#if anyone is interested i have a breakdown of why i designed him the way i did

[flower-boi16]

https://www.tumblr.com/flower-boi16/774678304341016576/i-thought-you-already-learnt-in-literacy-class

yeah, the issue isn't wanting the show to have a moral spelled out at the end or even that stol1tz is problematic.

the issue is that the show outright romanticizes its problematic ship - it isn't trying to be some character study of two messed up people without wanting the audience to come to any conclusions. It's blatantly obvious that the show is designed to make the audience think two things:

one: Stolas is only a tiny bit not really flawed and is basically the innocent wronged party in the relationship breakdown and 99% of the problems were caused by Blitzo and his insecurities and selfishness

and two: they actually want us to root for Stol1tz to work out.

and anyone who points out that they have no chemistry or that how Stolas started and continued the whole affair is textbook sexual extortion (something which the show has completely swept under the rug and refused to address) somehow gets accused of being a puritan or having low media literacy? even though critics are ones actually paying attention to the details that suggest stol1tz is a car crash waiting to happen and Stolas has been nothing but babied through the entirety of s2?? make it make sense

absolutely nothing about their duet in mastermind reads ironic, it's all terribly trite and sincere in expecting the audience to think their romance is tragic and moving. there's no reason to think the show is all that interested in exploring the dynamics of a messy relationship because the show outright refuses to meaningfully discuss the worst and messiest part of it except in passing i.e. the transactional deal. ffs, they spent all of apology tour calling Blitzo and Stolas "exes" when they never even dated. the show is outright rewriting its own history solely to avoid talking about the messy stuff because it would make Stolas look bad

also it's incredibly rich that people keep pulling out the "you just want a morality tale where you're told what to think, and that's bad writing!" card when this is literally what apology tour was. the show was outright screaming at the viewer to think that Stolas is the victim, that Blitzo is way worse than s1 had built him up to be and that Blitzo needed to apologize. the whole thing is structured around the moral of Blitzo needing to apologize and Verosika outright saying the point of the episode: "if you wanna change, say good for him (when he runs off to make out with someone else first chance he gets after claiming he loved you)"

I mean Blitzo basically says to the camera "the only reason I rejected Stolas was because the class difference made me insecure and I push away everyone who could care about me". it's incredibly blunt, garbage obvious storytelling

the writing isn't subtle at any other time (cough cough, Stella, cough) but suddenly when it comes fans asking why the writers aren't calling Stolas out for basically any of his shit suddenly the show is treated like some nuanced high art character drama where no one is allowed to openly discuss the sexual extortion shaped elephant in the room.

and it's blatantly not that. the closest helluva ever got to well done storytelling was in s1 and Viv flushed all that down the toilet the minute s2e1 happened

I still find it amazing how my post critisizing the fandom for not knowing what the actual critiques of the show are still holds up today. These are the kinds of fans that pretend that the highest amount of hard-hitting critique for Helluva and Hazbin comes from randos on tumblr when the critisicm these shows get extends far more than just tumblr. If anything, tumblr is less than a FRACTION of the people voicing their issues with the show.

And, if you actually payed attention to discourse surrounding the series on other platforms, mainly youtube....you would find people have far more nuanced critiques than "PROBLAMATIC = BAD!!!".

HELL, Sarcastic Chorus, one of the most popular Youtuers discussing the series, initially liked Stolitz BECAUSE of the problamatic elements, but he stopped carring for it because the show WASN'T ACTUALLY ADDRESSING THEM!!!!

But these fans focus more on trying to strawman critics rather than actually trying to meaningfully engauge with disscussion on the issues with the shows.

Because they can't handle people critisizing their favourite demon show.

[spinosaurussy]

Lelouch dragon time

[originalwinnerfanfish]

Well, I did it

Megatron - I love his tfp design. Probably one of the best iteration of Megs. He is huge, heavy armoured, his face covered with scars… He doesn’t looks like an ordinary military leader who is only capable of giving orders, but like real warrior who can destroy any enemy with his bare hands.

So, in the WOF version, he definitely shares some features with Princess Burn, not only because of his might, but also because of his horns shape and dirty-dark scales (that absorbed blood of his enemies)

Starscream - Boy, I hate him so much 🤣… but in the good way, trust me! In my opinion, when the show's creators make you feel such strong negative emotions towards a villain, it means they've done a great job. Also, I think that his animation in the show was absolutely incredible, because even though he's a 3D model, he still manages to move like a 2D character, which is amazing!

I feel that in my design he still looks more like a skywing, than an icewing (which is kinda logical)

Soundwave - This one was tricky. I couldn't figure out what his mask would look like, so I just made his face a really dark color. I think Soundwave has both gifts of the nightwings, and he’s equally great at telepathy and a future vision. So he doesn't really need equipment to predict enemy movements, which makes him an ideal communicator in the WOF setting. His Laserbeak is part of the armor enchanted by Shockwave, and it might also allow him to open portals (but I'm not sure with this one)

Shockwave - My favourite evil genius. He would definitely have animus magic and mind reading. I think Shockwave is the only one who has advanced the study of magic so far, precisely because he combined it with scientific knowledge and created safer methods of using it, that don't damage the mind. It's like if a Mastermind got animus magic in books.

I also like to think that he didn't heal the damaged part of his face just so that his enemies would fear him more)

Dreadwing - This man deserved better! It's really a shame that he was removed from the show so quickly due to financial problems. It would be great if his arc got a proper conclusion in season 3.

Considering that I didn't want to make him a hybrid, it was difficult to choose a suitable color palette. So let’s just say, that I tried my best😅

I don’t think that he would have any nightwing powers, but honestly it doesn’t even matter - this guy can make a bombs, what else does he need to be cool

Arachnid - Did anyone even doubt that she would be a hivewing? Damn, she even got her own “Othermind” virus. Her design was the easiest to work with - just a little poisonous ass (suspiciously similar to Maleficent).

Just like Starscream, I hate her, but in a good way. She's one of the creepiest characters in the entire series, who’s acting like a fucking heartless monster, especially with Arcee, but even so, there's always was something mesmerizing about her. I just really like strong female villains

Knockout - Wery bright and charismatic guy, definitely one of my fav cons!

I tried to draw him as handsome as possible. Worked a lot on the face shape and coloring, and as for me it turned out pretty nice (finally).

Most decepticons think Knockout is as stupid and lazy as all the other rainwings. And it's not like he completely disagrees with that. Of course he’s not stupid and lazy, but if it’s means less dirty work on the battlefield, well, he’ll continue act like a tipical rainwing

(I also believe that Megatron keeps him as an “art”)

Breakdown - Fun fact: "Operation Breakdown" was the very first thing I saw in this series. And it was an interesting experience for 8 year old me. Maybe that's why I'm so scared of eye gouging scenes in movies now…

I think that he didn't have any siblings initially due to his parents nature, and even after meeting Bulkhead, he felt uncomfortable among the other mudwings. And this is why he later chose the side of the decepticons. And maaaaybe because of one cute rainwing influence)

P.s.

I think that, being mostly nightwings and icewings, the decepticons are much more concerned about purity of their blood and rarely accept half-breeds into their ranks.

During the war, there were many animus dragons among decepticons, which is why they have so many artifacts that allowed teleportation and communication at a distance. But, honestly, I still can't imagine what Nemesis would look like in this AU

[bots-and-cons]

I saw that your requests are open, can I ask How would decepticons react when they capture a human that was an artist. Precisely painter with brushes, canvases and everything.

A/N: I’ve got some previous HCs related to something like this which can be found here and here. As usual I didn’t do all the cons, just the ones I had ideas for when I started writing this

•You’ve brought a lot of your art stuff to the Nemesis, since you spend so much time there and surprisingly, it’s a pretty calm place most days

•Or at least the empty habsuite where you’ve set up is

•When Knockout found out you were a painter, he immediately offered to pose for you

•If he’s not in his alt-mode he’s a bit bad at staying still though, so he doesn’t make for the best model

•Also he can never seem to settle on a pose, and when he does, it’s something very dramatic

•And god forbid you get any paint on him, he will screech in terror, because his paint job is now ruined

•You just wipe the paint off with a rag and tell him it doesn’t dry instantly and that his paint job is fine

•Knockout is like “I definitely knew that” when he in fact did not

•He also wants you to teach him how to draw and paint

•So you go to the web and buy the biggest canvas you can find, Soundwaves makes sure it’s paid for, but you’re still not really sure how he pays for all these things when you ask him to buy you something

•He’s probably stolen a dozen people’s credit card information or something, you’re not really bothered by it though

•Anyway, Soundwave is a big fan of your paintings, and he thinks they’re quite interesting, especially the more abstract ones

•He likes to interpret things in his own way and the abstract ones give him a chance to do that

•Megatron wasn’t really a fan of you dragging all your art stuff into the Nemesis, and he definitely made that known, but he stopped complaining eventually and sometimes even comes to check on you when you paint

•Starscream is also an enthusiastic model, though he wasn’t at first

•It took some convincing, but he will model for you now, and in a very Starscream fashion, he’s talking the whole time and you have to tell him to stop moving constantly because he talks with his whole body

•You got an idea one day and asked Soundwave to buy you some metal paints

•He had an inkling on why you might have wanted them, but he didn’t say anything

•Breakdown ended up being your first victim, because he’s probably the one who cares the least about how he looks

•So he agreed that you could pain his driver’s side door, however you wanted

•You made a really cool decepticon-ish insignia design on it, and he actually really liked it

•You couldn’t convince anyone else to let you try it out on them, but oh well, at least you got to test that whole thing out

•Shockwave isn’t really interested in art, surprise surprise, but some of your paintings do catch his optic, even if only for a moment

[fullmetal-scar-simping]

Here's my fma 2003 (featuring Conqueror of Shambala) character tierlist. If I had to sum up my perception of the 03 cast vs the bhood one, it would be 1) 03 is focused and interwoven, and 2) quality >>>>>>>> quantity.

To be clear: because I feel that the 03 adaptation does not labour under a desperate need to pity and empathize with its war criminals and antagonists (though it does make sure its core antagonists are more than stock-standard villains), there aren't really any characters I vehemently reject the way I did for the Brotherhood tier list. Even the characters that don't particularly catch my interest or are fairly mundane in the grand scheme of the show I see more favourably than the characters in a similar tier level in Brotherhood. Where I find the 09 anime's character lows are abysmally low, 03 highs are imho astronomical.

There are some very, very minor characters that I didn't feel the need to include (my Broho tier list similarly eschewed equally highly minor faces too). I didn't feel like such inclusions would really be in the spirit of a tierlist.

Anyway, here we go:

Lengthy breakdown below the cut [not spoiler free]:

First tier: The SSS-tier. What do I even say about these two that I haven't already repeatedly expressed on this blog? These are the characters I can't stop thinking about. Whose stories, personalities, character arcs, and tragedies I've been mentally unwell about for over a decade+. They're my obsession and they're the highlight of every rewatch for me. Whenever they're onscreen I am rendered into a rabid howling ape (joyful).

Me @ 03 Scar and 03 Lust 5ever:

Scar: My sweetie-pie honeybear sugar-muffin sillymittens babygirl. Look at my damn username. Do you think I'm normal about Scar, especially THIS version of him? A character like him, handled the way the 03 team wrote him, is not only a rarity but a fucking achievement. In a media landscape that relies on regurgitated, jagged strawmen of the violent resistance of the oppressed, of revolutionaries/radicals who exist solely for the writers to strike down with great punitivity, 03 Scar breaks the mould. He manages to subvert every derogatory caricature that a character like him should have fully fallen into, and come out a nuanced, three dimensional character who never truly relents in the fight against the state military. Where Arakawa writes Scar to be yet another in a long line of fictional radicals made to heel at the boots of the military, the fma 03 writers wrote Scar to show why the people who are targets of imperial violence fight back to the bitter end. And, man, the sensitivity they imbue him with on top of that! They allow him to be vulnerable, to struggle with his place in a world that wants everyone like him fully eradicated while also experiencing what it's like to be a pariah amongst his own people; to grapple with his past and also have the capacity to feel for those who have suffered similarly as well. He grasps that there is no half-freedoms. If Ishbal isn't free than Liore isn't free and neither will anyone else be free. He witnesses numerous times that without direct violent action the system carries on its project of wanton human misery. And it often goes unacknowledged, but this Scar does attempt the route of (relative) peace. He renounces his homicide of state alchemists, he joins a group of Ishbalan refugees and follows his master. Yet without fail they are beset by tremendous violence: state-hired mercenaries enact a slaughter of Ishbalans and destabilizing the camp, they're accosted by a racist biker gang solely because the Ishbalans stepped out of their state-designated grounds, and Yoki rats the now-nomadic Ishbalans to the state, resulting in the feds rounding them up and carting them off to a concentration camp. At that point he can no longer stomach this ineffectual path. If the victims of this systemic oppression fail to bite the hand that beats them, then the perpetuation of their suffering never ends. If he must renounce any future he could have had, if it means he must suffer and relinquish his own life, if he must turn away from Ishbala, then he will. "My sympathy will not be spent on soldiers. Neither should yours," SIR. SIR YOU DROPPED YOUR CROWN. SIR. This line alone makes me INSANE.

We get glimpses of his adolescence, the loss he and his brother suffered, and we really get to understand what solidifies Scar's hatred of alchemy early on in his life. It's not just a cultural and religious dictate against the practice (seriously, can we blame the Ishbalan religion for being anti-alchemy), and it's not just the fact that alchemy is a lethal tool of mass destruction that can be used to wipe out an entire country: it's the fact that he witnessed a writhing mass made from the corpse of someone he and his brother cared for, and the loss of his brother's sanity as he pursued the philosopher's stone to undo this travesty he committed. And yet Scar is gifted that same detested alchemy by the brother he rejects, and he has to find some greater purpose that somehow straddles his previous beliefs. He's a resistance fighter struck down, aimless since barely escaping the massacre years ago. He would have died if he stayed back, should have died when Kimbly tracked down their particular group of fleeing Ishbalans, and in a sense [name unknown] has indeed long since perished. And for so long he was unable to face the pockets of Ishbalan refugees with any confidence due to the indelible taboo that is his right arm. He's displaced and homeless, wandering the streets of his oppressors, trying to find answers to the insignia of his sibling's arm, and finally he's snapped back into action upon encountering yet one more soul perverted into an agonized form by alchemy and the state. He's principled to the core, yet not as a flawless messianic figure. His final victory, his moment of reclaiming personal love alongside obliterating an armada, is also the endpoint of his tragedy. His triumph is his grave, and god. fucking. damn it. that is so---- !!! The way he connects, reflects, and contrasts with other core characters and the overall themes of the narrative too, I-!!!

Listen, I love the mangahood Scars even with the reformist liberal bullcrap tacked onto their arc, but when I say I simp for fma Scar, THIS is the fictional man I simp the hardest for. When I say Scar is right? All versions of Scar were right to kill state alchemists, but it's 03 Scar who was never once wrong. Accept no substitutes, because no one is doin' it like him.

Lust: My darling WIFE. I would make a Philosopher's Stone just for her and no one would be able to stop me. She was one of the earliest characters I latched onto during my first watch of this show 100 years ago. No matter who I introduce to fma 03, they all walk away having fallen in love with her. She's a treasure, my sopping wet meow meow who's also more than capable of tearing anyone to ribbons. Yet more than that, I wish she could have had the tranquil human life she deserved. She's everything to me. And no matter how many times I rewatch this adaptation, Lust and her arc, her internal struggles, and the philosophical dilemma of what constitutes humanity and what are the consequences of creating a dehumanized class of people leaves me on knees. And god, the way the writers very slowly develop this growing dilemma and her individuality is astonishing. From one of the first shadows we see stalking the Elric's journey, a mysterious and malevolent femme fatale pulling the strings, a woman whose face Scar can't shake, to her assuredness in her humanity and her goal to reclaim as such, a being whose patchwork memories of who she once was slowly upending her allegiances, her having a strong knowledge in alchemy even when she literally cannot perform it because she will stop at nothing to shed her shackles, to her rebellion against Dante and the other homunculi, and- ok, you know how we watch Lust gaze at human beings and ponder at their futile existence? Seeing them as alien, and to an extent lesser? And how she can no longer deny wanting to return to humanity as her memories continue to gnaw at her? To the point that she embraces people as people? How she counters Sloth's disparaging, dehumanizing remarks against Tucker's mindless Nina clones and states "She's his daughter"? She defends the humanity even in those that the world would write off as subhumans or objects? She was an Ishbalan woman repurposed into a tool by the very people who destroyed her homeland and she will no longer be their puppet. She was never just a femme fatal, she was never just a humanoid monster, she is never treated like just another villain to be annihilated for the benefit of the protags. Like. Do you understand? Do you understand the finesse with which the 03 team wrote this character? Do you understand why people go crazy for her? Do you understand why she's a platinum-tier baddie? God, Lust is just incredible and I weep just thinking about her! Her despair causing her to desire mortality, and connection to the one remaining person from a past that many could debate was never entirely her own? UGHHHH, my HEART. Is obtaining mortality a drawn-out suicide of its own? If for a homunculus the only way to become human is to die, then was that locket Scar dredged from the grave that never possessed her body his unintentional way of making her human after all? I wonder, as her consciousness faded away once more, if she felt relief. If she felt peace. I always hope that she did.

Second tier: S-tier. Our protagonists, and a worthy centrefold for this adaptation. They're phenomenally written: their journeys and inner demons are so compelling. The way love is the fount of their hopes and traumas, what keeps them clawing through the horrors of the world, to hang tight to each other. All the while this codependence being a self-imposed punishment. Shunting out everyone else and hurting themselves and others as a result. They so desperately want to do right, but their self-destructiveness and alliance with the military leaves pain in their wake. There is no comforting and morally convenient writing contrivances to shield them from the repercussions of their beliefs and actions. These boys grow and part of that growth into adulthood is understanding that the flow of everything, that inherent and unshakable interconnectivity of life and lives, of systemic violence via state and alchemy, means they cannot live as though in a vacuum, doing as they wish and remaining ignorant and, as a result, becoming wretched. If they want to rise above destroying others, they must take responsibility, and how that differs between them is fine-tuned to their idiosyncrasies. How each brother partook in committing alchemy's greatest taboo informs how they view violence and sacrifice.

Like the entire cast, Ed and Al are so human. It's both beautiful and heartbreaking, and one of the many reasons why I always come back to this anime. I couldn't ask for better versions of the Elric brothers and I'm glad that this version of them are the ones permanently embedded in my mind as THE Edward and Alphonse Elrics.

Note: I place the CoS versions in this tier not because I see them as different characters but rather to highlight that I do love what is shown of their outcomes, and that I appreciate the way it ties well with where we last see them in the show.

Ed: A boy steeped in the dogma of his father's science. His hubris and his love tears apart what remains of his dying idyllic life, and it's something he truly never returns to. And yet, it's not all his fault. He's an orphaned child alongside his little brother, with a mind too sheltered from the true ugliness of the world yet brimming with the capacity to perform feats that few can master. His circumstances and choices lead him down a rabbit hole he can only escape by moving forward and changing. He can't flee to the past, he can't remake the present into whatever he wishes, the world carries on despite what he and his brother go through, and if he wants to be more than the monstrous humans he encounters than he has to actually fucking reflect and reconsider his perspective constantly. And he's not perfect at changing either! Some part of him still clings to what could have been, that maybe it could be possible to at least restore Al's body. He's one of the most dogmatic characters in this entire show, and the narrative does not allow him to simply remain as such and parade it around like hot shit. It's not science vs religion, it's scientism and the hegemony of the state (which can include religious institutions and beliefs) vs those seen as subjects or material for the whims of those in power. Ed actually has to contend with his bigotry too! He shoulders a sisyphean grief and guilt, and you know deep down that he will never truly be rid of that curse. Yet he shows signs in the end that he understands that he can't eternally stagnate in it; returning to a world he struggled to see as real and getting on that caravan at the end with Al and Noah felt like he could at least adapt to the task of living, even if that dream of perfect redemption remains elusive. I could babble on and on, but this all to say: I love fma 03 Ed and no bog standard shonen-ass racist is ever gonna usurp his spot for me.

Al: This version of Al is not stuck as a yes-man to his brother, and he isn't sidelined until it's convenient to wheel him back into the plot. Al's perspective on nearly everything tends to differ from Ed's. Whether it's on more inconsequential matters to, in time, major issues, Al often sees things differently from his older sibling. The 03 writers leaned heavily on the solitude and confinement of being the final vestige of a human's existence tethered to an inanimate object, and they explore this existential crisis and dysmorphia not just in the one arc everyone fails to empathize with (you know the one), but all throughout the show. There's a reason Al has an easier time understanding the perspectives of his fellows who have been literally and figuratively dehumanized. He's compassionate and sweet, and this trips people up. So many see him as a nothing more than a cinnamon roll when he's got a much harder edge than that. Far more so. Al suffers a waking nightmare 24/7, without break since he can't sleep. Though he doesn't allow that to destroy his capacity for kindness, it doesn't mean he handles every problem and obstacle with unceasing grace. He sees the utility in violence, he gets why people lash out, he wants to be fully human again and he still wants to preserve lives when he can. Al wants to think of others, but his memory is chipped in places, and his lack of bodily functions, flesh, and nervous system means he feels that others have lost sight of him too. It's a struggle to feel real when your current circumstances have you caged and alienated. You end up wanting Al's body back as badly as he and Ed do, that finally seeing him physically restored to the 10 year old body he last occupied is both a relief and utterly surreal. And without his memories, he was doomed to repeat the self-centered actions that he and his brother had to learn from over those many years. I can't see him regaining his memories being a wholly jubilous outcome for him, but having the one person who mattered more than everyone else back in his life is a trade I'm sure he would make time and again.

Third tier: The A tier. Love 'em to the bone, and even love to hate one in particular here (it's Dante. Of course). This anime has no shortage of excellent characters, and I love 'em to bits.

Rose: One of the bravest characters in this entire show's roster. An orphaned teenage girl who adheres to Letoism in the hopes that her faith and work for the church will lead to the miracle of her partner returning from the dead. After the curtain gets pulled back on Cornello, Rose has to learn to rise above the pain and live. All with the dawning riots and military invasion that will challenge her in ways most hope never befalls themselves but is a reality for the targets of imperial aggression. She doesn't back down to armed soldiers and generals, she helps plan a massive retaliation against the invading forces, and she goes on to care for Liore's orphans while working to restore a liberated Liore. (Unfortunately CoS does flanderize her. I know in my heart she would never accept the military or the Armstrong family colonizing Liore, and she wouldn't see Armstrong's alchemy as preferable to the plan she herself was a pivotal part of executing to stop Amestris.) For as feminist as everyone claims to be, post-2010 fma fans sure love writing 03 Rose off because of the horrific rape she suffers. This is not the be-all end-all of this character, and it's sus af that someone being a victim of this specific type of war crime means there is nothing else to her, and that the writers are simply racist misogynists. The story never reduces her to a "pitiable" victim, nor does it salivate at the very real sexual violence that militaries routinely employ. Fuck you if you look down on Rose. Rose is everything.

Noah: I will defend Noah to the death, and I'm taking her haters down with me. Her pain from a lifetime of being an outcast, used for her gifts and tossed into the clutches of fascists breaks me everytime. Her desperation to escape a racist hell to a fantasy world (that would have ultimately been no less cruel to her) makes sense. She gets confirmation of the impossible, of something that should have been nothing more than speculative fiction. Like the Elrics and so many others in this series, she learns the hard way that paradise doesn't lie behind fantasies. She's sullen and introverted, and this is no doubt an armour for having seen the most hidden secrets, darkness, and fragile dreams of everyone who pays the going price for her skill. How can she connect with others consciously and mutually when people pull away/avoid her once they learn she can peer into their truths? Facing the scorn of anti-Roma racism as well as the scorn for being a seer would tear anyone down. She's perpetually alienated from everyone, and she just wants to be free to exist in peace. Man, I just love her so much and want endless happiness for her. I've said it before and I'll say it forever: I love you, Noah fma!

Winry: Now this is my Winry! I never understood why the fandom pre-09 hated her so much (besides bog standard misogyny) but I was always in her corner. She has a great, balanced personality: physically and mentally strong, capable of being soft and caring, boisterous and contemplative, absolutely willing to shirk rules and laws, with a mischievous streak too. She's not a moralizing package deal to the Elrics, she's not reduced to ship fodder for Ed nor a future doting wife, she's an automail freak and she's damn proud of it. Her having her childhood friends pull away until they're no longer reachable is sad, but she has so many people in her life that she'll be able to carry on into the future. Whether the Elrics are in her life has nothing to do with the quality of her characterization here, and I stand by that forever. Also, her consistent gentle kindness towards Wrath? Providing him with automail and remaining calm even when it falls to disrepair? 03 Winry best Winry.

Sciezka: 03 Sciezka is a gift. This bookworm becoming close friends with Winry, the two of them teaming up to do some sleuthing for state secrets was some grade A stuff. She's bubbly, intelligent while still believing in the paranormal (can you blame her). I love how she stays in contact with Gracia and Elicia, and how she uses her photographic memory to continually help others. She'll trespass into a military facility, go on the run from the feds, crawl into an underground city all with Winry because damn it all, she might be terrified but she ain't spineless. Cheers, girlie. Cheers

Envy: The 03 homunculi and the necropolitics between them and the human beings who make them was the og hook for me the first time I watched Fullmetal Alchemist. And listen, who hasn't been entranced by Envy at least to some extent one time or another? Yeah, he/they/she is so gender, and we gotta recognize that. But what really gives 03 Envy their staying power imho is his far more intimate reason for being dubbed 'Envy' by his horrible mother. For 400 years they have been made a pawn, transmuted by scientist parents who likely never showed him the care and love one would want from their progenitors even when he was alive as a human being. For 400 years they helped sow misery and chaos, grew to reflect Dante's misanthropy and delight in seeing themself as superior to those who can die, those who are not banished to the underbelly of society, those who aren't seen as fundamental sins like he is. All the same, they desperately want revenge against a father who not only mistreated and abandoned them, but who then goes on to form a family he more obviously loves and humanizes. To be discarded when you wanted that love after all, and learn that the person who did this to you was indeed very capable of treating others with affection and respect, just not you! It was you who 'had' to be your father's roadbump to his own self-improvement. And that stings. Envy's anger issues make so much sense. And what I appreciate so much is that the 03 writers don't insult your intelligence here. They are not desperately trying to get the audience to forgive or excuse Envy for their hand in untold slaughter and atrocities. They present his tragedy without demanding you empathize with them at the cost of dehumanizing the victims of genocide. (I hate you forever Brotherhood). And bless the 03 crew for not making Envy a cackling, bumbling buffoon either (seriously, wtf was all of that???) Envy isn't an idiot, but they are barely able to withhold the fury that bubbles under the surface. Also leviathan-dragon Envy's design absolutely fucks and I will not entertain any argument to the contrary.

Sloth: Sho Aikawa et al, thank you. Thank you for taking the snippets of manga Ed's nightmare and making it so, SO real. And thank you, 03 team, for not settling on a one-dimensional interpretation of the definition of sloth. You gave us the perfect antithesis of the fridged mother, of the perfect martyred madonna who is nothing more than fuel for the boy/man characters and their pain. Sloth reveals the lack of autonomy and consent that comes with human transmutation. Creating a homunculus may often be done out of a despairing love due to death, but it is an act of exceptional hubris that disregards not only the pitfalls in that ritual itself but also in the desecration inherent to transmuting a being who can never be the one who died. Sloth's memories do not goad her into racing to reclaim herself, they are a toxin driving her resentment. If her previous self's love and flaws as a person led her children to pervert the rhythms of life and death, to defy the cycle of one is all and all is one and eject her from that belonging, and now she has to exist as a quiet abomination embedded in a racist fascist dictatorship? Then why should she ever accept and forgive her creators? She's one of the homunculi I grew to be utterly fascinated and awed by with each rewatch. And as a bonus, she's a solid reminder that fma 03 was doing it's own thing right from the very beginning: because we see her by Bradley's side. And we see Ed recognize what he has done the moment he spots her. Sloth's final words are some of the most haunting in this entire anime, and I will never be able to land on a solid interpretation of her intent. Her words take on just the right form to slip from your grasp, denying the Elric boys and the audience any ease of mind.

Izumi: Izumiiiiiiiiiiiii! Buddy, listen. If I can fawn over Scar who almost murders Ed and Al, I can fawn over Izumi even despite her having (non-lethally) beaten Ed and Al's asses. She has two solid reasons for being incensed by their actions since they parted ways, after finding out that the Elrics 1) joined a fascist militia, and 2) performed the one thing she hoped, taught, and demanded they never do. I'm not arguing that beating them to the extent she does is necessarily justified, but damn man, I get where she's coming from. And she treats them more sternly because, although she does see them as her children, she also understands that they have entered an adult world. If they're going to shoulder such power and responsibility, they must expect to be addressed as such. She's my imperfect acab queen. And that's another thing I love about Izumi! She repeatedly fights head-on against the state and shows them no deference whatsoever. She'll barge into a hospital and demand info from Mustang, she'll barge into the facility that kidnapped her homunculus child, hell she'll kidnap a state alchemist (Ed), and she'll partake in a coup too. All the while she never stops badmouthing the military. Izumi having performed human transmutation, training kids who go on to do the same, and having been trained by one of the alchemists who pioneered this horrid practice is *chef's kiss* storytelling. Her mangled viscera and its disabling effect on her life is never played for laughs, and we're not constantly encouraged to giggle at the "crazy strong & violent housewife". Watching her fight is also just so enjoyable, her moves are so fluid and succinct. She's a badass without feeling like a flat character. She deserved far better than to be die offscreen, but her embrace of her baby at the Gate gut punches me without fail.

Dante: Our absolutely rancid antagonist, inside and out, literally and figuratively. One of the world's most formidable alchemists who, in spite of that potential title, wishes to live a rather hermetic life. And why wouldn't she? She cannot stand her fellow humans, she believes herself to be above them while no less saddled with their qualities. Even when she can see the truth about alchemy and how it functions, she still lived a grotesque life of treating everything and everyone like pawns to be played. Lives are material and souls are fuel. Why shouldn't she get to do as she pleases when surely the human existence is too putrid to consider worthy of regard. If one is all, and people are a part of this equation, and they're so foolish and malleable, then what part of this world should she see as off limits? And the way the dead religion of Christianity becomes a decorative set-piece for her: how she views homunculi as sins of their creators, the mangled adams and eves of careless non-gods; they have the comparatively effortless immortality that she wants but she has the skeleton key to manipulating matter and energy that homunculi cannot possess. So she's their ring leader, the one who plants the seeds to ensure they continue to be birthed from The Gate. Surely she must have found in her studies of this extinct theology that apocalypses are a means of reconstituting flawed, sinful people and places. And surely she was behind the Mother Mary, Baby Jesus, and Joseph imagery that she manipulates from the 'holy' Lioran girl and her child, and the man who wasn't responsible for said child but arrives in time with a fury that can be made useful to her, who can act as a rallying zealot for the Liorans and play to a culturally religious predisposition. It's all one big, twisted morality play only she can see. Dante is obsessed with symbolism and oozes it herself. She isn't interested in the things that a woman seeking immortality normally would by your average hack writers either, and I love that! This is what makes her both so interesting to analyze and so fun to despise. And her main theme alongside songs that use her theme's motif are so fucking good! She deserves the demise she gets, a thousand-fold, but I'm glad she's the major villain this anime gives us.

Maria Ross: The one military officer I actually like with little to no reservations in this entire franchise. She takes the safety of Ed and Al so seriously that Ed, in his red water alchemic-surge state, mistakes her for Trisha when she embraces him. She goes to bat for Winry and Sciezka by helping them escape Sloth, she busts out Russell and Fletcher when they're arrested and sentenced to death, and she teams up with Izumi to fight her fellow military personnel and Archer. This Maria Ross is why I was losing my mind when Brotherhood sikes the audience out about Mustang "killing" her (though yhe Broho Maria Ross is. Eh. Nothing special). I really l love this character and her kindness. Now leave the military, girl.

Fourth tier: Yet more characters I love. These first four tiers are really for the characters that make me feel "Oh hell yeah, so-and-so is onscreen!"

Paninya: Fuck yeah, Paninya! I always want more of her, but what we see of her makes her memorable even beyond her single episode. Her appreciation for Dominic providing her with the automail that brought her back from rotting away in alleyways, and how she tries to prove the quality of his work to others makes me love her. As I mentioned in the Broho tierlist, I appreciate Paninya's mischievousness, agility, softness, and brazenness. Seeing her in the aftermath of the accident that killed her parents, with all but one of her limbs destroyed will always put my heart into a blender. There'll be times when I haven't touched fma for awhile, and she'll just spring to mind unprompted. If there's a Paninya-centric spinoff or light novel, then lemme know so I can get more of her! Thankfully in this adaptation Winry isn't some white chick berating her to follow the law, but instead a partner in crime and fast friend. If I got just a liiiiittle bit more of her in this anime, she would easily be one tier up.

Greed: Straight up the coolest homunculus. He doesn't get nearly enough time in the spotlight, but god does he leave a lasting impression. His care for the rejects of society will never not make his particular style of objectification of others oddly charming. I love how each of the English VAs for both fma anime play him, but 03's is the one I associate most with this character across continuities. I feel like Chris Patton best captures some of the skeeviness that clings to Greed's personality without making him an outright asshole. He comes across as just a bit more grimy, a bit sketchy, and it works so well with his contrasting earnestness. You can definitely feel that although Greed was never intended to be around until the end of the show, there must have been some time cut from his arc. If only his human self's romantic involvement with Dante had been a bit more expounded upon in the show, rather than being moderately hinted at and more outright stated in additional materials. But hey, what we get is so tasty that he still sits high on the list for me. Also, major shoutout to that legendary final fight between Ed and Greed. The animation, choreography, and artistry are magnificent and deserves a spotlight for being so downright addictive to watch. His death is a crater in Ed's psyche, and his melting form unforgettable to me.

Wrath: Man, I'll absolutely defend Wrath from the naysayers. Poor feral kid wanted to return to a mother, any mother, but most of all Izumi. The slim potential for Izumi, Sig, and Wrath to have lived peacefully together was there, so tantalizingly close to being realized. Then Envy and Dante catch up to him. His corruption via the red stones subtly points to what may potentially allow Dante to keep the minds of homunculi so malleable to her desires, and why she can lock and unlock their attributes and autonomy. Furthermore, Wrath highlights that to exist inside the Gate with a human(-adjacent) mind is a horrifying, inexplicable experience. He fears returning to it, he wants a mother, he has no malice until he's taught it, and he has the rare gift of alchemy he obtained from the same boys ready to tear it back from him. His propensity to wail given everything he went through and everything he lacks, with the mind of a child, isn't some "annoying" character flaw, it's an understandable reaction to a bizarre set of circumstances from one raised in hell and who escapes into the Yock Island woods for years. Wrath, you're cute as a button and I support you.

Hohenheim: Wow, this dude is mega fucked up. And I genuinely love that about Hohenheim of Light. He's an enigma, and unlike a lot of other characters whose time is brief in this anime, I rather like that he remains as such. We get hints towards the monstrous person he was for the majority of his 400+ years of existence, and the numerous atrocities and lives he extinguished in order to keep himself and Dante perpetually living. His original appearance being, as it turns out, that of the future design for Father has an interesting meta-textual crunch to it, but back before the manga even got to its own big bad, it seemed as though Hohenheim sought men who looked most like his original physical form to inhabit. Which has intriguing implications on his view of bodysnatching and what he wants of himself versus Dante's more flexible choice in new bodies. His heel turn towards trying to live as a normal person and raise a family, only to have to (poorly) come to terms that his newfound outlook means he has to accept his rapidly rotting flesh and his soul's depleting capacity to maintain a body. So he abandons his family, which sends his wife and two new children down the path of ruin. He's no angel even with this change of heart, as he sees no issue with working alongside fascist occultists on Earth to return to Amestris. We only get so much out of him regarding his acknowledgement of how he destroyed Envy's life/unlife, but the fact that he willingly forces Envy's fangs through himself as both an apology to a dying son of old, and in an attempt to reunite his two living sons makes me crazy. I love what a mess this scumbag of a man is.

Russell: The Tringham brothers are defo faves. I do have to place Russell above his little brother since I find his flaws and smarmy characterization quite enjoyable, especially as it bounces off of Ed's abrasive, equally smarmy ass. His struggle with the ethics of his studies crashing against his goals very nicely mirror the Elric's, just at a smaller scale. Love the fact that he continues to steal Ed's identity even long after moving on from Xenotime, and that it nearly lands him and his little brother the death penalty. If we could have somehow gotten more of him and his bro, they'd both be higher on the list, but hey. His plant alchemy and what that infers for all bio alchemies (chimeric vs human transmutation vs plants vs what little we get hinted at regarding non-human resurrection) makes my brain whir in the best way possible. As a plant lover myself, I gotta give props to Russell for his expertise in the area.

The Slicer Brothers: Where this homicidal pair fall flat for me in Brotherhood, they hit so much harder in fma 03. The entire Lab 5 arc shakes me to my core, no matter how many times I watch it. The quandaries on the prison industrial complex, on mass murder and the humanity of its perpetrators (which never reaches levels of maddening preachiness in favour of perpetrators ala mangahood), and the power states hold over those it incarcerates and what science is in the hands of the state were formative for me. Or rather, growing up as a teen already questioning why this world and its societies can wield so much power over people, even in circumstances where we're taught to see criminals (let alone accept such a classification) as worthy sites of state-backed torture, this arc in an anime of all things would be one of the many grains that would eventually lead me to understand why states must be opposed and prisons abolished. This pair of brothers are not ethical souls. They have done so much harm, and all the same they should never have been sentenced to an eternity of enslavement by the state. And how does their predicament mirror and contrast Al's purgatory? How does their predicament mirror Ed and Al's contribution to the deaths and suffering of others, especially as dog's of (and in Al's case, an affiliate of) the state? The suicide of the younger brother, and the murder of the eldest manage to evoke sympathy and heartache, even where they are certainly unsympathetic otherwise.

Nina: When it comes to Nina and the entire tragedy of the Tucker family arc, I am no contrarian. This poor girl, her dog, and her murdered mother, and what this does to the Elrics is a permanent point of sorrow. The memetic treatment of her story has some fma fans shrugging at her impact, but I was there when this was the version that people (outside of Japan) were introduced to her story for the first time. Her story fucking hurts. Nina was like a little sister to the Elrics, and they got to spend some time growing up with her. She was family! She was the only person in the entire world, in the entire series, nay, in the entire franchise, who could get away with calling Ed 'little' (Al was 'big brother', and Ed was 'little big brother'). The scene of the Elrics walking into Tucker's lab... The way the 03 team executes this hellish revelation is without compare. The manga's version is nothing, and Brotherhood's is a pale version to 03's. Ed, without recourse to the state's recuperation of chimera Nina, desperately releases her from the military van, only to have granted her a freedom that leads her into Scar's palm (and thereby setting him on his path to avenge the forsaken by killing those who destroy lives via the state and it's weaponized alchemy). She is liberated quickly and painlessly, yet the almost-sacred splatter of her long-gone body will forever haunt me. This story is pivotal in ways that I feel I cannot do justice describing. And her innumerable chimeric clones derived from a chimera-Tucker's pathetic attempts to undo the transmutation of his daughter, and how her philsopher's stone-rejuvenated body is truly, genuinely soulless and unmoving, unthinking, destined to rot- unlike the homunculi, unlike Al and other soul-transmuted people- speaks volumes on how the ideologies of alchemists is what actually informs their perspective on who possesses a soul and who doesn't. Nina (and the Elrics) being present to help Gracia deliver Elicia was also very sweet; she could have been Elicia's friend or even big sister, damn it! 😭 I hope that Nina, her mom, and Alexander get to coalesce into some existence of joy and peace.

Earth!Scar & Earth!Lust: Yeah that's right, a pair of cameo characters we see at the end of CoS, who have no names, no lines, and who we know nothing about beyond seeing them heading a caravan together are placed on par with major characters. Why? Because I am forever overjoyed that, in their own way, Lust and Scar aren't forgotten. Seeing alt versions who get to live together is so satisfying (especially if you're ScarLust-brained like I am). I certainly can't reasonably place them higher on the list, and any lower would betray how giddy I get when they cap off this fma continuity. So fuck it, it's my tierlist and I'll slap my 3 second fanservice characters wherever the hell I want lol.

Hughes: A character who, over the years, I have grown to have quite complicated opinions on. Long before even learning about the overtly-genocidal version of this character in the mangahood canon, I would eventually understand that even military bureaucrats and desk jockeys are required for states and their militaries to carry out their heinous projects. Regardless of his position Hughes, like all members of the state and the military, do not have clean records in the grand scheme of things. 03 Hughes never directly bloodies his hands, and thankfully we're spared from that noxious, insulting sob story about "[committing genocide] so he can live" ala mangahood. But that isn't enough to abdicate his class position against the subjects of Amestris' imperial rule. But where my bias lies, and where 03 succeeds in characterizing him, is that he manages to be interesting and lovable without being as detestable as those who were directly involved in the "Eastern Rebellion" (genocide). All the same, he is a bastard. But we get more time to cook with him, we don't get gags with this dude going cop-mode on fucking toddlers, and avenging his death is hardly a core priority to any of the central cast members when there are far, far bigger issues going down. Unfortunately I do like 03 Amestrian Hughes. But he is a fascist like all the military characters here. As mixed as I am on this dude, I can't completely hate him. Depending on the day I might bump him at least two tiers down, but that would belie my having been more positive about him for most of the time I have loved this show. The man is fun and charming! Sigh. My opinion here is a mess in part from nostalgia. At least he's fictional, but unfortunately the real world is run by millions of this exact person.

Martel: Pretty much the only true war criminal in any version of fma I just can't help but like. I can appreciate that she had no idea what it was that the state was cooking by lying to her and her cohorts about why they sent them all to Ishbal (to incite the 'right' conditions in order to manufacture consent and legal recourse to invade the country). And after realizing that they had been set-up, that they're the useful scapegoats for the state to clear itself of its political sabotage, thus earning a lifelong enemy of Amestris from her and her former colleagues-turned-chimeras is a quality use of her and the former military members of The Devil's Nest. Martel of course gets the lion's share of the spotlight compared to Roa and Dolcetto, let alone the other denizens of The Devil's Nest, and that gives the audience a chance to grow attached to her before she gets killed. I really love the friendship that grows between Al and Marta, as well as her and The Devil's Nest gang's dedication towards Greed. And the fact that she respects Greed's choice to return to the person who created him, and to accept that Ed having murdered Greed was also a choice in part made by her liberator is so mature and honourable. She's complex and fearsome, and I love her. Plain and simple.

Fifth tier: Like it says on the package, these are the people who are long gone, whose impact on numerous characters leads the living into so much suffering. What we make of those we've lost, our sense of ownership to those memories and that love, and what becomes of us in the march of time- if we could remake those we miss, they truly would not be our dearly departed. Even with alchemy death is final. And how do we respond to the agony of a death drenched in bad blood? Can we forgive them? Can we forgive ourselves? Can they ever forgive us?

I can't really slot these three higher up but without any of them this entire story would be nothing. Much like my appreciation for Hohenheim of Light being an enigma, these three remaining as such lends them a force that we have to experience through the characters left behind and the characters transmuted in the vain wish to create those you never owned. I'm compelled to want more of them, but the haze that cloaks them is an integral feature here.

The greatest lesson with these three is that alchemy does not make you a god in a sandbox world, it makes you a fool.

Scar Bro: I really respect the decision to widen the age difference between Scar and his older brother. Having him be the sole adult guardian to a young adolescent who relies on him to do right means that Scar Bro's foray into human alchemy is one of deep selfishness. It's a betrayal that irrevocably sends him into spiralling isolation, exiled yet without care for the world beyond his studies. This singular mindset and his taboo act obliterates his little brother's trust in him, their relationship basically shredded down to a single frayed thread that, only once a genocide is enacted, does Scar try to tug at to rescue him. Scar Bro is smart enough to decipher the Grand Arcanum, and his hubris so deep that he inscribes it upon his flesh. His despair that, perhaps on a grander scale, Ishbal's fall was his own doing for going against the order of the world and seeking the philosopher's stone speaks to how far he has sunk. A portend for what becomes of alchemists who seek the legend and lose perspective on the world around them. But no matter how deranged by his pursuit he had become, he still tried to save Scar. Sacrificing himself was his final apology, his right arm was both his final gift and slight against his little brother. Scar Bro is everything Scar never wants to be, the very figure of all that he rejects, and much of it for good reason. This man is intriguing as hell to me. I'm glad that Scar's final moments, his time with Lust, and what he experienced around the Elrics, ultimately helps him to reclaim his love for his older brother.

The mysterious, alluring woman whose body Lust is constructed from. She haunted Scar Bro, she haunts Lust, and she haunts Scar. We are forever left wondering what we the audience would make of her if we got to experience her beyond the perception of a pair of brothers, and the dappled perception of her undying doppleganger who would become her, or closer to being her, if she could. Would Lust have become 1:1 with this woman if she could be reconstituted into a 'True' human? Can anyone ever inhabit the outline of a progenitor, an ideal, a corpse? All we know is that she was loved. If you step into the shoes of those who knew her, it's hard not to somehow feel a little bit of that love too.

Trisha: The beloved mother of the Elric boys. She's almost angelic when we look into their recollection of her. And still, we can pick out the subtle ways that she was human all along. She is stuck in her heartache for Hohenheim, forever wishing for his return and rewarding her children for emulating his prowess in alchemy. Trisha was a young woman who had to balance raising a pair of younglings while nursing a broken heart. I don't want to see her as merely the perfect mother archetype nor the "abusive" mother simply for failing to restrain her own humanity from intermingling with how she tended to her children. She was wholly human, with all the attending layers that constitute our beings. Like Scar Bro's fiancee, she was dearly loved. And for that she is desecrated. Her homunculus wants nothing to do with her and those who would create her to become this dead woman. Her boys gave her so much happiness but that didn't save her from languishing in her own solitude. Her dying words are a testament to that perpetual depression. The gorgeous track, Bratja, is just as much about her as it is about the sins of her sons.

Sixth tier: Not much preamble for this tier. Let's get into it:

Pinako: All around cool-ass granny. I dig her design, I dig her no-nonsense demeanour, and I dig the tiny peak into the bombastic mechanic babe she was in her youth (younger Pinako was cool in mangahood too but 03's funky light hair is such an eye-catching design choice). She too hates the military to some extent, and I respect that. She opens her home to the extended family Winry brings in, and it warms my shriveled soul that Rose, her little boy, and the Lioran orphans she tends to are a part of that family too.

Psiren: Okokok, listen. Here me out. I know a lot of people shit on the Aquoroia ep (I like it, dammit) for being "meaningless filler" (it's not, it allows the Elric's journey some levity before things deepen, and it also explores grey morality and how the law cannot save people from impending disaster, AND that illegal actions can provide more relief than lying down and quietly suffering in denial). And Psiren gets hate for being a fanservicey character. People accuse her of hitting on Ed and like- yes, she does. But she's a conwoman! She manipulates cops, investigators, and little state alchemists who are actively trying to get in her way. She can see plain as day that her appearance, with a played up sexuality, can trip up the men pursuing her for her crimes. It's no less effective against a pipsqueak teen boy. Personally I never took her actions at face value; it never felt like she actually intended to do shit with Ed, she just wanted to prevent him from thinking clearly. (I don't fault anyone for still not liking that part of the ep tho, but I see this get flattened to "Psiren is a pedo" which imo is silly.) I love her conning and thievery, her design is great especially her cat burglar fit, and that she's a not-quite Robinhood figure (she steals from the rich, but she's not really giving it back to anyone more destitute). I appreciate that despite some of the good she has done for the city itself, she's quite inscrutable in her motivation. Cheers to her for evading the cops to the end. Hope she robbed the police force's coffers repeatedly too.

Rick & Leo: Love these two kids. Having them pop up throughout the show to weave in more Ishbalan perspectives into the story, while serving as yet another thematic exploration of familial dedication and forgiveness was a smart call. Contrasting their ableism with Ed's racism was also interesting, and I appreciate that it's not done as a way to neutralize Ed contending with his own bigotry at all. (This isn't mangahood; we're not playing that ridiculous fucking game where Ed wins a conversation by going "You guys suffer racism? Well my village was affected by the racism you suffer, which is your people's fault actually. Checkmate, Ishvalans.") It's sad when they learn to reject Ishbalans who partake in alchemy, thereby telling Scar to fuck off from the camp. But seeing them help the elderly Exiled Ishbalan at the end of the show was a nice way to show their growth.

Fletcher: Just such a sweet little kid. He has a good heart, and he desperately wants to save his brother from Mugear's corruption. He can't pretend like Russell wasn't poisoning an entire town so he reaches out to the alchemists they had been impersonating. I'm tickled that the Tringham brothers are inverse heights to Ed and Al. Fletcher's just a little guy!

Sig: Top tier husband material. He never blames Izumi for what she had done to the remains of their baby and he won't ever leave her simply because she can no longer bare children. This man loves her so much. Soft spoken, doting without being overbearing, what's not to love? And hell, Meat Day wouldn't be the same without Sig's spectacular form.

Armstrong: A war criminal who, mercifully, does not have some bullshit arc about needing to learn how to be a more obedient genocider. If we focus only on the anime and not CoS, we're shown a character who does regret his involvement in the Ishbal Massacre, but we're not drowning in some perpetual self-aggrandizing pity. Unfortunately how he's written in CoS, "helping to restore" Liore (read: colonize Liore via philanthropy) is a massive backslide on his character. They thought this showed some sort of atonement and reparation, but given his visage getting plastered all over the new city, ignoring the input of the Liorans, and his continued involvement in the military, this is anything but. At least I like him well enough in the show only (CoS Armstrong would be firmly situated in the final tier). Also, of all the military officers in fma, Hughes, Ross, and Armstrong are the only ones I can reasonably buy as caring for the Elrics. The others being far less friendly/'familial' makes sense, and Armstrong having this nosey gentleman's disposition maps better with his time escorting the brothers. Still wish Scar managed to turn his brain into slush when he got the chance, but whaddaya gonna do.

Fritz Lang: This was a pretty funny move on Studio Bones' part. Make an actual well-known real man a mirror to one of the fictional characters in another universe takes some gall. I can understand why some critique Bradley's Earth version being a Jewish man as being in poor taste (that it can be read as antisemitic to imply that a fascist non-human would be Jewish in another dimension), but, for what little it's worth, I interpreted this to be an attempt to contrast class and political positions rather than imply that Jewish people are non-humans in a convincing human disguise (which, ironically, mangahood stumbles assbackwards into playing that trope straight). Earth!Bradley's portrayal managed to feel grounded enough, and given the movie's condemnation of antisemitism and Nazism, it does appear to have been done with good intentions. (This doesn't quite eliminate the bigoted trope being both present and worth acknowledging.) Where Bradley is transmuted into a homunculus (let's recall that whoever Bradley was when he was alive was, in fact, a human and not a "humanoid pretending to be a person" all along) and used to help run Amestris as a fascist dictatorship, it feels as though the writers wanted to show that this isn't some inherent characteristic of every version of this person. I won't dictate how anyone else, let alone how a Jewish person, interprets and feels about this choice. As for myself, I enjoyed his discussions with Ed, and seeing the more introspective, softer, and more artistic representation of someone who looks like Bradley. Hope Ed checks out one of his films someday.

Alfons Heidrich: Unlike a lot of the fandom I never latched onto Heidrich, but I like him well enough. He's so blinded by his passion for rocketry that he doesn't care about working for fascist benefactors. Picture perfect example of the 'apolitical' citizenry who treat their lives and goals as without consequence in the schemes of their society's exploitative machinations. What a great example of what Ed and Roy discuss in the end of the show! The themes of the sciences as institutions that reimburse societal ills and military hegemony are crucial here. As Ed had learned in the show, an apolitical scientific lens only serves to oppress the downtrodden and treat people as obstacles or mere resources for 'progress'. Heidrich is yet another exploration of this issue. The fact that Ed finds someone who looks eerily like Al to latch onto in his Earthly purgatory is some solid mindfuckery for the severely depressed young man and the audience alike. Their dynamic is interesting for that reason. Also he's friendly towards Noah and shows her hospitality when she has nowhere to turn to. Rip, you foolish German boy.

Gluttony: This homunculus gets the least character development of all the homunculi, despite being the longest lasting member of the Seven Sins. We see him from the very start all the way to the midpoint of CoS. Just before Dante lobotomizes him she reveals that she transmuted him specifically to serve as a philosopher's stone refinery; was his human self someone she felt would be useful for such a thing? If we're to believe Dante, it's unlikely that Gluttony had been a wayward homunculus ala Lust, who escapes/is abandoned by their creator and eventually found by Dante. Because then she wouldn't have made him for that express purpose, she would have merely aligned him to be so. And that doesn't seem likely, given that the philosopher's stone is her key to an unnaturally long life, so she would indeed learn to craft a homunculus who can properly act as a factory for stones once fed the real deal. So, was she running experiments across societal derelicts, people who were either already on death's door, or those no one would miss if they disappeared, until she was satisfied at her success? Or did she know his human-self and found something she could exploit to that end? Gluttony appears to have a simpler capacity for understanding the world: is this Dante's doing, or was his human-self a person with a cognitive disabilities that Dante preyed upon? Unless there's supplemental material or interviews I'm unaware of, we will never know and can only infer what skeletons are in his past. I do really love his friendship with Lust tho. That she almost always had him by her side, that she feels hurt that Gluttony was too scared to join her in helping Scar and disobeying Dante, how much he hates Scar for paralyzing Lust with the blue locket, and how distraught he is when Lust is missing- god, when he's told that she's dead? My heart actually aches at his pain. Dante wiping his capacity for conscious thought (disturbing Envy in turn) being the misstep that finally ends her life? Perfect. Also Stone Refinery Gluttony's design in CoS is SO GOOD. It's both fucking terrifying and manages to make me feel even worse for Gluttony (and Wrath, holy shit that fight was rough). And all along, Dante had indeed succeeded in her experiment. Good thing she wasn't able to reap the benefits.

Gracia & Elicia: Not much to say about these two. I appreciate that Ed, Al, and Nina help Gracia deliver Elicia when she goes into labour while at her house. She has an open door for the Elrics, Nina, Sciezka, and Winry, which is delightful. You can understand a little bit of Hughes' enthusiasm for her. And Elicia's an adorable toddler. Can't go wrong with that.

Barry the Chopper: I for one prefer the fact that Barry terrorizes Ed and Winry as a flesh-and-blood human before getting detained, given the death penalty, and used as a soul-tethered guard for Lab 5. That episode is intense, dark, and highlights just how dangerous Ed's journey will be. Without the use of his right arm and thus alchemy itself, Ed is completely helpless: which is excellent foreshadowing for the future. Surviving Barry is when Ed really closes himself off from everyone except Al, and pushes Winry away as well as anyone else he feels is endangered by his quest. And then of course armour-Barry plucking at Al's dysmorphia, which almost tears the brothers apart, means he's managed to traumatize these boys in ways particular to each's darkest fears. However we really didn't need the transmisogynist bullcrap ala the "deranged serial killer who feigns being a woman to lure in his victims" that the writers threw in there. That's a serious blunder on the part of the showrunners. Fuck that noise. But I love how he gets offed: after helping to kidnap Rick and unwittingly leading to the Elric's reuniting and making amends with one another, Barry runs in to kill Ed. Al steps forward to protect his brother, and in swoops Scar to end the fight altogether. Having someone who nearly murders the Elrics but who has sworn off pursuing them after seeing their potential to resist the Amestrian regime, step in to murder a different serial killer who has repeatedly attempted to murder those same boys? Ooh that's good.

Denny: Maria Ross' kinda-simping sidekick lol. He's friendly enough, if not a little innocuous compared to Ross. He's goofy, which is fun. Thankfully it's not overdone either. Poor guy gets cucked by Hohenheim though lol

Lujon: This man's bargain with, and deluded love for, the devil only bought the village doomed by her master's foul play some time and nothing more. The story of his village is one of fma 03's gems. Lust herself never once entertains the sexual desires of others, and in Lujon's case, his attachment to her reads both as too familiar ala her scant memories of Scar Bro, and perhaps insincere on his part. He would abandon his own fiancee and almost-wife at the alter for someone who has been manipulating him into creating a philosopher's stone. Killing him is Lust's way of severing what others project onto her, now that she is growing closer to reclaiming herself. It may even be argued: this is her rejection of Scar Bro and what he did to her. Lujon could not save his village, he could not cure Dante's utterly horrific contagion, and so he becomes a symbol for the limitations of alchemy in most people's hands. And he could never have cared for Lust for reasons outside of himself. That's why I find him so interesting.

The Exiled Ishbalan: The man who tears open the Elric's unexamined racism. I wish he was given a proper name, but in this case, where he is rejected by his fellow Ishbalans for practicing a forbidden science, it thematically fits that he is simply known for being a pariah. He reveals to Scar the Grand Arcanum, its Ishbalan history, and its use in creating a philosopher's stone. I'm glad he gets re-integrated with the Ishbalan refugees as they're all freed to rebuild Ishbal.

Claus: I have a soft-spot for this one-off character. She's a brash little butch kid who leads the local gaggle of boys, how could I not like her? She's trying to figure out why girls and young women are going missing, and what's behind the strange sightings of ghostly women around town. Motivated by her desire to find her older sister, her bravery and cocksure attitude are a treat. It's the rare instance of familial sisterly love in this show, which slots nicely with the focus on sibling bonds overall. Though Claus must live with the terrible revelation that her sister had indeed been murdered, unlike the Elrics she will not drown in grief forever. She moves forward, at least with the knowledge that there won't be any further losses for the other villagers. Really wish her arc wasn't concluded by having her adopt a "properly" feminine presentation thanks to Ed's goading (stfu Ed, your effeminate ass does not get to lecture others about conforming to gendered expectations). Claus, get that crew cut, don that paperboy cap, vest, and pants again, and don't let anyone shame you for living the way you want.

Belsio: I like his design. And he's a pretty chill dude all around too. Smart of him to not embrace Xenotime's philosopher's stone mania as a plague sweeps through the town. He's willing to provide shelter to travellers even when they may be frauds (they're not, but he doesn't turn away the Tringhams either once he learns who they are). Solid guy all around. But woe! Lemon stealing whores upon thy.

Seventh tier: Once again, critters! And although these pups certainly aren't characters comparable to the entire human and homunculus roster, they still get to rep the middle tier. A more lateral tier to the tierlist than anything else, but they'll sit here. Den is the goodest girl, Alexander is our tragic best boy, and Black Hayate is the cutest almost-meal.

Eighth tier: Ok so. Mustang. He's in a category of his own due to my very, very mixed feelings about him. I forever want to punt this man into the sun, but where mangahood makes me want to do so with exceptional viciousness, I can actually appreciate 03 Mustang's character and where the narrative takes him. I don't think he's a crap-quality character in this anime at all (this is not the same as arguing whether he's moral or not; he's not). Where mangahood Mustang feels so performative, plastic and convenient for gaining the approval of an audience despite his prowess in ethnic cleansing and rewarding himself for feeling """sufficiently""" sad about it, this Mustang isn't depicted as the Golden Boy Colonel who gets his government leadership dreams granted. He isn't the "doting father figure" many want of him based on their perception of the mangahood version. He's cold, calculating, a conniving ladder climbing fascist who can't square his dreams of power with what power actually does to its subjects. I can actually believe that this guy is actually internally hounded by being one of the most effective individual genociders amongst genociders. And this doesn't absolve him either. Within the 2003 anime we get no false promises about Mustang doing 'right' once he sits as the head of the nation. He also never leads Amestris, period. By his own hands he wipes away this possibility, rejecting the system altogether. His smaller scale, more clandestine coup actually does help loosen the military's grip on the state (though let's remember, a state is inherently oppressive and is not cleared of its ability to wage war and violence simply because the military is not officially running it). Of course, for reasons I can only speculate about, Conqueror of Shambala retcons this ending and tries to shove Roy back into the still-functional military. It's a shit decision, even where it's left to interpretation just how far he's willing to go back within the military ranks. One of CoS' big negatives. Setting that aside, I appreciate his final convo with Ed. It's a fantastic thesis statement on both Ed and Roy's arcs, as well as tying a bow on fma 2003's themes. Best thing I can do with this guy is to imagine he forever avoids the military and state after he renounces it all post-killing Bradley.

Ninth tier: Hey, they work as villains. I wouldn't change them since we need them as is. What more can I say?

Bradley/Pride: If the 03 team had been allotted more funds and time to continue the anime, I have no doubt they would have given Bradley more time to cook with a firmer backstory. As is though, he works well as the dictator trained in juggling the affairs of a ruthless state while aiding his creator's goals. His seemingly easy and affable demeanour always felt suspect, making himself seem approachable to his subordinates while keeping an eye on useful alchemists. The subtle evidence of the iron hand he wields under that facade kept me intrigued all those years ago. So once we finally get to the revelation of what he is, and when we hear him espouse his fascist beliefs during his showdown with Mustang, it hits! Bradley highlights the hideous ideology underpinning Amestrian governance and its society. And he's not the only character who is shown to believe in their "superiority" over those they deem lesser. Fascism doesn't begin and end with Bradley, or Dante for that matter. I much prefer that we get the reveal of him being a homunculus in the latter half of the show and, imho, him being granted the title of Pride makes a bit more sense given his dictatorship and nationalism. Also, I'm glad we don't have this Bradley characterized as a wife-guy. I'm sorry but I don't need yet another example of the 'redeeming' qualities of normative cishetero nuclear coupling. He strangles his (very human) adopted son to conceal himself and would burn his mansion down around his wife without a second thought if it meant he could settle a match and keep his hold over Amestris.

Cornello: So Cornello isn't some big shot villain but his place in kick-starting the show and the fantastic execution of those first two eps really lays the groundwork for the political and philosophical tensions 03 works with. The start of the show, and the payoffs in plot, character, and world development absolutely would not have hit as well if we didn't begin this odyssey with a white Amestrian theocratic puppet installed to lead Liore. And bless the writers for not having injected 56 different fucking gags smack in the middle of the serious moments and the standoff between Ed and Cornello (or that stupid Hulk Cornello that got tossed into Brotherhood). The chimeric avian abomination he makes and then looses on Rose left a lasting impression. He was well utilized, and his story harkens towards the real life actions of major empires like the USA and its global sabotage in supplanting American-backed leaders into target nations. So I really appreciate the role this colonizer conman (a redundancy in terms but hey) has for all of fma 03.

Tenth tier: There are interesting bits to these characters, but not enough to really propel them into the higher ranks.

Lyra: A hardcore state bootlicker who dreams of becoming an enforcer someday. She never improves as a person, but that's in some ways the point. I would have loved to get a little bit more out of her, but what could be more fitting for someone who gleefully wears her patriotism and love of mass oppression on her sleeve than to have her life snuffed out by a rotting body-snatcher who plays a role in maintaining that very systemic oppression? Also her character design slaps.

Havoc: Like most of the Amestrian soldiers in this adaptation, we aren't fed some version of Havoc who is noble, nor doting or kind to the Elrics. He's (say it with me now) a dog of the military and we accept that as his role. His personality is amusing, as is his eternal failures in getting laid. There really wouldn't have been much point in developing his character tbh, even if the show got a few more episodes to cook. He works as is. And thankfully he isn't injected into Lust's story whatsoever (she is infinitely better than him and would never fail to actually kill his ass <3333).

Riza: Tbh I just don't have much to say about 03 Riza. I could easily compare and contrast her to her mangahood counterparts (as I've done with many characters so far), but I'd rather convey that she (like 90% of Mustang's entourage) never stood out to me. Her actions in rounding up the Ishbalans so that the state can maintain them again in its refugee (concentration) camps is the most despicable thing we see her do. Despite what a lot of 03's promo art may lead some to believe, she doesn't have much of a role within this adaptation at all. Her biggest moment was helping Mustang infiltrate Bradley's mansion and killing Archer. And after finally seeing the absolute Royai-obsessed genocidal angsty-romance shit that is apparently the lifeblood of the mangahood canon (and much of the fma fandom too), I'll take this less relevant, less detestable use of Riza instead. I don't hate her, I don't like her, but she's juuuust interesting enough for me to plop her (slightly) above the neutral tier.

Eleventh tier: Don't take this as a "hate" tier. I don't dislike these characters. This is a collection of characters that are either too brief and simple to gain my attention beyond what they serve in the story, or they serve their role well and are memorable for that particular episode but lack the staying power or charisma to make me think more highly of 'em.

It's a bit of a grab-bag tier since I could make a sub-tier of everyone pictured:

I prefer Rick and Leo's mom, Lujon's fiancee, the mining town dad and his son, Mason, Dominic, the Devil's Nest crew above -> Scar's master and human!Selim, who in turn are above -> Majahal's "long lost" sweetheart, the remainder of Mustang's underlings, Grumman, and Bald.

For the characters I simply didn't even put on this entire tierlist you can feasibly toss them into the neutral pile as well.

Twelfth tier: Characters I would gladly shank to death if given the opportunity. Not because there aren't others in the above tiers who I wouldn't want to stab, but this lot don't click for me as standalone characters. However, I don't begrudge their existence in the show and their utility for the tone, themes, and progression of the show/movie. Thankfully we're never berated over the head to somehow sympathize with these guys, let alone feel for them on par with or above the genuinely more sympathetic characters. We aren't made to eat the military's shit and call it gourmet here, and that's why I still appreciate what these characters bring to the table. I wouldn't remove them from the story, but I'm glad they all get theirs eventually.

Yoki: A perfect example of the class benefits of statesmen and their enforcers, and how the bureaucracy of the state is itself oppressive. It will exploit resource-rich locales, extracting wealth from a captured labour force. Ed knocking him down from his cushy position, and Lust puncturing his cranium were some quality moments. Of course, fuck Yoki for alerting the state to round up the Ishbalans. At least it made his death that much more satisfying.

Majahal: The episode we encounter this acquaintance of Hohenheim's was one of the very, very few I would agree to call a mess, but it foreshadowed some very important truths about alchemy and alchemists through the vehicle of this aging serial killer. Although he does not perform human transmutation, he does kill young women and girls to tether them to mannequins sculpted after his 'lost' love. Despite the ep's problems with pacing and wonky storytelling (it really feels like the writers were still getting a hang of things), I like how awful this alchemist was. Majahal's actions and his beliefs helps cast some serious doubts on alchemists as a class and alchemy as a practice, on Hohenheim's connections, on what seeing people as objects for you to mold to your exact liking leads to, and that the scientism of alchemy should indeed be questioned. And hey, he gets the dubious honour of being Ed's first manslaughter! Woo!

Mugear: A piece of shit mayor who willingly poisons the populace of his town in order to create red stones at the behest of the homunculi. He wants more power than what he gets from his station, and has no qualms with how many people suffer and die. That he wants to use the placentas from the increased miscarriages that are occurring because of the red water is some next level evil. Yet another example of science wielded by power in order to exploit the masses.

Marco: A war criminal who defected from the military here too, but one who isn't given the opportunity to aid a future Fuhrer with yet another war crime. He was better off quietly living as a doctor for a small town who had no other medical professionals to tend to the townsfolk. Even though he reveals the truth to the Elrics about what the "Eastern Rebellion" really was (an invasion and a massacre), there's a certain poetry to Dr.Marco having been party to the Rockbells' murders. This version of him doesn't infuriate me the same way mangahood Marcoh does, but I'm not mad about him ending up as a solid meal for Gluttony either.

Shou Tucker: To reiterate what I said in my Broho tierlist: He's a monster (in this anime, figuratively and eventually literally too), everyone rightfully despises him, and he still performed fewer atrocities than the average soldier, let alone the war criminals in this series. Seeing him used as a secret scientist in Lab 5 as a warped chimera, and slowly growing mad from his desperate urge to, like the Elrics, undo his desecration of a family member is poignant and disturbing. He is truly what Ed could have become. If not his father or Dante, or any of the state alchemist war criminals, Ed could have become Tucker.

Earth!Hughes: For fuck's sake. Yes, he's a Nazi. No, this isn't some massive departure from what Amestrian!Hughes was. The nexus of the 03/Cos/Mangahood Hughes' are a fantastic litmus test for whether or not any given person has the political acuity regarding what the material realities of fascism, nationalism, and ethnosupremacy are versus a basal reliance on optics (bad to be a Nazi, fine to willingly join the institution of an imperialist state whose purpose is to capture land and people, and commit ethnic cleansing). Unfortunately the mass of fma fans (regardless of preference for any given media or continuities) absolutely fucking fails this test in spectacular fashion. In a sick bit of irony, Earth!Hughes hasn't done any genocide yet (as the Nazi party hadn't yet gained a solid foothold in German governance), but mangahood Hughes? Oh boy. Wow, does that beloved piece of crap mass murder Ishvalans. Mangahood!Hughes literally performs more overt fascist/imperialist violence compared to Nazi!Hughes. So I'm glad this specific, extremely relevant alternative version of this character exists. Because he lays bare the gaps in people's understanding of what fascism even is, and what societal structures create the foundation for said fascism to develop, and how none of you understood Fullmetal Alchemist to begin with. Which, shockingly, includes the original mangaka too lmao

Eckhart: CoS' Nazi big bad. I can't really say I feel anything particular about her as a character since she's more a cumulative picture of a ring leader to a fascist occultist subgroup than a character in her own right. She's the exact piece of shit one would expect, and for the purpose she serves in CoS that's all well and good. There isn't any time to really develop her further than that, but I will say that her breakdown into despising and fearing the people on the other side of the Gate was entertaining. Some may say it's a bit on the nose, and they're not wrong, but it flings back into Ed's face that all people have full lives and interiority; they're all real, and as always your actions ripple far beyond your little inner world. That, and the fact that deep-seated societal racism has its roots in governance, and that it will rear up into full scale destruction. It's everyone's responsibility to fight against this. So Eckhart is a useful tool for reiterating this topic. Oh, and the way she dies, covered in the mass of beings who inhabit the Gate, causing her to appear as though she walked out of a scifi horror flick? Love it.

Hakuro: Fuuuuuuuuuuuuuuuuck Hakuro, man. I'm glad we get to see him as some peaceful family man before witnessing his hand in the Lioran invasion and, likely, the instigator of Rose's gang rape. Why do I appreciate that framing? Because it undermines a common and often very successful propagandistic framing device that encourages people to humanize genociders and soldiers. It's a counterbalance to Hughes being the "military family man, so how bad can any of this really be?" This thematic tension reveals that propaganda: "Soldiers have families too! They're just trying to protect the most important and innocent assets members of the nation! Join the front to shield loved ones from the [foreign] scourge! All militarymen are people with grand ideals and pride in their people! How can you fault them for that?" It's a consistent way to embolden a nation's populace to not only sign up for service, but to rabidly defend their troops. Look at the very real fma fans who do this, pavlov style, for both their military blorbos and real life militaries! It works! But what I think is quite clever with what 03 does with him is two-fold: 1) he is not held up as a uniquely ~evil~ member of the military, in fact he's quite average. This is what the military is. The banality of evil is that it is carried out by people who join these institutions for xyz reasons and carry out their orders without qualms (and in fact he's just as much a rank climber as Mustang). And 2) We don't focus in on him as one of the select military/government officials that, if taken down, will suddenly render the military into an ethical, positive entity. Bradley is the closest to falling into this trope, and even then this show doesn't center that thinking. So Hakuro, and all the nameless scum who fill out the military ranks, are not an extra special breed of awful. They are human cogs of the machine, and anyone can be Hakuro. Not because "all humans are evil" (thereby equivocating genociders and their targets/victims), but because signing up to be a cog means you will grind people in your gears.

Basque Grand: The brigadier general who oversees much of the military's branches in Eastern and Lab 5 in Central. He made good use of the red stones to obliterate enough of Ishbal to propel him to his current (and final) rank. The man cares only about keeping everything running accordingly and securing his standing. After everything he does to Ishbal, to Nina, to the Elrics, and learning about the experiments run in Lab 5, seeing this jackass get his brain splattered by Scar, in public, in broad daylight, while moments before gloating about the stone he was going to use to kill Scar? Absolutely one of my fave moments in this show.

Archer: A proud war mongerer thrilled by every opportunity to send an armada in to stamp their boots over a populace. He's a scumbag through and through. Having half of his body disintegrated into the Liore philosopher's stone did give us a great shot of him screaming in pure agony, and on the other hand it gave us Terminator Archer. Granted, I can absolutely see the Amestrian state scientists and alchemists toying with mechanizing human beings (it's no less horrific and unethical than all the other bio-alchemical atrocities they routinely perform). And I can see them taking the opportunity to use any of their barely-surviving military personnel as fodder; if they could roll out even more dangerous pigs why wouldn't they? But the execution of this was haphazard. The design alone is a mess, but I can see what they were going for. If anything, his design should have been pushed into emphasizing that grotesque, industrial melding of metal to flesh. Like a dehumanization of the automail artisanship, have Archer be less cognizant, have us question if he can even be said to be human/alive/the same person, hell, have him be largely incapable of speech due to having half his throat missing. Let his communication be dictated by the sounds of machine functions, with a guttural, tortured noise as a subtle backdrop to each attempt at speech. So much potential for some quality machine-human body horror, unfulfilled. Though by this point the show was in full throttle to the finish line, so there wasn't much time or money left to flesh (heh) this out in such a way that it lands. I can't totally fault the team for having this be wasted potential. And not like it would have made me like the guy, but that's the point. He serves his narrative purpose well. Get wrecked, Archer.

Kimbly: Fascist supreme, but unlike in mangahood, he isn't positioned as a strange outlier to your average Amestrian citizen, militarymen, or statesmen. He's more violent insofar that he's willing to harm his fellow soldiers (and even that's not unique given what we're shown of Archer and Basque Grand), but he's not held up as an example of the "few bad apples poisoning the jackbooted bunch". I didn't know how good I had it with 03 regarding this version of this character! He doesn't get a ton of focus, he isn't made to be an "evil badass" to the extent Brotherhood does, and we don't get this douchebag having a moment in the spotlight to help Ed defeat a homunculus after giving his version of a friendship speech. Best of all, Scar gets his revenge against the man who maimed him and murdered his brother (let alone countless other Ishbalans). Fuck this dude, but I'm glad I can stand to see this asshole in this version thanks to far less insulting writing choices!

God, I love this anime. Everytime I rewatch this show I find so many new things to appreciate. Ruminating on the subtle characterization, politics, and storytelling that each watch-through uncovers really lets me savour the passion that Studio Bones poured into Fullmetal Alchemist 2003. And as my own perspectives on the world and my political philosophy itself matured I become all the more impressed with what they cooked all those years ago. I adore stories that make me feel, and it's all the more fantastic when its done with sincerity. They weren't afraid to tell hard stories. 03 doesn't try to run it back or serve you easy outs. Yet it never feels cynical, at least not to me. Not because cynicism would be unwarranted, but because this show truly feels for the strife of its world and characters.

I'll always come back to this adaptation. Even if most people forget it exists, I'll have something truly wonderful to remember and revisit for many more years to come.

[sh0rt-insomniac]

obc chess game breakdown (?)

well, welcome to the breakdown of the falsettos obc chess game that absolutely no one asked for but i think i'm onto something !!

ALSO, i know nothing about chess so if nothing makes sense that's why :-)

SO !! a little fact that is far from my interpretation is that chess is used for many things in the musical like a metaphor for love, another metaphor but for Marvin and Whizzer's relationship, normal chess, and so on but for now i'll be focusing mostly on it being normal chess and a bit on Marvin and Whizzer's relationship so bare with me because this is going to be chaotic

even though it's technically the same musical, the obc and the 2016 revival are two completely different things, and a very good way to compare them is the chess game

(and in case anyone actually reads this, none of this means that one version is better than the other, i just want to point out the differences because i have free will and too much free time, i adore both versions, this is just me infodumping)

first, the revival

for the 2016 version, (specifically for the chess game) they lean a bit more on the looks of it, sort of trying to match the same minimalistic vibe that the cube gives (shoutout to the Rockwell Group because i adore their stage design but moving on...)

for instance, they simplify the actual game to more of a choreography:

Whizzer begins with the white, holding the king but not actually moving anything, and after Marvin insists he moves the pawn in h2 to h4

Marvin mirrors his move with his own pawn, moving h7 to h5

after that, Whizzer takes the queen and leaves it in the middle of the board, not really playing anymore, and after that they just move everything around, Whizzer takes Marvin's king and the "game" is over

OH but for the obc... that's when stuff gets a bit more interesting, because they're actually playing

this time Marvin begins with the white pieces and by the time they begin to sing he already moved the pawn in e2 to e4

Whizzer responds by tidying his side of the board for a little while, before being pressured by Marvin to move, so he moves the horse from b8 to c6 

Whizzer doesn't seem to pleased with his move, so they re-start

he flips the board so now he has the white pieces and it's his turn to begin

Marvin tells him exactly what to do, and he moves the same pawn Marvin moved as HIS first move

Marvin responds by moving the pawn directly in front of that one (e7 to e5)

the next move is Marvin telling Whizzer to move the bishop on f1 to c4

after that they just move random pieces and whizzer "wins"

so, i was thinking, and the 3 moves they actually make can be found in a very basic strategy called "scholar's mate", being, according to google, one of the first checkmates people learn when playing chess

so, why do I think this justifies my rant?

well, for many things, but for my and everyone else's sake i'll just say 2 of them

1. the fact that Marvin was using this strategy and recycled it for Whizzer when they changed the board, for me, represents that part of Marvin that swears he's smarter than he actually is-

-because if he was as smart as he thinks, why would he be using such a basic strategy? and why was he instructing Whizzer... to win?

because the way he is directing the game would mean that, eventually, Whizzer would win even if they hadn't given up

but also, the fact that Marvin kept directing the white pieces like he would win by doing that makes sense

the obc makes a clear comparison with marvin and the white pieces (specially the king) more than once

Marvin is all about control, power, being "the man" in his relationships, that's represented with the white pieces, with him making his first move before the song has even started

so when Whizzer flips the board, takes control, doesn't allow himself to be controlled by Marvin, he doesn't know what to do

he keeps playing like he normally would, keeps controlling, not realizing that this will end better for Whizzer than him

but that said, moving on to thing 2

2. their relationship during the first act was always destined to fail, and the way i see it, it's marvin's fault 

we already established that Whizzer would win anyway, either because Marvin (initially) agreed to let him win or because of the strategy they were following, so that said, Marvin would've been pissed anyway

if he controls Whizzer but it turns out better for him then it's Whizzer's fault, but if Whizzer decides to take action and not let himself be controlled by Marvin, then it's also Whizzer's fault

it was destined to end they way it did, it doesn't matter what Whizzer did, Marvin would've never been happy, and if Marvin isn’t happy, no one else can be

SO WE REACHED THE END !!

thank you to anyone who read this absolute shitshow

i had this idea because i’m doing a project about this so it’s been floating around my brain for a little while

damn that was long

[celsfandomrave]

Ted Lasso Costume Deep Dive

I asked if anyone would be interested if I did a deep dive analysis into the Costume Design of Ted Lasso and people seemed to be very interested!

I work as what is called a Stitcher for opera and theatrical costumes which means I am one of the people who sews the costumes you see people wearing on stage. I am not a costume designer and I have never worked in TV. That said, many of the people I work with have worked in TV and I work with costume designers everyday, so I like to think I have a relatively realistic idea of what choices are intentional and what are not. This is my costume design degree put to use.

Part 1: Ted Lasso

Ted has simultaneously the most and least interesting costume design in the show so let’s talk about it and why I am freaking out about Ted’s orange shirt in Sunflowers.

With only very few exceptions here is a list of colors Ted wears:

White

Beige

Grey

Blue (Navy, Light Medium)

IF Ted wears a suit if will be black with a white shirt and a red tie for special occassions or a black tie for funerals

IF Ted is seen in his sleepwear it will be a pair of grey joggers with either a blue shirt, a black “Joe Arthur” T-shirt, or a Kansas City T-Shirt

IF Ted is seen at training or around the club just before or after he will be wearing some combination of (depending on weather):

White or grey polo shirt

Navy Blue Richmond Track Pants

Nav Blue Richmond Track Jacket

Orange Tinted Aviators

White Richmond Visor

On very rare occassions Ted will wear a RED POLO SHIRT. This is outside of Ted’s normal uniform.

The first time we see this shirt in Season 1 Episode 6, Ted is taking off his wedding ring. This immediately establishes that red polo means something is off in Ted’s world, even if it’s something minor. He might wear this shirt more than we actually see in the show but I would think of this as the shirt he wears if he hasn’t had time to do laundry.

This rule continues

Season 2 Episode 2

Ted is dealing with the fact that Dr. Feldstone is staying and the dinamics at the club are changing.

Season 2 Episode 3

Worn as Led Tasso. As though I needed  help proving this meant something was off.

Season 2 Episode 6

When he wears the shirt early in the episode it seems like there is very little going on with him, everything is fine. So why do we get red shirt Ted? and then he gets a panic attack in the middle of a game. That red shirt was the only indication that something was wrong.

Season 3 Episode 5

The Team are in a losing streak following the game with West Ham. He is also wearing it when he finds out about the bullying situation with Henry.

Other exceptions to the rule that I’m not reading too much into, due to them not being quite as noticeable:

Season 2 Episode 5

Ted wears this brownish yellow sweatshirt under his Navy Richmond jacket. I will let this slide because it is mostly covered by the jacket and it is very cold and snowy during this episode.

Season 3 Episode 1

Ted wears a green sweater dropping off his son at the airport. The green doesn’t stand out as much as the red or orange shirt do. I do think this is sort of an indication that we are getting a Ted in season 3 who branches out a little bit more.

Season 3 Episode 3

Ted wears a maroon sweater with a pocket to Sam’s restaurant. Notably, we have seen this sweater in Navy previously. Ted is branching out in colors but only when it is a style he knows he likes. This is also the same style as the orange shirt.

And now SEASON 3 EPISODE 6 he shows up in ORANGE out of nowhere.

and hopefully you understand why I am freaking out enough to do a breakdown of the whole show.

A few things I’d like to note.

The fact that Ted has a reasonably constrained wardrobe doesn’t really surprise me. The way these sorts of shows tend to work is that they will shop for a character’s closet. Even Keeley repeats, if not whole outfits, pieces of them at times. Ted is not the most fashion forward guy, it makes sense that he has a relatively short number of outfits. That said, Coach beard has much more variated style than Ted.

In the episode, what does the Orange shirt tie Ted to?

To me, the most obvious answer to this is actually Colin. Yes, you could argue that he is being tied to to Sunflower painting, maybe to the tea, maybe to the warm colors or the houseboat but if you are going to argue any of those, Colin is being tied to the same thing. I could definitely see both Ted and Colin being tied to the sunflowers. We are definitely meant to compare Ted to Van Gogh in the museum seen. Both are Inspiring creative people who are trying to get past their “inner demons”. Perhaps we are supposed to see that Colin is also one of these people or perhaps it is meant to connect Ted’s journey with Colin’s sexuality storyline. I genuinely don’t know the answer, but Ted’s costume tells me that something is going on.

Stay tuned for future parts where I will reveal which 2 characters are wearing the same distinctive T-shirt and have a similar freak out about Rebecca breaking all of her clothing rules.

Part 2

[the-au-collector]

Ok so I've decided to do some digging to try to figure out who the other Mystery Link is. I couldn't find a full version of the LU banner but I did find screenshots from this ask that Jojo answered all the way back in 2018. Idk if she cropped the picture after that, but the banner is still the same picture, just cropped.

I decided to start with the first unconfirmed(?) Link, First, since we already know that's who it is. Idk if anyone's done this before but here is my breakdown:

Mystery Link 1 (First) pretty closely matches with the depiction of him from the Manga. The hair matches, you can see the scarf, his pauldron, his belt, his double-crossing straps. It all matches pretty perfectly, so obviously this is First. We already know that this is First.

The question is who is this guy:

He's very confusing.

So we know he has short hair, wears a strap across his chest, has this weird item on his belt, and wears a split tunic. His boots also come up to about his knees. He looks pretty tall, too. His collar is what I would describe as Legend-esque. It's very similar to Legend's collar. He shirt almost reminds me of Wild? IDK why

I'm going to immediately cross out Spirit and Age as candidates since Jojo has already confirmed they're part of Wind and Wild respectively. I also want to cross off Shadow here too. Mr. Mystery is too tall to be Shadow. I'm also quasi-crossing out Cadence of Hyrule Link since I don't think that game was released when jojo was plotting Linked Universe, but I'm not 100% sure about that so it's open I'm just not considering it for this.

So my thoughts immediately go to four other characters. My immediate thought was CDI Link. I also remembered that cartoon Link exists. And upon closer inspection, I'm not unconvinced Mr. Mystery isn't Time.

So let's go through all 3:

CDI Link

Okay he doesn't really match... at all. At the same time, I want to take this moment to take another look at Legend's design since that deviates quite a lot from his canon designs in the series (so does Four's design) so I'm not going to completely dismiss CDI Link's potential. The item on the hip especially seems to match the compasses from Zelda's adventure. But CDI Link himself...

No. His hair is long. His boots kind of match, but he isn't wearing any outward straps and those compasses are also from a game where the protagonist is Zelda not him. Mostly his hair and simplistic design is the main thing throwing me off. Especially the hair.

Likelihood: ehhh we'll go 6/10.

Cartoon Link

I'm going to be honest I forgot he existed.

Anyways he does have the low-cut neck and the short hair and the thing on his belt. But, like every Link, he has the Default Link Outfit which doesn't really say much since (like we see with Legend and Four especially) jojo will change designs to make the Links more distinct. Someone could theoretically argue she wouldn't change Cartoon much since his hair is already brown instead of blonde...

Honestly for being a Link not included in LU, I'd say he matches pretty close to Mr. Mystery. Closer than CDI anyways.

Likelihood: 7/10. Depends on how different Jojo would be willing to make his design for the comic (he could also be combined with CDI Link too, which would up it to 8/10)

But I noticed something else. Mr. Mystery's outfit and face look a little familiar...

Young Time perhaps?

They have the strap, the belt, the low-cut shirt, the short hair. Mr. Mystery's face literally lines up to Time's chin. I feel like that's significant since jojo made all the Links' face and eye shapes distinct.

The only thing I can't think of is why we would have an alternate version of Time. Maybe we'll see Downfall Time? Maybe Time is Sir Raven after all?

Idk, the more I looked at Mr. Mystery the more I realized he looked a lot like Time.

Likelihood: 4/10. It would be cool, but idk why Jojo would make 2 Times join the party.

Also something very interesting from the banner image:

Ravio's included!

[noones-untruly]

Your bitch is watching the second season of Blood of Zeus and lemme tell you, I don't like it. At least the very first 10 minutes. As I did previously, imma put here all of my thoughts regarding each episode as I watch, so beware of MASSIVE SPOILERS.

Also, small disclaimer: I'm not a professional writer, nor a movie critic. So everything here is my pure humble opinion so if you don't like it - don't read it.

So without further ado:

Episode 1:

Gods, it's been 10 minutes and half of the visuals (if not more) are just parts of the final episode of the first season. And also the plot didn't really moved past the point "yeah, Hades is the bbeg. Again." Although I sense some bits that it's more like "oh he's a misunderstood guy who did it all for love and whatnot" but the line of "Hera and Zeus made us fools and now we get to have our revenge" is already pissing me off. 10 minutes of almost nothing but being cliché. Not a good start, but imma give it a shot.

Another thing that irritates me is the "romantic" tension between Alexia and Heron. First of all, I don't get it how Heron is so good at fighting despite the fact that he lived with his mother and never really had to fight anyone with a sword. Like I get the arrows and such (tho hunting an animal in a forest and shooting a moving fucking warrior on a bloody battlefield seem kinda different, but aight, I'll let it slide). But how in the fuck after a few days-weeks of training with Zeus he manages to be so fucking op in the battle that it impresses an Amazonian Fucking Warrior Lady that spent at least half her life perfecting her martial skills?? This guy was not a warrior to begin with, how is he so good at killing people and demons?? He was BULLIED AND HAD NO ONE TO TEACH HIM KICK BALLS! So anyways, I don't like that it's implied that Alexia is falling in love with Heron. No, she's a powerful ass Amazonian, she's supposed to be COOL AND NOT FALL IN LOVE WITH THIS WIBBLY WOBBLY HERON THAT HADN'T EVEN LIVED FOR MORE THAN 20 YEARS!!! Like, c'mon, how old is he? 17? 18? He maybe has a body of a perfect athlete, but he's a fucking baby... And don't tell me Alexia is below 20, she's in her late 20's AT LEAST, cuz ain't no way a 20 year old is commanding an elite squad in ancient Greece. So no to Heron×Alexia. Not on my watch.

Also, what the fuck is elusinian stone and why are we supposed to care whether Hades gets it not?

What the fuck did they do to Hestia's and Athena's designs?? Like what the honest fuck is this bullshit?? Who do winged dead eating demons look more interesting that obviously very important characters?? Also, the scream Hestia lets out burning the demons away from her 💀💀💀

NO, NOT THE PROPHECY TROPE, PLEASE, NO

Why does Gaia look like she stepped out of a marvel movie...?

Episode 2:

Alexia, girl, why are you sleeping in full armour?? Also what happened to your face??

Heron, what happened to your face?? Did they ever give proper character references to the animators??

Also, why is Heron having a mental breakdown over some noname bro that killed their mother??

Bro, why are you so suddenly questioning gods?? (Ye, he should question who the fuck these gods are to rule over humanity, but it's smth he was supposed to do in the previous season, not now when he beat the shit out of his step brother in the name of gods)

Yay, my babygirl Seraphim is still here, serving cunt as usual 💖 And fuck yeah, eternal judgement >> serving gods!! Slay babe! (I am kinda ashamed for this passage, but I won't apologise for it)

Bitch what. A love interest? FOR MY MURDEROUS VENGEANCE LED BABYGIRL?? ARE Y'ALL KIDDING ME??

WHY DID YOU SPIT LIKE THIS?? PEOPLE DON'T SPIT LIKE THIS, SWEETIE. DEMONS TOO BY THE WAY

Ok, I understand the lack of colours for Hades, he is kinda gothic, but why is Persephone such a goth chick?? She's the goddess of spring and such no?? Why'd she wear black fucking lipstick and look like a depressed teen??

What in the Hades the game is this?? Listen, I didn't want to bring the game into this discussion, but you did it yourself, netflix. Y'all are not ready to be compared to the supergiants' masterpiece. Don't drag Zag and Melinoë into this, y'all are not on the same level of deepness into the greek mythology to have them here.

Seriously? The same punishment as Loki? Y'all ain't even creative. Don't tell me this bitch lover of Sera is gonna stay there with a cup to "help with the pain"

Bro, stop it already with y'all's "well I've always tried to help you, I'm not like the others" it's not gonna cut it anymore

So like, Hades was very hot and you redesigned him into edge lord? Ok.

Ah, so now you explain us about the elusinian stone and why it's so important, at the end of the 2nd episode? Thanks, cool.

Episode 3

Apollo is still serving. By now you should see the pattern of what men I like.

Drop it with the love interest for Seraphim already. I don't believe that a murder machine like him is able to fall for a simple mortal woman. Like this fuck would even care for anything else than his revenge. Well, tbh I didn't believe that he'd care for his biological mother either, so... I just don't like how they portrait him as a weak for love bud. Isn't that a bit unrealistic for a mass murderer with no empathy? Like ain't one supposed to be empathetic to love? Ain't one supposed to feel nothing when killing a shit load of people with no remorse whatsoever? Isn't there some psychological repercussions? No? Ok.

Lmao, suicidal Hades is something new.

Yeah, ofc, let's make Hades seem like a creep again...

Is that weird that I'm more attracted to the demon Seraphim more than to his human form?

Honestly, I'm so tired of media portraying Hera and Demeter as hysterical bitches that know no boundaries. Like come up with something new.

Lol, Hades just made my man enter into an invisible wall to make the wall disappear a second after.

Aren't you supposed to win over his trust? For now you're just venting about your shit ass family to a man that has no family at all. Not very kind tbh

"Look at her! Look at how she suffers!" Meanwhile the girl is just sitting on the ground bumboozeled that the god of the dead and some hot demon guy are looking at her talking some nonsense.

Why, of course she's not gonna suffer ugly like the other wraiths, she's the main hero's love interest, so that's why she looks like she's on some heavy tranquilizers

Yes, of course the prideful demon Seraphim, the murderer of guilty and innocent, the vengeful spirit will succumb to be a pawn in god's hands once again, only to alleviate the suffering of the soul of his beloved! What a bunch of horseshit, guys... I may be delusional enough to be attracted to that man and call him babygirl, but even I understand that this fuck is incapable of love. This isn't his character, it was done to just make him into the "good guy that was just too miserable so he caused a lot of pain to the others". Let's be fair for a sec here, he's a mass murderer, he deserves no forgiveness. Yes, he can be redeemed, but it's a long fucking process, that doesn't always include forgiveness, but a shit load of work and reflection. And therapy. Hades could've "tempt" him to join forces by manipulating his pride and desire to be free, to be above gods. Not love. Love can be ugly, love can be beautiful, love can be an instrument to redeem someone, but by gods, stop using it on every Joe to make him into hero, it's just stupid.

Sera, why are you so easy to manipulate??

Episode 4:

NOOOO, WHY DID YOU TURN HIM HUMAN AGAIN?? BRING BACK THE DEMON LOOK, IT WAS SO GOOOOD!!!

Off topic, but wasn't heron impaled in the middle of his chest? Why's the scar on his tit?

I can't, Aphrodite clinging to Ares's arm 😭😭😭 Stop with itttt!

Okok, one good thing: I like how in the games Heron is drawn to always be in Ares's shadow. A bit on the nose, but I appreciate the symbolism.

Apollo's refusing to compete with Ares?? Apollo?! You're making me laugh.

There's this background god with blueish skin and black wings and I cannot, who are they?? I have to know whom I'm falling for. Is that Thanatos??

Hm, so half the season is wasted on some weird intro to the story itself? Cool. Wow. Never seen that happen.

Episode 5:

You serious? The mighty Zeus, the king of gods, is judged by mere mortals? The pure-blood god, not a bastard child ascended to godhood, but the child of Rhea and Kronos, is judged by some mortal and has to go through the same path as any other human?? Y'all aren't serious. I can't. This is idiotic.

Hera, I don't believe you, that now, all of the sudden you're changing your mind and vouching for Zeus, that he's not that bad. Girl, you unleashed a whole ass box of giants to kill that man just a few weeks ago, why such sudden change of mind??

Zeus, how in the fuck you managed to build a whole ass knowledge bunker under that shabby house of your son without anyone noticing?? Please, share the secret, I also want to be capable of that

Greatest quote of the greatest man in these series, Evios: "Look, I'm alive for two reasons: I was born and I hadn't died yet."

Oke, I can understand why Sera might've fallen for the priestess in a normal situation (if he hadn't been fucked up beyond repair, that is). She's smart, she's beautiful, she's compassionate. A perfect woman, if she had any character to her. But my man is, unfortunately, beyond salvation of any kind, when he met her, he wasn't recovering from the hatred, he was driven by it. How can one love another, when one is fueled by hatred and anger? How can one love, when one had long forgotten what is it to be loved? How can one love, when one is no longer feeling?

Episode 6:

I suddenly like the Heron's arc. Is he gaining some depth to his character? Wow.

Lmao, Sera, you fell from gods know what height and you're still in one piece and not smushed into the ground and around? You are a solid rock of a man.

Ok, maybe Sera is slay in his human form. It's just that he needs to be dressed appropriately. Stop walking around with tits out in and wearing this stupid furry mini skirt and he's looking like a decent man.

Icarus?? Sera, choose another pseudonym, this ain't a good one.

Honestly, I'm kinda digging all that "Demeter, the great mastermind " vibe. Slay queen! Love it for her. She's a bitch in this scenario, but damn she's good at it.

Episode 7:

Y'all, I'm in love with Demeter. This bitch? The bitchiest of them all. Slay 💅

Alexia, girl, how did you survive Talos exploding?? You demigod too? And that big fella who's name wasn't mentioned once this season is he also the same or just explosion-proof?

Ah, yes, his name is Kofi. Could've guessed.

Bruh, you've already done Alexia wrong in this season, why open her character like that in under a minute?? 😭 Opened and immediately closed. Feels like "That's rough, buddy" from Zuko but make it lvl 99 of idgf

And now you're Nobody?? Babe, you decided to fuck with mythology, didn't you? Bad idea.

Also, hadn't Kronos had another design in the beginning, no? Then who was that cosmos looking titan in the beginning?

Wait a moment. Does Sera classify as a demigod? Like, he is partially giant, cuz he ate flesh of one. And he possesses a ton of demigod-like qualities. Could it be that he's the prophecy demigod? Meh, I'm too lazy to look for the prophecy to compare it and actually find out. Will see in a moment what happens.

Episode 8 (finally):

Sera is getting sexier with each challenge.

Heron, surprisingly, is too, getting more attractive.

I absolutely hate Gaia's design. Disgusting.

Lmao, I was right, there's a possibility for Sera to be the prophecy child.

Oh my, are you serious, Hera is a pacifist now?? Y'all are crazy.

This is just a massive slaughter house at this point, gods, what the fuck.

Aw, the brothers are helping eachother in this butchery, how cute.

Heron, chill your ass, you're about to explode.

Btw, where's Evios? And that interesting associate of his.

So, what's that terrible horrible monster whose name we do not say?

Oops, someone pissed off the primordial Gaia. Y'all are fucked. Btw his name's Typhoon. Meh.

In conclusion:

The majority of the script is shite. Some (almost all) of the arcs can be done so much better. Designs suck an ass too. But did I enjoy watching it? Yes. Is it because of Seraphim? Primarily so. But will I wait for the 3rd season? Absolutely yes.

So I loved and hated the show at the same time. The main line is quite interesting nevertheless, so see y'all when the 3rd season is out.

I have a shit load of stuff to say on addition, but this post is long enough in it self, so maybe later.

[vernal-witch]

Have you ever read the fancomic "tale of two rulers"? If you have, what do you think of their version of Vaati?

Oh. Oh, I am very sorry for how long this message is about to be, but I've been waiting for an excuse to talk about this. To be completely honest, I'm sick of fanworks that focus only on Vaati's characterization in two small scenes from Four Swords/Four Swords Adventures when Minish Cap is RIGHT THERE and has infinitely more potential for compelling character work. He actually HAS a character in Minish Cap, whereas Four Swords is a glorified tech demo where the Only story is one scene where he kidnaps Zelda to be his bride. And Four Swords Adventures has a story about him kidnapping maidens to sleep with in its intro cutscene-- but it never comes up again after that-- and is heavily implied to be a legend that is not accurate to what was really happening, because you see for yourself that he's Really kidnapping the maidens because they're sages who give Link the power to defeat him. He doesn't even have any dialogue in that game; he's used no differently than any other boss monster. Aside from using his human design from Minish Cap, a lot of these fanworks choose to completely ignore his characterization from that game/manga, even though they have HOURS of content that is SO much more interesting than "evil wizard wants to fuck Zelda". He's clearly an emotional abuse victim at the hands of Ezlo, and has been so ever since he was the same age as Link. He's out on his own for the first time in a world that's literally stepped on him his whole life-- as a late teenager at the absolute oldest-- with godlike power in his hands after a life of being completely powerless. That's why he's so obsessed with the idea of perfecting himself; Ezlo drilled it into him that he had to become a perfect sorcerer, so that's what he's going to do. But he's a KID; he's angry, he's impulsive, he lashes out when someone crosses him even if it wasn't really their fault, and he has breakdowns when things don't go his way. When his first plan to get the Light Force doesn't work, he straight up does not know what to do, and spends the whole game trying to course-correct his mistake and making it SEEM like he knows what he's doing to keep himself from giving up. He clings so desperately to his goal and to his powers because he doesn't want to be controlled by anyone like Ezlo ever again. He'd rather be a monster than a rat in a cage. Tale of Two Rulers-- and other fanworks like it-- could do SO MUCH with that in conjunction with Vaati having been used as a puppet by Ganondorf in Four Swords Adventures! How violated and furious he would feel that, after he finally broke free of his imprisonment after centuries-- probably still a late teenager since he was frozen in time that whole time-- he's right back where he started with being taken advantage of by an older more powerful wizard! What would drive him to willingly work with someone who did that to him? But no, instead we get "he's horny and tries to sleep with every woman he meets". There's nothing WRONG with writing him like that-- people can do whatever they want so long as it's not hurting anyone-- but it's just ALL I SEE from most Vaati fans, and has been ever since the old days on 2012 deviantart. I wish I had the energy and time to do a fanwork myself, because I want so badly for there to be one that does Vaati justice re: his portrayal in Minish Cap. But I just don't have it in me to commit to a project like that when I've got my own videogame to worry about.

[thetobiroppofan]

one piece rant #4 (i think): the tobiroppo and why i love tjem

one day im going to be famous and whether it be for murder or a simple delusion in my mind it WILL happen one day trust me on this those who read this post. anyways i talk like my business is everyone elses deal cause it IS i mean im posting this to STRANGERS!!! ON THE INTERNET!!! i dont CARE if im judged its the INTERNET. i am THE internet gremlin. ohmygod shoot me for that i change my mind.

anyways this isnt what this post is about (pro tip: if you think youre funny write a script and go animate something i estimate soon we'll be needing the next batch of funny animated youtubers soon like jaiden animations and does anyone remember that one guy with the demon horns?? i think his name was adam smth i used to watch his videos religiously)

I love the tobiroppo if you couldnt tell by my cool awesome username. the tobiroppo are AWESOME. BEST villain group in one piece i dont CARE what anyone says. NO!! I AM NOT INCLUDING KAIDO OR HIS ALL STARS IN THIS. JUST THE TOBIROPPO.

LOOK AT THEM!!! THEYRE AWESOME!!! I LOVE THE TOBIROPPO. I MEAN IT WHEN I SAY IF I HAD THE CHANCE TO MEET THE TOBIROPPO AND THE ONLY WAY TO DO IT WAS THROUGH DYING I WOULD DIE!!!!!!!! LITERALY!!!!!!!!!!!!!!!! ID DEFINITELY BREAKDOWN UPON SEEING THEM SINCE THEYRE SCARY ASF AND ALSO THEYRE SO COOL!!!!!! BUT ITS SOO WORTH IT!!!!!! HEAVEN HELL BE DAMNED I LOVE THE TOBIROPPO!!!!!!!!!!!!!!!!!

one day im gonna travel to japan and find eiichiro oda and stalk him until he breaks down and i force him to tell me EVERYTHING about the tobiroppo from all their dynamics with the other members to their least favorite food!! (ALL JOKES!!! I AM NOT GOING TO STALK ODA!!!)

anyways if i had to rank my favorite members to least favorite itd go in an order like this: 1. ULTI MY GOAT!!!!!!!!!!!!

2. BLACK MARIA MY QUEEN!!!!!!!!!!!!

3. PAGE ONE MY MOODY NERDY TEENAGE BOYMAN!!!!!!!!!!!!

4. SASAKI!!!!!!!!!! THE HOT ONE!!!!!!!!!!!!!!!!!!!!!!

5. The racist.

6. X-Drake. (i like him but not as a tobiroppo member he knows his place.)

who's who would be higher than 5 but i am a die hard jinbe fan (i say with the only piece of merch i have of him being a funko figure that holds my house keys) and that fishman racism was NOT!!!!!!!!!! cute.

sasaki shouldve gotten more screentime he was sooo fine i love you sasaki mwa

page one is LITERALLY!!!!!!!! me core (not really but let me be insane oh my GOD!!!!!!!!!!!!!!) also i LOVE that one hc i saw one time where he has a special interest for dinosaurs like thats so real ily page one

black maria is THE cuntiest member of the tobiroppo. like have you SEEN her in the anime AUGH!!!!! THE THINGS ID DO FOR HER!!!!!!!!!!!! SHE IS THE GIRLBOSS!!! MOTHER IS MOTHERING!!!!!! CURNTY!!! SINJIN DROWNING!!!!!!!!!!!!!!!!!

ULTI IS MY ALL-TIME FAVORITE THOUGH!!!!!! SHE IS THE TOBIROPPO MEMBER.

THIS SCREENSHOT OF HER IS SO CUTE I LOVE HOW TOEI DREW HER HAIR. ULTIS DESIGN IS ULTIMATELY ONE OF MY FAVORITES FROM THE SERIES ENTIRELY. I LOVE HOW COLORFUL HER HAIR IS AND HOW SHE LOOKS SO CUTE IN HER OUTFIT!!!!!!!! I LOVE HER HAIR TEXTURE AND HOW SHE HAS A CUTE LITTLE AHOGE AnD I LOVE HER LITTLE FLOWER MASK.

ODA!!!!!!!!!

DROP MORE ULTI CONTENT AND MY LIFE IS YOURS.

phew!! sorry gangalang (i say as a 15 year old white boy) i got carried away there. anyways when ulti dies so will i its me and her for LIFE.

i know the tobiroppo members either died or got arrested but in my head theyre living the same reality as the baroque works agents did because im insane over the tobiroppo.

I actually dont even know when this obsession started??? it mightve been when i started one piece which was like a year ago during july '23 (which oh my god?? a year's passed already since last year?? what the FUCK????)

but when i saw the tobiroppo (More specifically, sasaki, he started my obsession) a neuron activated in my brain and ive been OBSESSED with the tobiroppo (and one piece 'by extension' i argue despite having two large one piece posters, like 4 figures, and a stupid ugly law plushie right where i lay my head to sleep. sigh. he terrifies me, the buttsnatcher.)

i think originally my favorite member was sasaki, since i found that greenhaired fishman IRRESTISITIBLE (idk how to spell that word im a bit stupid) and then like idk the rest i dont actually rank my favorites tbh which i really should do in retrospect but its stressful when i have mixed opinions

anyways

i love the height differences between the members its so stupid and funny teehees

Also i need to be honest to you people of the internet but i cant be the only one who thinks page one's mask and hair and hat is like 2020 core

it isnt BAD i think he pulls it off its just when i saw him for the first time i thought "girl 2020 called they want their get up back"

he looks cute though i think he works it yasssssssssssss queen erm give them that nonbinary 2020 dsmp core!!

(I support all lifestyles and I am trans myself, please do not cancel me.)

on another topic i think page one autism hcs are real since like one thing and one thing only: his sit

I love him dont get me wrong, but it is hard to believe that hes any form of neurotypical with this sit. ankles crossed n everything. like my guy has GOT to get that autism diagnosis oh my god.

on another note there is a fly at the foot of my bed and i am going to have a mini heart attack i hate flies so much oh my god tumblr pleease send guns and cannons

i think id die to know the dynamics between ANY of the tobiroppo members outside of page one and ulti because i wonder if any of them were close friends. like

i wonder if they were like some form of friends??? also does EVERY tobiroppo member have some form of tattoo on their torso??

also while writing that i thought "wait a minute"

wake up babe new hc dropped: page one got inspired by who's who to have a chest tattoo of his name when he first joined.

ok thats it honestly i dont have anything else to say this was just a divulgence in my own taste tonight through yapping about nothing specific and just the tobiroppo in general. i really love the tobiroppo genuinely and after this i might make a list of my top 10 favorite one piece characters in general since itd be fun. ok bye gangalang

this is THE tobiroppo fan getting off and remember: i am the tobiroppo's fan trust me on this i love the tobiroppo so much if you see someone claiming to be a bigger fan than me tell me ill follow them back to their house and violently mutilate them (joking! i love you my fellow tobiroppo fans!)

AAAAAAAAAAAAAAAAAAAAAAAAAAAAA

youngsheldonfan9992

[royalbilliards]

Now that you’re done, what are your thoughts on our fav failking Maruki?

So I’ve been sitting on this question a while. I didn’t know how to really express my opinions properly that weren’t in the usual comedic tone I pick up when I talk about the things I love, but I really wanted to answer this question wholeheartedly, so here we are!

Firstly, I need to get my actual thoughts about Persona 5 Royal out of the way, because I love this game. I truly and completely love this game, and it’s knocked BOTW out of the number one placement spot for my favourite game of all time. Everything from the characters, story, music, even the UI design have me absolutely floored, and I genuinely cannot think of a game I could say tops it for me. I listen to the soundtrack daily, and constantly think about the game when I can. I have so many complex thoughts about the game I could talk about here, but since this is just about my opinions on Maruki, I’ll keep those to myself.

Moving on, Maruki is, I feel, one of my favourite characters of all time. He’s so interesting and well-written, his motives make sense, and for the audience it’s sympathetic. We understand why he’s doing what he does, even if it’s wrong. He cares a lot about people, but he cares too much, and it’s his downfall. He wants to make everyone happy, and it’s just impossible. He can’t live knowing someone would be slightly upset. He worked for multiple years to create his perfect reality, presumably trying to figure out a way to help everyone he could, when the opportunity to help everyone landed right in his lap. This was the most important thing to him, and it’s admirable as it is stupid. The loss of that desire, the loss of that ability to help everyone he could, his failed reality and the fact that no matter how hard he tried, he still couldn’t succeed did a massive number on his mental state. Though, I feel as though he mostly survived on his need to help people rather than any positive mental state for a while. I mean, the second he loses that desire, loses years of work and watches as it crumbles and shatters around him, he fully gives up and tries to kill himself (something which Ren was in no way shape or form going to allow). His love for people is what drove him, and his love for people almost drove him to his death.

I feel like a lot of people misunderstand Maruki and what he was meant to represent, He's not one of those “rotten adults.'' He's a broken and hurt man who hadn’t been allowed to express his emotions, and suffered hit after hit (his studies being cut short, his lab being turned into a stadium, his fiancé having a mental breakdown and going catatonic) and tried to fight his emotions by helping other people instead of focusing oh himself. Hence him becoming a therapist and trying to help other people out with their problems as opposed to focusing on his own.

I’ve realised people tend to get angry at Maruki because he was a twist villain. They trusted him and he turned out to be the last boss of the game, and whilst this is understandable, it’s also fucking stupid to stay mad. Characters like this tend to get a lot of shit treatment and I’ve seen people complain multiple times about games having obvious villains, only to complain and get genuinely angry when a twist villain is revealed to be a character they got attached to or trusted. (An example of this is Volo from Legends: Arceus.) Maruki is very much one of these. People are allowed to feel how they want, however these communities of people are so loud, and it makes it hard to find accurate and earnest portrayals of the characters. Instead, what's more prevalent is an insane twisting of the truth people do to justify their anger, or portrayals present in order to have a “villain” for fan content. They do this without realising that the point is that anyone can mess up, and Maruki isn’t a villain for what he did.

To me, Maruki represents guilt and trying to catch an elusive “happy ending." The story of the game is riddled with tragedy and it mostly sticks to its guns about keeping these tragedies permanent. The characters wouldn’t be who they were without the sadness that’s befallen them. The reality Maruki tried to make (and what a lot of people who try to “fix” the canon of a story) made no sense for the characterisation of the characters or who they became as a person because the reasons were erased. There is no happy ending to Persona 5, there is no way to fix everything, and I feel a lot of people may have seen Maruki as an attack on this. It’s okay to feel sad about how something ended, but sometimes you just gotta accept it.

This has gotten pretty wordy, and it’s just a long winded way to say that my opinions on Maruki haven’t changed all that much, other than those 4 hours I spent on merciless trying to beat his fucking fight and getting more and more wound up each time I fucking failed. Anyways, the point is I love him, I love the game, and if anyone is meanies to him again I’ll fucking kill them all with my autism laser beams.

[heretic-altias]

FFXIVWrite Day 16 - Jerk

Altais is very self aware that she is in fact, a jerk, lol. Yet somehow she still makes friends. This takes place at some point during Heavensward, as Altais spent that expac learning mch.

Don’t know my characters? Here’s a basic breakdown to help you out!

~

Ishgard’s ever freezing climate was not pleasant to an Au Ra. Altais’s scales frequently felt like ice against her skin.

It had originally been the simple warmth emitting from the manufactory that had driven her to see what Stephanivien had wanted. And maybe one could argue that had brought her back the next couple of times. But as Solar’s time in Ishgard went on, she found herself enjoying the work there. Designing and building weapons was a way to grow stronger, and she had a good mind for the magitek engineering involved.

Stephanivien was also the only Ishgardian who acted so friendly towards her. Sure, there were a couple of people who acted friends towards the Scions and Solar as a whole, but Altais had always felt those people tolerated her at best. She was not a kind person, and had never learned a lot of social niceties. She usually came across as blunt and rude, whether it was intentional or not. Combine that with a general mistrust of people, and you had a woman who was very difficult to befriend. Most people backed off fairly quickly. Ishgardians in particular with their general dislike of anything scaled.

So Altais didn’t quite get why she was wanted in the manufactory. She knew Stephanivien wasn’t like the typical Ishgardian noble in regards to origin, he would recruit anyone willing to spend time there. But how had she not scared him off with her demeanor like most others? He didn’t even avoid her while she worked, he would often stop to ask how it was going, or work on his own project nearby to make small talk. Altais could understand her talent being wanted, she had picked up on the craft faster than anyone else, but why did he value her company?

One day, tinkering with her newest weapon, she decided to ask.

“Why do you like being around me anyway?”

“Why would you ask such a thing? Do you have reason to doubt my intentions?” Stephanivien questioned curiously, stopping what he was working on to give her his full attention.

“I doubt everyone’s intentions to a degree, but you’re not exceptional there. Most people don’t like my company though. I’m not exactly friendly. Some people have told me I’m outright mean. Not that it matters to me, I am what I am, but you’ve been the odd exception in this city. Solar likes me, but what we have is something… different” Altais shrugged.

Solar was the group of people she constantly faced life and death consequences with. They knew she could fight alongside them and had seen that she would. That wasn’t an experience anyone else shared with her. It was hard to put into words exactly what, but that had built a special sort of bond between them. One even Altais could recognize.

“Well you and I share this interest in machinistry. That’s enough to start a conversation in itself I daresay. I try to talk with everyone here, but you keep up with my theories better than anyone else. You don’t share much about yourself, but when we work together I see a bright mind behind that harsh exterior that I’d like to get to know more” Stephanivien thought aloud, seeming to consider his words carefully.

“I’m not really sure what it is you think you see. I’m not a very good person and I come across exactly as I am” Altais answered back.

“Ah, but you’re not a bad person. ‘Good’ and ‘kind’ are not always connected. You may not be kind my friend, but I can assure you that you are good. Do you think I would have seen the potential I did in you if you weren’t?”

Altais had her doubts. She could see what he meant, this city was full of outwardly kind people who were rotten to the core. But just following some heroic types around didn’t make her good like they were.

“I don’t think I’ll ever understand your persistence in befriending me” Altais finally decided with a shake of her head.

Maybe someday she would. But she’d said pretty much the same thing to Akku early on, and while she liked him and considered him a friend now, she still didn’t understand his persistent attempts at friendship in face of her attempts to brush him away.

“You might just need more time to grow used to it. But if there is anything I can do to make you feel more comfortable here, be sure to tell me. I would hate for you not to return” Stephanivien insisted.

Altais turned away from her own work to glance at the project behind him.

“Well that gun certainly isn’t capable of shooting me in the back, so I think I’m safe for the moment” she pointed out.

Stephanivien feigned hurt, “You wound me! Worry not though! She’ll shoot perfectly well once I finish putting her together! But I believe the targets we have set up would be more suitable for testing than your back”

“Using those would come with less regret too I’d imagine. The targets don’t shoot back”

Stephanivien laughed, and while Altais’s face didn’t change, a slight upward lift in her tail gave away her amusement to those who knew to recognize it.

Altais didn’t have the answer to her question in the end, but she also didn’t have a reason to stop coming back.

[rnelodyy]

So I saw this tweet today, and I think the question this person poses is actually a very interesting jumping off point for analysis. I absolutely refuse to make a 100 tweet long thread about this though, so here I am, typing out my thoughts on a platform without a character limit.

(this is all /dsmp /rp, unless otherwise specified all names refer to characters, not content creators)

I wanna start off by saying that I am NOT what I would describe as a “Dream anti/hater.” I’m a MASSIVE enthusiast, he’s easily one of my favorite villains in any piece of media I’ve ever consumed, precisely because he is a smug, over-the-top asshole who will stop at absolutely nothing to get his way. It’s incredibly fun to see his antics in action, and immensely satisfying when he finally gets his comeuppance.

I’m going to first delve into the second question: what makes Dream different from other villains in other pieces of media?

Well, he’s not, not really. The way he acts and carries out his plans is unique to his character of course, but the role he fills in the narrative and the way he plays that role is a pretty common archetype, though one that has fallen a bit out of use as of late.

Dream is a Pure Evil Villain.

The video I’ve linked goes into WAY more depth, but the basics of the PEV archetype is that they:

Have no backstory (at least not one that’s relevant to the plot).

Have very simplistic goals (i.e. taking over the world, retribution for perceived slights, or just wreaking indiscriminate havoc).

Have motivations that are purely self-serving, and they’re having a lot of fun carrying them out. (That said, some PEVs had complex motivations once upon a time and may have been full-on good guys, but have long lost sight of their original goal.)

Have an unwavering sense of self-confidence, and a MASSIVE ego.

End their stories with a third-act breakdown (or as TvTropes refers to it, a Villainous Breakdown, which is a term I’m gonna keep using here because DSMP doesn’t have a three-act structure), where they crash and burn in spectacular fashion as the hero finally comes out on top.

Dream ticks ALL of these boxes.

He has no backstory or even a point of view, and even if he got one, it wouldn’t change much about how we perceive his character. We can glean his goals, motives and personality pretty well from his interactions with the people around him.

His goal is literally just “control the entire server through any means necessary,” which is why he goes to such lengths to crush his political rivals, break Tommy’s defiance against him, and create a giant fuckoff prison to throw major threats into.

He’s stated multiple times that he enjoyed watching L’Manburg get destroyed, was laughing and telling Lazar “this is the best part” while destroying Tommy’s armor in exile, and tells Tommy and Tubbo he’s “playing with [his] food, that’s the fun in it” after they lose the initial battle of the Final Disc War.

He’s nothing BUT self-confident. I cannot remember a single moment where he doubts himself or has a moment of introspection, and an insult I’ve never heard Tommy use for anyone except Dream is “egotistical bastard.”

His villainous breakdown happened at the end of the Final Disc War, when he was suddenly made powerless, none of his manipulation tactics worked anymore and Tommy was actively beating him to death. He ended up huddling in a corner, begging and bargaining for his life, before being thrown into his own prison.

(Sidenote ‘cause I know it’s gonna get brought up. Dream has claimed he just wants the server to be a happy family twice, but the context of the scenes make it obvious that you’re not supposed to take that line at face value.

The first time he said it, he was talking to Punz, his only ally at the time, while standing in front of the prison he commissioned, helped design and helped build. During that same conversation, he claimed the prison was only for the most dangerous people on the server… but also that it had twenty cells, and a main cell that could fit multiple people, when the server’s population at the time was about thirty. This conversation also took place right after Tommy ran away from exile, meaning Dream was saying this knowing he’d abused and wanted to continue abusing a sixteen year-old boy to the point where he attempted literal suicide.

The second time, he was talking to Tommy in prison, right after Tommy told him he wouldn’t be visiting him anymore, and Dream was desperately trying to change his mind by claiming he could change as a person if Tommy kept up his visits. Tommy’s response says it better than I could.

Dream’s actions speak louder than his words. He can claim he just wants a happy family, but when he’s cut off, abused, kidnapped, killed, tormented and blackmailed the people he’s supposed to care about into compliance, it becomes pretty obvious that if you don’t fit into HIS image of a happy family, you need to be locked up in a tiny box or dumped on a remote island and beaten until you’re so broken you will just do whatever he tells you to without question.)

Now, if you have a shitty literature teacher, they’ll tell you that villains NEED to be morally grey, have complex motivations and a chance at redemption, otherwise it’s bad writing. However, that’s not true. Some of the most iconic villains of pop culture are PEVs, like Bill Cipher, or Megatron, or Moriarty, or literally any classic Disney villain. It’s not bad writing, it’s just not fashionable right now. Just because other villains in the narrative ARE morally grey, doesn’t mean Dream needs to be.

It’s also become popular nowadays to have a PEV AND a sympathetic, redeemable villain working together, most often with the sympathetic villain serving under the PEV. Zuko is sympathetic and redeemable, Ozai is the PEV. Gideon Gleeful is sympathetic and redeemable, Bill Cipher is the PEV. Catra is sympathetic and redeemable, Hordak is the PEV. Nebula is sympathetic and redeemable, Thanos is the PEV.

This allows writers to have the best of both worlds; it allows for the emotional journey and incredible character development that comes with a really good redemption arc, while also having the flair and pizazz and unbridled charisma and catharsis at seeing them crash and burn that comes with a PEV. Some writers try to have both in one character, but that rarely ever goes right (like how Thanos’s goal of wiping out half the universe is supposedly to prevent overpopulation while keeping biodiversity, yet he also killed all the dwarves and tortured Eitri for no reason).

Whenever Dream teams up with another villain, he’s ALWAYS taking the PEV role.

When he teamed up with Wilbur for November 16th, Wilbur acted the way he did because he was mentally ill, suicidal and severely paranoid, convinced nobody wanted or needed him, that everyone secretly hated him, that betrayal was just around the corner, and that he was the villain of his own story. He destroyed his own creation in a fit of anguish, before committing suicide by proxy. While his behavior is largely unchanged after his revival, it’s clear he is still in a lot of pain, and there is a lot of setup for a redemption arc for him. Dream, meanwhile, fought on Schlatt’s side, egged Techno on through whispers as Tubbo was being sworn in, screamed the loudest “YES” I’ve ever heard when the TNT went off, then proceeded to place more TNT and attack everything in sight while Techno went on his rampage. When everything was said and done, he even ran over to Tommy’s house and blew that up too for good measure.

When Dream teamed up with Techno and Philza during Doomsday, Philza was clearly convinced L’Manburg was the cause of all the pain on the server and that destroying it would be the right thing to do, and used its destruction as an outlet for the grief he carried over the death of his son. While his target was misplaced, you can see how he came to the conclusions he did, and how his own biases, prejudices and boomer-ish “I am older and have more experiences therefore I’m always right” attitude cloud his judgement. Dream, meanwhile, outright admitted that he decided to destroy L’Manburg instead of burning the discs because it was just more fun that way, and said some DISGUSTINGLY creepy things to Tommy on the grid. We also know that, after Techno and Phil already left, Dream stayed behind and rained TNT down for days.

(I didn’t mention Techno here because I would argue that, in the context of Doomsday, Techno also classifies as a PEV. That’s a discussion for another time though.)

The Final Disc war, in my opinion, PERFECTLY illustrates Dream’s pure evilness. He describes himself and his actions as evil multiple times, acts completely in his own self-interest, is MASSIVELY overconfident until he’s thwarted by Punz and co, and he is, of course, having an absolute BLAST with his reprehensible actions.

Which leads me into the other question: what makes him irredeemable?

PEVs are irredeemable pretty much by definition. The combination of selfish motives, massive ego and lack of introspection makes for a character that’s EXTREMELY allergic to character development, and character development is pretty much the point of a redemption arc. It’s a MASSIVE shift in a character’s goals, ideals, morals and sometimes personality, brought on by massive amounts of introspection and self-doubt, and that’s just not something a self-assured, egotistical person who KNOWS their goals are selfish and evil and enjoys it would ever really do.

The only PEV I’ve ever seen get something resembling a redemption arc is Hordak from the She-Ra reboot.

(SPOILERS)

In season 3, Hordak meets Entrapta, a princess working for the Horde with a scientific mind just like his. As he bonds with and gets romantic feelings for Entrapta, he slowly starts to open up to her about his past, his struggles with his physical health, and how he just wants the approval of Horde Prime. When Prime eventually arrives however, his achievements are waved off, he’s deemed defective due to his physical illness, and has his memories erased. He’s eventually used as a replacement body by Prime, before openly defying Prime and hurling him off a cliff.

Thing is though, it’s not a redemption arc in that he’s instantly forgiven, or even that he’s a good person now. The princesses (sans Entrapta) look visibly uncomfortable or afraid of him, and Mermista even outright asks if anyone is gonna say something about Hordak being there during the big end-of-series celebration. Hordak defied Prime, but he’s not automatically a good guy, nor is he treated as one.

(END OF SPOILERS)

The most important point is: as soon as Hordak enters his redemption arc, he stops being a PEV. His backstory is suddenly integral to his character, his self-confidence turns out to be a farce, and while his motives are still self-serving, they’re much more complex than the generic take-over-the-world villain he was before. A redeemable PEV can’t exist, because as soon as they start redeeming themselves, they cannot continue being pure evil.

Dream has shown to be completely allergic to character development. No bargain with him has ever worked to his detriment, nobody can reason with him because he’s so set in his own ways, and he has never shown any kind of remorse for his own actions. The only person he’s ever apologized to is Tommy, and you can tell from his tone and the way he refuses to even mention specific events that he’s sorry for that it’s purely performative. Any redemption arc NEEDS to start with a villain examining themselves, or feeling remorse for their actions, or questioning their position. Dream never does that, HAS never done that, and it’s looking like he never will.

However, if you’re looking at specific actions that make him irredeemable, there’s one event that pushes him over the edge.

Because sure, some villains have tortured people, have killed people, have committed acts of terrorism, and still received redemption arcs (though there’s usually some level of coercion involved so they cannot be held 100% responsible, like they were brainwashed or acting on someone else’s orders).

There is, however, a line. TvTropes refers to this line as the Moral Event Horizon, as like with the event horizon of a black hole, once you pass it, there is no going back. Where that line is is kind of subjective, it depends on the narrative weight placed on the event, the cultural standards of the audience, and in part, the personal opinion of the viewer.

But I don’t think it’s a controversial statement to say that Dream passed the Moral Event Horizon with Tommy’s exile.

I don’t know if you’ve watched exile live, but as someone who has, I can tell you that it was fucking GRIM. People had to stop watching the streams entirely or wait for people to post trigger warnings and summaries on Twitter and Tumblr before watching the VOD, because it was legitimately triggering to some. AO3 was full of fics of Tommy being pulled out of Logstedshire by other people on the server (mostly Techno and Phil) a trembling, traumatized husk of his former self, and those were the OPTIMISTIC ones. There were jokes about Tommy’s chat getting traumatized with him, as they were constantly telling him to run, get away from Dream and hide his armor, and whenever “Dream joined the game” appeared in chat, everyone’s stomachs collectively DROPPED. The general mood in the fanbase was one of helpless panic and terror as we watched this kid be slowly destroyed in front of our eyes through physical, emotional and psychological abuse, gaslighting, and isolation. Hell, exile is the event that sparked the creation of the c!, cc!, /dsmp and /rp tags, because people didn’t want sentences like “what Dream is doing to Tommy is abuse, this is actually horrific” to make it to the wider internet without any kind of context.

Exile is one of the most narratively heavy events on the server. It changed Tommy and Dream’s relationship status from “friendly rivals” to “abuser and victim,” and completely destroyed any sense of friendship they had left after November 16th. It’s permanently scarred Tommy to the point where even now, nine whole months later, he still has self-esteem issues, depressive episodes, flashbacks, panic attacks, suicidal thoughts, and a pervasive fear of Dream breaking out of prison. It’s one of the most realistic portrayals of abuse and trauma in fiction I’ve ever seen, and it is HARD to rewatch.

But most importantly, the vast majority of people who thought Dream was in the right at the time dropped that IMMEDIATELY as soon as it became apparent what exile was REALLY about. I have a friend who was a huge sympathiser/apologist for L’Manburg and Pogtopia era Dream, but who refuses to even CONSIDER defending anything related to exile. The points about exile not being that bad, Tommy deserving it, or Dream trying to help him somehow didn’t start cropping up until MONTHS after exile ended, when memories of the events had been warped by time, fanon had blended with canon, and the horrific details had faded in most people’s minds.

There are very few outright abusive characters who have gotten redemption arcs, and those arcs are often reviled by fans. Abuse, child abuse especially, is one of those actions that make you completely irredeemable as a villain, like torturing someone purely for fun, or killing babies, or kicking dogs. Ozai’s establishing character moment is a flashback where he burns his son’s face off and exiles him for speaking out of turn, and the show makes it clear you’re not supposed to see that as anything EXCEPT revolting.

There is nothing Dream’s POV could show us that would make what he did to Tommy acceptable. There’s nothing he could say or do that would make exile okay. Exile is as low as he could morally go, and the fact that he not only has shown no remorse for it, but even seems to remember it fondly makes redemption impossible for him. What could he do that’s worse than exile? What would prompt him to feel any semblance of guilt or shame if exile didn’t spark it?

When you isolate and abuse a sixteen year-old boy, clearly have fun doing it, and feel not a single shred of guilt in the aftermath, you’re not gonna get a redemption arc, because that’s just not the kind of character you are at that point. Redemption arcs are reserved for sympathetic villains and fallen heroes, like Zuko, like Catra, like Wilbur. Even Hordak, who got a redemption arc, wasn’t an actual PEV in the end. He was a sympathetic villain in disguise, and as he shed the mask of pure evil and got some character development, the role of PEV was passed to Horde Prime.

The reason villains like Ursula, Maleficent, Bill Cipher, Cruella De Vil and Jafar are so fun to watch is precisely BECAUSE they’re unapologetically evil. The biggest criticism the live-action adaptations of Maleficent and Cruella received is that they strip that away from the characters to make them sympathetic and redeemable, and therefore - ironically - a lot more bland.

Dream’s pure evilness is what makes his character so much fun to watch. Giving him a redemption arc now not only wouldn’t make sense narratively speaking, it would actively strip away the aspects of his character that make him such a good villain! People don’t watch a PEV to see them grapple with their morality, they watch them to see them fuck shit up! A true PEV needs to be stripped of everything that makes them cool and interesting to their audience in order to even BEGIN thinking about redemption.

You can even see this happening in the way Dream is retroactively made to be more sympathetic by his apologists. There’s this running joke in a Discord server I’m in that Fanon!Dream is a fucking pussy, and that Canon!Dream would wipe the fucking floor with him, and I can’t help but agree.

There’s an idea going around that Wilbur manipulated Dream into becoming evil, that he constantly called Dream a tyrant and a dictator, and that Dream was so upset by this that he started the L’Manburg War. Except, not only does this have no basis in canon, it kinda makes Dream look pathetic, doesn’t it? Canon!Dream is a tyrannical control freak who saw some people make an area where his rules didn’t apply and decided to beat it into the ground to once again rule undisputed, not caring who he hurt or killed in the process. Fanon!Dream started a whole war because Some Guy he’d canonically talked to maybe twice and his annoying brother called him mean names.

There’s also the idea that exile needed to happen, because Dream saw that Tommy was such a destructive asshole all the time that he posed a massive threat to the server. Except… Tommy is absolutely not the most destructive person on the server. He’s loud and annoying, sure, and he could be destructive, especially in the early days where he often vandalized people’s stuff for fun. But… it never got worse than that. Was a teenager swearing at people and doing petty vandalism really such a massive threat to the server’s apparently paper-thin integrity that he needed to be taken away for everyone else’s safety? Or was it the fact that Tommy constantly called Dream out on his bullshit, refused to concede to his terms, questioned his authority, and encouraged other people to do the same?

Making Dream heroic also warps every single character around him, making them all unreasonably cruel to Dream specifically. Wilbur made him a villain for Reasons and was always a controlling chessmaster manipulating everyone around him (honestly it’s like their entire personalities switched places here). Tommy is a rabid animal only capable of destruction who needs to be kept on a leash for everyone else’s safety. L’Manburg is a xenophobic, colonialist, other buzzword empire. Sapnap and George left him because they’re bad friends, and not because he continually betrays them, uses them, disregards their wishes completely, and does nothing to refute Sapnap’s claim that he doesn’t care about them. He doesn’t deserve to be in prison, despite the fact that he murdered a bunch of people, abused a child, committed multiple acts of terrorism, and got caught red handed trying to murder a defenseless teenager while his friend watched and having a vault with everyone’s most valued possessions for blackmail purposes. Oh and did I mention the Skeppy cage?

A redemption arc for Dream would not only open up some really uncomfortable cans of worms (like Tommy suddenly being expected by fans and other characters to forgive and be nice to the man who made his life a living hell for months), it would be an active detriment to his character, because it strips away everything that makes him interesting in the first place.

If you want to watch a complex character going through a slow, painful redemption, go follow Wilbur’s storyline. If you want to watch a morally good man get beaten down by the world over and over again until he’s willing to go to even the most heinous lengths to secure his own safety and happiness, Quackity is right there. Let Dream be the guy who fucks shit up without remorse. Wilbur and Quackity can handle the emotional conflict and slow, painful spirals and roads to recovery, Dream can give us the explosions and villain speeches and the stomach-dropping terror whenever he appears on screen.

Anyway that’s my hot take, thank you for coming to my TED talk.

[crymeariveronceagain]

River's Thoughts after reading Lodestar again:

Wow did this book rip your brain out and stab it

also i highkey had a mini breakdown in the middle of this book, took a break and read a comfort book, and then went back to reading it today. So like. Yeah, progress?

Literally this has been the most sophitz up to this point and do you know what? Keefe is still a better love interest. I could write an essay on how Shannon is making us want Sokeefe unconsciously. Everything she does, every good moment we get with Fitz, it is always overshadowed with a love for Keefe. Shannon is making us think about Keefe at every single moment of this book. And it's like she specifically doesn't want us to focus on Fitz's newfound feelings for Soph.

I'm not afraid to say it. Sophie Foster loves Keefe. So much. It's apparent in every way she interacts with him. It's obvious in every way she comforts, every way she screams, every way her heart is caught up in him and his wellbeing and him him him him him. Sure, it's not the healthiest atm, what with the world falling to pieces and the trauma both of them are steadily living through, but holy mother trucker like a butcheek on a stick do those two love each other. Keefe is literally willing to do absolutely anything and everything for her, at the cost of himself, and she is willing to do anything and everything to protect him. My stars. These idiots got a whole fandom of middle schoolers up in arms over what was obvious from book five. They love each other, madly, desperately, and hopelessly. And sooner or later, they're gonna have to look each other in the eyes and face that fact.

my copy of lodestar is falling apart

i'd like to take a moment to tell my ex that he can go screw himself because that's not how you treat a lady's books.

Screw you, PJM. You know who you are, asshat.

Mr. Forkle went straight back to dehumanizing Sophie. Like, he took a break from it in Neverseen, but in this book, she is a weapon, a creation, a project, everything in between. No one thinks she's real. She's just a piece of a greater plan. And Mr. Forkle does not shy away from telling her so. At the end of the book, during the Summit, he has the actual gall to act like she's taken control of herself like, no, idiot, you raised her like this. You created this. You made this. You designed this. You may not be pulling the strings anymore but this little girl was still designed to be your puppet.

Gethen is the best Neverseen Member, I love every scene with him in it, thank you for coming to my Ted Talk, I'll be here all weekend.

Brant is... so very. Much. All of the time.

Oh, my stars, I have so many problems with the Enhancing ability you don't even understand. Like, literally, strip her freedom away more why don'tcha. This was just an asinine move in every way. Don't give your weapon something like this. Don't design her this way. Don't be an idiot, sure, she may be an asset to you, now, but she's an asset to everyone else, around her. Like, once anyone knows that she's got this power, it's game over. They literally just capture her and force her to hold their hands like she's some kind of toy. Battle won instantaneously.

Oh, Sokeefe, how I love thee, let me count the quotes I've underlined with such captions as "t h e m".

I tried there's too many.

Okay, but the thing is that Linh literally throws herself backwards when she finds out Sophie's an enhancer. Linh's terrified of this new ability. Grady hates it. Like, does no one else see the downfall of making Sophie dangerous to the touch? Like, this poor girl is already so affection-starved, we're just gonna take it all from her???

EDALINE!!!!!! SO AMAZING!!! I'D KILL AND DIE FOR HER!!!! LOOK AT MY MOMMA BEAR GO AT THE END OF THIS BOOK SLAY QUEEN.

Keefe is just so traumatized. And everyone's like, "clearly, he's evil" and sophie is like "no, he's flipping traumatized" and everyone's like "what's trauma lmao" and sophie's like "im not a psychologist but i feel like it's when bad happens" and everyone's like "nah let's not take that into account" like what don't be idiots this is a kid without a support system not the evil spawn of satan

Actually Grady calling Keefe "That Boy" is disgusting, it's the first thing I've strongly disliked that Grady does, and I'm never going to be over how quickly everyone in this fandom just took the nickname and decided it was a joke, instead of how Grady says that Keefe doesn't deserve to be referred to by a name at all, and says he'll have to earn his own name back. Like, ehe, no, Dad of mine, please be kind to the poor kid.

Grady was honestly pretty out of character in this book. I love the guy but jeepers someone tell him the separation between violence and the elven mind is imaginary and created by society and let him go batshit crazy on every single person in the lost cities who hurt his daughter, and also let him stick up for Keefe and see the similarities between Keefe and Jolie, doing dangerous things for the people they love, and all that.

if i have to hear one more thing about how the neverseen distract from the problem and the black swan doesn't im going to start hitting people(probably forkle)

council is so bloody fricked lmao there's no way they're making it out of this book series with any sort of governmental claim over actually literally anything

Oralie is so very Sophie's mom it's kind of startling to look back and see. Like, even Sophie expects Oralie to be her mom.

Okay, I'm sorry, but the way the Neverseen knew how everything was going to go down seems Deus Ex. Not even going to lie. I feel like it was something that Shannon needed to happen and so she just lined up the dominos. It feels very Deus Ex. Or, *coff coff* Neverseen Alden.

Oh, how I want to slap Gisela Sencen hard enough that her pea-sized brains rattle in her ginormous skull made out of her own ego.

I love how the fandom highkey forgets actively how much of a complete psycho Fintan is. Like, we all just see flamboyant arsonist and make grabby hands while canon Fintan is sitting in the corner talking to himself about blood and how pretty your skin is.

Y'know, I actually am beginning to think that Gisela would be the parent who would actually get around to hurting Keefe. I seriously think that Cassius wouldn't hurt his kid. Maybe if really angry, but not purposefully, or with intent to punish or harm. I think Gisela would. Like, if one of the two adults actually ever hit Keefe, ever actively used it as a punishment and did it more out of "this is the only way you'll learn" I honestly feel like it would be Gisela. Hmm. Time to write a fic about Keefe experiencing some severe physical pain and having no clue why. Or why he's flinching so bad at nothing when he can't remember anything coming at him like that. Because Gisela definitely gets his mind washed often.

"Did they just admit they're training us to kill" yes. They are. Get over it, Sophie. It's just a little violence. You went to exilium. You've got this handled.

Oh, my gosh, the way the Song parents makes me want to claw my skin off. That's just... that's so accurate as to how awful parents are around the public eye. They're just... good people, would never hurt their kids, so sad they've lost out on things, and yeah. Like, it's just something I never picked up on before. Tam and Linh are severely traumatized by their parents. And in the first scene you meet them, the Songs are nice people. Reasonable. Their children ran away. Don't you feel bad for them?

No, I sure the heck don't. <3

Fitz listens to his dad's secret conversations. No thoughts, just a comment.

Emperess Pernille and Oralie are best friends someone please write me a fic

Okay I have so many thoughts about the end of Lodestar i don't even think i want to write them in this post because it's just so very much to think about

i suppose i can try to summarize?

every other species(sans gnomes) commits murder under elven standards.

the summit was right to listen to Fintan Pyren.

The Council and The Black Swan do not listen to the Neverseen and try to fight them without knowing what they want, really.

Fintan says the problem is humans, but talks like they are really the solution, the catalyst, the final piece to the puzzle, the way to connect all the dots.

anyways this book screwed with my head and i equally never want to touch a volume again and immediately begin Nightfall just so i can kiss Keefe full on the mouth for existing in person again.

[difx-writes]

Wildest Dreams - In the Death of the Night

Masterlist

After turning 10 and losing her soulmate, Marinette would imagine how Damian Wayne would be.

Would he be tall or short? Did he have blond hair or brown or did he dyed it? Would he be shy or have a bold personality? Perhaps he was an artistic soul, a poet, a writer? Or would he be a baker like her parents? Why did his last name change?

The wonders and questions took over her mind for days with no end.

On good days, she imagined how he would interact with her friends, how her parents would take him in as their own son, how he would fit into her life.

She liked to talk to him, pretending there, alive, with her. She asked his opinion on what to wear, how she should do her hair, what colors with go well with the design. He was her voice of reason. Talking to "Damian" brought a smile to her face, even when she knew she was deluding herself.

On bad days, she pretended he was right there with her, comforting her, encouraging her, whispering that everything would be alright... Sometimes it worked and she felt better the next days but most times she felt bitter, she felt robbed of a future where he was in her life.

The realization that the person she was supposed to share her soul with was no longer alive, that his death was painful, gruesome, and... lonely... It always ended with her taking a few days to prevent a breakdown...

When she turned 13, Hawkmoth appeared and Marinette became Ladybug, the hero of Paris.

Soon after, Marinette stopped talking with "Damian", she couldn't afford to wonder about him anymore. She couldn't afford the bliss of her own delusions. She couldn't afford to let herself grief and fall pray to Hawkmoth's manipulation.

As she couldn't fail Paris and its citizens, Damian Wayne mostly disappeared from her life.

But there were days when her “friends” demanded a lot from her, akumas were too violent and draining and everything was just too much, those the godawful days.

On godawful days she wished Damian was there to take her away to a place she could feel she belonged. Away from everything to a place she could call a home.

_______

Most nights Damian recalls a voice talking to him during the time he was dead.

His soulmate, he supposed, talked to him regularly, she started her day asking his opinion on her outfit for the day, when at home she would tell him how her day went, what she did with her friends, what she learned in class, etc...

At first, Damian was pretty much annoyed that he couldn't "rest in peace" with all the noise pollution but after a few weeks, he slowly started to tolerate her talking to him.

Unfortunately, he couldn't talk to her nor see her very clearly so it was a pleasant surprise when Marinette would ask his opinion to make a decision, she always picked what he chooses.

Perhaps it was their bond that allowed her to know what he was thinking without actually hearing each other's thoughts. Or maybe they were more in sync with one another. Most likely it was pure luck on her part. (Him being dead is enough proof of how bad his luck was.)

In the months he was dead, Damian learned a grand lot Marinette. He liked how she made him feel he wasn't alone, like how her voice calmed him when he remembered the family he left behind in his death. Marinette was his only lighthouse in the vast void of the afterlife

_______

Impotent, despair, and hopeless.

That's how Damian felt every time Marinette had to relive his death. He hated it so much. She didn't deserve that and it broke his heart every damn time.

Why did he have to die? Why did it have to be in such a painful way? Why did she have to feel it on repeat over and over and over again? Was it a twisted way the universe tried to make them reunited? If they can't find each other in life, then they can be together in death? That isn't right!

But it always hurts more when she wakes up and talks to him. Wondering if he was happy and in peace, in wherever place he ended up.

He was there but she didn't know.

He felt sick.

After being revived, Damian felt an immense sense of loss. Sure, he was kinda happy to reunite with his family and grateful for being alive again, but he missed her.

It was difficult to readjust to being alive again, it was crystal clear that Damian Wayne wasn't okay. What hurts him the most was how her name turned into a scar on his wrist.

During the day paranoia settled in making him always on high alert, lashing out when it got too much for him.

In the night, he couldn't sleep properly as a feeling of unease latched onto his every nerve and when he did sleep, nightmares plagued him.

Damian tried to calm down in various ways, but ultimately it was Marinette's voice that soothed him and lulled him to sleep.

It quickly became a habit to replay their one-sided conversations as he tries to fall asleep.

He went over what Marinette Dupain-Cheng spoke to him time and time again as to engrave her voice in his mind. Unfortunately, her voice was fading away, every time he recalled it, he hear his own voice.

At least some memories remained, which was relieving for Damian, even when important ones like what language she spoke or the name of her school were completely wiped out.

He never told his family his experience while he was dead, he guesses Jason was the most likely to know about it but he never brought it up to anyone, so Damian did the same.

Now he was lying in bed, remembering about the time Marinette tried embroidery for the first time.

She started by searching up what she wanted it to be and after much talking, she chose a Robin, Damian smile at the eagerness he felt for her to chose it. It was a fun day, with her making comments here and there about the work, he wishes he could see it.

A knock woke him up of his thoughts, Alfred emerging from the door.

"Master Damian, I'm here to inform you a guest will be joining us for tomorrow's dinner."

"Whose guest?" He didn't really feel like dealing with new people.

"It's Master Jason's guest."

Damian groans, perhaps he could go visit Kent.

"It would be in your best interest to participate, Master Damian." Alfred gave him a look.

He sighed, definitely can't miss tomorrow or he'll have to face Pennyworth.

So, I've written another chapter while listening to a sad song on repeat :') I know it doesn’t really connect to the last chapter but I wasn’t feeling okay and didn’t know how to continue from where I left off.

I hope y’all enjoyed this and have a nice day!

P.S.: The taglist is temporarily closed as some tags aren't working. Again, I'm very sorry if I missed anyone. If you no longer want to be tagged please hit me up.

Taglist:

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