thing.”

Spencer huffs a laugh. “That’s not what I meant.”

“You sure? I distinctly remember you asking me how I manage to not overanalyze things while I was eating a bowl of cereal the other day.”

“That was—” He pauses, brows knitting together. “Okay, yes, but that’s because you were reading the cereal box like it was literature.”

“It was a compelling narrative, Spencer.”

He tilts his head. “The ingredients list?”

“The lucky leprechaun’s backstory,” you clarify.

Spencer just stares at you.

You grin, nudging his knee. “It’s called escapism, genius.”

Spencer shakes his head, exhaling something close to a laugh-sigh, then shifts again, tucking himself more comfortably against your side.

"Unless you're calling me dumb," you muse, not ready to give up teasing him. He takes the bait easily.

"I would never say that-"

"i'm pretty certain that's what I'm hearing."

"Absolutely not." You sit silently, humming dramatically, hoping for a compliment that you're sure is to come. "You're one of the smartest people I've met, actually. That's why your taste in books and documentaries appalls me."

"You're good at groveling, Dr. Reid."

He doesn't answer, chuckling and pressing his lips against your shoulder in response instead.

After a moment, his fingers brush against yours, hesitant for only a second before twining them together. Quiet settles between you again—not heavy this time, not suffocating. Just easy. Just you and him. Spencer squeezes your fingers lightly, voice soft when he speaks again.

“You make coming home easy.”

Your throat goes tight, and you squeeze back. The shift in tone is palpable. You long to linger in the feeling of warmth and safety and the earnest way he mumbles it. “Good,” you murmur, pressing your forehead to his temple. “Because you are home.”

Spencer exhales, slow and steady. “Yeah,” he whispers. “I know.”

You don’t move immediately after Spencer settles against you, letting his weight sink into the couch, his fingers loosely tangled with yours. He’s relaxed now, softer, the weight of the week still lingering in his tired eyes but no longer pressing quite so hard on his shoulders.

It’s the perfect time to strike.

You reach for the remote, flicking through streaming options with intense purpose.

Spencer glances at you, suspicious. “What are you doing?”

“Putting something on to help you unwind.”

His eyes narrow. “What kind of something?”

You hum innocently. “Oh, you’ll see.”

Spencer watches as you select a YouTube documentary—one you know is riddled with inaccuracies, one that will absolutely send him into a spiral.

The second the dramatic narration begins, Spencer physically tenses.

You stifle a smile. You watched it when he was gone, something mind-numbing after a long day at work, and have been waiting to see his reaction to the ridiculous claims of the conspiracies.

The documentary wastes no time getting things wrong.

A sweeping shot of pyramids. An ominous, overly intense musical score. And then, in bold, serious tones:

"The ancient Egyptians, known for their fascination with aliens—"

Spencer inhales sharply, head snapping toward you, eyes wide with horror. “Their fascination with WHAT?”

You shrug, biting your lip. “Aliens, love. Keep up.”

Spencer throws his hands in the air. “Ancient Egyptian society was a highly advanced civilization with remarkable achievements in engineering, mathematics, and medicine—why does everything have to be aliens?”

You pat his knee comfortingly. “Shh. The experts are speaking.”

He turns back to the screen just in time to hear the narrator say:

"Some theorists believe the Sphinx was originally a statue of a dog, not a lion."

Spencer physically jolts, glaring at you again.

“A dog?” he scoffs.

You bite back laughter. “I don’t know, Spence. It kinda looks like a dog if you squint.”

He looks betrayed. “It doesn't. I know you don't think it does.”

You hum thoughtfully, pretending to study the screen. “Maybe, like, a bulldog?”

Spencer presses the heels of his palms into his eyes like he’s in pain. Give me the remote. There's a better, actual documentary, about 1940s Germany that I wanted to show you instead of this-” he gestures toward the screen, "garbage."

You grin, nudging his side. “Oh, you love it.”

“I do not—”

A new segment starts, this one even worse, featuring a so-called “historian” confidently stating that the Romans invented cheese.

Spencer makes a noise nearly resembling a laugh and you know you've got him.

“No they didn't," he says, deadpan, shaking his head and clicking off of the video.

You lose it. You cackle, curling into his side, shaking with laughter as Spencer queues up an actual documentary, switching on subtitles for you.

“I hate you,” he mutters, but his voice is fond, his arm still wrapped tight around you.

“No, you don’t,” you tease, leaning into him.

He sighs dramatically, dropping a kiss to the top of your head.

“No,” he murmurs, softer now. “I really don’t.”

And just like that, the warmth settles back between you, easy and earned.

Even if he’s still muttering about the Sphinx as the documentary starts.

You settle down like that, listening as Spencer adds his own interesting facts to the documentary. This is home, wholly and truly, sitting on this couch next to him.

You're sure to ask questions, keep him talking, until he falls asleep, missing the sound of his voice the second he dozes off.

[cillianmurphysdimples]

A female Y/N / Cillian fanfic (Part Thirty Two)

Absolutely not based on anything real at all, all totally fictional, fanciful and all total bollocks.

Warnings for sexual references and language. Adult themes. Not suitable for under 18s.

We Got Issues

Part Thirty Two: Cillian is keen to ensure Y/N takes it easy, wanting her to be as calm as possible. They agree that his sons need to hear the news from them - and soon. But Y/Ns suggestion for doing that surprises Cillian a little when both of them find it difficult to sleep. Y/N tries to ease the tension, but she voices a feeling Cillian had always known she feels. [Angst/Anxiety & Fluff/Sexually suggestive]

@cherry-cilly @dragonsneversharetheirtreasure @aesthetic0cherryblossom @meister95 @vivianleighwishesshewasme @watermeezer @strangeions @borntodiemp3 @lavender-haze-01

----------

“You need to relax. I'm annoyed about it, and we need to talk to Mal and Aran sooner than later, but what's more important to me right now is that you calm yourself down.” Cillian says, his hands on your biceps in the middle of the kitchen. He's been home an hour. Cuddles and welcomes have long since passed, and the obligatory cup of tea has been drained. It took you twenty minutes before you raised the article, and a further five minutes before you cried. “We've time enough to talk to them, and sure now I'm at home there'll be no more, but I think we should talk to them before the scan. I know you're iffy on that, but I think they're going to need the time to process it too. And Yvonne. I mean we're only after telling them we're not having a baby, and we've to go back on that now.” He moves his hands and wraps them around you, pulling you in against his chest. “I know it's scary. But we've got to do it.” 

“It isn't just that.” You sigh, sniffling your sobs down. “They printed things about us, Cillian.” 

“Yeah,” he inhales as he mutters the word. “And didn't I tell you they would?” You can hear in his tone he's not fishing for points to score, but you feel it anyway. “It's a shitty article, by a shitty group of so-called journalists. And there'll be more, about whatever the fuck they want to write. But we're having a fucking baby!” You can hear his small laugh through his ribcage. “And they're scumbags, and it'll be fucking shit, and it's exactly what I didn't fucking want - but we're having a fucking baby, Y/N. I'm happy. I'm shit scared to tell me own kids, but I'm happy.” 

“I don't want to hurt your boys, Cill. They're going to be…,” you sigh and push up against his chest. “They're going to be so mad, hurt, they're going to think we lied to them.” 

Cillian takes a deep breath, “Maybe they'll be all of those things.” He nods, “But they're going to have a brother or sister in a while, and that's not going to change because they feel whatever they do. I don't want to hurt them either, ever. But this is my family too. You and that baby.” You're aware it might sound cold to others, but to you it's what you need to hear. This is his home, his life, his family. It's not erasing his sons at all, but this is the immediate life he lives now. 

“And telling Yvonne?” You raise your eyebrows, and your heart flutters as you say her name. 

“Yeah,” he drags his mouth to the side and frowns, “That's going to be a fucking mission too.” he sighs and shakes his head. “But it's nothing to do with her. It's the boys that matter. She deserves to know, of course, and hear it from me, but that's as far as that loyalty goes.” It's an amazing string of words to hear him say, soothing so many of your anxieties if just for a while. “What she thinks doesn't matter. Like I said, it's the lads I'm worried about. But this is happening regardless. There'll be a cot, and a pram, and fucking…pumps and nappies and dodies.” He smirks. 

“Dodies?” You repeat. 

“Yeah, the wee dummies.” He grins. 

“We called them dadoos when we were small.” You chuckle. 

“Dadoo?” He laughs, “Where the fuck did youse pull that name outta?” 

“Same place you got dodie, you big freak.” you swat your hand against his chest, and sigh to try and feel calmer. “Fuck, Cill, why can't this just be simple, like every other couple, having babies? Why did I find you when I did?” 

He smiles softly, but he looks sad. “Cause that's when I needed ya.” 

You feel an emotional swell at his words, and your chin quivers, “Oh, love.” You bring your hand up to his cheek. “When do you want to do it? Tell them?” You bring your hand down again and rest it back on his chest. 

“After Christmas?” He says, brows raised. “Or do you want to do it before? I only say after so it's peaceful fucking Christmas.” He scoffs. 

“They're your boys, it's your decision when.” You tell him. “I'll support whatever you decide.” 

Pursing his lips, he nods slowly, then sighs heavily. “I'll think about it.” He whispers, and pulls you in closer again. He rests his cheek on the top of your head and holds you tightly. “Will we get dinner?” He asks, swaying you slightly from side to side. 

You wrinkle your nose, though he can't see it, “Like what?” 

“Spin down to the chipper?” He suggests. 

“You go,” you shake your head and slowly pull yourself from his arms. You would stay there - it's comfortable, and intimate, and you're so glad he's here - but the mere suggestion of food is turning your stomach. “I don't want anything.” 

“I won't get a feed without you,” he raises his eyebrows. “Will you not have anything? Will I cook?” 

“No, love, you're just in the bloody door.” You shake your head. “Go and get your chips, don't eat them near me,” you laugh, “Then we've the whole night.” 

“To sleep, I hope?” He grins. 

“God, yes,” you sigh with a laugh.

You wake up with a sudden jump, and you're not sure why. You can't recall a dream, but suddenly you're awake and you're cold. You turn onto your back and instantly realise that Cillian isn't there. Shifting to retrieve your phone, you check the time - just gone three am. You throw your legs from the bed and sit up, shivering in the chilly room. Cillian's hoodie from the day is thrown over the chair in the corner, and you grab it and instantly snuggle yourself into it. You push your feet into your Ugg slippers and slip from the room, not being too quiet. As you step down the stairs you can hear the TV, and there is the glow of a light from down there, too. You brace your hands as you walk down, and land at the bottom feeling even more cold than upstairs. “Hey, what're you doing?” You ask, catching sight of Cillian on the sofa. He's laid out across it on his front, head against a cushion in the corner and legs stretched down, arms tucked up beneath the small cushion. He's wide awake, glasses on, and watching the TV. He shifts his head slightly and looks at you, pushing his lips into a pout. He looks tired and you're not sure if it's because he hasn't slept and is flagging, or because he hasn't been up long and is still exhausted. 

“Watching Interstellar.” He says and sniffs. He draws his hand from under the cushion, clutching the controls, and pauses the film. “What are you doing?” he asks, and yawns tightly. He doesn't sit up, but he snuggles his head against the cushion a little. His cheek is pushed up and it makes his lips look fuller. 

“Standing here, looking at the teenager laid out on the couch.” You say and smile when he scoffs a small laugh. “You couldn't sleep?” 

“Ah,” he tuts. He shifts around and finally pushes himself up. He sits into the corner of the sofa and bends his left knee up, foot planted into the seat. “Just a bit wired I think, thinking about how to talk to the lads.*

“We just have to tell them, love. Like you said, and you were right, we're going to have a baby regardless.” You reassure him, though you're still so nervous about all of it. “We can't control how they'll think or feel, but at least it'll come from us and not some wank-page report they get sent or find themselves.” 

“Wank-page,” he mutters, smiling a little. He removes his glasses and folds the arms in, then tosses them down onto the sofa beside the TV controls. You watch as he fidgets, filled with an anxious energy. His tongue swipes around his mouth and his fingers flick and tap against his raised leg. 

“Go,” you say, wondering if you'll regret it. 

He frowns at you and his tongue stills. “Where?” 

“In the garden - I admire that you're trying to do what I wanted, but I can see you're struggling. Go and have a bloody cigarette.” You push your hands into the pocket of his hoodie you're wrapped in. 

“I'd the last one at the airport, waiting on the taxi.” He says, then purses his lips. You're almost happy to hear that, but you also know that after weeks back on high doses of nicotine, he's going to be a little grumpy. “C'mere,” he says. He pushes his legs down and holds his arm out to welcome you in for a hug. You smile as you walk over and curl in against his side. His arm immediately wraps around you. “I was thinking,” he says and you want to make a joke about smelling smoke, but you hold off. “Will we give the baby an Irish name?” 

“We don't even know what it is yet,” you smile, but it occurs to you that you've been so wrapped in your anxiety that the thoughts of cute things like that had been pushed far away. 

“I know but, like, I'd want an Irish name.” He says quietly. “A wee Oisín or Ciarán, or a Caoimhe or Róisín.” 

“We could have twins, Róisín and Oisín.” You laugh a little. 

He tuts, but he's smiling. “When I read the article I wanted to ring the boys there and then and just tell them. Say, look lads we're having a baby and that's what's happening. You know? And then I didn't want to hurt them, and I still don't. Like, I know what they're going to think. They're going to think we lied about it. And that's what's fucking eating me, you know? I love ‘em, they're my best friends, and-and I don't want to hurt them or push them away further. Malachy's in such a good place with us now, and after talking with Aran I know he feels better. I don't want to fuck that. But Y/N, having this baby with you feels good. I know what I said before and I know we went through the shit over, but I'm happy it's happening. I am. I promise you. But all the shit - the kids, the press, Yvonne, the reactions from every fucker around us… I'm scared of all that.” 

It scares you a little that he's echoing your fears, but it's good to know you're not alone in them. But you know you're on your own in the fear that somewhere in the midst of this pregnancy, he's going to flip his ideas again. “We should tell the boys before Christmas.” You say. “Let's have a couple of days, you and me here at home, and then we can have them over - the boys and Yvonne. Tell them all together.” 

Cillian turns his head a little and you look up. “You want to do that?” He sounds surprised, happy maybe, and you nod your head. 

“We have to.” You say quietly. “Sooner rather than later, it has to be said and it has to be before any more shit like that article is produced.” You sigh heavily, “And then after the scan, after we know everything is okay… then we tell everyone else that needs to know. Your family first.” 

You can feel the vibrations as he laughs, “Ah, fuck, Páidi's going to have an opinion or two.” 

“He's your little brother, he's supposed to!” You smile. You wrap your arm around his slight waist and snuggle closer. “I am so fucking glad you're home.” 

“Me too,” he hums, pulling you closer. 

“It's been no fun fucking myself.” You laugh, breaking the heaviness in the air. 

“Ah stop,” he throws his head back against the sofa, chuckling lightly. Then he laughs a little more, “I'd the earphones in on the plane, and that song came on, you know the one Afternoon Delight?” He pauses as he giggles again. “Just made me think of you recently.” 

“I googled it,” you say, “Pregnancy and wanting to fuck all the time. Apparently it only happens when your partner is Cillian Murphy.” You tease, and he laughs again. “It's just a good job I'm already pregnant because it's that fucking feeling I like… feeling you just spilling inside me.” You shake your head and know you need to stop, you're only egging yourself on here. “We'd be in serious trouble otherwise.” 

“Stop talking,” he sighs and shifts. “... Jesus.” 

“You're alright,” you laugh, “I'm too tired to ride you like I want to. But I swear, Cill, we're destroying the sofa in the next two days. I need that out of my system before I stand in front of the family I destroyed and tell them we are having a baby.” 

He laughs awkwardly, his whole body shaking as he does, and he tightens his arm around you more. “Y/N, you didn't destroy anything. I've told you this so many times, I know you know. I wanted that marriage over.” 

“Would you have left if we hadn't spent that year sneaking around?” you ask. You've asked before and you know what he'll say, but it never clears your fears for long enough. 

“Yes. We were falling apart, Y/N. The only thing you did was show me it would be okay to do it. You didn't ruin anything.” He reassures you, but you know that he knows that will always be how you feel. “And I'll tell you once more, but I won't remind you again - whatever happens, I love you.” 

[almaasi]

hello tumblr friends, i am alive! and here to rec a game to YOU SPECIFICALLY

(i.e. the people who follow me and have followed me through a series of fandoms over 15-odd years, both for reblogs and my own fanfic content. this is a rec for you, regardless of whether you are a gamer or not.)

it's called BALDUR'S GATE 3

it's a realistically-animated fantasy role playing game. which means you make a character, then play as them as you go on an EXTREMELY EPIC adventure. it's based on dungeons & dragons, so it's like playing d&d but in a movie-esque form. you don't need to know anything before you start. (you do need a PC or console with 8GB of RAM that can run a game.)

you collect friends, who you talk to along the way (the game provides sentences you can click, which sway the story). you get to know them, and help them fulfill their personal destinies. they start as utter disasters, and you gradually find out their damage, then you can assist them or turn them into worse messes, depending on what you choose.

and you fight monsters - either to rescue vulnerable people, or to be evil, again depending on what you want.

if you loved things like supernatural, star trek: deep space nine, or are an enjoyer of something like lord of the rings, you'd love this.

that's true whether you enjoyed the homey, comfy moments, the dark emotional depths, the comedic relief, the silly episodes with goofy characters, or the heart wrenching moral-questioning life-altering storylines.

the music, atmosphere, the depth of the characters?? the found family!!! the FOUND FAMILY!!!

THE F O U N D F A MI L Y

and if you like schmoopy fanfic, this is for you. if you want your lil blorbo to kisskisssnuggle or perhaps bonk the other blorbo, you can do that. if you want to polyamory or threesome about it, for some characters, there are ways.

if you want to live vicariously as a genderswapped wizard version of you, this game is for you. if you want to mix and match gender and body presentations and masc-femme voice and clothing options, you can do that too.

if you want to observe your trauma expressed in a character and try and help them through it, without you needing to find the words to do so, in a way that is not you talking to someone about it directly, this exists as trauma processing on a cracker.

if you are spending your days bedrotting, scrolling on your phone, or watching things end to end and not knowing how to give yourself enrichment without leaving your home or expending precious spoons, this is your answer.

the writing? FANTASTIC

the worldbuilding? FLAWLESS

the characters? i would die for them (and have, repeatedly.)

the women are WRITTEN WELL. their stories have MEANING.

the graphics? beautiful and just real enough that you can exist in the world and become immersed.

you can adopt a dog. and an owlbear. and there are innumerable delightful other animals you can talk to.

i was very surprised by the combat. because listen, i don't like violent things. i shut my eyes when there is bloody violence in a thing i'm watching. however. this is not mindless pewpew violence, this is pause, slow down, think about what you're doing and why combat. for a decent amount of fights, you don't need to kill if you don't want to, you can toggle off lethal attacks. you are fighting for your life sometimes, and to rescue people other times. you can plan ahead. you can do it again if you want to change what you did. you can TALK YOUR WAY OUT OF IT so you don't end up in a fight at all.

the learning curve for the controls and the character-creation options may be steep if you've never gamed or played a RPG before, but i googled some basics and i had it down in a couple of days. the rest i picked up as i went along. i started on the easiest setting (explorer mode) and increased the level as i got the hang of it.

anyway i just love this experience, and if you have ever enjoyed a thing i have also enjoyed, THIS GAME IS FOR YOU. i'm playing by myself, romancing the vampire twink known as astarion, and i'm also playing another game with my sixty-something year old mother, who has never played a game before.

it's expensive. i think it's $60 USD - for me it's $100 NZD at full price, so i put off buying it. i was gifted it by my friends who were playing, because they knew it was worth it. now i've played, i also know it's worth it. the sales on steam bring the price down about 20%. HOWEVER. with the sheer amount of content, depth, and quality, i'm shocked they're not charging double. it's worth saving for. you WILL enjoy it.

if you don't have time, you can split the gameplay up and play it over years like a tv show, if you want to. i'm about 300 hours in and i'm not done yet. (i am doing every single side quest, and i'm in no rush.) and it's also replayable. i went back 80 hours of gameplay to change something. and the catch-up i did after had almost nothing in common with the previous time i did the same section.

if you need any further convincing, here's a clip of my character (starling) talking to astarion, and giving him what is most likely his first hug in 200 years. (cw discussion of sexual trauma)

k that's all.

baldur's. gate. three.

enjoy~

[arlekinos-ink]

I'm really not as active as I should be here but THIS IS SO REAL dear authors, please take care of yourselves! I know that wanting to meet the demands of others could be a little addciting but that will most likely than not lead to a massive burnout! Take things at your own pace and TAKE BREAKS! Remind yourself that you do not write to satisfy others but to satisfy yourself, and that you do not owe others content. I'm saying this for all authors, but fanfic authors ESPECIALLY becouse unlike published books which are necessary as they can be used as protest and political movements (I'm not saying fanfic can't but the point is), fanfiction is a privelege. It is a gift from fans to their communities. Fanfic authors do not owe you another chapter. It is an extention of a piece of media, a fanwork, and thus it is a creative contribution. Pushing authors to work harder will only do the opposite. It is demotivating, it is downright shaming, and it is definitely not the way to get what you want.

Be patient. Be kind. And if an author discontinues or goes on hiatus? Be understanding. You can't do anything about it.

okay this is a rant that i have to share with you all because this has been in my mind for a while and i need you guys to understand this :

stop pushing writers to post faster.

really. this is an issue that has been going on for a bit on my side and i need to pass this message. this is a topic that is not only affecting me but other writers on the platform and i’m sincerely asking you guys to stop.

whether it’s coming to ask authors when the next chapter is going to drop, or leaving comments that go along the lines of “can’t wait for the next chapter” right after reading the latest one that came out the very day you post such comment, both are extremely discouraging.

this makes us feel like we’re just content machines ceaselessly pumping outrageous amounts of words to tell a story that will get no other recognition than the “papa me want more movie” that some of you type, and it’s really disheartening considering the copious amount of time we spend trying to make something good to read.

i’m literally about to hit the level of an epic word wise (110k) and although i know that the “this is so good i need more”s are meant to tell me that you guys are liking this, it really pressures me more than anything and makes me stressed about imaginary deadlines about my writing.

so please, stop rushing writers to post faster when we offer you this for free.

— mamads

[urheavenlylux]

Just read a few chapters of a popular overlord Huskerdust fanfic. So many parts are just blatantly written by ChatGPT. I’m so fucking sick of this shit. Has anyone else noticed this??

It’s the vague descriptions/abstracts. ChatGPT fully relies on abstracts so what you get are odd phrases like “Angel displayed romantic emotions” and “The beautiful garden unfurled before them, full of gorgeous scents and pretty blooms.” It sounds so alien. Unnatural. Maybe because it’s written by a fucking computer. And this fic has tons of kudos too.

IF YOU USE CHATGPT TO WRITE FOR YOU, YOU ARE NOT A WRITER. PERIOD.

Also, how hard is it to warn your audience that you use AI to write?

[nibbelraz]

If Bingqiu gets their own little stories, then I'm sure people would also start writing about the cold and powerful Demon King of the North and his most trusted advisor

[we-are-inevitable]

hey. heyyy creators. stop knee-capping yourself. if you wrote something, you wrote something! be proud of that! if you drew something, be excited about it! saying things like “oh, this isn’t very good,” or “i don’t like how this looks but here it is i guess” is only going to hurt you in the long run. be proud of your creations!! stop being your loudest critic!!

and for writers specifically, this goes double for when you post on a site like ao3. if your summary is just “idk why i wrote this/i’m bad at tagging/this is bad but i’m posting anyway” or any other variation of putting yourself down, it hurts your engagement soooo much. if you think what you wrote is bad, why would anyone else read it? you just gave them a warning to stay away from your work. be unapologetic about what you’re creating and put enthusiasm into sharing it!!

[corntired]

Fanfiction is so goated actually

No monetary incentive, just writing in one's free time. Some incentive for like kudos and comments, because who doesn't want to hear that someone else enjoyed what they wrote. Just writing a story that is good and/or enjoyable, no real-life pressure to keep it going because god forbid you and other people are depending on it financially.

Writing a story because you want to write a good story, so you can write what they want the way you want, at a pace that is realistic for you, with exactly the plot pacing you want there to be.

[justaz]

just spent this morning going back and reading my old fics and omg my writing is better than i think it is. the reason i'm so harsh on myself if because i'm literally rereading the fic as i write it so i'm far too used to it and it lacks the excitement that you get when reading fics you've never read before so it seems dull and lifeless and boring but just give it some time and space and go back and my god is it beautiful. this is a psa to other writers out there that your work is better than you think it is. give yourself some grace.

[queerwritersingerdramaqueen]

It is my fanfic and I get to go ham, it is my fanfic and I get to go ham, it is MY fanfic and I get to go HAM, it is MY FANFIC and I get to go HAM, IT IS MY FANFIC AND I GET TO GO HAM, IT IS MY FANFIC AND I GET TO GO HAM, IT IS MY FANFIC AND I GET TO GO HAM-

[etrebko]

Would love to write a Mystrade longfic about a post-climate crisis world where people are encouraged by the government to leave cities and build self-sufficient farms

and you have Mycroft, a relatively wealthy landowner who is rich enough to afford chickens, a cow or two, and a horse

and Greg, recently arrived from the city, trying to figure out how to rotate crops with no Internet and a lifetime of living in London at his back

and Sherlock, now a beekeper, who keeps a few practical crops but also weird stuff (he says it's for experiments; people in the village think he's just odd like that)

and John, because (Greg and Mycroft agree) the town needs an in-residence doctor so elder people don't have to go all the way to the nearest city to receive general care, and wouldn't it be easy to collectively pay for a doctor, NHS style, just as they already do with Ms Henson, the primary school teacher

and John and Sherlock meet at a gathering at Mycroft's house, who happens to be the unoficial mayor of the whole thing,

and eventually Greg ends up as the (unofficial) mayor's wife

but unfortunately I know nothing of crop rotation, farming, keeping animals, beekeeping, house renovating, managing politics in a small society, or post-climate crisis worlds.