#if that wasn't clear from these

[subtle-as-an-earthquake]

miles kane @ effenaar, eindhoven (30-03-2024)

[technically-human]

Welcome to the reverse verse! This is part 1 of 2 of a commission for @i-am-as-normal-as-you-are and I can't wait to tell you all about it, because I'm incapable of being normal and chill about these concepts, so I ran with it.

Charles Rowland was born in 1900, his mum was from India and moved to the UK after marrying Charles' dad, a soldier who was not... very loving. Charles' heritage gave him some problems, but none as bad as that one time in 1916 when he was sacrificed to a demon and spent the next 7 decades in Hell. He doesn't like to talk about it, except when it can get him what he wants. He was always an angry boy, or so he thought, but after his time spent in Hell, it became so much worse. He's explosive and unpredictable, and so he mostly avoids conflict. He doesn't need to fight anyone, as his charming personality and sweet smile (plus a few smart calculations) always seem to be enough to convince people to give him what he asks for. And when the fight is inevitable... well, he has Edwin for that!

Edwin Payne grew up very sheltered, in a deeply religious home, and he is proud of that. Don't try to argue with him, because he surely has a Bible verse that will help him win (and if not, he is not above using his croquet mallet now that he has someone to keep safe). Unfortunately for him, he realized at a quite young age that he felt attraction towards other boys. Even worse, somehow other people could tell as well, including those peers that ended up killing him for it (the rumour spread throughout school was that he had died due to AIDS, and most people just accepted it). He never acted on those unnatural urges of his, but when he met this ghost who had just escaped Hell... he decided not to risk eternal damnation, and to stay here with Charles, instead. Edwin has no interest in the supernatural or in magic, and sort of looks down on them, but luckily his friend's got that covered.

[iztea]

putting that hyper intelligence to good use

[samwpmarleau]

jamie + learning

[a-s-levynn]

"A sacred guardian" A Series of Small Offerings - IV/1 - day33

[marzipanandminutiae]

I don't know if Lizzie Borden did or didn't Do It, but what matters more is what she did afterwards:

moved to a grand house with her sister and had intense, Ambiguously Gay friendships with actresses until her death at age 66

there's a terrible slasher film called Lizzie Borden's Revenge and I'm like. revenge for WHAT. what about the entire rest of her life could possibly leave her feeling in need of vengeance. barring local notoriety and the emotional toll thereof, the rest of her life was excellent

[tofixtheshadows]

Louise Glück, "Thrush", from Averno x Dungeon Meshi by Ryoko Kui; Laios, Kabru, and death.

[catkin-morgs-kookaburralover]

if you struggle with mental health, one piece of advice i would genuinely give you is learn to knit.

or crochet: something repetitive to do with your hands, assuming you're capable of it. if you're like me and learnt to knit as a kid but let it lie fallow for a long time, it may be that starting a large, simple project (for me it was a cloak, but a blanket could work too) gets you back into it. or maybe doing something smaller, idk. i personally found socks really hard for a while because they felt smaller than my cloak but weren't getting Done quick enough for me. as i've sped up i find it more interesting to knit socks.

regardless, a repetitive task is great for emotional regulation (also see: autistic stimming), and something that you can look at and go hey i've done something, unlike simply using a fidget toy, can also help to pick your mood up when the brain is being cruel.

it's also useful as a conversation starter or distracter if you don't know what to talk about. if you're wanting to talk to older people also you're more likely to reel them in with knitting (i work better with older people, and 99% of people who ask what i'm knitting are older than me). it also gives you the opportunity to not make eye contact because you're busy knitting, even if you're still carrying on a conversation. if you're absolutely stuck for conversation you can count your stitches and people might stop bothering you.

if you have trouble focusing without doing something with your hands, you can knit! i knit a lot in church, and it helps me to focus on what's being said.

i probably have more reasons you should pick up knitting, but i can't recall them right now, so yeah.

[deuteragonist1]

Merthur really have it all huh. King and lionheart dynamic. Fucking hate at first sight then speedrun to trying to die for the other. Slow burn? Never heard of her. One of them wears gloves and one doesn't and I'm not even gonna bother to explain why that is top fucking tier. Lies and secrets that could bring about the doom of the kingdom. Obviously adore each other but will actually fucking die before saying it with actual words. The prince is a gigantic asshole who doesn't know how to show care or ask for attention like a person who had healthy emotional development as a child and oscillates between pulling pigtails and acting like an over-eager puppy or both at the same time. Domesticity levels previously unheard of. They canonically wear each other's clothes. One of them makes up words and the other promptly starts using them. Both are extremely into the other's specific brand of dumbassery. Their love language is fucking playing together. "I don't want you to change" fuck this fuck everything

[onesidedradiostatic]

some of the tags on my edit are making me think:

do you think random sinners who watched everything in stayed gone and never met alastor in person have like fan interpretations of how he looks like based on this one shitty drawing and his voice.

some draw him with a full body of fur. some draw him with a nose, some draw him without a nose. they come up with their own colour palettes too and they all look very different. there are some popular, agreed on interpretations of him too that are commonly drawn

some have interpreted the monocle to be a goofy mismatched eye so there are a lot of people who draw him like that too with one big eye and one small eye

vox has seen all of them and lost his mind about them because they're so WRONG AND INACCURATE (okay maybe he laughed at some of them, but how the hell is he going to enjoy sexy alastor art if they all draw him wrongly? and val doesn't care enough to draw him often) and he wonders if he should have just used the actual picture he had of him for his news broadcast instead so he wouldn't have to be subjected to these horrendously inaccurate interpretations of him. this is why he sent a proper reference when he commissioned luci--

[gummi-ships]

Kingdom Hearts 3 - Kingdom of Corona

[hrokkall]

ULTRATOBER /// EIGHTH CHARACTER DESIGN SWAP

I did, in fact, draw their faces but wasn't 100% sure if that conveyed "angel" enough so I gave them upside-down masks. But here they are uncovered.

[cookiekitkat8484]

It has come to my attention that people who haven't read the comics don't realise Wallace was the one who harassed scott into being his friend. Like he saw that nerd at uni and went oh yeah that's my guy now. This bitch would not shut up and showed up at his house uninvited to hang out till scott gave in and befriended him, then they got suuuper drunk and scott let him crash at his. He comes to family dinners, is best friends with his sister, and chats to his mum.

He despises envy more than anything and is furious when she tries to mess with his life again and scott gets hurt, so he cooks him breakfast and comforts him. He coaches scott in fighting and helps with strategies so he doesn't get his ass kicked. He bullies him to leave the house because there's a heatwave and he wants to make sure he doesn't get heatstroke. Like they're close enough Wallace walks around in his underwear (though scott whines about it).

I've seen people assume Wallace supports scott out of pity but that man is a bitch and morally questionable (affectionate), I do not think he would put up with it at all if he didn't want him around, especially given he can barely afford to support them both. When they stop living together he doesn't just kick him out it's because their landlord kicks them out, he actively enchorages scott to move in with Ramona out of care for him and offers to stay with him if he needs it, though ends up signing a lease with his boyfriend (in his defence scott didn't ask for him to stay and decided to try make things work with Ramona) but still let's him stay at the new apartment with them when Ramona kicks him out.

Yeah he's mean to scott sometimes and makes fun of him/is brutally honest but he basically became part of Scott's family and part of that is calling people out when they're being a total jackass and teasing them, he's that kinda guy and scott knows that he doesn't actually hate him or something. Yeah scott will do puppy dog eyes if he wants something but wallace is frequently nice to him on his own initiative and scotts not a suck up to Wallace, he can be a bitch right back at him.

They're a really important part of each other's lives. though I can understand people not familiar with the characters who watched the show thinking Wallace doesn't care about scott being gone, literally all the characters reacted super casually. Bryan has tried to clarify his way of trying to cope is him "being a jerk"/disconnecting/acting apathetic. Also in the show o'malley basically confirms Wallace had feelings for scott and that was why he had the affair with Todd and you can quote him on that, aswell as scott admitting how they became roomates was "somewhat gay" in the comics, so there's definitely some weird more than friends emotional mess tied in there.

comic panels i reference under the cut

TLDR wallace lives with him because he cares about him, whether you read that as still somewhat romantic or now platonic, with either interpretations fitting better with different versions of the story

[pinkinsect]

shidou ryuusei x gloomy bear 💥💥💥

[somerandomcockroach]

A large burning canvas could be seen in the distance.

The neat fingers, full of small dents from the friction of the sword handle, caught a small flame, which immediately went out from faint pressure.

There was silence, a living silence, one of those that strains with its sound. A warm wind heated his battered, but carefully polished armor.

"You want to say something"

"I want" Blurr answered, turning sharply to the dark silhouette behind him that was quietly watching him until now. He clenched his fist with a grinding sound, where the spark died out, and demonstratively opened it towards the darkness. "And this is how you are paid for making the world freer! This is what remains of your legacy, and you react as if it doesn’t concern you at all!"

"It does not concern me anymore" the figure answered him calmly.

"Shockwave, stop!"

"Is that an order?"

"It's a request” His angry expression made it clear that this request was an obligation. “I just don't recognize you for these few months." His hand shook slightly with anger. Black smoke seeped through the cracks in his armor.

"I don't recognize myself for even longer time." Blurr visibly trembled at these words, realizing where the dialogue was leading. Shockwave slowly approached, his long, deformed fingers, three times longer than one of Blurr's fingers, carefully reached out to his hand and wrapped his palms in his huge paws, kneeling down to be on the same level with him. "Blurr, I-"

Blurr turned his head away so as not to see one piercing, but such a swampy dim light of his terrifying eye, which had become more precious to him than his weekly knightly brigandage. "Shut up. It's too early, we haven't agreed on when exactly to do this"

The dull mass of metal, which was only a tangible casing, after some hope of catching at least a spark of doubt, only lowered its head heavily. The crackling of the fire continued to be heard around. The soot reached them, gifting them with at least some warm light among the shades of cold before dying. Realization, regret, reluctance were not reflected in the knight's optics. His armor, always proudly looking into the face of danger, now reflected only the cowardly lights of the fire from behind. Despite this, he did not remove his hand from the strong lock until the blades themselves parted. Shockwave disappeared. Disappeared as he had done for the past few months.

Blurr turned back to the burning wall. From afar were heard screams, squeals, grinding, clanking. The column of fire did not subside, as if it was fed by fuel from secret reserves. It had been burning like that for hours, as if to show the greatness of this building over others that would have left only a column of smoke long ago.

Shockwave's last school of dark magic was burning out, as was the will of its creator to live.

[jitterbugbear]

centipede, acrylics on gel plate