#if only he knew what she knows

[hippolotamus]

WIP Wednesday 🖤

tagged by the lovely and talented @tizniz @eddiebabygirldiaz mwah! 💖 the beans have taken a swift and sudden break, so I'm cheating by using segments that none of you have ever read before. not once. promise. have this bit of young Evan and Maddie from the witch!eddie/familiar!buck au

Hershey, PA - 1998

“Pleeeeease?” Evan pleads, giving Maddie his widest grin and best puppy dog eyes. In his six years and two months of being alive, this tactic has never failed him. 

Tonight she’s been tasked with babysitting while their parents are out. Which makes him happy because that means she’s the one tucking him into bed and reading him a story. As soon as she finishes their book, because it’s just them, he can’t resist asking for her magick. 

It’s not like she’s not allowed to use it, but for some reason their mom and dad never seem happy when she does. Unless it’s for a practical reason. Even then they look uncomfortable, barely being able to watch while she uses her gift. 

Shouldn’t they be happy? Not every family has magick, but they’re so lucky with Maddie. She’s a natural healer, with the power to make people better. She always makes him better whenever he gets a cut or scrape from falling off his bike, or does something tricky like that time he jumped off the swings and hit his chin when he landed. 

“I should have known you would ask,” Maddie teases.  

She takes her time putting the book back on the shelf and switching off the bedside lamp before making herself comfortable at the foot of his bed. There’s a sliver of light streaming in through the curtains, enough to see Maddie tuck her hair behind her ear and wiggle her fingers at him. The wiggling is mostly for show (he thinks) and to make him giggle. She’s always doing her best to make him smile. He wonders if everyone has a big sister like her. He hopes so. 

Maddie holds one palm out, showing him it’s empty before she turns it face up. With her other hand, she stirs her pointer finger in her cupped palm. Excitement and anticipation run in a gentle current under his skin. It’s a little like a swarm of butterflies in his tummy, or the feeling he gets when the car drives over a big hill. He clutches at his blanket, leaning forward to get a closer view of the pink and green beginning to form. 

“Ready?” She asks.

“Uh-huh,” he answers, eagerly nodding his head. 

They’re only slightly out of sync with one another as they begin counting out loud. “One… two…” Evan takes a deep breath, as much as his growing lungs can hold before Maddie exclaims “Three!”

His breath rushes out of him, blowing into the pink green glow. He watches in awe as it disperses, making the sunburst patterns on his walls light up, warm and golden, illuminating the space like fireflies. 

“You did it!” She praises him as if he had any influence on any of what just happened. He gives her an enormous grin anyway. It feels impossible not to with how content he feels. 

“No, you did!” 

“Well, you did the most important part,” she argues good naturedly, tousling his hair. 

He beams with pride, leaning into the touch. Thankfully, she takes the hint and strokes his forehead with her thumb. 

“Okay, lay down. It’s way past your bedtime.” 

“Not sleepy,” he protests through a yawn. When she gives him an incredulous look, he burrows into the covers, letting his head loll to the side. “Hey, Maddie?”

“Yeah?”

He hums as she resumes lightly scratching his scalp. “Do you think I’ll get my magick soon?”

“I-” Her movements slow almost to a stop, but start again before he can complain. “I don’t know.” 

“Hope so,” he mumbles sleepily. “Can’t wait to have mine, just like you.” 

The mattress shifts and soon he feels her press a kiss to his temple. “Get some sleep, Evan. I’ll be here if you need anything.”

The reassurance is a formality — of course she’ll be around. It’s nice to hear the words anyway. Before she leaves the room, he’s already drifting into a calm slumber, beautiful shades of pink, green, and gold dancing behind his eyelids.

np tagging @actuallyitsellie @epicbuddieficrecs @loveyouanyway @a-noble-dragon @mountedeverest

@diazheartsbuckley @weewootruck @saybiwithme mi amor @bidisasterevankinard @shipperqueen6

@ramonaflow @taketheplanspinitsideways @spotsandsocks @dangerpronebuddie @theotherbuckley

@stereopticons @kitteneddiediaz @daffi-990 @diazsdimples @your-catfish-friend

@thekristen999 @filet-o-feelings @wikiangela @underwaterninja13 LOML @lizzie-bennetdarcy

@rainbow-nerdss @steadfastsaturnsrings @inell

@theplaceyoustillrememberdreaming @rmd-writes @welcometololaland @jesuisici33 @shortsighted-owl

@queerbuckleys @bi-buckrights @elvensorceress @bucksbiawakening @giddyupbuck

@hoodie-buck @indestructibleheart @ladydorian05 @lemonzestywrites @monsterrae1

@statueinthestone @slightlyobsessedwitheverything @the-likesofus @thewolvesof1998 @watchyourbuck

@wildlife4life anyone else who wants to 😘

[zehl0w]

Zenitsu agatsuma has got to be the biggest egg I have ever seen in my entire life

[danandfuckingjonlmao]

so this is why you dressed up nice today like fuck off

[hellinhawkins]

hot take but I don’t think that lucas or dustin (or anyone, for that matter, other than maybe robin) are going to see what’s going on between mike and will until it happens. they don’t suspect ANYTHING. when they actually get together everyone’s going to be shocked

[b0nelessdoodles]

was feeling the sad beige mom in my soul tonight so had to doodle a her 'cause its a crime i don't draw more mystic flour tbh

also have my dumb message to my friend about it

[sage-nebula]

In season 1, Powder/Jinx was viewed by most as a screw-up, and a monster.

In season 2, Jinx will be viewed by most as a monster, and a revolutionary symbol.

In neither season did the majority opinion see her as a person. Those who did care about her as a person — Vander, Vi, Ekko (though he tried hard not to in arcs 2 & 3), and Silco, in that order — were heavily outnumbered by those who only saw her as the consequences of her actions, and not the eccentric, brilliant, but heavily traumatized and mentally ill girl she actually was.

There are some people who are angry that she is being seen as a revolutionary or peaceful symbol in Zaun. "It should be Vi!" they say. "How could they do this to Ekko?!" But here is what those people are missing:

Symbols are not people. They are iconography. A symbol can last long, long after its origin has died. Hence why doves are symbols; they can die fast, but their paintings last forever. This means that it does not matter at all to Zaun what happens to Jinx, in any way, once she is their symbol; even if she dies, that just makes her a martyr. Even better if it's an enforcer that kills her. (I could see Sevika arranging that.)

Jinx is just as alone now as she ever was. Symbols need to stay pure. Meaning that Jinx's off-color jokes and wild actions will need to be short leashed or she could risk losing that status. Even IF she feels this gives her community, she'll lose that real fast.

This is not the face of a girl who feels she is among friends:

And that is simply because she isn't. They don't know her. They don't need to know her. They need her to do her part (be the face on the murals, the martyr when we need it) and that's it. Jinx's action of blowing up the council was loved. But Jinx herself? No.

This is not an enviable position and it isn't going to benefit her, at least not in terms of her mental wellbeing. Jinx needs real unconditional love and support—what she got from Silco in his final moments, not the empty veneration of the masses who view her as an icon rather than a human being.

[erinwantstowrite]

While Loki may be up to some shit, I still trust him. Honestly, I'm just a sucker for a Loki with a soft spot for Peter. But also, Peter & Dick made it sound like the only reason Peter was trusting Loki was because he was from Peter's worldline, BUT that's completely dismissing Peter's spidey sense which has declared Loki a friend.

Like, that's important!!!! The sense doesn't just react to who Peter trusts either, bc when he was cautious of the bats his spidey sense still labelled them friends. I'm pretty sure that while Loki is definitely up to something, he doesn't mean Peter any real harm. Especially since the spidey sense only seems to call those who want to help (and probably hold some form of care for) Peter friends. I trust the spidey sense more than anything.

If I'm being honest, whether or not all of what Loki said was true, he does have a big point on that they didn't and don't tell Peter crucial information. I'm a big advocate for actually explaining to kids WHY they should not do something rather than just telling them not to. Like, y'know, Peter's whole misunderstanding with why the avengers don't like Loki.

Keeping Peter in the dark is a terrible idea. Especially since as a super powered, mutant, vigilante he'll need to actually know things. I always like these sort of conflicts in texts, where an adult's wish to keep a kid ignorant for their own good actually endangers them. Like in the Harry Potter books, when Molly tries to keep the kids out of the Order meetings, despite it directly affecting Harry and in conjunction the others. (Harry is kept ignorant of most things in those books and it does NOT help). People should know of threats and dangers to themselves in detail, ESPECIALLY KIDS. Peter deserves to be involved in "adult business" because it directly affects him.

ANYWAY,, thank you for another great chapter!!! I love Loki he's such a little shit and so is Peter. They could be besties.

!!!!! 👀

Loki's definitely up to something, but you're pretty damn closes anon!! Peter hadn't picked up on it but a big part of his trust was that his spider sense hadn't felt a danger around Loki at any point. He's just upset about something. But Loki definitely has his own goals in mind and it might still cause a rift

As for the Avengers (teehee) I feel bad because they were definitely supposed to talk about it this chapter but I didn't have room. There's a lot in play about the adults wanting to keep Peter safe but misinterpreting 'safe' as not knowing the larger details about what they're doing. It's the root cause of the problem here. However in their defense... Peter got kidnapped and experimented on last time when he learned a big detail like that. He found out someone he cared about died as a result of these kidnappings, and he went looking for them on his own before he was ready. Peter will talk about this in chapter 17 when he tells Dick pretty much his entire life story (in a game of 21 questions again). It'll also be clear to the reader why they'd be nervous about letting Peter know about Loki... He lost his first foster family to the Battle of Manhattan. And Peter has a habit of going "punch first, figure out later." (Pulled that habit directly from the comics)

[high-voltage-rat]

something I do appreciate about red vs blue is its particular brand of “came back wrong”. you were brought back, but you’re just a memory of the person you’re supposed to be. you’re just the expectations of them. you’re just the pieces everyone else saw and remembered. you’re tough like the original, but you’ll always fail no matter how tough you are, because the original failed, too. you’ve got a personality like the original, but it’s not quite right because you didn’t actually live the life they did. there’s this person you love- who you would kill or suffer or die for- but you don’t know why, you just know you’re supposed to be together because that’s what you were made for.

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[dollypopup]

"Colin should have grovelled more!" "Penelope folded too easily"

I think statements like this typically come from people who like Penelope. . .but don't really understand her. And don't really understand just why she cares for Colin, and just why him groveling would not in any way bring her peace.

Penelope and Colin are kindred spirits in their loneliness, in season 3 more than any others. Penelope had lost her friendship with Eloise, and Colin didn't really have a close friend circle to begin with. Except with Pen. Pen was the person he could put the mask down for, could open up to, (in particular with their 'dreams' discussion) and that's why he couldn't even entertain the idea of giving up talking to her in Season 2. She is a vital part of his life, and holds so much significance and importance to him.

I imagine that's what made their silence over his travels especially painful for him. They spent such a long time talking after Season 1, and he even informs her that her letters were so encouraging, that it helped him heal something inside of himself. That if she could see him in a gentle way. . .so could he. (And he repays this, because he is honest to god out here acting and looking at her like she hung the moon in the sky). But without her presence in his life, he spiraled. Didn't feel confident in being who he is, and thus put on his persona more firmly. We know this because he wrote in his journal that "I want to be less needy, less insecure, while still maintaining the core of my vulnerability that makes me who I am". That he misses his family, that he misses home.

And we know, from the books, that Home? Home is Penelope. Penelope is his North Star, is his guiding force, and who I argue he feels he needs. In his very first scene, he looks toward her house, tries to find her in the window. When he does not, he returns to his family. In the outdoor gathering, he looks for her and finds her, eager to talk. He states aloud that he misses her, and I imagine he wrote it, too. Not hearing back from her over the course of his travels was surely something that hurt him, but he doesn't hold any ill will toward her for it, only wants to reconnect again. In fact, the one and only time he brings up how he misses her and that she didn't respond, she makes very clear the reason why: she heard what he said and it hurt her. And he's ashamed of it.

Colin hears her call him cruel, and instead of ruffling his feathers about it, instead of getting upset, instead of having a chip on his shoulder as I feel so many men would about it. . .he understands why she does so.

Penelope is a woman who has been largely treated poorly in her society. She feels unheard, she feels undesired, and in her circumstances, and I can't help but ask myself. . .has anyone ever truly apologized to Penelope for hurting her, before? Her mother? Her sisters? Eloise, likely, but. . .anyone else? And the way Colin did? Because of all the characters in the show, Colin? Colin knows how to apologize. He has a lot of practice in it. And very importantly: Colin, a man of privilege in his society, apologizes. . .predominately to women. To Marina, to his mother, and multiple times to Penelope.

Ultimately, Penelope wants to be heard, Penelope wants to be understood, Penelope wants to feel desired.

And Colin checks every single one of those boxes. He informs he is not who he was before, and then he proves it to her. He hears that he hurt her, and he comments on it directly. An entire night apart, and he comes back to her 'Because I embarrass you' with 'I am most certainly not ashamed of you', replies to her 'I am a laughingstock' with 'you are clever, and warm, and I am proud to call you my good friend'. He hears her proclaim her own insecurities, and empathizes so deeply with her. He listens. He understands. He makes clear that he cares for her, and that she *is* desired. 'You lift my spirits' 'I seek you out at every social assembly'. That she helps him see the world in ways he loves, that he sees HER and how much she has cared for HIM, that she makes him feel appreciated, that he appreciates her, in turn.

And then? Then? He shows her. He tells her, and he shows her. His actions all throughout Season 3 reinforce this apology. He continues looking for her in every corner of every ballroom, he continues complimenting her, he laughs at her jokes and respects her boundaries, he is ever so gentle with her, he listens to her with an attentiveness that no one else has ever given her. To Lady Whistledown? Sure. But to Penelope? Who else in the entirety of that ton has listened to Penelope the way Colin has?

Absolutely no one.

Penelope Featherington ghosts Colin Bridgerton for months with no explanation, and Colin comes back wanting to reach out to her, and she finally tells him why.

And he apologizes. Because he listens. Really, truly listens. And really truly cares.

I need you to understand how rare that is, even nowadays, but especially back then. That Colin is the kind of man who can put his hurt to the side and realize he made a mistake, that he said something callous, and he adores her, and he can't lose her, and he has to see her and make it right.

Because that's why Penelope fell for Colin. Not because he's beautiful, not for his charm, not for his family. But for his heart. Because he shows her kindness in a world that so often disregards her. Because he seeks her out and tries to understand her, truly hears what she has to say and compliments her, says he's sorry and looks at things from her perspective.

Because he saw her when she was invisible.

Penelope Featherington, who grew up in a house that made cruel jabs at her, has Colin Bridgerton come to her and say he regrets what he said, and that he was wrong, and that he understands why she's mad at him. Penelope Featherington who has so rarely had much of anyone tell her that they're sorry for what they said about her, sits before Colin Bridgerton as he professes how much she means to him. That he cannot even spend a full day away from her knowing they're on bad terms with each other without making it right. That he sees how she is hurting and he has to in any way he can amend it. She is lonely, with no one really in her corner at the start of season 3, and she feels like she lost it all, and Colin comes to her and says 'no, I'm here and I appreciate you and you are special to me, please let me in and let me prove it'. Is it any wonder why after she shakes his hand, she stands in the sun, and she feels the warmth of it, she can smile? That she can breathe, again? That she can be truly content for the first time in the season?

Because Penelope Featherington does not want Colin to beg. She knows him. She knows the tender, full heart he hides behind the new cavalier persona. She knows the soft underbelly of Colin Bridgerton.

He never had to grovel. All he had to do was love her. Assuredly. Fervently. Loudly. Unapologetically.

And he does.

[randomnameless]

Why do the FEH devs insist on ignoring Nabatean lore so much?

I recently had a surprisingly cordial discussion on redshit with someone about the "nabateans = colonisers" take, and one of the main points raised was that the game was purposedly foggy around Nabateans/Sothis/their story because it would obviously favor a certain narrative (and thus make another narrative look, uh, not that marketable anymore).

To be honest, we still ended up with a product that had a lead go "this race and its blood* is the reason why the world sucks" and yet that lead is still marketable enough to have raunchy cipher cards and 5 FEH alts, so I actually wonder if, while pissing on that lore had that purpose, it was ultimately pointless since Supreme Leader can still sell goodies despite her incarnation in FE16.

And not only Supreme Leader - but the entirety of WC where we basically have 70% of the cast crying/complaining about their "mixed blood" or lack of and basically adding their 10 cents to the "this race and its blood is the reason why the world sucks".

I mean, can you imagine Sylvain selling any goodies and alts if Flayn replied to his "wah wah people only are kind to me and want to fuck me because I have Nabatean blood :(" by some uncharacteristic "good for you, I have to hide my ears, had to dye my hair, have to lie about my family because if the truth is found out about my identity, I will be hunted and vivisected like an animal and harvested for parts by people who call my kin abominations - just like what happens in the game where the same people who call my kin "abominations" ally with a classmate who calls me a creature and pretends I am incapable of human feelings based on my race".

FE Fodlan's main selling point is its cast of students, for various reasons, but even if I tried to kid myself, Nopes and FEH made it clears : students are the main selling point.

If you spare more time and attention to the Nabatean plot/lore, the students either grow from "likeable" to "despicable" or worse, you won't gaf about them because yeah sure, Hilda might be upset because people expect things from her due to her crust, but it would feel like a "peanut" compared to Seteth's irrational (granted, it's not so irrational since GW exists) fear that Flayn's newest friends would dissect her if they learnt she was a Nabatean, and being conflicted by finally letting her have human friends and form bonds she crave, or protect her due to the trauma from the genocide of their species.

Don't get me wrong, I love peanuts, I mean, not everyone can have a tragik of loaded backstory!

And yet, given how this verse's DNA is "can you fight against the red emperor who uwus about you", they had to add copious amounts of Earl Grey to their games so there's no clear-cut factions :

The "Your alien blood and its influence on the world corrupted it, so I want to reform it under my command" vs "I don't want to die and you oppose me due to my race and side with the people who genocided my kin"

is turned to :

"Your alien blood Crests and its your church's influence on the world corrupted it, so I want to reform it under my command"

"I don't want to die and you oppose me due to my race and side with the people who genocided my kin"

Sprinkle with the cast's hammering here and there that the "reforms" might be needed - but never develop on what they are - and add a few baseless and groundless takes as a toping (basically everything Claude says about tolerance and the general "isolationism/foreign policy" stuff) and you get FE Fodlan where the Red Emperor's war isn't seen as the catastrophe it is in the other entries from the series!

Now, for FEH...

FWIW, the F!F!Billy's trailer had them try to explain that Sothis was a bit pissed about her slaughtered/massacred children when Nopes never gave any reason about why she was pissed - maybe on Billy's behalf bcs Jerry's dead, but come on, she would indeed deserve the medal of the worst parent in the franchise if that was the case, since Billy can murder her daughter without Sothis taking over ! - but given that they cannot write/go against the source game those characters are from.

They tried a bit, with B!Supreme Leader and Hegemongard's FB, but then it stopped (because she had no "new unit" released since then lol) and I can understand why : Hegemongard came out before the Supreme Emblem, and Hegemongard hates dragons who are seen/perceived as gods by some of their human followers. Come FE17, and now Supreme Emblem accepts Alear because they are "one of the good ones". We can come up with HCs and details and talk about what are emblems or if Hegemongard's views were only hers at the end of AM all day long... But imo, Doylist wise, it still feels it's a retcon because the devs from the main games tried to scrap and remove the most "controversial" traits she had.

For the other characters... Well, you see what Marianne is in FEH (but even in her base games), she's one of the few characters who reacts - in a way - to the partial history about relics and demonic beasts and all... only to give sad uwus to Maurice.

FE16 (and Nopes) refused to have any "student" character react to the Nabatean lore/reveal, about what are relics and all. There are no lines, Claude shared some knowledge in the explore section of VW's last chapter, but we don't have anyone muse or think or even talk about what are relics, what are crests, and what kind of fuckery their ancestors or the ancient humans of Fodlan did.

With that in mind, FEH can't do much : either they write Marianne in a retcon-y way like what happened for Hegemongard (and they're not afraid to piss on characterisation, look at Lyon!), or they flanderise her "character" and develop her around 3 lines she had in the game in her paralogue, and continue to give sad uwus about Momo when he was at best a guy who slaughtered and murdered so much that he abused the Nabatean turned into a relic to the point where he turned in a demonic beast even if he had a matching crest, or at worst, had been part of Nemesis's piñata party in Zanado and was something of a genocider.

Tldr :

Why FE Fodlan never gaf about Nabateans : earl grey + the marketable cast has to stay marketable and you can't sell peanuts at the same price you'd sell swordfish

Why FEH dgaf about Nabatean lore : they can't afford to retcon characters + they have to sell peanut alts with the same seasoning they had in their base game.

For what it's worth though, I think FEH is more daring than the base game(s) given how they gave more lines and screentime to Rhea - through her different alts - than GW. And they even designed her Halloween!alt's lines to piss on some of Claude's assertions, while the various FB involving members of the church also - indirectly - reply to some accusations thrown their way in FE16 when, FE16, never gave them an opportunity or lines to explain that those takes were full of dung.

*"but random, maybe she doesn't know that the crests she often decries is "dragon blood"!"

It's highly debatable, especially given what she and Hubert throw to Billy in CF - but even if she doesn't, Doylist wise we still have a character who, knowingly or not, says "this race and its blood* is the reason why the world sucks" and who is never called out on her prejudice. That's more of an issue regarding the general writing though, she has to be a red emperor and took pages from Ashnard's book, and yet, the player must still feel bad and want to romance her, so her mindest/goal cannot be looked at too closely, because, I guess, even the devs thought it would be difficult to romance her (thus sell goodies!) if more light was shed on the "blood from this race corrupts our people" schtick -> which in turn would also make characters whose backstory and gimmick rely on "crying about crests" be way less likeable, thus marketable and able to sell goodies.

[roominthecastle]

Siegfried Farnon is based on eccentric vet Donald Sinclair, who Peter Wright worked closely with in his early career.

"You know, Donald died unexpectedly. And that morning, I remember the phone going, Jim Wight rang me to say Donald's died. Jim said, 'It's going to be a duller world without Donald Sinclair.' By gosh, it was. It has been."

[acourtofquestions]

Kingdom of Ash Chapter 61

Chapter; Highlights (okay the entire chapter is a highlight)🤣

As requested @mysterylilycheeta I NEED TO SQUEAL IN WYVERN FANGIRL WITH YOU NOW CAUSE OH M GOODNESS THIS CHAPTER ON SO MANY LEVELS I JUST AHAKWIHUHFEJLZXBKEKA

Agony was a song in Lorcan's blood, his bones, his breath.

Every step of the horse, every leap she made over body and debris, sent it ringing afresh. There was no end, no mercy from it. It was all he could do to keep in the saddle, to cling to consciousness.

To keep his arm around Elide.

She had come for him. Had found him, somehow, on this endless battlefield.

His name on her lips had been a summons he could never deny, even when death had held him so gently, nestled beneath all those he'd felled, I, and waited for his last breaths.

And now, charging toward that too-distant keep, so far behind the droves of soldiers and riders racing for the gates, he wondered if these minutes would be his last. Her last.

She had come for him.

Lorcan managed to glance toward the dam on their right. Toward the ruk rider signaling that it was only a matter of minutes until it unleashed hell over the plain.

He didn't know how it had become weakened. Didn't care.

Still Elide kept urging the horse onward, kept them on as straight a path toward the distant keep as possible.

No ruk would come to sweep them up. No, his luck had been spent in surviving this long, in her finding him. His power would do nothing against that water.

The farthest lines of panicked soldiers appeared, and Farasha charged past them.

Elide let out a sob, and he followed the line of her sight.

To the keep gate, still open.

"Faster, Farasha!" She didn't hide the raw terror in her voice, the desperation.

Once the dam broke, it would take less than a minute for the tidal wave to reach them.

She had come for him. She had found him.

The world went quiet. The pain in his body faded into nothing. Into something secondary.

Lorcan slid his other arm around Elide, bringing his mouth close to her ear as he said, "You have to let me go."

Each word was gravelly, his voice strained nearly to the point of uselessness.

Elide didn't shift her focus from the keep ahead. "No."

That gentle quiet flowed around him, clearing the fog of pain and battle. "You have to. You have to, Elide. I'm too heavy-and without my weight, you might make it to the keep in time."

"No." The salt of her tears filled his nose.

Lorcan brushed his mouth over her damp cheek, ignoring the roaring pain in his body. The horse galloped and galloped, as if she might outrace death itself.

"I love you," he whispered in Elide's ear. "I have loved you from the moment you picked up that axe to slay the ilken." Her tears flowed past him in the wind. "And I will be with you ..." His voice broke, but he made himself say the words, the truth in his heart. "I will be with you always."

He was not frightened of what would come for him once he tumbled off the horse. He was not frightened at all, if it meant her reaching the keep.

So Lorcan kissed Elide's cheek again, allowed himself to breathe in her scent one last time. "I love you," he repeated, and began to withdraw his arms from around her waist.

Elide slapped a hand onto his forearm. Dug in her nails, right into his skin, fierce as any ruk.

"No."

There were no tears in her voice. Nothing but solid, unwavering steel.

"No," she said again. The voice of the Lady of Perranth.

Lorcan tried to move his arm, but her grip would not be dislodged.

If he tumbled off the horse, she would go with him.

Together. They would either outrun this or die together.

"Elide-"

But Elide slammed her heels into the horse's sides.

Slammed her heels into the dark flank and screamed, "FLY, FARASHA." She cracked the reins. "FLY, FLY, FLY!"

And gods help her, that horse did.

As if the god that had crafted her filled the mare's lungs with his own breath, Farasha gave a surge of speed.

Faster than the wind. Faster than death.

Farasha cleared the first of the fleeing Darghan cavalry. Passed desperate horses and riders at an all-out gallop for the gates.

Her mighty heart did not falter, even when Lorcan knew it was raging to the point of bursting.

Less than a mile stood between them and the keep.

But a thunderous, groaning crack cleaved the world, echoing off the lake, the mountains.

There was nothing he could do, nothing that brave, unfaltering horse could do, as the dam ruptured.

Rowan made himself stand there, to watch the last moments of the Lady of Perranth and his former commander. It was all he could offer: witnessing their deaths, so he might tell the story to those he encountered. So they would not be forgotten.

The roaring of the oncoming wave became deafening, even from miles away.

Still Elide and Lorcan raced, Farasha passing horse after horse after horse.

Even up here, would they escape the wave's reach? Rowan dared to survey the battlements, to assess if he needed to get the others, needed to get Aelin, to higher ground.

But Aelin was not at his side.

She was not on the battlement at all.

Rowan's heart halted. Simply stopped beating as a ruddy-brown ruk dropped from the skies, spearing for the center of the plain.

Arcas, Borte's ruk. A golden-haired woman dangling from his talons.

Aelin. Aelin was—

Arcas neared the earth, talons splaying.

Aelin hit the ground, rolling, rolling, until she uncoiled to her feet.

Right in the path of that wave.

"Oh gods," Fenrys breathed, seeing her, too.

They all saw her.

The queen on the plain.

The endless wall of water surging for her.

The keep stones began shuddering. Rowan threw out a hand to brace himself, fear like nothing he had known ripping through him as Aelin lifted her arms above her head.

A pillar of fire shot up around her, lifting her hair with it.

The wave roared and roared for her, for the army behind her.

The shaking in the keep was not from the wave.

It was not from that wall of water at all.

Cracks formed in the earth, splintering across it. Spiderwebbing from Aelin.

"The hot springs," Chaol breathed. "The valley floor is full of veins into the earth itself."

Into the burning heart of the world.

The keep shook, more violently this time.

The pillar of fire sucked back into Aelin.

She held out a hand before her, her fist closed.

As if it would halt the wave in its tracks.

He knew then. Either as her mate or carranam, he knew.

"Three months," Rowan breathed.

The others stilled.

"Three months," he said again, his knees wobbling. "She's been making the descent into her power for three months."

Every day she had been with Maeve, bound in iron, she had gone deeper. And she had not tapped too far into that power since they'd freed her because she had kept making the plunge.

To gather up the full might of her magic.

Not for the Lock, not for Erawan.

But for Maeve's death blow.

A few weeks of descent had taken her powers to devastating levels. Three months of it

…

Holy gods. Holy rutting gods.

And when her fire hit the wall of water now towering over her, when they collided —

"GET DOWN!" Rowan bellowed, over the screaming waters. "GET DOWN NOW!"

His companions dropped to the stones, any within earshot doing the same.

Rowan plummeted into his power. Plummeted into it fast and hard, ripping out any remaining shred of magic.

Elide and Lorcan were still too far from the gates. Thousands of soldiers were still too far from the gates as the wave crested above them.

As Aelin opened her hand toward it.

Fire erupted.

Cobalt fire. The raging soul of a flame.

A tidal wave of it.

Taller than the raging waters, it blasted from her, flaring wide.

The wave slammed into it. And where water met a wall of fire, where a thousand years of confinement met three months of it, the world exploded.

Blistering steam, capable of melting flesh from bone, shot across the plain.

With a roar, Rowan threw all that remained of his magic toward the onslaught of steam, a wall of wind that shoved it toward the lake, the mountains.

Still the waters came, breaking against the flames that did not so much as yield an inch.

Maeve's death blow. Spent here, to save the army that might mean Terrasen's salvation. To spare the lives on the plain.

Rowan gritted his teeth, panting against his fraying power. A burnout lurked, deadly close.

The raging wave threw itself over and over and over into the wall of flame.

Rowan didn't see if Elide and Lorcan made it into the keep. If the other soldiers and riders on the plain stopped to gape.

Princess Hasar said, rising beside him, "That power is no blessing."

"Tell that to your soldiers," Fenrys snarled, standing, too.

"I did not mean it that way," Hasar snipped, and awe was indeed stark on her face.

Rowan leaned against the battlements, panting hard as he fought to keep the lethal steam from flowing toward the army. As he cooled and sent it whisking away.

Solid hands slid under his arms, and then Fenrys and Gavriel were there, propping him up between them.

A minute passed. Then another.

The wave began to lower. Still the fire burned.

Rowan's head pounded, his mouth going dry.

Time slipped from him. A coppery tang filled his mouth.

The wave lowered farther, raging waters quieting. Then roaring turned to lapping, rapids into eddies.

Until the wall of flame began to lower, too. Tracking the waters down and down and down. Letting them seep into the cracks of the earth.

Rowan's knees buckled, but he held on to his magic long enough for the steam to lessen.

For it, too, to be calmed.

It filled the plain, turning the world into drifting mist. Blocking the view of the queen in its center.

Then silence. Utter silence.

Fire flickered through the mist, blue turning to gold and red. A muted, throbbing glow.

Rowan spat blood onto the battlement stones, his breath like shards of glass in his throat.

The glowing flames shrank, steam rippling past. Until there was only a slim pillar of fire, veiled in the mist-shrouded plain.

Not a pillar of fire.

But Aelin.

Glowing white-hot. As if she had given herself so wholly to the flame that she had become fire herself.

The Fire-Bringer someone whispered down the battlements.

The mist rippled and billowed, casting her into nothing but a glowing effigy.

The silence turned reverent.

A gentle wind from the north swept down. The veil of mist pulled back, and there she was.

She glowed from within. Glowed golden, tendrils of her hair floating on a phantom wind.

"Mala's Heir," Yrene breathed.

Down on the plain, Elide and Lorcan had halted.

The wind pushed away more of the drifting mist, clearing the land beyond Aelin.

And where that mighty, lethal wave had loomed, where death had charged toward them, nothing remained at all.

For three months, she had sung to the darkness and the flame, and they had sung back.

For three months, she had burrowed so deep inside her power that she had plundered undiscovered depths. While Maeve and Cairn had worked on her, she had delved. Never letting them know what she mined, what she gathered to her, day by day by day.

A death blow. One to wipe a dark queen from the earth forever.

She'd kept that power coiled in herself even after she'd been freed from the irons. Had struggled to keep it down these weeks, the strain enormous. Some days, it had been easier to barely speak. Some days, swaggering arrogance had been her key to ignoring it.

Yet when she had seen that wave, when she had seen Elide and Lorcan choosing death together, when she had seen the army that might save Terrasen, she'd known. She'd felt the fire sleeping under this city, and knew they had come here for a reason.

She had come here for this reason.

A river still flowed from the dam, harmless and small, wending toward the lake.

Nothing more.

Aelin lifted a glowing hand before her as blessed, cooling emptiness filled her at last.

Slowly, starting from her fingertips, the glow faded.

As if she were forged anew, forged back into her body.

Back into Aelin.

Clarity, sharp and crystal clear, filled its wake. As if she could see again, breathe again.

Inch by inch, the golden glow faded into skin and bone. Into a woman once more.

Already, a white-tailed hawk launched skyward.

But as the last of the glow faded, disappearing out through her toes, Aelin fell to her knees.

Fell to her knees in the utter silence of the world, and curled onto her side.

She had the vague sense of strong, familiar arms scooping her up. Of being carried onto a broad feathery back, still in those arms.

Of soaring through the skies, the last of the mist rippling away into the afternoon sun.

And then sweet darkness.

[itissadbutitsmy-artblog]

little dude knows things i think

[coachbeards]

I think something that bothers me about how the writers handled Rebecca’s actions was that,,, not only were there no mentions of it afterwards save for like two jokes…but nobody was upset with her after she apologized. everyone moved on? The people who knew, anyways. There weren’t any consequences for her, really. higgins, julie, ted, keeley, they all moved on and acted like it wasn’t a big deal. whereas Jamie’s entire three season arc is consumed by his s1 actions. he had to fight tooth and nail to get back into the team’s good graces, to prove himself to the coaches and keeley and everyone. Even in s3, the coaches are shown to not value his growth and keep thinking of jamie “prick” tartt instead of seeing him as someone capable of being better and different. idk. It just bothers me that in a show about forgiveness and being better, rebecca only had to apologize and everything was forgiven, while Jamie literally could not Not be defined by how he was

[thedreadvampy]

sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'