#idk who its for
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6flyingosprey6 · 7 days ago
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i need a gun
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diadraws · 5 months ago
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so, theres a cartoon. but, get this: i've drawn the characters as weird animals. i bet youve never seen me do that before
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cryptocism · 7 months ago
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"just as I did, in 1983."
you'd never know my favourite parts of the show are the fucked up insane bits when my first instinct is to draw the cheesiest thing imaginable
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mausolealdrift · 1 year ago
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its baffling seeing people on here being all shocked about how other ppl didnt have sex or do drugs or drink or go to parties etc etc in high schools like. sorry i was too busy getting bullied to do all of that stuff i guess. why are you surprised that there’s losers on the cringe loser website
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hinamie · 2 months ago
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make it vicious, take a stab
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biggest-gaudiest-patronuses · 3 months ago
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main take aways from Halloween (1978) rewatch:
michael myers is canonically 21??? this bitch should be at the club
*sees tiddies* ***MURDEROUS RAMPAGE NOISES***
that's it that's the movie
outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative
actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.
aka Michael Myers Is A Republican
but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too
also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain
side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty
i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978
(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)
oh no he's hot
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#HALLOWEEN#halloween the movie#michael myers#do you think he's a mike? mikey? to his friends? if slashers had friends?#i'll be honest i was expecting this movie to be way more of a bitch to its female characters#i mean yeah they died but so did some dudes#there's just a lack of cattiness compared to the way most later movies portrayed teenage girls idk#yeah the Final Girl is a Virgin and a Bookworm. but there's no bullying or any strong sense that's she's morally superior to everyone else#mostly she AND the other girls feel a bit sorry for her lack of a social life. one even tries to set her up with a date to the school dance#solidarity! trying to get your nerd friend laid!#overall it's just teenagers being teenagers and then a slasher comes in and ruins everything with his Lack Of Chill#like yeah dude sometimes teenagers have sex. get over it#also something to be said about how while the girl who survives is the one who isn't sexually active and dresses conservatively...#ultimately those things aren't ENOUGH to prevent her from being targeted#you could say that the other girls 'provoked' the villain (the same way women irl are so often accused of provoking their attackers)#but ultimately that doesn't keep the Final Girl safe. it just delays the inevitable.#because violent men never need excuses. no matter how eager society is to provide them.#ultimately she is at the mercy of the same violent whims because it was never her behavior that invited the violence.#gendered violence doesn't need an invitation.#also she doesn't save herself the doctor saves her#it's not her actions or choices that put her in danger OR save her from it--once again it is the whim of a man#no this wasn't intended to be a feminist movie it's just fun how you could argue it that way
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mochasucculent · 1 month ago
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Was looking at refs and since Viktor has two different leg braces I was wondering, do we think he wears them simultaneously?? The refs don't perfectly line up perspective-wise so it's hard to tell but parts of the one he wears during the Hexcore scenes look like they could maybe line up with the brace that he wears over his clothes, but also some parts really don't and look like they'd be super uncomfy. Also HOW does he take these on and off. Experts weigh in
#viktor#arcane#ig my assumption would be that he wears both simultaneously cause in the scene where he injects the shimmer#it seems implied that he just threw off his clothes and kept experimenting#so one might assume he was already wearing the smaller one underneath#tho it is a funny image to think of him just being like 'one sec i gotta go all the way home and grab my other brace to do this'#he can take off the back brace too cause hes not wearing it in the scene where he's in the hospital bed and you can see his shoulder#where the strap would be#but that one seems to make even less sense functionality wise#everything looks like its screwed together#or screwed INTO him#but only the top bolts on his spine are i think#in the close ups of his back brace model it looks like theres cushioning underneath the parts of it that cover the rest of his spine#so he can take it off. but HOW#what parts of it unscrew/detatch to pull open and off#does it not do that at all and he just has to shimmy it off his shoulder and all the way down his legs to get it off like a romper#the shape language of the designs are cool but like. tell me how it wooorrkkksss#forgive me if im just dumb and dont know at all how braces work and theres a very simple practical explanation for all this#any king who wants to infodump about mobility aids at me....the floor is yours#something to be said i suppose about the fact that zaunites have crazy prosthetics with wild augmentations that work flawlessly#and piltover's like. idk heres some fucking uncomfortable ass metal. salo gets wheelchair in non ada compliant place#they havent ever needed to adapt to accommodate disabilities etc etc#or maybe artists were just like 'heres a design' and everybody clapped and didnt give it a second thought#and then they just turned off the visibility on the mesh when they didnt need it knowing thered not be a scene where its taken off#dont even wanna THINK about what that rig would look like#like 40 different controllers#soft body and rigid hard surfaces needing to move together....#a cold chill just shot up my spine#<- guy who is only an animator and doesnt know how to rig#forgive the magic wand tool with zero cleanup. i am lazy
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raynewolferune · 6 months ago
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DC x DP Prompt: Bruce is bad at emoting but at least ghosts are empathic (too bad bat kids are not)
Was reading Twincognito on AO3 when I stumbled across this gem again:
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" “Danny, Tim. I was just…checking in. Is everything alright?” Curse his inability to make meaningful conversation when it wasn’t a life or death situation.
They glanced at each other and shrugged.
Then Danny hauled himself out of the bed and walked over to Bruce.
Bruce tried not to let too much excitement show on his face. "
~
Now I really want to read a story where Bruce adopts Danny post Meta trafficking and is being his usual emotionally constipated self. His kids keep getting mad at him because he's treating their new meta brother who was trafficked poorly (generally being stilted in conversation with him, walking away hurriedly mid-conversation, avoiding Danny when he's feeling really awkward, etc). They think Bruce is discriminating against Danny for being a civilian, meta, dealer's pick, but really it's just Bruce being horribly socially awkward. Danny knows this because of ghost empathy and find the whole thing hilarious. The whole thing comes to a head with the Bat Kids staging an intervention in the Bat Cave.
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spoopdeedoop · 7 months ago
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king and harbinger, old and young
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composeregg · 3 months ago
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edit (10/23/2024) now that the poll is over: Original version, with 10 questions, from April 2023 here
And, given that the original is from April 2023, that means I can very easily say:
No, this was not an ISAT reference!
Just because I use parentheses and 2nd person pov and love the same concepts of what a time loop can do to a person doesn't mean it's ISAT
(Yes, I like ISAT, the original poll is why I was recommended the game! But if you look at the original, you can see all the origins of the options to choose from, including what spurred me on with the moss option from the replies)
If I were going to make something for ISAT, I would never be so vague, you can simply look at my ao3 for proof of that
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distorted-prince · 2 months ago
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Started watching critical role C2, i love these two
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gomacave · 10 months ago
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Its me boy the ps5
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astrowarr · 2 months ago
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every life series season has a villain, but not in the way you might think. it's always a symbol of some kind. it's not a person, but a concept, an ideal, an overarching force. that is, in every season except wild life
third life had circumstance. everything was new and hard to grasp, and no one knew what to do. the villain of third life was the world itself; think of the animal extinction, for example.
last life had brutality. both physically and mentally. it was rife with betrayal and isolation; reds had to abandon teams, and the boogeyman mechanic's paranoia forced everyone apart.
double life had love. love, and the fate it tangled itself in. it was a complex villain, but love killed them again and again, and rewarded the single person who didn't give in to it.
limited life had time. the passage of time itself was the enemy and everything was driven by that. they clawed their way to every last second, and time ate them all in the end.
secret life had the secret keeper. unyielding, unrelenting, unmoving, all-knowing. when the secret keeper forced them to do awful things, no one disobeyed, but hated it all the same.
wild life has grian. grian is representative of every wild card the world plays. he runs the command, and stops it at the end of the day. he is transparent about that. he accepts bribes for information, and unabashedly uses his knowledge to his advantage. he is Other. the players treat him the exact way they did the secret keeper; he's not a player like them this season, he's a symbol, and one of every awful thing that's happened to them at that
which is to say, wild life's villain is a symbol and an overarching force. it's just, for the first time, simultaneously a person, too. everyone else is realizing that too and are pointing their blades at grian, slowly but surely. it is SO fascinating
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anbaisai · 1 month ago
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"What's wrong ojitan... you haven't touched my salad special.... :("
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pricetagged · 2 months ago
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Here's a young (maybe 19-early 20s) Simon struggling with his emotions, working as a butcher's apprentice, and fixating on the pretty student waitress at the café next door (':
Content: plus size f-presenting reader; allusions to domestic abuse (Simon's past); fat-shaming (not Simon); little bit of violence, unedited. (Link to Ao3)
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He's not sure that it counts as desire. Interest. It crawls over him, makes him feel aggressive, makes him want to dig his teeth in and shake and snarl.
It's hunger.
And he knows hunger. Knows it like he knows the cigarette burns on the back of his hand. Knows it like he knows his old man's a waste of space and that he has to defend his mum and protect Tommy and- and-
He's the man of the house, only the house is rotten. Woodloused frames, crumbling bricks. Gutted. Empty shelves hidden behind broken doors. Chipped plaster, electricity cutting off. Squeaky steps that always clued them in when the old man was on a rager (not that it helped, creaking out a warning but giving no clue where to run. The percussion leading to a gallows' jig; the heavy step before the hit).
But the old man's gone now. And Simon is left trying to fill in the boots he doesn’t know how to wear. All growth spurt and gangly limbs and anger. So much anger at the old bastard. Tear-soaked anger at his mum sometimes (buried deep behind the shame that he feels when he thinks of her black and blue. Anger and shame, bitter roots that he chews at to soothe the clench of in his jaw and the grind of his teeth). And then he sees you through the window. Through the peeling CHRISTMAS SPECIAL sign highlighting ham joints and turkey and pigs in blankets.
You're so soft.
You look like you’ve lived a life well-fed and well-loved. Something round and sweet and helpless, like the puppies he and Tommy had seen dumped in the park while they snuck cigarettes and swigged from cheap supermarket cider.
And that brings him back to the hunger. He's an awkward creature, shuffling to the café where you work part-time. He's more feeling than man, all rage and appetite stuffed into a skin suit. You sense it too, nerves tugging at the tilt of your smile as you approach the scavenger that swept in to sit at the cheap plastic tables in this greasy spoon. He sits awkwardly, too, hunched over the table like his stomach is gnawing at him. Big hands snapping the disposable plastic coffee stirrers and shredding the napkins. That first day, he just stares at you. Sneers a little when you flutter over to take his order.
You slosh the tea a little when you serve it.
He sees the burn bloom, watches as you suck at the sting with plump cheeks and a rosy little mouth, and he just wants to dig in and scratch hard to see you do that again.
It becomes a habit, watching you. He finds out bits and pieces listening as he rends and chops and saws through muscle and bone, stinking of sweat and iron. You're here as a student. You're living in student digs (good, best that you avoid the up-and-downs and rough streets that would fit a student budget), and you're a real sweetheart. Old Sal who has been running the café for the past 30 years leans a heavy elbow on the display counter as he chats with the boss.
"She's lovely, taken to it like a fish to water," his raspy, smoke-charred voice is cheery as he waits for the bacon and sausages to be weighed and wrapped. "Only asked for Thursdays and Fridays off since she has afternoon classes then. Otherwise, I almost have to round her out of the shop, doing more afternoons and weekends than my own kid."
You're hardworking too, then. He wonders if it's because you're hungry too, needing something to do with your time, living on pot noodles and supermarket ready-meals like he'd heard some students do. It's strange how that thought sits uncomfortably, makes him want to hunch over you and bring you his scraps.
That week, he decides to talk to you. Only the words get caught, don't come out quite right as he stares at the way your jumper clings to the soft curves under your faded apron. When you turn around, bustling to other customers, he can't help but stare at the line of your skirt. It's real pretty, decent, sitting just above your knees but Christ, he wishes that it would roll up a little higher. That it would catch on the corner of a table or hitch up as you raise your arms and swish past with a tray full of fry-ups. He almost gets lucky as you bend over to mop up a spill just across the room. Your thighs widen as they press against the table, tights stretching thin and sheer and he just can't tear his eyes away-
(The hunger in his stomach turns hot and biting, makes his cheeks flush and his mouth dry-)
But it's ruined. Fly in the soup, hair in the dish, as you catch him and your eyebrows pinch together as you look away. There's something guarded, bitter, in your lovely eyes, and the dryness in his mouth turns wet and sour. You seem to take pains to avoid him, swapping out with Sal's son so that you can work the counter instead of the floor.
"'m Simon," he grunts as he goes to settle the bill. "Work at the butcher's across the street."
You clearly didn’t expect an introduction, shoulders relaxing and hesitant smile blooming as you give your name in return.
"Yeah, I know. Sal mentioned you a few times. He's tried to give me the rundown of practically everyone on the street, feels like."
"Y'should come in t'the shop," the invitation rushes out in a way that makes him feel clumsy. Perhaps that’s why he did it; to have you in his space, with his head and his footing right. Here, he feels every inch the artificial man. Pieced together, too big and too looming, with no help or guidance on how to talk to soft things and pretty girls.
You grimace a little, eyes focused on the till as you count out his change. "Not really on a butcher-shop budget right now."
"'S'alright. I can keep something aside for ya," he doesn't mention how it would come out of his wages. How it would come out of what he brought home to his mum and Tommy. It didn't matter, though, when he was used to going without.
"That's - that's really nice, actually," Your sweet face is glowing now, and he feels like he could bathe in the warmth of it. "Next time you come by lunch is on me."
He sees the way you tuck your chin and smile as he walks away, and that bottomless pit in his guts feels just a little more full.
(He doesn't quite catch the snickers of the boys at table three, whispering and nudging each other as you come to take their orders. This time.)
He stares more and more through the window of the shop, watching as you come and go. Watching the way you greet the regulars and skirt around the group of lads who like to linger in the evenings. There's something sharp, nasty, to the way they circle around the entrance. The way they cackle and hoot when the one with the eyebrow piercing smirks and whispers to his mates as they force you to brush past. They're a pack of hyenas, shrieking and smug as they toy with the poor little thing that's walked past their watering hole. He's seen this type before, practically grew up with them. His old man was probably one of them, perfecting his cruelty while young, cementing it as part of his nature.
It has Simon sharpening his knives while he grits his teeth. Has the boss tutting at him when he cuts too close to the bone.
He knows there's something violent in him. The old man tried to bring it out then snuff it out, getting scared when the knife that he sharpened was able to cut him in return. He's no stranger to bloodshed. No stranger to the calloused, deprivation-dimmed apathy that breeds like algae in the environment where he was forged. Dripping, slimy, suffocating.
Doesn't mean he likes it, though.
(He'd gone back for those puppies, you know. Felt wrong leaving them. Felt like a rebellion against his old man's sick life lessons as he dumped the box outside the doors of a local veterinary clinic).
So he keeps his eyes peeled, stakes out the café like he owns it. Stares down anyone who looks at you wrong until they look away, muttering under their breath. 'Fucking freaky dead-eyed git.' It seems to work.
And you seem to like it, sparing more smiles for him. Bringing him bigger portions than normal and topping up his cup before he even needs to ask.
"I know you've been working since seven, Simon. Gotta keep your strength up," You seem bashful as you slide the plate across, and he just eats it up.
You've been looking at him, thinking about him. It's not something he's familiar with, having someone care for him. His mum loves him, of course. Tommy too. But it’s not the same, not when it's been his job to take care of them. His job to step up to the mantle and into the shoes that his father should've filled. Watching the sway of your wide hips as he tucks into the steak and kidney pie with gusto, he feels satisfied. The hunger is there, always is, but it's not gouging at him under the skin. It's satiated, pleased. The kind of comfort that leaves his eyes heavy and his belly warm.
It's a routine you fall into, and everything is rosy-
Until it's not.
He's closing up shop, wiping down the counters and getting ready to haul down the shutters when he sees them. Those stupid pricks, travelling in their pack and signaling that their quarry is in sight. Look, there it is alone and limping and- You're in a rush, leaving later than usual and shrugging your coat on carelessly as you shout your goodbyes to Sal. You're in that skirt again, the one that makes his lower belly tighten and mouth feel dry.
"Oi, look! Dirty scrubber has her fat arse hanging out!"
It sets them off, chittering and howling as you freeze wide-eyed and lip-quivering.
"Gonna be sick, mate. Don't want to see your knickers, love. Didn't even know they came in that size."
He doesn't even see red. Doesn't see anything but your pretty, round face crumpling as you try to tug your skirt out from where it got caught under your coat.
The ringing of the bell by the door muffles the sound of the first punch. His fist crunches into that prick's nose, and he wants nothing more than to keep going until his face is little more than meat and pulp and blood. He can taste it, smells the blood in the air like a shark.
But you're watching.
"Bit bored with y'taking the piss out of her," he snarls it as he hauls the man by his jacket, shoving him hard against the wall until his head thwacks against the bricks. Easy as hauling a side of beef. "Why don't ya try me next?"
The man seems dazed, head spinning and nose dripping. His mates, too, look floored. Ready to scatter and abandon their leader to the bigger beast. Only the promise of more blood keeps them watching, feeds their nasty appetites and he's just itching to let them see. Watch what happens; it's coming for you next.
"Speechless now, eh? Had so much to say earlier," he's spitting the words out, teeth snapping as he leans down so close to the man's face that he can see how his pupils constrict. "Apologise."
And he's smarter than he would give him credit for. Smart enough to whimper out his 'sorry, sorry, sorry' as he drops to the filthy, damp pavement when Simon swivels towards the others. Something about the set of his shoulders, the way his hands and apron are splattered with the gore of man and animal, has them scattering.
"That goes for the rest of ya! Don't ever want t'see your ugly fucking mugs around here again," he spits on the ground, itches at his jaw with his wrist as he watches them run.
He can't hear them anymore. Can't hear anything over the sound of his heavy panting and pounding heartbeat.
It's cold out. He's only realising it now, standing in the December chill with just an apron over his jeans and t-shirt. It has him shaking, flexing his hand as his knuckles start to sting and swell. He welcomes it, welcomes the familiar bite as he pushes down the savage, ragged anger rippling through his chest.
"Simon-"
"Y'alright?" he cuts you off, faces you head-on.
And all the rage saps out. You're not cowering away. There's no disgust on your face. No tears or embarrassment either, no. You've got a crumpled packet of wet wipes in your hand, reaching out for him. Concerned.
"Figure you'd want to get that prick's blood off you soon as possible," you give him a sad little half-smile. "Didn't have to do all that for me, Simon."
"Yeah, didn't have to." He concedes as he steps closer to you. Crowds into your space until you're toe-to-toe and he can feel your warmth. He brushes his fingers against yours, lets them linger on your soft skin as he reaches for the wipes. "I wanted to."
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Let's all pretend that this was okay and ignore the fact that I still haven't posted the wips that I keep going on about 🫠💖
Just a little self-indulgent drabble idea that I had today, thinking back to watching 'My Mad Fat Diary' as a teenager, feeling nostalgic ~ (The Finn-defending-Rae scene had 18yo me in a chokehold lol).
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hinamie · 3 months ago
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sidelong
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