#idk if it was a purposeful character choice for no one to show up and interrupt the fight for hanger but

[rin-solo]

Finally, I am happy to present to you my ...

EPIC: THE MUSICAL | ACT I [Character Design project]

I have been working on these for a long time and I am very happy with how these turned out. I am a huge fan of visual character design and I simply needed to do a full lineup.

Act II will follow shortly (it is all done except for Ithaca Saga, which I will add as soon as it drops.) Please enjoy, and read below for some thoughts and background on some of my design choices!

TROY | CYCLOPS ft. Odysseus, Athena, Eurylochus, and Polites

With Odysseus, I really wanted to emphasize his free spirit in this era and mark him as Athena's warrior, so I gave him a special belt and some armbands that represent her (this was inspired by some of @mircsy's work). He also has heterochromia; his left eye is green, representing his cunning, wisdom, and spirit; his right eye is gray, representing his ruthlessness and warrior side.

I simply love Athena in purple/gold. Her mask is a symbol of her invulnerability and comes off only during "My Goodbye" when Odysseus tells her that she's alone. Her cape can also transform into wings, and her eyes are actually golden without the mask.

I had to give Eurylochus his large anime sword (it's just as heavy as it looks but he likes it that way because that means no one besides him is strong enough to wield it ... I imagine Eurylochus can bench press at least Odysseus' and Polites' weights combined. He and Polites are also wearing variants of Odysseus' armor, indicating that they belong to the same army.

Listen, I can vibe with Eurylochus' giant sword but I draw the line at Polites with glasses, sorry. He still gets the hairband, of course. He's also dressed more casually, and without a weapon, because of his pacifistic outlook. He's the physically weakest among the trio by far but also still an inch taller than Odysseus (it's fine, Odysseus is still like 5'10, his friends are just all so freaking tall...)

OCEAN ft. Aeolus, Poseidon, and Odysseus

Not gonna lie, I LOVED designing Aeolus' outfit. She's playful and mischievous and loves to hang out in the clouds all day; her outfit is probably made out of clouds let's be real. Also yes, her image on the windbag moves to make cheeky faces.

Poseidon I cannot imagine without tentacles anymore thanks to @gigizetz's "Ruthlessness", idk it just fits him so well. He definitely got all dressed up to go and sink Odysseus' fleet that day, he has a reputation, you know? And he just likes the shiny gold and accessories; the ocean is full of them so why wouldn't he?

Since breaking up with Athena, Odysseus lost her belt and armbands. He's still wearing her brooch because he couldn't bring himself to fully throw that away as well yet. Polites' hairband around his wrist reminds him of what he's fighting for and what to live by ... for now (Poseidon is about to ruin this man's whole career...)

CIRCE | UNDERWORLD ft. Circe, Hermes, and Tiresias

I wanted to give Circe the "witch" vibe while putting a Greek spin on it and I actually adore her design. She seems both immortally youthful (something I aim for with all my god designs) and motherly. There she was, gathering some herbs when a bunch of strangers crash onto her island ... Oh well, at least this man was a good man this time.

Hermes is kind of just Hermes. I wanted to keep him shaded, a bit impish, and definitely up to no good. He's wearing the contrasting colors on purpose, by the way. And yes, his hat can fly on its own ... But for it to do that he'd have to actually be willing to show his face which he seldom does unless he really trusts you.

Tiresias is a soul, so he has the same kind of ageless youth as all my gods (something that goes for souls of dead people too, since I like to think they get to appear at whatever age they want after death.) He's looking a bit regal since he's a prophet, so I imagine regarded highly, even in the Underworld. Instead of the blindfold, his hood covers his face, adorned with a symbolic eye to identify him and his skill.

***

Well, that's it for ACT I, friends, I hope you liked these! I will upload ACT II asap. Please comment and/or tell me your thoughts about my designs! And feel free to ask any questions you may have! I would love to talk more about these.

[kittygamer2888]

*finally coughs up an art dump about One Piece and may contain spoilers to the series--*

WAIT, N O-

NO NO NO NO NO NO N O-

L-look I just...

I...

U h . . .

Guys I swear I just wanted to learn how to draw humans good, so Luffy was all I got😭

I felt motivated to redraw images from the anime as well as doodle some of the characters for fun--

Though...

.....I guess I had a lot to draw, h-huh..?

[Nervous laughter-

PROCEEDS TO RUN A WA Y-]

[mikesbasementbeets]

just realized all three boys' parents are standing behind them at will's funeral

these are clearly meant to be lucas' parents, who were then recast for s2, when they took on a more significant role. and mike's parents are behind him which means that these two people on screen right:

are meant to be dustin's parents

[jupiterjunebug]

I think they should do a promo spot of the bucks trying to have a vent sesh at hangman abt how horrible and unfair it is that kenny chose jericho over them and adam just looks them both in the eyes and pops the maximum amount of ibuprofen for his weight class and goes yall know i almost died, right?

[newtkive]

confectionary clash - carmen berzatto

pairing: carmen berzatto x afab!reader (established relationship)

summary: carmy's girl is the human embodiment of a sweetheart. that is, unless it's that time of the month and richie provokes her.

wordcount: 3.2k

warnings: swearing, fighting, weaponized incompetence from richie but we still love him.

a/n: this was meant to be a drabble but turned into 3k words. so it's written kinda like a drabble?? (hence the lowercase i can't be arsed to change) but just... long. idk hopefully its entertaining. also, i don't mean to demonize richie, he's my favorite character i think,, i just love writing him as problematic lmao cuz he's so funny. anyways, enjoy!

as carmy’s confidant and girlfriend, you were always the voice of reason. with just a string of words, you’d be calming him down after a hectic work day, giving him a fresh perspective on his work dilemmas since you were outside of the restaurant circle. in the time he’s known you, he hadn’t seen you do as much as barely raise your voice. maybe the occasional snap, but you always follow it up with swift apologies and big watery eyes.

that is, unless you’re in pain. specifically cramps. the sight of you 180ing from a sweet girl with a bright smile and even sweeter words, to an evil sorceress with spells rolling off your tongue, inflicting curses onto anyone who irritates you is jarring. a bit dramatic, sure, but that’s what you were during that time of the month—dramatic.

carmy tries best to dote on you. you would never ask him to go out of his way for something, unless it’s grabbing a heating pad or water, but carmy wants you to. it takes prying to hear your desires and cravings after asking a million times, and you begrudgingly give in with no expectations. nevertheless, you end up with exactly what you asked for, or something close to it, and you’re endlessly grateful.

on days when you stop into the restaurant when you’re feeling down, carmy enacts this same routine. if it’s food, he’ll cook it for you; desserts, he’ll grab any extras marcus has (or marcus happily makes it from scratch if they're not busy, claiming he needs the practice). if you want snacks, he sends his right hand man richie out to grab them despite your protests.

richie does it often whenever you stop into the store, and he acts like it’s a chore sometimes, but everyone has a hunch that he really loves it. come on, twenty dollars to get a few items for you and pocket the rest for himself? plus a break from work? done deal.

richie wouldn’t admit it, but he liked taking care of you too. you were always a sweetheart to him, but it wasn’t in his personality to be as sincere as you, so this was a little act of service to show his love. besides, the year and a half you’ve known him has definitely earned you the title of a friend, and you’d agree.

now, you don’t ever want to seem ungrateful, but when you ask for a specific treat, you get disappointed when you don’t really get it. maybe it’s the fluctuating mood talking, but you always end up snapping at richie due to his poor choices. if you ask for one thing, he’ll get you the next, and you even suspect he does it on purpose sometimes. pulling reactions from people is his specialty.

it’s not like you’re a complete bitch about it, because he took his time out to go get you something, but richie has a problem with weaponized competence even with his new and improved attitude. you know he can get you the jolly ranchers you suggested, but he chooses to grab goldfish because it’s closer to checkout. it was annoying, but you never really brought it up to carmy. it's not like you needed to, it wasn't a huge deal. you figured richie could use the little break, and you don’t hate the snacks he brings.

except on days like this.

you were at the restaurant on a slow day, dragged yourself out of bed despite your cramps just to see your little grumpy boyfriend and hide in his office. even as you entered the establishment through the back you glared at richie (who sweetly waved) in passing, side eyeing a few of the newbies who ran in front of you despite their apologies. none of your usual bright smiles and cheery greetings. the bee line straight to the office was a clear enough explanation for how you were feeling.

upon entering, carmy looked up in a panic, which quickly melted into a soft smile at the sight of his girlfriend. “hey, baby.” he cooed softly, immediately scooting back from his desk to reach out to grasp at your waist. you let him, but pushed down the irritation, not favoring touch at the moment. however, his rough hands sliding a little under your shirt to grasp at the flesh of your hips calmed you down, earning a small quirk of the lips from you.

“whatcha doin’ here, love?” he asks, bringing one of your hands to his lips to kiss softly, still looking up at you.

you shrug, squeezing his hand, face a bit stoic. you’d been like this for a couple of days so he wasn’t surprised by your lack of friendliness. knowing you this long, carmy became accustomed to your monthly mood swings, and he felt privileged that you didn’t feel the need to put up an act for him.

“missed you.” you finally sighed, scooting closer so you stood between his knees. palms found both sides of carmy’s face and tilted it upwards a bit so you could study his appearance. stressed and tired. however, he seemed to glow at the mere admission of you missing him. it took a few seconds for his brain to rewire, looking up at you like you created the cosmos. the only reason you heard his soft, shy, ‘missed you too’ was because of the stagnant silence.

“hungry?” carmy asked, beaming from the attention. you shrugged again, allowing him to tighten his grip on your sides and tug you onto his lap. whining a bit in protest, you reposition yourself, legs falling over his lap and arms around his neck. your faces were closer now, and carmy looked at your sad eyes with a little pang in his chest. brows furrowing, he tilted his head and snuck a hand under your chin. long, tattooed fingers tickled at your chin, and before you knew it you were giggling and grinning while batting his hand away.

“cmon, i know you must want somethin’.” your grin was infectious and laced in his soft words. you hummed, already cheered up, and tapped a finger against your chin to make a thinking face. carmy chuckled, brushing a lock of hair away from your eyes and patiently waited.

a thought crossed your mind and you met gazes again. “i might go grab some little debbie snacks from around the corner.” you decided and nodded to yourself as if solidifying your decision.

as you started sitting up more, carmy’s grip tightened on your waist. “ah, ah, no. stay here.” he protested. soon enough he was calling out ‘cousin!’ and richie came bounding over, opening the office door.

richie’s face used to contort in disgust at any visual sign of affection exchanged between you and carmy, but he was used to it now. “what’s up, cousin?” he asked, almost seeming out of breath, eyes flickering between the both of you.

a short exchange between the two occurred: carmy asking richie to run to the corner store, handing richie a twenty, and richie asking you precisely what you wanted. you made it simple and easy, something he could remember: oreos and ho-hos, a midwestern's guilty pleasure.

“ight, cap’n, i’ll be back.” richie says, saluting you two before heading out. both you and carmy exchanged an amused smirk, knowing the only reason richie went was to get himself some cigarettes and hot fries he would scarf down on the walk back.

__

in the twenty minutes richie was gone, the kitchen had gone to shit. the newbies had been running the wrong food to tables, online orders were filling the tablet nonstop due to a discount glitch, and carmy was close to losing it. sitting in the office, now alone with the muffled sound of your boyfriend yelling, you were more grumpy than before. arms crossed, you snapped your head to the side once the door creaked open. in walked richie with a plastic bag, inside of it holding your hope for a better day.

"what took you so long?" you frowned up at him, but sat up straighter in anticipation. you eyes almost shone as you looked at corner store logo on the bag.

"went the long way." he mumbled, digging in the plasic. the skeptical look on your face didn't leave as he pulled out an item and set it on the table. your frown deepened further as you noticed there was nothing at all you asked for, only met with a crushed sleeve of crackers.

“where are the oreos?” you sighed out, lips pursed in a bit of a pout.

“didn’t find any, so i got you some peanut butter crackers.” he mumbled, digging around the bag again, as if he didn’t just break your heart. if it was anyone else you'd believe them, but with richie you figured he just got bored of looking.

your jaw fell slack and you gaped like a fish for a moment, waiting for him to pull out more treats from his bag. but that time didn’t come, as he fished a pack of cigarettes out instead. “and the ho-ho’s?” your voice was hopeful.

richie perked up at that, putting the cigarettes down next to the crackers. the next second he presented you with a smushed mountain of brown and white concealed in a plastic wrapper sitting atop the palm of his hand. eyes flicking between the disappointment before you and his face, you frowned in disbelief.

richie only managed to emote as much as a ‘yikes’ face before placing it on the desk. “got smushed in transit, but tastes the same!” he gave his best attempt at a smile. your brows grew taut together and anger bubbled up in your chest. you were sure your face was quickly turning red.

“carmy gave you twenty dollars, and you come back with this?!” you hiss out, daring to look at the dry crackers and smushed up dream of a ho-ho. the sight only made you become angrier. this was something a senile old person would give you, not a competent 40-something-year-old man. his lack of care was clear, and you were boiling.

richie just scoffed—he had the nerve to scoff.

“no, not just that! i got a sprite and a few pack of cigs for myself and the guy.” he waved around one of them to prove his point. if you thought you were mad before, you reached a new level of anger. usually, you’d deal with the disappointment and thank richie for even going—aside from a smart alec remark.

however, the demon conducting your period for this month did not make your rational decisions seem clear nor enticing. as you shot up from carmy’s chair, you only knew you wanted to make richie as upset as you were in this moment.

with one finger poking his chest, you began raising your voice. as soon as you started talking, richie's eyes turned wide as saucers, exactly like a deer in headlights. a string of curses snuck into your tirade, between phrases such as “you always fucking do this richie!” and “are you fuckin’ dumb?! did you get dropped on your head?!”. you only figured he didn't fire back right away because he was so stunned.

outside of the office, the kitchen was calmer now. things were finally falling into order but still required carmy’s supervision until the sudden rush ended. the only disturbance was you. now, it was your voice yelling behind closed doors and not carmy’s.

the chef—in the middle of helping sydney plate a dish—just about gave himself whiplash with how fast he turned around to look at the barely cracked door of the office. there was the telltale muffled yelling, but what shocked him was it was clearly you yelling.

turning back around, carmy gawked at sydney who silently shared the same look of surprise. it was only until they heard richie start yelling back that sydney silently pushed him toward the door. it didn’t take more than a second for carmy to snap out of his surprise and march over to the office.

throwing the hand towel he was using over his shoulder, he yanked the heavy door open before all but body slamming his way into the room and slamming the door closed. the yelling was suddenly clear, as if carmy was being pulled out from underwater.

“YOU GET ME WHAT I ASKED YOU, OR GET ME NOTHING AT ALL!”

“THEN YOU’D BITCH ABOUT THAT TOO—“

“OR NOTHING AT ALL!”

“hey, hey, HEY!” the two of you were too busy at each others throats to even hear carmy enter, until his voice brought you both to a halt, heads turning towards him.

carmy’s eyes were immediately glued to you, not paying the least bit of attention to richie. your arms were stiff as boards to your sides, fists and jaw clenched, brows taut, and race beet red. the man had never seen you look like this before, and his instinct to comfort you took over. turning to richie with a look that could kill, carmy finally spoke. “what did you do?”

“what did i do?! except take precious time to get your girl shit she didn’t even want?!”

an offended gasp left your mouth, and you retorted instantly. “oh please! because a crushed up sleeve of crackers and a mountain of mushed up cake is just what i asked for!”

“you’re ungrateful.” richie pointed a finger at you now. carmy launched forward and slapped it down. he knew richie would never hurt you, and you knew it too, as you just rolled your eyes in response, but carmy’s instinct’s took over. richie didn’t even look phased, just irritated. carmy stood in front of you and forcefully turned richie around by his shoulders to send him to the door. if carmy didn't have half of a sane mind, he would’ve kicked richie's bottom with his shoe for good measure.

“go take a break chef! or do whatever the fuck, i don’t care.” carmy shouted after richie, and the man left with a slam of the door.

you simply watched the scene unfold with arms crossed and that same deep set frown. carmy turned around to face you as the air settled, a hand running through his hair. blue eyes raked over your tense form and carmy decided he would give you a little space to calm down. however, the second he saw your bottom lip wobbling and eyes grow watery he threw that thought to the wind

“hey, no, no, don’t cry.” carmy extended his arms and collected you into them. the tense posture you held relaxed into his slouched form as he held you close; one hand in your hair, and the other rubbing circles on your back as you sniffled.

a pit of guilt burned in your stomach and spurred you into attempting to bury yourself into carmy. blue straps of his apron rubbed against your cheek as you shuffled impossibly closer. usually, carmy would love this, but right now he'd do anything to not see you so out of it. shushing you, he pressed a kiss to your forehead.

there were a few beats of you hiding away before you decided to pull back a bit to face him again—and boy did you look pitiful.

the same cheeks previously bright with anger were now flush with embarrassment and stained with tears. a tattooed hand found itself sitting on your cheek, thumb rubbing under your eye to collect a fallen tear. at the touch, your eyes fluttered closed, and carmy’s heart broke at the sight.

“you gonna tell me what happened?” your boyfriend asked, trying not to make you feel even more guilty. his full attention was on you. exhaling slowly, your eyes fluttered back open and were met with those bright blue ones that always calmed you down.

“i dunno, i just-“ you shook your head and carmy waited patiently, “it wasn’t even a big deal, but richie just really set me off for some reason.”

“yeah, may as well join the club.” carmen’s words were light, not at all sarcastic, but aiming to ease you and bring out a smile. it worked, your lips turning upwards and carmy mimicking the half smile. he looked down at you with such love, head tilted to follow every time yours moved, and thumb caressing your cheek as he took in every expression.

your smile finally faltered as you glanced back at the office desk. “i feel so awful. he went out and got me stuff and i just yelled at him.” you sputter out.

carmy followed your gaze over his shoulder to finally see what started all of this. at the sight of the crackers and ball of what looked like mush, carmy scoffs in both disbelief and amusement, because of course richie would bring you that. turning back towards you, the chef finally gets it.

“baby, if someone brought me that shit while my insides were shedding i’d kill them.” he chuckled.

“really?” you asked hopefully, smile forming again.

“yes, really. even if i wasn’t goin’ through that i’d actually kick his ass.” carmy mirrored your smile.

nodding, you let yourself chuckle along with him. strong arms found you again and you were wrapped in a tight hug, allowing his squeezes to take away some guilt you were feeling. a moment passed and you knew carmy had to get back to work. with a sigh, you pulled back.

it was your turn to reach up and cup his cheek. guiding his face close, you met him halfway and pressed your lips to his in a kiss. lips moving against his, your noses brushed, and after a moment you let the kiss dissipate; lips slowly falling away from where they were molded together. one last peck was placed on carmy’s lips, as if saying, ‘thank you for being so attentive’. that earned an appreciate hum.

you both beamed, faces still close as you came back down to earth. “you gotta get back to work, and i gotta apologize.” you murmured and carmy nodded obediently.

with apprehension, carmy let you go, arms floating in the air for half a second as he walked backwards towards the door. “don’t go easy on him, though. richie lives for a fight. that was probably his anger management for the day.” carmy smirked, grasping the doorknob.

you just shook your head, eyes narrowed teasingly. before he turned to leave, you called out to him. “thank you, carmy.”

the man just gave you a confused look, chuckling. “don’t thank me, you're my girl.” with that he was back to work and you were left to your own devices. with one more glance at the monstrosity on the office desk, you left the room and went on a search for richie.

thirty minutes later, carmy was due for a smoke break and approached the back door. he slowed his tracks, lighter and cigarette in hand as he cracked the door and heard giggling. the sight before him was drastically different than before: you and richie sitting on a ledge next to each other, giggling and bumping shoulders. carmy breathed out a laugh at the sight and fully walked out. this caught both of your attention, grinning ear to ear as you clearly made up.

“hey, cousin!” richie grinned, and you both waved. figures.

[physalian]

7 Misused Tropes (And How to Improve Them)

Tropes in isolation aren’t inherently bad, but a lot of them are prone to poor execution. Each one of these probably could have a whole post by themselves. A few of these used to be good but have since fallen by the wayside as their original meaning has been lost.

7. Dramatic Miscommunication

You know the ones. I think it’s worse when the story is otherwise good, the writers just could not come up with a better way to get X alone or send Y off on the necessary side quest than the lowest of low hanging fruit.

Two essential ingredients for fixing this trope: Precedent and consequences

Precedent–have the character doing the missassuming already be prone to jumping to conclusions, already suspicious or insecure, or misled by a third party so this looks inevitable, instead of pulled out of your ass.

Consequences–usually these are big blow up fights that fizzle out without any impact on the plot once they fulfill their purpose, but if it’s a nasty enough fight, characters shouldn’t just forgive and forget. While they might not completely ruin relationships, it should have characters taking a step back and either second guessing where they stand, or using this blowup to fix an underlying issue in said relationship.

6. Love Triangles

Good Love Triangle for the first 3 seasons: Elena/Stefan/Damon (TVD).

Bad Love Triangle for the entire series: Bella/Edward/Jacob (Twilight).

The difference between them (besides time to flesh out both candidates) is that both brothers brought valid pros and cons to Elena’s life, both got the chance to be with her, and Elena’s whole arc wasn’t solely focused on the agonizing choice of which brother she should pick. Regardless of which camp you’re in, Stefan brought stability, that classic cliché high school romance, mostly all good vibes. He never challenged her or talked down to her or got aggressive with her. Damon did the opposite, for better or for worse, and we know which direction the show went.

On the other hand, Jacob never for one second stood a chance with Bella and the narrative wasn’t kidding anyone. They never so much as went on one date (unless you count the motorcycle ride) and it seemed like Bella was only letting him hang on for pity’s sake. Theoretically he brought pros to the table that Edward couldn’t (like, idk, being alive), but the narrative never explored what could be done with him. He just ended up being the Nice Guy friend who then decided it’d be hot to lust after an infant.

5. Agency-less Chosen Ones

These tend to be wish fulfillment characters that bring nothing to the story and have no discernible skills, yet are constantly in the middle of the action, have all the love interests fawning over them, and are Important and Critical to saving the world… because the narrative said so. They don’t make a single choice the entire plot except to move forward or stagnate, chosen by the gods or a prophecy or fate and destiny.

The problem: These characters walk with the crutch of “I’m the chosen one thus I don’t need a reason to exist in the story” and that’s just not a satisfying narrative shortcut. So? Give them agency. Even if they’re chosen by some ancient prophecy, you still have to convince the reader why the Universe wasn’t just talking out of its ass.

Good example: Emmet from Lego Movie literally says he’s useless and has no skills and cannot think outside the Lego box. He’s supposed to be as generic as painfully possible and when he does have creative ideas, they’re supposed to be asinine and stupid. And yet. He might be physically dragged around by the other characters, but he has plenty of choices, plenty of opposition to what’s happening, plenty to say about the state of his world, and his ideas do matter and his intimate knowledge of the instructions and playing by the rules is how they win.

4. Bad Boy Love Interests

These guys were supposed to be counter-culture icons, standing up to The Man for the little guy because he knows the system is broken and rigged. He’s an affront to the stereotypical nuclear lifestyle, he resents a robotic and soulless office job and wants to create art or music or in some way benefit his world and isn’t going to play nice just to get his way. He exists in contrast to the nuclear female protagonist: Conservative, demure, rule-following caged bird who falls in love with him because he shows her that life isn’t meant to be lived in The Man’s cage. He respects the authority that deserves respect, the teachers who actually give a shit, the janitors, the librarians, but probably not the principal or the police or the local politicians, because he knows they don’t respect him and respect is a two-way street. He’s probably a mama’s boy or at the very least loves his parents (if they’re alive) and while he might engage in a little property damage like graffiti, it’s for a good cause.

This dude is NOT SUPPOSED TO BE: Abusive, controlling, aggressive, or condescending to his love interest. He’s not supposed to be an overprotective stalker or plagued by insecure jealousy over any other man in his love interest’s life. He’s not rude to his friends or arrogant about his own smarts and doesn’t think he knows best about every little thing in the world. He’s not sexist or racist just to make himself feel better and he doesn’t pressure his love interest into sex because she owes him or whatever.

Ahem.

Please bring back classic bad boys. That is all.

3. Major Character Death (for shock value)

I remember the implosion of the Walking Dead fandom after they killed Carl, one of the very few characters who was supposed to make it to the end, for… various sketchy reasons and I could never figure out what was true. Some theorized that his actor was aging out of the ‘child actor’ payscale and they didn’t want to pay him as an adult and while I have no proof, it wouldn’t surprise me at all.

Carl died after getting bit in just one of those hectic moments where he got unlucky, while doing something noble and stupid. In isolation, it fits the nature of the “anyone can die” show but man did it just come across in poor taste.

Obviously “for shock value” shouldn’t be the reason you do anything in your story but there is still a way to pull it off without it causing a riot: Make sure they get killed in a non-contrived way. If you plan on killing off one of your heroes suddenly, either make it bitterly ironic, or make it a situation that this character would absolutely get themselves into. The more it “fits” the less likely audiences will see the hand of the author coming in just to break the character’s fictional contract.

2. The Power Inside You All Along

This trope is usually disappointing because it tends to melt a character’s whole arc down into something pointless—this whole adventure was apparently useless if they didn’t actually need to grow or change or challenge their conceptions of the world. They could have got up off the couch as joe shmoe and beat the villain day one.

While that’s probably not what their creator intends, ‘it was inside you all along *wink*’ tends to feel that way, as it discourages internal conflict. Usually, their creator is likely trying to convey the message that one need not change, that it’s what’s inside them already that makes them special.

I present to you once again Kung Fu Panda’s “there is no secret ingredient” i.e. “the power inside you”. The difference is. Po still has plenty of internal conflict: his own self-confidence. He begins the movie eager but inexperienced and a bit oblivious, fanboying it up around his heroes. He and Shifu both insult his weight and his lacking kung fu skills, and his arc is learning self-confidence, learning how to use his weight and the body he has to fight in a way that the villain isn’t prepared for, to where Po can shit-talk him to his face during the final fight.

Most failures of this trope don’t bother exercising their protagonist. They’re pissy and resistant for the entire story and only win when the narrative agrees they were right all along. Therefore, no change, no conflict, no resolution.

1. Strong Female Characters

So many of these read like "slapped boops on a male character". They don’t work for many reasons (usually being very preachy with their agendas), but they especially don’t work when by trying to be pro-feminist, they’re still reinforcing masculine standards. A lot of people, when Captain Marvel came out, said “you didn’t have any issues with Tony Stark being an asshole but now you do when he’s a woman” which. No.

Tony was an asshole, but being an asshole was the whole point of his character, and he got humbled right quick by getting blown up and held hostage. “Proof that Tony Stark Has a Heart” and all that.

Carol was an asshole with nothing to substantiate it, and never got a reality check. She had amnesia so we didn’t get insight into who she was before to understand this transition into dickishness and was so OP, she wasn’t ever physically or emotionally challenged like Tony was.

But the other thing is this: Slapping boobs on a male character with a slew of toxic masculine traits also says that to be a successful woman, you must behave like a man. It swings so far from the femme fatale sexy leg lamp that it comes around and eats its own tail. These characters are just mean and insecure and build themselves up by tearing down the men around them.

So. Calhoun from Wreck it Ralph is this exact trope done extremely well. She’s aggressive, arrogant, loud, rude, and cynical. For about 10% of her arc. The movie immediately throws her into a situation where her strengths are basically useless—she’s stuck in Candy Land and has to rely on someone who is the antithesis of her game and character to make it out. The movie also shows you why she’s cynical via her tragic backstory.

Not only that, she’s more than just a heap of toxic masculinity in a pixie cut. She laughs, she cries, she admits when she’s wrong, she has a soft side, a gentle side, a caring side, and remains a badass through and through.

Or, once again rolling out Tigress from Kung Fu Panda: Proud, aggressive, the snubbed chosen one, cynical, mean, and overconfident in her abilities. Tigress nearly gets her entire team killed in her arrogance. She’s allowed to be wrong, very wrong. She also has her soft moments and, like Calhoun, has a very valid reason for being jaded, and is still shown to be capable of softness and nurturing during the evacuation.

Third example to hammer home that I don’t hate badass women: Andromache. Jaded, overconfident, short-tempered, aggressive, and a little mean-spirited. Tragic explanatory backstory? Check. She is also caring and loyal to her team, allowed to get emotional, allowed to be wrong and fail and lose, and kind of the surrogate mom of the team, who can also laugh and joke around and have light-hearted moments.

Whether the character is a man or a woman, being an arrogant asshole who takes zero accountability and refuses to admit when they’re wrong and never loses, audiences aren’t going to like them.

[stovetoast]

pillow tpot headcanons (long ramble expanding on the ocd part under the cut)

ok so first warning: i am not a psychiatrist. this isnt a super educated essay on ocd, just me projecting my lived experience onto an object show character. this is just an observation. if i get something wrong feel free to correct me, ill add it here. (its also worth noting i am self diagnosed. not "quick google search" self dx though, ive gone over it with a therapist and everything)

and that leads into the second warning: this ramble will get a tad bit personal sorryyyy

and finally the third warning: i put she/it on the ref but im just using she/her for simplicity (+ i forgot LOL(

anyway so yeah i think that pillow has ocd and is basically the embodiment of "letting intrusive thoughts win" except like. actually. this headcanon didnt stem from the killing or the strange impulses though, i think she has it because of her fixation on good and bad luck in tpot 10.

for me it manifests in a few different ways. my main one is counting—i have good luck numbers and bad luck numbers. i need to take a specific number of snacks every time i have a bowl of them. i have to shake medicine bottles a certain amount of times before taking them. i am always counting the "syllables" of whatever im doing, and it always has to land on a multiple/factor of my lucky number. and if i break any of this, i (generally, if i cant convince myself its fine or if i dont notice) have to count to my lucky number otherwise something bad will happen. hell, i added more flags to this ref because the number of them was my unlucky number.

i have a few other things that affect it that are completely unrelated to counting, though. like a particularly bad one is that i straight up cant wear certain articles or clothing anymore because theyre bad luck. or my ungodly long night routine (which is probably more of an autism thing tbh. but certain parts of it are absolutely influenced by the ocd, like having to say goodnight to my dog).

that ^^ is what i saw in pillow. she was distraught that her team lost in 9, because not only did she think she was doing the challenge right, but killing people (bringing death) was good luck for her.

i think her killing people was a compulsion, and her whole thing in 10 was her scrambling to find a new one after that stopped working.

and before anyone tries to be all like "oh thats fucked up why would they portray ocd like that," one: i dont think this was on purpose this was just an observation, two: i mean..... fuck dude if i lived in a world where revival was incredibly accessible and one of my compulsions were to kill people, id do the same thing. death is fairly normal in bfdi, to the point everyone literally has a kill count on the fandom wiki (hers is 13 as of tpot 11 btw, a commonly unlucky number ironically enough. if she gets eliminated in 12 with an unlucky kill count thatd be so funny). once they get past the pain, its. really just an inconvenience to them.

when it comes to ocd, you. HAVE to do these things. its not a choice until you can get some outside help with it, and oftentimes its an inconvenience to those around you. i dont think its right for her to be going around killing her team, but when i get past the fact that is literally what made her my favorite, i get where shes coming from. shes trying to help in a way she "knows" will work.

or maybe shes just silly idk

[toorumlk]

Hi I'm so freaking obsessed with your twitter.

Also what's your favorite Romione moment in the books and why?

ohohoho thank you, friend, i’m quite proud of some of the stuff i’ve posted on there B)

and as for my favourite romione moment in the books, when i read the question i first blanked out for a couple minutes, thinking of a bunch of smaller, sillier scenes. but then i remembered that i do have a favourite and it’s from chapter 11 of DH, when remus visited the trio at grimmauld place and filled them in on he goings on of the war -including the implementation of the muggle-born registry. ron’s response upon hearing this (after his immediate outrage) was

and it’s not just the hand holding and the “‘you won’t have a choice’ said Ron fiercely” that played out so vividly in my head like this:

but this scene demonstrates so perfectly the political weight of this pairing (muggleborn/blood traitor) which i think is the immovable narrative foundation of romione. all of their silly moments and idiosyncrasies aside, there is genuine narrative purpose behind this love. ron has always had an astute understanding of the blood supremacist politics of the wizarding world (need i remind that he was ready to curse shitco at the ripe age of 12 for calling hermione the in-universe slur) and just how wrong it is. ron is a pure-blood wizard and by design has so much privilege in this society bc of it, but by virtue of having parents like arthur and molly, he’s grown up knowing the importance of fighting against blood supremacist ideology. always.

so, after hearing about the completely horrifying muggleborn registry ("People won't let this happen," said Ron. "It is happening, Ron," said Lupin.), he immediately turns to his muggleborn best friend and love of his life and says “i’m making you a family member, i’m going to use the protection my family-name has and use it to protect you from the awful injustice of our situation, no you won’t have a choice but to let me help you”

i remember having such a… visceral reaction while reading this scene like holy shit .. these kids, THESE KIDS!!!!! this is the bone-marrow-deep love that makes me feel insane. this dynamic of the blood traitor/muggleborn always there, from CoS all the way to the epilogue. We get to see that romione is the story’s pure blood/muggleborn that finally made it (rip jily and tedromeda :(). we see it in hermione keeping her muggle last name after they get married (oh my god these two actually got married) and we also see it in the hyphenated Granger-Weasley (granger being first!) in their kids’ last names (oh my gof these two had TWO kids). they are a true symbol of change and progress in their world.

also this is one of those moments where i’m so glad that our only window to romiones relationship development is through harry’s narration because it so brilliantly shows the readers this blossoming love story instead of just telling us about it because harry obviously doesn’t have access to the inner thoughts of his two best friends, he can only witness them fall deeper in love. showing the audience acts of love is always more powerful and my god is this an act of showing your love to your beloved.

(and not to go on an unrelated tangent, but this is exactly why i could never ship my girl hermione w any DE or DE-adjacent character. no fucking way. not when the concept of a muggle-born registry exists in this universe, not when the antagonists in this story wish to eradicate people like her from their society. idk about the rest of y’all but im going to keep taking the narrative seriously bc the worldbuilding obviously has real world ties/implications and i like engaging with the canon. tangently to the tangent, i saw someone (a ron basher) on twitter say that ron, OUR RON FROM THE ABOVE EXCERPT, was “one bad day away from becoming a death eater” ohhhh ohhh i ought to beat you with sticks bc HUH? this is the same kid who said he would’ve boarded the train back to kings cross if he got sorted to slytherin, the house notorious for birthing DEs, at the tender age of 11)

anyways, all this to say is that romione is incredibly, realistically, materially romantic and i love them and i love their love <3

[spacerockfloater]

Why the fuck does Laena Velaryon, who is canonically younger than Rhaenyra Targaryen in the show, look like a fucking 20-year-old in episode 5 while Rhaenyra, her elder, still looks fucking 13? Why the actual fuck did they change the YOUNGER girl’s actress and made her look older, but it’s okay for Rhaenyra to continue looking like a preteen? I’ll tell you why.

They’re trying to distract us from the fact that creepy ass Daemon is courting a 14-year-old. A FOURTEEN YEAR OLD. Rhaenyra is 15 in episode 1 and Laena is 12, meaning they have a 3 year age gap. Then, Viserys tells Rhaenyra that she must marry since she’s 17 now, making Laena 14, maybe 15 at best. So they obviously can’t afford having Daemon thirst over a child again, therefore this is a shitty attempt to cover up the fact that Laena still is a very fucking young child.

HBO what is this? Why do your casting choices indicate that you’re trying to use some kind of ageist technique to manipulate your viewers? Why are the supposedly good guys, Rhaenyra and her children, portrayed by very young actors? Is this to show how innocent and pure they are? Why are the characters who are supposedly evil, Aegon and Aemond, or the character for whom we shouldn’t worry too much about since she’s just a tool for Daemon’s story line to develop, Laena, portrayed by obviously older actors even though they’re all supposed to be kids? Because the youth = good people and old = bad people analogy is fucking gross and lowkey paedophilic. Not to mention how weird it is to make all the black girls in the show look like fucking grown ups. What kind of racist bullshit is this?

I can’t understand HBO’s decisionmaking for the love of me. Like, on the one hand, it’s so obvious that they’re forcing Daemon and Rhaenyra down our throats, to the point that I actually laughed out loud when the show runner said “he doesn’t get why people like Daemon”. Like, my guy, you MADE the show. You made him look like an appealing, dangerous, sexy, strong, victorious and mysterious man, so what do you mean you don’t get the appeal? On the other hand though, most of the actions that they allow Daemon to perform are so horrifying that it makes it impossible for a sane person to stand beside him and defend him. Like, they try to sugarcoat that he’s an abusive piece of shit yeah, but they somehow don’t shy away from the fact that he’s terrible? Are they doing both of these things on purpose? Are they trying to challenge the viewer, to show us how abusers, despite being openly deranged, still have their way of dazzling their victims, the average person, and hypnotising them with their charm? Is Daemon doing to us (and by us I mean you Daemon stans, not me, stay safe though) what he’s doing to Rhaenyra and Laena? Are the show producers testing the average viewer’s intelligence and ability to recognise an abuser? Will there be a lesson to be learned?

I would like to hope so but I highly doubt it, because while one could support this theory by arguing that changing Laena’s actress is an attempt to mask Daemon’s degenerative nature a bit so that it isn’t completely obvious that he’s a bad man, someone else could counter this argument by saying that we’ve already seen Daemon groom a minor so this wouldn’t be something new. We’ve seen him do much more violent crimes actually, so why shy away from the fact he’s a groomer when we are already aware of this? Idk man, I really want to think that HBO is trying to make us see that Daemon is an evil person, but then indirectly glorifying him constantly makes me believe they just want people to root for him.

P.S. I may anger a lot of people by saying this, so I’ll make myself clear by stating that I love and greatly respect actors who specialise in portraying evil characters, because doing so and not losing yourself is a challenge (*cough* Leto *cough*) but if done correctly, it’s a true showcase of one’s talent and hard work. Lee, De Niro, Hopkins, Bardem and Rickman are just a few to name. However, Matt Smith has never rubbed me the right way. No hate to the guy, I don’t even know him, but I’ve seen him play the villain in three separate occasions (HOTD, Last Night in Soho, Morbius) and I just get these weird vibes, but I usually told myself it’s just my imagination running wild. However, I recently found out that Smith claimed that Daemon is a loyal man who loves deeply and that his “heir for a day” brothel feast was his way of honouring Aema, which really disturbed me for obvious reasons. I don’t know if he said this because he’s trying to defend his character and by extension himself, or if he just wants to promote the show, or if he doesn’t understand Daemon or if he funnily enough has fallen victim to his own character’s charm and I don’t care because it is a dangerous thing to say. Painting this character, the arrogant, obnoxious, self serving, people slaughtering, wife murdering, backstabbing, abusing, grooming, lying, manipulating, war criminal of a man, in such a positive light while being a man yourself, knowing that most of this character’s supporters are young impressionable women who just find him hot, makes me lowkey wanna cover my drink in his presence, I don’t know.

[moonlit-dreamers]

honestly im really enjoying the plot in mgafs but especially bc of eclipse and how he is as a character

hes become something more neutral. he isnt a villain nor a "good guy". hes just. a guy. he doesnt even want to be here but he doesnt have much of a choice. he tolerates ppls existence as much as he can without exploding. he does care about ppl but he hides it under a guise of "im doing this for myself and anyone who benefits from this is just a side effect" and honestly i love that so fucking much. like. he very much gives a shit about earth and at one point emphasized that she would not get hurt. tho when questioned about it he dodges the question. in fact, every time someone brings up earth and how defensive he is he avoids it. i feel like not even he himself wants to confront how he feels

then theres also puppet. their relationship is like the extrovert adopting the introvert type thing (its also like that with earth but puppet is more forceful and the more "ur never getting rid of me" type). he, again, doesnt admit that he cares. and honestly he probably didnt give a flying fuck about her in the beginning. the main reason he even went on the whole quest to help with the other puppet was bc he would also be effected, even if he was in another dimension (also bc he didnt want it to hurt earth but shhhh). but now he does seem to show some form of concern towards puppet at certain times. its also incredibly entertaining to watch puppet keep pushing at his limits. makes me think of that one video where a crow kept fucking with an eagle. just kept nipping and getting in its face then running away. thats what it feels like lmao

also like. almost every time he defended someone theres always been some kinda excuse he could make that gives him an out with saying that it was also for his benefit. probably the only time he defended someone and wouldnt get personal benefit out of it was when he confronted ruin and told him to keep earth out of it. tho, luckily for him, nobody was there to witness it and question it (unless moon was there bc i dont remember it exactly >.>).

which, yes, probably a lot of things that he does is for his own benefit. but he'd be completely fine with abandoning the ppl he was helping. in multiple situations he didnt have to help them. he wouldve been just fine and able to get out of the situation without them making out with him. and yet he did. and yet he purposely made room for them to follow.

idk man. just watching him develop as a character and going from someone who didnt give a flying fuck about anybody into actually giving a bit of a shit is fascinating. also even more entertaining to see just how desperately he tries to hide it

[squidthoughts]

collected thoughts on the creloise matter (Big And Detailed Spoilers Ahead):

if it’s dual character assassination, it’s dual character assassination and irredeemable and frankly uninteresting and unfortunately the show becomes unwatchable for me personally. if it’s purposeful setup? it’s bloody brilliant. i mean it could actually be bloody brilliant. there are a few lines that feel very purposeful: pen’s “did you ever truly like her?” and the moment with cress and her mother when cress protests being cruel to the btons. both of which come after the creloise breakup and, you know, the uhhhh cessation of scenes together. creloise was dead. there was no reason to continue to examine the corpse. unless it wasn’t truly dead. ok, so there is now incredible potential in the CreloiseSituation(tm).

they hate each other. perfect! cressida was suffering all season and eloise was a truly terrible friend - i mean, comically selfish and villainous - that is to say, cressida’s actions (antagonistic as they were) were explained and justified within the narrative and eloise’s were not. ok! that’s fine. in the past, cress has been the unjustifiably cruel one. if anything, they are now on equal footing in terms of illogically hurting each other. so, they hate each other. which just means their growing back together could be that much more satisfying.

eloise’s choices didn’t make sense. they just…don’t. if her arc this season was to show her growth separate from pen, and it ends with nothing mattering to her but pen, it’s just nonsensical. (dont get me wrong- i’m glad they made up! their friendship is a core pillar of the show! but taking a season of development apart and introducing new dynamics into eloise’s life only to end her precisely where she was in season ONE is just…huh??) that is, unless elosie’s decisions don’t make sense YET. unless the point of her abandonment of a friend IS the abandonment. unless this is precisely the base a following season would need to portray el from a starting position of moral inferiority- a facet of her character not yet explored.

creloise both out of mayfair now. coincidence? well…maybe! i guess! but also, outside the set and setting of society. idk, that just screams landscape of possibility to me.

they’re both on the cusp of substantial development! cressida at rrrrock bottom and eloise striving to find experience and purpose. we’ve never seen cress this low and tortured or el this alone and unsure. idk. parallels.

nothing that made us love them so much in the first place has changed. they’re still mirrors. they’re still unflinchingly honest with each other - often the only ones who are. they’re still (deliciously) (occasionally) mean. the foundations are still there. and tbh, if all of this was purposeful, there is SO much conflict and strife between them that i actually really love it. the angst! the tension! the possible banter! eloise abandoned cress at the worst possible time in her life and cress betrayed eloise (out of desperation but facts are facts) and neither of them got an explanation. and for a summer and a season they were very much alone together and enjoying each other and the betrayals sting because the friendship mattered in the first place. and that broken dynamic is just. so yummy. and the hate is there because the embarrassment is there and the embarrassment is there because….i liked you. and you burned me. and i cant believe i was stupid enough to like you. but i did like you, i did.

also, i’m sure the showrunners were understandably wary about how the audience would react to cressida this season. up until now, she’s been a glorified extra; the personality-less stereotype of the loveless, callous debutante bridgerton’s grand love stories exist to subvert. in s1 she was a joke (daphne and simon laughing about her scripted flirting) and in s2 she was the hopeless and petty mean girl. there was no reason for the audience to like her, because she was hardly a character and certainly not a person. i imagine suddenly linking her to everyone’s fan favorite eloise was seen as a huge risk— in case of a negative reaction, cress could hardly be established as a romantic prospect as well, possibly guaranteeing a large portion of screentime to someone the audiences don’t even like. creators obviously shouldn’t feel the urge to cater to an audience’s whims of how they think a story should go - this would be very bad!! - but i do think the extreme outpouring of appreciation for cress this season might enable the writers to utilize her more in the future. she’s a real character now with depth and her story has established loyalty in fans- narratively there is freedom there for some satisfying payoffs.

all this to say, this season reduced my expectations to not quite zero, but somewhere around one. the finale was crowded and unfocused and more than a few things just did not make sense and the queer rep felt very sudden and trite - for shock value, practically - and we were forced to watch creloise hacked to pieces….but, i maintain, if it was all purposeful….idk. i personally don’t think all hope is lost.

[dozyrogue]

Ok im still thinking of the philza and tubbo fight cuz it reminds me of the marvel fandom when talking about the ending of cilvil war

Bucky killed tonys parents and tony tried to kill him, some where mad at tony cuz he tried to kill bucky but bucky was a victim. Others agreed but still pointed out that he still killed people. It goes into more details but I don't wanna do that

Philza says that we should help him cuz hes a friend and we should help each other, cuz hes a victim an doesn't have a choice. Lock him up and find a cure like last time. And yeah that's phil to a T, phil would travel to hell and back to protect his freinds. And he knows he has friend's who would do the same for him. Man's disappears and the island panics. Bolas would flock around their leader to protect him from the other teams

There's also the added fact that it does take a bit to earn philza's trust and forever has that trust. So to him he sees forever is clearly not himself and he knows how MUCH HE LOVES Tallulah and would never ever purposely hurt her. So something's wrong with forever obviously. And of COURSE he wants to help out forever back together again.

Like when he told tubbo we help forever and then said he would expect tubbo to help phil if he was ever in this position shows so much about phils character to me. Like u help each other so hearing someone u trust doing something as quick as killing him would freak me out lol.

Then theres my sweet traumatized tubbo, he can trust so easily but take his trust away just as easily, his self estime is so low that he expects everyone to be against him. then it was evern worse after purgatory 1 and fred things keep getting worse. And worse of all hes kidnapped from the island most people didn't know he was taken and was forced to leave his kid. In purgatory 2 mans finally had his targaryan moment and took them all down with him.

Then hes back and hears that forever suddenly is different...again. corralled all the kids into following him and that he hurt Tallulah and tried to kill chayanne. Sent ramon into a panic to the point man's PUT ON HIS ARMOR. he himself believes that the island would turn on him immediately if he did something wrong. So if course he would think the same if someone lost it AND HURT THE CHILDREN. he went into purgatory with the only thought of helping the children, and questioning why the other islanders forgot that the point of this. He even said himself that he would choose his godchildren anyway over fred. NoW HIS DAUGHTER IS IN THE MIX. AND ITS NOT EVEN THE FEDS GOING AFTER THE KIDS ITS ONE OF THEIR OWN.

So of course!!! To tubbo the only choice for forever is to kill him so he himself doesn't hurt the eggs again. For any of the islanders the idea of hurting the children even if they were the victim would probably ruin him.

I agree with both yes we should help forever but i agree with tubbo a bit more if forever is so possessed with whatever that hes going after the children???? Kill him, jail prison, lock him away.

And phil expecting for tubbo to help him if he was ever in the same position but tubbo made a promise to care for his godchildren if phil was ever in a place were he couldnt tubbo would fucking kill him.

Idk I really liked the fight shows the difference between the characters and specifically how tubbo changed as a character.

I probably have more thoughts on this but this is it??? Me thinks??

[zu-is-here]

Okey zu, there are some interesting law implications here.

For one Ink is set on the idea that once you've left your time line, you can just settle in a new au right? Because you need to stay with your original coded purpose.

Cross says that the timeline is his. Does that mean that him and Dream aren't just on the timeline, but they have implanted themselves into the code of the timeline?

If that's the case then does that link to the adult aim universe. Idk if those two universes are the same cannon but these two are dead in atleast one. Is implanting themselves into the code of a new timeline the cause of stripping dream of his immortality perhaps.

Something is fishy there.

Also when ink talking about the true owner of the timeline is it aim? Is it because aim was born from Cross's soul. Or is it someone else perhaps.

Also looking back on past pages, did ink do something to Killer? I have a bad feeling that perhaps there's a reason that he was all glitches and broken up on a past page.

Idk

Coming along great!

Digging deeper to the truth as always! (๑˃̵ᴗ˂̵)★ You see, these two has their own truth:

Ink considers Cross & Dream outcodes cause they once left their AUs and now don't belong anywhere, so any of their interventions is a violation (For example: Cross & Dream can't become part of Heaventale just because they stayed there, right? No HT!Cross/Dream is possible since they initially didn't belong there);

Cross believes that Dream & he are no longer outcodes cause they abandoned their original roles, intentionally settled in one timeline and thus became incodes (like, you can tell them apart from their original versions by their clothes, etc., they're not what they used to be).

Ink also claims that only a character created inside their world can be an incode, and that's Aim indeed (not so much because he's Cross' son; Ink doesn't believe in blood ties, they're all just creations for him, and Aim was created just for this “storyline”).

Adult!Aim's route may be one of the other timelines that aren't considered canon;

As for Dream's mortality, that's an interesting version, we'll be back to this issue :)

Speaking of Killer, those glitches just show that he has a key to their hidden timeline <3

Thank you so much!╰(*´︶`*)╯♡

Not quite but that's a right choice :)

I really wanted to show how Ink traumatizes Aim not only morally but also physically, because this aversion to sudden and unwanted touches was passed on to Aim's adult version (>_<") (Don't worry, we'll get the chance >:3c)

Same! <3 I like how they complement each other, with Dream staying cold and controling Cross' aggression so as not to make things worse for all of them, especially for Aim ("ó3ò)

Hmm... There was a more complete answer here somewhere, I'll try to find it! And that's a great idea, but this Cross is not as chaotic... yet?

OH?? (≧∀≦) Even I didn't foresee this option, ears for skeletons! >:D

And that's right! (๑ᴖ◡ᴖ๑)♪

Thank youuu ;D <3

[homerforsure]

TL;DR: it's not my ship, but they were done dirty

I always always always come back to that weird little reveal that when they were first floating the idea to bring Tommy back, they said it was to do a storyline with Eddie and it got switched to Buck because it was too weird or tricky to have them both break up with their LIs offscreen but only one actress could come back.

Because a stepping stone relationship makes perfect sense for Eddie. Something short and intense with angst and softness for him to get to this moment of letting himself feel joy and to taste how truly good it can be. He didn't need an endgame relationship right now. He did need to have his "first."

Buck didn't need that. Buck is absolutely ready for his forever and he has been for a while and giving him the "inviting Natalia to move in and then catching his own bad habit for once and backing out" would have been great.

But that didn't happen. Instead Eddie had to sit like a hot dog on one of those rolling warmers for a season while Buck started the queer dominos falling (and I admit this is a little bit from a Buddie endgame perspective because it doesn't feel to me like the show was deciding to explore the a character's sexuality just for exploratory purposes and I'm willing to admit I have a blind spot here.)

And honestly I think the fact that Oliver cares so much about Buck and telling this story well both for the character and everyone who sees himself in him and that Lou met that energy turned the storyline and the relationship into a more beautiful beginning than it would have been in the hands of other actors.

Which gave the show it's next problem. Because we can all see that Buck is ready for his forever love and you introduced a new love interest and then instead of sticking to a few episodes of awakening and moving on, I think they saw that people were starving for it and latched onto it and Tommy harder than they expected. So it's an easy thing to do to milk that for a little bit longer, but it was absolutely the wrong choice because people got invested in a way they wouldn't have if this had ended after the original number of episodes we expected.

And Buck and Tommy worked! I think you can nitpick relationship things if you weren't that into it and write a breakup narrative using those seeds, but their puzzle pieces absolutely fit together. So much so that they definitely had forever after potential that everyone could see and a lot of people were excited about and investing in and oops wait that wasn't the plan.

So what do you do? You either abandon the plan and embrace the accidental beauty that you discovered and let it ride or you write your way out of it. Give them some hurdles, some angst. Give them a tear-jerking breakup that respects what you built and the viewers who are invested in it and slowly work your way back to where you wanted to be.

They didn't write their way out of it.

And I so don't want to believe that after the work the actors put in and the viewer feedback that they were still viewing the relationship as a placeholder ready to be yeeted once Eddie's arc got back in position again, but I'm not sure what the alternatives are?

Either it's being talked about that this is the last season and so if they're really doing buddie then it's now or never? Or actually the internet is not a valid reflection of the viewership as a whole and someone from on high said the plug should be pulled?

Or the storyline was stumbled into and fumbled around from the beginning and never treated with as much care by the people in charge of it as it was by the people who loved it.

IDK it's just messy messy storytelling and I say that as someone who is not a multishipper but who does value a good story and a good narrative. They let the relationship go on for too long to end it so abruptly. If there was going to be a breakup, there was a better one to be had and it doesn't make me feel good that my preferred happy ending could come from one that breaks the heart of so many of my friends. And if it isn't in the service of a bigger, already in motion endgame, literally what the fuck?

[kentuckyfriedmegumi]

oh HELL no. fuck this shit bruh i’m so SICK OF THE MEGUMI HATE AGENDA

i pride myself on being one of, if not THE biggest megumi defender in a jjk server with over 240k members, and it's one thing to hate in the server and ping me for a debate or argument, but to DM ME IN OWN PERSONAL MESSAGES a warning of your hate agenda idk shit pisses me off tf

rant incoming…

like this is one of my friends in the server (i know, how can u be friends with a megumi hater, it's complicated) and we always keep that shit IN the server. to literally DIRECT MESSAGE ME with some shit like this, like why the FUCK would i ever want to hear about this shit.

just write your stupid hate post and everyone else in the server will ping me about it later. you don't need to come to my dos to tell me about your endless hate agenda, i see that enough in a server of TWO HUNDRED AND FOURTY THOUSAND MEMBERS as is

and man i am ALWAYS down for a good megumi debate, like YES let me pick apart his character and tell you WHY the choices gege made were SO IMPORTANT to his development and the story, but seriously what the FUCK is this?????? this is like literally ASKING me to block you???

it's one thing if there is hate in the server and someone is like "oh time to tag KFM, she'll handle this." it's another to literally want to PROVOKE a response out of me bc man i'm not taking that bait???? go somewhere else with this bruh this is why i stopped messaging in there

like i could literally go ON AND ONNN about why megumi’s character is insanely important and impactful to the story. he is NOT your typical shonen deuteragonist and that is on PURPOSE!!!!! god forbid we have a male character in an action series that shows emotions and relies on them for his motivations and convictions

and it’s always the people who just think that he’s a loser or a bum or he never lives up to his potential that want to purposefully not understand the story or his writing that gege has so carefully crafted for megumi. like HE IS MEANT TO BE AN EMOTIONALLY DRIVEN CHARACTER GUYS THAT DOES NOT MAKE HIM LAME

and it’s one thing to just not vibe with megumi. that’s whatever like i don’t get it but hey he’s not everyone’s cup of tea, but why the FUCK are you hating sooooo much that you feel the need to write an ESSAY about your hatred towards this character UNPROVOKED ??? and why the FUCK are you dm’ing ME about it???? because i’m jjkcord’d number one megumi defender?? that’s in THE JJK SERVER not in our fucking dms. literally get that shit out of here bc i’m SO SICK of the megumi hate.

like at least in the server i can prepare myself and expect to see megumi hate. to MESSAGE ME OUT OF THE BLUE IN MY PERSONAL DMs literally has me seething at 11:40pm on a sunday fucking night.

i could say sooooo much more, but i’ve said all i really could with megumi’s character and i don’t feel the need to run it all into the ground the way these people do with their endless hate. get your fucking heads out of the fucking echo chamber that you have tunnel-visioned yourself into and learn that not everything in life needs to revolve around hating a fictional fucking character