#i have my major work animations to work on so its kind of. drained the fun out of it

[spoopdeedoop]

king and harbinger, old and young

[lovebvni]

Pink Pick-A-Pile (from 08.28.2022)

LMFAOOA IDK WHY I USED THIS PICTURE!!

but before reading, please realize when i made this, i was in a My Hero Academia reality shifting community. Currently, I am no active there, so if you find these posts,,, yes they were me. LMFAOOAOAO and some of this blog has been edited for my sanity.

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│ᵒᵖᵉⁿⁱⁿᵍ ᵐᵉˢˢᵃᵍᵉ...

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[ 🖊 ] created ⋮ 27.8.22

[  ] published ⋮  27.8.22

˚₊·͟͟͟͟͟͟͞͞͞͞͞͞➳❥ ꒰ ⌨ ✰ Arsyn   ⋆  ⁱˢ ᵗʸᵖⁱⁿᵍ··· ꒱ | ೃ࿔₊•

┊       ⋆     welcome to my blog !

┊     °

hi lovelies!! changing what i did last time for a pick a pile, im going to be doing a more motivational one!

by no means does it mean im going to be all nice, im just going to praise you and all that you and all you’re doing. its just gonna be less about WHAT and more about HOW you can change it and also motivating you to do more/what other things you can do to help you shift faster (if you’re still working to your first attempt) or how you can positively change your shifting journey. also you guys know i can be kind of blunt and then the alice in wonderland tarot is BRUTAL but im using the White Numen deck this time (which honestly is my nsfw deck LFMAJSUHNTE BUT I WANT AN EXCUSE TO USE THEM FOR A PICK A PILE!!!)

breathe in...

and out...

now please, pick a pile or two

Pile 1

Hello pile 1 and welcome to your reading!!

confirmation for this pile: 1111, angel numbers, reunions, supernatural dr, stability, not changing ‘im not seeing results’, pisces, water signs, christmas/yule, holidays, “its just out my reach”, unstable perspectives, cows, animals, outdoors

cards: the hanged man, knight of cups (r), six of wands, ace of swords

not even gonna lie, at first i got 11 cards.., i shuffled the 11 i got to make this pile smaller so i dont drain myself during the first pile jaoishtioeh

this pile is in either a state of waiting or a state of wanting change. you’re waiting for it and you’re working on it but its almost tiring? maybe you’re loosing the hope, motivation, the fire under your ass because of this waiting. i just remember that one blog that said that sometimes shifting is like a waiting game, i feel like thats the place you guys are right now.

in the kindest way possible, your emotions are out of wack. i feel a lot of stress, anger, hurt and just instability in emotions. maybe doing shadow work, vent art, sharing your feelings, poetry, etc. dont avoid these feelings because once you confront them and move on with life, it will be much easier.

again with being creative and venting in a not natural (?) way, ace of swords and six of wands is kinda like a ‘yeah do this.’ a nod in the right direction. being creative and changing the way you develop and think about things will help you a lot. you got this babes! you’ll get the big change you want when you start thinking outside the box. dont do the things you always used to do, but change the way you approach them and how you look at things. glass half full not half empty.

thank you pile one! i hope this resonates!! 

Pile 2

hello pile 2! and welcome to your pile

heres confirmation:  burning bridges, coming to an end, breaking negative cycles, “i know how it is”, not trustworthy, being pissed off and arrogant, 555, spiritual connection (soulmates, twin flames, etc), 888,666, snakes

cards: Temperance, the hierophant (r), 10 of wands (r), the lovers

okay wow the first thing i have to say is so many major arcana cards - literally i thought the would ALL be major

this pile seems burnt out in a way (no pun intended based on the pile image) and you need to find a way to light your flame again. dont give up, and dont be scared to ask for help. if you’re struggling with spiritual beliefs/shifting/your journey PLEASE ask for help. dont cry in silence. break free from any cycle you’ve been in. cleanse your energy and the energies around you. break ties with people who aren’t helping you in any way. who are negative in your life. hold your ground and speak what you think and know is right. dont let someone else control and manipulate you in any way. be powerful, because you are. you’re in control.

with temperance and the lovers coming out i feel like this is almost why you’re shifting/what keeps moving you to shift. its moving into your god/goddess energy. being that powerful being you are. being assertive and knowing what is right for you. when you’re shifting/thinking about shifting/making an attempt remember why you started. remember your past self and who you want to be in the future, and who you want to surround yourself with. the people? are they different? know how to control and change the situation if you need it. you got this okay? you’ll see who you want to see and be who you want to be.

thank you pile 2! i hope this resonated

Pile 3

hi pile 3!! literally accidently typed 333 so anyways

confirmation: 333, childhood, hello kitty, red, actions speak louder than words but its more about the effect on you life rather than what they did, water, ocean, 555, penguins

cards: five of wands (r), three of pentacles (r), death (r), the chariot, five of wands

okay first things first we have 3 reversed cards and thats like kinda?? because pile 3, accidently typing 333 and three of pentacles?? but lets move on

you’re moving away from hardships and being stuck in your own head and coming to terms and being at peace with your cr/or. you’re letting go of the things that made it bad and accepting them as memories and just things to hold on to and never let go of. more about the people than what they did.

are your goals not written out pile 3 and your true intentions behind them? or are you just not working to them? you may know your goals and not work to them, are you burnt out? take a break then! take care of yourself. you guys are the stubborn time but you need to listen to me when i say TAKE A BREAK ITS FOR THE BETTER! you may even shift on your break. you need to take a moment and be still because it will actually boost you forwards in the long run. sometime taking breaks helps you move forward. being able to take time and relight your candle. this will lead you to a peaceful and good ending. you can see the shore and you’re about to pull up.

honestly five of wands seems out of place to me, i ask spirit to give me cards in a way thats comprehensive and makes sense with the cards near/around it. it represents rivalry, conflict in a way. maybe spirit is saying on this break fix your relationship with someone, stop fighting and going back and forth. hold your ground, agree to disagree, and let go. also shifting isnt a race or competition, so dont rush it or you can get thrown off course.

thank you pile 3! i hope this resonated

Pile 4

confirmation: water, water signs, oceans, harmony, boobies , feet?? IN WATER??, “the universe must have divined this” - dove cameron’s ‘boyfriend’, bo burnham, “i gotta get out of here”, deities, blue, white, red, AMERICA

cards: two of wands, four of cups, six of swords, three of cups

okay so something i noticed right off the bat is there is a LOT of water i mean even in a card that supposedly represents air signs, shes in a boat in the water. anyways you guys are PLANNING unlike the last pile, you guys have a set out plan, goals, and reasoning. now you have a decision to make, are you going to look to external sources or work with yourself? i was called to get an oracle card bc you guys are different.

I got two cards actually, a time to give rather than take, new moon in virgo and a time for healing balsmic moon. so these cards, surprisingly, are saying the same thing. a change is coming, it may seem like its slow but its coming. i promise, and it will be surprising when it happens.

back again to tarot, because i actually only got to one card(!!) you guys are reevaluating and reflecting, i feel like you have been for a while, thinking and dwelling on the things you can change, have changed, and how far you’ve come (NOT GOODBYE BY BO BURNHAM COMING ON IM DONE walks out door ok im back.. but anyways) stop romanizing everything and look at it in worse case scenario vs best case. the best case was already stated, now look at it as the worst thing that can happen. make that like the fuel for your flame and dont let it hold you back, let it drive you forward. this is where six of swords comes in, you ARE moving forward and you will keep moving forward the more you do. you will heal (ORACLE!!) and you are healing. six of swords can also be interpreted as an escape. maybe shifting is an escape for you?

for the last card, 3 of cups is all about harmony, friendships and community.

i know a lot of people (AND I MEAN A LOT OF PEOPLE) have left the MHA shifting community recently, but keep close to the ones you need/have made an impact on you. maybe they’re leaving/have left but yk what you do? ask around. search and find. it reminds me of a bible verse “ask and you shall gain” or something like that. keep close to those who help you, keep the positive in your life not the negative. keep friends close okay? and talk to them, dont let go.

okay pile 4!! thats it, hope this resonated and you have a great day! also little side note, throughout writing this pick a pile i saw the lovers. so that may be important to some of you. im not putting it in confirmation because if you get this far down that means something for you.

[powerpolyculeshowdown]

Lime for the poll runners’ ask game?

Lime -> participant(s) you’re rooting for the most?

i don't want to sway the votes so i won't do any propaganda for them after the poll starts BUT it's Wu Zetian/Li Shimin/Gao Yizhi from Iron Widow i just love the way their relationship develops so much and as someone whos unable to actually pick up a book and focus on it, the fact that i read iron widow in 4 days is amazing im still proud of that as silly as it is

yknow what ill use this as an opportunity to ramble about them askdgakdjk spoilers ahead but ill try to keep the major stuff out

for context the book has pacific rim style mechas, but instead of being drift compatible or whatever its usually a male pilot and his concubine whose life force he usually drains in order to pilot the thing, but theres a LOT of propaganda that makes girls want to be concubines, or families might wanna send their daughters for the money. im simplifying it a LOT especially cause theres more info u only learn later on as zetian herself finds out but anyway

at the start of the book zetian and yizhi are besties who obviously have feelings for each other. zetian is poor while hes very rich so their friendship is kind of a secret and they meet in the woods which i think is cute, point is its p clear zetian tries to mantain a distance, not allowing herself to admit her feelings. for reasons i wont say zetian decided to become a concubine to one of the like bigger more badass guys even if she doesnt believe the propaganda and knows she might die, she only tells yizhi this the day before

he shows up at her house the next day begging her family to let him marry her?????? which is sweet because he wants to protect her but that isnt gonna work bestie sorry she's a woman w a mission

so anyway she goes to the concubine thing and shes surprisingly powerful "for a girl" which yeah thats a super common trope but shes so much more than just the strong protagonist. shes extremely powerful in every sense of the word imo and i love her so much and i wish the world hadnt been so cruel that she had to become so strong. but anyway the guy she wants to pilot w picks her. MAJOR SPOILER they have to pilot the mecha on day 1 cause they're under attack and uhhh she kills him lol lmao she drains her life force instead which supposedly is UNHEARD OF

so they cant just kill her off cause that'd look bad instead they send her to be the concubine of the strongest guy (all of his concubines die after 1 fight) and thats Li Shimin my beloved my little meow meow hes looked down on and kinda treated like an animal cause hes a criminal and the only reason he gets to be a pilot is his powerful qi. anyway shes forced to live w him and turns out hes just a lil guy. like hes very big and scary looking but hes just a tired man pls he needs a break. she fucking survived piloting w him which nobody expected. so now theres a lotta stuff going on i wont get into but some ppl arent happy w this duo cause they're both very powerful and not exactly happy to serve. and Shimin has a drink problem.

IN ENTERS GAO YIZHI hes back babey!!! and he decides to help shimin w his alcoholism. its funny cause when they first meet his crush on li shimin is so fucking obvious zetian is like "huh i always suspected he liked guys too" but li shimin is just pissed cause this is the guy who wants to make him stop drinking

theres like 1 moment of jealousy that i can remember when li shimin realizes zetian and yizhi have a thing going on but its settled very quickly and they all kiss.

back to the drift compatible thing: at one point in the final battle zetian and shimin need more power and yizhi literally lends them his qi (its extremely rare for a third person to help) and its beautiful and they are so in love and i cant wait for the sequel

idk if any of that is coherent i kinda stopped thinking and just typed sorry for rambling on ur ask im just very passionate about them i love them so much i love iron widow so much i love xiran jay zhao so much (the writer) (you might know them from the live action mulan analysis video that went viral back when that movie came out) (check out their yt channel)

[nettlestingsoup]

Hi! I'm doing this through an ask cause it feels easier and the writing space is bigger here so I can actually read what I'm typing haha so here's my messy and basic outline for the witch au

First of all, I definitely had the venom mv in mind when I made this so they all look similar to that era in my mind. Also everyone is a witch except for Jisung and Felix. Felix does live with and is part of the skz witch group.

The very basic premise is that Jisung has a brother who was saved by witch Jeongin when they were young → brother tells bedtime stories about what happened to Jisung→ Jisung wants to find Jeongin to learn magic when he grows up. So he does, when he's old enough he leaves and goes off to find Jeongin

It’s actually illegal and dangerous to teach magic to non witches. Illegal because the witch community likes to keep its secrets to themselves. Dangerous cause it’s very risky to make people practice magic if they don’t have an affinity for it. It can tire their body out and they can get very ill. Few people actually do manage to practice magic if they don’t have an affinity for it either way. 

Jeongin is ready to turn him down but sees a powerful amulet that Jisung made, he wouldn't have been able to make that if he didn't have some sort of affinity for magic. Which confuses the entire group cause he seems like he has no magic but then he goes and makes amulets not even Chan or Changbin can make. So they decide to carefully teach him what they know.

I haven’t entirely settled on their affinities yet but this is what I had so far/what I remember:

Jeongin: most powerful, strong bloodline, can do a bit of everything but his strongest point is that he can influence the weather and that he can perform spells using only minimal hand gestures which is very rare. Usually they’d need invocations or symbols (sometimes accompanied by hand gestures). 

Chan: crystals, amplifying energy, charms.

Minho: clairvoyance, visions by touching people, creatures or objects, strong visions don’t even require him to touch anything

Changbin: draining energy, making curses, he works closely with Chan to make enchanted objects

Hyunjin: affinity for summoning and communicating with animals 

Felix: he knows a lot about herbs, which ones to eat, which ones heal you, etc, it’s not something that requires him to be a witch but he’s so exceptionally  good at it that people would assume he was a witch, he wasn’t safe anymore in his home village and that’s how he ends up with the witches. He also may or may not have some witch blood from somewhere in his family. 

Seungmin: levitation and potions

Jisung: amulet making, other enchanted objects, he would work with Chan and Changbin a lot. Amulets are a lot stronger than crystals so it’d be a major help. He can also make other objects. 

Some affinities slightly overlap but that’s intentional so they can work together a lot. Like Jisung, Changbin and Chan to make amulets and other objects or like Felix and Seugmin to make potions, sometimes assisted by Minho if they need something he saw in a vision. etc

At some point in the story Jisung finds out his brother joined a group of witch hunters (he has his reasons) and that results in A LOT of different events hdhdh but I have been talking too much already

My main “romantic” relationship is Jeongsung but I hint at past Hyunin and I’m thinking of making the dynamic between everyone a bit open/vague. Up for interpretation. They are all SO fond of each other really.

I’m considering having the house be able to pick up/react to their moods (lights flickering, plants growing wildly, etc) → mostly in regard to Jeongin cause it is was primarily his house before the others joined.

I think having the others be able to transmit some of their affinity to Jeongin (which is why he can do a bit of everything) would be pretty cool  but I haven’t decided yet. 

I haven't decided on the time period yet I don't want it to be too modern though but well see; It's an au so I can kind of switch the historical facts up hahah

I feel like I haven't actually said anything about the story but it's already so long gdgdgd sorry hahah

oh this is VIBEY. visions and clairvoyance really make sense for minho somehow??? like that has exactly the right vibe??? and seungmin making potions... and levitating things... and the affinities overlapping and working together would lead to such interesting character relationships i feel!

i love the concept of the house reacting to them as well! like casita in encanto but more mysterious! i love the idea of someone getting upset and all the lights flickering!!!

i'd love to hear more about this if you want to throw it at me, i absolutely love magic aus and this one sounds really creative and interesting! <333

[asseater3k]

Metal Gear Mania Day:5

At the time of writing I’m at the save screen after getting hit with 9 meaty electric god wind fists from a large Russian man I want try being less rambler for this one so I’m going to bullet out my talking points below the cut THESE WILL CONTAING SPOILERS FOR MGS 3 A GAME YOU SHOULD BE PLAYING IF YOU CAN

BOSS FIGHTS - I’ve faced three bosses today. The Fear, The End and The Fury all members of the cobra unit and all pretty fun I appreciate how open ended these boss fights are even between using Lethal vs non Lethal tactics each side has a plethora of tactics that you can use for example The End is set up so you can do a sniper wolf style snipers duel theres a room with an SVD and ammo in the arena and everything however I wanted his camo and didnt have a non lethal sniper so I had to go at it with a tranq pistol i feel like if I did this in some other games I’d be up a creek but here not only was I able to do it I had several ways of going about it you can terrace some animals use thermal goggles if you have them and even sneak up behind him which i was able to do once, The Fear is similar but I don’t have much to say as i cheesed him with fake death pill and stun grenade which worked shockingly well, The Fury is a lot less physically open than these taking place in a Vulcan raven style maze but the big storm drain looked cool and offered no less tactical depth, my one complaint thats very minor is that KOing The End doesn’t get you his camo just his myosin which is still a good pick up as its a non lethal sniper. I learned that to get his camo you actually have to hold him up three times which is it fine I’m just kinda bummed cause it turns out its a good ass camo. a lot of the stuff you get especially boss items seems to set you up for another playthrough which is kind of a thing throughout the game encouraging multiple play-throughs which is something I would be open to if I weren’t on a time crunch

THE BOSS- I noticed while comrade Kazuya was pushing my shit in boss got visibly upset by this on top of that she keeps insisting Colonel Mishima leave snake to her. It’s obvious she still cares for him in someway and she doesn’t seem like the kind of person who just defect to be on the other side so I dont think its just a lingering thing she has to get over on the side she beat my ass with powerful techniques twice already so I think theres something more its meta gear after all theres gotta be some crossed wires the only thing is that where I’m at now there seem to only be two major players 2.5 at best plus all this stuff with the “philosophers legacy” they bring up the philosopher’s super casually like I’m supposed to know them maybe it’s something from the MSX games but The Boss intrigues me I dont think she just out and out switched sides and I don’t really want to kill her we’ll see I guess

[draugsresurrection]

New Year Recrawl

So, I think this place kind of got away on me. There's been multiple DR updates across last year, but posts simply didn't make out here. I've tried being on a multitude of new sites in hopes of even the faintest traffic, and spreading those posts out slightly to clearly see which sites worked and which didn't, and, well, none did. So by the time Tumblr's turn came around, I was just so disenchanted and mentally drained that I just... didn't.

But anyway, new year (sorta; complications pushed this back about three weeks from intended), new update, attempt to be less terrible. Version 1.1.4 has three big update features, and a couple of smaller ones. Two of the bigger updates are a casino that's there more for moral obligation and making its town more standout than a sign that I actually like or use such casinos in RPGs, and a major change to all humans, giving them varied resistances based on their weapon, magic, and armour types. This includes the player's party, too. They're relatively small modifiers, but make fights quite a bit more volatile, and defensive positioning more important.

The main update, at least to me, is the ability to buy new outfits for party members. Why did that get prioritized? Well, two reasons. One, this does potentially address complaints that certain characters don't 'look' like their roles, like Alice being the de facto black mage, despite looking more like a healer with her pink dress and flower in her hair. The second, the main one, being that I think the ability to visually change a character is worth a lot in a game that tries you to drastically change a character's stats over the course of the game.

Equipment is tied to levelling up, and, say, Lucy swapping from a Iron Saber to a Steel Scimitar might see her Attack/Magic split go from 15/18 to 28/13, resulting in her playstyle changing dramatically for her Scimitar duration. Having her look different (at the player's own free control) is a good way to mark this change. Some outfits will try to look more mage-y, more armoured, more speedy, and so on. Gale above is another perfect example; normally a staff-user, she could instead equip a Dagger and be a speedy frontline support fighter instead. Maybe it's not that big a deal for other people, but some of my own play/test sessions are months apart and I frankly spend a solid five minutes wondering why someone's magic is so awful before checking their gear after battle.

But that was just stuff from one update of, uhm, seven, since the last time I posted here. To speedrun the highlights of additions since then; 100 New monsters have been added to the game. ALL enemies now have Weak, Dead, and Attacking frames. Some AI fixes, again. Academy Lessons provide uniquely crafted encounters as a way to teach the player about certain spells and mechanics. Ineffective spells/skills have a subtle 'fizzle' animation. A proxy of a Trophy/Achievement system has been added. Autosaves were added. And lastly the turn timeline that was the focus of the previous post here.

Just noticed I didn't include a download link yet, so let's just end this cleanly with that. Link to itch.io download here.

[ask-a-familiar]

Welcome back to Get Familiar!

In this second installment, we will be discussing:

Vampire Feeding

The do's, the don'ts, and more! (New recipes, anyone?)

Let's get into it!

The Bloody Basics:

Vampires cannot consume anything other than blood. That much you should be aware of unless it's your first day on the job.

That rule, the MAIN rule that you should NEVER forget, is... well... more vague than it sounds.

The most healthy thing for a vampire to feed on IS human blood. But they can also safely ingest a few other things, such as:

- Blood from other animals (this leaves them momentarily sated but still unsatisfied, for the most part)

- Other... human bodily fluids... (you've seen this if you were unlucky enough to have to host the biannual vampire orgy. This doesn't actually soothe their hunger or give them any nutrition, but they don't get sick)

- Human flesh (in small quantities), most commonly consumed during throat-ripping when they're desperate for blood.

Now, with that being said, you need to throw your morals out of the window if you haven't done so the second you took on a dark master. There are no artificial alternatives to blood that can be used to feed vampires. They can go for many nights without feeding, depending on the vampire. Younger vampires need to feed more regularly than ancient vampires.

In general, the best way to go about it is to fetch when your master tells you to, save leftovers for later when you can, and learn your masters feeding schedule.

If you mess up, be prepared to be the substitute meal.

Now that we're clear on what they can eat, here's a crash course on some do's and don'ts, and general questions most familiars have at some point in their infernal careers.

Q: Should I offer my own blood to my master?

A: NO! That is a remarkably bad idea. Most familiars start the job with rose tinted glasses and romantic YA novel fantasies about vampires. If your vampire isn't outright disgusted by your offer, getting fed off of will not be the intimate, romantic thing you think it will be. (Okay, maybe intimate, I've heard it gets kind of intense,) but the main concern is that you will die.

Virgin blood, freely given, is some of the most delectable blood a vampire will ever taste. So if you offer it, they will take it, and more often than not they WILL completely drain you. You will not be turned just for offering to feed them, unless you count being turned into a shriveled up raisin of a human corpse.

Remember: Vampires are VERY rarely attached to their familiars. You are replaceable.

What does being fed off of feel like? Am I leading people to a horrible, painful, death?

Yes and no. Being fed off of hurts, but it also makes you dizzy and I've heard there is a sort of elated numbness that comes over you when being fed off of. It might even feel sort of good.

Take solace in the fact that it doesn't ONLY hurt for your victims, but there's no way to dance around the fact that you ARE still leading them to their violent deaths. Sorry.

I feel like my vampires are bored of just plain old blood. Can I cook something with it? Or freeze it into blood Popsicles?

No. We've all thought about it, many have tried it, and it's usually a major fail. Blood "popsicles" won't make them sick, but vampires don't like them very much. Cold blood is usually a no-go. Blood snow cones work for some vampires, but it's a big gamble to try.

However... after many sleepless days, I managed to figure out an answer to the problem.

How can I make a recipe using only ingredients found in human blood?

For this, I had to turn to food items with a VERY small list of ingredients, for blood is incredibly simple in its makeup.

Then it hit me.

It is fully possible to make blood cotton candy that is edible for vampires.

Yes. You read that right. Cotton candy is the only feasible way to feed your vampire anything other than plain old blood.

They will not projectile vomit as if they were eating regular human food, just make sure you ONLY flavor it with blood. No other flavor.

You're welcome!

And with that, thank you for reading this installment of Get Familiar. I hope this helped, g*dspeed, soldiers.

-Sair

[things-we-cant-say]

pretty little liar

Pairing: Ten x Female!Reader

Summary: In order to get your annoying ex off your back, you tell a little white lie that takes an unexpected turn.

Genre: College!AU

Warnings: Smutty smut, dirty dancing

Word Count: 4,867

A/N: Unable to withstand Ten’s power any longer, I had to start writing about him…or a version of him anyway. Hope someone out there enjoys my first dip into the ~imagines~ pond. ☺️

The party was in full swing by the time you and your best friend Amy arrived, the music so loud it could be heard down the street. It was a wonder the cops hadn’t broken it up yet but hey, the night was still young. Ducking through the arched doorway with Amy hot on your heels, you let her guide you into the foyer where you both stopped to take in the scene. The place was packed with people dancing, drinking and laughing—everyone apparently having a great time. Which was perfect for you because all you wanted to do was blow off a little steam and pretend you hadn’t spent the day fantasizing about committing the perfect murder.

You enjoyed school for the most part and you enjoyed your classes, but really you couldn’t wait for it all to just be over. Two extra years and your master’s degree in linguistics was almost within your grasp. You still weren’t one hundred percent what you planned to do with it (teaching was definitely out) but either way you were ready to dive into the real world. To no longer be stressed out about exams and papers and boring ass professors that constantly seemed to have a stain on their tie.

And to get far, far away from your stupid ex, Adam.

“Uh oh you have murder face,” Amy said as she peeped around to look at you. “What’s wrong?”

You shrugged. “Just in my head I guess.”

Amy hummed. “I get it. That’s why we are here though! To get fucked up and do something we regret in the morning.”

You laughed. “Guess we’re Uber-ing home.”

She grinned and grabbed your wrist, pulling you over to a table loaded with different types of alcohol. The guy ‘tending bar’ as it were winked as you two approached. “What can I get you for?”

“Something with alcohol but where we can’t taste the alcohol!” Amy exclaimed happily. “Oh! And if you’ve got any little umbrellas I’d like one of those too.”

He did finger guns and proceeded to cook something up in two red cups, sticking in two pink umbrellas when he was done. You and Amy took your drinks and after a cursory sniff, took a sip. The tequila wasn’t as strong as with a single shot but you could still detect it just not enough to make you stop drinking. Unlike Amy you didn’t plan to get completely fucked up but you weren’t going to say no to a nice buzz.

Cups in hand you migrated onto the dance floor and fell in with everyone else, bopping to the beat and scream chatting over the loud music.

“I really needed this!” Amy yelled. “Statistics is kicking my cute little ass!”

“I know what you mean!” You shouted. “But hey! Soon we’ll be done and actual jobs will be kicking our cute little asses!”

Laughing, Amy bounced up and down, sending her blonde hair flying. “Is that why you’ve been so grumpy lately? Or is it…he who shall not be named?”

With a sigh you took a big sip of your strawberry margarita. “Yeah. He keeps fucking calling me and leaving me these stupid ass messages, apologizing and shit. I’ve blocked him but he just uses someone else’s phone.”

Amy’s eyes stretched wide. “That’s like stalker behavior! Or maybe he really is sorry for what he did.”

You snorted. “Sorry for having sex with his ex in the backseat of my car? As far as I am concerned he can take his ‘sorrys’ and shove them so far up his ass they come out his mouth as safaris!”

Amy choked a little on her drink, hitting you hard on the arm in admonishment after she stopped coughing. “I hate you! I could have died!”

Her words made you smirk. “But did you? No but for real, fuck Adam. Fuck Adam and anyone who even looks like Adam!”

“Woo!” Amy threw both hands up into the air, yelping as liquid sloshed down onto her head. “Oh shit! Drink emergency I’ll be right back!”

Before you could say anything, she turned and hurried back towards the drink table. Alone in the middle of a dancing crowd, you didn’t know whether you should slink over to a corner or just keep dancing. That last thing you wanted was some random dude trying to groove with you. Of course if you decided to hold up the wall nothing would stop some random dude from trying to hit on you either. At a bit of a loss you drained the rest of your drink and did a I don’t really know anyone two step, hoping Amy would return soon.

The tequila settled nice and warm in your stomach, making you feel more at ease. Most of the people at the party were from your school but not ones you associated with on like, a daily basis. Sure you recognized a few faces from the library or cafeteria but there was no one you’d had more than a surface conversation with.

And then your eyes landed on him. Ten.

Ten was a…different sort of person altogether. He was the kinda guy CW shows thought actually existed in college, except he was very real. And very much fucking gorgeous in that unattainable way CW shows also loved. However, that sort of did him a disservice because as far as you knew, he was just a decent guy who happened to be able to do some pretty awesome things.

For example, he was an amazing dancer. The kinda dancer that just freaking mesmerized you when he moved. Had you wondering how in the hell had he taught his body to do that shit? One minute he was in total sync with everyone else and the next he was performing his solo and blowing your mind. He’d done some show a few months ago with a friend and you’d nearly flipped out of your chair watching him work. The body rolls, the attitude, the way he’d just commanded the stage…whew. Was it possible to be a fan of someone who wasn’t famous?

Then there was his art; things he designed himself or drew from memory. Art class was essentially where you’d sorta came to be acquaintances with him. You weren’t exactly good at drawing but you liked it enough that you wanted to improve, plus it helped you de-stress after particularly hard days. Ten on the other hand excelled and just like with dancing, it was interesting to watch his process. He’d described himself as a sensory artist so he wasn’t always as concerned with the end product as the professor sometimes wanted him to be. From your eye though he’d yet to create anything that wasn’t remarkable. In fact, more than once you’d wanted to ask him to design a tattoo for you, but felt it would be kinda weird. He had no idea what you were into after all. So far your conversations with him had consisted of colors and that one time he’d asked to borrow one of your brushes.

You were pretty sure he’d sold something to an art gallery.

Anyway so Ten could dance and he could draw and he could sing and he was fluent in several languages; as far as you knew the only thing he was kind of shit at was cooking. But who hadn’t set a class kitchen on fire once or twice? Or three times…

If he were an asshole—well people would probably still crush on him—you’d count that as a major flaw and want to keep your distance. But the kicker was that he could do cool things and he was nice. Dorky even especially when it came to cute animals. Was always posting pictures of himself at the animal shelter playing with the kittens and the puppies, or just acting like an idiot with friends. Yet it was that confidence that made him seem untouchable, and also made him sexy as fuck. More than once you’d fantasized about biting his Adam’s apple.

Heh.

Shaking your head, you fanned lightly at your face with both hands. Maybe stepping outside for some fresh air would be a good idea.

“Y/N!” Amy nearly tripped over her pretty sandals in her hurry to get back to you. “Weewoo weewoo weewoo!”

“Um…”

She grabbed your shoulder. “It’s a police siren! We have a code red situation here, I repeat a code red! Adam just walked in!”

“What?” You blinked and immediately looked towards the doorway, brows narrowing when you saw she was right.

Standing there in a white t-shirt in his formerly handsome glory was your ex-boyfriend, Adam. Once upon a time you’d thought the world of him; thought he was the kinda guy you could probably marry someday. The kinda guy you’d introduced your family to. Turns out he was the kind of guy that hooked up with his ex in your car repeatedly until finally being caught in the act. Sure it had been gratifying to make him and her walk home half naked but it had done nothing to quell the pain left behind. Thankfully though your pain quickly turned to anger and now you usually focused on not murdering him when he popped up. There was a lot you could forgive but cheating was firmly in the do not cross zone. Everything you’d felt for him evaporated the moment you saw him with her.

And he’d promised he was over her. Lying piece of shit, you thought to yourself.

“What the hell is he doing here?! Does he even know anyone here?” you asked with a frown.

“I dunno!” your friend said slowly. “It’s possible, big campus and all. Do you want me to help you climb out of the bathroom window?”

“Yeah my boobs aren’t fitting through one of those skinny ass windows,” you replied wryly. “Though to be honest I’m almost willing to risk it. C’mon let’s—”

It was too late. Adam spotted you like an arrow searching for its target, eyes registering shock and then elation. He reached you in three quick strides, opening his arms for a hug that he was damned crazy to expect. “Y/N. Wow you—you look amazing. I’m so glad we ran into each other.”

You huffed. “I’m not. I told you we’re over Adam. Or does me blocking your calls not get the message across?”

He exhaled deeply. “Look I know I messed up but I’m sorry. Classes were just really tough and—and Lucy and I would reminisce about old times…”

“Do I look like I give a shit? You cheated on me and we’re over.” The lie came so easily. “Besides, I’ve moved on.”

“Yeah!” Amy poked him in the chest. “She’s moved on so suck it!”

Adam arched a brow. “You’ve moved on?” He sounded skeptical and that made your blood boil. “Since when? And with who?”

You’d once heard that Hippocrates came up with the saying drastic times call for drastic measures though it wasn’t something you’d be willing to bet money on. However, standing there with your ex eying you like he just knew you were lying brought a whole new meaning to the idiom. You would one hundred percent be damned before giving him the satisfaction of gloating.

Tequila’s kicking in…

Without missing a beat, you put a hand on your hip and motioned to Ten. “Him. I’m seeing him.”

Amy made a sound like a cat having its tail stepped on while Adam gaped at you. “What? I—no. No way. You’re totally lying. I’ve seen the people he’s dated and you’re not his type at all.”

This bitch.

Twirling on your black heels, you strolled across the room to where Ten sat in an arm chair, chatting with a few of his friends. Before you could talk yourself out of it, you straddled his lap and leaned forward to whisper in his ear. “Oh my god, I’m so sorry. I know this is awkward as fuck—I’m so sorry—but if you just play along I will owe you big time. I’ll give you anything. You need a kidney? You can have a kidney.”

Ten’s friends had gone mute and as you sat back to gauge his reaction—or to possibly be thrown off of him—you bit your full bottom lip. His dark eyes were watching you calculatingly, his own lips pursed together like you were a riddle he needed to solve. Up close he was utterly breathtaking, all smooth skin and silky black hair that fell artfully across his forehead. He smelled incredible.

And then he spoke.

“There you are baby,” he said wrapping an arm around your waist. “I’ve been looking for you.”

That was when you figured you owed him your first born but it was fine. “Well, you found me. Sorry to keep you waiting.”

He chuckled. “You’re worth waiting for.”

His friends still looked confused though they didn’t have time to voice their opinions. Adam stalked over seconds later like a man on a mission. “So it’s true? You and Y/N are together?”

Ten tilted his head to the side and you saw the moment the lightbulb went off for him. “Yeah we’re together.”

Adam huffed. “Since when? For how long? Where did you two meet?”

Ten smirked. “Are you taking a survey or something?” He brushed his lips across your jaw, making you shiver. “The only thing that matters is that she’s mine. Let’s dance, Y/N.”

“I would love to,” you replied with a smile. You were also grateful he’d remembered your name.

You climbed off of his lap and took his hand, sending Adam a you thought look before pulling Ten out into the thick of the crowd. Your heart was beating a mile a minute but you felt too giddy to pay much attention to it. Plus, you knew Adam was watching you like a hawk and you didn’t want to let on how nervous you actually were. If he found out you were lying he’d never leave you alone and consider you pathetic to boot. Besides the nice buzz that was finally creeping down your spine told you everything would be fine. How could it not be?

Ten’s hands settled low on your hips and he gave you a little tug, pulling your back to his chest. You fit rather perfectly with him, his chin brushing the top of your head. Picking a rhythm in the song that thumped with bass, you began to move together. You rolled your ass against him and leaned your head back to rest on his shoulder, focusing on his breath as it ghosted across your neck. A silver of light wouldn’t have been able to get between you.

Normally you wouldn’t have dared to do something like this with a near stranger but your desire to make your ex suffer was bigger than your nerves. Besides Ten appeared to be all in on the ruse; his body twisting and curving in sync with yours, fingers on his right hand sliding up between your breasts to wrap lightly on your throat. His teeth nipped at your earlobe and you gasped. Reached around to his side to clasp his shirt for an anchor. You heard him chuckle and suddenly you were spun away from him only to be reeled back in, this time face to face.

The room felt like it was two hundred degrees. You weren’t exactly wearing much—a slinky black dress with tiny ties at the hem—but even that seemed too much. Without missing a beat though you and Ten continued to grind with one another, his thigh just barely pushed between your own. Every time you swayed forward to meet him the denim of his jeans rubbed deliciously against you, sending sparks sprinting through your veins. Both of his hands were on your ass as if helping to guide you, and as you met his gaze you couldn’t help but bite your lip at what you saw there. Desire, lust, hunger—no one had ever looked at you like that before. Like they could just devour you and still not have enough of you.

It made you feel powerful.

You grinned and wrapped an arm around his neck, fingers giving his hair a little tug. He hissed and lowered his head so that he could mouth at your bare shoulder, hands squeezing your ass so hard it nearly hurt. You weren’t sure when you started to get wet—maybe it was the moment you sat on his lap or he decided to play along with your dumb stunt—but you could tell it now. Your panties were sticking to you, your skin was on fire and it was becoming difficult to think straight. Honestly however you didn’t want to think at all, especially not if it meant not being in Ten’s orbit.

“Ten,” you whispered into the skin under his jaw.

He hummed, the sound vibrating through your body. You plastered your hand to his chest and pulled it down, nails catching on the thin material of his shirt until they were brushing along the zipper on his jeans. You gave him a quick squeeze—he was hard and straining—and he cursed loudly. Between one second and the next he was dragging you down a dimly light hallway, past kissing couples and one guy passed out drunk in the doorway of someone’s room. He swung you both into the first vacant room he came to; a lavish bathroom at the very back of the house. The door was closed with a swift thump and the lock clicked shut.

You licked your lips as he crowded you back into the counter, looking down at you with a tiny smirk. That part of your brain that yammered on about bad decisions was surprisingly quiet, so you figured it was beyond okay to pull him down for a kiss. As with most of the stuff he did, Ten was a damn good kisser. His mouth was soft and warm, his tongue playful and coaxing. He kissed you like he’d been waiting to kiss you for a long time. Until it grew deep and sensual. Until you were both panting with the need for air but neither wanting to let go of the moment.

With a gasp you tilted backwards a bit, your knees suddenly weak. “Fuck me,” you said absently.

“Can I?” Ten asked, chest heaving. “Can I fuck you?”

“God yes,” you replied, already pulling your dress up until it hitched around your waist.

Ten hooked his thumbs onto the band of your pink panties and slid them down your legs, laying them next to the sink. He looked you over with that same eye he used for his art but you could tell he liked what he saw. You grabbed his hand and brought it between your legs, spreading them wider for him. Two of his fingers slipped inside of you without any resistance to find you damp and aching, already so hot for him. He started a lazy rhythm—in and out, in and out—like he was in no hurry at all. Like he wasn’t driving you crazy all the way down to the tips of your toes.

He kept his eyes locked onto yours as he touched you, lips slightly parted like he couldn’t believe this was happening. That rang true for both of you. Never in your wildest dreams did you think you’d ever really be friends with Ten, let alone about to hook up with him. It was like you’d stumbled into some alternate universe.

Bringing his free hand up to your cheek, he smoothed his thumb across your lips, pressing lightly until you let him in. You sucked his thumb into your mouth and gave it a little nip, smiling when he smirked. When he deemed it wet enough, he pressed it to your clit and you moaned, your hips stuttering upward with a will of their own. He began a firm massage, working your clit this way and that, fingers still thrusting in their maddening motion. Of course he’d be great with his hands. Of course he’d be able to play your body like a finely tuned instrument.

Pressure started to build low in your stomach. “I—I’m…”

“Turn around.” Ten took a step back and made a show of sucking his fingers into his mouth, tongue darting out to lick between them like he wanted to savor every drop.

You whimpered but did as he requested, your eyes finding his in the wide silver mirror. You watched as he unzipped his pants and pushed them along with his dark colored briefs down to the floor. You hadn’t seen him pull out a condom but he had one; ripping open the packaging with his perfectly straight teeth before rolling it onto his hard cock. It was a delicious looking thing you had to admit, long and thick with a slight curve. If you’d had the time you would have gladly went to your knees for him.

A low breath shuddered out of Ten’s lungs as he pushed inside of you, his hands gripping your waist so strongly you were bound to have a few bruises later. “Fuck, you’re tight.”

It had been a while since Adam and nobody after him until now.

When he assumed you’d adjusted to the size of him, he pulled nearly out before driving back inside of you. You moaned and pushed back to meet his thrusts, feeling the pleasure shattering through you. Your breasts bounced as he moved and he reached a hand forward, tugging down the top of your dress so that he could cup one. He rolled your nipple between his fingers and pinched, bending over you so that he could bite down onto the tender skin of your shoulder. The motion sent him even deeper and you both groaned at the feeling.

“Te—Ten,” you stammered, losing your train of thought when he rolled his hips liked he did on the dance floor. “Oh fuck! Fuck!”

The picture you made in the mirror was a very erotic one; you could see every single expression on Ten’s handsome face. The utter enjoyment he was obviously finding in fucking you was written all over it; there was nowhere for it to hide. His head was tipped back, eyes fluttering closed only to pop back open so that he could watch himself shove into you over and over again. He had you up on your tip toes, nose just an inch from the mirror itself. He was always sexy but tonight that word took on a whole new meaning.

All you could do was try to give as good as you got.

You slapped a hand onto the sink to steady yourself and clenched around him, reveling in the low whine that escaped his throat. It kinda sounded like your name.

And then he was pulling all the way out, dick bouncing as he stumbled backwards. You blinked in confusion. “Wh--what’s wrong?”

Ten ran his fingers through his hair. “C’mon. I want you to ride me.”

He sat down on the closed toilet seat lid and you straddled him without a second thought, sinking down onto his dick with a full body shudder. With your dress around your waist and your breasts jiggling in his face as you bounced up and down on his cock, he traced his tongue around your nipple before lightly biting down. You tangled your fingers in his hair and panted out his name, letting out a squeak when his palm connected with your ass for a hard slap. Planting his feet on the floor, he leaned you backwards a bit as he drove into you repeatedly, eyes watching how well your pussy took him.

“You’re beautiful,” he murmured against your collarbone. “Gorgeous—you feel so good.” He bit you again, this time on the side of your neck. “So good.”

With one hand on his shoulder to brace yourself, you rose up and let yourself come down hard over and over again, feeling him pound so deep it was almost criminal. Had the music not been so loud you knew exactly what you would have heard; the sound of skin hitting skin as Ten fucked you like he owned you. Just for tonight, maybe he did.

You weren’t sure how long it went on but when you came it still managed to take you by surprise. Your body lit up like a Christmas tree from the inside out and you cried out Ten’s name, clenching around him, your nails digging into his shoulder blades. He muttered a drawn out fuuuuck and pinched your clit with this thumb and forefinger, making you jerk so hard you nearly tumbled off his lap.

“Ah! Ten!” You shouted as he kept it up. “I—no—oh god—”

Your pussy tightened around him again and he shivered, thrusts growing erratic as he came with a grunt. You trembled through a second orgasm almost in disbelief—usually the only thing that could get you off twice in a row was hidden under your bed in a shoe box.

Seconds later you flopped against him, attempting to catch your breath. He was still rolling his hips just a tiny bit, making all the too sensitive areas ping.

“Whoa,” he said breathlessly, wrapping both arms around your waist. “That was…”

You chuckled softly. “Yeah…” Chancing a look at him, you admired the way strands of his dark hair stuck to his sweaty forehead. He was glistening, shirt sticking to his chest. He smelled like hints of your perfume and you smelled like hints of his cologne. It was all so intimate.

Reluctantly you sat back and gazed at him, wondering if things were about to get awkward. But Ten just smiled and ducked his head a little, a barely there blush creeping up into his already flushed cheeks. It was so adorable you couldn’t have resisted kissing him if you tried. From the way he melted into you, he’d had the same idea.

After a few minutes of just enjoying the feel of his lips against yours, you forced yourself up off of him. Your legs shook; you had to grab the counter to keep from tripping in your heels. You could already tell you’d still feel him tomorrow and the thought made you kinda dizzy, but in a good way. Blinking at your reflection—your hair was a dark mess—you knew there was no way you’d be able to hide the love bites that adorned your skin. They stood out stark red and purple like a bruise.

Ten remained slouched on the toilet for a couple of moments before removing the condom and tossing it into the trash. He dabbed at his dick with a handful of toilet paper, and then pulled up his underwear and jeans. “So…can I ask you something?”

You fixed your dress. “Sure.”

“Who was that guy?” he inquired with a grin. “The one you obviously wanted to get away from.”

Oh shit you’d forgotten all about Adam! “Oh he—he’s my dumb ex. He jumped stupid at me and I—I wanted to show him that he’s an idiot. That I’m totally over him. I—I’m sorry for getting you involved.”

He laughed as he patted down his hair. “No complaints from my end. I think he got the message though.” Reaching behind you he handed you your panties. “Don’t wanna forget these.”

It was ridiculous to be embarrassed considering what you’d both just done, but you couldn’t help it. You took them from him and pulled them on, keeping your eyes on the ground. “Thanks… Look Ten—”

“I’m hungry,” he said interrupting you. “Have you ever had grilled dried pollack?”

“Um yeah once I think,” you replied uncertainly. “It was pretty tasty.”

Ten motioned behind him. “I know a place that makes it if you wanted to go. And…maybe afterwards we could just hang out. Talk.”

That sounded amazing. “I’d love to. But…”

He picked up on your meaning. “Y/N I sit next to you in all of our art classes. I make conversation with you for no reason. Do you really think I of all people forget my brushes? Honestly I’ve wanted to ask you out for a while but you’ve always seemed…disinterested.”

You were dumbstruck by his admission. “Me?! That’s just my face! You’re the unattainable ingénue or whatever!”

Ten chuckled, folding his arms across his chest. “Oh please the only thing standing between me and being a serious cat dad is having an apartment that allows animals. However, this conversation is pointless. You owe me and I’m collecting…if that’s okay?”

You huffed but couldn’t stop grinning. “It’s perfect.”

The walk from the bathroom to the living room had everyone staring with a few people letting out loud whistles. Adam had disappeared but Amy was there to give you a big thumbs up. You promised to call her later and then let Ten pull you outside into the warm night air, your fingers happily entwined with his.

[obsessedwvampbois]

𝐑𝐚𝐧𝐤𝐢𝐧𝐠 𝐚𝐥𝐥 𝐭𝐡𝐞 𝐃𝐋 𝐬𝐨𝐧𝐠𝐬

Oh boy so this is gonna make people really mad. I have listened to a total of 52 songs from the Diabolik Lovers franchise (that I could find) and ranked them for the hell of it. For this ranking I will be including all character songs, openings (both anime and game) along with the remixes. I will not be counting solo versions of songs (eg. Gin no bara), soundtrack bgm or the endings themes.

My ranking is based on these things:

how well does the song fit the character/s or game, both in lyrics and aesthetic

the overall production and performance of the song

is the song a bop? would I willingly listen to it again?

Couple of disclaimers: I do not speak Japanese so I will be crediting the translations of each song as I go through them along with any think pieces / essays that I come across. If there is any song I missed, please let me know and I’ll slot it into the rankings, its hard to find one source that has all the songs recorded. Finally, just a reminder because I know I'm gonna make someone mad, this is my list! If you don't like it make your own or ignore mine, I'm only one person and my opinion is not final!

With that in mind, my rankings are below the cut

*Least Best*

These are the songs I will probably never listen to again. I have a few gripes with them that I'll talk about in my explanation.

52. 誓いのカンパネラ (Chikai no Campanella)

Shu, Ayato & Subaru

~translation~

This song is just super underwhelming overall. The guitar is my favourite thing about the song but that's it. There is so much build up for a boring chorus. The lyrics don't have much for me either.

51. 血戦のDies irae (Kessen no Dies irae)

Tsukinami Brothers

~translation~

On the opposite end, this song is so overwhelming. There are so many elements to follow and its hard to keep up. This is the first time I'll bring it up but the volume of the voices is so quiet compared to the backing track, its frustrating. The lyrics is what brings it up a notch as it talks about the day of wrath (dies irae) as the day the founders take over. I was also low key hoping to hear some version of the dies irae song hidden in the background but I couldn't hear any.

50. S.O.S-ΑtoΩ-

Tsukinami Brothers

~translation~

This song just feels so forgettable, I just feel like there isn't much to comment on. There are some interesting lyrics sprinkled out like comparing literal self mutilation to abstinence. Also the actual delivery of 'S ah O ah S ah', I can't take it seriously.

49. Dystopia

Kino

~translation~

This had an interesting start because I hadn't heard anything similar for DL but then after a few lines the tone change was just a nope for me. Again, Kino's voice is super quiet and the constant barrage of all these instruments that don't really gel together its confusing. Overall, it didn't leave much of an impression and I couldn't really visualised DL in the song.

48. 吸愛ラビリンス (Kyūai Labyrinth)

Shu, Ayato & Subaru

~translation~

Praise for the saxophone! Props to that because it shines here and is really the only memorable thing besides that final line of the chorus. The song does give the vibe of the Vandead Carnival with its more playful energy though. The lyrics feel really typical, like there are so many times I read lyrics about drinking blood before I get bored.

47. 極限(UNLIMITED) BLOOD -Remix ver.-

Shu, Ayato & Subaru

~translation w/ original ver.~

I don't think I really need to hear EDM/dubstep and Diabolik Lovers again thanks. It feels super dated and the vocoded singing is a little much for my taste. Good source material and the stripped back vocals at some points is quite nice.

46. 愛しきPain (Itoshiki Pein)

Subaru

~translation~

First off please never let me see Subaru near a fedora again thanks. Overall I felt bored with this song, like its nice, but that it. There are similar sounding songs that just hit home similar themes a lot stronger later on. The best part of this song is the spoken word but it feels weird for Subaru to be singing such a slow song.

45. Luv Apple Juice

Ruki & Azusa

~translation~

Yes, I am counting Ruki's spoken word, its my list. Lyrics are a must read with references to Adam, Eve and Eden throughout. Again, the voices are super quiet and with how fast paced the instrumentals are its annoying. The tempo also backfires because these are two of the more 'chill' characters. The last complaint is that the speed of Ruki's speaking compared to Azusa's singing just isn't right.

44. DIE IS CAST

Kou & Yuma

~translation~

This has to be my least favourite opening to a song, the staccato is just really grating to me. The way I'd describe the chorus is loud, the same note over and over again isn't appealing. The lyrics are an interesting read but nothing feels super important. The highlight of the song is the pre-chorus, thanks production!

43. カレイドナイト (Kaleido Night)

Kanato & Subaru

~translation~

This song is just generic, like overall. The sound, the lyrics, the production. There just wasn't must for me to listen to without zoning out.

*Average*

These songs don't leave too much of a lasting impression on me, but I still enjoy them.

42. 苺の罪 (Ichigo no Tsumi) (strawberry sin)

Reiji

~translation~

First of the generic rock songs! I couldn't really find much in the lyrics of note I think the actual performance of the song is my favourite element here.

41. 真夜中の饗宴( MIDNIGHT PLEASURE) -Remix ver.

Shu, Ayato & Subaru

~translation w/ original~

One the best part of the original is that opening section with the steps, it creates some nice anticipation for the coming song. The chorus this time round feels a little low energy after the hype of the pre-chorus. After watching the actual opening with the remix, I kind of wish they had the voice over, the song is so chill the last chorus could have it to make it feel more grandiose.

40. ZERO

Subaru

~translation~

Second generic rock song, this time it actually suits Subaru's brand! The lyrics do have some hints to Subaru as a character which is better. My sustaining thought is that this sounds like an off brand Arcadia.

39. Bloody★Mayim★Mayim

Sakamaki Brothers

~translation~

This has to have one of the strongest hooks for DL. For how many people sing in the song, it's easy to keep track of and the chemistry between them all is in sync. The main issue is that it feels like its missing some element to make it shine, the lyrics aren't in-depth too which brings it down another peg. The bridge/interlude is the best part though as I can visualise some mini story within the song here.

38. ADDICTED (2) PHANTOM

Ayato

~translation~

This song would be so much higher if I felt like it was more memorable cuz the lyrics here really shine. My interpretation is that this is Ayato questioning where his love stops and his sadistic nature to satiate his desires begin, can he separate the two? He both loves and despises the idea of draining his s/o dry. Another gripe with the song is that its not quite Ayato's aesthetic sonically.

37. Kindan no 666 (Three Six)

Kou & Azusa

~translation~

What puts this song so low is the majority of the instrumental, it takes a backseat here when I feel there could be more added. Props to percussion, drums are great though. After watching the MB opening so many times its hard to not see DL. Lyrics match with this one line here describing Kou in a nutshell:

"Sin spread from mouth to mouth, saying 'I’ll be gentle' pulls the trigger on a casual disaster!"

36. Iolite (アイオライト )

Shu

~translation~

I don't know why the producers associate electro-pop with Shu, I can't really see it much. I think they should have gone full glitch-pop instead considering how the song does a deep dive into his mind and thought process. Again, I think the voice is also quiet here but the instrumentals have some great moments, especially the strings.

35. 常夜KNOW UNDERSKIN

Sakamaki

~translation~

Well this gives Sakamaki vibes, nice guitar! Again, I like how it isn't overwhelming despite the amount of people involved. Lyrics aren't super impactful but super catchy.

34. 冷たい血 (Tsumetai Chi)

Ruki

~translation~

You have to read the lyrics while reading this, please! Its surprisingly wholesome and emotional overall. Again, there is the issue of the voice being way to quiet as the instrumentals swallow him whole after the second clock tick. The delivery is really well timed and production does a great job adding elements that works with the lyrics. There is a subtle echo to the voice that feels super enchanting as he comes to terms with the fact that he has fallen in love. Biggest drawback obviously is that this is just spoken word.

33. KISS♥MARK

Shu

~translation~

This song delves into the more perverse side of Shu, but we haven't really reached the level of Laito (we'll get there). The phone feels a little out of character but it suits that narrative. The straight cut out of music for the intermission was a bit abrasive but the transition back to music makes me forget about that with how slick it is. At least its better than a generic rock song.

32. カモフラージュ (Camouflage)

Shu & Laito

~translation~

What a great match up for subject matter, my interpretation is a denial and inability to accept oneself, ultimately using a mask to hide. So please look up the lyrics for some gems. However, after the 'against the blood' nothing really hit that same point sonically, furthermore its not the most aesthetically fitting for the two characters.

*Great*

These songs I actively enjoy, think about and do listen to occasionally and would recommend you check it out too.

31. >REDRUM<-

Ayato & Subaru

~translation~

This song is full of anagrams in the lyrics, I mean look at the song title. Its super catchy and is hard to forget about. The bridge is the weakest part of this song but it is made up by the distortion of vocals after the final chorus.

30. Fanatic of Night

Sakamaki Brothers

~translation~

Well time to party, talk about a bop and a half! Its just so fun, even though its to exactly DL to me, but that's Lunatic Parade for you. Shout out to the guitarist and percussion once again.

29. Bad Howling

Shu, Ayato & Kou

~translation~

This is super catchy, its nice to hear Kou in the opening song this time round, it spices things up. Theres some really nice elements played with the vocals as they sing over one another that is really well balanced. The biggest peg down is that I don't get super DL vibes and the lyrics aren't the deepest.

28. I.M.I.T.A.T.I.O.N. G.A.M.E

Kino

~translation~

Overall this song is a little generic and doesn't sound like DL but! There is a lot to love here too. Starting off with the performance, I really like the vibrato in his voice and the decent of notes at the end of the chorus is just, yes. It a nice hook and the lyrics are pretty good too. My only other complaint is that the drums mask some smaller elements in the background of the song which would have been nice to hear more in the forefront.

27. 極限(UNLIMITED) BLOOD

Shu, Ayato & Subaru

~translation~

This is where the rankings get pretty hard cuz I wish this was higher but oh well. the dramatic shift from the opening piano to the song is so abrupt but it gets you pumped. The intermission does a good job of changing things up without cutting tension. The lyrics themselves seem to be from the view of the Adam project during more blood and the unquenchable thirst they get in the story.

26. アルカディア (Arcadia)

Ayato

~translation~

Immediately I get Ayato vibes from this song and the rapping does help too with a nice flow that isn't too jarring from the rest of the song. These lyrics are basically Addicted2Phantom on steroids, I can't see anyone else other than Ayato in them.

25. Kekkyoku Night

Ayato

~translation~

Don't know why but the guitar melody just seems like I had heard it before but I can't put my finger on it. The bass is super slick here and I really enjoy it. The vocal distortion at the start of the verse sets a scene for him to hunt down this person and its a narrative choice. The main issue is that I wish there was a little more pizzaz to the chorus.

24. Kaikan DEATH-TRUCTION

Kanato

~translation~

Spoilers but I have placed both a Kanato's songs pretty high up so this was a little bit of a let down after the other two. The main issues here is that I don't really get too much of Kanato in the song and the yelling before the chorus is a little much. This, to me, is a self reflection from Kanato which is a good switch up from his last two songs. Overall, the song is abrasive in a good way that isn't overwhelming and the 8-bit section is my fave.

23. 血濡れた密会 (BLOODY SABBATH)

Laito

~translation~

Oh boy, look these lyrics up for a good time. This song is about his hook up with a women with the song getting progressively darker as it goes on. Nice psycho reference but I don't know if it does much in the end. Really catchy hook and the escalation of the final chorus is just so good. Also I'm just going to leave this line from the song here:

“You wend all out with the rodeo girl play? So then, let’s grind!!!”

22. 幻日理論-Parhelion Logic

Ayato

~translation~

This song is meant to be kind of an open letter to Cordelia and my word these lyrics are haunting. It fits the vibe of Haunted Dark Bridal so well, super strong overall. I just wish there was a stronger performance vocally.

21. 暴言シンドローム (Seiron Syndrome)

Yuma

~translation~

Yuma, to me has some pretty good observation skills and its really highlighted here. The first line just hits the nail on the head in terms of how rough he is both in and out of the bedroom. This song is the best of the 'generic rock' with production being really smooth despite the high energy, it matches him really well. First line:

The pain of your sprained neck won’t subside

20. 蠱惑のParade (Kowaku no Parade)

Reiji & Kanato

~translation~

We got another catchy banger here! This song just screams 'the two of us are here to hunt you down and we won't stop till we get a taste.' I mean this song is super pleasing aesthetically and great lyrics to boot!

19. KILLYOU,AGAIN

Azusa

~translation~

The strings are an immediate attention grabber and its hold it throughout the whole song. Super catchy, and these lyrics are Azusa, especially this chorus. Id be interested to hear what people think about the second verse in particular cuz there's a lot to read into:

"In a worn out state of mind, no matter how many nights we question it... We’ve idealised too much."

18. SQueeze…

Subaru

~translation~

Okay before anything else, the squeeze at the start is goofy, I can't take it seriously. Anyway, I can't help but tap my foot to this song. Third times the charm, finally hitting Subaru's aesthetic to a T. The voice is a little quiet on the track but what takes over just sounds so good. The contrast of the bell and the guitar is just, yes thank you. The pre-chorus is a nice mix up to the status quo and these lyrics are great too.

17. 愛の檻 (Ai no Ori)

Ayato & Laito

~translation~

The opening is a nice tone setter for a haunting head bopper. These voices work together so well, just like how the sirens work with the strings. The singular violin during the bridge is great, praise to anyone who can do that my god. The string motif climaxes at the final chorus and it creates an awesome song!

16. 月蝕(Eclipse)

Kou, Yuma & Azusa

~translation~

Well we have a nice build up ballad here. The opening is a little out of place but I forget about it as it builds to this final chorus with the tempo getting faster and faster. The stripped back production also ends up aiding the song in the end with its punches and message. Speaking of which; I get the idea this is about watching some either currently or in retrospective how their personality changes after turning into a vampire; a loss of innocence. How fitting for the Mukami's.

“Despising the sunlight that filters through the blinds is only inevitable, I suppose”

*Faves*

This is what I think the best of the best is. It reflects the themes, ideas and characters of Diabolik Lovers in the best way possible. When people ask me what music from the franchise to listen to, I point to these songs.

15. Count off

Kino

~translation~

There is so much to talk about here, this is a mix of singing and spoken piece and it works so well for me. The delivery over this contagious beat I can't help but get hints of a k-pop vibe here. The movement to singing then vocoded voice are interesting and fun. The bridge switch up too is great, my only wish is that the choir hand a little more presence in the final chorus cuz its fun the first times round, it would be a nice call back.

14. A Certain Prophet's Fate [とある預言者の、運命 Toaru Yogensha no Unmei]

Reiji

~translation~

I can visualise a Nutella Kookie moodboard with this opening alone. To me, this is Reiji explain his views on women with allusions to Faust too, not the Ikemen version relax. there are some cool allusions to his mother in the lyrics too. The bass is so cool to listen out for and the guitar nodding to the chorus at the end is a nice way to end. I was just hoping for a little continuation to the opening like Reiji finding this person escaping on horseback.

13. CHAOS☆PARTY

Laito

~translation~

Aaaaaand another innuendo song from Laito, what a surprise! The jazzy, circus-pop vibes are super fun and catchy, I love it. It's like an upgraded version of Bloody Sabbath to me. The distortion on the guitar is also great to listen out for.

"Don’t decide where’s the critical point, grind as you feel it,

Till the moon oh, mockingly"

12. Mr.ButterflyMask

Reiji

~translation~

The opening may be cliche but it works so well, this is such a deep dive into Reiji's psyche; his mother, inferiority complex and village burning to name a few. The actual song is easy to remember which makes it even better here, the descending notes at the end of the chorus is a highlight.

"Burnt black, that awful land mark"

11. 真夜中の饗宴 (MIDNIGHT PLEASURE)

Shu, Ayato & Subaru

~translation~

The song to start it all, thank god it's such a highlight. I get so hyped from hearing the opening footsteps; mirroring the prologue with You stepping into the mansion for the first time. I feel so nostalgic for this and I'm hyped to play the game every time I hear this. The spoken section is the high point in terms of the HDB aesthetic but these lyrics maaaannn:

"With a scream that shatters the moon itself I’ll give you this extraordinary pain called “love”!"

10. Guilty×Guilty!!!

Shu, Ayato & Subaru

~translation~

I'm gonna get crucified for putting this above midnight pleasure but my list and this is my fave game op. The only peg down is the lyrics but it makes up so much for the actual sound variation. The unnerving energy from this scifi-y noise, it screams danger with the Tsunami arrival. The variation between the two verses in robs what places it high and the bridge is excellent to boot.

9. Farewell Song

Shu

~translation~

If I had to make one song recommendation outside of DL with this list it is this song here. The lyrics and melody match up the same way and both are strong in their own right. Onto the song, these lyrics really shine wrangling with ideas and the thought process of depression; something that hits close to home for me. With the inclusion of the destructive nature vampires its truely impactful. The sound of the song aids these lyrics too while all sounding like Shu.

Without pause, the drops of a drizzle had begun to weep...

...Comforting the screams of the things you’ve touched"

8. Mr.SADISTIC NIGHT

Shu, Ayato & Subaru

~translation~

This is my favourite opening of all the games and anime and it is the most on theme with the DL franchise, not just the one game. The guitar rifts at the start are just sooooo iconic. The actual line "Mr Sadistic Night" is delivered so well too. I mean the song speaks for itself. I will make the observation though that this song is the epitome of kids unknowingly singing a song with dirty lyrics.

"If I’m so aroused by the snare of your enticing blood

Tonight, as I thrust deep into you, a lust for death awakens from within you!"

7. 悪魔的（Devil's）Spire!!!!

Kou

~translation~

This song is just Kou at his best, I can imagine him singing this at a concert as a debut single. It has all the elements of a catchy pop song with some sinister elements that just reflects his personality. Production has my praise here too. The song seems to be a friends with benefits situation Kou has as he recounts the tale. Also, more innuendos:

"In the deep red velvet sheets, Do you want to taste my forbidden syrup?"

6. Operation X

Tsukinami Brothers

~translation~

Haven't seen these guys in a while! You can tell production had fun adding all these medical sounds in the back like the sirens and heart monitor. The song itself is super catchy too, that bass just hits you at the core! The lyrics look like the Tsukinami's observation of You as she has become entangled with all these vampires and the situation just seems to spiral even more out of control.

"The risk spreads further the deeper you get involved...

...The more you give up, the more that guy mocks you"

5. GRATEFUL★DEAD★MARCH

Kanato

~translation~

Production had fun again, you can tell. It's more upbeat there is still a sinister vibe here. The constant switch ups within the song all flow so well. I feel genuine despair listening to this chorus, like Kanato is mocking or toying with me before going in for the kill. My only complaint is that the slowing down at the end is a bit of a mood killer.

4. 切断★舞踏会 (KIRISAKI CARNIVAL)

Kanato

~translation~

In terms of character aesthetic, this is sheer perfection. There is a narrative within this song that you need to look at the lyrics for the best experience. The sound effects act as a good way to heighten the story as they match the lyrics. One moment to note it both the chorus and pre-chorus as they act as the extreme ends on Kanato's personality and it creates a great dichotomy when placed together.

3. Q.E.D.

laito

~translation~

My favourite solo song, and the one I constantly visit the most. Laito is a complex character and this song does a self reflection in the best way possible.I would also recommend reading this great analysis by everything laito because I can't do a proper analysis justice. For the song itself, the piano is a great mood setter as it acts as if we are approaching Laito as he plays the piano about to go into one of his many monologues to himself. The intercut from the piano to the guitar is abrupt but it works so well as if there are crack in his facade showing through. The change back to the piano is great too and isn't distracting in any way. I also think this is such an emotional performance, like I can feel the sadness and despair along with almost a self deprecating humour to the delivery. Top notch stuff

2. 罠-If You’re Diablo- (Wana -If You’re Diablo-)

Mukami Brothers

~translation~

I want mention first off that the spoken word from Ruki is such an aid here, the pace is slower, more haunting and despair-inducing in tone. The speaking adds a nice break to the vocals. The chorus in particular packs such a punch its kind of nice to lie on the ground and just let the song envelop you. The lyrics give the impression that there is a mutually destructive relationship here with the Mukami's mentioning of betrayal yet they suck the blood of this person. There is also a feeling of hopelessness that the Mukami's know they can never achieve their goal of becoming Adam.

"I'd been resigned to become Adam since who-knows-when...

I continue to hate this fate, my prayers in zero"

1. Gin no Bara

Sakamaki Brothers

~translation~

And we're finally at the end! This song encapsulates everything that Diabolik Lovers is. Vocally, it's really catchy with such a somber vibe, because that's what DL is. It's a dark series but you can see that darkness with each backstory, the actions these characters take and just the overall hopelessness in this one song. The Sakamaki's all singing together packs such a punch too. There are so many gems in these lyrics, to literally acknowledging the pain and suffering their mothers' caused and coming to terms with the actions they have committed as they fall in love.

"The proof remains on your neck while you sleep quietly Even if an eternal curse awaits me beyond those overflowing tears

I now hold this love and pain in my chest"

*SHOUTOUTS*

I want to give a huge shout out to the following people. They have helped immensely with translation and just overall accessibility to the songs because they would be 1000 times more harder to find without them.

Silvermoon249 (Live Journal)

Asyqin98 Creator (YouTube)

S I s o v o l i (Youtube)

DIABOLIK LOVERS (YouTube)

Dialovers otaka (Tumblr)

Starlight voices (Tumblr)

Cannonette (Tumblr) @canonette

The Precious Sugar Chan (Tumblr)

One final note, I would recommend listening to these with headphones because the audio sometimes does that thing where it jumps from ear to ear and it creates the best effect to be more involved in the atmosphere.

[stillness-in-green]

MVA In Memoriam (4/5)

The Comprehensive Account of the Butchering of My Villain Academia

(Introduction and Part One, Episode 108: My Villain Academia) (Part Two, Episode 109: Revival Party) (Part Three, Episode 110: Sad Man's Parade)

Part Four, Episode 111: Origin: Shimura Tenko

Chapter 233 – Bright Future

• Twice clearly having arranged a Skeptic puppet to where its arm can be used as a pillow for Toga’s neck. A cute little character detail while also being kind of disturbing? Very on-brand for the League! A not-immediately-plot-crucial visual of a member of the League demonstrating obvious care for another member? The guillotine awaits!

• A little explanation about how clones’ physicality and memories work relative to the last time Twice saw the people the clones are based on. This is a very useful little nod of explanation to something that remained unclear from the dialogue of Mr. Clone-press last chapter. Twice’s quirk is pretty arcane in its ins and outs, frankly, and the clearer those details are, the fewer plot holes you’re leaving for later.

• The scene of Skeptic being right on the verge of confronting Twice. Skeptic has, oh, about five moments where he’s obviously a big tense neurotic who’s unpleasant to be around if things aren’t going his way, and the anime deleted or downplayed all but two of them. As ever, it’s obscenely damaging to the characterization of the MLA cast, who we have little enough time with as it is. Further, it was a particularly weird choice to make with Skeptic, who is as of this writing the only major MLA character who’ll emerge still free and active from the War Arc. Why shaft the characterization of the one of new characters who’s going to be getting the most attention out of any of them in the next arc, with yet more scenes yet to come after?[1]

• A full page’s-worth of Spinner’s rationalizations on targeting Trumpet and ordering the Twice doubles to do the same. This lays out the details on why targeting Trumpet stands to relieve some of the load on Shigaraki. It isn’t because Trumpet’s quirk makes the crowds more dangerous, though that is true. Spinner targets Trumpet because he’s seen enough to know that attacking the MLA’s leaders gets them crazy riled up; he knows that if he makes himself a threat to Trumpet, then all Trumpet’s followers’ attention will shift focus to Spinner, leaving Shigaraki with less to deal with.           Spinner also knows that that is ludicrously dangerous to him personally, given his weak quirk, but he actively makes that choice anyway, because that’s how much he’s devoted himself to Shigaraki without (yet) quite articulating the nature and reasons for that devotion. Targeting Trumpet without any of that reasoning made for a perfectly sound tactical decision, but it missed the regard Spinner shows the unnamed mobs of the MLA, and it really missed the probable savage beatdown and even possible death that Spinner consciously chooses to risk for Shigaraki’s sake.           Of course, a chunk of what the episode deleted is flashbacks to scenes the anime also cut, so they couldn’t figure into Anime!Spinner’s reasoning. This does not excuse yet more cuts to Spinner’s arc and characterization; it only adds to how badly the anime maimed him.           Also, on a less salty but still confused note, deleting all the Twice clones from the beginning of the scene and just having Spinner running along a wall past mobs of people instead of laboriously fighting his way through the street to the van was really dumb. Why did all those MLA people just stand there and let him run by? Where did all the Twice clones that just helped save Spinner from a huge flurry of long-distance attacks disappear to? Come on.

• Trumpet’s thought that using Sevens Loud will draw every bit of strength from their warriors, but that it’s necessary. Setting aside that it looks far less necessary when there hasn’t been a crowd of Twice clones fighting Trumpet’s people this whole time, just Spinner by his lonesome, we still lost quite a bit to this cut. Firstly, a nuance on the trade-off Incite gives—that its stat-boost is temporary, and that it’s borrowing from the future to pay for the present, a stock that is limited and a bill that will come due when the effect wears off.           Secondly, it’s another demonstration that the MLA leaders aren’t just thoughtlessly wasting their followers’ lives; they’re very consciously doing cost/benefit analysis on how much danger their people are in versus what stands to be gained by the potential exertion or outright deaths those people will suffer. It’s cold reasoning, yes, but that’s how the Liberation Army operates: not for the personal gain or lackadaisical ease of the people on top—Trumpet would just have been in the tower speaking through city-wide loudspeakers, if that were the case—but for the advancement of the group’s ideals.           It also just grants Trumpet some interiority, but of course the anime can’t have that.

• The note in Trumpet’s meta-ability explanation that the more his voice causes the air to vibrate, the stronger Incite’s effect. This is—good god, it is literally the entire design mentality behind Sevens Loud! Sevens Loud purpose isn't to make his voice louder so more people can hear him (which I would think is the most logical assumption an anime-only person would make as to why he puts it on); it’s to make himself louder because being louder enhances the boost. It’s about the quality of the effect, not the quantity of targets. This is why Trumpet has the thought about how using Sevens Loud will drain the strength reserves of his people. There’d be no correlation there if Sevens Loud were only about boosting his range.

• When Spinner got porcupined in the anime, they did a close-up on his face, possibly to avoid the gore of showing the spines piercing through his forearm. That’s fine, but they also emphasized the reaction by having him lose his grip on the huge fuck-off knife he had clutched in his teeth. In the manga, sure, he yells in pain, but he doesn’t lose the knife. Indeed, he gets the guy off him by slashing at him with it—a shot the anime dropped. So Spinner doesn’t even get to keep displays of his pain tolerance, a trait he doubtless improved during those six weeks against Machia. Why does the anime hate Spinner so much, you guys? Why did it go out of its way to make him look lamer, when Dabi and Toga were out there getting anime-original flourishes to make them look cooler?

• Spinner’s thoughts, “When I get inspired to act, I don’t know what the heck I’m doing! I’m just a loser jumping on a bandwagon. Or at least that’s what it looks like.” A humorous bit of self-awareness from Spinner here. The anime got at the self-awareness. The humor, as we’ll see, not so much.

• Spinner’s thoughts, “Look at me. Look at me!! With all that prejudice in your eyes!” Hah hah, laughed BNHA the anime nervously, what prejudice are you talking about, Spinner? No idea what you could possibly be referring to there! This one’s particularly annoying because, while one might think that the anime was just dodging the heteromorphobia angle it eradicated all references to back at the beginning of the arc, the prejudice line isn’t even about heteromorphobia, not really.           See, the Japanese line there literally translates to, “With those colored glasses!”—to see with colored glasses being a Japanese idiom for seeing something from a biased viewpoint. So aside from being a wordplay jab at Trumpet’s choice in eyewear, it’s also about Trumpet’s expressed view that Spinner, having been a shut-in with a weak quirk who decided to take his resentment out on the world, can’t possibly amount to anything much. So, what, did the people in charge of making those cuts think Trumpet was right? Why even keep the line where he disparages Spinner if you’re not going to let Spinner call it what it is? He’s not calling out fantasy racism there, anime! He’s calling out the bias against weak quirks that even the good guys in this world sometimes partake in!           Possibly it’s because non-villains in the world[2] sometimes use reasoning that leads logically to quirk supremacism that the anime got gunshy with it, or it was more reluctance to give the villains—and the Too-Real Iguchi Shuuichi especially—moral ground for accusations against their society that get too close to real life. Whatever the motivation, it’s a bullshit cut.

• Shigaraki calling RD “Detnerat,” presumably because he neither knows RD’s real name nor cares to dignify him by using his code name. The anime, again, made neither the connection nor Shigaraki’s recognition explicit, so it lost the specificity and pettiness of that little snub.

• A little exchange between Giran and a Twice clone as they flee. It doesn’t give you much you wouldn’t assume just from seeing them flee, but it always feels more immediate and empathetic when the characters talk and you can see their expressions, instead of just a quick shot of them from behind as they run away in complete silence. Heck, running away in complete silence is actively out of character for Twice!

• Because the anime has some kind of aversion/restriction on showing hand-related violence, it radically changed how Shigaraki lost his fingers,[3] resulting in the loss of several important shots. To the best of my parsing, in the manga, when Re-Destro makes that first big jump to avoid Shigaraki’s decay wave, he comes back down specifically aiming for Shigaraki’s outstretched left hand, spread wide and flat on the ground. Shigaraki tries to evade (you can see the blur of his left arm in the panel where RD lands), but either RD does manage to clip the hand or he simply hits the ground with so much force that the sheer explosive burst of rock shreds Shigaraki’s hand and part of his coat sleeve. Being so much larger, RD then simply snags Shigaraki by the wrist before he can get out of range. It’s very fast, a burst of speed and violence, and very different (read: cooler) from Shigaraki flipping end over end in slow motion in a way that seemed to imply visually that he was thrown well out of RD’s grabbing range.           As to the shots we lost? I counted three. First, Hana’s hand crumpling amidst all the flying debris. Second, that big dramatic panel of Shigaraki’s maimed hand ribboning blood into the air as the narration box finally drops Re-Destro’s identity and code name. Third, the shot of him catching Shigaraki, almost delicately, between one thumb and forefinger and delivering the, “Was it this hand that committed such evil acts?” line—a clear threat to what of that hand Shigaraki has remaining—as we find out what his meta-ability is.           This is all hugely dramatic in the manga, because, of course, readers always assumed Shigaraki needed all five fingers to activate his quirk, and here Re-Destro nigh-effortlessly robs him of fully half his capacity to use it. It’s a shocking turn-around and instantly ups RD’s threat level by allowing him to permanently maim Shigaraki in a way that no one, hero or villain, has done before or since. Robbing Re-Destro of the immediacy of that seemingly devastating blow—inflicted within moments of meeting the real Shigaraki—did immeasurable damage to his credibility as an arc boss.           The shot in the manga is also just arresting visually, with RD finally getting to properly loom over Shigaraki. Most of the shots up to this point have been framed such that, while RD is obviously bigger, he and Shigaraki have still been moving and fighting in a pretty level way. This is the first place where the viewer is situated so squarely behind Shigaraki that they can really feel how massive RD is in comparison. It’s certainly a more impressive visual than this mess—thanks, anime; thanks, whatever broadcasting standards forced overworked and uninspired animators to undertake a redraw of RD’s quirk reveal panel when every other member of the MLA brass had theirs carried over directly from the manga.

• A chapter-ending cliffhanger of Slidin’ Go helping direct traffic on the outskirts of Deika and the warning rumble as Gigantomachia approaches. Aside from being a nice little tension boost—Will Gigantomachia roll up just in time to see Re-Destro making a mess of Shigaraki? Who will he target? Will Shigaraki ever be able to win him over if he sees a scene like that?—it’s good foreshadowing for what the news reports will eventually be saying. Remember, the claim is that a bunch of villains lured Deika’s heroes away and then attacked the city while it was defenseless; that’s why we never see any of the MLA’s heroes involved with the fight once it starts. And now, here, we find out where they’ve been the whole time: making sure no outsiders get in who might be able to undermine that narrative.

Framing Shifts

• Once again had an MLA member using their Detnerat item say its name out loud, when it’s clear in the manga that they’re just thinking the names internally. Once again, it was kind of silly.

• When Spinner flashes back to watching Stain on TV and being inspired, the manga uses a shot of Stain’s face, snarling and defiant. The anime used—a shot of Stain from behind, only visible from the shoulders to the knees, hunched so that his lower back and ass were towards the camera. Bones… What exactly were you implying lit Spinner’s fire there? Or did you just not have the time or budget to go pull Stain’s reference sheets for drawing his face?

• A tone issue, but a major one: Spinner should be grinning, face alight with accusatory challenge, as he hurls his accusations of the MLA/Trumpet being the same bandwagon-jumping nobodies that he is. This is the moment in the manga where we see Spinner truly throw his hesitations and his doubts to the wind and embrace Shigaraki’s nihilistic fervor and the beauty, value and profundity of emptiness. So what if I’m empty? So what if he wants emptiness? Who cares about other peoples’ ideals if their ideals leave no room for me? It’s not a heroic triumph, but it’s a triumph all the same, and losing Spinner’s smile made the moment far too bitter.

• Meanwhile, in exactly the opposite problem, Shigaraki by this point is not smiling. In fact, he’s barely on his feet, swaying violently in place with accompanying sound effects. While his words are openly mocking, he seems to wholly lack the energy to back them up with his usual verve. The anime didn’t have him smiling, admittedly, but the whole time the ‘camera’ wasn’t directly on his face, his voice actor was reading the lines with an uneven, chuckling cadence that suggested Shigaraki was seconds away from breaking into howls of laughter. He was also, of course, impossibly clean, at a point at which his manga counterpart is muddy, bloody and tattered from the horrifically extended combat he’s been living for six weeks. It’s stuff like this that made it so impossible to take the Army or even Machia as much of a threat in the anime, when, other than the red cords on his hands being broken, Shigaraki looked absolutely no different than usual.

Additions

• Gave Spinner a tiny bit of new animation when he got mobbed by people hopped up on Incite. It was nice, but if they were going to give him a flourish, I’d rather it have come when he swipes Porcupine Dude off him with a combat knife. Or, you know, just kept the bit of him telling the Twices to attack and his reasoning on why.

• Cut inside briefly to show a ballerina girl dancing through a darkened apartment right before she sliced a neat circle out of the wall. I love it, A+, exactly the kind of expansion on the action of the manga I wanted to see. My only complaint is that her manga self looked more like Pearl from Steven Universe.[4] XD

• A quick new shot of RD when Shigaraki was hounding him about his feelings. His teeth were visibly gritted, the corners of his mouth pulled down. It stands out because there’s only one shot of RD there in the manga, and in it, he’s smiling, close-mouthed and calm. The anime copied said shot, smile and all, then cut away, and when it cut back, Re-Destro had a totally different expression on his face. Baffling. Anime!RD having a dour scowl everywhere manga!RD is smiling in a tight, controlled way was all over the fight scene, and it detracted from the sense of RD’s menace every time.

Chapter 234 – Destruction Sense

• The illustration(s) accompanying Re-Destro’s, “Let’s not judge people by their quirks,” line. The pictures are cute, but the real loss there was the note informing us that they’re excerpts from a children’s book published by Shoowaysha—Curious’s outfit—called Quirks and Us. That’s a very concrete illustration of the kinds of things the MLA is getting up to in the world, and an equally concrete thing an anime-only viewer lost. Of course, that viewer never even found out Curious was in publishing, so it wouldn’t have meant anything on that front, but there is one other thing I think is notable: the way that book implies that the only people explicitly pushing a “don’t judge other people by their quirks” message are the radical Liberationists.           See, the rest of the story touches on the virtues of a nonjudgmental attitude here and there, but actually finding people willing to say it out loud is—unprecedented, I think. Deku comes across situations where he could say something like that multiple times and he never, ever does—not to Shouto, nor to Shinsou, nor to Eri, nor to the giant fox lady. And that’s not even touching on Shouji’s mask, or the discrimination Spinner faced, or the CRC “losing support” without being declared illegal. I think the manga itself is against judging people by their quirks, but it’s interesting that it doesn’t make its characters into mouthpieces to say as much. This is because its characters are thoroughly enmeshed in a society that very much does judge people by their quirks, regardless of whether or not it will say that doing so is bad or rude or prejudiced.           Re-Destro and the MLA aren’t immune, of course—Re-Destro himself says that quirks are linked to personality—but they adhere to a different set of values than the larger society does. While Hero Society talks about quirks in terms of being heroic and/or useful versus villainous and/or useless, the MLA spectrums instead emphasize how capable a person’s quirk is of helping them exert their will and how ambitious the quirk’s bearer is in that exertion. That is, their ethics are less about morality and utility-to-society than they are about aspiration and utility-to-self.[5] Both worldviews have their pros and cons, but that, I think, is what the children’s book is getting at when it says not to “judge”—don’t assign an arbitrary moral value to a quirk; judge a person by their actions.           And isn’t it interesting, that the only explicit verbal statement of that value comes from the leader of a radical cult descended from a famous insurrectionist quoting a children’s book published by a member of selfsame radical cult? The value is not ever stated by a member of the heroic cast, so are we to assume that the heroes don't actually believe it? Do people profess to believe it but everyone knows it’s only for courtesy’s sake, with only the MLA willing to breach that wall of “things we don’t talk about in polite society” to actually talk about it in anything other than platitudes? Obviously, you lose this entire line of discussion when the "don't judge people by their quirks" value is just never mentioned at all.

• The phrase, “In that case,” from RD’s, “You will never measure up to me.” It establishes continuity to what RD was saying before. He’s not taking breaks from talking while Shigaraki has flashbacks; the two are happening concurrently.

• RD’s, “Cracking apart…?” reaction to his Decayed fingertip, and the dripping blood from the injury. I’m not hugely fussed about the former, but I like the latter as indicative of what Re-Destro’s Stress powers actually do. That is to say, he isn’t covering himself in a thick shell of Stress power or something; his Stress powers make him physically larger, infusing his body and swelling his size. That’s why he bleeds when Shigaraki touches his fingertip.           Admittedly, the size distinction was more obvious in the anime, where the audience watched RD’s shoulders inflate like balloons last episode, compared to the manga, where you don’t get in-between animation. Still, given that RD still has that wound even when he goes back down to normal size, and is still wearing bandages for his speech a week later,[6] it’d be nice to mark the severity of the wound with a bit of blood. Oddly, the anime did keep the wound for the crater scene, visible red slices opened in the flesh along the length of his finger, very obviously the sort of injury that would have bled upon being first sustained. Maybe RD ran afoul of whatever the studio mandate is on when Decay has a dust effect and when it leaves gore? (More of that later.)

• Shigaraki’s, “Mother!” for the first panel we see of her. It’s obvious enough who she probably is, but odd that we got a whole bunch of narration for Hana, and likewise an acknowledgment of his grandparents, but not even a single word for Nao.

• Very significantly drops the grandfather’s, “Eating yummy things helps make the sadness go away.” Grandpa’s not just randomly handing Tenko his favorite snack in that memory—he’s trying to treat some kind of grief or wrong without actually addressing the wrong, opting to just put a flavorful band-aid on it. That could be fine if it were something outside Grandpa’s control, but we’ve already gotten some early hints from Hana’s phrasing that things are not okay in the household, and thus the grandfather’s attempt to bribe Tenko with sweets is just as ominous a sign of what’s to come as the grandmother’s attempt to guilt him into not crying lest he make her cry too.

• A little shot of Shigaraki stirring in the rubble when RD answers the phone. It’s a nice demonstration of their size difference, especially comparing both of them to Machia, who we just saw tearing through buildings like the kaiju his theme music declares him to be.

Framing Shifts

• When Shigaraki narrates that Hana always took him by the hand when he got weepy, she actually does take his hand in the manga, her fingers wrapped around his, his clasped over hers. It emphasizes that this is what he can’t do anymore, simply hold hands with people, the innocence lost aspect, and it suggests the closeness he once had with his sister.           In the anime, she reached out a hand but wound up taking him by the wrist instead, his hand splayed open beneath hers. This suggested, albeit very implicitly, that maybe that innocence was something he never had from the beginning; it also suggested less reciprocity in his relationship with Hana. Even though Tomura said in narration that their hands were joined, what we saw was that Hana just pulled him where she wanted him and he didn’t fight her on it, not that he held her hand in return.           Alternatively, the anime could have been drawing a parallel to how her hand would eventually be gripping his wrist in a much different context (a more necrotic one, for starters) later in life, though if that's what they were going for, they could have stood to tweak the dialogue so it actually matched the onscreen action. (Credit to @robotlesbianjavert and @aysall respectively for these two theories!)

• Shigaraki still having his fingers when Re-Destro squeezed his hand made RD look like a real moron. I assume the intention was that he assumed he’d done enough damage—broken bones, torn ligaments, etc—to prevent Shigaraki from being able to move his hand in more than spastic twitches, but like, if all it takes is a hard enough spasmodic clench to dust you, you are playing much riskier games than the MLA is generally portrayed as favoring. (Not that the anime kept many of the scenes that demonstrated all the planning and prep that the MLA did as groundwork for their attack, as I have complained about at length.)           In the same sequence, Anime!RD turned and bodily hurled Shigaraki away from him, while Manga!RD threw him a similar distance with nothing more than a flick of a finger. Anime, why you gotta make Re-Destro look so lame all the time?

Additions

• Just one episode prior, the anime managed to turn in an entirely reasonable assemblage of swiping and dodging between Shigaraki and Re-Destro while RD was rambling on about the Mother of Quirks. What the hell was the excuse for this episode’s ridiculous shot of Shigaraki literally running circles—big, broad circles—around RD multiple times in the time it took RD to finish one (1) thought? For heaven’s sake, if you don’t have the budget for flashy, just use slow motion or more flashback animation or something. I know there’s more leeway for long thoughts in manga, where the reader understands that thoughts are moving far faster than action, and that it can be hard to bridge that gap for anime, where motion is motion but voice acting still has to rattle its way to the end of a sentence. I understand that measures have to be taken to account for that. Still, I promise, something that just looks a bit padded is much preferable to something that looks outright dumb.

• I admit to having found huge Stress monster RD pulling out a teeeeeny-tiny cellphone very funny—even more so the distinct cracking sound it made when Skeptic reported in bad news and RD’s fingers tightened infinitesimally—but the manga suggests fairly strongly that RD’s just answering on some kind of earpiece or micro-receiver, the same kind of thing Ujiko hands out and that Skeptic is associated with on multiple occasions. It’d be nice if RD could have kept more of the jokes he actually makes, the ones that stem from his native good humor, rather than the anime making up new ones based entirely in the contrast of Re-Destro and the viewer’s expectations of Re-Destro.

Chapter 235 – Shimura Tenko: Origin

• The man at the door, whom Nao is apologizing to at the beginning of the Tenko flashback and the apparent reason Tenko got busted for playing hero. I don’t love the way deleting this obscured that Tenko, in some fashion, troubled someone to lead to Kotarou dragging him down the hall (the anime also dropped Kotarou’s subsequent line, “Causing trouble?!” that’s supposed to supplement his, “Playing hero again?”), but it’s not like the manga doesn’t imply that the same thing would happen for any hero-based rules infraction, regardless of whether it troubled strangers or not. No, the much, much funnier thing to me is how it just fuckin’ torpedoed the most obvious thing people point to when they posit that All For One gave Tenko Decay, kicking off the entire tragedy: the man at the door with the conspicuously shadowed face and the even more conspicuously AFO-like suit and dress shirt with the top button unfastened.           Listen, I hate that theory and what it would do to the narrative of Shigaraki Tomura/Shimura Tenko as Hero Society’s long-overdue reckoning, the villain they can’t put down and the victim they can’t silence, so watching the anime summarily cut out the scene that really kicked the theory into overdrive was very validating! Conversely, I still can't deny that it's a plausible theory, so if it does turn out to be true, that means the anime shot itself in the foot on the most obvious bit of foreshadowing this side of AFO addressing Tenko by name when he finds him in the alley. The schadenfreude of that would also be very funny. Really, unlike every other cut this season, I regard this one as win-win for my personal experience with the anime.           Incidentally, I was very prepared to complain about the anime dropping all the changes of clothes the Shimura family goes through over the course of the flashback—I regard the timelapse as one of the major points against the AFO Gave Tenko Decay theory, since it’s never taken a quirk bestowed by AFO multiple days, maybe even multiple weeks, to kick in before—but it turns out I’m a lot less bothered about them not taking the time to change the side characters’ clothes when the anime also deletes the dude at the door who is the only reason I care about clarity re: how much time the flashback covers! But just for the record, while they had more outfits than I was expecting them to, the family did go through fewer changes of clothes in the anime than in the manga.

• The full echo of the line about kids being sneaky and simple in favor of Narrator!Shigaraki just letting out this exhausted, rueful, “Ahhh, kids are…” I actually rather like it. It’s a clear reference back to the earlier line without having to restate the whole thing, and Uchiyama Kouki’s delivery is really excellent.

• Kotaro’s first slap of Tenko, the only one directly portrayed on-panel, and Mon-chan’s barking in response. On the one hand, I think there’s an argument to be made for the scene flowing a bit better like this—why wouldn’t Grandpa try to stop him from going for that second slap; why wouldn’t Nao pass Hana off to Grandma and do something instead of just standing there yelling for the entire scene? It makes a bit more sense if they’re hesitant to intervene because Kotarou has “only” grabbed at Tenko’s collar and they don’t yet know how that it’s going to escalate to naked physical violence in a way that it never has before.           On the other hand, that first slap is so visceral and shocking. Nowhere else in the manga is domestic violence portrayed more sharply and directly, in greater detail or more cruelly generous panel space than in this moment. It’s in the difference in size between Kotarou and Tenko, the force behind the hit that’s enough to knock Tenko clear off his feet, the pages upon pages of gut-churning lead-up to this moment and what we know will be following soon after.           Also too, it makes the family’s failure to help Tenko much worse that no one else acts when Kotarou pulls back for a second hit. The first one, you could almost excuse because no one saw it coming; the second throws those justifications out the window and spits on them afterward. Two hits are important—not only for what they tell Tenko in the moment about his family's inaction, but because two hits speak in ways one hit doesn't to how wildly uneven the power balance is in the house, that Nao and her parents could witness something like that and not only fail to intercede, but then take who knows how long to work up the courage to confront Kotarou afterwards.           I understand very well the fear of showing this in a family TV timeslot—the violence is so much more real than any big fantasy beat-‘em-up could ever be—but it’s the kind of thing that really drives home what Tenko needed to be saved from even back then, a social issue that heroes as they currently exist were in no position to address. Far from demonstrating that heroes aren't at fault for what happened to Tenko, though, what this scene truly does is vividly illustrate the flaws in All Might's social contract, in which his power and smile seem to promise that he can save absolutely everyone, only to leave children like Tenko out in the cold with no explanation as to why. It's brutal because it has to be, and the anime shying away from depicting Kotarou's physical abuse undercut that.

Framing Shifts

• There was a bizarre, nonsensical change to the scene at the beginning of the chapter where RD is figuring out how Shigaraki survived/got back up after taking a Burden attack head-on. The manga’s explanation is that Shigaraki didn’t actually take a full force hit because he was Decaying it even as it was blowing him back. This is somewhat silly, given that even a reduced-strength Burden is still strong enough to put him through multiple buildings. It is, however, less silly than the anime’s take, in which Shigaraki touched Re-Destro rather than the corporealized Stress of Burden. How Re-Destro survived a full-fingered touch from Shigaraki’s completely uninjured right hand[7] went totally unexplained; the problem was then compounded by Re-Destro delivering manga-accurate lines about Burden not being an evadable attack despite “evasion” having nothing to do with Shigaraki’s actions.           Anime!Shigaraki didn’t dodge the Burden attack any more than Manga!Shigaraki did; unlike Manga!Shigaraki, however, Anime!Shigaraki also did nothing to reduce the impact of the attack. So not only was how Shigaraki survived the Burden attack not explained, the change to the material also opened up the plot hole of how Re-Destro survived a direct touch attack that Shigaraki in the manga never lands.

• There was also an extremely weird decision made to give Tenko dark, gray-blue eyes, obviously reminiscent of Nana’s, and suggest that they became red at the same time as his hair was changing to white. But in the manga, other than the size, there’s no difference between young Tenko’s eyes and how Shigaraki’s eyes have always been drawn—an unshaded iris with a visible pupil and a relatively thick line delineating the iris from the white of the sclera. Tenko’s eyes never matched those of anyone else in his family, least of all his dark-eyed grandmother. His hair changed color because of a trauma response,[8] but his eyes were always red.

• Relocated Shigaraki’s first, “Little kids…are sneakier than you’d expect. And simpler,” to underscore Hana showing him Nana’s picture in the study, squarely centering the line on her. And like, yes, that line does get its bitter echo later when Hana panics in the face of her father’s fury and throws the blame onto Tenko—but that line isn’t just about her; it’s also about what Tenko wanted to hear from the other adults in his life. It didn’t matter that his father didn’t approve; if he could get at least one adult to say he could be a hero, to take his side, then he could feel vindicated.           It’s a child’s sneaky, simple reasoning: if an adult’s words are absolute, you just have to get one (1) adult to agree with you. It’s asking Dad if you can do something you don’t think Mom will agree to, and then going to Mom with Dad’s permission held defensively in-hand. Laying the line over Hana obscures that it’s as much about Tenko’s craving for external validation as it is Hana’s (entirely understandable) deceitful streak.

• After half a season full of internal monologue being voiced aloud even when it made little sense to do so, the anime decided to render clearly talk-bubbled dialogue—Tenko’s chatting at Mon about how he feels like he could take on the world—as internal monologue instead. Who talks to their animals in their heads when they could be talking at them directly like pet owners the world over?

Additions

• Added a few extra stills of Kotarou rebuking Tenko and dragging him around. I don’t think they’re inaccurate to the situation, though I wonder if it really needed to be underlined two more times than the manga did. Maybe they were trying to make up in advance for deleting the first slap?

• Added a few new stills of Nana and child!Kotarou. They hurt my soul and I love them without reservation.

Chapter 236 – Shimura Tenko: Origin, Part 2

• Hana’s second apology. What needs to get across was communicated with her first apology, but I do think the second one adds some naturalism to the dialogue. It feels very normal for a child feeling extremely guilty to apologize multiple times, like the more times they say it, the more true/convincing it will become.

• A bit of Tenko’s internal monologue—thinking Hana’s name, and Mon’s, and that he can’t talk. The anime slipped some attempts at verbalizing “Mon” into the dialogue, and it was painfully obvious just from listening to him gag and choke that he was too horror-struck to get words out, in ways that would be a little harder to convey on the page. Also, he thinks again that he can’t talk just as Hana runs away, so it gets across regardless. No real complaints here.

• Some thoughts about how he’s itchy, which, given what his itch represents (or at least what he thinks it does), they probably should have kept for continuity’s sake.

• Tenko’s last, “Hana-chan!” just as he grabs for her. I can imagine it having just that little bit more desperate impact, especially given Sekine Arisa’s great delivery of the first “Hana-chan!” but his delivery of the first one was great—weeks later, I can still remember it clearly—so it’s not a snip I’m inclined to doomsay about.

• Hana’s verbalization as the Decay hits her. Given that they kept Mon-chan’s last whimper, it’s kind of inconsistent not to keep this. It’s grueling, sure, but no more so than the rest of the horror show shortly to follow.

• An echo of Nao’s defense of Kotarou’s anti-hero stance. Frankly, I think anime already over-indulges in echoing dialogue we’ve heard not ten minutes prior, so I don’t mind losing this—in the manga, the moments would have fallen in different chapters, so it makes more sense to squeeze in the little reminder, but that wasn’t necessary for the anime, in which the original moment and the callback happened barely more than five minutes apart. It was obvious what the mental image was meant to draw attention to, since Tomura was narrating about exactly what his grievance was, and the image was followed by the two equivalent moments with the grandparents. (Admittedly, it hurt that correlation a bit that Grandpa’s line about the ohagi being intended to make the sadness go away got cut, but the sentiment was pretty clear from the man’s expression of nervy, abashed guilt regardless.)

• The line of Decay that splits Nao’s eye, one of the more vividly horrific little grace notes in the chapter. It undercut the grotesquerie just the tiniest bit, but the scene’s grotesque as-is, so I can understand that slight edit for TV standards. The discrepancy between Decay-to-dust and Decay-to-gore, discussed below in Framing Shifts, was much more damaging.

• A shot of Kotarou just after he hits Tenko with the tree pruning shears in which he looks, briefly, incredibly distraught, like he’s just realized what a monster he’s become. The anime didn’t make the slightest of attempts to keep that spasm of horror, grief, and regret, and thus lost that last moment of sympathy for a man deeply traumatized by a heroic character’s actions. It’s my only complaint about Anime!Kotarou, who I was otherwise far more pleased with than I was afraid might be the case, but it’s a complaint I must register nonetheless.

• A bit of inarticulate yelling before Tenko screams, “You... Die!!” It helps get across Tenko’s rage overflowing, to have that wordless garble before he can actually wrap words around it. He was still having trouble talking, too, so it makes sense that his first vocalization would just be a long, incomprehensible screech. That said, with the music there to supplement the mood in a way the manga would lack, I don’t think the anime’s rendition of the scene suffered overmuch from its absence.

Framing Shifts

• The anime, of course, has always gone the dust route for Decay because Decay is a little too gruesome for family hour TV, and anyway, when Tomura gets as fast with Decay as he is in Deika, he really is just insta-dusting people, such that not even blood remains. But he wasn’t that fast or that thorough as a child, hence why it’s all so much gorier—and it needs to be, because it’s hard to imagine Hana freaking out like she does if all she sees is a pile of dust instead of, well, dog gobbets. (Also, if his family had gone the dust route, it would have been very hard to convince the audience that Tomura’s hands are his family hands and not fakes provided to AFO by Ujiko.)           This obviously put the anime in a difficult spot, but apparently the decision they settled on was—to not decide? Everyone we saw in the active process of decaying decayed into dust as usual, but then once they were done decaying, once that transition from person to ruin was complete, there were all these heaps of gore everywhere. It was a very strange and distracting inconsistency that hurt the scene much more than any of the nearly invisible cuts, and I hope the blu-rays will change it.

• Added Grandpa catching Grandma as she staggered at the sight of things in the yard. Since his body language in the manga (the only non-Decayed shot of him in the sequence) has him leaned more forward, like he’s still halfway through running towards the kids, I thought this was a nice little touch on why he stopped, for reasons other than just the obvious.

                                                         ---

Episode 111 was about half of a really strong episode. Most of my complaints about the Shimura Family flashback are very minor, and most of the ones that are less minor are still easy to overlook when the rest of the presentation was so strong. Unfortunately, the non-flashback half of the episode had as many problems as ever, and those aren't over yet.

Come back next time for Part Five, Episode 112: Origin: Shigaraki Tomura. Assuming my complaining about the finalized gutting of Spinner's arc doesn't get too out of hand—which it may; if so, I'll tack on one final part to wrap things up—I'll also be running down a quick overview of the Paranormal Liberation Front scenes in the Endeavor Agency arc and some various odds & ends.

FOOTNOTES

[1] Yes, I know the Skeptic Confronts Twice scene goes nowhere, but maybe, instead of deleting it, they could have patched it up by showing Skeptic turning away from the confrontation when the tower went down? You know, actually made an effort to improve on the material?

[2] Bakugou, of course, but also Inko, Kotarou, and, very prominently, even All Might. Deku circa MVA has an entire arc lying in wait for him about how much he’s internalized All Might’s paternalism re: having the strongest quirk.

[3] Indeed, as of the scene in the crater, he still hadn’t lost them at all! He had his prosthetic by the time of the speech, so I guess we’re meant to assume that Ujiko or some MLA doctor declared them past saving and amputated them. I hope I don’t need to tell you how unbelievably lame it is to have a shounen manga character sustain a permanent injury like that off-panel.

[4] It’s the pointy nose.

[5] That, at least, is the best way I’ve found to reconcile all the related-but-distinct values professed by the various members of the MLA brass, from Re-Destro’s focus on liberation and purpose, what exactly Trumpet chooses to cite when he’s talking about Spinner not “amounting” to anything much, Geten’s open extolling of quirk supremacy, and so on.

[6] In the first big double-page spread. Oddly, no bandaging is visible in the other panel that has a good shot of that hand, possibly because Horikoshi was more focused on drawing RD’s empty pant leg. The anime kept the obvious wound during the crater scene, but not the bandages during the speech.

[7] I assume, anyway, that Re-Destro only survives Shigaraki’s first touch because it’s a weaker Decay, coming as it does from only from two fingers rather than five.

[8] The fabled Marie Antoinette Syndrome. Never been scientifically documented as such (hair can whiten because of extreme stress, but not overnight) but it endures in fiction because it’s pleasingly dramatic. Trauma-based eye-color changes, not so much.

[well-in-all-honesty-i]

TW: Suicide

OKAY SO- I wanted to talk about Mafuyu and Yuki’s relationship and why it ended the way it did. I should preface this by saying that the majority of this, although somewhat supported by canon, is my own personal headcanon and speculation. I’ve been surrounded by a lot of people who I believe Yuki to be similar to, but I am not 100% accurate or well versed and this is mostly just from what I’ve gotten from those situations. Also, a lot of questionable grammar-I type like I speak, which doesn't translate well haha.

So I want to chunk this into 3 big pieces because I enjoy organizing things: Yuki’s childhood, how that affected his personality as a young adult, and how both of these lead to his eventual death.

Starting off with his childhood:

This one is heavy speculation (as most of this is-but this bit is particularly so) since there isn’t much canon to support this-or provide a lot of insight. But, what little we do know is that 1) Yuki’s father wasn’t present in his life-probably even before Mafuyu’s father had been jailed-and that, 2) Yuki and his father shared the same bull-headedness (?) and pride that Saeko believes led to his death.

I personally believe that Yuki’s father was someone who might have struggled with some sort of mental illness, as well as has had a problem with alcohol abuse. I also imagine that he probably disappeared or passed-either due to some sort of alcohol-related problem or suicide.

Saeko, from how she is characterized in the story, seems to be a very strong-willed and assertive person. In the aftermath of Yuki’s death, she's relatively composed and seems to have almost expected this to happen, although maybe not in the specific way it did. [Ex: When she tells Mafuyu that Yuki was always the type of person to die in a chicken race (a competition of pride, of sorts, that usually ends badly) and when she mentions him being similar to his father in that sense.]

In the flashbacks in the anime, when Mafuyu tells Yuki that his father beats him when he talks, Yuki’s response of ‘You know, a real father doesn’t do that.’ doesn’t sound like something a small child’s first response would be. It’s a bit of a reach-but considering that, as well as how prompt the response from his mother seemed to be (when Mafuyu’s father was jailed-not much time seems to have passed, and since both of their mothers are present, I've always assumed that Yuki's mother found out through her son and acted accordingly.),- it would make sense that Yuki might have some prior experience with this. Especially if his mother had gone through something similar-she probably would’ve warned him very strongly against the ideal his father had set, making Yuki want to be very far from that.

Speaking of which-I assume that Yuki probably had a very rough-if short-lived-relationship with his father when he was around. Given the stuff above, his father was probably someone who was emotionally volatile and tended to lose control when upset. If he had an alcohol problem, he might’ve caused a financial strain that fell onto Saeko as well.

Since his father was out of the picture and Saeko herself wasn't around as much as Yuki might've needed, it would have made him both very independent from his parents and adults in general, while also heavily reliant on Mafuyu (Hiiragi quotes both Mafuyu and Yuki to have been latchkey kids who found comfort in each other), both of which twist into the situation he found himself in later in life.

Leading into his teen years:

Yuki, as a young adult, is very independent-he works multiple jobs to pay for the expenses of being in a band, makes a point to avoid drinking, and is very affectionate towards Mafuyu. I'm not too sure about the reasoning behind why the four friends chose the high schools they did, but if Yuki's mother didn't directly influence that decision it's likely it was a choice made in direct relation to their band.

There's also very little interference from any adults in Yuki's life-namely, his mother. As someone who was probably very busy working as a single mother to support the two of them, her mentality was just to support him monetarily and let Mafuyu provide the emotional support in her place.

I think she also assumed her attempts wouldn't have been well received-most people noted how close Yuki and Mafuyu were and seemed to always assume that they had each other handled and that nobody had to worry about either of them because of it. In every way, it was simply easier to show Yuki she cared by not interfering and letting him hold the reigns of his own life.

A big indicator of this idea for me what when Saeko talked about how Yuki ordered his own ramen, the type he liked. It's a small thing, but it started me to read because it highlighted the amount of input his mother had on his life; which was very little. I don't know if he even used her money or chose to use the extra from his jobs to pay for it, but either way, it sort of put their relationship into perspective.

The impact it had:

Yuki probably had a lot of resentment towards his father, or, at the very least, a desire to turn out different. And oftentimes when a person is very strongly trying to avoid turning out like someone, they ignore or avoid acknowledging the similarities, rather than accepting and working on them to properly change. Without a strong parental/adult figure in his life, he wouldn't have considered insight beyond his own experiences. He's characterized to be moody and domineering, and Mafuyu is too soft-spoken to have brought up most issues until it reached its boiling point.

I believe Yuki might have had Borderline Personality Disorder to a mild extent. Some symptoms of BPD are mood swings, impulsivity, impaired social relationships, and a distorted self-image. They usually have thoughts of suicide or self-harming tendencies. When they feel insecure in relationships, in which they’re usually very, very invested, they tend to lash out or do rash things to keep them close.

Based on my relationships with the borderline people in my life, I've noticed that they usually bounce between having great confidence in themselves, to being incredibly insecure. It's hard to explain specifically, but they walk a fine line of being insecure and also maintaining a painfully strong ego, which makes them react very strongly when provoked, intentionally or not. Yuki and Mafuyu have a different type of relationship than I do with those people in my life which, for the two of them, means that Mafuyu probably had to provide lots of emotional support for Yuki, while also under the mild threat of Yuki coming to harm by his own actions.

Being with someone with these tendencies who is also unaware of them is very draining, especially for someone as mild and soft-spoken as Mafuyu is. Yuki tended to lead their relationship and was probably very noticeable when upset-and for someone who might not be used to speaking up or someone who has low self-confidence, it is difficult to bring up things. It doesn't feel safe if you don't know exactly how it would be received. Especially if they are the person you are closest to, it can be anxiety-inducing to try and bring up problems that don't seem to be incredibly important or unavoidable.

So, long story short-Yuki was closed off to receiving any kind of proper advice or criticism that would've saved him. Another symptom of BPD, as mentioned before, is suicidal ideation. So, if all these things are combined, it's a lot easier to see how he, surrounded by only his thoughts and ideas, would make the choice to take his own life when provoked.

It wasn't specifically that Mafuyu had caused his death, but more that he just sent him over the edge he had been teetering on for a long while. He was like his father in the sense that they had the same flaws that just came from different places. Yuki's pride came from the flip side of his insecurities and his own early independence, and his mental health issues as a whole are probably hereditary. The specificities of his death, where Yuki drinks after avoiding alcohol for his entire life, feels like he failed in his effort to avoid being like his father. He was different as a person but in the end, their flaws aligned and brought them to their end in parallels to each other.

Calling back to what his mom said-it doesn't feel unexpected. It is shocking, but not a surprise. Yuki was fiercely independent and wanted to learn and do new things, all on his own-including his own death and whatever follows after.

[I wrote this a while back and didn’t really like how most of it was speculation and hard to prove-but decided to post it anyway because I spent too much time on it lol.

Like I said before, most of this is just my head canons, but I hope it made sense! Feel free to add on with your stuff/arguments/headcanons :)]

[thenixkat]

am considering the Quirkless people can do magic au

like, obviously it's something folks would have to learn. If yer cut off from yer quirkless community and quirkless elders yer less likely to be in the know. AND folks probably didn’t want the governments to know until they had a decent chance of like doing something to keep shit from getting outlawed.

quirkless people are way less likely to get jobs and are actively discriminated against, they'd be mostly in lower income communities and more likely to get caught up in criminal behavior/organizations

a quirkless person doing magic in public could easily be mistaken as a quirked person using their quirk in public so similar risk of arrest

most likely and presumably stronger quirkless magic users would be in the oldest sketchiest poorest neighborhoods where heroes don't patrol and the cops to come to when called

either have their own crime families and gangs or are popular with the ones that have common sense (cough*hey its my Toyomitsu crime family au b/c fuck my faves being cops*cough)

I would also do that magic and quirks differ in that, folks are born with quirks and people have to learn magic. The vast majority of quirked people can only handle having one quirk, quirkless folks can and do learn many different types of magic even if they're best at one type b/c you never know when you'll need a backup plan.

Quirked people power their own quirks while quirkless people power their magic externally? Instead of costing the user their own energy/stamina/calories/what have you to use they have to take etc from another source? Actively have a target to drain or passively collect lifeforce from their surroundings via spellwork?

Specifically using written or vocal or symbolic spells to channel energy through the magic user to perform the spell? It's time consuming to prepare (probably promotes fuckers getting shit directly tattooed on or sewn into clothing?) and takes a lot of experimentation and trial and error to figure out what works for the individual. Old families and master/apprentice chains having their own distinct known about (to those in the know) styles.

and b/c I love folks turning into feral monsters... fuck up a spell really bad/don't have the proper fucus or stability while doing yer spell and accidently curse yourself into a fucked up energy vampire (or regular vampire since blood can be used as an energy medium in magic) and go on a rampage until either the magic user calms the fuck down or they run out of energy to channel and the spell stops on its own.

also considering magical arts that aren't technically magic since there's no energy channeling but does require a lot of study and work like using plants and quirked plant or animal parts to make medicines/drugs/weapons/etc

--> But also there’s no way in hell quirked animals are rare if the fucking majority of the human population has quirks and its possible for other animals to have quirks. Each species would have a percentage of quirked and quirkless individuals and what kinds of quirks as well as how those effect an individual’s fitness would determine what percentage of the population has quirks, especially with wild animals. (I personally would go that only 10-20% of wild animal pops have quirks b/c a lot of shit would likely make an individual less likely to survive and reproduce especially if it fucks with appearance or metabolism)

--> Also why the fuck wouldn’t there be quirked plants and fungi and bacteria and shit too? You know how fucking adaptable plants are?! Fucking 90% of the eucalyptus population would have some kind of fire quirk as a fuck you to the other plants around them. The wilderness would be a horror show of ‘we don’t know if that bush eats people’ and ‘oh gods they can mimic sounds!’

ALso yes combining magic and technology to make the fucking supertech that quirked society has largely dropped the ball on.

Most common spells involve warping or healing b/c that shit is useful. Next down is mimicking quirks b/c sometimes bitches lie to avoid trouble with bigots.

A lot of magic/spellwork references ancient pop culture. Or in other words, early twentieth/twenty-first century pop culture. B/c if someone can’t kill a room full of people while singing Toxic then the fuck is it all even for?

[avoutput]

Mario Mario & Luigi Mario || Super Mario Bros.

The beginning of any quest has its starting pains. In the early 90’s, Hollywood set out to begin getting a cut of that sweet video game money. At the time, video games were mostly considered toys, and they were advertised as such. As the medium grew more adult, so did its films. Still, they had to begin somewhere, and why not with the biggest gaming property on the planet past and present: Super Mario Bros. This provided an unknowingly impossible challenge for creatives, one that is still a topic of intense discussion to this day. How does one balance the adaptation of a property from a completely different format into film? At the time, other films that looked similar to what Super Mario Bros would become had succeeded despite the challenges of adapting comics for film. Teenage Mutant Ninja Turtles and the first re-imagination of Batman since the 60’s went on to invigorate their respective properties. Today, comic book movie adaptations are the tent pole of every major movie studio. In the case of Super Mario Bros, despite its critical failure at the time, I honestly feel like the creatives succeeded. The ire this film would glean over time from both fans and the people behind the camera fuel its bad reception to this day. In my opinion, it is actually a success story in the world of video game adaptations, and a great place to start if you plan on watching every Hollywood attempt. I promise you this: it could be so much worse. And for later attempts, it was! But, does Super Mario Bros thwomp?

In my initial argument, I raised that these films should be broken down into categories including: Originality, Preservation, Construction, Delivery, and Fanservice. Originality and Preservation can be at complete odds with one another. In the case of Super Mario Bros, it turns out to be a good combination of both. They offset each other just enough to find a balance between the reality of our world and the fantasy of the mushroom kingdom. Sit back in your chair and imagine the real world of 1993, what films looked like back then, the landscape of video game culture. I think the creators had this very much in mind when they penned this movie. The very first thing that happens in the Super Mario Bros movie is the NES theme song with all the depth a stereo sound system can provide. It really sets your little gamer heart aflutter. It conjures up images of the brightly colored games. Using narration, they make promises of dinosaurs, meteors, and other dimensions. If you don’t think too hard, it kind of sounds like a version of Super Mario Bros that was advertised via the game manuals and cartoon show. If you are familiar with either, a pair of New York plumbers essentially get sucked down a drain pipe. This process is a little more drawn out in the film, but It turns out more or less exactly as good as could have been expected in 1993. In fact, the film really isn’t above sucking them down a drain pipe, they do crazier things, but I suspect that they wanted the plumbers to have a more direct conflict that would lead them to try and save princess Daisy.

The plot of the film is par for the course in a children's film and a direct consequence of the game itself, especially if you consider the 3rd entry. A good king and an evil military general, betrayals and coups, princesses sent to live in another realm only to return home with a pair of knights to dethrone the evil king. A tale as old as time, one that continues to be retold because it resonates with us. The filmmakers were really focused on this being a performance of realism meets fantasy This would come to be the major struggle that other video game movies would continue to have problems balancing. They took concepts from the game and gave them an original spin and most within the framework of the original work. Their creative license is often challenged for these choices, but in the context of making a live action Super Mario Bros movie in 1993, those challengers should check themselves. The real question you should ask yourself is, in this context, what would you have done differently? And would it really have been better? I struggled to find a way to truly make the concepts of this movie any MORE appealing, but it was surprisingly easy to make it worse. In one way, this film was a by the numbers kids adventure story, but it's being held to task mostly for failing to be a good adaptation of the game, a bar which didn’t exist when they made it, but one they set and cleared simply by attempting to do so much. All the Mario concepts are easily recognizable, which should be applauded, even in the face of them being a little wacky.

Despite its failings in authenticity, it actually packs quite a lot of fanservice into almost every frame. If you pay attention once they enter Bowser’s domain, the walls are littered with little ads and jokes all based on Mario properties. This is all in an effort to please fans, but the film does tend to leave these little things in the background, the camera more focused on the characters and plot, so blink and you miss them. If anything, this duty to fanservice seems somewhat creatively arresting. Had this film not been an adaptation of another work, they may have opted to skip a few things, like how Mario and Luigi employ the use of mushrooms. In the game, these would make the bros bigger, but this would have been a bit at odds with the backdrop of the grimmy New York City analogy they chose, not to mention technically difficult. People have been squashing miniatures for years, but I just don’t see this being a good use of the film’s time given every other decision. The film's overwhelming attempt to create entirely new flesh on the skeleton of an animated game is really only hampered by the audience's willingness to enjoy it for what it is, by questioning every creative decision. A lot of effort was taken to make the world feel cohesive, especially in its attempt to be parallel to existing New York City. They even take time on some more clever jokes that go somewhat unspoken. Everything in Bowser City runs on electricity, including the cars. The idea here is that fossil fuels do not exist because the dinosaurs of this world haven’t ever fossilized. Or maybe the dinosaurs knew it was bad for their planet? The film is constructed and delivered in such a way as to not take itself too seriously, but to appear parallel to something familiar to our own world in conjunction with the Super Mario world.

After having sat through the film with an earnest critical eye, I am not going to tell you the film is greater than the sum of its parts or that it's fantastic because it set out on an uncharted path. Instead, what I will attest to is that it was truly competent. It made every attempt to give you what you wanted and also took a few of their own twists on the formula. Bullet Bills turned into fuel for jumping, Bomb-oms wear Reeboks, shoes facilitate their ability to jump but also satisfy the boot you wear in Super Mario Bros 3. They even use the lightgun from the NES to navigate screens much like a mouse and the SNES super gun as a weapon! All this and still they found a way to make it all fit within the italian brothers from Brooklyn framing. Unfortunately, it would seem no one really learned anything from the success or the failures of this film. If the 90’s game films are any indication, the only thing they learned is that the box office is fickle and to double down on fan service even when it doesn't make sense, and in some cases, abandon everything about the game entirely and simply slap the name on a completely original film. And yet, despite all the bad press and internal struggles the Super Mario Bros production had, they came out the other end with an inoffensive, enjoyable film that both kids and adults can enjoy. Especially if they forgive the film any perceived sins, a gift that all film adaptations deserve, and just try to recognize what they really accomplished. Bringing to life a world that only existed in your Nintendo. It may not have been pretty, but damn if it wasn’t entertaining.

[numbaoneflaya]

Can I get a list of all ur ocs?

Well anon youve done it, you made me make a list of all my major OCS in one place. I hope your happy with yourself. Under the cut for obvious reasons, may link in my blog desc later.

Modern/BTD verse!!

Jilly- Ferret beastkin little creature, was recently turned into a werewolf by vincent as well so she's running around on full moons in a wereferret wolf hybrid creature form. Chaotic and friendly and wants to be everyone's bestie. She has the most energy in the world and is very kind hearted. Banned from most Claires for stealing and from one Home Depot for climbing the shelves. Prone to living life with rose colored glasses on and seeing the best in everything/everything even when there's nothing there. Socialization is a must for her and is why being basemented/kidnapped broke her psych so quickly and developed severe stockholm. Sometimes overly talkative/enthusiastic and can scare people off. Even if she sees someone shes decided shes friends with be noticeably 'evil', will convince herself it must be for some reason/her fault and ignore it.

Ciggy- Undead punk still learning to harness his powers to interact with the world as a ghost. Was sacrificed by a cult he joined for free concert tickets and to get laid. Likes to cause problems on purpose both pre and prior death and he's not above possessing someone once he learns how to. Was called Rooster in high school before he dropped out because he's loud, obnoxious and always screaming. And also has bright red dyed hair. Looking 4 ways to become less ghosty bcs he wants to be able to help raise his infant daughter, whom he died before he could meet. Bit annoying and in your face, likes poking at bruises, his or others. Kind of a sad heart seeking attention through volume and persistence.

Mike: Vampire loser! Sells drugs and lives at raves. Was turned when she was attacked by a coked out vampire (whom she supplied the product to) and has major scarring on her face and chest. Needs a somewhat constant influx of blood so shell sometimes take victims back to her place and chain them up, slowly draining them over time. Feels bad (ish) about it tho so it is possible to survive her if you are nice and or interesting enough. Kind of desperate for a friend and for love. Is a stalker. If she likes you enough/finds you interesting, she might just appear in your house one night and start rummaging through your fridge like nothing is wrong and youve been besties for years. Its best to indulge her and be friendly, otherwise she could turn violent quickly if her feelings are hurt.

Kilaine- Regular human woman, but fucked up. Born and raised by an elite waspy society she had an interest in the human body and pain tolerance since she was young. Quickly learned that these traits were socially unacceptable in most professions, so she became a doctor. The only family she cared about was her younger sister who she lost in a car accident, where they were flipped over and trapped inside while it was afire. While her sister burned up in front of her Kilaine only lost her left arm and had major burns on her body. This tipped her descent into sadism and she is now madly obsessed with bringing her sister back no matter the cost. Rude and offstandish, clinical.

Dragon age verse!

Thurwen- My main Hero of Ferelden with a bad temper and a heart of gold. City elf from the Denerim Alienage, 18 at the start of origins. She's a reaver warrior with a lot of pent up rage which sometimes scares others when she lets it out in battle. Over the years she's grown less moody as she's had to take the role of Commander. Crude sense of humor and violent impulses, very sensitive to the plights of others and tries often to help. Never seen crying in public but only cries to herself at night- major martyr and hanged man complex.

Caz- My circle mage elf inquisitor who was an apostate before the conclave. Blood magic, but make it sneaky. Wary of strangers and new faces, always dealing with the impulse to flee/find a high vantage point. Endless curiosity about the unknown/ the forbidden/ naughty, was supposed to be made tranquil for it but she escaped. Kind of a little creature as well, lived on her own for a while as an apostate in the woods, filed her teeth down to sharp ends to make herself look more intimidating (shes 5 ft tall) and less cute (her elf ears are huge and expressive, which shes embarrassed about)

Dag and Thagna- Carta twins! Professional lyrium smugglers since birth pretty much. Raised casteless in dust town and had to work their way up the chain of command by themselves. Dag is the brother, Thagna the sister. Their father traded them to the carta for drinking money and their mom died in childbirth so they have somewhat of a codependent relationship. Both charismatic and calculating, friendly and agreeable but won't hesitate to put a dagger in your back. Hard to pin down morally or physically, squirrelly bastards.

Reila: Dalish elf who works for the inquisition/ is the inquisitor in some aus. She has an extreme fixation on elvhen history and rebuilding what they have lost. Not a people person, prefers solitude. Takes some time to warm up to shemhlen as she has a hard history with them. Good friends with Caz, who recruited her in the first place. Doesn't understand very many social cues and finds societal expectations limiting and frustrating. Fondness for halla and hooved animals, which she finds graceful.

Elder scrolls verse!

Valkya: Near seven foot nord woman whos over a thousand years old by the events of skyrim. Tall and buff, two handed warrior and compulsive hero there to bask in the spotlight save the day. She was killed at the start of the events of Elder scrolls online and had her soul ripped out and sent to coldharbor and she's just been a pain in the ass about it since then. Her body can physically die and will not regrow pieces. Her soul however will escape and teleport to the nearest source of power where her body will regrow from an aetherial plasm until its whole again. Loud and brash, friendly and jovial. Actually pretty keen especially after centuries of life but prefers to play dumb as it makes people underestimate her. Plus, she really does enjoy mud wrestling and drinking contests and acting generally like a rambunctious frat boy. Ha developed a bit of a substance problem and a problem with acting out, as after being alive so long she would turn to anything to dull the ache inside of her that never goes away.

Espira- My Dragonborn! Redguard from Hammerfell who was briefly in the Ash’abah due to killing undead while protecting her parents water farm as a child. Ran away from them after years and went to Cyrodille, then to Skyrim and was caught crossing the border. Reserved, kind and soft spoken, she's a sword and shield warrior who's committed herself to doing good in the world by helping others. Dislikes killing and anything messy but believes it is often necessary in order to protect the weak. She blacksmiths often to save money on the upkeep of her own equipment, and takes up metal jewelry working as a hobby with the excess material. Prone to trusting others too much and giving too many second chances, as shes always looking for ways to make even the most hardened criminal a second look at life.

Riley- Espiras little brother who she locked in the wardrobe during the event of the water farm attack. In preventing him from doing violence against the undead she kept him from being conscripted into the Ash’abah. He's way more chaotic than his sister, and suffers from a case of little sibling syndrome in which he will often pester/poke at people just to get a rise out of them. Still kind hearted as his sister, he tries to hide it because he believes that the world is a cruel place and the cruel survive. Despite that belief he is often still unable to force himself to be cruel/careless, only making a show of it so that others leave him alone and don't see that he's very sensitive and emotional. Deaf in one ear due to a magic mishap in his youth, he trained and enchanted his most beloved rats to live for years and sit on his shoulder, alerting him to noises he would not otherwise notice.

Felria: Evil vamp :/ chaotic evil dunmer necromancer. Small and devilish and likes dead bodies too much. Manipulative and cunning, she loves acting. She's a trained assassin for the dark brotherhood and is the speaker. Likes dressing up for missions and wearing disguises like its all a play. Loves toying with people more than she loves killing them, will act in ways that cause as much trauma as possible for other people just for fun and she finds the reactions interesting. Considers herself too far removed from most people's perception of morality and of her so it's hard for her to trust someone or see them as worthy of knowing her. Finds the psychology of grief and fear to be interesting and wants to study them first hand. The hero of kvatch.

Herren: Fifty something year old rat woman looking for something to keep her going. Ran away from her wealthy family in her youth when they wanted her to take charge of the household, instead became an infamous jewel thief and swashbuckler. Spent most of her life traveling and stealing and double dealing. She's smarmy and sarcastic, a serial romancer of the highest caliber. Bit of a show off and a hedonist, always looking for the next good party or new product to snort. Her family died off due to the hard times she wasn't there for and she keeps looking for bigger and bigger heists to fill her appetite as she's chronically bored and lonely, though wont accept intimacy and will scoff at it out of the belief she doesn't deserve it. Irresponsible and selfish, lonely and terrified of any sort of commitment. Fun to party with though!

[wickedgamesoyaoya]

A warm breeze swept against the foliage littered across the playground, creating what one might consider abstract art. Mothers beckoned for their children to return home, fearful that if they remained out any longer, they would fall prey to the creatures of the night. Their source of security – the large orb in the sky was beginning to descend, and soon its friend would claim its place. The truth was you disliked the rays of heat that emanated from above, rather you were waiting for the familiar darkness to slowly devour the space around you.

Earlier, after the ordeal with Kuroo, the air within your apartment had become tainted. With your lungs objecting to complete their assigned task, you found yourself wandering outside, abandoning the prep-work that was scattered across your desk. A few pitiful glances were cast in your direction as you passed by those unaware of the pain that had plagued you. The world would never understand someone like you – someone who loved dearly and refused to show vulnerability.

The liquid that once clung to your lashes had now dried, perhaps the glances would stop if you took a moment to remove the smudged makeup below your eyelids. But your lack of motivation had ruled out the option. For now, all you could do was silently watch the colours drain from the sky.  

“Y/n…?”

If there was someone you absolutely did not want to run into… it was Sakusa Kiyoomi.

The MSBY outside hitter had fatefully chosen the longer route home to clear his own thoughts. Earlier Atsumu had almost initiated a fight with the unwelcomed guest who unfortunately happened to be Bokuto’s high school friend. It required both Akaashi and Osamu’s aid to contain the setter. Although, the owner of Onigiri Miya had slipped a threat under his breath before he left, Sakusa had only caught the end – ‘stay away from her’. Her meaning y/n.

It did not occur to him that there was a chance he would run into you on his way home, particularly because you had been avoiding him since your last encounter. He had been respecting your wishes up until this point. Had you not appeared completely devastated, he may have continued down the pathway, continuing to respect your space. But alas, that was not the case.

It was déjà vu, truly. The night the bastard had broken your heart, you wore a similar expression. Even then, he had yearned to comfort you, yet then you did not know who he was – would you accept the aid of a stranger? Now, your relationship was complicated, but would it really be so strange if he wrapped his arms around you?

“Oh. Hi.” The greeting was accompanied by a strained smile, one that pained you to maintain for more than a few seconds.

“Do you mind if I join you?” His eyes flickered to the unoccupied space beside you, it was ironic how you ended up at the same bench from that night.

“You might want to think that through, it’s just as dirty as before. Maybe even more.” A humorless laugh had erupted from within you, however, it was short-lived.

“I’ll take my chances,” The black haired-male’s features did not contort once his weight was transferred to the metal structure, although if it did, you would not have known due to the mask concealing the majority of his face. “I won’t ask if you are okay, if you were thinking that. It is clear you are not.”

“Oh, how kind of you.” The sarcasm rolled off your tongue naturally as you dipped your head, your gaze settling on the keys you had been fiddling with unconsciously. “I bet you think I’m incredibly gross right now, right? Tears are just human waste, hm.” Instead of allowing a gap for him to respond, you shot your head back abruptly, warm liquid beginning to blur your vision. “Well guess what. I don’t care. Osamu thinks I have an adorable crying face, snot and all.” The declaration had prompted a single tear to begin its short journey across your flushed skin.

“I wouldn’t disagree with that.” Had you been paying any attention you would have noticed the distance between you and the male had been eliminated.

At first you had to question if you were dreaming or perhaps hallucinating. But no. It was real. Sakusa, the one fearful of germs, had lightly brushed his fingers against your cheek to discard the liquid that manifested your pain. The confusion that had animated in your irises had prompted him to tisk.

“Don’t act like I’m some monster.” The hurt in his voice was laced with irritation, not towards you, but towards himself for creating that persona in the first place.

“Then hold me.” The plea was disguised as a command, you knew it was selfish – but your desire to be held had conquered any competing emotions.

“Okay.” Complying with your order, Sakusa adjusted his position slightly, then slipped an arm around your middle, forcing your frame to face his before leading your head to find support against his shoulder. Instinctively, your own arms wrapped around him as you buried your face against the crook of his neck. The scent attached to his skin was the combination of an intoxicating fragrance and an unrecognizable shampoo. You hated how badly you wanted his scent burned into your memory. What you really hated though was how perfect his grip around you felt. Maybe being selfish wasn’t too bad?

It was never meant to be easy - selfish 

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[twdmusicboxmystery]

How Scars MIGHT Relate to Leah and Daryl

Okay Everyone, this is a post that I wrote like 6-7 months ago. It was after we learned about Leah and 10x18, but before the episode actually aired. It was really just conjecture on my part. Me, trying to connect patterns and similarities I was seeing.

Why didn’t I post it back then? Because we decided we thought Leah was a hallucination, and at that point, I thought this less likely to pan out.

What I’ll say now is that, if she IS real, this may still be true. And if she isn’t, this pattern may hold but it might be about some other character, other than her. 

Even if it turns out to be completely untrue, just see this as patterns I’m seeing that may come into play in the future. And I wanted to post this today, before ep 1 airs and ep 2 shows up on AMC+.

Also, someone sent me this yesterday:

Norman saying there’s some double agent stuff going on DOES suggest she might be a villain. It’s hard to interpret exactly what he meant by that, but this is one possibility. So here’s what I wrote to my fellow theorists several months back:

Here’s what I have to say about Scars, and I’m still grappling for how best to frame this, so I’m sorry if it meanders a bit. And honestly, it’s nothing super ground-breaking. It’s a lot of what we’ve already talked about concerning Leah, and it comes from what you found about the “masks” lines in the Michonne/Zeke convo, as well as between Daryl and Michonne in Scars. I’m really just giving more evidence for this and predicting a future storyline. You know, like I do. ;D

And one thing I will say is that, while I WANT to tie this to Leah because both her storyline and Jocelyn’s happened during the 6 year time jump, I’m not 100% sure this even has to do with Leah. It might, but it also might not. So, I think this is a coming storyline one way or the other. But it may have to do with Leah or may be completely independent of her. No way to tell, yet.

So, in both conversations (both between Michonne and Zeke and Michonne and Daryl on the swings) they talk about people wearing figurative masks. Daryl specifically talks about someone who has so much evil in their hearts that they actually lie about who they are and present themselves in one way, as one type of person, when really they’re the opposite. 

We see this theme played out all through Scars, because obviously Jocelyn did that. But now that I’m alert to it, I’m seeing it a lot. Even in 10x17, the Sniper fell under this theme. Mostly literally in his case because he was wearing camouflage (a kind of mask) to hide out and kill people. But figuratively, that’s kinda what Jocelyn did, too.

Okay, so let me start at the beginning. I’ve watched Scars twice now and I’m thinking more and more that the thing with Jocelyn happened BEFORE Leah. Now that we know Daryl’s story spans 5 of the 6 years, I think Leah must happen after Jocelyn. Michonne is big and pregnant, so Scars can’t be more than 6 mos after Rick disappeared. 

Michonne asking Daryl if he’s okay being alone definitely hints at the Leah storyline (another reason to link Leah and Jocelyn). But I think it’s a jumping off point for his story. Because he tells Michonne he’s okay being alone, and in that moment, I think he really is. Or at least he really believes he is. The story with Leah will be him realizing he really doesn’t want to be alone. Romantically or otherwise. Which pushes him back toward TF when Carol comes knocking with Henry.

But let’s get to the good stuff.

After Jocelyn shows up, she tells Michonne that some of her kids aren’t with her and she wants to go get them. Jocelyn is hurt and Michonne’s about to pop, so neither of them go. But this is interesting. The three people who go to get her kids in the one building are Gabriel, Aaron, and Eugene.

It was Eugene that really caught my eye. I started going, “hmm. What could this foreshadow?” And I don’t know the answer in detail, but I think it may foreshadow his entanglement with Beth’s return in some way. And of course Aaron and Gabe are both major proxies for Beth, with Gabe being the resident Sirius character. So yeah, kind of side-eyeing that.

The next thing is that we see two hand-drawn posters detailing, through pictures, how to skin and drain both a deer and a rabbit. These are things Jocelyn has obviously made to teach the kids to survive. And I know we noticed them before, with the deer and rabbit being big Beth symbols. But I’m seeing a much bigger theme, having watched the episode several times.

The poster of the deer shows the deer strung up by its legs (head pointed down, I assume). Then, after they bring all the kids to Alexandria, we see several deer strung up this way, and Michonne comments that Jocelyn’s kids are amazing hunters. So, we learn that two of them, Winnie, the blond, and Linus, one of the boys, killed the deer and even prepared them for everyone at Alexandria.

But here’s where it gets more interesting. When Jocelyn captures Daryl and Michonne, she strings them up over pipes in exactly the way the deer being slaughtered are strung up. And of course she brands them like animals. So, in a way, they’re meant to be the deer that she’s going to slaughter.

And I’m not even sure exactly what to make of that where the deer symbol is concerned. I thought about how killing the deer does keep people from the danger of starving to death, so it fits with Deer = Tractor = getting rid of the threat, as I discussed HERE. But I also wonder if deer is synonymous with captivity in some way.

Then there’s the rabbit. I have less to say about it except that the biggest place we saw rabbits were around Lizzie and Mica. And the poster specifically lays out how to kill a rabbit, which is what Lizzie did to Mica. And I think it works here because we’re dealing with evil kids. Like Lizzie. (I will have more to say about the rabbit theory next week. We’ll see them in a big way in 11x01.)

This is where I’m going to link it to the good twin vs evil twin theme. Remember I talked about this with Noah’s twin brothers and of course Lizzie and Mica, even though they aren’t twins. I don’t think we have to have twins or even siblings for this theme, though it’s common for them to do it with siblings like Lizzie/Mica and even Daryl/Merle. Back in S4, there was Pete and his brother as well.

It occurred to me that we have a representation of it here, with Michonne/Judith on one side and Jocelyn/Winnie on the other. Sorry to go racial, but even the ethnicities match up. Michonne, a black woman with a Caucasian daughter (Judith) who isn’t biologically hers (good). And Jocelyn, a black woman with a Caucasian daughter (Winnie) who isn’t biologically hers (evil). See what I mean?

One scene that really jumps out at me is when Michonne and Jocelyn talk in the kitchen. Jocelyn goes out of her way to REALLY earn Michonne’s trust in that scene. Michonne even says, “I’m so glad you’re here,” so she’s obviously fully trusting and loving having her friend around. This is the biggest place where we see Jocelyn’s “mask.”

Then, when Michonne and Daryl are on the swings, Michonne says, “she was a friend. Like, a real one.” She talks about how they’d been through a lot together before, like heartbreak, losing parents, etc. And then she says, “I wanted it to be that way again. I believed her. I let my guard down. I should have known. Should have sensed something.”

Okay, so many ways I could go with that. First of all, it’s REALLY close to what Carol said about Lizzie. “I should have seen it. It was already there.” So, another link to Lizzie/Mica.

But I was also thinking that I can see Daryl thinking this about Leah. Like, he wanted to believe that she would stay with him, that he could love her, but it was all just a mask.

Okay, that may feel like it came out of left field, but it’s essentially where I’m going with this. Let me keep going and I’ll circle back.

When Scars first aired, I said I thought Jocelyn was an anti-Beth parallel. I don’t think many people agreed with me, but I believe that more than ever. And @wdway​’s X/Chevron stuff actually backs it up. My biggest reasoning, originally, was just all the child/baby stuff around Beth. I can see her doing something similar to this—raising an army of mini-Daryls—but of course she would be good and raise them with good values. Jocelyn will be a foil to her.

Watching it again, there are SO many Beth symbols around this Jocelyn story. There’s the deer and rabbit, which I’ve mentioned. At one point, Gabriel is telling a story to all of Jocelyn’s kids, and he covers one of his eyes, showcasing only his Sirius eye. We have Eugene going to find the kids. And of course, the X-shaped brands in Michonne and Daryl’s backs, which is where the Chevron stuff comes in.

So, one way or the other, I feel like this is a foreshadow of something to do with Beth and/or her return.

Then, at the end, I paid close attention to what Michonne says to Judith, and I picked up on a few things that had never registered for me before. Remember that, in this episode, they juxtapose these Jocelyn flashbacks with Daryl coming to Alexandria with Lydia and Henry, and Michonne doesn’t want them to stay, but Judith does, etc. And at the end, Judith takes off on her bicycle and Michonne has to go find her.

So, at the end, they’re sitting on the rock together and Michonne is telling Judith about the Jocelyn situation. She says that when Judith came out of the trailer, it “was like you were looking right at me and didn’t know it was me. I thought you’d changed, or that I’d lost you.” (Emphasis mine.)

Think about that. It’s a really odd thing to say about a two- or three-year-old kid. Like she thought Judith had turned evil or something. And I think plot-wise, she means that she thought Judith would think differently of her because she’d just killed all these kids. Michonne had a lot of guilt about that. But it’s a really odd wording, and kind of hearkens back to the mask symbol. People wearing masks, appearing to be something they aren’t.

We’ve also discussed extensively the idea of Beth’s memory loss: (X, X.) Maybe her seeing Carol but not knowing who she is, or Daryl seeing or hearing Beth but not believing it’s really her. It just sort of plays into the whole hallucination theme obliquely.

Judith then says that Michonne just didn’t look like herself because of all the blood, but after a moment, she saw it was her. So, more masks. And Michonne was kind of right. At first, Judith really didn’t recognize her, or at least thought she looked like someone else. More of the same theme.

But that bicycle is a big deal. It’s showcased obviously in the episode, and bikes almost always represent kidnapping or captivity. We saw them around Glenn in S1 when he was taken by the Vatos gang. We saw one outside the Claimer house when Rick got away. I feel like this foreshadows Judith being kidnapped. She already was once by Jocelyn. But Michonne sees that bike in the present-day scenes, which makes them a foreshadow, not a callback.

So, I’ll be the first to admit that this is mostly speculation and at least half head canon, but I’m really wondering if Leah and Beth will be the good and evil to one another. (This is obviously going to be the case in terms of a good/healthy vs unhealthy romantic relationships. And if Leah is a hallucination, and Beth will obviously be real, you can already see how they’re doing this with Beth and Leah.)

Leah is wearing a mask when Daryl is with her. And once again, she may not be totally evil like Jocelyn was. But she may be misrepresenting herself in some way. Toxic at the least, evil at the most. But maybe the reason she’s practically wearing Beth’s clothes is that she’s a foil or anti-parallel to Beth.

And you see what I mean about how, if Leah turns out to be a hallucination, clearly this won’t apply to her in a literal way.

I still think there’s a good chance she’s a hallucination, but I think this still applies. It wouldn’t be literal or physical if that’s the case, but she’s still the “bad” relationship as opposed to the good one Daryl will have with Beth. We all talked extensively about how unhealthy the relationship was right after 10x18 aired. How Leah gave him an ultimatum, didn’t seem to want to meet his family, etc. So, you can see that, real or not, the relationships will be juxtaposed, with one being good and the other, bad.

The other thing want to mention is that it’s interesting that they did this story (Scars) with Michonne instead of Daryl. It makes me think that something about Michonne and Rick’s reunion story might follow this template as well.

We’ve discussed how Leah might be part of the New Mexico symbolism, and I’ve had people message me that they’re afraid that when Daryl and Carol take off together for the spinoff, he’ll be looking for Leah. Now, I obviously don’t think he would be looking for her in a romantic/looking-for-Beth sort of way, but it’s possible that she may be involved.

And like I said at the beginning, I think there’s a good chance of parallels between Leah and Jocelyn, because they both happened during the 6-year time jump, and then there’s all the other ties like, “are you okay being alone,” the mask theme, and that Carol knew about her/the acorn conversation.

I’m actually thinking this less and less, now. I really don’t think the New Mexico symbolism will be fulfilled until the spinoff, and we already know Leah will be in s11. So, I suppose if she survives S11 (and depending on whether she’s real or not) she COULD still be involved, but the timelines just don’t seem to match up to me. At least, not right now. This may change depending on what S11 brings us.

So, total conjecture here, but I’m really wondering if Leah (or if not her, someone else Jocelyn foreshadowed) will kidnap Judith, and that’s why Daryl and Carol leave to go after her. It would fit with the TWB template for Daryl and Carol (Felix and Huck on TWB) to be following Judith (Hope and Iris on TWB). If so, Daryl might really might be following Leah to New Mexico, but not out some romantic inclination, but rather because she took the kids.

Another possibility, of course, is that Leah is real, but Daryl was drugged or is just remembering things wrong. If that ends up being the case, then this could still happen. But again, we’ll just have to wait and see.

So yeah. Let’s just say I have plenty of head canons filed away in which Beth kicks some evil Leah butt. I would enjoy that very much. :D Granted, it probably won’t play out quite that neatly for us, but that’s what head canons are for, right?

And as I said, I can’t be sure this has to do with Leah. It’s possible this storyline is completely independent of Leah, and she’ll be something else entirely. But I think something like this will happen either way. And I’m sure I’ll recognize it as fulfillment when it does.

Any thoughts?