#idk if i like these but i spent way too much time on them not to post lol

[prettyboykatsuki]

https://www.tumblr.com/prettyboykatsuki/772075315170344960/what-self-indulgent-idea-is-this-time-twin

Not self indulgent if I want to hear what you have to have to say so fucking bad… You’re indulging ME now bestie

linky link

its just so .. like LISTEN.

like. walk with me. but you're basically like. isagis childhood neighbor right. he's a few years older than you by then you too. like you're in elementary and he's in middle school. one of these days you're in a fight with other older kids (and they're kicking your ass) and isagi gets in the way and pulls his whole like tsk tsk what r u doing bullying a kid younger than u shtick and the kids then run away

and from that he tries to walk u home and u basically idolize him and he just. figures you're a little boy. like u have a gender neutral ish nickname and u dress in boardhosrts and big shirts and its hard to tell and plus you always rough house with isagi. you just have a Rough personality in general and u call him aniki which he finds funny.

and for the few years ur in the same neighborhood ur basically always with him and he never figures it out. ur in his room and he teaches u to play soccer (u prefer baseball at that point) and u spend all of ur time in his room even when he's in exams etc.

i think u move like,, just as he gets into highschool. far enough away that he doesnt see u again for years and years.

and then when he's in his mid twenties he comes back to his hometown and subsequently So Do You.

you've been moved in for a while and his mom had told him that before once in passing but isagis spent a long time playing in germany so he hadnt thought about it until he comes back and his mom is like. oh u should go visit them and say hi and isagi is fondly like aw yeah i wonder how that kid grew up.

and so . u know. he goes over. plans to say to your mom. is curious about how u grew up cause he hasnt kept in touch at all. yk.

and then. he goes over and a woman answers the door. and hes like ....?

but before he even gets to ask, you positively light up. like BEAMING. and you go "aniki? is that you?"

?!. isagi is in shock. he literally is like. What. Huh. but like. that voice. that face. like you look the same but the years have softened you out, made your features more... idk... he feels wrong saying girly but ? maybe thats it.

and the way you talk is EXACTLY the same. rife with slang, kind of rude, clearly picked up some gyaru slang while u were away but you're not exactly dressed that. u have boobs now and isagi is . short circuiting. and he says your name and FUCKKK your smile is exactly the same. like the same toothy almost silly vibe about you.

you invite him in like nothings changed and for u it probably hasnt. but he's literally malfunctioning trying to keep up. bc its YOU. like it is. you're the same kid he remembers messing with his soccer ball in his room and frowning at the stuff he studied for his highschool entrance exams. and those few years between u then felt like so much but youre both adults now.

its so disorienting. isagi really loved you even when you were kids. obviously it wasnt like That then. more like u were a fond, distant memory of his childhood that he can appreciate looking back. u have siblings but isagi didnt so it was less lonely with u around since he was an only child.

and he was looking forward to reconnecting, really!! he had all these plans about going to play soccer with you and asking if you had a girlfriend. but . But . what !!!!!!!!

he doesnt say anything i think. but you do insist he takes you down to the 7/11 to get snacks like when you were kid, and you make the same cheeky comment about making him pay since he's older and he's rich now and isagi gets the most doki-doki lovesick as feeling and almost passes away because no!!!!!!! why is he feeling that for you!!!!!!

internally he's yelling at himself but he does do it anyway bc he still likes making u happy. its familiar and warm and you end with your legs stretched out in a loose hoodie sharing chips and a drink and you're like,, smiling so familiar about old memories and the feeling just keeps Being there persistently. and he's like stop that rn!!!! he cannot!!!! for many reasons!!!!!!!

bc it feels weird since he rmbs u as kids but also bc it feels unfair to only be thinking of u this way now that he knows. and after he spends all evening with you he Resolves himself to not pursue anything while he stays with his parents.

(but how well does that resolve hold up when he begins to Notice your rather obvious feelings for him?)

[rius-cave]

It’s a bit strange that you only added “pro shipper” to your bio after someone felt uncomfortable that they spent money on your rape fetish comic without realizing that’s what it was (after which you literally blamed them for not assuming it was, despite no content warnings being anywhere, which was the only thing they wanted when they messaged you anyway)

You also only added it on Twitter, not here… I assume because you know Tumblr doesn’t like that. If you’re going to be in a community known for enabling abuse and pedophilia by allowing real abusers to go undetected in your circles because you all think fantasizing about abuse is normal, at least make it public everywhere. People deserve to know who they are talking to, especially since these are such touchy subjects.

Literally anyone you know who are into these things could be for real about it and you would never know unless you were too. There is no excuse for wanting to be part of any community that allows that to happen, and I don’t find it fair that people are being mocked with “respect your own DNI” as if that was the problem. They would have followed their DNI if they had known it applied to you… what they asked you for was putting a rape warning on StOP. Which you still didn’t do

I know a lot of proshippers are victims. But a lot of others are too, and we don’t appreciate being thrown under the bus in the name of “fighting purity culture” as if it’s the same as being anti-kink.

Anon I don't know if you're my ex-patreon supporter or if you're a friend of theirs or what, but it's funny to me that they kept saying they didn't want to start any trouble with me and then this happens lol ok I guess.

You also failed to mention I refunded all the money they gave to my Patreon and apologized for the confusion, I don't know how else I should apologize to them, if you or they want me to stop drawing StOP, that's not gonna happen 🤷 I've said everywhere, multiple times, that StOP is a fuck or die comic, whether you want to take that as dubcon or noncon or not is up to you. The way I write is not really that way because all parties are VERY MUCH into it by the time they start doing anything, but I am AWARE that I can't call it completely consensual just by the nature of the fuck or die scenario. Maybe this person just wasn't aware that fuck or die = noncon, that is.... Not really my fault, it literally comes with that label, I'm sorry :/

Also, my bio has ALWAYS said I'm proship lol I don't know what you're going on about.

It's not a thing I have on my Tumblr bio because before Hazbin, I didn't post any of that stuff to *this* Tumblr, now I've stopped giving a shit but just didn't think to add it to my bio because idk *shrugs* I didn't care that much. You want me to add the proship label here too? I will, I have no issue with it, I am not trying to hide and it's not because "Tumblr doesn't like that" I couldn't care less lolol.

And my friend, sighs, anti circles are known for having more real predators than proship circles. I can't even begin to tell you how many teenagers were groomed in anti circles because they thought it was a """safe space""" while adults in proship spaces literally want nothing to do with minors. I am open about who I am and what I like, I am not afraid to say it because I am not ashamed even if I get people like you in my inbox lmao

My tag of "respect your own DNI" is because people will think proshippers are gross and want nothing to do with them but they'll... Still be the first people to talk to you once they find out.... You're proving my point right now lmao

[lesboygideon]

half a witch

[atalienart]

"Wysoki i szczupły, K. był kwintesencją elegancji, od nienagannego ubioru, szytego według najnowszej mody, przez starannie ułożone, piaskowe włosy, po sposób w jaki się trzymał."

[vitrall]

I don't think Jayce and Viktor literally died. They were kind of pulled into another dimension/astral plane/whatever you call it. We see older Viktor, and while it could be another Viktor, I think it would be more meaningful if it was our Viktor, finally free from the arcane, going through the universe with Jayce, fixing timelines together. Kind of like a cosmic mission.

[frogtowns]

❄️ terrain is still so expensive but it’s rly cute👁️👁️

[fidgetspringer-art]

The Shimmer Shields - Uniform design

[skitskatdacat63]

And now Fernando in all his historical AUs !!

In order with relevant info: Nandopoleon Alonsoparte(x), King Fernando I(x), Napoleonic Hussar(x)

Again: let me know your favorite <3

[ettadunham]

sometimes i remember the hunger games and how nobody actually paid attention to what was in those books

[dreamsy990]

good thing sora doesnt ask questions

[princessmyriad]

.

[longagoitwastuesday]

So so indebted to u for posting those lovely illustrations from Cyrano <333 & even more so for yr tags!! I'm completely in love w yr analysis, please feel free to ramble as long as u wish! Browsing through yr Cyrano de Bergerac tag has given me glimpses of so many adaptations & translations I'd never heard of before! I'll be watching the Solès version next, which I have only discovered today through u ^_^ As for translations, have u read many/all of them? I've only encountered the Renauld & Burgess translations in the wild, & I was curious to hear yr translation thoughts that they might guide my decision on which one I buy first (not necessarily Renauld or Burgess ofc). Have a splendid day & sorry for the likespam! 💙

Sorry for the delay. Don't mind the likespam, I'm glad you enjoyed my tags about Cyrano, and that they could contribute a bit to a further appreciation of the play. I loved it a lot, I got obsessed with it for months. It's always nice to know other people deeply love too that which is loved haha I hope you enjoy the Solès version, it may well be my favourite one!

About translations, I'm touched you're asking me, but I don't really know whether mine is the best opinion to ask. I have read... four or five English translations iirc, the ones I could find online, and I do (and especially did, back when I was reading them) have a lot of opinions about them. However, nor English nor French are my first languages (they are third and fourth respectively, so not even close). I just read and compare translations because that's one of my favourite things to do.

The fact is that no translation is perfect, of course. I barely remember Renauld's, but I think it was quite literal; that's good for understanding the basics of the text, concepts and characters, but form is subject, and there's always something that escapes too literal translations. Thomas and Guillemard's if I recall correctly is similar to Hooker's in cadence. It had some beautiful fragments, some I preferred over Hooker's, but overall I think to recall I liked Hooker's more. If memory serves, Hooker's was the most traditionally poetic and beautiful in my opinion. Burgess' is a whole different thing, with its perks and drawbacks.

Something noticeable in the other translations is that they are too... "epic". They do well the poetic, sorrowful, grief stricken, crushed by regrets aspects of Cyrano and the play in general, but they fall quite short in the funny and even pathetic aspects, and that too is key in Cyrano, both character and play. Given the characteristics of both languages, following the cadence of the French too literally, with those long verses, makes an English version sound far too solemn at times when the French text isn't. Thus Burgess changes the very cadence of the text, adapting it more to the English language. This translation is the one that best sets the different moods in the play, and as I said before form is subject, and that too is key: after all, the poetic aspect of Cyrano is as much true as his angry facet and his goofy one. If Cyrano isn't funny he isn't Cyrano, just as he wouldn't be Cyrano without his devotion to Roxane or his insecurities; Cyrano is who he is precisely because he has all these facets, because one side covers the other, because one trait is born from another, because one facet is used as weapon to protect the others, like a game of mirrors and smoke. We see them at different points through the play, often converging. Burgess' enhances that. He plays with the language itself in form and musicality, with words and absences, with truths masking other truths, with things stated but untold, much like Cyrano does. And the stage directions, poetic and with literary value in their own right in a way that reminded me of Valle Inclán and Oscar Wilde, interact with the text at times in an almost metatextual dimension that enhances that bond Cyrano has with words, giving them a sort of liminal air and strengthening that constant in the play: that words both conceal and unveil Cyrano, that in words he hides and words give him away.

But not all is good, at all. Unlike Hooker, Burgess reads to me as not entirely understanding every facet of the characters, and as if he didn't even like the play all that much, as if he had a bit of a disdainful attitude towards it, and found it too mushy. Which I can understand, but then why do you translate it? In my opinion the Burgess' translation does well bending English to transmit the different moods the French text does, and does pretty well understanding the more solemn, cool, funny, angry, poetic aspects of Cyrano, but less so his devotion, vulnerability, insecurities and his pathetism. It doesn't seem to get Roxane at all, how similar she is to Cyrano, nor why she has so many admirers. It does a very poor job at understanding Christian and his value, and writes him off as stupid imo. While I enjoyed the language aspect of the Burgess translation, I remember being quite angry at certain points reading it because of what it did to the characters and some changes he introduces. I think he did something very questionable with Le Bret and Castel-Jaloux, and I remember being incensed because of Roxane at times (for instance, she doesn't go to Arras in his version, which is a key scene to show just how much fire Roxane has, and that establishes several parallels with Cyrano, in attitude and words, but even in act since she does a bit what Cyrano later does with the nuns in the last act), and being very angry at several choices about Christian too. While not explicitly stated, I think the McAvoy production and the musical both follow this translation, because they too introduce these changes, and they make Christian as a character, and to an extent the entire play, not make sense.

For instance, once such change is that Christian is afraid that Roxane will be cultured (McAvoy's version has that infamous "shit"/"fuck" that I detest), when in the original French it's literally the opposite. He is not afraid she will be cultured, he is afraid she won't, because he does love and appreciate and admires those aspects of her, as he appreciates and admires them in Cyrano. That's key! Just as Cyrano longs to have what Christian has, Christian wants the same! That words escape him doesn't mean he doesn't understand or appreciate them. The dynamics make no sense without this aspect, and Burgess (and the productions that directly or indirectly follow him) constantly erases this core trait of Christian.

Another key moment of Christian Burgess butchers is the scene in Arras in which Christian discovers the truth. Burgess writes their discussion masterfully in form, it's both funny and poignant, but it falls short in concept: when Cyrano tells him the whole discussion about who does Roxane love and what will happen, what they'll do, is academic because they're both going to die, Christian states that dying is his role now. This destroys entirely the thing with Christian wanting Roxane to have the right to know, and the freedom to choose, or to refuse them both. As much as Cyrano proclaims his love for truth and not mincing words even in the face of authority, Cyrano is constantly drunk on lies and mirages, masks and metaphors. It's Christian who wants it all to end, the one who wants real things, the one who wants to risk his own happiness for the chance of his friend's, as well as for the woman he loves to stop living in a lie. That is a very interesting aspect of Christian, and another aspect in which he is written as both paralleling and contrasting Cyrano. It's interesting from a moral perspective and how that works with the characters, but it's also interesting from a conceptual point of view, both in text and metatextually: what they hold most dear, what they most want, what most fulfills them, what they most fear, their different approaches to life, but also metatextually another instance of that tears/blood motif and its ramifications constant through the whole text. Erasing that climatic decision and making him just simply suicidal erases those aspects of Christian and his place in the Christian/Cyrano/Roxane dynamic, all for plain superficial angst, that perhaps hits more in the moment, but holds less meaning.

Being more literal, and more solemn, Hooker's translation (or any of the others, but Hooker's seems to love the characters and understand them) doesn't make these conceptual mistakes. Now, would I not recommend reading Burgess' translation? I can't also say that. I had a lot of fun reading it, despite the occasional anger and indignation haha Would I recommend buying it? I recommend you give an eye to it first, if you're tempted and can initially only buy one.

You can read Burgess' translation entirely in archive.com. You can also find online the complete translations of Renauld, Hooker and Thomas and Guillemard. I also found a fifth one, iirc, but I can't recall it right now (I could give a look). You could read them before choosing, or read your favourite scenes and fragments in the different translations, and choose the one in which you like them better. That's often what I do.

Edit: I've checked to make sure and Roxane does appear in Arras in the translation. It's in the introduction in which it is stated that she doesn't appear in the production for which the translation was made. The conceptualisation of Roxane I criticise and that in my opinion is constant through the text does stay, though.

[shikai-the-storyteller]

TBH the best case scenarios in my mind for Fit's lore ending on Thursday are either:

Madagio has mercy. They know what it's like to lose everyone they love, and seeing what's happening on Quesadilla Island is just a reminder of everything they loved and lost. Madagio releases Fit, and he reunites with Pac e Mike and Richarlyson, and they're all able to leave Quesadilla Island.

Or:

Madagio and Fit destroy the Federation together. Fit goes full 2B2T mode and there's nothing left of the Federation once they're finished. Madagio and Fit finally have their revenge. (And then maybe Fit can reunite with Pac + all his loved ones and they escape the Island, or reclaim the island for their own since the Federation no longer has any power over them).

Bonus: A very unlikely but "Wouldn't it be fun?" scenario would be Pac and Mike flying down on a fully-grown dragon Richas and rescuing Fit from Vacuus Island and they fly away and live happily ever after.

[bubaboos]

me rn

[golisopod-mutual]

me in my late teens/early 20s: gee why does it seem like my brain is just fundamentally incapable of coping with things and situations that everyone around me can handle with zero issues? I must be lazy; the problem is just that I'm not pushing myself hard enough. The extreme depression and burn out are just bc I'm being a baby, I just need to grow up.

me now, realizing I'm autistic and my brain really IS fundamentally less capable of coping with certain things the way my peers can:

[orcelito]

I do find it so funny that I will graduate college days away from my birthday. Like my birthday is literally in between the end of the semester ("graduation") and commencement

It really will be like a joint graduation & birthday party for me lmao