#if i make one wrong move

[wishingprince]

Okay i took off work next Friday specifically to work on finding a new PCP so i can start readdressing my insulin processing issues and hopefully that will remove the major brain fog.

floating around with zero ability to concentrate or even like realize, really, when I’m spacing out is just not the business.

[clouvu]

Nothing in the world belongs to me But my love, mine, all mine

[mishy-mashy]

Toga: Someone who wanted to be happy

Uraraka: Someone who wanted to make others happy

And also,

Toga: Someone who wanted the world to be easier to live in

Uraraka: Someone who wanted to make the world easier to live in for others

[introspectivememories]

too many of you guys think nico is the loser and not lewis for letting the divorce go on for so long. like they're both losers about each other. emotionally constipated idiots who can't talk about their toxic homoerotic friendship that imploded on itself like 8 years ago and are now making it everyone else's problem. yeah nico's on television or in beer gardens talking about lewis all the time but like every other month some reporter is like "lewis, what's your favorite moment in your career?" and lewis no hesitation is like "oh man, karting, y'know? everything was simpler then" and then spends another six months skirting around nico's name. like this whole thing they're doing in the media isn't some kinda extended foreplay for them. they're both still pressing on the bruise to make sure it's still there!!! every few months, they're literally just asking on public television, does it still hurt for you like it does for me? and like clockwork, someone will release new information about them or one of them will say something about each other (in my heart, he's still my best friend/yes... and teammate) and the answer will remain the same, yes, of course, always.

[lgbtlunaverse]

The women Jin Guangyao uses to kill Jin Guangshan are NOT from the brothel he grew up in

Except for Sisi, obviously.

But, crucially, Sisi MOVED brothels after her face got slashed.

That's why Jin Guangyao only recognized her after Jin Guangshan was already dead. If he had sourced the women from the brothel he grew up in, you think he wouldn't have made sure beforehand that they wouldn't include the one woman who was explicitly nice to him and his mother? He couldn't bear to kill her even after she was already a witness, but that meant he had to imprison her instead. Not exactly an ideal scenario! You think he wouldn't have thought to avoid that?

Well, that's all hypothetical anyway, because he couldn't have sourced anyone from the brothel he grew up in anyway, because that brothel had already been burnt down. By Jin Guangyao! This is the order he gives Xue Yang at the end of the villainous friends extra, which also contains Xue Yang meeting Xiao Xingchen and Song Lan. Which means this is way before Xue Yang kills the Chang clan, Xiao Xingchen eventually catches him, and Nie Mingjue kicks Jin Guangyao down the stairs which leads to his death 2 months later. And Jin Guangshan doesn't die until after Nie Mingjue is already dead, so while this is definitely where Jin Guangyao starts planning to kill his father, it's well before he actually executed that plan. By the time he does, that brothel is ash.

I say this because there's been several time now where I've seen people attribute Jin Guangyao using sex workers to kill his father, and killing them aferwards, to some kind of revenge scheme? A way to get back at the other women in the brothel who mistreated his mom at the same time as he gets back at his father. But all those women died when it burned to the ground. We see their ghosts in guangyin temple! Every single woman Jin Guangyao uses to kill his father and then later executes was a complete stranger to him. It has nothing to do with who they are and everything to do with what they are (older 'ugly' sex workers) Whether you think that makes his actions worse or better or generally has no moral impact i'll leave up to you. But it's important to remember that while the violence he enacts on his father is deeply personal, what he does to the sex workers is not.

[emdotcom]

Yeah, so while I was on my "I'm going to read into Vanny/Vanessa as much as possible" journey, I noticed an odd quirk in her animations in how she moves. At first, I thought it reminded me of a ballerina, 'cause she's kinda tip-toeing, & she has this way of keeping her head & chest in one place as she moves, but I looked again & realized --

That's not ballet! She's doing a tight-rope act. Like, look at this one:

This is like standing up on the wooden boards before you do the actual tight-rope walking, & the ring leader is hyping you up as you do some fun movement for the crowds. &, then, these:

These are all instances where she walks with one foot directly in front of the other. In that third, she's doing the "woaaah" wiggly-ass balance movements & everything, as if she's swaying up at the top of the tent, even though she's down on solid ground.

Idk, I feel like the way her feet are placed isn't accurate (pretty sure they should be pointed left & right, not both forwards...) doesn't make this 100% correct, but I like it. It also connects back with her first SB teaser, wherein she's up in the rafters.

[front-facing-pokemon]

[oneluckydragon]

"Suddenly the world was gray and dull and my heart was so heavy I felt like I couldn’t move, let alone make it back to Treasure Town. But because of Echo’s last wish… I was able to keep living.”

--- --- --- --- ---

SORA : (Partner)

Abilities: Justified / Inner Focus

Nature: Gentle / Hardy

Moveset: Aura Sphere / Metal Claw / Poison Jab / Dragon Pulse

[mavenbeeee]

I WANTED HIM TO DRINK IT AND GET CRAZY

[pagesofkenna]

anyway my favorite mormon joke made by a nonmormon was in an episode of Skyjacks, wish i could remember which one; someone says something like 'we need more men here' and JPC in-character responds something like 'uh, i think they prefer to be called church of jesus christ of latter-day saints' and its my favorite joke because a) i was so ready for that to be a belittling jab that it actually took me a second to realize it was actually very funny, b) i learned recently that my best friend who studied comparative religions didn't even know what the deal was with 'mormon' vs 'lds' so the fact that JPC knew enough mormon lore to make an informed joke and he stuck to an actual funny one is a delight, and c) i'm pretty sure no one else in the scene even clocked the joke

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[spirk-trek]

headcanon: chekov gets jim to play him in chess and quickly loses despite being a decent player, but he somehow convinces him to let him keep trying until he wins

fast forward a year or so, jim is stuck in sickbay with 84 broken bones or whatever and in comes chekov, board tucked under his arm for their weekly match because "you did not think i would be letting you off ze hook, did you keptin? a promise ees a promise"

[aloeverified]

daring being the equivalent to a pg-13 fuckboy was really funny, but i think it would've been so sad and compelling if he geniuely was in love with apple.

they know they're destined to be together, they grew up together and have talked about their relationship many times. they agreed to not date until their destiny takes its course, as apple is paranoid about messing with their story and doing anything ahead of time.

daring sees how hard she works and how far she goes to strive for perfection; following ever task her mother gives her, always being ontop of her studies, never missing a chance to be kind and help others. she inspires him to do the same; topping his sword-fighting classes, using his strength and athletic skills to help others, always seizing the chance to save the day and protect others.

daring falls more and more in love with her each passing year, whereas apple just keeps waiting for the feeling to come to her. she reasons that she doesn't feel anything for daring because he hasn't awoken her from her coma and swallow her worries.

many people still fall for daring, but he tells them his heart is taken and his destiny is sealed: apple white is the only girl for him, and it's his duty to stay loyal to his future wife.

perhaps apple even visits the charming kingdom often, under the guise of spending time with her future in-laws to get away from the heavy pressure she faces at home. she grows closer with darling during these times, who admires apple and her ability to be satisfied with the royal life and expectations she has as a princess.

i think daring could still have a few small and tender moments with other girls, such as his admiration for cerise — but he does his best to push those feelings aside, maybe even feels guilty for them.

it's only after he fails to awaken apple in dragon games, where he is able to start his process on moving on. he agonizes over not being her prince, as it changes everything he knows: his destiny, his true love, and even the fact that he would participate in an out of destiny romance (something so taboo to a royal such as himself).

when finally given the chance to do so, daring asks apple if she loves him — if she ever had or ever could, in the same way he loves her. they have a long conversation, one that ends with both of them in tears. apple does daring, but she's not in love with him. she's always known there was something different about her when she didn't long for her prince charming like other princesses did, and now thanks to darling, she knows why.

daring learns how to move on. it's a tedious process, and one that hurts, but he moves on. and so does apple. he still loves her, and she still loves him. only now, they also love themselves.

[xdeewolfx]

tried replaying some tales but the game just didnt want to let me pick anything during one of the quicktime events </3 so i made art about it

[blueskittlesart]

do you have any thoughts on zelda not staying as a dragon? me personally I like it and am very cool with it mostly because I think zelda should get to be happy forever (and because I'm smart enough to know she changed back because of recall and not some ambiguous power of love lmao) but a lot of people seem to dislike that it made the draconification inconsequential?

i think there's like. some valid concerns surrounding inconsequentiality/"curing" the physical problems characters have as a way of giving them a "happy ending" but I think those concerns don't necessarily apply to totk in the way people seem to be applying them, especially irt zelda's draconification and link's arm.

most of the time when the criticism of this "magic cure" trope is applied to media, it's because the trope is used as a cure-all to erase a character's suffering or trauma and make them "normal" again, and often ignores the character development or themes of the story in favor of giving the character a happy ending. I don't think that applies to totk, though, because the "curing" link and zelda experience is both within the realm of possibility given the worldbuilding present in the game (recall could easily have done it, as you mentioned) AND thematically consistent with the rest of the game. One of if not the most important central themes of totk is the idea of failure and second chances. we see a hyrule that has been given a second chance after link's initial failure with the calamity brought it to the brink of destruction. we see characters who were deeply unhappy and entrenched in the shame of their precalamity mistakes like purah and zelda become active, beloved members of their communities. we see the people of lurelin village take back and rebuild their destroyed home. we watch this kingdom and its people make an unprecedented comeback after a century of struggle and ruin.

Similarly, totk's gameplay is LINK's second chance, his comeback from the initial mistake of losing zelda, of specifically being unable to reach her with his injured hand when they fell. The consequences of that--the master sword's corruption, the loss of his arm, and zelda's draconification, are all supposed to SEEM irreversible, because that's how LINK initially sees them. he believes that he doomed both himself and zelda all because of that SINGLE moment in which he wasn't enough, a viewpoint which is obviously left over from the pressure he experienced to perform to an impossible standard of perfection pre-calamity. The story of totk is about deconstructing that belief and proving it wrong. the mistake he made caused harm, but it's never too late to repair things. he can fix the regional phenomena ganondorf causes and rebuild those communities. he can revitalize the master sword. he can GET ZELDA BACK, with his own arm, uninjured and able to reach her this time. no matter how impossible those things may initially seem, no matter the perceived finality of his mistakes and their consequences, there is always hope. there is always a second chance. no one person's single mistake can doom an entire kingdom for eternity. the fate of hyrule was NEVER resting on link's shoulders alone. he was never their final hope. there was always going to be an after. the whole POINT of the draconification and the loss of link's arm is that they AREN'T final. they ARE inconsequential, because they were born of one mistake and ONE MISTAKE IS NOT THE END ALL.

[undead-moth]

I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?

I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.

Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.

Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.