#if I loved this film less I might be able to talk about it more

[jimmyspades]

she looks like the real thing she tastes like the real thing my fake plastic love

[wait-this-isnt-itunes]

emma and mr knightley - a playlist

Features: Queen Bee - Johnny Flynn // For Emma - Bon Iver // If You Wanna Love Somebody - Tom Odell // Like A Star - Corinne Bailey Rae // Gold Rush - Taylor Swift // Green Light - Lorde // Kathy's Song - Simon & Garfunkel // True Blue - boygenius // Harvest Moon - Neil Young // Like Real People Do - Hozier // + more

[cauterisen]

very important to me that kimiko is a geek about martial arts movies/history and in fact, nerds out the first time she comes to the temple

[nervoussagittarius]

a vlog that’s pretty much just y/n’s day in the life

chris sturniolo x reader

summary: your boyfriend and his brothers film a day of their life, including their time with you. request

warning: fluffy, slightly suggestive (if you look hard enough), language

“wake up sleep heads,” nick said focusing the camera on yours and chris’s sleeping frames. “we’re filming our lives today and you guys need to get up.”

a slight groan could be heard from your boyfriend, but you made no efforts to acknowledge it. you were to focused on the deep sleep you were attempting to fall back into. “what nick?” chris’s voice had sleep prominent in it. his words made you more alert than before.

you picked your head up slightly but quickly threw it back down, loudly sighing at the light nick pointed at the two of you. you head came in contact with chris’s arm, slightly scaring him. “nick what the fuck are you doing kid. can’t you see she’s trying to sleep.” chris was less concerned about his own comfort then yours. he turned his body into you, blocking you from the light.

“can you two just get up and start yapping so this video is entertaining?”

“yea nick, just get the fuck out”

with nick leaving the room, chris started getting out of bed as well. becoming more coherent, you looked over at chris as he was picking both of your guys clothes off the floor from last night. “chris, get back in bed with me” you said to him giving him a slight smirk. he smiled at you before launching himself back in the bed.

the boys had a couple meetings that morning, so they picked up the camera again as you all were shopping for ingredients for dinner. since you volunteered to make them food it was the boys job to figure out everything you needed.

nick walked behind you, chris, and matt so he could film what the three of you were doing. matt pushed the cart as chris kept his death grip on your hand, pulling you with him and pointing out every interesting thing he saw. “look at the flowers, baby. do you want flowers? i’m gonna buy you flowers. what kind do you want?” chris dropped your hand walking away from you as he looked intently at the flowers trying to choose the prettiest ones. “you don’t need to buy me flowers” you had to raise your voice a little so he could hear you, but in response all you got was a little hand wave brushing your comment off.

nick turned the camera on you. “your boyfriend is like a child. he doesn’t listen.” you gave his a shrug and a laugh. “i think i have to have a talk with mary lou to see what went wrong with that one” you said pointing at chris, who was now walking back over to you three with two different bouquets of flowers.

“you referring to your amazing boyfriend, who’s buying you flowers might i add, as ‘that one’ is crazy.” chris found his place at your side. he handed you the flowers and pulled a piece of lint off of the fresh love hoodie of his that you were wearing. “i don’t know what you’re talking about, honey. also, i said you didn’t have to buy me flowers.” “exactly that why i’m buying you two.” he said kissing your forehead nodding in matt’s direction for you to start walking.

poor matt had been done most of the grocery shopping himself. none of you were paying enough attention to him, so when you got home to make dinner the ingredients were definitely a suprise. luckily you ended up with chicken and pasta so the rest came easily.

chris came up to you with the camera as you were cooking. “what are you making chef?” before you even got the chance to open your mouth and respond another comment was being made by chris. “vlog, look at how pretty my girlfriend is. she’s actually perfection” he put the camera on the counter so it was facing both of you. he grabbed your hand and pulled you away from the stove so you were in frame. “give them a spin ma. wearing my brand and everything”

you faked annoyance as you spun beside chris. not being able to keep a straight face for long you broke into laughter. when you returned to facing him he pulled you into a hug. he released your shoulders so he could hold your face him his hands. with your arms still around his waist, you leaned up to give him a small kiss.

matt came over to you guys, looked at you in disgust, and grabbed the camera off the counter. “sorry for you had to see that. chef matt is taking over because our original chef has become distracted.” matt tried to take your spot at the stove, but you weren’t going to allow it. “matt do not touch that you’re going to ruin it.” the bickering went on between you two for a while before realizing you could just work together.

that night, after eating and cleaning up the dishes, top golf was suggested by none other then chris sturniolo. his love for the activity was one that you’d never understand, but you went nonetheless.

a few rounds went by before you inevitably realized you’d never win against those three so you took over vlogging for them instead. the camera pointed at nick as he took his swing. “ohhh well that was definitely something.” you said from behind the camera. nick was far enough away that he couldn’t hear your comment, but you’d definitely get shit for it while he edited. the two boys to you left of a kick out of it though.

matt and chris broke out into laughter catching the attention of nick. “what are you two fuckers laughing about? try to do better.” he said, giving them attitude. you held back your laugh as nick sat to the right of you.

for entertainment purposes (and also to annoy him) you started narrating everything matt did. “and… matt sturniolo picks up his golf club. he waves it in front of the sensor. he gets his golf ball. he gets ready to hit. is it going to be good ladies, gentleman, and nonbinaries? we’ll see. and he hits, and it’s…… not as good as nicks shot.” matt side eyes you as chris starts laughing uncontrollably. he falls into your side sending you and the camera to the right into nick.

nick takes the camera from you since your posture has been infiltrated by chris’s body. chris is still laughing when matt gets back to the seats, so like any brother would, matt slaps him upside the head. chris groans as he pokes your shoulder. you’re conversation with nick gets cut off when you look over at him. “matt hit me” chris says with a childish tone. “okay and what do you want me to do about it babe? i’m not your mother. hit him back. i don’t fucking know” you say with a laugh.

the game quickly comes to an end with matt coming out in first place. the four of you decide to call it a night. and start walking back to the van.

when you guys finally got to the car nick started to outrow the video. “alright guys that’s it for this weeks vlog thank you so much for watching” he turned the camera towards the front of the car as you leaned over chris’s shoulder.

“chris can you please play 34+35 remix for nick and i.”

“no y/n” “absolutely not”

and with that the video concluded.

an: i didn’t have much motivation to write the past couple of days but i hope y’all enjoy this 🤍

[hotjaneaustenmenpoll]

Third Place Poll

Propaganda...

Colonel Brandon (1995):

Alan Rickman has the sexiest voice. Just listen to him reading poetry to Marianne at the end to witness how hot he is.

Alan Rickman simply embodies the truth of Col. Brandon in a way that no one else every could. It's the perfect merging of actor and role. He brings the perfect combination of honor, decency, sensitivity and passion. He is the ultimate mensch.

Brandon propaganda in which even the film's director agrees that Brandon is sexy.

More Brandon propaganda! This photo could only be published in black and white because it would have been too powerful in color (the original color version is currently being used to provide electricity for a medium sized town in Devon. It's THAT powerful).

The brim of the hat falling over his eye. The casual lean. The hunting rifle slung across his leg. The puppy bestie. The fact you know he could row that boat while you watch and wish you were the boat.

From Emma Thompson's diaries which she kept while they were shooting Sense & Sensibility. Emma Thompson said vote Colonel Brandon.

The man has just heard her sing for a minute and he’s positively awestruck!

also adding his adorable adorable smile just bc i can.

Mr Knightley (2009):

Johnny Lee Miller as Knightley is JUST SO. I mean the way he says "if I loved you less I might be able to talk about it more" IS JUUUST. The dance scene. The tentative shy smiles. The fact you can see in his eyes the entire time " I am completely in love with this woman. She'll never love me back BUT I DO NOT CARE I'LL LOVE HER FROM A DISTANCE ANYWAY" IS JUUUUUUST

We need to appreciate Mr Knightley more for both his snark and for those soft eyes just so full of love for Emma

GIF by dearemma

I was just going to send in the actual dance but the little panic he has when Emma says she knows his secret is just soo charming. There was some thread on twitter a few years ago about how a romcom man's most important quality is knowing how to look at a woman and JLM is just the master of it in this Emma

I really feel like the pictures say it all. He stands there, head tilted to one side. He is listening to you. His posture is relaxed. His gaze open, frank, candid. He's not trying at all. He just is.And that's why he is Knightley.

GIF by night-unfurls-its-splendour

Some propaganda, not just for Jonny Lee Miller, but the general interpretation of 09 Knightley. I have some excerpts here from my review of the 09 adaptation:

What I really think is great about the 2009 interpretation of Mr. Knightley is what an easy and comforting presence he is, without being apologetic when he scolds Emma. I think this is communicated especially well by how often we are actually shown Mr. Knightley taking his almost-daily walks to Hartfield, how smoothly he comes and goes, and how happy Emma is every time she sees him coming up the path (usually, just at the perfect moment when she needs something to put her back to rights.)

64.media.tumblr.com

Here is Emma, feeling lonely after Miss Taylor's wedding. And in the background, walking up to Hartfield--there's Knightley. He's always been there for her, and he always will be.

And also this Mr. Knightley is as understated as ever, but I wanna highlight this outfit and why I love it: This is Knightley’s first appearance in the series and it’s the perfect establishing shot that shows the viewer everything they need to know about Emma and Knightley’s relationship and how it has always been. He sort of materializes, out of focus in the background, but Emma immediately knows he’s there. And to accentuate how much Knightley is part of her home and scenery, his clothes (similar shades of pale tan, white and minty green to the wall behind him) almost camouflage him and make him seem at one with the moulding of her home.

Additionally, Jonny Lee Miller captures Knightley’s playful qualities, and his exasperation is so endearing

GIF by christophernolan

GIF by sashajames

GIF by christophernolan

I can’t be the only one tickled by this Knightley’s frustration with Emma! JLM FTW!

Jonny Lee Miller is mesmerizing in any role he inhabits. It’s 2009 Knightly all the way.

no but can you actually go vote for mr knightley he was FOUNDATIONAL for 16 year old me my favourite portrayal of my favourite austen man cannot fall at this hurdle!!!

He is my ultimate Austen Dream Man, I'm with him until the end. Honestly this adaptation is my very favorite of them all (P&P 1995 is a VERY close second) because it made me fall in love with Emma as a story? Honestly no other adaptation or indeed even my reading of the book made me love it quite as much. My crush on JLM goes back to 1995 and I do think he is one of the better actors of his generation - his range alone is just impeccable. The fact that he can go from Sick Boy to Mr. Knightley to Sherlock to Jordan Chase is really something. Of all the actors I know, his range is the most impressive. But i love how bright and sunny this adaptation is. The colors, it is as vibrant as Emma should be! The Kate Beckinsale Emma is dark and terrifying to me, not at all suitable an adaptation. I like the Paltrow Emma a lot, but it's got the same issue the 2005 P&P has for me -- it's just too short. This is tonally just right, and the casting is lovely, and JLM is just at his dashing best. His face is so expressive, he is so capable of communicating so much without saying a word. His open jealousy of Frank Churchill is delightful to watch. His face when Emma tells him his secret is out at the ball! JLM is maybe the most underrated actor of his generation and I LOVE that he has been multiple Austen heroes. I maintain that in a future adaptation of Pride & Prejudice, an older JLM would make an EXCELLENT Mr. Bennet. He would convey the right amount of grumpy but fond beautifully.

Look. Do people realize JLM hates wearing period clothing AND hates dancing? And yet in Emma he's sashaying around in pink jackets looking amazing and is THAT convincing? That's called BRILLIANT ACTING!!

A tiny bit of Mr Knightley 2009 propaganda but I love that they put in that bit from the book where he looks like he's going to kiss Emma's hand when he's saying goodbye but then he hesitates and doesn't and I just...it's such a tiny detail but conveys so much!

GIF by myforeverworldofmovie

It’s the only Emma adaptation that really hits the romance notes well. Knightley’s crowning moment of awesome really feels like it (when he rescues Harriet from humiliation) and his subsequent dancing with Emma does make you feel a shift in their relations. Love this adaptation. - This Knightley and Emma in particular are equals. They quarrel, not because he’s telling her off, but because they can have an argument because they know each other, trust each other and care about each others opinions, and there is never a sense of domination of one over the other. This adds so much fire to the romance, and it’s so unusual for a romance of that era (or even one written today!!). - Emma is rich, clever and beautiful and as powerful as a woman of her age and situation could be at the time and she married Knightley for no other reason but because he’s her best friend and his company for the rest of her life will enrich her. - He even leaves his house to move in with her!

GIF by elinordash

[astroismypassion]

Astrology observations💗💗💗

Credit goes to @astroismypassion

💗Gemini Juno people often have "a philosopher" partner. Someone who puts a lot of effort in their words, plans, but doesn't put much effort into action, making things happen. They could get frustrated how much and for how long their partner talks and preaches.

💗Libra Juno or Juno in the 7th house often points to an indecisive spouse or partner. The native is then the one making decisions where to eat or which film to watch.

💗If you have Fama in Libra, at a Libra degree (7, 19) you might be part of a well-known power couple at some point in your life. Or you could be known as "the person who dated...". Downside to this placement though, is that you might encounter that people often ask you about an ex partner of yours. They could ask questions about that person even years after you've been separated. With this placement and also with Fama in the 7th house, you might have a well-liked, well-known partner, spouse, yet the thing here is that people could also be in a partnership with you for fame that you bring. Partners could use you for attention, especially if paired with Leo Lilith that you might have in your Natal chart. So it goes vice versa.

💗Psyche (16) also talks about soulmate connections and when you feel balanced in love and beauty. And for example if you have Psyche in Virgo and you feel butterflies around your romantic interest or your nervous system is activated and working overtime girlll, this might not be a soulmate crush that you're talking to. Virgo Psyche are so sensitive and in tune with their bodies that you only feel balanced and calm around people who don't activate your nervous system negatively.

💗Check your Fama placement to see who can bring you popularity, being well-known or even get famous. If you have Taurus Fama, you need to position yourself around Taurus Sun, Moon, Rising and Venus people to get more well-known. Fame could be brought to you by people with these placements.

💗Capricorn Lilith often attract needy, clingy people who want to "break through" their more stoic, reliable, consistent nature. Weirdly, I often notice they attract a lot of Cancer Mars, Aries Moon people too, like it's a pattern.

💗When Juno is located in the 7th house these natives wish for connections that would be life long.

💗I noticed Capricorn Juno often had a bad boy/bad girl persona in the public at some point in life. Or had player vibe to them, but this is only how public percieved them. So they try to stick to a long-term partnership that is long overdue just because having a long-term partner makes them look good in the public eye and helps them get rid of "player" vibe that they might give off, even if it's not even true.

💗Capricorn, Aquarius North Node people might dislike or be against patriarchy.

💗Sagittarius Ascendants really do get the best of the both worlds. With Gemini Descendant they are able to hang with the posh, more privileged people or less. They are accepted by both. Because they can blend in and easily dress, speak like that particular group.

💗You might spend more time outside, socializing, connecting with friends and spending time in social gatherings, settings when Moon is transiting your northern hemisphere of your Natal chart, so when it goes through 7th, 8th, 9th, 10th, 11th and 12th house. And you might spend a lot of time in your home, inside, more isolated, spending time on your own when Moon is transiting your 1st, 2nd, 3rd, 4th, 5th and 6th house, the southern hemisphere of your Natal chart.

💗 Pisces Part of Fortune receives help from others when they need it the most and when they least expect it.

💗 Sagittarius Part of Fortune in the 4th house ends up living in a huge house.

💗 Sagittarius Part of Fortune often has a very mentally stimulating job, most of their work is cerebral, the type to do the thinking for a job. They have better chance finding work abroad, via distant media or they get better money through foreign people than in their own native country.

Credit goes to @astroismypassion

[prentissluvr]

just an observation — sam winchester

cw : gn!reader, fluff, a little cliche hehe, reader is shorter than sam, poor editing as always, 1.3K words. requested !

prompt : one being shorter and it being a source of great enjoyment for the other.

sam really tries not to tease you about your height; he’s supposed to be a gentleman, and it’s not your fault that he’s so tall. but he just finds it so completely endearing that you’re shorter than him, and sometimes he just can’t help it.

you’re rambling about some movie that you watched last night, wandering the kitchen as you grab everything you need to make something to drink for the both of you. he leans against the counter, eyes trailing your sweet form.

“i don’t normally watch rom-coms, and it was sort of really bad, but it’s hard to resist anything with david tennant,” you say, coming to stand right next to him and open the cabinet by his head. instinctually, you put your hand on the corner to make sure it doesn’t hit him and reach up to grab your favorite mug. only someone (sam) has put it on the top shelf.

it’s not as if you can’t reach the cup. with a stretch and maybe some help from getting up on your tip-toes, you absolutely can. but sam is right there, willing and far more able. he doesn’t hesitate, turning a little and grabbing the cup with ease. you get a full, close-up view of his arm as it reaches right in front of your face and holds the cup out for you with a smile on his mouth that’s both sweet and teasing all at once. 

you narrow your eyes at him but let your own mouth curve into a little smile. it’s difficult to react properly to him when he’s being a teasing asshole and genuinely just trying to be helpful.

“thanks,” you grumble, taking the cup from him and grabbing his own mug from the lower shelf. he just hums an affirmation in response, seeming unnecessarily pleased with himself. you brush it off with a small laugh under your breath, then move to fill your cup with your choice beverage and sam’s with coffee from the half-empty pot. just to be close to him, you return to the spot at the counter next to him, preparing each drink the way they’re most well liked. sam lets you do it, only because he knows you like to do little things like this for him. 

that, and he loves watching you do anything at all. he loves to pour his undivided attention into you, sometimes so lovestruck that he doesn’t even care if you notice that he’s totally in love with you, despite the fact that he probably shouldn’t be. fuck being friends, he thinks sometimes.

so he watches and notices as you take extra care and precision to prepare his drink than yours, and he watches your lips move as you continue talking about the movie. it sounds like a bad movie, but you smile when you describe it to him, so he couldn’t care less.

“despite it being a pretty bad movie, the leads made it fun to watch,” you admit without hesitation. “it was horribly cliche and unoriginal, but there were some really sweet moments with her mom, and i don’t know anything much about cinematography, but i thought it was just gorgeous.” you slide his cup over to him and begin to work on your own.

he takes it with a sweet, “thank you,” and you just nod as you keep on blabbing, carefree and casual as sam looks at you like he’s in love with you.

“the setting was so beautiful, and the way they did the colors was just so pretty. so of course, that made it feel all romantic and shit,” you say, turning around with your own mug in hand to lean against the counter the same as sam. you take a sip of your drink and hum a little in satisfaction, and if your eyes weren’t trailing along the cabinet across the room, you might catch the adoration in his eyes. he schools his features to look more neutral when you look at him with this sort of longing that catches him off guard. “it was filmed in scotland, and sam, i have to go to scotland someday. it’s unbelievably beautiful to me.”

he smiles at you all soft. “we can try,” he says, not even thinking as he says those words. he just wants to please you.

you laugh a little. “well, that’s wishful thinking,” you sigh playfully. though, it’s completely true that the chances of you getting a break, much less an international one, are quite slim. you like the idea anyway. and you love that he said “we.” he’d go with you, that means. he’d try because he wants to make just about anything you want into a reality. a minute in silence slips away, like the coffee in his cup. you make it so perfect, he can’t keep his lips from the rim of the mug.

and while he’s content watching you sip away at your own drink, he likes hearing your voice so much that he’d like to fill the air with words rather than rustling clothes.

“you look extra short today,” he comments, a smirk splayed across his face. a screw must be loose in his mouth, because things that he’s not meaning to say keep falling from his lips. but he keeps thinking about the way your mouth tilted down just a little when you saw that your mug was higher up then usual, or the halfway annoyed smile you gave when he pulled it down for you. so this is the part where he just can’t help but tease, only because he loves you and doesn’t know how to show it.

“well, you must have grown in your sleep then,” you tease back, rolling your eyes. “what a rude thing to say,” you joke, “and here i was, thinking you were a gentleman.”

he shrugs, the smile on his face stretching wider. “i was just stating an observation.”

you tilt your head to the side and look at him with the hint of a smirk in your grin. “you know, you try to hide it, but i think you like that i’m shorter than you, don’t you, sam? which is silly, because most everybody is.”

he’s taken aback by that. he never expected you to call him out on it, to notice just how much he really enjoys being taller than specifically you.

“just stating an observation,” you quip when it takes him more than a moment to reply.

“and you like that i’m taller than you, so i guess that makes us even,” he grins. he pays plenty enough attention to you to know that it’s true.

you bite the inside of your cheek, already knowing you don’t have a better response to that. you raise an eyebrow at him. “fine. we’re even then,” you acquiesce, both begrudging and holding back a smile at the same time.

he tilts his head and looks at you with a glint in his eyes. “not that even,” he teases, clearly alluding to the difference in height between the two of you.

you roll your eyes again and scoff out a little laugh. “very funny,” you deadpan, unimpressed by the joke. you can feel him shifting closer to you, like he can resist it. his arm brushes against yours as he takes another sip of coffee. god, he’s flirty today. sam keeps you on your toes, he keeps you guessing and wondering and you know that he’s too nice to be sending mixed signals on purpose, but you just can’t tell.

you feel like you’re sitting on the bank of a river, dressed in white with a handful of daisies by your side and picking petals reciting “he loves me… he loves me not,” over and over again. today it feels like “he loves me.”

[taffywabbit]

idk if i'm way off the mark on this, but the way some people are responding to that Guillermo del Toro interview about the decline of studio animation is a bit frustrating to me. specifically the bit where he talks about "emoji animation" and how everything is over-animated and pushed too far and things are rarely allowed to not be ultra-cartoony (y'know, because animation always needs to be marketable to children who are never trusted to have attention spans, right?). like, i think he's generally correct about it! but some folks are taking the wrong message away from that.

i've seen people going off about how "soulless" and "corporate" various recent examples are, and talking about these pieces of media as though they're the result of some kind of personal failing or lack of skill/range on the part of the animators, and it's just like. do people realize that's the only animation you're usually allowed to DO in the industry, unless you get incredibly lucky and land yourself on a project/studio that's unusually cool?

when i was in college for animation it was literally drilled into us nonstop that everything had to be pushed more, that exaggeration was not a guideline or a sometimes-treat but a hard rule that always had to be applied regardless of what was going on, because the viewer couldn't be trusted to pick up on subtlety and we sure as hell couldn't be trusted to convey it. you ever wonder why there's such a specific vibe to a lot of self-directed student films, particularly ones that are focused on character acting/interaction or deep emotions and introspection (especially when there's minimal/no dialogue)? it's because for a lot of young animators, they haven't had the freedom to experiment with realism and subtlety up to that point and they're likely not going to have it again for a while (or at all, unless their career path leads to higher positions where they might have more creative direction over the things they work on. which also becomes a lot less likely if they're anything other than a cishet white dude, for what it's worth).

i would LOVE to see more nuanced, realistic, understated motion and acting in animation. i WANT more characters to be able to express what they're feeling through natural body language and facial cues and for scenes to allow me to breathe instead of spelling everything out in giant bold flashing text all the time. what del Toro wants to see changed in the animation industry sounds great, and i hope others join him in seeking to revamp what modern animation is allowed to be.

but as things currently stand, and as they've stood for a long while now, most artists doing the grunt work on the shows and movies you see are completely at the mercy of corporations and networks who have a vested interest in producing a very specific kind of marketable and cost-efficient media all the time. (and by extension that style is ALSO what's taught in most animation schools, because their job more than anything is to grind you down into a perfect little sweatshop worker who will bend over backwards to meet quotas and get your work approved and not question the higher-ups, even if you have little to no personal investment in the projects you're working on, so that the studios who employ you can maintain their good reputations or whatever)

anyways idk what my point was here, this really just sorta became a rant and my views have undoubtedly been coloured by my own personal experiences (this kinda shit is largely why i dropped out before my last year of animation school, for the record).

i guess just be kind to folks in the animation industry? they've had it fucking rough nonstop for well over a century (the majority of them are still not unionized and there's HUGE pushback against doing so in many places). i assure you they are doing their best to infuse the latest uninspired illumination flick or weird spinoff kids' show with literally any amount of soul they can. you don't have to like the stuff that gets produced by any means! be a hater! i'm certainly not gonna stop you. just remember where these creative decisions come from and why these conditions exist, and consider that when YOU watched something and thought "hmm that could've been done better", you can bet your ass someone actually working on it probably thought the same thing but couldn't do anything about it. these things WILL change as the industry itself improves, but in the meantime folks have to pay their rent, and that usually means doing what they're told and working in a way that will minimize revisions and meet quotas so they can keep their jobs. it sucks, but it is what it is.

[tiredandoptimistic]

"Early 21st Century Romanticism" truly is one of the Community episodes ever for a variety of reasons, but I'm a Saw enjoyer so I'm gonna talk about the scene where Troy defends Abed to Mariah, and specifically defends his love of the Saw franchise. It's not just representative of Troy and Abed's relationship, but also of horror and neurodiversity and how those subjects are so easily ignored and discredited.

For those of you who haven't watched the episode recently, it's about Troy and Abed both crushing on the same woman (Mariah, the librarian) and deciding that the only fair way to resolve this is for her to take both of them to the Valentine's Day dance, and decide afterwards which one she wants to date further. Mariah is down for this plan, and ends up preferring Troy and sending Abed away. Abed is chill with this, but Troy clearly isn't; spending his dance with Mariah grilling her on why she would possibly see Abed as anything less than the perfect date. She has a couple reasons, one of which being that he spent two hours analyzing the Saw movie franchise. She eventually calls Abed "weird," causing Troy to storm off and reunite with his boyfriend best friend outside in peace, but I'm gonna focus on that bit about Saw because that's who I am as a person.

Before I go any further, it's important to remember that Saw is a largely hated franchise. Well, "hate" might be a strong word, but it's definitely looked down upon as worthless torture porn for the depraved. Troy is not a horror guy. I'm not a horror guy either, which is why I haven't actually watched the later Saw films and am content to enjoy them purely through my friends who are more down for gore and batshit plot twists ( @cape-wearing-enigma this is about you and your Saw slideshow presentation). My point is, Mariah's clear distaste for Saw and her opinion that it's "weird" to put two hours worth of thought into it is pretty damn standard, and just based on Troy's personal tastes I wouldn't be surprised if he agreed.

But the thing is, he doesn't.

He continues defending Abed's taste in films and his interest in talking about them, because to Troy it's not about enjoying Saw it's about enjoying listening to Abed get passionate about anything he cares about. His line about how "the first one did redefine the genre" in particular sounds so polished and is delivered with such ease that I'm confident it's something Troy is repeating that he heard Abed say, that he's got complete faith in it being true because it's what Abed thinks.

That, more than anything, is what sells the episode to me. I really relate to Abed in that I'm someone who can and will talk for hours about my interests, and those interests are often things which aren't generally considered to be "good" (oh the joy of trying to explain that I'm not into something for a bit or because it's "so bad it's good," I just genuinely love it and think it's great), and it's one thing to be able to hold a conversation with someone who shares those interests but it's a lot harder to find somebody who just likes hearing why you care about them.

Now, I'm aware that Saw is a popular mainstream franchise, but that's not the point here. Mariah isn't weirded out by Abed liking Saw, it's by him talking about it for so long. It's okay for you to watch when a new one comes out or do a marathon for Halloween, but once you start actually caring and putting thought into a "dumb" franchise then you're the weird one.

Horror is one of those genres (alongside romance and comedy) that are just seen as inherently low-brow and simple by a lot of people, like they have no value besides being easy watches and are easy to pull off in a compelling way. Which is wild! Even if you don't actually have deeper thoughts about a movie, if it genuinely scared you then that means the creators did something right and that takes effort! Good horror deserves to get credit, but instead it's just all lumped together into one mass that it's apparently okay to talk shit about.

I won't make statements about the entire Saw franchise, but as someone who loves the first one, I firmly believe that Saw (2004) is genuinely a really fucking good movie. If Abed had ignored the rest of the films and just talked about the first one for two hours, he'd still have plenty of material.

I'm not sure that I have a conclusion here, I just think it's awesome to see one of my favorite characters getting so into something I also enjoy, and one of my favorite parts of Troy and Abed's relationship is that even when they don't completely agree they still support and respect each other. This is yet another example of when it would have been so easy to make Abed the butt of the joke, but instead Troy (and the show) decides that actually Mariah is the weird one if she can't appreciate him.

[sammyluvr]

just an observation — sam winchester

cw :gn!reader, fluff, a little cliche hehe, reader is shorter than sam, poor editing as always, 1.3K words. requested !

prompt : one being shorter and it being a source of great enjoyment for the other.

sam really tries not to tease you about your height; he’s supposed to be a gentleman, and it’s not your fault that he’s so tall. but he just finds it so completely endearing that you’re shorter than him, and sometimes he just can’t help it.

you’re rambling about some movie that you watched last night, wandering the kitchen as you grab everything you need to make something to drink for the both of you. he leans against the counter, eyes trailing your sweet form.

“i don’t normally watch rom-coms, and it was sort of really bad, but it’s hard to resist anything with david tennant,” you say, coming to stand right next to him and open the cabinet by his head. instinctually, you put your hand on the corner to make sure it doesn’t hit him and reach up to grab your favorite mug. only someone (sam) has put it on the top shelf.

it’s not as if you can’t reach the cup. with a stretch and maybe some help from getting up on your tip-toes, you absolutely can. but sam is right there, willing and far more able. he doesn’t hesitate, turning a little and grabbing the cup with ease. you get a full, close-up view of his arm as it reaches right in front of your face and holds the cup out for you with a smile on his mouth that’s both sweet and teasing all at once. 

you narrow your eyes at him but let your own mouth curve into a little smile. it’s difficult to react properly to him when he’s being a teasing asshole and genuinely just trying to be helpful.

“thanks,” you grumble, taking the cup from him and grabbing his own mug from the lower shelf. he just hums an affirmation in response, seeming unnecessarily pleased with himself. you brush it off with a small laugh under your breath, then move to fill your cup with your choice beverage and sam’s with coffee from the half-empty pot. just to be close to him, you return to the spot at the counter next to him, preparing each drink the way they’re most well liked. sam lets you do it, only because he knows you like to do little things like this for him. 

that, and he loves watching you do anything at all. he loves to pour his undivided attention into you, sometimes so lovestruck that he doesn’t even care if you notice that he’s totally in love with you, despite the fact that he probably shouldn’t be. fuck being friends, he thinks sometimes.

so he watches and notices as you take extra care and precision to prepare his drink than yours, and he watches your lips move as you continue talking about the movie. it sounds like a bad movie, but you smile when you describe it to him, so he couldn’t care less.

“despite it being a pretty bad movie, the leads made it fun to watch,” you admit without hesitation. “it was horribly cliche and unoriginal, but there were some really sweet moments with her mom, and i don’t know anything much about cinematography, but i thought it was just gorgeous.” you slide his cup over to him and begin to work on your own.

he takes it with a sweet, “thank you,” and you just nod as you keep on blabbing, carefree and casual as sam looks at you like he’s in love with you.

“the setting was so beautiful, and the way they did the colors was just so pretty. so of course, that made it feel all romantic and shit,” you say, turning around with your own mug in hand to lean against the counter the same as sam. you take a sip of your drink and hum a little in satisfaction, and if your eyes weren’t trailing along the cabinet across the room, you might catch the adoration in his eyes. he schools his features to look more neutral when you look at him with this sort of longing that catches him off guard. “it was filmed in scotland, and sam, i have to go to scotland someday. it’s unbelievably beautiful to me.”

he smiles at you all soft. “we can try,” he says, not even thinking as he says those words. he just wants to please you.

you laugh a little. “well, that’s wishful thinking,” you sigh playfully. though, it’s completely true that the chances of you getting a break, much less an international one, are quite slim. you like the idea anyway. and you love that he said “we.” he’d go with you, that means. he’d try because he wants to make just about anything you want into a reality. a minute in silence slips away, like the coffee in his cup. you make it so perfect, he can’t keep his lips from the rim of the mug.

and while he’s content watching you sip away at your own drink, he likes hearing your voice so much that he’d like to fill the air with words rather than rustling clothes.

“you look extra short today,” he comments, a smirk splayed across his face. a screw must be loose in his mouth, because things that he’s not meaning to say keep falling from his lips. but he keeps thinking about the way your mouth tilted down just a little when you saw that your mug was higher up then usual, or the halfway annoyed smile you gave when he pulled it down for you. so this is the part where he just can’t help but tease, only because he loves you and doesn’t know how to show it.

“well, you must have grown in your sleep then,” you tease back, rolling your eyes. “what a rude thing to say,” you joke, “and here i was, thinking you were a gentleman.”

he shrugs, the smile on his face stretching wider. “i was just stating an observation.”

you tilt your head to the side and look at him with the hint of a smirk in your grin. “you know, you try to hide it, but i think you like that i’m shorter than you, don’t you, sam? which is silly, because most everybody is.”

he’s taken aback by that. he never expected you to call him out on it, to notice just how much he really enjoys being taller than specifically you.

“just stating an observation,” you quip when it takes him more than a moment to reply.

“and you like that i’m taller than you, so i guess that makes us even,” he grins. he pays plenty enough attention to you to know that it’s true.

you bite the inside of your cheek, already knowing you don’t have a better response to that. you raise an eyebrow at him. “fine. we’re even then,” you acquiesce, both begrudging and holding back a smile at the same time.

he tilts his head and looks at you with a glint in his eyes. “not that even,” he teases, clearly alluding to the difference in height between the two of you.

you roll your eyes again and scoff out a little laugh. “very funny,” you deadpan, unimpressed by the joke. you can feel him shifting closer to you, like he can resist it. his arm brushes against yours as he takes another sip of coffee. god, he’s flirty today. sam keeps you on your toes, he keeps you guessing and wondering and you know that he’s too nice to be sending mixed signals on purpose, but you just can’t tell.

you feel like you’re sitting on the bank of a river, dressed in white with a handful of daisies by your side and picking petals reciting “he loves me… he loves me not,” over and over again. today it feels like “he loves me.”

[frogletscribe]

Im back with more biodiversity rambling!!!

Went for a simpler style to doodle these guys out a little faster bc i have MANY thoughts always (warning this may or may not be coherent, i apologize in advance)

IMPOARTANT NOTE: the only thing even remotely canon here is the Forest and Reef Na'vi (debatable bc they are still my own interpretations), everything else is just my own musings and personal need for more variation among Na'vi.

In previous posts i think i mentioned the insane venn diagram that lives in my head of forever overlapping and endless combos of Na'vi yadayadayada, this is (LOOSLY) that.

SO, if you have seen my initial post (here) some of these guys might be familiar, but since then, i added Wetlands, Highlands, Glacier and Ash? people! And I have Thoughts ™️

Now I'm gonna hold off on Ash? people for the most part here, mostly because i am a creature that likes at least some level of "Canon Compliance" and we really won't know anything about them until the next film, so i have yet to form any solid headcanons. That being said, I do have a couple quick things:

The name 'Ash People' leads me to think that their generally building lives/evolving around volcanic areas, grey/darker skin tones from evolving around ash?

Thicker/rough skin (volcanic rocks are sharp!) and less fur/fluff on their tails.

Wetlands I imagine as clans that have evolved as a combo or River and Reef, but also Plains, as wetlands (at least as I understand them, i know that there's more to them than this but I am simplifying here) are effectively big wet fields.

I liked the idea of how if River Na'vi developed 'armor' due to swimming in constantly moving water with lots of rocks/fish/debree/etc, that Wetlands might be similar, but not quite on the same level.

Comparatively, Wetlands have no claws, and a thinner more paddle-like tail, more similar to Reef Na'vi.

Highlands I see as Plains Na'vi that evolved for colder biomes, so they keep the builds, maybe in general larger on average, closer coloring to Plains Na'vi and the longer tails, fur and claws of Mountain Na'vi.

Lastly Glacier Na'vi is the Mountain + Reef combo to create the giant spotted seal people of my dreams. I did not show it well here, but I think both Mountain and Glacier hold more fat in their bodies than other Na'vi, as well as Reef Na'vi being physically larger as well. That combo probably makes Glacier Na'vi massive (like 12-14 ft tall). Living in significantly colder climates, they need to be able to hold more heat in their bodies too, so they are physically much larger all around.

All of these are still just loose and I continue to be vague about a lot of it bc biodiversity and cultures that evolved around a given biome are two separate things to me. I like that these can be used as like umbrellas that the actual clan cultures can be born under, but not 'rules' or anything.

(I do have at least 1 (possibly 2) fan clan situations cooking in my noggin that i am slowly working on, but that's also something i want to be very conscientious about as I build it out.)

Anyways! Thanks for reading if you made it this far! Let me know your thoughts, I love talking about this sort of thing, hearing people's feedback and building off of it!!

[peterman-spideyparker]

Halo (Matt Murdock x fem!Reader)

Author’s Note: Howdy, folks! In my slow sift through and re-editing process of fics on my laptop and in my notebooks, I've re-come across this fic. It's probably been written for, what, a year and a half? Two years? and I've waffled on it because I didn't know if I should post it. It's a continuation of Angel, but if you've read it and want to stay sitting in the angst, you can. It's still angst, but, it might make you feel better? Idk. I cried writing it and then every time I've re-read it, and I think id I tried to write more, I'd be a vicious cycle of tears. Not my best editing, but. Enjoy!

Summary: Matt is grieving your loss hard even months after your death. It's like a non-stop film reel in his mind. He's wracked with despair, and ready to submit when his angel comes to his rescue.

Warnings: ANGST (dead dove, do not eat), talk of death, wounds (stab wound, gunshot wound, blood--canon typical violence), a lot of crying, hurt comfort?, Matt has a lot of self hatred in this from guilt

Other Characters: Father Lantom, Foggy Nelson

Word Count: 1,635

Everything is too loud and too quiet at once. It’s been like that for the last couple of months since you died. His surroundings have been simultaneously amplified and dampened. He doesn’t know how to function. He hasn’t been able to figure out what life means without you. He doesn't feel as if he's living anymore.

Matt can feel when Father Lantom sits down next to him. He's been coming to church more often, as if his desperate prayers will change the past and bring you back to him. He can feel every last bit of the polyblend fibers in Father Lantom's black clothes, but it just feels like static to him. An indistinct haze. But even for as hazy as it is, for as much sensation as it is, it just makes Matt feel more numb. He tunes out Father Lantom’s words, and only when he feels his hand on his back does Matt actually pay attention to what his priest is saying.

“I was playing pool with a man once—a unique fellow with an insightful mind,” the priest starts with a breath. “He imparted words to me that were so incredibly wise it made a priest speechless. It was a simple question: ‘What is grief, if not love preserving?' As I let that sink in, he continued. He said that all those feelings—the anger, the sadness, even the hollowness, everything that brings a person to tears—that is all the unspoken love that you still have for someone. It’s a good thing, Matthew. Love . . . Love isn’t something you switch on and off like a lamp. It’s shouldn’t be—if it is, it isn’t love.”

Matt sits in the pew, his heart heavy, hurting, and crumbling.

“I keep thinking I’m going to find her at home,” Matt finally sniffles, his voice trembling. “I keep hoping that this is a nightmare and I’m going to wake up and we’ll be in bed and she’ll hold me the way she does after I have a bad dream. That she’ll make every bad thing I’m feeling go away.”

Father Lantom puts a careful hand in Matt’s back, and it’s enough to have him break down. 

“I miss her so much,” Matt weeps in the empty church. “I-I can’t—I don’t know what to do.”

“Matthew . . .”

“She died in my arms,” he sobs. “I couldn’t—I should’ve—I need her. I’m lost without her.”

Father Lantom knows there’s nothing more to say as Matt lets his grief take center stage, feeling the pain course over him in violent wave after violent wave rather than pushing it down. 

This is it, he thinks. This is where he dies, on some random rooftop.

And you know what? He couldn’t care less. Being a lawyer, fighting this fight, day and night, it’s pointless. How can he try helping others when he couldn’t help the person he cared about most? When she, dying in his arms, was comforting him? This is what he deserves—it’s better than what he deserves, he thinks. This is a relatively clean death—a little bullet hole in his flesh. You were all but sliced in two. He deserves to be torn to bits for what he let happen to you . . . He deserves so much worse. But, as he lays there, bleeding out, all he can thing about is how he never deserved you. How you would have been so much better off without him.

How you’d be alive had the two of you never met.

“Matty?” he hears a gentle voice say. “Matty, I’m gonna help you sit up.”

No . . . This isn’t happening. The voice, he knows it. He thought he’d never hear it again. 

(Y/N). 

“God, you’re heavy,” you grunt as you help him sit upright, a careful, warm hand over where he was shot as the other is firm on his back. 

“Wha—Huh?” he starts to groan, panic quickly starting to bubble. 

“Matt, calm down, it’s okay,” you urge. “I’m here, angel, don’t worry. You’re okay.”

He sputters your name in disbelief. “Is that really you?”

He feels how your fingers run through his hair and down to a loving grip on his forearm. 

“Hey, Matty.”

“Sweetheart, wha—?”

“Matt, I know it’s a lot. I know. But it’s okay. I’m right here.”

“H-How?” he asks with tears in his eyes. “How?”

He listens to you let out a sigh, how your brows furrow, trying to find the best answer to his question. “Divine intervention?”

“Y-You died, (Y/N).” He smells the salt of your tears in the air. “You died in my arms. Why didn’t you hold on?” 

“I tried,” you tell him. “I wanted to. You were so scared Matt. God, I—.” You sniffle and bite your lip, a tear rolling down your cheek. “I would give anything to forget the pain on your face, Matty. But then I wouldn’t have been able to see my favorite person.” You wipe the tears away from his cheeks. “Matty, I’m not gone. I’m with you always, you know that, right?”

“I couldn’t save you.”

“You saved the city and the world from a frightening reality. You’ve done it so many times, angel.”

“That doesn’t change what I failed to do.”

“Forever the Catholic—full of guilt.” You cup his cheek with your hand. “Matty, look at me. You are the best thing in the world that ever happened to me, you understand that? You made me feel so loved, so cherished, so safe, and so valued. I never felt more myself than being with you. Everything that you made me feel . . . Matt, that’s love. That’s what love is, what it does, and what it feels like. And I’m sorry I couldn’t stay longer to have you realize that and feel the same.”

“I did, sweetheart, I felt it.” 

“Then you need to remember that feeling and let it guide you. I want you to be happy, Matt. I don’t want you to be sad forever. I can’t have that.”

“I miss you so much. I don’t think that’s ever going to stop.”

“It’s only a beautiful thing. It’s all the unexpressed love. We never get enough time with each other, Matt. But the best part of it is, Matt? We’re going to see each other again. It’s gonna be a while, but when we do?” Matt can taste the salt in your tears. “Be there as much as possible for one another, Matt. Okay? Don’t shut people out, don’t push them away because you want to protect them or because you don’t feel like you deserve happiness, because you will mourn that time you lost. Open up your heart again. It’s one of the most beautiful things you can share.”

“I don’t want to leave you,” he cries as he holds onto you. “I don’t want to go back.”

“You know you don’t mean that.”

“I can’t . . . I miss waking up next to you. It keeps getting harder. It’s all crushing in on me.” He sniffles. “The apartment is loosing your smell.”

Tears roll down your cheeks at his distress. “Matt . . .”  you soothe. “I miss you more than I can say. There are absolutely no words in any language to tell you how much my heart hurts that I’m not physically with you every day.”

“Then let me stay. Don’t make me go back. Please let me stay here with you.”

“I can’t make that decision. If . . . Matty, I know you know that you’re not finished on Earth.”

“Angel . . .”

“Matty?” you say softly. “Can you open your eyes for me?”

Tears stream down his face as he looks at you, his pupils locking onto yours for the first time. His hand carefully cups your cheek, afraid to touch you—like you’ll disappear. He gently touches your hair next, tucking it behind your ear before his thumb traces over your nose and cheek, finally brushing against your lips.

“(Y/N)?” he croaks.

“Hi, Matty.”

Holding your face in his hands, he leans in for the kiss of a lifetime, pouring every ounce of love he has into in.

“H-How . . .? I don't . . . You’re more beautiful than I could have ever imagined,” he sniffles as he moves to rest his forehead against mine. “God . . . You’re just . . . You’re here. You’re perfect.”

“Those are some super senses, huh?” you joke with a wet chuckle as you rest your foreheads on one another.

“I love you so much, (Y/N). I love you more than you’ll ever know.”

“Pull through for me, Matt,” you plea. “You’re not done yet, my angel. I know you’re not.”

“You’re gonna be with me, huh?”

“Forever and always, every step of the way. And hey—I better not see you again until it’s your time. Actually your time.”

“Promise,” he says with a soft smile, holding your face in his hands as he looks at you with tears in his eyes, desperately trying to memorize every last detail in your face.

“Love you, angel.”

“Love you more.”

He feels the burning, piercing pain in his ribs before anything else. Then, it’s the dried blood on his skin. Foggy’s muttering to himself in the kitchen about how he needs to find better friends that don’t dress up and prance around at night in ways that bring them two steps away from death.

When Matt’s eyes flutter open into a darkness he’s become accustomed to, tears begin to sting at his eyes as a fresh, strong whiff of your scent hits his nose in his apartment as if you’re walking by him like you’d done so many times before.

Forever and always.

While it hurts, Matt knows from that point on things will start to get a little easier. You're here with him, after all.

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[parvulous-writings]

Could I request dating headcanons for Alejandro Vargas, John Price, and Kyle 'Gaz' Garrick with gn s/o please? - Fluff anon

Warnings: Mentions/allusions to canon typical violence.

Notes:  My requests are currently open! My request post (found here) contains both a list of characters I write for, and a masterlist!  Original character list - please request for these too! If you’d like to support me more, consider reblogging! I’d appreciate it loads!! I put Gaz first because I feel like people overlook him so much.

𝘒𝘺𝘭𝘦 '𝘎𝘢𝘻' 𝘎𝘢𝘳𝘳𝘪𝘤𝘬

Kyle doesn't often talk about his time in the Task Force, despite spending so much time there. It's not that he won't, or can't (except for some circumstances), it's just that he doesn't see much point in it. He'll answer questions when you ask, but he won't go out of his way to tell you about it all - unless Johnny made a funny joke that he cannot help but spout to you. He's close to Johnny - and to Price. Less so Ghost; but from what you've heard about the Lieutenant, that wasn't too unusual. When he's back, he's typically much more focused on you, and what you've done whilst he's been away. "And how's my sweetheart been, hm? Not getting into too much trouble, I would hope..."

Like the rest of the 141, he's gone a lot. He's a Sargent, he can't exactly decline very easily; and though he loves you dearly, he doesn't want to leave the force just yet. He feels that he has so much more that he can give, and doesn't want to waste that. He balances his time with the force and his time with you pretty well, though. He takes regular leave unless he is unable to for operations, and keeps in regular contact with you; mainly through calls and texts, or even through emails when phone signal gets scarce.

Gaz loves physical affection; he really likes holding hands with you when you're out and about. Not only is it a way of showing emotion between the pair of you, but it also means you can't wander off so easily. At home, he likes to be next to you - no matter what you're doing. You could be watching a film, doing housework, or just out on a walk - and Gaz is right there with you. He's also an acts of service man; he cleans, he cooks, surprises you with little bits and pieces when he thinks you might need that pick-me-up to your day.

𝒜𝓁𝑒𝒿𝒶𝓃𝒹𝓇𝑜 𝒱𝒶𝓇𝑔𝒶𝓈

Alejandro's life in Los Vaqueros is kind of heavily interwoven with ordinary life; it simply cannot be avoided. His work is for the protection of his home and his people, and you are encompassed in that. You know the broad strokes of what has happened, but he rarely tells you of upcoming ops, just in case something happens to your shared home, or to you. "It's not that I'm trying to exclude you, cariño, I'm just trying to be... Prepared. It can keep us both... Safer." Of course he's well aware that by being with him, you can never be truly 'safe', but he tries his best keep you as safe as he is able.

Though his Ops or busts are usually around your home, he doesn't tend to spend much time at home - mainly as a way to keep you safe, and out of the eyes of the cartel. He keeps in contact, though. You have a ham radio he tries to call you on at least once a day whilst he's away, and he sends little notes and letters through a middle man when it's safe enough, but too risky to be heard on the radio. He always assures you that he's safe, uninjured, and always missing home - It's clear that he thinks about you often.

Alejandro enjoys cooking; with you, for you, you name it, he enjoys it. He especially enjoys teaching you his family's recipes for various dishes - Pozole, baked chicken chalupas, sopes - if he gets his way, he will teach you all the recipes he knows. Once you mastered those, perhaps he'll take you to his mother, for the three of you to cook or bake together.

John Price

The majority of the time that you hear about the Task Force is through the grumbling and complaining that John does about the copious amounts of paperwork he has to deal with. He takes care of as much as he can whilst he's on-base, but unfortunately, sometimes he has to bring some on leave with him. A Captain's work is never done, it seems. Whilst away, he keeps in contact mostly through email; he says has plenty of time to, when he's sat his desk and computer for so long. You don't entirely believe him, but you let it slide. It's nice to hear from him whilst he's away, it keeps the worry and the anxiety out of your mind. When he's home, outside of his home office, he rarely talks about his work - unless he's telling you about some close-call (typically with Johnny), that in hindsight is rather funny. Other than that, he likes to keep the conversation of 'What's been going on' solely focused on you, even if you've nothing much to report.

Price is gone... An awful lot. He doesn't get a lot of time home, thanks to his station, but every bit of leave he can get, he makes sure to come home to you. Sometimes his leave is very short, though, so instead of spending the majority of it travelling (which would wear him out far too much), he'll opt for virtual dinner dates instead. He's very understanding of the fact that this situation isn't really ideal for love, or dating. He was aware from the start, and had warned you as such. He often reminds you, late at night, that you don't have to stay with him - you're free to leave and see whomever else you so choose, it could be years until he has the opportunity to retire. You just shake your head at him, and take a moment to reassure him that you're not going anywhere. It's not ideal, no, but you're willing to wait. You know John is the one for you.

John loves a good day out. Down to the beach? He's packing his sunnies. A hike? Wonderful, he's got a new pair of boots he needs to break in. Trip to a museum? Brilliant, what kind? Being able to share time with you, making memories of things big and small, is his ideal day. If he could do it forever, he would in a heartbeat.

[cauterisen]

rewatching across the spiderverse on dvd oh i love this movie sm

[cheapshrimpysheep]

First Date - Pomefiore

SUMMARY: What would your first date with him be like? I know first dates might not go so well, but let's pretend these are different. ;)

CHARACTERS: Vil Schoenheit; Epel Felmier & Rook Hunt

TAGS: Fluf; GN Reader; Flirting; Kissing

WARNING: Possible spoilers from The Harveston Sledathon

WORD COUNT: An average of 660 words per character.

Heartslabyul / Savanaclaw / Octavinelle / Scarabia / Pomefiore / Ignihyde / Diasomnia

COMMENTS: “So many possibilities” was what I thought, mostly writing the Vil’s and Rook’s parts. And it's when you have so many options that you block for not being able to decide which one to choose. But in the end, I think I chose well.

I hope you enjoy ;)

There were so many possibilities and at the same time so few. So many because he could take you anywhere. With Vil’s fame and influence, he can open many doors for you both. But so few because, with that same fame, you would have much less privacy in public places. Not just paparazzi, but those inconvenient fans interrupting you and a lot of eyes turned your way.

However, he does know of a few restaurants with private rooms for those willing to pay extra for some peace and quiet. Oh, darling, don't worry. He is very aware of your financial difficulties, that's why he will pay for everything. Of course with that, the least you have to do is your best in your presentation and manners.

What? You think you don't have good enough clothes for a date at that restaurant? Well, let's take a look at your wardrobe, shall we. Oh gosh, you're right! You definitely need new clothes! Come, you and Vil are going shopping urgently. Why? Because he already made a reservation at the restaurant for the following night. Waiting list? For Vil Schoenheit? Oh love, your innocence is so cute sometimes.

Money? “You don't feel it's fair that I pay for everything, do you?” He says when you come back to talking about you not having money for clothes from the stores he wants to take you to. “I'm glad, actually. That shows your character.” He smiles “But then again, I'm the one inviting you. I could have chosen an alternative, dinner in Pomefiore or something on campus, but that wouldn't have been worthy! Yes, worthy. That wouldn't have been worthy to be our first date. And again, don't worry about the money. A tenth of what I get for playing the villain in a single film is more than enough to pay for all this. But... on second thought...” He smirks at you “if this is an incentive for you to strive to look and behave your best, you can still feel like you owe me something.”

He’ll recommend clothes based on what will best show your personality, what fits your tastes, the colours that best match your skin tone, etc. The same applies to accessories and shoes. You're not going in trainers, are you? By the way, Vil can pay for things, but you're the one carrying the bags.

On the night of the dinner, he'll ask Rook to help you with your hair and make-up, even if you don't wear much. We both know he'll not shut-up about you and Vil. But on the bright side, his words are a boost in your confidence.

Did you think he would be one of those celebrities who hide in baggy clothes, a hoodie and sunglasses? On your first date? No, he's going to look his best for him and you. The same way you should look your best for yourself and him. He wants you to look your best so people can see why he's with you. Not just anyone can go on a date with Vil Schoenheit. And I'm not talking about appearances, but about showing your inside through the outside.

He found a way to enter the restaurant as quietly as possible and head to the private room. Despite everyone who was around look at the two of you indiscreetly and immediately wide-eyed. You were wearing the same perfume made by Vil himself. Which alerted the noses of anyone who wasn't already looking.

In the beautiful room you were alone, not counting the times when an employee came in to serve you. You notice that he is wearing the same lipstick as you. Why would it be? “For two main reasons, my sweet spudling. First, because it was the best choice for this outfit. And second...” He lifts your chin with his index finger, running his thumb lightly across your bottom lip. “for when we kiss, we don't ruin each other's lipstick.

Epel knows very well where he DOESN'T want to take you: Pomefiore. Nope! But luckily he also knows very well where he WANTS to take you: Harveston, his home town. But this time it's just the two of you. Away from Vil's judgemental look and comments. And every other student.

However, despite the fact that he knows perfectly well where to take you and what you can do together, he is extremely nervous. Not just because everyone knows him there and many can still remember you and tease you two a little. Especially his grandma if he tells her the real reason why you're there with him. But also because of his own insecurities. He knows everyone thinks he's cute, that you think he's cute, but he doesn't want you to see him like that, especially on a date. But at the same time, if you wanted to go on a date with him it's because you like him the way he is, right? He will often be conflicted between continuing to be who he is or trying to impress you.

You've been there in winter and he'd like to take you at another time of the year so you can see another side of the small town. Luckily, your date turned out to be during Spring. Perfect! And what better way to get around in spring than by bike? He'll get his bike and get you one. Perhaps his grandma offers you an old bike of hers that is still in excellent condition.

Both bikes have baskets so he asks you to carry a picnic blanket in your basket while he carries the picnic basket in his bike basket. He'd like to make it a surprise, but it's hard, so the surprise will have to be the place and the food.

It is an incredibly pleasant ride. There is plenty of space for you as practically no cars pass through these dirt roads, so you can ride freely. Green fields full of blossoming apple trees under a blue sky are your whole landscape. Some trees have completely snow-white flowers, others pink flowers, and still others in between those two colours.

As you have plenty of space for the two of you and long beautiful paths, he will try to pedal alongside you. Always slightly ahead of you to show the way. He might ask if you're enjoying the ride, but your smile says it all.

You will stop at one of the apple orchards and walk through the trees. If you ask Epel if you are not entering private property, he will say yes, but that he knows the owners and had already asked permission for the two of you to be there. He spreads out the blanket on the grass between two rows of blossoming apple trees. Some of the fallen flowers dot the ground.

He didn't do anything too elaborate. Some sandwiches, a little pie or two and, of course, apples. However, the holes in the pies were heart-shaped, as was the cut of the sandwiches. He handed them to you with a smile, but also a blush. And you two would chat while eating and he would carving some apples for you. He carved one like a pattern of hearts, another like a rose, another like a swan, and even one with Grim's head.

It's practically impossible not to find him cute after all that. But not in the way he thinks, it's a different kind of cute that you feel but don't know how to explain. And it's while you're thinking about it and looking at your hands, admiring one of the apples he carved for you, that you feel a gentle kiss on your cheek. When you look at him in surprise, you see a mixture of confidence and hesitation on his face, this second because he's worried that you didn't like what he just did. But when he sees your smile, the hesitation disappears and he moves even closer to you...

MERVEILLEUX! Oh! The day is coming. Your first date. But what to do? There are so many possibilities and all merveilleux! But Rook can only choose one, and he chose: a date at the theatre. To see what play? “The Princess and the Huntsman”, a beautiful story of a forbidden love. He says it's based on a story or rumor about the Fairest Queen's stepdaughter.

Nowadays, you don't need to wear a fancy suit or dress to watch a play. But this is still a date with Rook, so you strive to be at your best for that. “Absolument magnifique~” are the first words out of his mouth when he sees you. He went to picked you up. “You are stunning! I feel so lucky to have the privilege of being next to such beauty.” He will continue to remind you how beautiful you are until you reach the theatre. He loves to see you trying to hide your blush.

During the play you do not speak. Both are focused on stage, or at least most of your attention is there. The other small part of your attention is in the hands. That's because, especially in the more romantic parts, he slides his hand to caress yours.

After the play, if you allow it, you will leave the theatre hand in hand, and talk about what you thought of the play as he takes you to a restaurant for dinner. A beautiful one, with a lot of your favourite foods. You hesitate to discreetly ask him if this is an expensive restaurant. But when you do, he laughs “Ah, mon cher, there's no need for you to worry about that. I'll be more than happy to pay for everything to let you rest easy. Let it be my present for you.”

If you say that you don't have a present for him to thank for dinner, he will reply: “Oh, Trickster, your thoughtfulness and concern are undoubtedly beautiful! But there will be no need for that. Tonight with you was such a magnificent gift that even the price of the most expensive of dishes could not compare. Let me at least treat you that, Trickster.”

Whatever you order to eat, he will order exactly the same. He wants to taste what you taste, understand your tastes to understand and learn more about you. A person's culinary tastes can say a lot about themselves, and he wants to hear every syllable about it. He can't help but watch you as he eats too. Every movement, the way you hold the cutlery, the way you bring the food to your mouth, the way you react to each ingredient. And no matter how good you are at noticing that the person in front of you is looking at you, he is much better at hiding it.

Unless he purposely lets himself be caught looking at you. “I’m sorry mon cher, but you know how hard it is for me not to behold the beauty that I have before my eyes. Please, don't put me through the torture of hiding it.” He’s looking at you with the most enchanted eyes you have ever seen, not blushing is impossible. He loves doing this to you.

If you allow him, he will slide his hand across the table to hold and caress yours while you chat. And slide his foot under the table to touch yours. Sometimes art shouldn't be touched, but when you allow it and that's his way of showing appreciation for you, he'll keep going until you stop him.

It is when you are returning home, or to the dorms, that perhaps you can no longer bear to hear Rook's compliments without reciprocating with a kiss. The best kiss you can give him is one that shuts him up mid-sentence. It's the closest you can get to surprising him. And if it's a short kiss, he'll grab you by the waist, lay you in his arms and kiss you with the greatest passion he feels for you.

If you would like to read more from me, you can find it in my pinned post: INDEX

[intersex-support]

hello! i newly figured out i am intersex, however i haven't been able to find much content talking about intersex experience, history or community, when i first realized i was queer originally i found a lot of content like that and found it helpful, and i was wondering if there's any recommendations you might be willing to give about any content on being intersex or intersex creators who you think people should know about!

Hey!

This ask honestly made me really happy, because when I was searching for people and resources to share with you, I realized how much stuff has been created in the past 5 years. When I was diagnosed as intersex, I felt like there was so much less stuff than there even is now, so it makes me really happy to know there is more stuff, even if it's still hard to find.

Some of the things I've put on this list are outdated or might include perspectives that I don't completely love, but might include important historical context. It is also a very US centric and English language centric resource, although I have linked to organizations in other countries and would love if people added on recommendations to intersex resources in a variety of languages. As always, take what resonates with you and leave behind the rest!

Books:

Cripping Intersex by Celeste E Orr

Bodies in Doubt: An American History of Intersex by Elizabeth Reis

XOXY: A Memoir by Kimberly Zieselman

Intersex (For Lack of a Better Word) by Thea Hillman

In September, Alicia Weigel is releasing her memoir Inverse Cowgirl.

In August, Pidgeon Pagonis is releasing their memoir, Nobody Needs to Know.

Fiction books:

An Unkindness of Ghosts by Rivers Solomon

Intersex #ownvoices books, collated by Bogi Takács

Films:

Every Body directed by Julie Cohen is in theaters right now, and will eventually be on streaming services.

Ponyboi directed by River Gallo

Intersexion directed by Grant Lahood

Articles + misc:

Hermaphrodites with Attitude newsletter-content note for h slur and some other outdated language. Very important history though <3

Jazz Legend Little Jimmy Scott Is a Cornerstone of Black Intersex History by Sean Saifa Wall

What it's like to be a Black intersex woman by Tatenda Ngwaru

9 Young People on How They Found Out They Are Intersex by Hans Lindhal

Teen Vogue's series of intersex interviews

After years of protest, a top hospital ended intersex surgeries. For activists, it took a deep toll by Kate Sosin

Intersex Awareness Day: A Demonstration that Inspired a Movement

Normalizing intersex: Narrative Inquiry in Bioethics

Music-Ana Roxanne

Youth&I-intersex youth zine

Juliana Huxtable-Visual Art

Youtube channels:

Emilord-videos about AIS and surgery.

Jubilee Intersex video

Hans Lindhal-videos on a wide variety of intersex topics.

What's It Like To Be Intersex? | Minutes With | UNILAD

What It's Like To Be Intersex As/Is

Pass the Mic: Intercepting Injustice with Sean Saifa Wall

Intersex Organizations:

Link to org list

People/orgs to follow:

Sean Saifa Wall

Alicia Weigel

River Gallo

Hans Lindhal

Fàájì/funk

Jahni

Justin Tsang

Intersex Awareness (fabulous direct action organizing in the US-keep an eye out cause we're gonna do more this year!)

Liat Feller

Jubilee

Crystal Hendricks

Mari Wrobi

Intersex people, please feel free to add on more resources, art, writing, and people that you like!!