#idk what I'm even doing anymore

[abbeyofcyn]

[nefertitisfjordd]

[probably-impossible]

The generation gap in this family is hilarious to me. Primo doesn't understand your memes I'm sorry.

Bonus Terzo in denial:

[ray935sworld]

old man with pink helmet

[demonbarberofbeepbeep]

morning toddheads

[explodingthunder]

*Your answer cannot be “I don’t interact with fandom;” assume that the fandom exists regardless of whether you interact with it or not.

**Don’t answer based on the fandom of your current favorite media; answer which scenario would be the worst for you.

***Do not add "what about this;" I'm asking which of the current options would be the worst for you.

[tblsomedoodles]

It's HERE!!! : )

Look at my babies! I'm so excited to finally be showing you guys this! It would have gotten done earlier but i kept having to put it aside b/c i knew what i wanted to do but couldn't figure out how to do it. but it is here! Almost exactly how i wanted it to look!

[ketterdamskaelishprince]

ada's spectre, and why i'll likely always feel sad about it

here is the promised analysis/talk about ada's spectre. going to preface this by saying i obviously don't know the true intent behind everything and her design, i just like to look, giggle and then make sad little observations which just help me love this silly webcomic even more. so if you disagree with me on something– totally ok! i love to learn and i love to see different interpretations.

there's also a few bits i missed out because i wrote this all last night in a bit of a haze, and i cannot be bothered to expand on some of my ideas, especially when it's just stuff like "BROS SO PARANOID AND RAW RIGHT NOW".

anyways, here we go :) @mugcereal this one's for u pookie <3

so i think with ada's spectre, we first need to look at the instance as to how she gets it, because that always makes things way more sad!

to specify, she turns into her spectre at episode 69, and i think it's really sad how she does it. she basically gets a string of roasts from prospero that go along the lines of calling her "conceited" "twadry" and "... and stupid!" – effectively throwing back in ada's face what she believes everyone thinks of her.

(obviously, as a very big and glaring sidenote, i believe prospero is aro/ace or just aromantic so OBVIOUSLY i am not bashing him for this. bros told her so many times that he doesn't want to be with her, let alone to be touched. that is a flaw in ada's character and is a reminder to us on the importance of boundaries!!!!)

so, ada is basically there, collapsed on the floor in a robe– effectively showing the most intimate and private part of herself as an insecure and lonely girl. and that's when she transforms.

i think it's interesting to understand how this most likely links to her life and how she died. so we know she was killed with an axe, most likely by the man she fell in love with and worked for, and how prospero's words in this situation, hurt her just the same as the words before her death. why?

because they remind ada of what she knows and fears she is: just a stupid, fake and cheap person who will never have the same status and respect as the people she pretends to be and surrounds herself by.

i think it's also interesting that she's clutching her stomach/torso here, and correct me if i'm wrong but that could be a potential signal to the part of her that was axed to death (?). no idea if that's a good shout or not but it's what i first thought!

anyways! now we move onto her spectre design!

first of all, her spectre design eats. like just a personal side note, i love it. it's just so gorgeous and i don't care if she's terrifying to some because to ME? to me, she's my gorgeous little pookie who can scream and show people their worst fears and she looks amazing whilst she does it <3

ok anyways, actual design.

to first understand her design, i thought i'd show you what banshee's traditionally in folklore look like!

typically, they are described in two ways. the first way is a youthful women with long black hair, blue eyes and just super pale. this description could also lose the blue eyes and just keep the black hair– either way the first depiction of a banshee is a super young woman.

this is not the one we're focussing on today folks!

we're going to focus on the second depiction. a hag/ old woman, with red cheeks, a grey cloak and a green dress, often seen to be combing her hair. banshee's throughout folklore are known to wail, scream and cry when a family member had died. to most, the banshee was a sign that death was coming to your household and they are known in myths and folklore as a predictor of death.

now, hold onto the green dress and look at ada's design real quick for me.

here we see a lot of green, which yay! definitely shows signs it comes from the second depiction. i think, on top of it being a nod to the second depiction, i think it could also be an allusion to something else: jealousy.

green symbolism in media can often vary, from meaning new life, luck and also jealousy. and i think if we take in the things ada screams whilst in her spectre form, such as this from episode 82:

you see there definitely is some sort of jealousy there, but this isn't something i necessarily want to focus on, it's just an observation i made that may or may not be true!

anyways, to continue, i want to look at ada's outfit when she's a banshee. i'm going to basically be making my notes i took last night look nicer.

(keep in mind that when i wrote these, my ideas were literally bouncing off my brain and sometimes they're a bit contradictory, but i think that's the beauty of my crack theory analysis!)

i think the act of almost showing her bones to the outside, there's a level of rawness to ada we don't usually see. her spectre form essentially gives her the power to scream out her anger, and by seeing her bones it's almost as if to say this is the ada she doesn't show people. this is the ada that she keeps to herself because god forbid anybody love her (because in life and death it's become abundantly apparent to her that nobody does seem to love that ada).

but then, what i thought was also a super cool thing as how the bones almost act like a corset!

then i got sad because i looked at the bows, and because something dawned on me and it made me start to frown. there was a sad realization to me as i looked at ada's spectre design that even in this all powerful form, she hasn't lost her insecurities, they just become more prevellant. because for all of the traditional wrinkles, hag-like appearance a banshee is meant to have, ada barely has any.

obviously this could be in part to character design and stuff, and yeah probably– but let me be sad!

because ada carries her frills and bows from life here because she doesn't want to be ugly, she doesn't want to be this creeping monster who rips apart people. because if she's not got her intelligence or status or anything going for her, she has her appearance and by god she's not going to let that go to waste. so here her spectre form is, a banshee.

so what must ada do? she must takes her frills and keep her insecurities, her fears and her crippling need to be loved.

another aspect which is super interesting is the stitching on her body. one one hand, it could be an allusion to her violent death, suggesting the man she fell in love with didn't just stop at axing her once, but just kept on fucking going (which, you know: fuck you, whoever you are).

but on the other hand, it could be a metaphor for ada's thinly veiled facade she puts on of being a prim and proper lady (which we actually, interestingly enough, see she looses a lot the more time she spends with montresor– opting to take parts of his language like "ain't" and "beggin'". this sort of leads on from previous ideas people have made of ada willing to change herself to be loved. she swaps civility for the wild wild west all for a bit of love).

ada offers up parts of herself in this metaphor. that's what she always does. she offers herself to the rich man she fell in love with, she offers herself up to prospero (again, look at the. side note. bro wasn't wrong for rejecting her he literally can't like her) and she offers herself up to the acolytes and she fucking barks for them (because i'm not over that).

piece by piece, she strips away everything she is until she literally is just skin and bone. and once she's torn herself apart, she needs to stitch herself back together– because it's against the facade she's put on to look so broken and messy. and so she repeats the cycle again, giving more and more until she is literally hanging on by a thread.

her powers are also super cool. traditionally, as i said, banshees wail when a family member is soon to die/has died, and is often like an omen/predictor of death. so yeah, ada having a banshee scream makes sense. but the whole 'fear itself' is also super cool. i kind of like that she has this– because its sort of satisfying for her, the girl who's been pushed over but still comes running back, to watch as people become paralysed with fear. idk, retribution or whatever.

i'm going to leave you with this not very profound thing i wrote last night (and then just some other mumblings):

i think that although spectres are super powerful and also just a very fantastic concept, they're also fragile. spectres are quite literally the monster inside of you. yet here ada's monster is, and with all her bows and revamped dress of a banshee (or potentially an allusion to her life as a maid) she tries desperately to be anything but that. because to here it's ugly and it's too much of her on display. and with some much of you on display comes the very fear that if you are hated, disliked or something repulsive, you no longer have anything to blame on anybody else. you just have yourself to blame.

(as morella says here in episode 88).

i'm not saying ada isn't deeply flawed, because she is. she has so much fucking baggage and insecurities that they literally forbid her from doing the right thing sometimes. i don't think she's a good person, but i also think that she has the opportunity to be a good person/ do a semi-good/ non-bad thing, and all she has to do is take it. but i also think it's nice how that's shown in her spectre design.

and, you know, if none of this makes sense, that's also fine!

anyways, yeah. somebody tell me never to make a random analysis at night again because it's a bit of a bitch to translate in the morning.

[taashed]

from the outside looking in i believe in the resilience of women, of queer people, of people of colour. i just wish resilience wasn't necessary

[moki-dokie]

hey non-americans, yall are aware that cowboys still exist today right? yall know they aren't just from tales of the wild west yes???

please say yes

[swinging-stars-from-satellites]

when I want to write something self indulgent to give me all the angsty and cuddly hurt/comfort feels but I can't because I end up feeling guilty because I'm seeking after feels that I feel in an inappropriate place because my mom told me one time when I was 15 that I shouldn't search that out or it's probably sexual sin but it confuses me because ALL the feels happen that way for me even if it's entirely platonic and nonsexual and so I don't know if it's okay to want to write to that because apparently all pleasure of any sort, even over platonic stories, is sexual or comes with a possibly probably sexual feeling and I also am having a hard time figuring out what's genuine conviction from God and what's just my anxiety/OCD/perfectionism/fear of failure

[xolbor-art-creator-again]

I'm tempting myself into writing a fic by drawing art for it now

[catkin-morgs-kookaburralover]

questioning sexuality is so exhausting

[catsconflictscopicsandchamomile]

so, just realized that since I'm getting fairly good at writing in (if not casually speaking) Old English, I can absolutely make, write and say aloud the type of spells used in that Merlin show

um yeah

idk what do w that information

besides. make some spells. for fun

I don't rly go here

...if anyone in the Merlin fandom writes fic/rps/etc and wants custom spells, hi, I'm here, I would do that.

hi

EDIT: apparently the BBC Merlin magic system also uses Ogham script? ok weird but sure I like the vibes... anyway, while I can't speak ANY form of Gaelic (or Latin btw. I speak OE and thats IT), I can write in Ogham script, like the writing system itself, in either modern or Old English. not sure what language is being used re: the Ogham in Merlin tho

...but if u want that. I can also do that.

[colorful-bees]

just went and listened to the usum version of ghetsis’ battle theme and it’s actually got me feeling like this image

like. you mentioned the whips cracking. you didn’t mention the way it sounds like pure bloodlust. i don’t know what it is about it but it sounds like sheer hatred and evil. it doesn’t even sound like a pokémon boss theme. it sounds like the song itself is trying to kill me. and like it could. this is a ghetsis theme with a PUNCH to it. i am viscerally uncomfortable just listening. and i LOVE it. what on earth did they put in it. that is the definitive version of his theme now

IT'S SUCH A GOOD THEME. They somehow manage to make it sound more threatening than the original which is a feat. And it fits so well with the context being that this Ghetsis won in the world he came from. The song itself just sounds cruel, it's perfectly fitting for the version of him who succeeded in conquering Unova.

Just everything about it fills you with this sense of dread that you got from the original but it feels so much more intense here. Every time I listen to it, it makes my skin crawl, it's so great.

[sayakxmi]

Saiouma Puella Magi AU, but Kokichi takes Madoka's role and Shuichi takes Homura's.

For one, Kokichi's too naturally distrustful to just hear "I can grant you any wish :)" and not think ok where's the hook. So he just does what no one ever has & essentially interrogates Kyubey, so he knows it all even before he gets to make a contract. So, some of his classmstes are MGs & he won't become one himself BUT he still ends up tagging along to just protect them in his Kokichi ways. (Though I'm entertaining Kokichi lying about being a magical girl, because, well, it's Kokichi).

(I also got a small idea of Gonta being a magical girls and Kokichi originally tagging along him into labyrinths, Gonta also makes him a magic gun from the toy one he had, and at some point witches out & Kokichi manages to kill him with that gun. So he always has that spare Grief Seed on himself, bc it's still his best friend & he can't handle the idea of just giving it away or using it himself (he does anyway in the end).)

Shuichi prolly ends up being a new kid & it isn't like MadoHomu, the ppl who reach him first are Kaede & Kaito, classic. Kokichi's there, too, but he's his usual sus self. He's actually discouraging ppl from making a contract when they find out magic and miracles are real, which absolutely includes Shuichi. He's very vocal abt it, but he won't explain stutf, bc 1) he's a liar, so who'd believe him? and 2) he doesn't want them to witch out upon finding out the truth or, idk, murder everybody Mami-style.

Anyway, fast forward, bad things happen bingo & by the end of the run most charas are dead, there's Walpurgis nachting, and he makes his wish to bring back the ppl who died notably not as magical girls. Contract signed, he fights & fails, rip. I also thought it was similar to how he thought he could end the killing game by himself - he though he could finish Walpurgisnacht by himself, too. And he failed in both times. Whatevs.

Shuichi doesn't actually make his time travel wish for Ouma specifically, he wants to save all his friends. Timelines are messy esp at first bc he either tells then or it backfires or just makes himself look very sus bc he's trying not to tell them. He also realizes why Kokichi hadn't told anybody aby witches at some point, bc, yeah, it messes them a lot, assuming they believe it.

Still, Kokichi ends up one of the few people who are nearly always giving him a chance, not necessarily out of belief, but out of pragmatism - bro can stop time & knows the truth, that's just too useful. So they often work together & Shuichi grows closer to him but still we ain't there yet. But the thing is, Shuichi's time travel still makes Kokichi more & more powerful with each timeline, bc Shuichi usually goes back after Kokichi dies, so the universe figured out this guy's life's important. Anyway, another notable thing is the iconic Homura kills Madoka scene, but it's Saiouma with guest stars of Kaito & Maki. It's Walpy, it's not defeated yet, but the training trio are spent & just kinda accept their fate of turning into witches together. And then, boom, Kokichi appears & steals their Soul Gems for a sec & he's like did u know you can cleanse your Soul Gem with a darkened one? But it's a lie & he quickly tells them so, he just had a spare Grief Seed after cleansing his Soul Gem & he needs them to do some stuff. Shuichi can travel back in time & fix things, and Maki & Kaito are needed to fight Walpy here. He actually questions what happens to the timelines Shuichi leaves behin, and ofc he doesn't know. There's a chance they remain, so Kokichi needs Maki & Kaito to fight Walpy here.

Kaimaki leave, and Shuichi finally looks at Kokichi & realizes sth is Wrong. Kokichi struggles to hide how he's trembling & grimacing, and it's Kokichi, so obviously it must be extremely bad. Shuichi dreadfully realizes something worse, and he weakly asks Kokichi why aren't his wounds healing. And Kokichi just falls, laughing weakly, and Shuichi catches him & searches for his Soul Gem and, God, he knew it. It's nearly completely black. Kokichi laughs & admits he lied abt having two Grief Seeds, he only had one he never wanted to use. But they'll have the second one soon, so no need to worry. He asks Shuichi to maybe destroy his witch form as it's hatching, so he'll have the Grief Seed without any fighting… and he admits that he hates fighting, he hates this magical world and all its violence. He says that Kaito was right in calling him a coward, even here he just can't handle the idea of fighting any longer, he's so sorry. And Shuichi tells him he ISN'T a coward. He was scared, but he always followed everybody, trying to help, and when push came to shove he would always make a contract for the benefit of others rather than himself. He's a lot of things, but a coward isn't one. Kokichi actually tears up hearing that, and Shuichi promises he won't let him fight ever again, and especially he won't let him turn into a witch and hurt anybody, because he knows it's the last thing he's ever wanted. Even now he only accepts turning into a witch to help them fight to keep others safe. So Shuichi won't let him. Kokichi probably apologizes and thanks him and then he dies.

Keeping Kokichi from fighting starts off as a side quest that gains importance with time, bc it's something Shuichi won't compromise on (ah, trauma), which leads him to occassionally neglect others a bit, which makes them more likely to get hurt & ironically Kokichi more likely to make a contract, especially since he gets more powerful & Kyubey is more interested in him with each timeline. And that also makes him witch out super quick. Shuichi's paying more attention to him & over time grows resentful of others for how they're treating him. To Shuichi it's no question that Kokichi cares & is just doing his best to help, but nobody realizes that.

But the biggest obstacle in keeping Kokichi from fighting is actually Kokichi himself, bc he's too smart and nosy, lmao. Even if he knows nothing, he will find out quickly. Doesn't help that Kyubey wants him to make a contract.

Also, obviously Kaito is Sayaka-coded and Maki could be Kyouko-coded, so that's a thing, BUT it's usually Maki that witches out. Kaito is usually pretty close, but Kokichi intervenes & he survives, but Maki later cracks on her own (and since in the new timeline Kokichi isn't there, Kaito's the one to die, so he's still the secretary). So it's Kaito who gets the dramatic sacrifice. I imagine he genuinely hoped you could bring somebody back if you tried Very Hard & Kokichi called him a moron bc obviously it's not possible. If it was there'd be far less witches that there are. But it's Kaito, he doesn't listen to reason. So, Kokichi follows him to the labyrinth. At first Kaito's mad cuz what if Kokichi being there ruins the plan? Maki hates his guts! But eventually he gets hit pretty hard, and Kokichi is near immediately by his side, trying to help him get up, which kinda makes Kaito short circuit a little bc wait Kokichi's trying to help? But witch!Maki attacks them & Kokichi pushes Kaito away & gets caught himself (and choked until unconsciousness, naturally). Anyway, Kaito gets him away, Shuichi catches Kokichi & Kaito makes up his mind about going down with Maki & asks Shuichi to tell Kokichi that he's sorry. He doesn't get him, but he got hurt trying to protect him, so he'll believe in that if nothing else. F.

As for The WishTM, in the last timeline Shuichi lashes out at Kokichi for his willingness to just become part of the system. In no timeline has his wish actually helped, it did NOTHINHG, which OUCH but it also makes Kokichi think out of the box more & he becomes the Law of Cycles. And Shuichi realizes what is happening & freaks out bc Kokichi's doing it bc of what he told him & like Homura they end up having a momentTM in space & Shuichi remembers. He feels a lot of guilt even tho he also questions whether anything was real, but if it was, he pushed somebody he far too realized he loved into erasing himself from existence.