atinytwt is so stupid and toxic oh my god i just saw someone "shading" kq for jongho ???? like okay let me put down my points
a. we don't actually know how they decide to let or allow jongho to only receive injections and medication. jongho's condition was explained by an indonesian orthopedic surgeon who said that NORMALLY injection and medication COULD aid and alleviate the pain but considering jongho's occupation and activity (i.e. dancing), recurrence is expected and it needed a more permanent solution. also, jongho is a grown ass adult, let's not baby him too much (despite me wanna go goochie goochie goo and tuck him into bed with warm milk and cookies) and think that jongho is incapable of making a huge decision for his own health no matter the consequence
b. "kq put them in crazy schedules" it's literally the pitfalls of being idols my ghawd do you want them to not tour and expand their reach and just sit pretty with one comeback a year ??? sure, they could do that but they'll need money to get better production quality like you buying one album per comeback or one album per version is not enough to even cover the shoe budget, do you think those things are cheap ??? considering album sales are not pure as it's separated as distributor and company and from the company's cuts, it's further broken down and ateez will only get a sliver if any, they have to depend on miscelaneous schedules like radio, tv shows, joint concerts, festivals, etc. And no it's not unfair because there are calculations put in place and no matter what you do, the cuts will never be enough but at least from what we see, ateez is living rather well
c. compared to the big 4 (ion even wanna get into TS, cube, mld, mbk, etc. bc yuck) kq is a far better situation for ateez and xikers. like we haven't heard much from xikers, but we know that ateez praises kq. hongjoong even said that kq's ceo goes everywhere with them on tour (hj said this on the singapore concert) except for the show in manila bc he had a prior engagement. and dude, the gifts the ceo gave ateez and the fact that kq didn't put ateez on diets they don't want and how the staff interacts with ateez and ateez with the staff. idk, i've only been seeing green flags so far. ofc no one is perfect but again, compared to jyp who made momo eat only ice cubes to achieve her target weight so she can debut, or shoving all of seventeen in one tiny ass dorm that didn't seem like there were any blankets around during pre-debut, or putting the members on a leash and treating them like dogs like infinite, i actually love kq. I've liked kpop for over a decade now, since i was like in 5th grade and i've truly never seen a happier group than ateez.
is there a way to not read stupid ass posts on twt or x or wtv and just save pictures from there ??? really i have low tolerance in stupidity bc i have to deal with my own on a daily basis
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Something I find fascinating about Wandee Goodday is that no one has kissed yet (I know Ye and Cher have kissed but...) Like not a full on make out session despite having an established couple in the show that they could be using to show us kisses. But we get no kiss sex scenes from Yak and Dee and soft, somewhat chaste scenes from Ye and Cher. We all know both couples are fucking. But the lack of kisses where normally the show would have one couple more active in that department tells me how important kissing is to this story.
Dee has stated that it's silly but he doesn't want to kiss unless he loves that person and is serious with them. But the entire show is respecting the no kiss rule which tells me that it's not silly. The entire show is respecting Dee's boundary here. And yes, Yak and Dee have come so close to kissing so many times, but they haven't. Dee has always pushed him away and Yak has always respected it when he does.
It makes me wonder what's going to happen once the main couple does eventually lock lips. Will that open the floodgates? Will the audience get to see both couples kissing then? Or will it continue to withhold that specific moment of intimacy. There's something the show is saying about the expected parts of intimacy being taken for granted and also deserving of privacy and that's up to the people in the relationship.
Kissing can be an act of love and desire, but what the show is saying is that it is not a requirement for those things. I can be completely talking out of my ass here, but something about this is really sitting with me. Not only do we get Plakao as ace representation, someone who wants a partner to cherish and be cherished without sexual expectations, but we also get the show reinforcing the ideas that love comes in all forms with so many different acts and different people are comfortable with different things. And all of that is okay. And all of those boundaries are worthy of being respected. Regardless of societies expectations for what it means to be in a relationship and be physical, whatever is right for you is right and isn't that just beautiful?
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the obvious double standard with which we as a society treat amab nonbinary people and trans women who don't fit the level of feminity that they're expected to is actually disgusting.
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You know idk if it's just me being oblivious af but mxtx sure does enjoy putting her protags through the trolley problem when it comes to her works huh /j
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The Most Unreliable Narrator I Have Ever Seen
soooooo I had a Cyberpunk-obsessed phase pass recently, and this time Johhny Silverhand's character caught my eye. His story, more specifically, and how... inconsistent he seems, depending on each source.
In the game, Johhny acts like a bastard for most of the game. He panic-rages on his first meeting with V, throws many threats around, but is later beaten into the background with the blocker pills Misty gave to V. Even Johnny's friends' are well, they react Loudly to his return. Y'know, make it known his presence alone provokes a lot of anger from them.
Even during his first appearance, when V gets thrown into Silverhand's memories of his SAMURAI concert, the only real thing V recalls is the all-consuming rage that he felt, which he tried to shout out through the microphone, but it never felt like enough.
And doesn't this sound weird then, that the only thing Johnny does throughout the game after that first meeting is help V out? He learns about the Smasher guy hideout at the docks (he does that through dubious means but that's Johnny for you), he helps V out when the seizures become worse, he calmly agrees to Any decision V makes, despite V clearly Not being in any real state to oppose him in the finale of the game, he plans the whole thing with "Alt" so V can get his body back at Johnny's own expense, from the beginning, and he doubles down on that claim at the end of the game.
Do you see the dissonance? The egoist rockerboy that admitted to using his friends to getting what he wants, and the downright self-sacrificing hero and a friend that is Johnny at the end of the game? People change, sure, but this divide is very massive and too sudden, so I wanted to dig into that. And what I've stumbled upon, with the help of canon Cyberpunk materials like the Red sourcebook (or, more specifically, LayedBackGamers' reading of the canon books and his lore videos on different topics), is that
Johhny Silverhand from Cyberpunk 2077 is the Most Unreliable Narrator I've Ever Seen.
Count with me here:
Johhny's personality in general. No matter what your interpretation of him his, it's impossible to ignore that Johhny is very much a people person and he exploits that knowledge and charisma to suit his own goals. If you choose to trust him, then you might have already been played.
2) Johhny has been alone, only his lovely self for 50+ years inside the Arasaka chip. Don't ask me how he is still even remotely sane, I haven't got a clue (hopefully the time as a construct without outside stimulation flies differently and he hasn't felt those 50 years in real time). The thing to mention here, however, is that, being alone with your thoughts and emotions for a long time, having nothing else for entertainment, is a great opportunity to rewrite your own memory of events or emotions you've felt.
3) Lack of a body. The aforementioned constant rage, that was the dominant emotion is Johnny's life (before Alt, at least, if Never Fade Away is anything to go by, and I mean, that's literally a love ballad), is a symptom of his PTSD from his too-young years serving in the corpo war, same as his signature silver hand. I'm not a specialist here, but I do know PTSD, especially for war veterans, is a physiological illness just as much as it is a mental one. Johnny's body literally had trouble living normally after that experience, and knowing this bastard - he never managed to treat that. Existing as a personality construct frees him from the many bonuses of being corporeal, but it also free him from the physiological side of PTSD. His day-to-day existence is fundamentally different from that of the Johnny Silverhand that the world knew 50 years ago, so yes, as a 'time traveler' or a source of information and comparison about the 70's and 20's of cyberpunk world Johhny is not a good source.
4) The chip with Johnny is literary inside the head of another person. The characters in game question, multiple times, just which decisions is V making on his own, and which of them might be Johnny's doing. Not consciously, no, but V and Johnny are clearly not your simple neighbours. They are not your 'close friends that start subconsciously copying each other' too. It is quite possible that the chip with Johhny is adapting to the 'hardware' it is running on, so it is specifically implementing parts of V's personality into Johnny, to minimize the 'friction' between the personality and the body it is supposed to inhabit. Everyone say hi to existential horror)
5) How does Soulkiller ever work? Is there data on how much the resulting engram actually resembles the person it tried to copy? How did the process of copying Johnny go? I can answer the last one - very badly.
Death of Johnny is told in excruciating detail in the Cyberpunk sourcebooks. Johnny died on the floor of Arasaka tower, torn in two by a shotgun blast from Smasher. There is no information on how much time it takes Soulkiller to create the engram from the brain, but it better have finished doing that before Johnny's brain started dying from a lack of blood and oxygen, and he clearly didn't have much time either, considering bisection is not the best for bodily fluid preservation, so it's a wonder the engram even works properly. Plus, during the initial heist to steal the chip with Johnny, the chip was damaged further before the idiots decided to stick an unknown harddrive into their heads to preserve it. Basically, it's nothing short of a miracle, that engram-Johnny is actually a whole damn person, that he can function, think and feel properly (well, as much as Johnny can do those things)
It is very sad that V can't talk to Johnny about this, as the man does blame himself over things he hasn't even done, and he had done enough emotional damage to himself and people around him without that kind of burden on top of it.
6) Johnny's memories are literally false. The attentive reader had to pick this up in my previous point - didn't Johnny die in the hands of Arasaka after they interrogated him? Nope. Nope, and I can say that confidently because,
(drumroll please)
Cyberpunk tabletop sourcebooks! Mike Pondsmith, the creator of the Cyberpunk universe and the TTRP series of games, has worked closely with CDPR writers during the production of the 2077. He oversaw everything, and he says that 2077 is in the same cyberpunk universe too, it's not an 'alternate reality' or anything.
Johnny Silverhand died while trying to buy time for his friends to escape, from a shotgun shot from Adam Smasher. That's it, he died on that floor, there was noone to interrogate, no rooftop helicopter he ran for.
The sequence of 'memories' we see from Johnny's POV in the game is a mishmash of two different assaults on the Arasaka towers, yes towers there were two of them. There is a great video explaining all the small and Major details Johnny's version of events got wrong, because we have the sourcebooks and the text inside. You may accuse me of holding a 'holy canon' argument ... and well, yeah, this is kind of holy knowledge, as it was written for gamemasters.
Still, some of the things in Johnny's version are Major, and while the media certainly covered the whole story extensively with corpo propaganda (oh, btw, Johnny didn't bomb anything, he probably didn't even know there was a nuke involved, he is literally just a scapegoat), there are some holes that a citizen of this world might know and wish to poke. The aforementioned Two Arasaka towers, or the absence of the legendary solo Morgan Blackhand from Johnny's story. Interestingly enough, there is a radiostation of Maximum Mike in-game, who is actually just pretty much Mike Pondsmith, and he does propose a couple of questions the 'official' version of the attack doesn't cover (like, where would a rockerboy even get a nuke, he might have been popular, but that's not just something you find without military contracts, and that means corporations). Another thing is that since Arasaka owns Soulkiller and has had the engram for a couple of decades, it is quite possible they are the ones responsible for messing with Johnny's memories.
So uh, yeah, Johnny is the Most Unrealible Narrator I have ever seen. Johnny of 2077 is most certainly not the Johnny of 2020's, but this might be a good thing. Maybe the 'real' 2020's Silverhand could never have made the progress the engram did, or become such a good friend and companion for V, or maybe he could have done those things too. We'll never know. I really love this story anyway.
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Constantly thinking about how WWX thinks about JC how he thinks JFM thought about YZY but mostly as how he denied and yet carelessly commented JFM thinks (disregards) about JC
It is so, so, so fucked up and one of the reasons why chengxian is so doomed by the narrative bc no matter what JC does or says, WWX already "knows" what is about. Bc JC is his shidi and WWX knows best. And still, pre masacre, pre core exchange, it could have work. It could have, because they love each other so much but JC lost his core. WWX thinks he chose his parents. He thinks Jc choose the dead bodies of his parents, a filial duty, over survival, over him. And he never forgave Jc for it.
Bc now is WWX turn to assume the consequences of his shidi actions, now it is his turn to bear the pain for him. And he does not do it with reluctance, he does not, he does it bc he loves Jc so so much, but still. Still. The hurt it caused it. The hell it send to him. The hopelessness.
And then to see his shidi thrive were he can’t no longer. To see him shine when he is but a shadow. To see him reach for the impossible time and time again as if it was not WWX who never gave up before, who rallied his shidi over his (small, imagined, greedy) woes. To see all that and know envy, envy he had denied his whole life and envy he will repress into resentment, into sth useful bc WWX is not like yzy or Jc he is not, he does not hurt the ones he lives with his jealousy and sense of inferiority. Bc how can he not envy, when one says his dad doesn’t love him but he still has a dad? When one says he is not enough for his sect when he has such a inheritance, such a clear path at life. And WWX never cared never ever ever, how could he? He loved his shidi best, in spite of all the bad things.
And somehow, Jc himself is a thing he has to be loved in spite of. And it’s heartbreaking.
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slams fists down on beautifully crafted oak desk
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No one is asking you to like cops IRL, not even the show. If you look at Arcane and what you see is copaganda, if you look at Cait and only see PoLiCe OfFiCeR and not the character, the problem is YOU.
1. I never said anyone asked me to like cops irl
2. I know that’s what I said.
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decided that in my own personal canon, Santiago’s maker looked similar to Louis, simply because Ben Daniels stated that Santiago was very likely in love with his maker. and wouldn’t it be some kind of torture to fall in love with the man who murdered your first vampiric love? to then watch him fall in love with another, who bears an eerie resemblance to that first love? to be witness to something tender and affectionate blooming, every moment a memory of how none of those you’ve adored have ever wanted you back? it would be agony. it would be torture. god, you would just hate them to pieces, loathing even as you loved them. and you wouldn’t know peace - not until the whole pack of them learnt the horror of love, just as you have.
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"Pac, just go to bed."
It was the ninth, or maybe tenth, time that Pac had heard those words in the last hour. He had his samples of concrete spread out across the road of the Favela, and continued to ignore Cellbit's frustrated pleadings.
What was Cellbit going to do? Eat him?
They'd already been through that before.
Perhaps Pac had finally driven Cellbit too far, as there was a frustrated noise. Rather than hear a knife being drawn, however, all Pac heard was a warpstone.
Which. Fine. Now, magenta or blue for the next house...
He had already built in green and yellow, Richarlyson's favourites, and his son loved all the other colours just as much.
Magenta, then, for-
Pac did not finish that thought, except to consider that it might be nice to let the eggs decorate the interiors when they returned; Pac had simply blocked up the small rooms, far from being in the mood for fine detail work. Even just thinking about his attempts at a clothes line were enough to make him frustrated all over again.
He should plant some flowers along the roadside, though. Richarlyson would like that - and Mike would smile at him for it, and-
It was hard to know if he should think of them, or not at all. Rather than think on that, either, he grabbed the magenta concrete, and got to work.
In building, there was no thought. Or, there was a lot of thought, but much of that was also instinct. There was just enough thought that he could not think about anything else, but not so much that he became tired of the act of thinking itself.
Pac's fingers hurt, but he ignored them, grasping his pickaxe to pull down a few blocks and move them a little to the left.
He might not know who he was without Richarlyson, and he certainly did not know what he was without Mike, but he could make something beautiful for them - he could prove that even if he was nothing without them, he had something to bring to them both.
It did not take long to finish the outline of the magenta house, practiced as Pac was. A few more blocks here, a few there...
Deep down, he knew that his placements were at best erratic, but he did not really know what else to do.
Perhaps if he started from the other side instead...
"Pac?"
Not Cellbit. Or - at Fit's voice Pac looked up, and Cellbit was there, but he had left Fit to do the talking.
"Fit?" Pac's eyes struggled to focus a little. "Why are you awake?"
"I could ask the same of you, my friend."
One minute Fit was across the road, and the next he was holding Pac's hands.
Which one of them was shaking? Pac did not know.
"Cellbit got me up, he was worried about you," Fit explained. "What's wrong?"
Pac glanced at Cellbit.
"I'm going home," he told them both. "Fit, he's your problem now."
Pac did not like being a problem, but he supposed he was. Usually he was merely Mike's problem, but...
"Everything," Pac finally answered Fit as Cellbit vanished in purple sparks.
"Here."
Fit opened his arms for a hug, and Pac fell into them.
"I can't stop," it did not take Pac more than moments to crack. "As soon as I stop building, I think about them. And I cannot think about them without wanting to shove my pickaxe through my skull, so I don't stop building."
The hug tightened around him, and Fit's fingers curled into his shoulder.
"I get it," Fit said. "But you need to sleep."
"How can I sleep when all I see in my dreams is them dead?"
Pac hated himself for knowing that dead was not even the worst of it - sometimes he dreamt the pair left willingly and of their own volition, that they had finally realised that Pac was /nothing/ and decided they were better off together. That, for all he could make, Pac had failed to make enough of a mimicry of a self to fool either his best friend or his son.
"I know how you feel," Fit could try and make his voice quiet, but it always carried deep and deeper into Pac's bones. "My sweet baby boy..."
And Pac knew, of course he knew, because every parent on the island was experiencing the same - Fit was even avoiding thoughts in the same way, hollowing out the desert and helping Tubbo with the new library and-
Well. They were failing to cope very, very much the same.
"Would you come back to mine?" Fit asked. "There's reason Cellbit could get me up - maybe some company would help me sleep?"
Pac knew that Fit slept with nobody nearby as a point of paranoia. Pac knew that this was not at all for Fit's benefit. Pac knew-
"Please? It would really help me."
Pac caved with a nod, abandoning the concrete to the road and to another day.
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some of you never grew up in a small conservative town as a (gay) nerd that was bullied, harassed, and excluded for years on end for not fitting in and for visibly and enthusiastically liking geek things—geek things that then branded you a satanist in everyone's eyes and as something Other, Lesser, and Undoubtedly Unworthy of Basic Human Decency even though you were literally just an actual child with harmless interests and not a satanist or an evil disgusting subhuman thing, and it shows.
you cannot apply modern views and beliefs to a show that is set in the eighties, especially not when it's set in conservative midwest eighties which is a whole other beast. being a socially awkward and nonconforming geek is something that people STILL get bullied for if you don't do it in a way that the majority deems "acceptable", especially if you live in a conservative, religious area.
your experiences are not universal and your inability to relate to a certain motif or story does not make it "lesser" or "bad writing."
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The Boys, choose violence 10, 22, 24 if you please. :D
From the 🔥Choose Violence Ask Game🔥
Thank you, @kosmochlor, for the Ask! Ahh, and I see we’re going straight for the jugular!! 🔪(⊙v⊙✿) These are just a few personal honest opinions written at 1:40AM. What I think does not apply to everyone. ♥️
10. worst part of fanon
Keyboard warriors. The morality police clutching their pearls. You know who I’m referring to; we always have them in every fandom. The ones who police who/ what you like and are obnoxiously loud about it and about how the characters or ships you find interesting are problematic and, lookie here, my [insert character they’d fixated on] never did anything wrong compared to your rancid skrunkly blorbo and I wish more fans liked my favorite character than [insert popularly liked character]. On the converse of that, I’m on two fences when it comes to Homelander stans. Thankfully most people are rational and like him because he’s an interesting villain (and, let’s be real, it’s powered by a side of fan thirst for the actor who plays him; it’s the typical parasocial relationship that fans develop with the celebs who play our favs/ or it’s just plain interest in the fictional character itself or the fun thought of that fictional fav being railed or doing the railing)—but I do have to raise an eyebrow when he is being stanned for all the wrong reasons (coughfascistallegorycough coughMAGAallegorycough coughSigmamalecough).
It’s a very interesting outlook to have as someone who isn’t as into Homelander as other people but still goes out of my way to read and write stories of him being shipped with his enemy Billy Butcher (listen, I’m your average law-abiding 28 y/o woman who works M-Sat 9AM-5:30PM and sometimes even Sundays and even overtime; sometimes on my limited free time I just wanna indulge and imagine about what it’d take to save the metaphorical world in this fictional universe—aka by having the two toxic old men f*ck each other and they can be two co-dependent psychos in love terrorizing the world together as a shameless power couple in a perpetual Ouroboros cycle of love and hate and self-punishment; obviously I do not condone this kind of relationship irl but within the safety of my imagination, we writers be playing god. It’s fairly obvious both characters are fated to have a bad ending in the show, especially if they follow in the footsteps of comic canon for a bittersweet ending, so let me have fun on my very limited free time writing my alternative Butchlander takes about these manipulative assh0les obsessing over each other and the fate of the world depending on how successful they are at gaslighting each other into playing a permanent happy couple).
22. your favorite part of canon that everyone else ignores
Homelander is canonically bi in the comics. No, I’m serious.
(Spoiler alert: for those without context, in the comics, Soldier Boy was not Homelander’s father. In the comics, male Stormfront was one of the Supes whose DNA was reused by Vought to create new and stronger versions of the source material, so his DNA resulted in baby!HL’s creation no, comic HL did not f*ck male Stormfront; in a way, HL is kinda a partial clone of comic!SF. Whereas in the show, Soldier Boy was changed to be a super straight (?) alpha male granny f*cker who was later revealed in the season to be the sperm donor for Homelander. And Stormfront, as we know, was genderswapped in the show and changed to be Homelander’s girlfriend in S3. …There’s no confirmed Sweet Home Alabama vibes yet as of 2023 but there is understandably fan speculation for a reason.)
I believe the best way to put it: Homelander is generally attracted to women, but in later issues he reveals that he has a secret liking to men. Because he’s The Homelander; he can do whatever the f*ck he wants.
And let’s not forget this beautiful iconic scene the TV adaptation gifted to us:
Now some personal opinion time: I also like the idea of him being a narcissist so he only truly loves himself. And others can come close (especially if he sees aspects of himself in them) but his One True Love will always be himself. It’s the classic Narcissus looking at his mirror reflection allegory—but now you mix it in with some complicated cocktail of a God complex, inferiority complex, imposter syndrome, self-hatred, and sociopathy or psychopathy and a hidden desire of wanting to fit in with the banal societal human norms of being accepted but always feeling left out on the other side of the glass wall looking in. Now you tie it in with him never finding anyone who’s “genuinely loved him” (by his own criteria) and has not regarded him as a monster to be feared. He’s desperate for that human connection, for that elusive “perfect companion” who will understand him and cater to him and put his needs above their own—and to him, finding that proves he’s not a freak of nature. He’s not a monster. He’s not a failed product. He’s not a pathetic excuse of a man that even Soldier Boy didn’t even want as a son. Vogelbaum—and everyone else just doesn’t understand. People love him, right? Vought and Madelyn have indoctrinated him into believing he’s the people’s hero—and how they adore and worship him and want to be him or want to f*ck him. How can he, The Homelander, a superior being with his perfect genetics who’s better, stronger, smarter and more attractive than anyone else (I hope you can tell I’m being heavily sarcastic here), go out on a limb and fail at finding this one intangible thing that ordinary mudpeople or his inferiors can find but he somehow can’t?
24. topic that brings up the most rancid discourse
It’s almost always political discourse particularly from extremely delusional right-wingers people who have terrible media literacy of what they’re watching versus what might be clear-cut to the rest of us—and discourse of whether or not The Boys (TV) is an objectively good show. All of these tend to go hand-in-hand together. I think what those people fail to realize is: the script is written by Eric Kripke, the showrunner behind the first five seasons of Supernatural—and then you have Stephen Fleet, lead VFX supervisor and show producer, who came out at the age of 43 (🏳️🌈). They’re adapting it from an edgy, dark, intentionally offensive-just-for-shock-value comic series written by Garth Ennis, the person behind Preacher and even a bit of the Punisher. The eight-volume comic series, which ran from 2006-2012, is full of racist, sexist, misogynistic, and homophobic elements (to be fair, GE wrote this as an intentionally darker satirical take on the superhero culture—and edgy shock factor is a writer’s strategy to make your work stand out). It was meant as a “dark, satirical commentary about the fictional superheroes—and, to an extent, the real life celebrities—we idolize, and how easily people with such power can abuse their responsibility” (source).
With what the TV showrunners had to work with, with the actual source material being a slog kinda to go through (the comics does have its share of good moments admittedly), as a whole I think it’s pretty impressive they’re able to update things to make modern social commentary which are relevant to us today (now, they can be admittedly a bit on the nose about it; one thing that stuck with me till now is how a writer friend I was watching the show with remarked how they’d thought BnHA did the superhero genre commentary much better) and somehow they were able to make a far superior TV adaptation just by paring down and changing a few things from the comics for the better so far (*knocks on wood 3x*). I will however always side-eye anyone who insist the comics is superior than the TV adaptation and loudly proclaim they won’t watch the show because “look how they massacred [insert comic character]” (now, to be fair, normally I would agree with this take but we’ve established The Boys (TV) is a special case; I would also understand if the comics had been the person’s first exposure and, hence, had become their fixation—but considering its intentionally offensive contents I am quietly side-eyeing them from the sidelines and keeping my mouth shut).
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its been insane witnessing the full force of propaganda and american imperialism with my own two eyes as an adult these past few years. obviously ive known abt it plenty and seen it before, but witnessing it at this age with this much force is... dystopian and crazy
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Oh no I’m thinking about VtM npcs again
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god early dave and terezi convos kill me on rereads bc like. if u look closely theres a couple moments where dave clearly Does Not Want to talk to terezi?? bc hes freaking out about his bro or his planet or his whole fucking life and shes super insensitive about it in a lot of ways!! shes incredibly morbid and she pushes him to talk about things he doesnt want to acknowledge; the first convo they have at all and the convo they have when bro dies being the strongest examples of these. but she keeps poking and prodding and eventually she makes him laugh and runs w it :,) which is really nice and one of my favorite dynamics for a while but ugh...... just rough looking back and seeing all the ways dave has been hiding his home life and how he really feels about it for so long :,(
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