#idk and it’s weird talking about it to any of my friends

[s-4pphics]

the call. I (sevika + vi)

SYNOPSIS: reddit: a place for thought-dumping and being horny [college au] WORD COUNT: 9.5K WARNINGS: this was supposed to be dark but its very crack-ish, sevika and vi play rugby(kinda minor plot tbh), oc is a crazy redditor and wears skirts, STALKING, 90% SMUT MDNI(fingering + phone sex + munching + mult orgasms + dirty talk, tensionnnn) brief mentions of grief and loss bc me, recreational drug use, JUST TOXIC, abby makes an appearance later A/N: WROTE THIS WITH MY BABY!!! @trackinglessons art by lottie my love my light my everything this is a product of #OVULATIONWEEK and the #ARCANETAKEOVER

—

r/AskReddit

u/artkiller       3y

no one likes me. 

i [f18] don’t have any friends. at all. i don’t have anyone that’s not family that likes me and sometimes im convinced my family regrets keeping me adound. i just moved cities for uni and haven’t been able to have a valuable conversation with anyone and im starting to think i’m the reason why. to be honest i’ve always been the “weird” one or whatever ppl at school called me. but i don’t think im weird at all. I think i’m nice but ppl treat me like a germ lol they just stare and whisper to each other but i know they’re talking about me

does anyone have any advice on being more approachable? or whatever i’m not even sure what to call it tbh.

kewlio313 • 3y

Everybody’s weird in college! You’re young and finding yourself. Join some organizations and put yourself out there! It’ll work out kid 

     artkiller OP • 3y

     i wish there was a chess club lol 

Margie • 3y

how do you go about approaching people? 

      artkiller OP • 3y

      i just walk up and start talking about myself

      Margie • 3y

      Okay… and what’s their reaction? 

      artkiller OP • 3y

it’s different every time. sometimes they just leave, sometimes they laugh then leave, other times they’re outwardly mean. one guy told me to ‘shut the hell up bitch’ and i immediately wanted to commit a federal crime(not murder)

      Margie • 3y

      Goddamn lol. Maybe u r weird 

miKrophone • 3y

shut up hoe

     artkiller OP • 2y

     ?? :/

—

r/AskReddit

u/artkiller       2y

Advice Needed

how do you know if you’re mentally ill?

hello fellow redditors. lol. i’m finally back… very odd first term i think i got ghosted or whatever it’s called by some dude on the hockey team but yeah i plotted homicide. i’m pretty sure that situation sent me into a spiral. i think im sick. 

i’m not sure what’s going on with me but my thoughts have been really dark recently. not necessarily suicidal or harm inflicting(on myself) but… yeah… prettyyyy dark. idk. it’s weird what my brain conjures up sometimes. i guess im curious why my brain thinks the way it does. i’m not a bad person and i know that, but my brain makes me believe that i am. idk what to do at this point. i’ve never been to a professional and tbh i don’t think i should because i don’t wanna be admitted somewhere lol 

kewlio313 • 2y

Welcome back kid. It’s often better to seek help even though it can be fucking horrifying, especially in adulthood. Get help and you’ll be fine

     artkiller OP • 2y

     and if i’m not fine? what do i do then? 

     kewlio313 • 2y

To be frank, I'm not sure. I’ve been through alot and even I don’t have clear direction on life. I’ve been allowing my intuition to guide me for some time. Just try it and see what happens. Rooting for you

     artkiller OP • 2y

     thank you 

—

r/AskReddit

u/artkiller       2y

Advice Needed

am i a lesbian?

i [f19] think im attracted to females. i can’t stop staring at their tits. i always assumed my middle school peeping was from jealousy or whatever the hell twitter said but now that i’m grown i think i wanna fuck girls. or like. girl adjacents??? idk the terminology or whatever. 

PetersJoker • 2y

go eat some pussy and find out

     artkiller OP • 2y

     no fuckhead

kewlio313 • 2y

… Girl adjacents? Females? Are you actually 40? 

     artkiller OP • 2y

     is this a dig

     kewlio313 • 2y

     You crack me up. Have you experimented before? 

     artkiller OP • 2y

     i never passed a science class

     kewlio313 • 2y

     … Alright. 

 I meant hooking up. Have u kissed a girl before? Slept with one? Or whatever you youngins say these days? 

     artkiller OP • 2y

     no. i’m not a slut lol i hardly go outside 

     kewlio313 • 2y

Finding out what you like isn’t being a slut. You’re in college for fucks sake. Find you someone to lay with, ya loser. 

     artkiller OP • 2y

     or i should just shoot myself. less complicated then sex

     kewlio313 • 2y

     Maybe so, but they’re equally as messy. 

ButchesForChrist • 2y

Questioning is usually the first sign. Lol

     artkiller OP • 2y

     fuck me

     ButchesForChrist • 2y

     Well

—

r/AskReddit

u/artkiller       2y

what does sex feel like? (wlw)

[f19] just watched scissor porn for the first time. what the fuck was that. (i need it)

MisandristInTraining • 2y

the work of demons aka men

     artkiller OP • 2y

     i drink their blood

     MisandristInTraining • 2y

     Lmao

OnHorseback • 2y

Feels like dying but emotionally • 2y

     artkiller OP • 2y

     i wanna die physically 

     OnHorseback • 2y

     I’m sure some dirty fuck can set that up for you

     artkiller OP • 2y

     lit

kewlio313 • 2y

Welcome to the dark side. 

     artkiller OP • 2y

     flirt a little harder oldhead 

ButchesForChrist • 2y

Ready to come out? 

     artkiller OP • 2y

     of where

     ButchesForChrist • 2y

     Bitch…..

—

__

__

r/AskReddit

u/artkiller       2y

home sweet home. 

hello found family. been mia bc fuck school but i’m back… and i think im a sadist. 

does anyone know where rugby originated from? i like watching large women be physical w each other and i wish they would harm me in similar ways. pls push me to the floor and stomp me out(specifically directed to one pink head) i’ve been thinking dirty things all day i need her so fucking bad. is this why ppl r so obsessed with sex? bc of hot people? i get it now. i need her to bend me over and put her cleat on my neck

lezziesthatembezzle • 2y

good morning to u too bitch

     artkiller OP • 2y

     big muscly girls pls rail me from da bck 

     lezziesthatembezzle • 2y

     someone muzzle this thot

Accuntress • 2y

A dyke’s pride and joy: large women. 

kewlio313 • 2y

This is crazily your most normal post. Missed ya. Do well in school

     artkiller OP • 2y

     :3 🩷

[deleted] • 2y

The cards are in my favor 

     artkiller OP • 2y

     would you like to sex through private message? 

     [deleted] • 2y

     What the fuck you crackhead

—

r/AskReddit

u/artkiller       2y

Advice Needed

sex addiction while a virgin? 

is this possible? i shouldn’t have watched ppl with big clits trib. quite criminal. even more criminal when i’ve  imagined the girl i’ve been following around for the past 2 weeks doing it to me

[deleted] • 2y

is this who we are…. 

     artkiller OP • 2y

     obviously. 

kewlio313 • 2y

This is my last straw. 

     artkiller OP • 2y

     hugs xD

—

r/AskReddit

u/artkiller       6mo

i’m confessing. 

idc anymore. i don’t give a FUCK. i am in love. i [f21] am in love. the deepest kind i think. love at first sight truly. it’s the kind of love that’s painful. it kills and leaves behind trails of misery if betrayed or lost. whenever i see her, i cry from happiness. her joy is my joy. her hurt is my hurt. our hearts are forever intertwined no matter the distance. i’m writing this for her. if you ever see this: i love you, darling. there’s not a second that goes by where you’re not at the forefront of my mind. i’ll treasure everything we’ve built thus far, and promise to never take it for granted. i hope to die by your side. 

i love you. i love you so much. 

even if we’ve never spoken. 

kewlio313 • 6mo

Yup… she’s lost it, folks. Very deep sigh. 

     ButchesForChrist • 5mo

     That’s part of being a lesbian. She’ll live. Trust me

—

—

—

“Violet! … VIOLET!”

Why’s Sev always so loud in the goddamn library? The receptionist already has tacks on her behavior chart like some kindergartener. “I heard you! Jesus Christ, I’m sitting right fucking next to you—“

“I wouldn’t haveta fucking scream if you woulda answered me when I asked 3 days ago! Are you coming on Saturday?” 

How does she tell Sev fuck no bitch I don’t wanna go in a polite manner? It’s the first weekend after Christmas break and quite frankly, she's already sick of being on campus. Vi loves her friend to death but holy fuck does she wish she had an off button. 

“Just come the hell on and stop—“

“Dude, I—“

“You know it’s not gonna be fun if you’re not there! Half the bitches are comin’ for you! Plus… I think you could use a fun time after… y’know.” Sevika softens — only a bit, she's still Sevika. Hard ass. 

She does know. At this point, who doesn’t? Her last year of university started on a bad foot when her family home caught aflame with her little sister and father still inside, but the icing on the cake was when her long term, blue-haired girlfriend sent her the can we talk? important text. Now she’s single with corpses for relatives(she thinks her sister would’ve found that funny). Her teammates returned to campus with her; eyes mournful and hearts sunk to the bottom of their stomachs, so prepared to shield and coddle when needed. Sev was one of them: through every breakdown and anxiety attack and hungry but nauseating night. 

“I’m not tryna bring up old shit. You been through a lot and deserve some fun. That’s all I’m sayin’. Get your last bit of jitters out before the season starts.” 

Vi nods. She gets it. Losing her sister was just as much of a loss for Sev as it was for her, but somehow, she was able to ease back into herself. Become… normal again. Socializing takes so much energy outta Violet, now. She’d rather go lift or go sock the shit outta rich person. In some ways, she wishes she had as much willpower as her friend. 

She knows why Sev wants her to go. New pussy, new me, her and Abby once told her, but she’s not in the mood to smash right now. She’ll probably start crying if they don’t kiss both her cheeks before her nose like… Ugh. She shivers in disgust… and extreme longing. She misses her ex like crazy. 

“I know. I’ll, uh, think about it.” 

“M’kay… now what the fuck is epitactic theory.” 

“Girl…” 

—

r/AskReddit

u/artkiller       12mi

Advice Needed

how crazy is it to ask for a threesome from two ppl that don’t know you? 

[f21] i’m currently in my campus library watching my girlfriend study with her teammate from my stiff ass beanbag and i need them both like crack. how do i bring intercourse up without making it awkward or uncomfortable? help asap pls

also i might c her this weeknd she’s going out and i wanna go

CreamTeam • 5mi

Wait … so is she your girlfriend or not?? 😭😭 

     artkiller OP • 2mi

     we have a complicated relationship🩷

     ButchesForChrist • 1mi

     Aka she’s stalking her. Scroll down a little

     artkiller OP • 30s

     stay out my business 

     CreamTeam • 1s

     What the fuck

kewlio313 • 2mi

I thought we were better than this, honey. 

     artkiller OP • 30s

     you prob are. im not

     kewlio313 • 4s

     Deep sigh. 

Your phone drops from your jittery hands and into your lap, screen glowing with every disappointed reply from fucking Kewlio who you’ve grown to love. You like to call them a friend. A faceless, emotionally intelligent, oddly attractive friend who you’ve never met. 

The love of your life is right there, as always. Exactly 34 steps away, past the shelves littered with history novels and biographies, sat at the table surrounded by Liberal Arts textbooks and her star-littered laptop. Black jacket, black shirt, ripped black jeans, hair dyed black: that’s new. Still streaked with pink and somehow you’re even more hungry for her. She’s looked a mess recently: beaten and bruised, coming to class with black eyes and bandages across her pretty nose. It makes you wanna burn down the entire Arts and Sciences building with everyone inside of it. 

She’s annoyed with Sevika, you can tell. They’re talking about something. Maybe her sister, rest in peace. Or piss if she sucked. Whatever. A small part wishes you listened a little closer when she talked about Jinx(weird ass nickname, but okay) so you’d know exactly what to ask. She can take out any aggression or sadness on you anytime. In here, outside. You’d drop ‘em for her wherever. 

Kewlio is a dirty liar. You’re not a stalker. You’re a fan, an admirer, a lover. Your girl’s simply unassuming… How the fuck is that your fault? 

She won’t be like that for long, though. 

Vi lost her cleats a few days ago. Her black and blue ones that are worn the hell down and hanging at the seams, but she loves them. Wears them almost every match despite how unsteady they make her on the field. They’re her lucky charm, besides you, of course. 

Her lucky charm found her lucky charms. 

And by found, you mean broke into her gym locker with the code you memorized 2 years ago and snagged ‘em. She should really get those locks changed before someone takes something important. 

The explanation of how you found her cleats exactly? You’re not sure and you’re not dwelling. She’ll be so relieved that you found them that it won’t even matter. Might even drop to her knees and praise you like a God. Is she religious? One of the minor details you don’t know about her. 

But you’ll find out soon enough. No worries at all. 

You wonder how Caitlyn is doing. 

—

Rabbit holes are either your best friend or worst enemy. Today, they’re straddling the fence. Your brain never shuts off when you're in a crisis. You’re ovulating, overstimulated, and searching for a cure from someone you’ve never said hello to. 

The internet can solve your problems though. Especially if they’re sex-deprived millennials. Their long-term lack of human contact makes for some hilarious stories and useful what-not-to-dos. 

how to finger a vagina 

vagina g spot where is it

where is clit vagina

vagina map

scissoring hacks positions

lesbian sex how to

can lesbians do anal 

is mommy kink a trauma response

Reddit searches are always on your side. All answers to the world at the tip of your fingers. You love the media! Squirting is not pee evidently. PornHub comments are not a reliable source. You should ask your girlfriend if she squirts. 

Caitlyn would know. Fucking BITCH!

how to make girlfriend come

Mansplainer misogynists geeking about making their wives do housework while they sit on their asses and flirt with young Discordians. ‘I clap and she appears’

…

You should craft a bomb that only targets cis-het men because what the fuck is going on right now. 

how to make girlfriend cum

‘[M48] I’ve never made my wife climax and we’ve been together for 15 years and have 2 children’

Your eyes are fucking burning. Is it bad to wish death on a person? Cursed imagery. Your fingers attempt to salvage the last bits of your sanity. 

how to make girlfriend orgasm wlw

date ideas lesbian

am i crazy quiz

insanity quiz

You’re normal you’re okay you’re literally fine. 

mental illness signs for lesbians

what does dying feel lik

“Ma’am.”

You gasp sharply. Librarian. Fuck oh shit

“Hi. We’re, uh, lockin’ up, so…” 

You’re still at the library. How much time has passed? How many rabbit holes have you fallen into? Where’s your girlfriend? Her and Sev are gone… 

But you know where to find your g-spot! Hooplah!

“Oh ye— Yeah! Uhh… bye.” You stand so fast you get whiplash. Your backpack beats against your back when you adjust the straps on your shoulders. Headphones on, music blasting, and just like that, the world is off and you’re on. Right into the darkness of the city. 

You love a stripper’s playlist in times like this. 

You love Reddit in times like this. 

You walk and walk with an extra skip in your step. Time to drive Kewlio crazy. 

r/AskReddit

u/artkiller       1s

guys im happy

the joy that i feel rn is unmatched. i love my life. im so excited for the future. thank you god and or universe for these blessings

And post. Nothing could wipe the smile off your face. Nothing nothing nothing you love it here! You love school. You love your girlfriend and her friends and her sport. 

“Oof—“

“AH—“

You back connects with the angles of your hardcovers and fuck you hope your laptop survived that drop. Not enough cushion in your bag to cover that fall fuck your life you hate everyone—

“YOU FU—“

“Holy fuckin’ shit I’m so sorry are you ok—“

And your mouth zips. Oh…

Oh. 

Your girl’s in running shorts. Squeezing her thighs good ‘n tight and she glistens with sweat, brows pulled down in concern as she eyes you from above. If the fun was still out, the rays would dress her head like a halo. A heavenly sight. You’d die here… but not before a drop of her sweat falls on your face. You need that at least once. Zooweeema—

“Are you oka— fuck, gimme your hands, up ya go, c’mon—“

Oh she’s talking. And grabbing you. 

Your hands are warmed by skin and your spine tickles when you’re pulled to your feet like a feather. The pain in your back and shoulders don’t fucking matter anymore. Life works in mysterious ways, doesn’t it?

“Hi, Vi.” 

“I’m— hey, uh… do we know each other?” 

We love each other actually! 

“No— I uh, sorry! I go to watch your matches and all that. Kinda a fan… Sorry if that’s weird—“

“No no no no, not weird at all. Uh, very flattering actually. ‘Preciate it.” 

You’re gonna fucking pass out. 

“Are you okay though? Nothing hurts, right?” And your knees wobble when a squeezing hand lands on your shoulder, gauging you for pain. No pain. Just deprived. Needy. Desperate. Touch me some more. 

“M good.” 

“Cool…” Her hand drops and you nearly screech like a banshee, “And your name? Sorry bout t—“

You interrupt with yours and she smiles. Nice to meet you, she says with gravel and your heart grows another heart inside of another heart. Holy fucking you’re boutta

“I like rugby.” 

Kill yourself. You’re boutta kill yourself. 

Vi’s eyes widened before nodding in agreement, “Yeah… me too. If it wasn’t obvious enough. It’s a great… stress reliever.” 

So is sex, according to Sexcopedia.edu. Do me. 

“Really? It looks painful sometimes.” 

She sighs with tension, “It is. We gotta lot of aggressive people playing against us so we have to always… do more. I guess, I dunno. But whenever I’m mad it’s great. Very useful.”

“Are you mad often?” 

“Are you studying psychology?” She pins with an arched, slit brow, but her eyes remain light and friendly. It’s funny, she doesn’t appear to be this approachable with her grunge-ness.  

“Nah. I need to, though. Could do me some good.” 

Her laugh is hearty. Genuine. “Shit, me too. Help me out.”

“Do you wanna be my friend?” 

She seems stunned and you don’t know why. Doesn’t banter create friendship? Whatever. Fuck it. She can say no. You don’t care. You still got her shoe—

“Gimme your phone—” 

Your heart drops to the floor, through the concrete, right into the center of the Earth’s crust waiting to burn and cease to exist. She’s got you figured out. You’ve been exposed and she’s gonna fry you in the middle of the damn street

“—I’ll put my number in.” 

… Oh.

You meticulously make sure your notis are deleted and OFF before handing her your device with the keypad on display. Her fingers are pretty and nimble. Flexible with how slender they are. Pretty hands. Pretty, blue veins and you're instantly reminded of her ex. You hate the color blue. 

She hands your phone back, “That’s me. Hit me up when you get… wherever you’re going. And lemme know if I need to cover your medical expenses for spinal cord surgery.” 

You laugh. Really fucking loudly and she flinches, but smiles after. She’s so fucking cute! Is this flirting? 

“Y-Yeah, I will.”

Her head tilts fondly, “Cool.”

“Cool.” 

She gives you one last look before plugging her earbud in to continue her jog. You check her contact to make sure it’s real and fuck you have her fucking number! Fuck fuck fuck fuck

You leap like the happiest frog in the pond when she’s out of your line of view and a sharp pain whips through your shoulder blades. 

—

r/AskReddit

u/artkiller       3mi

lads i just got proposed to. spring wedding in sweden

number collected. so it begins. 

kewlio313 • 48s

Christ help us all. 

CreamTeam • 10s

Ring pics. 

     artkiller OP • 3s

     cawk ring pics***

     CreamTeam • 1s

     Should’ve fuckin known. I hate you genuinely 

—

r/AskReddit

u/artkiller       30s

when’s a good time to text the girl you’re obsessed with? 

[f21] soooo i’m laying in bed lookignat her contact and idk what to do. i’ve fantasized about this so many times and now its in my lap… im so used to shit going wrong that idk how to react to it going right. it’s kinda late but i really wanna talk to her but idk she might be sleep or whatever. 

should i scale her building and check if she’s awake? :(

—

Vi doesn’t know why there’s a pit in her stomach. She sits on her teammate’s fluffy rug with a smoked out Sevika who patiently waits for her green light, but it hasn’t come. She feels an oncoming breakdown and she needs a babysitter just in case. 

“Finish this for me?” A roach floats in front of Vi’s face before she pushes it away. 

“No.”

“Buzzkill.” 

Sev and Vi sit in silence for 12 seconds before the roach is stolen and hit by the latter. Sevika snickers. Vi drops her head on the couch and exhales her worries through clouds. Stressed, anxious riddled, maybe not the best headspace to get high but fuck it. 

“Whatcha thinking about?”

She shrugs, “Everything.”

“Talk ta me. What’s happening.”

Vi’s face burns when her mind plagues with you. Your giant bifocals and smudged mascara and acrylic-stained hoodies. You had a backpack on… Could be a student here. You might be a freshman. Vi hates making assumptions about strangers but you seemed a little… 

Immature? Your eyes were too shiny to be a senior. 

“You’re gonna laugh…” 

“I’ll always laugh at your stupid ass,” She snickers. “What happened, though, seriously.” 

Wafts of smoke curl around her words, “I almost bulldozed a girl earlier.” 

Sevika scrabbles to her knees with a slack jaw, “WHAT THE—“

“Oh my fucking god can you be normal for—“

“BITCH BULLDOZED? WHAT THE FUCK FREAKY ASS BITCH—“ 

“NOT LIKE THAT!” Vi scoffs, “I went on a run and bumped into her! Fucking WEIRDO!”  

Sevika slumps back on her ass, clearly disappointed, “… Oh.”

Vi tends to the roach until her fingertips burn, stubbing out the burnt paper on Sevika’s ashtray. When she looks up, she finds a very intrigued looking fox. Here she fucking goes. 

“She hot?”

Vi’s sigh is littered with agitation at her friend while she laughs, “I hadta fucking ask! Tell me! She smell good?” 

“I don’t fuckin’ remember! We talked for like… 2 minutes!” 

“2 is enough time to check her out. Show’a hands, how fat were her tits? Like this?” Sevika mimes holding watermelons that are too goddamn heavy and Vi cringes. 

“You fucking disgust me.” 

Sevika relaxes back onto her elbows, legs extended in front of her. Her brow quirks when she catches Vi’s gaze drop to her waist, “Meh. You like that about me.” 

“Sometimes. Not when I’m in a crisis.”

“Meeting a girl is a crisis now?” 

“Yes! I don’t fucking know, she was…” 

Honestly, Vi’s unsure how to describe you. 

“Does she at least go here! You’re not giving me shit to work with.” 

“I DON’T KNOW—“

“DON’T FUCKING YELL AT ME—“

Vi groans with her palms in her eyes, “She just asked to be friends. She told me she watches us play and that she’s—“

“Back the fuck up,” Sevika raises up again, “Do you not see what’s happening here!” 

“…” 

“You’re actually fucking stupid, wow,” She scoffs, “You know she set all that up, right?” 

“… What in the fuck are you talking abou—“

“She ran into you on purpose! She’s a fan bitch!” Sev reaches for her phone on the coffee table, “What’s her Instagram?” 

Vi whines, “I don’t know—“

Before Sevika can cuss her out for the 40th time, she bursts, “I GAVE HER MY NUMBER!”

“… Did you get hers?” 

“…” 

“BROTHER—“

“Shut up! I’m not… I don’t flirt! I don’t know how, not anymore! She caught me off guard honestly.”

“What's her name?” 

Vi sheepishly mumbles your title; it’s slimy the way it curls on her tongue. You were so nice and now she’s setting you up to be pestered by her best friend. 

It’s silent for 3 minutes, only the pittering of Sevika’s fingers on her device while she hunts for you. Another 4 pass before she tosses her phone in annoyance. 

“You sure you weren’t hallucinating? Nothing’s poppin’ up.” 

“You’re so annoy—“

WHO THAT IN THE BAAAAAAACK, WHO THAT IN THE BAAAAAAACK

Vi’s phone screen glows gray with an unsaved number across the top… One with their area code… Sevika watches the number scroll like a hawk. The smile that grows on her face is crooked. And knowing. 

It’s 11PM. It’s not you. It couldn’t be you. 

“That’s your ringtone?” Sevika snorts. 

“Shut up.” Why’s she so anxious all of a sudden? Her sweaty palms aren’t enough to stop her from reaching for the device, though. 

She answers and puts you on speaker. 

“Hello?” 

“…Hi. It’s me.” 

Sevika’s brow lifts in questioning. Is that her? She mouths and Vi nods. Her eyes roll when her friend whispers, cute voice.  

She’ll never say, but Sevika’s presence re-energizes her. Makes her a little more playful, so she teases, “Me who?” 

A beat of silence passes before you start mumbling to yourself, “I’m gonna fuckin’ throw up is this the wrong per��“

Sevika’s hand flies over her mouth to smother her laughter while Vi coddles you; laughs that she’s joking and that she was waiting on your call. Her cheeks burn when her teammate throws her an accusatory look. 

“Do you mean it?” 

“Mean what?” 

“That you’ve been waiting on me?” 

Before Vi can answer, Sev raises up onto her knees and mimes fucking somebody from the back, face slack with faux and exaggerated pleasure. She ignores the sinful jolt in her tummy and flings a throw pillow right at her face. 

“Yeah, ‘course I was…” 

And then it’s silent again. Her muscles freeze with every deep breath you take over the phone. Sevika waits expectantly, talk to her, she says with flapping fingers. 

“Whatcha up to?” 

“… Uhh… nothing?”

Your laugh is featherlight, “Are you asking me?” 

“Maybe?” 

Sevika’s had enough of the tomfoolery. She wiggles over and hits the mute button with a heavy slam. Leans in close while she whispers, 

“Dude, she’s tryna fuck—“

“No, she isn’t—“

“Yes she is, dodo, did you hear how she was talkin’?” Her tone heightens in pitch, mocks seduction, “You were waiting on me, baby?—“

“H-Hello?” Your mumble is drenched with insecurity. Sevika doesn’t give a fuck. 

“See?” She nearly screams, “She’s DJin’ right now—“

Violet shoves her back before unmuting, “Sorry, m’here…”

“… Was it a bad time to call?” You’re quieter now. Ashamed sounding. Embarrassed. 

“Not at all! Sorry, I was smoking earlier, makes me lose my train of thought.”

“It’s okay…” 

“You make it home safe?” 

“Mhm. I was about to fall asleep but then I remembered to call, so…”

Vi catches her smile before her friend can bully her for it, “So, you called…” 

“Yes,” said excitedly. She can hear your smile. Very puppy-like. Cute. Vi jolts when Sev starts snoring obnoxiously fucking loud. She flicks her forehead. 

“Is someone there with you?” 

Both their eyes widen. A sharp hand raises to slap Sevika, but she flinches before it lands, “Sorry. Just my stupid ass roommate.”

“Hi, Sevika.” 

You’re oddly calm…. But why wouldn’t you be? You had no other intent for this phone call other than keeping your promise. They still share a look though; a brief flash of intrigue and skepticism. How’d you know…

It’s not pondered on for long by Sevika before she sings, “Hey, sweetheart.” 

You sound like the wind has knocked outta you. “H-Hi.” 

Sev singles for Vi to pass the phone over to her. She obliges with a hard stare, “I was just passing through, but while I’m here, I gotta couple… questions. That good with you?” 

“Yes.” 

“Good. You single?”

“Mhm. For forever, sadly.”

“Great. Are we at the same school?” 

“Duh. I’m at every match. We’re, uh… graduating together if everything goes as planned.” 

So definitely not a freshman. Just when Vi thought it was impossible to finish college without a chip on your shoulder. You seem to have made it through just fine. 

Despite Sevika’s reputation of being cold-hearted and abrasive with wicked flirtation skills, she speaks to you like you’ve been in her life for years. Gentle. Inquiring. She lays flat on her stomach with her feet kicked up behind her, “What’s your major?” 

“Architectural engineering. What’s yours?” 

“You’re so smart. ‘M doing mathematics. You should tutor me when you getta chance.”

“Sure. Just lemme know when. I’m always in the library, so.” 

“Well, what a fucking coincidence, so are we! You coulda dropped by and said hello if that was the case.” 

“I’m trying to do that now… Am I doin’ okay?”

“Just fine actually. Aren’t you sweet.” 

“I taste sweeter.” 

Sevika drops the phone on the plush rug beneath them. Sits upright with urgency. Gawks at Vi whose jaw is nearly in her lap. There’s hardly any air in her chest. She squabbles for her phone and ensures that the volume is all the way up. Holds the device right in between them. 

“… Swear? I don’t think that’s possible.” Sevika hums at you, holding her roommate’s gaze while her tongue traces over the dryness on her lip. 

“You could find out… Both of you can if you wanna.” 

“‘S that easy?” Sevika rasps, and Vi flinches when her breath hits her mouth. Leans in a bit closer to feel more on her face. 

“Why do you sound like that?” Vi huffs at your genuine curiosity. You’re so fucking cute, fuck. 

“Because you’re turning me on, hon,” Her gaze washes over Vi and her skin burns with trails. “Both of us.” 

“Oh… cool.” You exhale unsteadily. They can’t help but laugh at you. “Cool?” Vi repeats. 

“Yeah. Awesome. I’ve never done that to someone before.” 

“You a virgin?” 

“Yup.”

“FaceTime us.”

“I have a Samsung.” 

Both girls explode into laughter, “We’ll call you, then, Jesus—“ Vi sends an eager finger towards the small camera before you mumble, 

“Who says I’ll answer?” 

Sevika tuts, “You don’t wanna watch us kiss?” 

“I’d rather watch in person.” 

Sevika throws Vi a look and she’s instantly reminded of Abby. Usually, that glance — filled with an equal amount of tenderness of filth — is shared between her teammates and she’s forced to endure whatever nonsense they plan to take out on somebody together, but now she’s here. Sevika’s including her in such a sacred ritual. She’s suddenly skittish, “You’re killing me, baby. Whatcha doing this weekend?” Sev quiets, timbre amorous. 

“Playing Overwatch.” 

“Fuck that shit. Come to Kappa on Saturday. Everybody’s goin’.” Sevika snips down at Violet, and she whines while her fingers dig into her roomie’s tank top. A little closer, and they’re kissing. Just an inch—

“What’s Kappa?”

Vi giggles, “House,” Sevika mumbles against Vi’s mouth, “Frat house. Right off 16th. It's bright blue, can’t miss it.”  

“‘K, I’ll go. See ya there.”

“Wh—“

Three dial tones break through the smoke in the air before the screen goes dark, both girls left stunned and… very tempted to track your location. Maybe pop a titty for your RA in exchange for your room number. Wouldn’t be the first time…

… Is that too much? 

It could be, but you didn’t hesitate to drop bomb after proposition, and the selfish part of her heart can’t help but think you wouldn’t mind two ravenous strangers at your front door. The knowledge that they’d give you everything you needed would be enough for you to allow them entry. 

And the way Sevika’s staring at her… Craving, but careful. She’s so patient. 

It’s been such a long time — two years since they’ve had any physical connection. Drunken nights, quickies in the locker room showers— the distractions from grief were all put on the back shelf when Vi got into her relationship. Sevika’s a sleaze, not a homewrecker — most times, so she kept her hands to herself out of respect, no matter how many times Violet would catch her staring where she knew was off limits. 

Vi can't get to you, but she can get to Sevika. 

So she yanks her close, dissolves the space between them as their mouths collide with heat and a newfound ache for you in the middle. Sevika’s just as rough as she remembers — pushes her down so her back molds to the floor, entangles a cinched hand in her hair to pull and expose her neck to the attacks. She’s got blotches and teeth marks on her throat — the unrestrained and possessive and her stomach flips. She gasps at the ceiling when her nightshirt shreds under a forceful hand. 

She hasn’t had the heart to have sex in months — propositions were turned down on dozens of occasions because her mind couldn’t focus on enjoying. Every second of euphoria gets overshadowed by hollow, unforgiving guilt. 

You sparked something in her with your forwardness, that curiosity that left her aching to read your mind. Her best friend, too, evidently. 

Every movement is fast. She crawls down her torso with intent — fangs sharp where they leave blood down her sternum. Vi’s fingers pry Sevika’s shirt off, her tongue separating from her waist for mere seconds before reattaching. An eager hand fondly moves her friend’s hair out of her face. 

You want it? Sevika’s eyes read. 

Yes, I want it, please. Vi says aloud. Eager with a twisting hand in her scalp. 

Sevika sends waves through Vi with every wrestle her tongue devotes to her clit. She can’t think of anything but Sevika and you and both of you at the same time; on top of her — you sat on her face while Sevika’s fingers drove inside her. She wants her tongue inside you; unrelenting and feverish until you scream and soak her tongue in your sweetness. 

Sevika eats like she’s hungry. She eats like she misses having her like this and that wounds Vi up tight; it sends shockwaves down her legs. Makes her twitch, but Sevika forces her still with a tight grip on her waist. 

Vi curses with fluttery eyes when a finger — then two, circles around the entrance that aches for a stretching. 

They’re heaven sent when they push in. She’s getting fucked like she’s hated and she loves it. She deserves to feel like nothing; her walls are selfish where they encase the digits that bring her to the sun, massage against every sensitive ridge just how she needs. Her mouth spills with whatever energy she has left within her; slurred and drooled fuck yes yeses. She can barely conjure a warning when her core locks tight, right before she explodes. 

There’s wetness everywhere while she pulses through her pleasure, thighs squeezing around Sevika’s head with every satisfied moan that vibrates on her clit. Tells Violet to give her more and to take it take it take whatever she gives her like she knows she can. 

It’s not until Violet starts sobbing and Sevika’s mouth is dripping wet that she pulls out and separates from her completely. She kisses her pussy gently before shifting to help unlock Violet’s knees. She shivers with every peck that’s trailed up her torso to her chest to her neck. 

Sevika laughs when Vi does, choked and clogged, but elated and genuine. It’s been so long since her body’s felt this light. 

“You needed that. Ya look better already,” Sevika cackles. “Can you stand?” 

“Fuck off, gimme a sec.” Vi shoves playfully at her chest. 

—

—

—

r/AskReddit

u/artkiller       3s

guys. 

i love being a liar. it makes me feel alive never let a bitch tell you lying is wrong it literally makes life so much easier!! wishing everyone a good night. 

everything’s going as planned. just one more tally on the board and we’re set

—

—

—

r/AskReddit

u/artkiller       20mi

Advice Needed

it’s been 24 hours and my girl who’s not my girl has been texting me nonstop. 

[f21] hello. im in a crisis but a good one? if that’s possible. long story short im in love but not dating the girl im in love with yet. i took some of y’all’s flirting advice and i think it worked. im betting my life that yall do witchcraft. i barely said anything to her and now she won’t me😝😝😝 and tbh… i think her friend won’t me too!!!!! she’s always asking about my day and asking if i ate and if id wanna eat with her but i always decline bc im not ready physically mentally like i’m gonna combust the second she walks up to me i barely survived our first interaction…… but her friend invited me to a party tomorrow night…….. wtf do i wear to that i’ve never been outside before LOL

might get a train ran on me…… WE’LL SEE FRIENDS 

adding her undies to the shrine🩷 yaaaay

CreamTeam • 14mi

bro is she your girlfriend or not? It’s been years at this point. 

     artkiller OP • 12mi

     yes i mean no or yes :)

kewlio313 • 7mi

Wear something that you wouldn’t wear to your parents funeral. Good luck dear 

     artkiller OP • 5mi

     i would whore out if my family died

     kewlio313 • 2mi

     Good God. 

—

What does genuine happiness feel like? 

You’re unsure how long you’ve been on your beanbag, but Violet and Sevika have been laughing since you sat down. They’re so relaxed around each other, content with silence. Accepting of failure. 

You’re not a jealous person at all. Far from, actually, but something furies from within whenever you see them — or people, in general, gleeful; the desperation to feel. You haven’t had the privilege. Maybe that’s why you cling to whatever you have with Vi. She has birthed a wanting inside you. A desire for connection after spending decades comforted by the sound of your own voice. Or comments under your posts. 

Violet makes you happy. And Sevika might, too. Just as long as she doesn’t get too close to your light. 

You’re standing right behind Sevika. She can’t see you, but Vi can. Her fear is swiftly overshadowed by delight. She greets you with a smile that makes your heart throb. 

Sevika’s gaze wanders down to your legs, that remain exposed despite the weather, 

“You’re not cold?” She asks. Not exactly the introduction you were expecting, but that makes you giddy. Vi must tell her about you! 

“Yes,” You say with ease, “Y'all should come to my room. It’s warmer there.” 

Vi nods after gawking, 2 books immediately tucked to her chest with her bag on her back. Sevika just laughs. She gets it. You like that. 

—

r/AskReddit

u/artkiller       1s

Advice Needed

how do i mentally prepare for sex? (virginity)

literally fucking freezing walking to my room rn with two burly butches that i want to throw me around and i think they’re going to bc they’re not talking to me but the y are very close i don’t want them to see my screen guys im about to have a threesome pls fucking help me

—

“Cute room.” Violet says, inspecting your horror movie posters and stuffed animals. 

“Thank you.” You smile. 

I hid the 14 polaroids of you that I had taped to my door. Hope that makes you more comfortable! 

“It’s just you in here?” Sevika chimes, eyes glued to the small bed up against the wall, right next to your PC setup. You should ask if they game afterwards. 

“Yes.” 

Violet takes her jacket off and hangs it on your doorknob. 

“Already takin’ off your clothes?” You plop down onto your freshly made mattress. Both girls look very stiff in your space; Is that normal? Maybe they’re nervous. 

Both girls laugh the same. “Not like that. It is warm in here.” Sevika follows in Vi’s lead, removing her hoodie and her undershirt is squeezing her and yup those arms are still there those muscles are popping out yup yup yup—

“Yeah. I can’t sleep in the cold.” You pat your bedspread for them to sit… and they do. On either side of you. Vi brought her notebook and pencil. Sevika brought her heavily ringed hands. 

She scoffs, “Me neither. Immune system is worse than a newborn’s.” 

“Do you get sick easily?” 

“Yes. I just got over it last week.” 

“Damn…” 

“Almost got me sick,” Violet pins playfully, skimming through her pages. She erases before rewriting. So so so so smart; too bad both her answers were wrong. You’ll show her the way soon enough. 

“Coach would hate me. Her star pupil’s under the weather, what ever shall we do,” Sevika mocks and you both chuckle. 

“The season starts next week. Y’all nervous?” 

“No—“ “Yes—“

“I’m nervous for games, not practice,” Vi corrects, “I can’t find my fuckin’ shoes.” 

“What shoes?” 

“My cleats. My sister got ‘em for me a while ago, wear ‘em every match for good luck. I don’t remember where I fucking put them though.” 

“Aww, ‘m sorry.” 

Sorry for keeping them in my closet. 

“S whatever. Just gotta get new ones.” 

Small talk is boring as fuck, but it continues between you and Vi. Sevika’s quiet as a mouse; every glance in her direction is met with hooded eyes. She’s very focused on your nightstand drawer. Can she see what’s inside it? You hope so; Maybe your unworn thongs will motivate them to move this along. 

“Awww! Wait, you used to play soccer?” 

You already know all this. It’s on her fucking Instagram for fucks sake! 

“On the junior team when I was like… 10! I was—“

Trash. I kept tripping over the fuckin’ ball—

“—And forgetting to tie my shoes. It was a hot fucking mess!” 

Yup. Same as the caption. 

The laughter between you finally quiets. You count 12 seconds in your head. You raise a hand to place it on the Hello Kitty bandage directly under her eye. 

“What happened here?” 

Sevika’s breathing is very calming. 

“Got in a fight,” Vi mumbles. Poor things embarrassed! “Got socked in the eye.” 

“Sorry,” Your hand rests in your lap, “Did I hurt you?”

“You’re good… still stings though. They gotta good one in.” 

“How’d it happen?” 

“Don’t remember honestly.”

“Oh okay.” 

The conversation ends. Another 12 seconds. 

“So… Did you guys fuck after I hung up?” 

Sevika smiles and Vi chokes in shock. They’re so different. No wonder they’re so close. 

“I— sorry, thought we were studying—“

“Who said we were gonna study?” You stare at Vi quizzingly. 

“No one did. We mighta fucked.” Sevika shrugs nonchalantly. 

“Oh… was it fun? Whatever it was.”

“Ask her.” She nods in direction of the girl whose face is beet fucking red. How cute! 

“Vi… was it fun?” 

Her eyes droop to the pencil in her hand before flicking it nervously. 

“… I guess.” 

“You guess?”

“That’s what I said.” 

“… Okay.” 

Vi sets her book and pencil on your nightstand before releasing a stuttered sigh. 

“Tell me what happened if ya wanna,” Softness wafts off your tongue. 

Vi swallows, “I… uh…”

“Mhm?”

“We… I didn’t…”

“I gave her head til she cried.” Sevika whispers right in your ear; tickling against your lobe and you’re suddenly winded. Vi’s legs twist until one crosses over the other. 

Gave… Oh…

This isn’t new information. You’re 79% sure Sevika was Vi’s first kiss… or you heard something like that in passing, so why does the sudden confirmation make you wanna hide? Curl into your blankets and shield yourself from both of them? 

“Oh… fun.” Your face burns underneath the skin.

“Very.” 

“Yup…” 

“You’re shy now? After all that?” Sevika almost laughs when your eyes drop to the floor. 

“It’s uh, easier to talk when no one’s actually there.” 

“We coulda been if you’d answered the fucking phone.” 

“… Sorry.” 

“It’s okay, baby.” 

Sevika’s captain of the team for a reason; a leader by nature and Vi allows her to despite her anticipation. She's much closer now, the respectful distance she kept up upon arrival now completely shut, her shoulder touching yours, nearly straddling your leg. 

There’s a light tickle on your thigh; Sevika’s index finger barely grazes the skin exposed beneath the hem of your skirt. 

“You’re so stiff,” She whiffs tender against your neck and you choke a noise. 

“I’m … ‘mscaredtobreathe—“

“Don’t be scared,” Sevika’s whole hand caresses your knee, eases you into her, all while Vi mouths at your neck. “Here, wanna know a secret?”

You release the air in your lungs, “Sure…” 

She’ll never tell, so I will. Your head bobs so encouragingly. 

Vi told me something after she showered that night. 

With every buttery brustle against your shoulder, Vi’s hands gently attack wherever they can reach; the plush of your hips, on your thighs, grabbing at your tummy over your hoodie that takes up too much fucking space for her liking. You can’t stop squirming with every taut pull at the pit of your stomach. 

I was sitting on my bed and she came in, and she smelled so good. I was trying to roll up again, but she took my tray and put it on my dresser… 

Roll up? Tray? What what what the fuck is she saying—

And she got on her knees in front of me… and she looked so fucking cute just staring up at me like that, like she’d do anything to make me happy… She’s sweet like that if she’s in the mood. 

She said ‘may I practice on you, please?��… And I said okay… So she pulls down my underwear and treats me so well. You wanna know who she was practicing for? 

Yes, yes, please—

It was you, baby. She kept telling me how good she wanted to make your first time. 

A strained noise chokes from your throat, and Vi smiles against your ear before her lips close around your lobe and it’s too much they’re too much—

Uh huh, and her tongue felt so fucking good on me. Almost impressive… and she loved every second of it. 

Please… please, I’m— 

Listen to that, Violet, she’s so fucking cute, isn’t she?

So sweet, too. Bet she tastes so fucking good. 

She’s so hungry for you, baby, Sevika coos at you, Gonna stop teasing and give us what we want? 

You agree obediently — desperately, with every thrumming cell you can use at the moment. 

Vi’s benign hand rests on your cheek to turn you towards her before kissing you softly. A gentle peck before she pulls away. It’s overstimulating; Vi kissing and touching you like you’re made of glass while Sevika sucks large bruises on the side of your throat. Your nails dig into the muscular thigh that hardly shakes at your grip in attempts to ground yourself, but they fail because you’re about to faint. 

Your sun kisses you deeper, holds your face tighter to keep you where she needs to tongue at your lips. You’re trying to keep up with her, to use the muscle like she uses hers, but you’re falling behind. They don’t seem to mind, satisfied with the fact that they’re gonna devour you regardless. 

And when Vi lays you back nice and cozy against your pillows while Sevika kisses all over your face, you know you’re fucked. 

—

Sevika and Vi take turns kissing you. 

It’s a messy and uncoordinated mess of teeth and saliva, mainly because of you, but you like it. You love it. You hope they do, too. The warmth of their bodies beside you resonates deep in your core. Whenever one of them pulls away, the next is more than open to take her place, over and over. Your thighs are already shaking. 

Your hoodies raised up thanks to Vi’s wandering hands, tucked right above your rib cage. Your stomach jolts when a feathery finger teases at the band of your skirt. 

“You ticklish?” Vi mutters against your cheek. 

“… Nope.” 

“Yes—” She swipes the same finger against your exposed skin and you jump with a giggle, “you are. Liar.”

“Fuck you!” 

“Yeah… I really, really want to.”

She doesn’t give you time to think of a response; just kisses you one last time before climbing onto her knees. Meanwhile, Sevika’s struggling to get comfortable in your bed. She’s essentially on top of you, both her legs wrapped around one of yours. 

“Fucking — small ass mattress! I forgot how much I hate these!” 

“S-Sorry! Couldn’t afford anything else — mmh!”

Sevika reconnects your mouths while the bed dips beside you. Then there’s lips on your tummy. 

Laughter explodes outta you; Sevika can’t help but laugh into your mouth while Vi nibbles at your pudge. Her grin glows on your skin before her tongue glides on your hip. Her attention stays there; sloppy noises from above and below, your gasps swallowed with every bite Vi gives you. 

You hardly register her pulling your skirt down. You’re just colder. And fuzzier in the head. Sevika breaks away to ask, 

“How wet is she?”

Huh— oh she’s not talking to you yup yup—

“Come see.” 

Sevika rises from position and you’re even colder. When she whistles at the spot on your underwear, your thighs squeeze shut… for 000.3 seconds before she pries them open again. 

“Stop I’ll fucking cry—“

“Cry about what? That’s so fucking hot. You’re so cute, baby.” 

“Bro I wanna die—“

Sevika rolls her eyes, “Bust one last time at least, damn.” 

“Can we make it quick please I’m already on the verge—“

“Of cumming?” Sevika purrs.

“Of suicide—“

Vi’s in hysterics. You shouldn’t be this fucking funny. She watches you and Sevika go back and forth with tears in her eyes. 

You bite, “Wonky ass foreplay—“

“I’ll strangle you—“

“I’ll like it—“

Both of you are fucking stupid. Neither of you notice Vi tugging your panties down. She almost starts drooling at the sight of your pussy. Swallows down the lump of saliva before it can drip down her chin. You’re wet and throbbing and pretty and you smell like heaven. 

You gasp when two curious fingers separate your sticky lips; strings of slick cling to Vi’s digits. Sevika watches with an insatiable hunger.

“What do you like?” Vi whispers, and you shrug. 

“I dunno, I’m new here.” 

She rolls her eyes, “I mean what do you do when you touch yourself? 

“I don’t do that.” 

“Never?” Both girls exclaim. 

You shake your head. “I tried once and nothing happened so I just ate spaghetti and went to bed.” 

“Were you wet?” 

Vi’s forbearing with her inquiries, but still, you’re on the fucking spot and you might start sneezing from anxiety. They’re too patient with you; Maybe you’ve been misreading how they were in bed this entire time. You were expecting them to be knuckles deep in every available hole by now. 

You’ve never been so nervous, and for you, that’s saying a lot. “I don’t remember, it was years ago.” 

“You’ve never used toys or anything?” 

“I… No.”

Sevika stares at Vi, and Vi at Sevika, and you at the wall. 

Your thighs twitch when velvet nuzzles at them, Vi’s voice deep as the ocean. “I’m gonna try something, tell me if you like it and I’ll keep going… okay?” 

You can’t formulate a response but your head bounces in approval. A finger applies the gentlest of pressure on your clit and you expel a wheeze. 

“Okay?” Sevika hums from above you, a hand easing underneath your hoodie to massage your breast. 

“Ye-ah—“

“Sit up for me, honey,” She whispers and you obey so she can creep in behind you, your back resting against her chest. Both her hands rub at your chest this time, her fingers massage your nipples while Vi strokes your clit in slow, teasing circles. 

“How’s this feel, babe?” 

“G— good! Great… h-hooray?” How do pornstars dirty talk so eloquently? You’re literally fucking dying right now. Sevika laughs to herself in your neck and your chest burns. 

“Yeah? And this?” She utters right before pressing in, flicking you from side to side and your core squeezes tight. You’re dripping and she watches so closely. 

“Oh fuck—“

“There she is, good girl, just feel what she’s givin’ you.” Sevika rasps against your shoulder. 

You are feeling and it’s too much for your body to comprehend. Your brain’s never been this focused on one thing. On one feeling, especially one this enjoyable. It’s so good it’s so good you love your fucking girlfriend—

“Tell me when you’re gonna cum?” Vi says against your soft skin

“Uhh…? I— oh god—“

“Getting there, baby? Feel how tight you’re getting? I can see it.”

2 ragged inhales and your eyes roll back and your jaw slacks and your nose tickles oh shit—

“Yeah, yeah, give it to me, c’mon—“

ACHOO!

Your thigh squeezes shut when euphoria overtakes your entire system; thighs clamping shut around Vi’s wrist while she giggles and rubs out your pleasure with ease because she’s stronger than you. Your initial efforts of staying as silent as possible were in vain because you’re squealing your little head off. Sevika rests back on her hands and watches like a hawk while you thrash and clench and leak all over her roommate’s hand. 

“Good job. Felt nice, hm?” 

You struggle to nod because you’re still cumming so hard and her fingers won’t cease on you. Your thighs stick together with your wetness. 

“I’m still eating you out, you know that, right?”

Your whines of approval sound wounded. 

You couldn’t see it, but when Vi finally pulled her hand from you, slurping noises swiftly followed, alongside Sevika’s hums of satisfaction. 

Mentally preparing for your burial. 

—

Vi might be obsessed with you. 

She’s back in her original position between your thighs — with Sevika this time because she’s greedy — and fuck she’s never been so antsy to give head. She loves it and she loves getting it even more… at least she thought so. The aliens could come crashing down from the clouds and her first focus would still be getting you to soak her face. 

You’re fully undressed now, minus a sock that slipped off some fucking where but she doesn’t give a fuck. She’s so desperate to touch you again. It plagues her mind; stuffed with everything that she’s learned about you thus far. You sneeze before you orgasm for fucks sake that’s the cutest shit ever —

Can I?

She’s asking you and you’re whispering yes, please and fuck you moan so pretty when she first glides her tongue on you. Sevika allows her to ease you into the feeling, but she stays close enough to see every drop of slick that glides on Vi’s tongue. You’re so noisy and she loves that. All she can think about is how loud you’d be with your face in her pillow and your hands behind your back while she —

Vi! Violet! I’m cumming again! 

You’re a fucking dream. An insane fucking freaky ass dream. 

If anyone were to walk past your room right now, they’d be appalled at the ruckus that permeates through your space; sloppy sucking noises and encouraging praises and dehumanizing name calling that makes you grind your hips faster. You’re nearly riding her fucking face. 

Vi wishes she could see you in entirety; memorize every thrust and wriggle you give into her face, drowning her in your scent and juices and everything she could ever want in this moment. You’re exactly what she needed; a pliant distraction. You turn her mind off so easily. 

Sevika’s greedy and selfish as she raises one of your legs up with ease. You fall back onto the mattress with your back arched to the skies, a cracked wail squeezing from your lungs when another tongue smushes against your clit. Sevika sucks hard at your clit when Vi’s tongue swirls down to meet your entrance. The eager muscle wastes no time to shove inside and catch whatever bursts from you. 

She moves on autopilot; eases one finger past your pulsing heat and your legs start to shake. The digit curls deep inside, plunges into you with vigor and determination to get you there, hits a spot that almost lands her a kick in the back of her head, but she catches you; curls an arm around your thigh to keep you still. 

And the night — or afternoon or morning, none of you remember, continues like that until you’re drained completely dry and your body contracts from memory. 

Hours pass when Sevika and Vi finally start tonguing each other down for your viewing pleasure, and it starts all over again. 

—

r/AskReddit

u/artkiller       1s

2 butches are sleeping next to me rn… 

never let a hoe tell you to stop following your dreams. i’ve been following mine for almost 3 years and now they’re sleep next to me…. 

#HAPPYPRIDE

[call-sign-jinx]

Dave Lizewski - Limerence

summary - when you and dave are paired up for an english project, he asks you a question which makes you squirm

warnings - possible stalking? idk sorry, basic fluff,

Main Masterlist Dave Lizewski Masterlist

a/n - hiya gyals, i have been trying to find more than just 3 decent dave fanfics so i jus decided to write my own, ta ta my lovelies! xx

dave lizewski x fem!reader

Limerence. Noun. Meaning: the state of being infatuated or obsessed with another person, typically experienced involuntarily and characterised by a strong desire for reciprocation of one's feelings but not primarily for a sexual relationship.

This is the feeling I get when I think of Dave Lizewski. Nobody in school cares about him at all. They don't even look at him. Which I'm glad about because that means I get him all to myself. But he never looks at me. God I just want him to look at me, notice me, speak to me, something. But i get nothing.

It still baffles me how no one has tried to ask him out before. He is absolutely beautiful. In fact, ineffable. His brown curls frame his face amazingly. His blue eyes I could look into all day. And god his voice, it could lull me to sleep effortlessly. And his humour, he makes me silently laugh every time I overhear him say something at lunch to his friends.

My friends think I'm weird for thinking he's attractive. They call him a nerd and a weirdo because he reads comic books at that little cafe every day. But that's because they don't see what I see. And it's because they don't look at him as much as I do.

I have almost every class with him, because I found out which classes he chose and switched to them. And those lessons that I needed to get higher grades for, I studied as hard as I could so that I'd be able to move to Dave's classes. My friends call me a stalker but I just want to be closer to him.

Me and my friends are sitting at our usual table which I chose because it was right behind the table Dave usually sits at. My friends never noticed, not caring about anything other than their lunch and the conversations they're having. I never listen, I just look at Dave's features and try to hear what he's talking about. I see his friend turn around to look at me then says something to Dave.

Dave then leans to the side to look at me and I immediately hide my face with a book and blush so furiously you'd mistake me for a tomato. That was fucking embarrassing, I'd been staring that long his friend pointed it out to him. Fuck.

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I was in AP English, one of the classes I had to get my grades up for. I sat a seat to the left from Dave. I don't know what Ms. Somerset was talking about because all I was doing was doodling and trying to catch glances at Dave, while trying not to be obvious at the same time. But my ears perked up when I heard about a project we'd be doing in pairs. I prayed to God or whoever is up there that I'd be paired with Dave.

"Okay, I'm going to list the people that are going to be in pairs together. First, Holly you're with George. Grace with Vanessa. Zach with Jake. Y/N with Dave..." The teachers voice faded away as soon as I heard. My prayers had been answered. Thank you God!

I turned my head to look at Dave and he was already looking at me, we both smiled at each other then turned back towards the teacher.

"The project is going to be a presentation about the analysis of any piece of literature you want to do. Do it however you want it just needs to be a PowerPoint slideshow. Now everyone go sit with your partner and begin planning your presentations." Everyone got up and joined their partner and Dave came over and sat next to me.

"I never knew you were in AP English Y/N..." He felt a bit embarrassed after admitting that. A blush creeped up onto my face, well that's a bit embarrassing.

"I changed to this class about 5 months ago, I just never talk because none of my friends are in this class." I gave him a shy smile as Ms. Somerset handed us some coloured pens and a piece of paper to make a plan.

"You're in my Chem, Bio and Physics as well now that I think about it. And my History, Computer Science and Design Tech. You're in all my classes and I never noticed you before. Except at lunch or breaks, or when we walk home the same way. Don't you live a couple blocks from me?" Fuck... What if he connects the dots? And if he does what if he thinks I'm a freak?

"I wouldn't know, sorry." I gave him an awkward laugh and looked down to the paper.

"So what piece of literature should we choose? We could do something by Jane Austen, Shakespeare, Fitzgerald, Mark Twain?" It shocked me that Dave knew all those writers, mainly because all I've seen or heard about him reading was comic books.

"I say we do Emma by Jane Austen. I've read it a hundred times and I've already analysed it anyway so we just have to put it onto the presentation." Dave agreed and we planned out our presentation for the rest of the class.

When the bell rang, I gathered all my things and exited the classroom to go home. When I was a few steps out of the classroom, I heard someone call my name. It was Dave.

"I-I thought you could have my number, so that we can arrange to meet at each other's houses to work on the project. O-or we could work on it at the library. Whatever y-you're comfortable with." My heart could practically explode. Not only was he giving me his number, he was also possibly inviting over to his house!

"Yeah that'd be great." I gave him a bright smile. "We could go back to my house now? So that we can get the project over and done with, I hate having things that aren't finished yet."

"R-right now?" His cheeks flush a light pink. His eyes dart from my eyes to everything else around us.

"Yeah, you don't have to come over if you don't want to I don't want to make you uncomfortable." Fuck, I already feel like I'm screwing it up with him.

"N-no it's fine, I just didn't think you'd want me there. But yeah, let's go now." Inside, I was practically exploding. I have never felt such happiness until now. I fucking love Ms. Somerset!

We began walking out the school when my friends saw me walking with Dave. I saw them whispering and giggling to each other.

"Hey Y/N! What are you doing with him?" I felt anger run through me, why the fuck are they taking the piss out of him?

"We have a project we need to do so he's coming over to my house after school." I fake smiled at them and as soon as I turned away from them I had a disgusted look on my face. "Sorry about them Dave."

-------------------------------

As we came into my house, my dad immediately came into the hall and gave me a hug. He then turned to Dave and sized him up. I could see Dave squirming so I broke the silence.

"Dad, this is Dave. We're doing a project together in English." My dad narrowed his eyes at Dave and then his eyes widened with realisation and went to shake Dave's hand.

"So you're the Dave my princess talks about all the time!" I wanted the ground to swallow me whole and get the hell away from here. I've never wanted to be thrown into space in my whole entire life.

Dave looked at me in confusion and saw my uncomfortable demeanor.

"Right we're going upstairs, love you." I then dragged myself upstairs, Dave following close behind me and I led him to my room.

I sat myself at my desk and watched Dave as he looked around my room. I had vinyl records stuck to the wall along with different posters and tapestries. Fairy lights lined the frame of my bed. I also had a little table with a record player and a shelf specifically for my favourite records.

"Your room is really nice Y/N. I like your posters and lights." I looked around my room, I never actually took notice of it in all honesty.

"Thank you. I decorated it myself, I even designed the layout of my room when my dad helped build this place." Dave looked fascinated. I don't even know why.

"That's so cool, you got to choose how your room was shaped ad everything?" It was cute how he was so excited about something as little as room design.

"Yeah, plus my room is the biggest in the house. My dad let me have it cause he said he's barely going to be in his anyways cause he's working all the time. Surprised he's actually home right now." Dave smiled at me and looked around my room before we silently began our project.

I couldn't believe that Dave fucking Lizewski was in my room! I've liked him ever since I first saw him when I moved here in Sophomore year. As he was doing his work, I couldn't help but stare. He was so beautiful. The way his curls fell on his face, the way he slightly stuck out his tongue when he was concentrating on reading something. I was so lost in staring at him I didn't even realise that he was calling my name.

"Y/N!" I shook my head to get myself out of the trance I was in, he caught me fucking staring. Great.

"Yeah?" He smiled as he shook his head at me, not in a misdemeaning way though, in a "I find it kinda cute" way.

"What exactly are we analysing from Emma?" I went to sit down next to him on my bed and read what he was reading.

"I think we should analyse how Jane Austen represents class types within all the characters and how they act towards each other." I then looked to Dave who was already looking at me.

"Your eyes are really pretty..." Why the fuck did I just say that? Out of everything to come out of my mouth that is what I say? Dave's face turns a bright shade of red.

"Th-thank you, I really like your hair..." I had purple streaks in my hair. My dad screamed at me when he saw, but he then found them actually pretty.

"Thank you, when I first dyed it my dad went ballistic. Eventually he warmed up to them." Dave smiled at me, in a way I couldn't decipher.

"Do you like me?... Y/N?" Those words make my heart stop. Fuck. He's realised. He probably found out about me switching classes just to be with him, me staring at him all the time, my friends call it an obsession.

"Where did that come from?" I chuckle, trying to play it off.

"I've heard your friends talk about it, Todd told me today that you were staring at me. So I thought I'd ask you." This was actually quite bold of him, he always just stuck to either being quiet or just talking quietly with Todd and Marty.

"You find me weird don't you?" I leaned away from him, I didn't want him to look at me. Before right now, that was all I had hoped for and now it's the last thing I want.

"No, not at all actually. I find it cute. At first I was worried you wanted to kill me or something but when I saw your face light up when Ms. Somerset paired us up I had a feeling it wasn't because you wanted to kill me." Dave chuckled slightly, he smiled with only one side of his mouth and he looked so cute doing it.

"I thought I could actually hide it, guess I can't. I do like you Dave, and I know you have a crush on Katie so it's fine we can just pretend this never-" Dave cut me off by pressing his lips against mine. At first I was completely shocked but then I kissed him back. Oh my god I'm kissing Dave Lizewski!

I cupped his cheeks and pulled him on top of me and his hand found place on my waist. He didn't kiss me roughly like a couple guys have done before. He was gentle, more caring than lustful.

We both then pulled away and Dave had a big goofy smile, he was adorable.

"I don't like Katie, I mean I used to. But that was until I started seeing you sit next to our table at lunch and see you walk down the hallways with your friends..." A billion fireworks were going off in my head. I have never been happier.

"W-would you wanna go out on a date with me?" Oh my god, he wants to go out on a date with me!

"I would love to." I had a massive grin on my face. My dreams had come true.

[morally-earl-gray]

its ✨crisis time✨

sooo.... im aroace.

ive kinda known for a long time but i was in denial about it until recently (my internal thoughts are... complicated)

anyways, i want to come out to somebody, but im not sure who. i have a few options so im making a pro/con list (something i do a lot when making important decisions). yes, this is very personal but i need an outside opinion.

Option 1: lets call her Estelle (not her real name)

Pros:

younger sister

im really close to her (we tell each other almost everything)

bisexual, and i was one of the first people she told

already suspects that im aroace

Cons:

shes really pushy

shes gonna be weird about it and ask too many questions

she hasnt been as honest with me as she used to be, so im a little hesitant to open up to her

Option 2: Poppy (again, not her real name)

Pros:

shes my twin sister

we're really close

if i tell her, shes finally gonna stop asking me why i dont get crushes (and stop calling me a liar)

shes pretty understanding

she probably wont ask too many questions

she tells me everything about her life

i know she probably wont tell anyone

Cons:

shes straight (and doesnt know our other sister is bi) so she could be weird about it?

i might need to explain it to her bc shes less educated

Option 3: Clara

Pros:

lesbian, so she'll definetly understand

already knows what aroace means

we've been friend since kindergarten and we text a lot

Cons:

i know for a fact that she's not completely honest with me about her life

i dont know her as well as i thought i did :,(

basically idk... it would be kinda hard for me to be super honest with her, and i would feel weird about it

Option 4: put a PSA on my extended family group chat and then completely disappear (lock myself in my room) for like a week

Pros:

they'll all finally know

theyll stop calling me a liar when i say i dont have any crushes

i can stop feeling like im hiding something when im around them

i gotta come out sooner or later, right?

rip the band-aid off

if i come out first, my sister will probably feel more comfortable when she decides to come out

Cons:

theyre REALLY homophobic

they have extremely... old-fashioned views on stuff like families and gender roles etc

they definetly wont understand

theyll probably call me a heartless robot or smth

i'll probably end up as an outsider in my own family

they're gonna be super awkward around me

long story short: every bad thing that you could say to an aroace... thats what theyd say to me

So... if anyone has advice, i would love to hear it. this is literally eating me up inside, i really want to talk to someone but i dont know who. also (and this is a weird request) my dms are always open, if anyone's out there and wants to chat, please message me and we can work through our crisises together

[littlerosetrove]

tags from @comfortingevanbuckley

#aside from Athena and Hen I cannot recall any major convos between any of the mains that really dove into what was going on in each other#other's lives. it has all either been superficial or still skated past some major stuff#idk it just did not have the connections between the characters we've been so used to

That's one of the many issues: the characters don't really talk to each other anymore, especially in season 8.

As for Eddie and Chris, Eddie hasn't even talked to Buck once about the Chris situation. Which is really weird because they're best friends, and Eddie knows that Buck has a special relationship with Chris. So why the hell have they not had even one conversation about it?

And yes it's weird that Eddie, best friends with Buck and friends with Tommy, has not bothered to talk to Buck about the breakup. He just played keep-away with Bucks phone, which in part I get, but it doesn't negate the fact that it's weird Eddie hasn't actually, truly, checked in with Buck.

EDIT: After reading some tags, I'd agree that one reason no one seems to talk this season is because if they did, then things would either be shown to be dumb and/or a resolution would take place. For example, if Buck and Eddie actually talked about Chris, I'm certain Buck would dig out the fact that Eddie hasn't done anything to realistically patch things up with Chris. Another example is if Eddie actually asked about why Tommy broke up with Buck and why Buck just hasn't called Tommy, well... Then this show would have to figure what they want to do with Tommy. Instead, Tommy is left as this "what if" for who knows how long. As for Eddie, well he gets to remain stuck as a character who has done zero self reflection, and is just deciding "if I move to Texas, that will solve my problems." 🙃

It is a little crazy that Buck drove all the way to Eddie’s house to give him a bunch of baked goods and Eddie doesn’t even think to ask “hey how are you dealing with the breakup? Why do you want to talk to him so bad? Do you need me to check in with him, since I am his friend?” And instead we skip straight to the house hunting news.

[laughinglynx]

.

[wavesoutbeingtossed]

The TTPD Deep Dive (Part ?)

It’s no secret that I have a lot of Thoughts about The Tortured Poets Department and it has lived rent-free in my head since it came out earlier this year. I’m absolutely blown away by how underneath the chaos, it’s actually an exceptionally cohesive story and is probably the closest to a concept album Taylor has ever done.

There are so many themes that have stood out to me over the last five months, and there’s one in particular that I think not only drives the entire album, but ties into previous albums to help deepen understanding of it.

This is it, my fangirl magnum opus, my months of posts consolidated into one place. This is also my disclaimer that this is just my interpretation of the album, and my summary of the story it tells, and I don’t pretend to have any special insight or authority. I’m not saying I’m correct at all, do not take any of this as fact, it’s just what it sounds like to me, and these are my silly not-so-little thoughts about it.

(Under a cut because it’s way too long and involves discussion many may not care for or be sick of.)

Come one, come all, it's happening again (I'm thinking too hard about Taylor music)

The overarching theme in TTPD to me is: Grief. If you’re looking at TTPD as a story being told (instead of just as someone’s real life), the inciting incident of TTPD is loss, and the grief from that loss is what drives the narrator’s actions and the fallout, as well as unpacks those complicated feelings and how they apply to the her life in general. By the end of the standard album, it’s also about recovering from that pain, moving on from it and learning from it.

The loss specifically is the loss of the dream of having a family (with one’s partner). One thing that is abundantly clear both on the top line and under the surface in TTPD is how Taylor (as a person and as narrator) longed not only to for marriage but specifically parenthood, and the fear and then realization of losing that chance absolutely wrecked her— which is why the next lover’s (the conman's) wooing worked so well, because it preyed on that yearning. Yet that loss also dovetails into the grief of many things: of youth, of idealism, of relationships, of ideas, even of self, which causes almost a deconstruction of a belief system to piece one’s life back together by the end.

THE CONTEXT

TTPD weaves in the topics of marriage and motherhood both explicitly and in the subtext, in various forms and scenarios. The cheating husband in “Fortnight.” The wedding ring line in “TTPD” the song. “He saw forever so he smashed it up” in “My Boy Only Breaks His Favorite Toys.” All of “So Long, London.” Running away with her wild boy in “But Daddy I Love Him,” fantasizing about weddings and joking about babies. The imaginary rings in “Fresh Out The Slammer.” The cheating husband (again) and the friends who smell like weed or “little babies” in “Florida!!!” “You and I go from one kiss to getting married,” “Talking rings and talking cradles,” and “our field of dreams engulfed in fire” in “loml.” (And arguably: “I wish I could un-recall how we almost had it all.”) “He said he’d love me all his life, but that life was too short,” in “I Can Do It With A Broken Heart.” They may not sound like much on their own, but they paint a picture about how the topics pervaded her thoughts and her writing, and in many cases express her desires, and her pain.

It’s something that goes back several albums when you pick up on context clues. You get the first hints on Reputation with “New Year’s Day,” and “you and me forevermore.” Then Lover is very forward with it: “Lover” is basically wedding vows, “Paper Rings” is very engagement-coded, “I Think He Knows” is cheeky but low-key “you better put a ring on it,” “It’s Nice To Have A Friend” has wedding/marriage imagery in the last verse. As a self-professed diaristic writer, it’s the type of stuff one presumably doesn’t put out there unless those conversations have already happened, and she was very excited about it at the time it was released.

Then the pandemic happens and folklore comes out, and while there is still happy love there (“invisible string”), there are also the first indications that something has happened to put a halt to whatever future she once dreamed of (“hoax,” “the lakes”) and that she’s trying to reassure herself and him that it can still happen even if she’s scared it might not (“peace”). Notably, as far as I can remember it’s the first time Taylor explicitly brings up the idea of family (with her partner) with “you know that I’d give you my wild, give you a child,” which stood out at the time because it’s so incredibly vulnerable, but it’s even more poignant when you really take in that the whole song is like a confession of her deepest worries, and this is her vowing to give him these things that she holds most sacred if he’ll let her. These are what she cherishes most dearly and wants to return in kind: her youth and commitment (my wild), the family she craves (a child), unconditional support (swing for the fences/sit in the trenches) and understanding/compassion (silence that only comes when two people know each other).

Evermore follows an even darker path, and suddenly the album explores relationships that end and grappling with loss. There are toxic relationships (“tolerate it”), dangerous marriages (“no body, no crime,” “ivy”), failing/broken relationships (“Coney Island,” “champagne problems,” “happiness,” “‘tis the damn season”), as well as grief (“Marjorie,” “evermore”). Even some of the happy songs have uncertainty in them: in “willow” she’s begging for him to take her lead, like she’s still trying to decipher him and ask him to commit; in “cowboy like me,” still a beautiful love song, she’s thinking, “this wasn’t supposed to work and we were supposed to bail on each other but we fell in love instead”; “evermore” is about the depths of severe depression (and more) with the love story being the one saving grace in her darkest hour. And it’s also notable that after all the “fiction” writing, shortly after this album she writes “Renegade” where she’s telling the subject: I’m ready to start the next phase of our life now, why aren’t you? Is it me you don’t want after all? It’s like there’s something telling her that this stall might not just be a stall.

Midnights is a jumble (in a good, but in hindsight, also sad way) with the “sleepless nights” concept, but it seems pretty clear now that the themes and events and relationships she was revisiting tied into a lot of what she was feeling in her present life. I wrote the cliff notes version awhile back, but she’s questioning so much of her life that’s reflected in past events and relationships. Am I actually always the problem? How did we lose sight of each other and what we had? We only seem to work when we block out everyone and everything else. Can we ever go back to when things were good? Why are you neglecting me? I once thought I was going to lose everything but you saved me in the nick of time, can that happen again? I chased my career, but did I give up my chance at having a family in the process? Nobody knows what I really suffer from behind closed doors and I’m all alone.

And so on, which in retrospect now that we have TTPD, is very much what she was grappling with in private while writing and releasing the album. The inspiration behind the songs may have been different events and muses, but regardless of their origins they all end up feeling too familiar, like she's seen this film before (ahem). We’re seeing her view of commitment change too, or rather how she writes about it: she’s not making the outright declarations of it like on Lover, or even the implied ones on folklore, nor is she talking of the dark side of it like evermore. For the most part it’s a return to the early days of some relationships, before things got hard, or the end of them when there was nothing left, and also pushing away the discussion of it altogether by the outside world. “Sweet Nothing” is a sweet slice of life, but even at that, it’s the peace of the home in conflict with the pressure of the outside world. Now that we have “You’re Losing Me,” which was written at the same time as the rest of the album, we can probably deduce that she was going back to the start because something happened that made her doubt the future.

THE SETUP

So much of Midnights directly ties into TTPD, and I said in the post I linked that it’s like Midnights is asking the questions that TTPD answers. But there’s one song in particular on Midnights that sticks out to me as being key in the broadest sense to understanding the state of mind that led to the events of TTPD, and that’s “Bigger Than The Whole Sky,” because the way it expresses grief is reflected in the theme of mourning a life built and the dreams along with it that are never realized in TTPD. There are several instances in TTPD that are basically variations of: “every single thing to come has turned into ashes,” and that’s what makes her snap, and leaves her vulnerable to someone who promises her those things when she’s bereaved at losing them in the first place. (In other words: “the deflation of our dreaming leaving me bereft and reeling.”) The song tells a story about how that loss of hope colours one’s entire mindset, and in some ways is a bridge to TTPD to understand what such a low point feels like.

I think that that grief, and most importantly losing hope for an imagined future in its wake, is fundamental to understanding TTPD on so many levels: both the decline with one partner that kept her hanging on then led her such a dark path, and why she fell for the conman's apparent bullshitting because it offered an express pass to what she was losing with her partner. And I also feel like it plays a part into the ruminating she’s doing all over Midnights, trying to make sense of where she finds herself when she’s writing the album, which directly leads to “You’re Losing Me.” Loss permeates so many of the stories on Midnights: of lovers, of innocence, of youth, of faith, of control, of life’s work, etc. “BTTWS” is just one of the ways in which it is expressed so fully, capturing that deep depression and subsequent extinction of faith in something that once felt assured and very much wanted. (Which is also mentioned in her writing process in the “Depression” playlist on Apple Music.)

If you understand why that feeling of loss in general across so many parts of life is so important to Midnights, then it illuminates so much about the “narrative” in TTPD too. If on Midnights she’s wrestling with the seeds of grief and loss (on multiple fronts), TTPD is her reckoning with it in its full form. “So Long, London” is the song that is the most explicit about it: How much sad did you think I had in me? How much tragedy? Just how low did you think I’d go before I’d have to go be free? You swore that you loved me, but where were the clues? I died on the altar waiting for the proof. It’s the sequel to “You’re Losing Me.” It’s, the air is thick with loss and indecision, I know my pain is such an imposition, I’m getting tired even for a phoenix, all I did was bleed as I tried to be the bravest soldier, I’ve got nothing left to believe unless you’re choosing me, my heart won’t start anymore, but from the other side of the break.

This is highly speculative, but if you follow the thread about the topic and the relationship as told from Rep through TTPD, in broad strokes it goes: young love with a serious connection (Rep) -> growing up and making life plans (Lover) -> something happens that delays those plans or makes them grind to a halt (folklore) -> serious doubts arise and cause a loss of faith in their future (evermore) -> struggling with the loss of that future and trying to make sense of the problems in a last ditch attempt to save the relationship (Midnights) -> fallout from that grief after the blowup of the relationship (TTPD). Understanding that progression of events (through the music) explains not only the storytelling side of TTPD (e.g. the jump from the partner to the conman) but also how the experiences/muses blend in the music, and how the music that on the surface is about the short-term relationship is really driven by the destruction of the long-term one.

Following the music, it’s IMO implied that Taylor (the narrator) was holding out for marriage and family with her partner, for years, and it seems like it was at one point a shared dream until something happened to pump the brakes, and seemingly on her partner’s end. And extrapolating further, given how the sorrow expressed in former albums bleeds into TTPD, it sounds like a plan that had been concrete in some form before it had fallen apart, and losing something that once felt so tangible is what drives her in her grief to find any kind of respite from the pain. Which is why the situation with the conman becomes so appealing as the one with the partner splinters further and further.

(If everything you’ve once touched is sick with sadness and you don’t want to be sad anymore, what are you left to do?)

THE STORY

So (one part of) the story kind of sounds like this from the standard album: the relationship with her partner as well as his mental health slowly deteriorate and he withdraws emotionally (“London,” “Fresh Out The Slammer”) and physically (again, “London,” and “Guilty As Sin?”) and takes his resentment out on her (“London” and arguably “My Boy Only Breaks His Favorite Toys” even though I don't want to get into muse speculation here). As she sinks deeper into her own depression as a result, the weight of the failing relationship starts feeling like a cage— or a noose (“London,” “Guilty”), but coming to terms with the loss of their life together and the future they’d dreamed of was killing her (again, “London,” but also “I Can Do It With A Broken Heart”).

Enter the conman who she reconnects with at the very point where this is coming to a head (knowing that IRL she reconnected with him around the time Midnights was being worked on) , and if you read between the lines, she confides some deeply personal things to him (“Down Bad” and “hostile takes overs”/“encounters closer and closer,” “Smallest Man” and the entire sleeper cell spy imagery which is one of my favourite things and I could write a whole essay about the meaning of it, “loml” and “A con man sells a fool a get-love-quick scheme”). Then after she’s confided these secrets to him, he insinuates himself back into her life (“Guilty,” “Down Bad,” “Smallest Man”) and sells her a dream that HE can give her all these things she hopes for (again, “Down Bad,” “Smallest Man,” “loml,” song “TTPD,” “Broken Heart”).

But the thing is, he only knows these are the things she wants because she’s revealed it to him, and presumably, told him that was what she was losing by staying with her partner. And instead of the normal response of, “that is really sad that your partner is not supporting you and you deserve to be treated better,” to a friend in growing distress, it seems like it was, “well I can give you all those things!!!! Right now!!!! Trust me!!!!” And worked on her until she believed it, and jumped at the chance at a precarious time in her life. And one thing I want to underscore is: Taylor has agency in the situation always, it’s not like she’s been kidnapped and brainwashed. (In fact, she implores on songs like “But Daddy” that SHE is in charge of her own choices, good or bad.) She chose to rekindle the friendship and then relationship, and she chose to eventually leave her long term relationship for another man, and she reiterates on the album that she owns this all. But it’s also: nothing exists in a vacuum, and she makes choices based on emotions and information she has at the time, which is why it gives so much whiplash.

THE ALBUM

When you look at it as, the situation with the conman only happens because of what happened with the partner first and that the appeal of the conman and the fantasy he sells her is a direct reaction to that, it makes the “swirliness” of the music make so much more sense. And for much of it, even many of the “conman” songs on the surface are really “partner” songs underneath.

Fortnight

A suburban gothic allegory about a broken marriage with a distant husband with a wandering eye, which makes the rekindled romance with the neighbor so appealing. She’s miserable caged in her stifling house because she’s been abandoned by her spouse, so the reappearance of this past love reignites the passion that’s dead at home.

TTPD

“So tell me, who else is gonna know me?” “I chose this cyclone with you.” I’m gonna kill myself if you ever leave. Everyone knows we’re crazy. She’s laying it out there that she’s already in a dangerous state of mind, and she’s actively putting herself in more danger by pursuing the conman. “At dinner you take my ring off my middle finger and put it on the one people put wedding rings on, and that’s the closest I’ve come to my heart exploding,” spells this whole thing out so clearly: whether it’s an actual event (likely) or a metaphor for the promise he makes to her, the reason why it makes her heart explode is because it’s the thing she’s been waiting for forever with no movement, and here this person comes in and slips it on her finger in an instant like it’s nothing. (And eventually, as we’ll come to know, it is absolutely nothing to him.) You mean it could have been this easy this whole time?! (Well, no. Not until a certain other suitor makes his appearance later.) It feels like she’s finally getting everything she wanted in the blink of an eye! How lucky! How convenient! What was that about the get-love-quick scheme you say? (Unsaid: the reason why this feels so urgent is because there’s a sense that time is running out in so many aspects of her life and not just the obvious. Which reappears later on.)

Down Bad

“Did you really beam me up in a cloud of sparkling dust just to do experiments on?” sets the scene for this euphoric experience in the moment that starts to feel violating once the dust settles (which is then followed up in “Smallest Man” and the spy mission on her). The bridge spells out how he weaselled his way into her life, preyed upon (intentionally or not) her emotional state, sold her a dream and then vanished, without the benefit of hindsight yet we see later in the album.

The alien abduction metaphor is pretty brilliant, because it shows both how she was desperate to escape the place she found herself in, and how much it screwed her brain to then be left stranded when the affair was over. “[I loved your] hostile takeovers, encounters closer and closer,” is so evocative because it details how the situation came to be: his overtures under the guise of friendship blurred lines until he made her an offer that she eventually couldn’t refuse (hostile takeovers) as he infiltrated her life more and more intimately. The sad thing is that the song has parallels to how her relationship with the partner started too in earlier albums, in that they ran away to live in their own bubble (or planet) only for him to metaphorically abandon her as the years went on. (Oven, meet microwave.)

My Boy Only Breaks His Favorite Toys

Being continually emotionally broken down by a person who knows he’s hurting you but still acts the way he does. (The original voice memo version makes this even clearer and it’s rather heartbreaking.) “He saw forever so he smashed it up,” speaks to the loss of a future the person became scared of, and the original lyrics (“he saw forever so he blew it up”) somehow cut even deeper to me because it feels so much more intentional.

Also in the original version, “he was my best friend and that was the worst part,” also speaks not only to the loss of an entire partnership in the wake of this hurt, but also to the feelings of betrayal that the person you trust so deeply has the ability to hurt you in this way too, and how it’s a one-two punch of not only losing the relationship but also your closest confidant. (It’s like the sequel to “Renegade” and the missiles firing to me.) Again, there are shades of both/many situations in the song, pointing to an unfortunate pattern in some ways. The situation in “My Boy” is part of why she was so low, and why the “get love quick scheme” was so appealing later on. And it dovetails nicely into…

So Long, London

The most explicitly “partner” song that puts a coda on “You’re Losing Me,” and is Track 5 because it’s the emotional underpinning of how she got to where she was, and drives the events of the rest of the album. It spells everything out: He withdrew, she tried to fix it for both of them, eventually even that stopped working, he was oblivious to or minimized how badly she was suffering and his (in)actions couldn’t reassure her, he wouldn’t move forward on their future plans and stewed in his own struggles, she was spiralling out of control trying to hang on and ultimately felt like she was going to die if she didn’t leave.

But Daddy I Love Him

Like a direct reaction to “So Long, London” in that she breaks free from the death of one relationship and throws herself with reckless abandon to the next, fuck the haters. How dare you judge me, when the relationship you think I should have stayed in was killing me? (Dutiful daughter all the plans were laid. All you want is gray for me.) Fuck all of you, I’m going to choose whoever I want! (So what if I have a baby with HIM, huh?! I tried doing it the proper way and look where that got me so now we're back to square one) It’s again her imagining how wonderful and freeing this “wild boy” is going to be for her, and how wrong she’ll prove everyone. THIS TIME she definitely got it right. So what if she has to run away! So what if she scandalizes the whole town! They don’t know what she really wants or needs anyway! She’s the only one of her (hee-hee-hee) and she’s the only who gets to decides how this goes. (Because: she longs for control in a situation she’ll eventually realize she has little of it in, which we’ll find out is a recurring theme in her life.)

Fresh Out The Slammer

Also spells out what happened with the partner in the first verse and the pre-choruses, which is what makes the conman so appealing as the imagined jailbreak. The bitter loneliness vs. the sultry passion she builds up in her head as she awaits her release from prison is key to understanding the two sides of the story in the album. There’s this whole outlaw imagery (which is also carried through in “I Can Fix Him”), but it’s contrasted in the end with her and her reunited lover sitting on park swings like children with “imaginary rings” — because “Ain't no way I'm gonna screw up now that I know what's at stake.” What’s at stake is lasting love and the promises that come with it (marriage/family) that are precious and time-sensitive. The imaginary rings are both a nod to the youthful dreams of her and her new/old lover, but also has a double meaning to me because those promises aren’t built on anything together; they're made up, intangible. (They’re no more concrete than the plans that went up in smoke with the partner.) Like with most of the conman situation, it’s all a fantasy in her head that has yet to happen, and as we find out later in the album, reality ends up leaving much to be desired.

Florida!!!

Broadly speaking, it’s running away from your problems and wanting to disappear from your life. (But again: the life she’s disappearing from is the cheating husband she may or may not be feeding to the swamp-- another miserable marriage.) What kind of flies under the radar though is the “I don’t want to exist,” line, which points to her dire state of mind that led her to fleeing to that metaphorical timeshare down in Destin. In many ways about cheating death.

Guilty As Sin

Yes it’s the “masturbation song,” but again the nuance is that she’s left to pleasure herself because her partner has abandoned her emotionally and even physically, i.e. “my boredom’s bone deep.” To be blunt: they aren’t even intimate anymore, so she starts fantasizing about the guy she used to have chemistry with who’s reentered her life and is making moves on her. And realizing that she’s now finding release in another man (albeit imaginary) breaks her even as it reinvigorates her because she finally understands that the relationship she’s in is effectively dead. (“Am I allowed to cry?”)

Who���s Afraid of Little Old Me

This isn’t about relationships, but about society and its reaction to them in a general sense. But again, she’s left to stew in all this anger and hurt as she’s been abandoned at home, then abandoned by public opinion, and the public attack on her is part of the origin as well as the end of that story. The trauma inflicted upon her detailed in the song is the reason why she felt trapped in the first place, which led to the decisions she’s made and habits she’s leaned on ever since.

I Can Fix Him (No Really I Can)

This is one of the few songs that is the most completely conman-coded, and shows when the delusion finally breaks at the end of the song. She spends the whole song being like, “no really, I alone can make him better! You’ll see! I know he’s gross, but he’s mine! It’ll be fine I swear! You don’t know anything! Uuuuuum hmm wait actually what the fuck—“

Loml

Oof. THE song. Again the surface reading is about the “conman” who comes in and sells her the lie, but the pain is because all the dreams she writes about are HER dreams and implied that they were the dreams she built with her partner that the conman sold back to her. I could do a deeper dive on this but most of the song is applicable to both relationships, which not only shows the “swirliness” of her writing, but also how they both ultimately did the same thing to her in different shades.

The bridge and the last chorus are kind of fundamental to understanding it all, and her ending it with “you’re the loss of my life” is about, among other things, how falling for this trap blew up the life she built and dreamed of for good. (I could talk about this one forever.) “You shit-talked me under the table, talking rings and talking cradles” to “Our field of dreams engulfed in fire” is a hell of a line and progression, and again, indicative of what the real driving force behind the whole album is. The shit-talking is because he took her dreams (of marriage and children) and hyped it back up to her tenfold whether in a moment of his own delusion or for more nefarious reasons — much like how the man prior kept promising these things but never followed through, which left her vulnerable to someone who appeared to offer them enthusiastically. The field of dreams isn’t just the one with the conman, it’s the one with the longterm relationship she’d built the dream with in the first place, because the conman’s actions are part of the reason the LTR went up in smoke. (Not the reason for the rift, but the consequence of the final break.) And THAT is why it’s the loss of her life, so completely.

When she says “I wish I could un-recall how we almost had it all,” IMO it’s not just the fake future that the conman lures her into, but also (and perhaps mainly) the once-real one she had with her partner and the loss of which that made her susceptible to falling for the con in the first place. There’s honestly so much between the lines in this song that covers every theme and speaks to the grief of seeing the life she imagined slip away, slowly by the first man then annihilated by the second.

I Can Do It With a Broken Heart

The juxtaposition of “He said he’d love me all his life, but that life was too short” and “He said he’d love me for all time, but that time was quite short” sums it up to me (and parallels “loml”), because they are two different situations, but they cut her just the same. In the first, “that life” IMO was the life they’d built with the dreams that went along with it and it was too short because he never followed through, and in the second, the “time” was quite short because it was the frenzy of the whirlwind romance that fizzled as quickly as it began. The life that was too short led to the time that was quite short.

The Smallest Man Who Ever Lived

This is definitely THE conman song. The rage, the shame, the violation, it’s all in there. But the key to it is the bridge and the espionage imagery woven through it. A honeypot scheme is when spies target a mark and seduce them to gain their trust and their privileged information for their homeland. So her likening him to a sleeper cell spy who set her up just to mine her deepest secrets and use them against her is a heavy, loaded statement. And implied: that valuable information she unknowingly held were her longings of marriage and family (the aforementioned shit-talking about rings and cradles she never got to have), and more importantly, those dreams preceded him reentering her life and then beginning his mission on her.

The insinuation then is: she confesses these are her deepest wishes which are now seemingly unattainable in her current situation (e.g. with her partner) -> he convinces her HE will give them to her and make the dreams she pines for come true -> she falls for him and blows up her life to make it happen -> he gets what he wants (thrill of the chase/sex/the idea of her/whatever his intent was) -> he abandons her when he gets what he wants, or rather it isn’t what he wants or can handle -> she’s left a) all alone b) with dreams unfulfilled c) with no answers d) feeling used at having her most sacred wishes used against her.

Again, the song is unquestionably about the way the conman absolutely destroyed her, but he was able to do that because there was this thing she wanted more than anything, that was dying in her previous relationship, that he was able to prey upon to seduce her, then discarded her and her dreams as soon as it was inconvenient for him while absolutely hollowing her inside out. (And again: the devastating thing is that this also applies to other relationships she’s written about, in different ways.)

The Alchemy

Not about either the partner or the conman directly, but it (loosely) touches on her finding herself after the whole oven-to-microwave experience and opening herself up to life and love again. #GoodForHer

Clara Bow

This isn’t about the romantic relationships on the surface, but it is about how damaging the entertainment industry and public life are on women, and how women are only valued for their beauty as commodities until they can be discarded and destroyed in the process. Which I think plays into the circumstances that led her to make the decisions that she did years ago, and why she makes the ones she does now. (But also, being valued for physical traits and appeal for the male gaze brings us to…)

The Manuscript

The “original sin” that kicks off all of this. Again, at first light this isn’t about the partner or the conman, but the person it is about is the reason why she has made all the decisions she has ever since in relationships (and that’s Mr. Plaid Shirt Days from “All Too Well”). The realization that her first serious adult relationship is what cemented these patterns, and this view of herself and her worthiness in relationships, is profoundly sad. An older man who valued her for being so mature for her age and implying that the mature activities ahem associated with that were the performance benchmarks in her ability to carry a relationship, only to leave her, was earth shattering. She placed her faith in this person, but then the way he treated her changed her view of love and of herself.

She took his innuendo about “pushing strollers” as a sign of potential commitment, whereas he ultimately meant it as foreplay, and she was too young and naive to know the difference. So not only did she learn from that that this man (and men) didn’t view commitment and family the way she did and that it was something to be toyed with, but she also learned that her value to them among other things was sex. Imagine being an idealistic 20 year old and your boyfriend ten years your senior tells you, “if the sex is anywhere near as good as our dates have been, we’re going to be making babies before you know it,” (e.g. this is relationship is serious) and then he dumps you: does that imply that the sex was not in fact that good? (E.g. that you’re not worthy after all?)

No, obviously from this side of life, it’s because he was a commitment-phobic playboy, even if he did love her, but she couldn’t have known that at 20 and instead internalized that shame. But, it did send her on a path of how she approached sex and love and relationships for over a decade afterwards. And her coming to the realization that that first act of (perhaps unintentional) manipulation is what informed her actions thereafter helped her break the pattern. Her worth to men is not just sex, she has value and her hopes and dreams have value, she doesn’t have to change into a different person to please anyone, because if that is what they want, they won’t ever want her anyway.

It’s been described here on Tumblr by people more eloquent and astute than I as a song that encapsulates the album as this: one did it slow (partner), one did it fast (conman), and one did it first (first love)— and that is haunting. After years of men minimizing her dreams and desires, if not outright using them against her, she’s finally at the point where she can let it all go and move on for good. (There’s a whole other tangent about consent and shame and manipulation, but that’s an entirely different kind of discussion. But it is so devastatingly contrasted with “you said if we had been closer in age maybe it would have been fine, and that made me want to die.”)

THE SUMMATION

This is just my interpretation of it, but in going through the standard album, it feels pretty clear how cohesive the album is about a story of love and loss and grief, then reckoning with what caused it all in the first place that set a person on this path. It’s a formative experience at a young age that was traumatic and led to certain coping mechanisms and a shaping of one’s self-perception, as well as the reaction to external pressures that try to dictate behaviours and influence how one feels one deserves out of love which makes it harder to know when one absolutely deserves more and better. And leaves one struggling to cope with loss when there isn’t anything else to hold onto. Then in light of one’s life blowing up, learning to find oneself in the aftermath all over again.

On another tangent that is somewhat related to the theme of loss, the way she writes about the two main muses on the standard album also ties into how the situations converged to create absolute carnage on her emotional and mental well-being. With one situation, she’s talking about a concrete life that crumbles under the weight of their struggles; with the other, the entire thing is a fantasy that she builds up in her head, and when it comes to fruition it falls far, far short.

If you look at the “microwave” (conman) relationship, you realize that almost everything she writes about it happens before it actually becomes reality, and it’s mostly her imagining how great it’ll be, but with few exceptions, when she writes about what actually occurred, it doesn’t even come close to living up to her expectations. “Fortnight” is an imagined future where she escapes to Florida and his touch finally starts her stalled engine (ahem). “TTPD” is perhaps the most positive retelling of their time together, but even that implies he was better off stoned and when he sobered up he succumbed to his demons all over again, and more importantly she conveys how she also is in extreme distress, barely concealed by the veneer of being infatuated with him. (E.g. saying to that she’ll kill herself if he ever leaves her — the implication is that she is absolutely serious about it when she “felt seen.”) And that the warning bells are going off in her head, but she feels like this person is the only one she can be with (because they’re equally fucked up and the chaos he brings into her life makes her feel alive when she felt so close to death).

“Down Bad” is the most explicit about being in love, but she’s also left completely confused and disoriented by him disappearing, wondering if any of it was real and the seeds of violation creep into her consciousness (“did you really beam me up in a cloud of sparkling dust just to do experiments on?” “Waking up in blood.”). “But Daddy” is her imagining she can tell everyone to fuck off for telling her what to do with her life. “Fresh Out The Slammer” is her fantasizing about this man while feeling trapped in her relationship — but never in the song is she actually reunited with him; she’s using him as the projection of all the things she’ll make right after being wronged by her partner. “Guilty As Sin?” Is very obviously about her fantasizing about sleeping with him, but again it’s such a minefield for her because it hasn’t happened yet; they’ve only just reconnected. “I Can Fix Him” is the only song other than “TTPD” that shows them actually together, and it’s the one where she keeps saying, essentially, “I know he’s gross but I can rehabilitate him into an upstanding person, trust me,” until the mic drop at the end of the song where it finally hits her that no, she can’t, because this is who he is, not the person she’s built him up to be.

“Loml” is when it all comes crashing down, and the song emphasizes everything he did and told her, e.g. that she’s the love of his life, but she doesn’t return the sentiment in the song about their time together. Because now that it’s past tense, she knows it wasn’t actually love. (And says as much in the album epilogue poem.) “Broken Heart” is her reeling in the aftermath, but again, it’s “he said,” not “I loved.” And then there’s “The Smallest Man,” where she eviscerates him: he also pursued an idea of her but didn’t care much for the real her in front of him (who else is gonna know me?), he love bombed her only to hurt her (crushing her dreams), he was constantly stoned (and not just in the funny munchies kind of way), and he wasn’t even a good lover (despite the fantasy she’d created before). That last point is especially striking because she spent albums singing about the importance of and pleasure in (sexual) intimacy in the relationship with her partner (sometimes to both their own detriment) and how it was at times the only way they could connect, but in this case, the idea she hyped up and acted on in her head about this lover never panned out in practice. She spells it out in the epilogue: it wasn’t a love affair, it was a mutual manic phase.

In contrast, there’s a lot more tangible action in the “oven” (partner) parts of the album, showing how hard she tried to make the relationship work in real life instead of just in her head. All of “So Long, London” is her detailing how she tried to break through to him and support him, even when he rejected it and pushed her away, thinking she could carry them both until they ultimately sank, but she did it because she “loved this place for so long.” (The place? Not just the city, but the home and perhaps most importantly, him.) In “Slammer” she stayed with him even as things disintegrated for “one hour of sunshine.” (E.g. holding onto the rarer good times even as they were fewer and further between, hoping things would eventually turn around.) And like in “London,” she held on despite people in her life pleading with her that it was hurting her. (Which is also echoed in “Slammer.”) In “Guilty” her boredom is “bone deep” because the passion that once drove their relationship (and papered over their problems) has finally gone out too, so there’s nothing left to hold onto, leading to her fantasizing about the new suitor, which makes her realize her relationship has passed the point of no return. “Loml” is about the conman on the surface, but the undercurrent of all the things she says about him is that he was co-opting the dreams that she was clinging onto for dear life in the previous relationship, which is why the con is so painful; the field of dreams he sets ablaze isn’t just the fake painting he sold to her, but the original artifact (her life with her partner) too.

All the physical and emotional labour she puts into the relationship with her partner ends up reflected in the fantasizing she does in the one with the conman, which is why it is so confusing in the moment and so lethal when he leaves her without any answers. She wants to get married and start a family with her partner which keeps getting stalled; the conman mock-proposes which makes her think he’s immediately serious (“TTPD,” “loml”). She feels caged by having to hide with her partner and shrink herself; the conman promises he’ll stand by her side publicly and let her shine (“Smallest Man”). She sinks into a deep depression in her loneliness as the relationship with her partner careens off a cliff; the conman convinces her they’re meant for each other in a them-against-the-world way (“Down Bad”). The intimacy (in all senses of the word) in her relationship with her partner fizzles; the conman stokes the fire by sending her secret messages and reigniting passion (“Guilty”). She spent years trying to help her partner to no avail; the conman makes her think she has the power to reform him (“loml”). She feels misunderstood by her partner; the conman acts like he’s the (only) one who truly gets her (“TTPD,” “loml”).

In short: there’s nothing that the conman does or says that isn’t a direct response to what her partner did first, and it’s even worse because the conman knew how much her partner’s actions hurt her and he used that privileged information to paint a picture of what he could give her, but in doing so in some ways aimed at her heart with even deadlier accuracy. (I’ve likened it to him borrowing someone else’s life for his own joyride, until he crashes the rental car and flees the scene.) It’s why in the aftermath, the difference in emotions are so different: she feels nothing but rage and violation towards the conman for getting in her head and using her, whereas her feelings towards her partner are more complicated. There’s anger (at her lost youth and being taken for granted), but there’s also sorrow (at their lost life and future), disappointment (that he never could step up the way he’d promised or she’d needed), even compassion (towards his struggles) and a tiny measure of appreciation (for the good times they did share).

When you look at the bigger picture, the story the album paints is just so painfully normal. You have two people (Taylor and her partner) who once loved each other deeply, and despite warning signs early on telling them they have fundamentally different needs and ways of living their lives they fight like hell to make it work (the epilogue) until those warning signs become grenades that destroy their home (“My Boy,” “London,” “Slammer,” arguably “loml”). Having already been through at least one rough patch/break/breakup that she felt almost destroyed her (harkening back to Midnights on “You’re Losing Me,” “The Great War” and “Hits Different”), the final and fatal downward spiral of the relationship (“YLM,” “London”) and the grief over losing that future sends her into a tailspin, just at the time where a flame from the past (the conman) reenters her life and tells her all the things she’s been longing to hear and feel (“TTPD,” “Down Bad,” “Guilty,” “loml”) and, crucially, missing from the relationship that was once her entire life.

So in her panic, she falls prey to the (empty) promises of the past lover (“loml,” “Smallest Man”) and decides he’s actually what will save her from the free fall, because the alternative (that she will end up in a situation she doesn’t think she can survive) is too painful to bear. When she finally acts on these circumstances (leaves her partner/runs to the conman), she snaps, acting on pure emotion and adrenaline (“But Daddy”), but before she knows it, the new lover abandons her, and she’s left to reckon with the fallout of the episode and process everything that has happened (“Down Bad,” “loml”) — with the conman, with her partner, with the choices made in her adult life personally and professionally which leads her back to the moment she feels set her down that road at the start.

The TL;DR of this unintentionally long essay is that the reason the conman affair was so serious was precisely because it was meant to fulfill the promise of what was her life with her partner. To me, a large part of the story is that she projected that life onto the conman (or he projected her life back to her for his own purposes) because she wasn’t ready to deal with that massive grief and the life raft he offered felt like the only alternative to an even darker end. Whether the conman actually believed what he told her, or he went along with it or encouraged it because it served his purpose, we’ll never know, just like we’ll never know the finer details of what went on (nor should we). But no matter what, the album is just an extreme deep dive into all the ways grief can consume us, and whether it’s a long, drawn-out death or a sudden, inexplicable one, it can turn a person’s life into such a trainwreck that they act in ways unfathomable to even them, let alone the people around them. It can also unleash repressed trauma and mental illness that can crater your sense of self. And when those situations are compounded? It makes for a nearly impossible type of breakdown to unpack. (Which is why you might need a 31 song album to process it.)

[yardsards]

"they never dated but they ARE exes" is such a funny relationship for two characters to have. very awkward relationship to have irl tho

[thepoisonroom]

that post that's like "learning social skills helps with social anxiety" applies to dating also btw

[milkdreamspecialmix]

also on the topic of being delusional and delirious. how is everyone tonight?

[infizero]

listen i was guilty of this once upon a time too but dawg ppl GOTTA stop calling any platonic dynamic they like “siblings” without any precedence 

[unproduciblesmackdown]

(genderly) chill as hell if i was only ever glimpsed / detected like this

[purpurussy]

.

[j-esbian]

i lost the post but i saw someone talking about how some of y’all act like being weird is a choice and like. YEAHHHHHHH.

that’s fine, it might be for you. but i just live like this and don’t know any other way. like yeah i’ve worked customer service, i can do innocuous small talk, but anything beyond that, i don’t understand what i’m missing. and it’s frustrating to see the tonal disconnect especially from people who are like “uwu embrace weirdness!!” where they’re like. dressing quirky and talking about bugs and listening to obscure music and eschewing small talk to ask Deep Questions on the first date and unlearning their tendency to not infodump. and generally have an idea of what Weirdness is supposed to look like. idk man some of us wake up and get out of bed and can’t figure out why the rest of their coworkers chitchat with each other but when they join the conversation it dies.

weirdness is value neutral. let’s stop trying to turn it into a badge because quite frankly, it’s not a choice for everyone. it’s fucking exhausting to never be on the same wavelength as other people and they’re going to react the way they do and label you the way they will without any conscious actions on your end. it’s difficult to talk about this without feeling like you’ll be dismissed as immature, a teenager whining “no one understands me” but the thing is. sometimes you don’t grow out of feeling alone and different, and there’s no good way to talk about it without feeling like people will think you’re just fishing for pity.

[incesthemes]

hey girlie it’s me, sam winchesters gay lover, your mootie 🥰🥰🥰 i just wanted to let you know, that your tags on the post about that wincest video are based and i agree with every word, hashtag slay couldn’t agree more i loved reading your essay in those tags heart ❤️

omg thank you!!! i'm basically only capable of talking in essays whether people want me to or not, unfortunately

i just have a lot of feelings on this topic and the whole "canon or not canon" argument is weird to me; the themes are pretty darn clear in supernatural (it is NOT known for its subtlety) so idk man. they don't have to kiss to be canon. and they don't have to have a romantic relationship to be canon either. how many times do they get into relationships with other people only for it to be treated as cheating/betrayal/abandonment, only for them have to give up that relationship in order to reaffirm their devotion to their brother

that's just what the text says. i'm not under any kind of delusion that they have some secret sexual or romantic relationship, but that doesn't change that sam and dean are each other's most important person regardless of that. which is really awesome imo, that romance isn't treated as more important than whatever horrible thing they have with each other, and that they don't have to consummate their relationship with romance/sex in order for it to be the most important one they have

(and of course there's romantic/sexual subtext, like parallels and metaphors and misunderstandings and jokes, but to me that just provides a solid foundation for presenting this relationship between them as the most important even though it's not romantic or sexual—because this language of romance is the only one we know, really, when it comes to writing important relationships between characters. it's the only one we know in our own personal lives, to a large extent. so you use the romance/sexuality to symbolize the actual bond they have. which is so much worse lmao)

anyway i think spn is fairly unique in this way because of how no other relationships can really ever stand parallel to the one they share; even in other shows that center male friendship, romance is allowed to coexist with brotherhood. for sam and dean, it's not, and that becomes a point of tension and conflict and resolution many, many times over the course of the show. so like yeah!!! just because it's not romantic or sexual doesn't mean it's not canon, in the sense that their relationship is the point of the show, and it is the most important relationship they have. they chose each other above all else, every single time. yknow, it's "the epic love story of sam and dean" and all that

[paranormeow7]

starting to realize some strange things about how I experience “empathy” and my relationships towards other people. I was always told that I have high empathy, especially by family, doctors, teachers etc. it was a part of my initial diagnostic criteria for “Asperger’s syndrome” when I was around 8. maybe I degraded over time or something, but one thing I’ve noticed is that I don’t think that empathy was like. Real if that makes sense? I taught myself over time to predict how other people were going to behave and react, so I could display the correct responses. I have always been incredibly anxious about how other people view me, but always from the self absorbed point of view of “what if they think i am horrible, what if they think i am weird” etc. I’ve always been desperate for deep connections and genuine relationships with other people, but that feeling is usually triggered when I see people hanging out with their friends and loved ones and thinking “why can’t I do that?” I crave attention, I crave love, I crave for just. People to talk to. And then I legitimately attempt relationships with them and I realize that, wow, I don’t feel anything towards these people. I don’t understand them or the way they display their feelings at all. My closest relationships have always gotten that close due to me beginning to stop seeing the other person as an unpredictable wild animal and more like an extension of myself, and even still, when those around me display emotion, my feelings deep down are those of confusion and annoyance. I overcompensate, I take jokes literally, because I’m afraid I hurt them. If I hurt them, they’ll think I’m horrible. I can’t let people think I’m horrible. I don’t know why I care so much about what other people think of me when I don’t feel much towards them other than fear of being rejected by them and confusion at their behaviors and responses. I don’t know why I’ll remember and miss people, strangers included, for years on end either. everyone stays with me, but there’s just a barrier there. idk. I don’t think I have any empathy at all. I think I’ve fine tuned my behavior enough to manipulate the people around me into thinking I do.

I think tricked my peers into thinking rejection sensitivity dysphoria is empathy. fucking wild

sorry none of this is comprehensible idk how to express my feelings properly aughhh

[chrisbangs]

hello... (and bye ig 👋)