#spn posting

[lazarrusrising]

Can't shake the mental image of Jensen Ackles scrolling through Tumblr and muttering "he would not fucking say that" to himself every once and a while

[entropyofnuance]

Dean: lol Cas is such a silly nerdy angel

Everyone else: dear god Castiel is heavenly wrath personified. He is filled with bloodlust and has killed more of his brethren than any angel who came before him. He can kill you before you even know you’re dead or he can torture you so effectively you forget your own name. He is the most deadliest soldier heaven has ever produced, even when his grace has been stripped from him and he is left as nothing but a human. Those who have tried to control him have paid dearly for their hubris. No one can keep him dead, not even God himself

Dean: lmao Cas come watch a cowboy movie with me in our matching cowboy hats

[cannibology]

once in a while i’ll see someone act like sam had a good (or even spoiled) childhood just because he had dean taking care of him and all i can think is, are we talking about the same sam? the sam who wanted to get away from his family so badly as a child that his imaginary friend, a real being with his best interest at heart, was encouraging him to run away? the sam who was so miserable at home that the times he was able to get away became all of his best memories? that’s the sam we’re saying had a good childhood?

dean may have done his best to care for sam and sam may express a lot of appreciation for that in hindsight, but it doesn’t change the fact that a kid is never going to be able to be a good primary caregiver to another kid. dean wasn’t a father or mother to sam; mary was sam’s mom who was gone for good and john was sam’s dad who was gone most of the time and sam was a kid raised without real parental nurturance or really any kind of consistent support from an adult in his life. he may have had a brother who tried to fill that gap, but that was always going to be a sisyphean task for a fellow child. dean being the closest thing he had to a good parent doesn’t make his childhood better, it just means he didn’t have a good parent in his life at all because dean was never a parent, much less a good one.

pretending dean did a great job raising sam and gave him a good childhood isn’t any fairer to dean than it is to sam, because the point isn’t that dean did a good job, the point is that dean never should have been given that job in the first place. he was a child with far more weight on his shoulders than he could reasonably be expected to handle and sam was a child abandoned by the person who actually should have been caring for him. both of them were neglected by the only family they had left, and both of them suffered for it.

[incesthemes]

in provenance, the impala is depicted as quite dirty and beat-up, scuffed up and covered in mud. this is not the typical image that comes to mind when you say a man loves his car. in later seasons too, the impala tends to look shiny and new, and dean is seen performing maintenance on it pretty regularly—at least, there are many scenes that show dean taking care of it, and there are also many scenes which touch on dean's possessiveness and care for his car.

this isn't the case in season 1. season 1 dean has a beat-up hand-me-down from his dad which he loves and admires but is still willing to let it get dirty and dented and scuffed.

in season 1, the impala represents john.

based on how john talks about the car in dead man's blood, he still has a semblance of ownership over it: john gave dean the car, but he still considers it "his" in the sense that he feels entitled to judge how dean cares for it. dean, too, doesn't argue with this. in season 3, dream dean even uses this against real dean to drag out his insecurities and his abysmal self-esteem:

both john and dean agree that the impala is john's car. this makes sense because the impala is also sam and dean's literal home, or the closest to home they've ever gotten.

you have a good "home is where the heart is" kind of connection here: the impala is home, and john is the impala—john is home, john is their father, john is the thing that connects sam and dean by blood. et cetera et cetera.

so if the impala represents john, then how dean treats the impala gives the audience a lovely visual metaphor for how dean feels about john. provenance is just one episode after something wicked, where dean is finally starting to extricate himself from his father. the entire season has followed dean as he experiences betrayal after betrayal from his father, and in shadow we see evidence that he doesn't actually believe that his father will come to protect them anymore—he's effectively given up on john as someone to rely on, and he's spent the whole season separating himself from john and attaching himself to sam instead. provenance gives a nice wink and nod at this by showing the state of the impala—dean is upset with john, their relationship is crumbling, and dean doesn't know how to repair it.

one episode later john remarks on the state of the car, and one episode later dean finally defies his father for seemingly the first time.

so when dean starts destroying the impala in everybody loves a clown, what dean is actually destroying is john.

he feels angry, upset, hurt, betrayed all over again. john is dead, and his final words to his son gave him an impossible task. dean takes the crowbar to the impala right after sam corners him into another conversation about john—this is an outpouring of his emotions about him, all concentrated on the last remaining symbol of his father.

but what i think is interesting is that sam doesn't see the impala this way.

sam sees the impala as dean. the symbolism here is very, very obvious. if sam gives up on the impala, then he's metaphorically giving up on dean. and sam refuses to let dean die, so he can't let the impala die, either. to sam, the impala is dean. which necessarily means that to sam, dean is his home, as well.

which is exactly what he just chose in the season 1 finale when he picked dean over his revenge. sam spent the entire season scared to "go home," and in devil's trap he finally returns for good to his home—to dean.

and in bloodlust, the impala is fixed, and she's shining like new. from this moment on, dean shows a rather pointed possessiveness over his car.

this is also the first time dean calls the impala "baby." this is the first thing that happens after dean destroyed it in the episode prior. the dissonance gives a sense of rebirth: something happened between dean destroying the impala and dean fixing it. something happened between dean using the impala as a stand-in for his father and dean calling it his baby.

in season 2, the impala no longer represents john. john is dead, and dean killed him. "home" is no longer centered around john; their father is no longer the thing that connects sam and dean. in devil's trap they chose each other, they chose codependency, they created a relationship between them that transcends the family structure they inherited from john. john is not part of this new relationship—it's just sam and dean now, and john is dead.

dean assimilates to sam's perspective when he rebuilds the impala: his car is now an extension of himself, and he is the home that sam chose. this is now his car, not john's; he is now sam's family, not john. and throughout the first half of season 2 dean struggles with this new responsibility and what that means for him—how their codependency should work, whether or not he should try to fill john's shoes, what "home" is supposed to look like for them without john in it.

i think it's an interesting way to depict dean's emotional shift across this stretch of episodes. seasons 1 and 2 especially do a lot of great work to depict john even in his physical absence, from allegorical substitutes to his haunting presence to this, representing him through the symbol of their literal home. noticing this makes me much more emotional about the impala's role in the story, because it's a physical manifestation of the effort dean put in to become sam's home and commit to their codependent relationship. he loves his car because it's his home, and his home is where sam and dean's hearts are.

[morganaconda]

[transexualpirate]

once upon a time there was this little guy named castiel and he changed my whole life

[stella-grier]

some behind the scenes photos, they are quite funny😁

[mrs-padalecki2341]

Princess (Sam x Reader)

Warnings/Promises: Sam gets jealous, smut, nickname, unprotected sex (Wrap it before you tap it), I think that's it but lmk

~~~

You strutted over to the bar in your heels and sat down next to the demon you were hunting. The plan was for you to flirt with the demon, get him to let his guard down, and lure him outside, then Sam and Dean would sneak up behind you and kill the demon. Sam, being the overprotective boyfriend he is, didn't like the plan at all, but this demon was stronger than the average demon so the element of surprise was your best chance.

"Hiya~" you smirk at the demon. He turns on his stool to face you.

"Oh, why hello there gorgeous~ What's your name?~" he leaned on the bar and waved to the bartender for another drink.

"I'm Y/n" you responded, sipping your own drink. You saw Sam shift uncomfortably in the corner of your eye, still watching you like a hawk.

"A pretty name to match a pretty face," he says with a smile. "I'm Zander." He moves his hand to touch yours and you see Sam move to come interfere, followed by Dean grabbing his wrist and holding him back.

You let him touch your hand, but when he moves it to try to hold it, you pull away, stirring your drink as an excuse of why you moved.

You kept talking for another minute or two, when he moved his hand to rest on your thigh. You scooted away and looked over to the boys. Dean was practically pinning Sam in his chair, trying to keep him from messing up the plan.

"What's wrong, princess?" Zander asked when you moved away.

As soon as the word left his mouth, Sam threw Dean off of him and stormed over with a deadly stare in his eyes.

"Sammy!" Dean yelled, but there was no stopping him.

He turned Zander on his seat and jerked him up by his shirt collar to meet his gaze.

"Only I can call her that." Sam snapped through clenched teeth before using his free hand to jab the demon knife through Zander's throat.

"Sammy, what the hell?!?" You scold him.

"Holy shit," you both look to see the bartender staring in shock. "What is wrong with you?? Get the hell out of my bar before I call the cops."

And with that, you were all in the impala driving back to the bunker.

Dean looked pissed.

"Dean, I-" Sam started.

"Save it." Yep, definitely pissed.

~~~

You pulled up to the bunker after what felt like an eternity-long car ride in complete silence. With the slam of car doors, you all exited Baby and headed inside.

Dean stormed off to his room, and the second he was gone, Sam's lips were pressed firmly against yours, aggressively claiming your mouth with his.

"Mine." He mumbled against your lips.

The two of you made your way back to Sam's room, stopping outside the door. He pressed you against the door, once again finding your lips, before opening it and stepping in, with you right behind him.

You were both already breathing heavily and you could feel the desire pooling in your stomach.

He quickly got to work at undressing himself and you did the same until you were both fully naked.

With one look at you, standing there, bare before him, Sam was all over you.

Sam planted desperate kisses all over your neck as his rough hands roamed your bare figure.

He slid his hands down your back to your thighs, then back up again to cup your ass.

He lifted you with ease and walked over to the bed, laying you down on top of the covers.

You smiled up at him as he moved on top of you, pressing his chest against your breasts and leaning down to connect lips with you.

The kiss was warm and passionate, and hot and needy all at the same time. His lips moved against yours as he smiled into the kiss. You felt his hand envelop your breast and his fingers toyed with your nipple. He gave it a sudden pinch, earning a shocked moan from you, and instantly he seized the opportunity to slide his tongue between your lips and explore your mouth, as if it was planned.

He suddenly broke the kiss and lifted himself up enough to line up with your wet entrance.

He wasted no time with easing into you and instantly began pounding into you at a fast pace.

The sex between you and Sam was usually pretty rough, so you didn't mind, bucking your hips up to meet his as he moved his hard cock in and out of your heated core.

Your voice rises in your throat and leaves your mouth in breathy moans as Sam's hand massages your breasts and his cock massages your aching core.

"Mm, fuck yeah, you feel so good baby." Sam says through groans of pleasure.

He stopped and pulled out for a moment, leaving you empty as your nearing orgasm faded back away.

You opened your mouth to complain when he grabbed you by the hips, pulling you to the edge of the bed.

He lined his cock back up with your opening, running it against your folds a few times to tease you before pushing back into you.

At the new angle you were in, he was able to slam into you harder and faster, bottoming out with each thrust inward.

With the new, faster rhythm you felt yourself building back up towards your orgasm in no time.

Each time he pushed into you it was like another step was placed down as you built a stairway to heaven.

You lifted your leg to bring it to your chest, giving him better access as both of you panted heavily.

"Mm, fuck, you're so beautiful," Sam hummed as he pushed himself deeper inside of you, his cock throbbing as he struggled to hold back.

"Shit, Sam I'm close," you moaned out as your hands gripped at the sheets.

"Me too. Cum with me, princess~" he reached one of his hands down to toy at your clit, causing just enough stimulation to push you over the edge.

You clenched down around him and came on his cock, setting off his orgasm.

"Fu-uh-uh-uck, Y/n-" He called out as he threw his head back and his hot cum poured into you, mixing with yours.

With one final rock of his hips, Sam pulled out his worn-out cock and smiled down at you, before flopping down next to you with a content sigh.

"I love you, princess," he whispered in your ear before turning you to look at him and placing a soft kiss on your lips.

-SP<3

[clearancecreedwatersurvival]

People on this website really trying to downplay the specific role of destiel in the events of November 5th 2020 ‘it could have been any other ship that went canon at that time and had the same effect’ no.

Nothing else is destiel.

Nothing else is 12 years and hundreds of episodes of extremely obvious and deliberate queerbaiting that was Vehemently denied by the production team. Nothing else is the ship about characters whose larger overarching plot is literally fighting against their own pre-determined narrative to attain free will. Nothing else proved in the 11th hour Just before the show ended that the meta narrative and queer reading by fans who insisted there was something there and who were constantly called crazy by the production and by other fans and by the rest of the internet were RIGHT.

The CW did market research! About whether to make it canon! In a show they always pretended was aimed primarily at middle (conservative) America!!!

The queer subtext was so Fucking Strong by the end of the show, because the writers constantly wrote themselves into corners that could Only be explained away by destiel, that they HAD to admit defeat and canonize it.

And THEN even after they made it canon, they denied it some more and tried to downplay it! But it happened! The angel is fucking gay!!!!

Destiel is THE great American queerbait and had been a staple of the culture of this site for over a decade before November 5 2020. There is a REASON it is the most popular ship on AO3. ‘The same thing would have happened if johnlock became canon or spirk or whatever else’ no it simply would not have because crucially CRUCIALLY those ships Never Became Canon! The fact that Destiel of all the popular queerbait slash ships of the past few decades somehow at long last DID, and in a way that Still refused to just let the shippers have it and allow any implication of full reciprocation and that the final two episodes and the entire cast absolutely refused to acknowledge in any way, is why the canonization of destiel is one of the wildest things to happen to fandom culture as a whole in recent memory, and you cannot theoretically remove the destiel of it all and have it be the same kind of event.

The reason november 5 happened like it did, why people started making jokes at all, is because the fandom cultural juggernaut that is destiel becoming canon is the only thing that could have possibly managed to trend above the U.S. election. BECAUSE it’s destiel.

[found--family]

the way jack spent his first episode like the little cartoon bird asking 'are you my father?' and flat-out said castiel was his father but when castiel came back jack only references cas as his father to others and furthermore cas only references jack as his son to others so jack never calls cas 'dad/father' to his face and cas never calls jack 'son' to his face and i just don't understand why this show hated its fanbase so much that they wouldn't even give us innocuous things they themselves set up i am flipping tables  

[lazarrusrising]

Dean is looking at Cas with his big beautiful green eyes and saying "you have a choice" not knowing that this is the moment that Cas is going to start choosing him

[entropyofnuance]

Dean “I-can’t-remember-anything-between-the-ages-of-17-and-28” Winchester VS Castiel “been-lobotomized-so-many-times-he-probably-thinks-he’s-only-known-Dean-for-eight-years” Angel of Thursday

[nyc-pizza-rat]

anyway destiel first kiss should've been when Dean was wrapping cas' body in a shroud after he died at the end of s12. like yk when he lowkey collapsed over the body mid-shroud-wrap because he couldn't handle it ? yeah yeah. like he should've kissed that body and then thrown up in the backyard and cried about it. i think he should've done that!!!!!

[deancrowleycas]

today on tumblr

[incesthemes]

there is interesting johndean subtext and insinuations across kripke era, usually through an antagonist insinuating parent-child sexual violence in order to exert dominance over dean. this type of mockery exploits that ambiguous relationship between john and dean and reminds dean that he never had a normal relationship with his father, and that makes him gross and wrong. it doesn't actually matter in the end whether john was sexually abusive to dean. the core of their relationship was damning enough: dean was made to take the place of john's wife—to comfort john and raise sam—while simultaneously being his son. the codependent nature of their relationship implies the incest that underscores their dynamic. again, this is regardless of what literally occurred between dean and john because there is enough doubt toward the nature of their relationship that multiple antagonists can use it against them.

sonwife, brotherhusband—dean is stuck in a liminal space between family and lover and is unable to put his feet firmly on just one side and instead has to accept both together or abandon both together. he doesn't get to have a relationship with his family without it being simultaneously incestuous. he plays the role of wife to john and mother to sam as mary's replacement; he therefore becomes more than a son and transcends the boundaries of the familial into the incestuous. it's baked into the dynamic and he can't hope to escape the liminality in which he's stuck without abandoning his entire family altogether.

this ambiguous relationship is further acted out with sam, where people perceive them as lovers rather than brothers; where their mutual devotion trumps, neglects, and disallows any other close relationship outside each other; where their physical closeness is viewed through an unusually sexual lens despite no literal sex acts between them taking place on screen. once again dean is stuck in a liminal space, paralleling the ambiguous and uncertain relationship he had with john.

in the end, sex (and sexual violence) is just a symbol of this codependency and uncertainly incestuous dynamic. sex acts in kripke era end up being symbolic: misinterpretations of sam and dean's relationship; accusations of sexual violence; literal, on-screen sexual moments between the brothers and someone else. it's a literary device that highlights the incestuous themes of the show. dean hand-picks women for sam to fuck because it allows dean to be symbolically part of sam's sex life. henricksen accuses john of raping dean because it is a symbol of the unhealthy, codependent relationship dean had with his father. the samulet stays on during sex because sam is symbolically integral to dean's sexual gratification (seen too in the way both dean and cassie in 1.13 appear to kiss the amulet at least once in the dark room). sex is used to signify more than what's literally on the screen, and the connections between the literal sex acts and the blurred lines of dean's familial relationships allow for a reading of incest between both john and dean and sam and dean.

it never mattered whether johndean or samdean had a sexual relationship in the canon because that was never the point. the point is the liminality that permeates the narrative. sam, dean, and john all stand upon a threshold between acceptable and taboo. the point of it all is the doubt and anxiety, the are-they-aren't-they that is never answered. the absence of incest within the text invites the understanding that the incest was, in fact, always there.

[lanasgirlfr]

LMAOOOO C.AI IS FUCKING KILLING ME😭😭💀