#idk if this counts as a meta

[thegreatgremlingang]

believe it or not, I was a HUGE Wei wuxian stan when I first entered the fandom. like borderline simp thats how hard I was stanning. then I went on Tumblr and met a bunch the fans and they were kinda.... well

a whole bunch of them were literally worshipping wwx and being like "he's the best protag in the history of protags and he is flawless and has committed no wrongs ever" "him killing people so badass" "everyone he killed, accident or not deserved it 100%" and then shitting aggressively on every other character that has directly or indirectly even slightly wrong or contradict him like the classics Jiang Cheng and jiggy etc etc, even lan xichen once in a while for some weird reason like ???????

the tone was a little strange like if I dipped my toes into the Wei wuxian simpstan pool then they are wading into it towards the deep end at full speed

ofc there are lots of rather lovely wwx stans out there too but its just the cluster of weird people radiating a almost cultlike vibe that just kind of ruined it for me

still love wwx, wonderful little gremlin guy, super cute design, has a minidoll, posters and some badges of him, nicely flawed character, love a good meta about him, but the flame of admiration has just been lowkey put out because of the HIGHKEY off putting little cluster of Wei wuxian cultist/simps

is it a me exclusive experience or have you encountered the Wei Wuxian Worshiper Cult in the vast labyrinths of Tumblr.com please let me know in the comments

[thequeenofsastiel]

So because I apparently have nothing better to do, I decided to list the names that Spike used when he was talking to Buffy ever since he realized he's in love with her, and the number of times he used those names. So here they are, by season, for posterity's sake:

Season Five:

Buffy-9

Slayer-4

Love-4

Baby-2

Summers-2

Pet-1

Honey-1

Sunshine-1

Blondie-1

Season 6:

Buffy-26

Love-15

Slayer-12

Pet-4

Sweetheart-1

Goldilocks-1

Buff-1

Season 7:

Buffy-18

Love-4

Pet-3

Lamb-1

Slayer-1(it should be noted that he only called her this before he revealed that he'd earned his human soul back)

I know no one asked for this but y'all have it anyway. Infer what you will from this knowledge.

[codacheetah]

Tell me your opinions on the stuff. Any stuff.

Grins. Smiles, even

I'm using you as an excuse to infodump my theory about the Island because I've had no in to do that, and my theory is pure opinion. Anyways:

THE ISLAND IS STUCK IN THE FUCKING FUTURE

(SCARE CHORD)

Hi so you might ask me. What the fuck do you mean by that. Well. Let's start with what we know about the Island, the King, and Wish Craft. (long ass post under cut. sorry)

The Island was redacted from the perception of outside world, via Wish Craft.

Wish Craft has the power to enable Time Craft. We see this primarily through Siffrin's timeloops, but also through the King's powers.

One of the King's powers is to show the saviors a "vision of the future."

...And this same attack is deflected back at the King by Mirabelle in ACT 5, in which the King is able to see the Island before being frozen in time.

...So. The King's "vision of the future." We're never told explicitly what this vision is. All we know is that it's apparently powerful enough to wipe the party in one hit, hearing it from a distance hurts your head, and that whatever Siffrin (and Loop) saw, they don't seem to actually be able to describe it. Even the King himself doesn't know what his vision entails.

We don't know whether the party all sees the same thing when struck by the vision, and Adrienne's answer to the question about it in the Reddit AMA is. vague? It's not a "no," and the specific wording makes me think the answer might be yes. But that's me reading into it.

Now. What do we know about the Island's redaction? The Island was affected by the wish recently, as in "like a decade ago" recently. We know that nobody in Vaugarde or the rest of the world is capable of thinking about the Island, anything closely tied to the Island's culture, or people on the Island for very long. When they do recall these things, they slip right out of reach. Particularly, the consequence for trying to think about the Island (or, more specifically, break the wish that forces the Island out of perception) is significant pain, localized in the head.

And that said pain is enough to become lethal, if pressed hard enough.

From here forward I'm running with the assumption that the King's "vision of the future" is not personalized to any individual, and is unchanging throughout the course of the whole story. Now. Remember the end of ACT 5, where the King gets hit with the deflected "vision of the future", and instead of dying, he recalls the Island and gets frozen in time? Very odd, yeah? Why wouldn't the King just die like everyone else does? He even does take 9999 damage when trying to say its name, like Siffrin does, and like the party does when they're hit by the attack.

Well. We know that he has a "true wish" that the ability to freeze Vaugarde in time grants. I don't think it's at all a stretch to guess that the King's "true wish" is to be able to remember the Island. My personal guess is that the King (and Siffrin) brought this "true wish" into effect via the "SAY ITS NAME" sequence- he even tries three times, a significant number in wishing.

The King (and Siffrin's) wish breaks, because it can't be fulfilled in this moment without breaking the wish to prevent the Island from being thought about. However. Consider the conditions at the end of ACT 5- the King sees the vision of the future reflected back to him, and what he sees is the Island. He remembers the Island, fulfilling his own wish, and is frozen in time. I consider this a compromise between his wish and the one binding the Island- the King gets to remember the Island, but nobody alive is able to think about it, because he's frozen in time; it's like the Universe is correcting itself (I WILL GET BACK TO THIS). The wish of all of Vaugarde to defeat the King is fulfilled, since he is no longer a threat, and Siffrin's wish wraps itself up soon after.

MY POINT BEING. The King's attack is a vision of the future. This "future" is of the Island, in some uncorrupted state. The saviors see it when he attacks them, and he sees it when it is deflected back to him.

The logical next question is "okay, so the Island exists in the future, but how do you know time shenanigans are even related to the Island?"

Recall a very odd series of interactions throughout the game, in which you try to interact with a piece of equipment that you already own.

The game rewinds slightly, before the item disappears, as the Universe corrects itself.

This is awfully similar to two particular events: looping back without seeing the death screen, and talking to the Daydreaming One about her sister. The latter is more interesting to me for the purposes of this theory.

In both instances, something is misaligned within the Universe (an item existing in two places, someone remembering something they're not supposed to) and it is corrected through some sort of rewind. Also compare the dialogue above to when you try to give Mirabelle the Stylish Bow when you already own it.

The world glitches, but Siffrin defuses the situation before the Universe has to intervene. Omitted from the screenshot is the fact that Mirabelle's portraits switch to happy from "catastrophically anxious" with no transition after Siffrin shows her where the bow is. Important to note is that when Mirabelle tries to recall receiving the bow, her head hurts, much like how trying to break the Island wish causes a headache.

The Universe leads you away from perception, and you can only follow.

My theory that I keep circling around is that through Wish Craft, the Island has been displaced temporally. The denizens of the Island, as well as the Island itself, still exist, but they are in the future. The Island is still loaded into the world, like how equipment is before you try to interact with it, and the Island cannot leave this quantum state, because it never actually went anywhere. The magnitude of the redaction event is so severe with the Island, because it is so much larger as an entity than a sword or a bow. There are of course things I don't really have pieced together, like why somebody would wish the Island into the future, how far into the future it is, or why equipment behaves this way. But it's the only Island theory I've seen that I have some level of confidence in, so I might as well lay out my cards for it.

[arcticclimes]

Bonus:

[sentientsky]

i know this has been discussed ad nauseam, but i'm doing research for a meta, and i'm slowly realizing that i will never ever be over the Good Omens Lockdown dialogue. especially that line towards the end (begins at the 02:50 minute mark):

Crowley: [...] You know, I could hunker down at your place; slither over and watch you eat cake. I could bring a bottle—a case—of something...drinkable?

first, the unabashed expression of a desire to be near Aziraphale is so rarely evident (i mean, we have 1967 and other instances, but in the case of '67, an outsider could more easily—i guess??—interpret offering him a lift home as an expression of gratitude for the holy water). so, to witness his clear, unveiled desire for comfort and closeness (and to literally just watch Aziraphale eat cake) demonstrates the interpersonal progress made in the time after Armageddon't; he's not concealing the offer behind some flimsily-constructed reason (e.g., "I just didn't want to see you embarrass yourself"). in fact, he's implying that they'd be spending long lengths of time together ("hunker down", "a case of something drinkable"). and then Aziraphale's response is also really interesting, and kind of exists as a microcosm of their whole push-and-pull dynamic that has existed for literally thousands of years (begins at the 02:59 minute mark):

Aziraphale: No, I—I—I—I’m afraid that would be breaking all the rules! Out of the question! I’ll see you… when… this is over?

i'm sorry, but the sheer nervousness???? the grasping for excuses??? they're gay disasters, ur honour. breaks my fucking heart </3 i love them both, but also OUGH. azi, why?!?

[grif-hawaiian-rolls]

If i had a quarter for every villain that CANONICALLY ends up being friends with (or at least close to) Donut I'd have three quarters!!!

I'm rounding up to get a full dollar of "former villains get to be friends with Donut" with red team locus thank you for your time

[knaccblog]

Rescuing Aziraphale isn't what makes Crowley happy, not really. He doesn't want him to be in danger in the first place. He wants him safe. He wants him happy.

But he does like having an excuse to take care of him, to protect him, to dote on him in a way that's safe, acceptable and would be honestly illogical to turn away. Like Crowley walks into that church, burning his feet all the way and Aziraphale nearly shoos him away? (Because of the fight all those years ago, because he must be in league with these Nazis) But Aziraphale is in actual, real danger of being discorporated, of being sent back to heaven for who knows how long, so how can he actually reject Crowley's offer to protect him, right?

So every time Crowley does this, the whole "gallant knight swooping in to save Aziraphale from his own follies" thing, it's basically completely irrejectable, safe love Crowley can offer up to Aziraphale with no fear of rejection or overstepping the invisible line between them. Aziraphale can say "you go too fast for me, Crowley" a hundred times in so many varied ways and Crowley accepts this but he's never going to reject Crowley's love when it comes to him as a hand pulling him free of oblivion. That's what Crowley likes. Being able to love Aziraphale in a way that he knows will never be rejected.

[glorious-spoon]

i don't really have coherent meta thoughts here, but there's something really tasty about the potential conflict between evan 'the only way i can tell people love me is when they yell at me for my dumb choices' buckley and eddie 'i will keep my mouth shut if it kills me' diaz

[erivroom]

The meaning of “The Untamed”

someone asked me to elaborate and who am i to say no? (i asked for it in the tags)

The Untamed isn’t a translation of 陈情令 (chén qíng líng) so when people discuss the title they typically toss out or brush off the english title entirely.

but that’s because it’s not a translation of 陈情令 it’s a translation of 无羁 (wú jī) the theme song of the series.

yippe explaination set up

i’d also like to make this post new fan and/or cql only fan friendly so i’m going to go in depth about the significance of 无羁 before explaining how it connects to the english title.

first the chinese characters for wwx and lwjs names

Wei Wuxian — 魏无羡

Lan Wangji — 蓝忘机

in the novels the song Wei Wuxian plays on the flute, that Lan Wangji played for him in the cave with the Xuanwu of Slaughter is expressly titled 忘羡 (wàng xiàn). the ship name we all know and love consisting of the first character of Wangji and last character of Wuxian.

so the track in cql is titled 无羁 the first character of Wuxian and the last sound of Wangji.

now the translation explanation

无羁 directly translates to unbridled, unfettered, or untamed

so The Untamed as the english version of the title is literally a mixed up version of their ship name in english! when you say “i’m watching The Untamed” in a way you’re kind of saying “i’m watching Wangxian”.

how does this relate to the name 陈情令？how did this become the english title?

i’d like to refer you to this post as it explains in depth better than i can the meaning of 陈情令.

directly translated 陈情令 means “a song from chén qíng”, being the name of Wei Wuxian’s flute. however, 陈情 itself has two translations. first being to reminisce past relationship. (referring from the linked post please check it out)

Wuji is a song both played literally on the chen qing flute, but is also a song reminiscent of a past relationship. ofc it’s of a present relationship now but throughout the series, you get what i mean.

so Wuji, or The Untamed, makes perfect sense to be the english title for the show.

ALSO!! felt i should include this

《 魔道祖师：无羁 》 or “Mo Dao Zu Shi : Wu Ji” is the official name for the books printed in mainland china afaik.

i got like maybe 2 hours of sleep last night and i’m running on 3 cups of coffee so far so this is what happens

if there’s any questions feel free to ask <3

post for @baby4012

[aveline-amelia]

You know what I love about BBC Sherlock?

You only catch some things on your 2nd, or 5th or 10th rewatch.

Like with Mycroft and Sherlock.

You watch Mycroft be annoyed at Sherlock calling at Christmas, so you think he would rather be left alone and doesn't want to deal with anyone, including Sherlock.

But his initial expression is one of surprise. He doesn't want to believe that Sherlock could be calling for sentimental reasons because he cannot bear to be wrong.

He wants Sherlock to show him he cares, like he did back when they were children.

And notice his wording there. "Did they pass a new law?" Sherlock is not the one who cares about upholding the law, Mycroft is. He is setting the stage for Sherlock to banter, but Sherlock just tells him Irene Adler is dead and hangs up.

When Sherlock calls Mycroft (despite the fact he prefers to text) in TSO3 many speculate the reason he wants him at the wedding is to have someone for support.

Mycroft says they will spend more time together now that John is married. Just like old times. He knows Sherlock would hate that, yet Sherlock doesn't deny it. He could say he can spend extra time with Mrs Hudson, or Lestrade or Molly or Wiggins.

He could say he doesn't need him at all. But we know that's not quite true.

If Sherlock was being sincere here and said he needs someone on his side, by his side, someone to be there for him, so he feels less alone... Mycroft would most likely think he was being mocked. He wouldn't believe him. Why should he?

When Mycroft tells Sherlock his loss would break his heart, he isn't doing it because of the drugs.

The drugs are just an excuse to hide behind. A smokescreen. He can't even look at Sherlock while is he saying it because he knows what's coming. Mockery.

"What the hell am I supposed to say to that?"

Mycroft broke script. He said the quiet part, the subtextual part out loud. I do care about you and it would break my heart if you died.

Sherlock doesn't know what to say. You can even read his bewildered statement as a genuine question. Mycroft does, in a way. So he answers.

"Merry Christmas?"

"You hate Christmas."

"Perhaps there was something in the punch."

I know you are up to something.

On the tarmac, Sherlock didn't even want to say goodbye to his brother. But when Mycroft calls him in 4 minutes, Sherlock has no idea Moriarty might be back. He just thinks Mycroft couldn't go even five minutes without speaking to him again and checking up on him.

Sherlock didn't say goodbye to Mycroft because he knew that wouldn't be the last time he'd hear from him.

"I will always be there for you."

"Shouldn't you be out there getting me a pardon, like a proper big brother?"

"He was a rubbish big brother." Was, not is.

"You were great."

He didn't find Lady Bracknell convincing. He isn't talking about that.

"Dr Watson? Look after him, please?"

"Mycroft. Make sure he's looked after. He's not as strong as he thinks he is."

Neither of them are.

[bottombaron]

So after staring into the middle distance for a couple days I'm ready to start discussing some theories I have before the season finale destroys us. They are all very wide-ranging in absurdity but I'll start with the one that I think has the most substance and therefore I think is most likely to happen. Also, I haven’t caught up with the tag yet so if someone already posted these theories, sorry! 

So here is Theory #1, known otherwise as,

Why (I think) I know how Laszlo is going to unfuck Guillermo

The solution, I believe, was stated at the very end of The Roast by Laszlo himself: 

FIRST THOUGHT, BEST THOUGHT

Laszlo has spent weeks deeply committed to solving a problem. He's wasted precious time trying to outthink his first (and probably best) solution – and I'm not just talking about his book sorting. Neither was Laszlo, not entirely at least. I actually do think he was focused at least a little bit on his books because that's kind of what happens when you're stuck on a problem. Your brain wanders to other much less taxing ordeals. Usually, as you solve that smaller problem, you find the solution to the thing you really want to solve. 

So what was Laszlo’s first idea?

All along Laszlo had the answer but Guillermo told him that he didn't think it would work, so Laszlo just didn't pursue it further. (We don't even know if Laszlo knows the circumstances of the test and why it didn't work. Just that Guillermo didn't approve that idea.) So then Laszlo wasted valuable time and energy trying to ~Science~ this problem instead of using his true best skill that was showcased in episode one of the season: his charm. His powers of persuasion (the classical art of bullshitting, as it were) is his true super power. (Sadly, it’s not science. He doesn't really have the patience for science tbh).

But, no, rly, he should bullshit his way thru this. That's what he does best. He can outthink Nandor easily. (well….maybe. with the time spent on his experiments, Nandor could have the advantage of several weeks, if not months, to figure things out beforehand, as dense as he is) He should concoct a bullshit so impenetrable that it unfucks Guillermo from Derek and refucks him to Nandor. 

Further foreshadowing of this you ask?

(this whole season is dedicated to ‘plans’ it’s crazy how much A Plan pops up. maybe i’ll dedicate a separate post to collecting them all)

But alas! The test that The Baron did proved this wouldn’t work, right!?

Well here's some free additional theories to how Laszlo could solve that hiccup:

1. Laszlo figures out (and solves) the reason why The Baron/Neighbor test didn't work in the first place.

There could be any number of factors of why The Baron's neighbor blew up. It could be that The Baron is all that more powerful than the average vampire and so his bite gives an extraordinary fill of uh...vampire-ness? and Derek, being so young and weak, doesn't do much at all. Maybe it has something to do with The Sire. If The Baron was turned by the first being ever affected by vampirism, then maybe that vampirism is slowly depleted the further down the line you go. Derek is probably very far removed from The Sire which means he cannot transfer much of that affliction onwards. Nandor, if he was turned by The Baron (one removed from The Sire) or someone similar, explains how he is so powerful, hopefully tho he wouldn’t have too much power to possibly overwhelm Guillermo's half-a-virgin body (and yes I did like how kinky that sounded when I wrote it). It doesn't really matter the exact reason as long as Laszlo can convince Guillermo to try it and he has a relatively decent chance of surviving it. (convincing Guillermo to go thru with this plan overall is probably going to be the most trouble actually. you don't easily forget a guy exploding in your face)

2. Something to do with the experiments. (or the Nadja’s bait-and-switch tactic she used to catch The Baron/Guillermo from The Roast)

I have a larger theory on the experiments and why I think there's still one in the house, but that's for later. During The Roast, Nandor is pretty convinced that the mutant Guillermo is the real one (despite one pretty big glaring error: he has no glasses. none of the experiments need glasses...), Laszlo might have been testing this theory by having The Baron bring his body to Nandor in the first place in order to see how convinced Nandor would be by it. This might be enough for Laszlo to try to use a duplicate of Guillermo for Nandor to bite. The duplicate will not explode (probably?) due to only being a hybrid of Guillermo's blood and an animal…or something(one) else pretending to be Guillermo… (and if it does, maybe Laszlo plans to shoo Nandor out of the line of sight in order for him not to see. And then you get the angst and drama of Guillermo literally using a scapegoat to take his 'sin' despite his reluctance to hurt innocent creatures)

But will the fake Guillermo actually convince Nandor? It's hard to say, and I love that threat of Nandor realizing that it's not the true Guillermo he bit and feeling even more betrayed. Maybe Laszlo concocts a whole ambiance to the event in order to sell the lie. It has to be special right?

So there's dim lights and candles and (fake) Guillermo is laid out in Nandor's coffin and there's this whole presentation element to it that was left out of Guillermo's turn with Derek. It's more like the fantasy that Guillermo probably always had of being turned by Nandor. It plays out like a romantic love scene. But Guillermo is asleep or has his eyes closed and won't talk or maybe only makes small noises and Nandor's very upset abt this. Laszlo is probably hovering too and Nandor doesn't like that either but Laszlo insists he must be there and it's now it's all awkward and wrong, kind of like how Guillermo felt before he was bit by Derek. (now it’s like Nandor is the bull cucking Laszlo in front of him) Nandor goes thru with it and bites Guillermo and is rushed by Laszlo so he doesn't get to drink or drink too much of his blood and there's fumbling with trying to get his own blood into Guillermo's unresponsive mouth.

Or maybe Nandor finds out because Guillermo's blood is disgusting and he either knows or had hoped it would be good tasting*. or that Guillermo just lays there and there's no reciprocation of desire. But maybe he just doesn't find out and once it's over he expects to be able to lay with Guillermo or otherwise be there for his turning but Laszlo quickly rushes him out of his own room and closes the door behind him.

So now Nandor feels all the same despondency that Guillermo had felt with his turn with Derek. Like this big special moment he's built up for years was a complete dud. Like he missed out on something truly magical and he doesn't know why. And Guillermo will feel like shit too, for tricking Nandor. Laszlo isn't happy either. But it worked and they all just have to live with it. Meanwhile this act that was meant to make Nandor's and Guillermo's bond stronger, only serves to create even greater distance between them. 

Re*: evidence that Guillermo's blood might taste 'different':

3. ANYWAYS. that was theory two. lets talk about theory 3.

WITCHES.

I actually think there's good reason Laszlo has divorced Science and is now going to have an affair with Magic. It's exactly when Nadja says 'has this hex turned me into an uggo' that Laszlo comes to life and exclaims ‘that's it!’. If science wasn't the solution, maybe magic is. It's not like they don't know some witches, or that, at least to a degree, witches actually have some power. (specifically the power to look, vaguely, like someone else.) I'm not certain of the specifics but there's a chance Laszlo could be turning to magic to solve his problems. This would also bring Nadja's storyline more relevant and in focus for the season. The thing I like the most about this theory? Episode 9 describes being invited to a manor owned by someone named Morrigan. Morrigan is a Celtic goddess of war and fate that was probably the inspiration for Arthurian legendary sorceress, Morgan le Fay. (Laszlo's name may also be connected to Arthurian legend, Lancelot. but that probably doesn't mean anything.)

So! That's my three extra theories attached to this one big theory that Laszlo is going to go 'back to the beginning' and use his first thought to solve this. Go with his gut. His first solution was his best solution, all along.

…He simply needs to convince Nandor to turn Guillermo.

The, uh, details of this plan may be a lot more complicated than it suggests.

[littlepocketuniverse]

I saw someone talking about Charles and Edwin's hero colours, and how they symbolise each other's afterlife designations (Edwin in blue, Charles in red) which I thought was a cool concept.

Only now I'm thinking about how Charles' colour symbolises the light that takes people to Hell, and imagining Edwin's realisation, perhaps several years into their partnership, that when he thinks of the colour red, he now associates it with Charles too.

There are undoubtedly a million moments over those years where Edwin realises he is happy for the first time in his existence, and as close to safe as he possibly can be. But I think realising that Charles has managed to start redefining what the colour red means to him would really drive it home that somehow this boy's continued presence at his side is systematically overwriting seven decades of pain.

With every moment Charles chooses to stay - with every case, every smile, every laugh, every memory - he gives Edwin one more way to counterbalance the scales with something happy and warm and beautiful. That, no matter if Edwin is on the run for the rest of his existence, everytime he sees someone being taken to Hell, he will see the colour red and think of 70 years of torture - and then he will think of Charles, a constant reminder that he no longer has to face the fear alone.

And then, he wonders if perhaps one day, as the decades pass and they make more wonderful memories together, he might see the colour red and think of Charles first. If, finally, suffering and pain - Hell itself - might become nothing but a footnote to the life they have made together.

Over 3 decades later, Edwin can finally stop running, and knows it to be true - at last they have forever guaranteed, and maybe, just maybe, one day Hell won't need a footnote at all.

[goingbuggy]

Hello! I’ve seen people on twitter joke about the film blue. What would you pitch for your peak film blue?

Hope your day is good 💖

Hi, anon! I love joking about Film Blue, too. It's fun to imagine a hypothetical counterpart to Film Red, but also I feed off delusion like a parasite anyway lol.

To answer your question, though, my ideal Film Blue would have actually been an alternate version of Film Red -- a world where Uta was found by Buggy instead of being raised by Gordon after the Elegia massacre. It's become a fanon idea to have Uta and Buggy interact, which I love, but I don't think this came about randomly; Buggy and Uta have a few fundamental similarities which make it possible to imagine a world where he could have raised her instead. And for the content of Film Red, which is in many ways a dissection of Shanks' morals, Buggy's involvement makes perfect sense.

Both Uta and Buggy are characters shaped by/caught in the fallout of Shanks' sacrifices for his perceived "greater good." In Uta's case, Shanks sacrificed his connection with her because he believed that she could better the world and live a happier life as a singer. So, when she accidentally caused the massacre on Elegia, Shanks shouldered the blame to protect her, but at the cost of their relationship. (I talk more in-depth about this in my "Shanks Savior Complex" meta.)

Buggy's case is more complex and admittedly does involve some speculation, but I think Shanks' passive response during the Loguetown split shows my point well enough. Shanks did want Buggy to stay by his side, but he did not fight for his own desires in that regard. We don't know why Shanks seemed so detached at the time, but it is my personal theory that this directly relates to Shanks' overarching goal in the series: to see out Roger's legacy. Again, it appears to be a situation where the "greater good" outweighs Shanks' own personal happiness, and thus causes him to sacrifice important relationships.

Shanks has an interesting duality to him -- he's a very level-headed decision-maker, but this is simultaneously what makes his interpersonal skills so subpar. ("Shanks isn't a mature guy," as Oda says.) Unlike Luffy, I'd argue that Shanks is not a very emotionally intelligent character; his strength comes from his extrapolation and attention to detail. He notices patterns and is thus able to foresee future events that others do not -- the war at Marineford being one such example. He sought out Whitebeard because he knew Ace's revenge plot could easily escalate out of control, and guess what? It did! However, his focus on details often leads him to neglect the "bigger picture," or the thing hiding in plain sight. Shanks' interactions with Blackbeard show this, too; Blackbeard was able to fly under Shanks' radar and ultimately scar him because he is a character always hiding in plain sight, waiting for the right moment to strike in such chaotic ways. Blackbeard is unpredictable.

But why does this matter? Well, Shanks also tends to inadvertently hurt those he cares about with his "rational" decision-making, without ever understanding why. He sacrificed his relationship with Uta for the betterment of the world and her own happiness, but failed to realize that his sacrifice is what damaged her the most. She became fixated on her own abandonment to the point that singing was no longer a source of joy, but rather a tool to rid the world of pirates -- the pirates who hurt people, just like Shanks hurt her.

Buggy is quite similar. Shanks gave up on Laughtale and his connection with Buggy for the sake of bettering the world, but this is what caused Buggy's mind to be ruled by bitter resentment and insecurity. He felt abandoned. And just like Uta, he was left in the dark as to the true reason why.

This is why I think Buggy would take in Uta as his own surrogate daughter, the same way Gordon did; he would see himself in Uta, and together, they would bond over their shared resentment. Hell, even Uta's original character design has this cotton candy-esque pink and blue dichotomy. Obviously, this is not intentional on Oda's part, but to me it's just another physical reminder of what could have been Uta's two main influences. Uta yearns for a better world like Shanks, yet that vision of the world has been warped by her own resentment/abandonment, like Buggy. Uta's head and heart feel ruled by Shanks and Buggy's principles respectively. It's great. And I think that potential is a bit wasted on Gordon, who is unfortunately a pretty one-note character.

I think the Uta-Buggy relationship would also perfectly balance out the Luffy-Shanks one. Luffy admires Shanks' way of life as a pirate, and this directly contrasts Uta, who was made into an expendable casualty because of that way of life (despite Shanks' best intentions). So, just as Luffy refused to see Uta's perspective in the actual Film Red, Buggy would cling to Uta's recount and refuse to see Shanks' side of things. Luffy and Buggy bounce off of each other so well in canon already, so a movie which pits them against each other due their differing views of Shanks would work well, in my opinion. Not only that, but it would be a good story that relates to a lot of Oda's wider messages -- namely, that history can easily be warped depending on the perspective you view it from.

[gffa]

Man, Felony was really mowing down every last piece of non-TV series established lore about Thrawn and the Nightsisters, wasn't he? That man has NOT read a single bit of any of it and he does not care!!! Thrawn not only met Anakin Skywalker during the clone wars, but knew he became Vader? Not on Felony's watch! You'd think Merrin would have known about an ancient homeworld of the Dathomiri instead of feeling like she was the literal last of her kind? Felony, take the wheel! Like, the man does NOT give a single solitary shit about trying to connect anything together and maybe we can squint and say, well, maybe Merrin assumed they were dead, well maybe Thrawn just didn't know about Ahsoka, but like. It is very clear that all the supplementary material does not mean squat to Davegate Stanakin Felony and we just have to learn to roll with that.

[oh-no-its-bird]

The biggest lie Naruto tells its audience is that you can be both a good person and a good shinobi.

[vorestarr]

just always thinking about Astarion's ever-present hunger and how it's the first thing he comments on after ascension. ("I... I can't feel it. That ache in my stomach, that hunger - It's gone.")

thinking about how such a key aspect of Cazador's control and torture was keeping the spawn hungry. the seven in his house forbidden from eating thinking creatures, Astarion fed a diet of rats only, the 7000 below not fed at all.

and how Astarion's first time feeding on a thinking creature is because he's testing whether the tadpole that lets him walk in the sun also freed him from Cazador's control. how he finds himself thinking about the blood of whoever he's talking to in casual conversations. how he keeps fully draining the animals he hunts, and even drains a bear in one night. how he kills the player character when he feeds from them for the first time if they don't stop him. how if the player sleeps with him and agrees to let him drink from them during sex, it's a huge approval boost. all the little comments about his hunger throughout the game -- if you dig up the tiefling grave in the grove he remarks that it's not fresh but he'll keep it in mind if he needs a snack later, in the mausoleum he quips "bodies bodies everywhere but not a drop to drink" about the skeletons, if you read his mind before ascension he's thinking about the smell of blood all around, the examples go on and on.

it seems like such a critical part of his internal state to me. he lives his entire undead life in a state of constant hunger, and when he's finally free to eat his fill, he's also hyper-aware of how the people around him may turn on him or try to kill him for how he eats -- he emphasizes that he feeds on animals when he confesses his vampirism to the player, even when he's caught almost feeding from them in the middle of the night.

i just think that must be such a powerful motivation. this need that is constantly at the surface, that he is constantly aware of and consciously not acting on, and that was also used against him, to control him, for centuries.

and i think it's so fascinating from a character perspective that he doesn't feed from humanoids not because of any moral issue, but because he was forbidden and physically could not do it. (Dalyria tried to drink from the girl you find in Cazador's mansion and she was physically sick, retching and choking.) he doesn't drink from humanoids when traveling with the companions if the player specifically forbids it, because he recognizes he needs the party and he's willing to put up with this to stay with the group.

but he's always thinking about it.

and then all of that, plus the fact that when he confronts Cazador, he views his options as killing Cazador without performing the ritual or killing Cazador by performing the ritual. he seemingly never even thinks of the idea that he could drink Cazador's blood, and that feels pretty significant too.