#icons the pursuit of love
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elysianfleur · 2 years ago
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lily james. golden globes & critics choice awards 2023.
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gromellette · 2 years ago
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what's your thought crime Opinions
how nice of you to ask!
as a disclaimer, this is less about the commonly discussed concepts of mental illness & harmless sexual/romantic fantasies seen under the original post and more about the less than normal kinds of thoughts that can be harder to talk about in a neutral way for a lot of people. proceed with caution, i suppose.
i don't have anything to say about thought crime that hasn't already been said, i think. but i do hold, from my experience, controversial & unpopular opinions surrounding thoughts, desires, attractions, urges, and feelings vs. actions where it relates to violence and sexuality.
i don't immediately reign judgement on people who experience some or all of the above surrounding the likes of incest, pedophilia, necrophilia, bestiality, non/dubious consent/rape, mutilation/murder, etc. these things would be undoubtedly unethical and, to most, detestable to act on, but simply experiencing those feelings & thinking those thoughts & having those urges or desires is not something i'm interested in demonizing someone for. human beings are incapable of controlling their thoughts/feelings/attractions. if we weren't, we would never feel anxiety or grief or anger, people with OCD & intrusive thoughts would eliminate them before they appeared, queer people in conservative spaces and/or grappling with internalized homophobia would simply choose to not be queer. we know this isn't how it works, so why would it be any different for the unsavory ones, the socially unacceptable?
this isn't to say it's just chill that some people sit around having fantasies about certain things; i do think destigmatizing needs to also come with unpacking and rehabilitation where appropriate and measures to prevent violent acts, but the cultural obsession with morality is probably my biggest gripe with the conversation surrounding violent thoughts and violence in general; how morality is the highest priority, the means by which we must categorize the world in terms of "good" people and "bad" people, the end all be all to understanding and solving the issue of violence and, therefore, the only thing that really matters when observing these categorically "bad" people². all this, despite the fact that morality is entirely subjective and does nothing to actually prevent or treat violence because one's perception of right and wrong varies widely from person to person depending on endless variables. contrary to popular belief, the world cannot be broken down into such simple parts; good and bad, right and wrong, just and unjust. the world is nuanced, gray, and not altogether easy to understand.
i'm as passionate as i am about this (and about protecting freedom of speech and expression in fictional media where this topic is concerned too, another conversation altogether) because the shame and dehumanizing that happens in response to someone expressing violent thoughts or compulsions is what ultimately leads to real life harm¹. i believe it's important to foster an environment where people can feel comfortable talking about these things because with that comes feeling comfortable asking for help and preventing violence from the start, which is ultimately what we want, right? to listen to, show compassion for, and aid people with "immoral" thoughts (and predators, while we're at it) is to participate in creating a safe community for everyone³.
punishment begets more violence, not less, and it's troubling how popular the opposite sentiment seems to be. i'm frankly tired of seeing people make black and white moral judgements that are not at all black and white (i.e. thinking about something one has never acted on). it's okay to feel a way about things but, as far as i'm concerned, a person's actions are far more important than what goes on inside their head, or what they choose to write, draw, read, or watch for that matter (unless it's legitimate pornography involving real life parties right like obviously that is very bad because it results in and perpetuates real life harm, lets be reasonable here BUT even in these cases, the answer is not to demonize. there could be cases in which a person might very well be incapable of change or remorse (debatable) and in those cases, sure, but i believe the majority of the time such violence can be not only treated, but prevented by recognizing their humanity and doing what we can to foster it. the ultimate goal being, of course, to prevent violence. but i digress, that is another conversation also lol)
¹ James Gilligan has talked extensively on this topic, the correlation between shame & violence, and how treatable and preventable it really is if we could dispel the notion that predators are inhuman, some sort of separate evil species incapable of treatment and understanding and "deserving" of punishment. His book, Preventing Violence, is a great place to start, or this interview if you can't access it (highly recommend, it is a fascinating read). ² See also James Gilligan. Morality is the Problem, where he talks about morality as a means to justify violence on both sides of the coin.
³ i also feel it necessary to make clear that it's not anyone's, and particularly any victim's, responsibility to bear the burden of showing compassion to or otherwise protecting someone who has harmed or wanted to harm others. i just hope to highlight the importance of recognizing and considering the humanity in those individuals because the most effective way of changing someone for the better is allowing them the space to do so, should they be receptive to it. because monsters don't exist, human beings who do unforgivable things do. and, yes, even those human beings need compassion from others.
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thesirenisles · 4 months ago
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© 2024 The Siren Isles. ALL RIGHTS RESERVED.
These notes are drawn from personal observation and celeb info found online. Mistakes are possible. If it does not apply, let it fly. Do not steal, rewrite, or copy any of my original writing.
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Venus in the 4th This placement gives "favorite of the family" vibes. Matriarch. Everyone's rock, or most nurturing, family member. Mother of the coven. Nurturing figure of their "clan". Venus blesses the 4th house themes (family, roots, emotions, home, femininity.) This does not have to be blood relatives, could be chosen family. They can be extremely in tuned with the vibes of their group, literally psychic. This allows them to be emotionally valuable to others. The shoulder or bosom to cry on. Good relationship with the mother unless afflicted Venus or Moon.
Inner Planets in the first house is where the "conventionally pretty" faces come from & as a result these natives tend to have a lot of lookalikes! Not in a bad way obviously. But, I tend to see a LOT of doppelgängers for celebrities with this among normal people. Or you can confuse one for the other.
This is because the features are not too extravagant, but normally symmetrical or "normal" and conventionally accepted. I also feel with them being closer planets, people feel closer to these natives emotionally, as if they are "down to earth" or they get the notion that who they present is who they are.
Examples:
Mars 1st house: Nicki Minaj, Raven Symone, Taylor Swift. Stunning, but a lot of people are called their lookalikes. Random, but I noticed Nicki looks A LOT like Chaka Khan. etc. Many people have idolized these baddies as the North Star of Bad Bitchdom.
Venus 1st house: Jasmine Tookes (whose lookalike is Sydney Harper, both STUNNING with similar face structure) Meagan Good, Beyonce, Mya, Angie Jolie, Selena, Keke Palmer, Cameron Diaz, Rachel McAdams, Known for being attractive, Girl next door. But, again the facial features are symmetrical & not at all eccentric.
Mercury 1st house: Pixie/ elven look, pointed, arrow shaped nose, but in a pretty way. These folks have a signature mischievous smirk, like the trickster in Thoth (Mercury). Selena Gomez (also a Sun 1st), Mya Harrison, Anya T. Joy, Scarlett Johansson and Blake Lively (who both dated Ryan Reynolds lol he has a type!) Gigi and Bella H.
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I do count the Luminaries within this lol. Simply, because we see the sun and moon visually in a very intimate way. This influence in the 1st house can create a very comforting vibe upon first meeting, like you know them! Sun is more so a golden aura, while the Moon native can literally tug on your heart strings.
Sun 1st House: Simone Biles, Nina Simone, Katt Williams, Doja Cat, 21 Savage. In Egyptian mythology, the sun god, Ra, rises with a Ram's head (in the form called Amun-Ra) from the 12th house here into the 1st house and the CHARISMA of these people is larger than life. Often, just flourish in the spotlight and super individualistic.
Moon 1st House: Michael Jackson, Whitney Houston, SZA (her iconic love songs), Candice Swanepoel, Cardi B (not a fan, but people love her DOWN), Walt Disney (makes sense), Emma Roberts. These people are held near and dear to hearts. California also has Moon in the 1st, and probably has the most love songs of any state.
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Neptune in the 1st No one talks about this enough but my favorite part of having Neptune in the 1st house is being underestimated. The illusions of Neptune become a weapon or even defense mechanism after the native does the work to see and define themselves clearly. When no one can affect your self-perspective, you become a force to reckon with! POWERFUL! No longer naive and wandering... but an expert communicator and healer.
Venus in Leo man when undeveloped, I have seen this manifest often in 2 ways: 1. Going for the "trophy" partner in the pursuit of aesthetics. 2. In fear of being emotionally wounded, going for a loyal partner who they perceive to have less options than them. These men like adoration and devotion in love. They want you to value their time and presence with your love and attention. They do tend to have options, as they easily command attention wherever they go. In its' highest vibration, they have a true lover with whom they can shine with by their side. But, their ego may be connected to the partner, which leaves them open to deep hurt if they are betrayed romantically.
7th house placements Yes, you attract many relationships, but you attract the ones you WANT when you have mastered 1st house qualities of self. (Identity and personal motivations that guide you)
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Venus square Pluto In my personal experience, this can indicate stalkers/hidden enemies among female friends and women. SO much shade being thrown when you’re not around. There will be a feminine force of some kind that can’t stand your existence because they WANT your perceived worth (Venus). I have seen hairstyles copied, style stolen, & reputation assaults. This is dangerous because Pluto energy is obsessive and at its worst, someone could hate your guts with envy. More on this soon because I have so many horror stories.
Mercury in Leo is such a gift of a placement. With Leo defining the verbal persona and mentality of Mercury, this native can charm anyone. With the voice (mercury) in the sun, your thoughts bring literal warmth to all. They’re so easy-going and set a tone of comfort (sun) in their social spaces. They get the invites and they bring the vibes! Several of our recent presidents have this placement & it makes sense because these natives can communicate with your heart and soul! No matter how famous, they still seem like humble people and are often adored as visible leaders. Examples: Barack O., Kevin Hart, Selena Gomez, Andy Warhol.
Venus in the 8th Men are hiding SOMETHING. Possibly another relationship and possibly darker sexual tastes that were never explored. I know someone with this placement and he has literally cheated his entire life, NO CAP. He also had a preference for darker women, which seems very 8th house. The flip side to this is that he was put in a position by life where he had to depend on the women (Venus) in his life financially (shared resources, other people's funds). The SAME women he hurt... yikes.
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Uranus is in retrograde beginning today, 9/1/2024 until 01/30/2025! Are you ready to radically transform? Check your Uranus placements in solar return & natal to see where this transit is specifically affecting you most. This is a time to reflect and redefine our approaches to freedom, individuality, and progress, both personally and as a collective. There can be revelations about yourself and your role in the larger context of society. Could this be the death of social media and celebrity idolization? Could this be an awakening of our people seeing how flawed and misleading our education systems are? How the CIA is yet again trying to socially condition us.. this time by way of pushing themselves into our social media apps and the washed-up film tropes? We shall see!
Mars in Capricorn I noticed that several of our favorite female child stars/actors have this placement. I believe there is a huge burden (Saturn) that’s placed upon these natives in regard to responsibility and the burdens of adulthood. These natives can feel or try to carry themselves as if they are much older than they are. The most classic case is Aaliyah! She literally married a man twice her age (Saturn) at 16. She was born in to a family of stars and thrust into the hands of male predators & the pressures of stardom. I think of Raven Symone, whose father put her to vigorous entertainment work as early as a toddler! She often speaks about not having a childhood or time to develop the self. Often blessed with a very natural sex appeal and exude a stoic energy. Others look up to them despite the fact their inner world could be burning. They rock trauma like a limited edition designer bag. They are role models even if young. They work tirelessly to prove themselves usually to an authoritative or male figure (Capricorn). ( father, uncle,, etc.) Attract much older suitors and may even prefer them. (Saturn) I think people forget how dark and depraved Capricorn mars can get. Verrry kinky.. Can be promiscuous at a point in life. (Examples: Aaliyah, Selena, Lindsay Lohan, Drew Barrymore, Christina Aguilera).
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Mars in Capricorn men can be quite cynical! Life has taught them to be no-nonsense and that is their energy with everything. However, I have noticed many of them can turn on the the “James Bond” archetype perfectly. Mr. Charismatic. These men are often natural male role models. This often allows them to not chase but rather attract others like a planet into their gravitational orbit. (Examples: Brad Pitt, Bob Marley {with his 12 kids, wife, and SEVERAL girlfriends lol}, Jake Gyllenhal, The Weeknd, Neymar, YG, Marlon Brando) However, they can be very crass in sex, especially if it's casual. They may even be addicts at one point, tirelessly seeking something more.
Venus in Libra man may be in the search of a Goddess. Similar to Virgo, with attention to detail.. They can take on an even more judgmental standard for their lover. In example, the Libra may care about the quality of the clothing you wear, how your hair is done, etc. I don't feel that they'll try to change you. It's more so that they gravitate towards the woman who seems to exude "femininity" in their eyes. I have noticed these men can be mother's boys. Libra is not favorable with the Father (sun), but it is excellent with the mother. Libra is a masculine sign in a feminine planet ruled by a Goddess, Ma'at. They may expect their lover to be their peace, their oasis away from the unbalanced world.
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Mars in Pisces men are male sirens! Not talked about enough. They are so much wiser than they let on. Neptune blesses them with intuition and they are receptive to your energy. Often close with their sisters or other female family member and have built an understanding of women. Their charming but absent-minded, secretive, push & pull, nonchalant act is literally well-dressed manipulation lol. This is a Pisces theme, of course, with Neptune ruling illusion. However, Big Papi Jupiter has a hand in this too and that explorer energy gifts the Pisces placement with a rich inner world. Whether they choose to invite you to the depths is the question...Whether they choose to stay....
Mercury in Sagittarius how often are people visibly shocked by what you have to say? Indicator of being naturally blunt, may even have “foot in the mouth”. which is where you kind of spill the beans without meaning to or say the thing that kills the mood. LOL As a sag rising, I get it.
Venus in Cancer Men King of Cups energy. Venus and the moon are double feminine energies and these natives desire a person who embodies mothering energy or femininity. They desire a safe space, possibly seeking a wife and caretaker. At its best, this energy is compassionate and loving. But, in a man… this can get tricky. Thick: King of Cups reversed energy. They could seek a feminine figure to depend on and dump their feelings on. The claw energy can make these men VERY CLINGY and emotionally manipulative, especially if their Venus or moon is mal-afflicted. This can be quite overbearing for an unsuspecting lady. This man must ensure that he and his prospective lover is clear about his emotional expectations in the relationship.
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Neptune in the 5th Rom Coms. Romantic novels. Day dreaming about their crushes. This native may indulge in fantasies about their ideal romantic dating scenarios. But, they may not know how to achieve this in real life. Additionally, friends and family may know very little about their dating life or on the flip side others can project their opinions on your relationship. Define your dating standards and never desert them or define your relationship and no one else's input will matter.
Mercury opposite Moon is such a tense aspect. Your heart is traveling North while your lips speak from the South. You either can’t find the words to express a feeling or feel ashamed of how you feel when you expect yourself to adhere to “logic”. It’s an extremely rough introspective journey with this aspect. These issues often stem from the nature of the relationship with the mother (moon). What she expected of you, may not have aligned with how you truly felt. Or she may have been easy to talk to but not very nurturing. This led to you disassociating with how you truly feel… long enough to nearly detach from it. I suggest journaling in the most raw fashion. How long have you been shutting down your feelings?
Jupiter in Libra may find their luck after marriage. I have a cousin who's life completely changed when they got married. This happened around their Saturn return as well. Within a year of marriage, this native purchased two homes, got an incredible job, and a beautiful baby. Their partner came with assets.
Venus in the 12th This native's love life can be very similar to still water… with currents rushing beneath. It's not far-fetched for hidden lovers or unfinished business to come out of nowhere while they've started something new. Those they love or who love them can dream of them. These natives can connect to your subconscious, wittingly or unwittingly. There can be secrets in the realm of love that leaves this person always choosing the wrong one. The giving, almost Jesus-like energy of this placement is a danger to those who aim to manipulate or drain them. Beware the JUDAS. Jealousy. Projections from both men and women are possible here.
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Solar Return Observations🌞
🌞 Uranus in the 3rd: indicates a year that will require some serious resourceful thinking and lots of mental flexibility. Surprises in your immediate surroundings. There could be an introduction of knowledge that elevates your way of existing or spiritual vibration. Be open minded, even when things look rough… Uranus aims to propel you on your path!
🌞 Uranus in the 1st: Indicates a year of radically redefining self! Just when things appear gloomy and the sky is gray for miles… a bright bolt of Uranian light illuminates! Allow yourself to go with the flow on those “light bulb moments”. You are the main character. Pursue yourself. 💅🏾Allow yourself to let people know who you are and what you stand for. Be proud of your individuality! Unapologetically.
🌞 Venus in the 5th House: Honestly, I just want to ask if you’re having fun this year? This placement looks incredible on paper. Indicates Venusian blessings in the house of dating, hobbies, and fun! Sounds like an array of suitors, romantic dates, and lots of creative expression! Fun times.
🌞 Jupiter in the 9th: Go for that degree, online course, certification, etc. if it’s been on your mind! This is a great year for expanding your mind and perspective. Indicator of spiritual growth and even possible blessings with travel! Jupiter is expanding the 9th house of higher education, travel, religion, etc. If you have the chance to travel, take it. On another note, this could be a year of teaching others! Especially if you have been gaining expertise in something that you’re passionate about.
🌞 Pluto in the 8th: Metamorphosis type of year. Toxic relationships may come to a climax this year. Drastic changes in the financial situations whether positive or negative. Confronting your fears and any deep-seated trauma. There can be a lot of major changes and endings that beget new beginnings. That’s the positive! I think of this like a snake shedding is skin Pluto is in its domicile and it’s here to transform you into a more powerful soul.
🌞 Sun in the 4th: Emotional intelligence and security can be big factors. You may play a vital role in the life of a family member. Give in to the urge to nurture yourself, create a safe space, heal your emotional wounds, and spend time with those you love. Could also signify home improvements or finding a found-family after a time of feeling alone.
🌞 Mars in the 6th: Mars brings ambition and aggression to the 6th house. May feel the urge to girl boss up your health and self care regimens. Workout routine upgrade. Diet upgrade. It's giving gym babe vibes. On the other hand, this can bring some aggression into the work place, most likely as a reaction to you being more assertive and taking on leadership roles. Be mindful of what you spend energy on because you have powerful energy propelling you in daily duties or routines.
Thank you for reading!!
Check out my page for more in-depth astro & mythology posts!
@thesirenisles | MASTERLIST
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© 2024 The Siren Isles. ALL RIGHTS RESERVED
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matan4il · 8 months ago
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An incomplete "there's a good chance the icon you love and support is a Zionist" list
🌟 Raphael Lemkin, a Jewish Holocaust survivor, whose family was murdered during it. Lemkin is responsible for coining the term "genocide," and for every legal provision that exists today against it. His work against genocide was inspired by his Zionism.
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🌟 Martin Luther King, Jr., who did not only support Israel and its right to security, a fellow participant at a dinner with MLK shortly before his assassination quotes him as having stopped a student attacking Zionism, and replied, "When people criticize Zionists, they mean Jews. You’re talking antisemitism." He also encouraged Americans in 1967 to support the Jewish state, as Egypt blockaded the Straits of Tiran, endangering Israeli citizens by cutting the country off from its oil supply.
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🌟 Emma Lazarus, a Jewish American poet, whose words ("Give me your tired, your poor, your huddled masses yearning to breath free") are engraved on the Statue of Liberty's pedestal, after they helped raise the money needed for its completion. Drawing from the value of Jewish solidarity, she also wrote, "Until we are all free, we are none of us free," adopted as a slogan by intersectionality (while many in the movement exclude Jews from it). She was a great supporter of establishing a state for Jews in the Jewish homeland, having argued for this idea years before the word "Zionist" was even coined.
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🌟 The 14th Dalai Lama, the leader of the fight against the occupation of Tibet, who was invited in 1994 to Israel, at a time when China's communist regime did its best to prevent his visits anywhere in the world, and who came to Israel more than once, talking about the 2000 years long Zionism of Jewish culture in exile as an inspiration and role model for Tibetans. "Among Tibetan refugees, we are always saying to ourselves that we must learn the Jewish secret to keep our traditions, in some cases under hostile circumstances."
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🌟 Ruth Bader Ginsburg, who spoke more than once about how her pursuit of justice is a continuation of that very same thing in Jewish tradition. She had repeatedly referred to American Zionist Jews as sources of inspiration. For example, in 2018, during her fifth visit to Israel, in a speech she gave when receiving the Genesis Award, she mentioned two such women, Emma Lazarus and Henrietta Szold.
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🌟 Nelson Mandela had an ambivalent view of Israel, but repeatedly recognized its right to exist, which makes him a Zionist, he also called upon Arab states to do the same, and was favorable towards the Zionist Jews who supported him during his underground days. Mandela being critical of Israel and still a Zionist is an apt reminder that criticizing the Jewish state and opposing its very existence are NOT the same thing, and only one's antisemitic.
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🌟 Felix Salten, the Jewish author of Bambi (the book Disney's movie is based on). The tale was originally a metaphor for Jews suffering antisemitism, something Salten personally had to cope with. He was also an ardent Zionist, feeling the self-liberation at the core of this ideology suited his idea of how to deal with Jew hatred.
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🌟 Sun Yat-Sen, who helped end the rule of China's last imperial dynasty, was its first provisional president, and is nowadays honored as an important Chinese leader in both China and Taiwan (sometimes referred to as "Father of the Chinese Nation"). He was an enthusiastic supporter of Zionism. Among other instances of expressing that, he wrote in a 1920 letter to a leader of the Jewish community in Shang Hai about Zionism that it is, "one of the greatest movements of the present time. All lovers of Democracy cannot help but support wholeheartedly and welcome with enthusiasm the movement to restore your wonderful and historic nation, which has contributed so much to the civilization of the world and which rightfully deserves an honorable place in the family of nations."
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🌟 Magnus Hirschfeld, a gay Jewish sexologist, nicknamed among other things "The Einstein of Sex" and "The Father of Gay Liberation," because his medical and scientific work on human sexuality, as well as social advocacy for women's, gay and trans rights, was nothing short of pioneering. He was persecuted by the Nazis to the point where he died in exile. They broke into his institute of sexual research, where the world's first clinic performing sex reassignments surgeries was located, and burned down the institute's library. Hirschfeld had attended a Zionist conference following the Balfor Declaration of 1917, and his work on sexual liberation found inspiration in young socialist Jewish Zionist workers he met during a visit to the Land of Israel in 1931-2.
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🌟 Marcia Langton, a professor and prominent Aboriginal rights activist from Australia, who has been leading the fight against racism and for her community. She spoke out against the hijacking of native rights movements by terrorist sympathizers and antisemites, and has clearly stood against all loss of life, including that of Israelis.
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🌟 Felix Zandman, a Holocaust survivor whose work on resistors is integrated into many smartphones, laptops, cars, satellites, hospital ventilators (saving many Covid patients), airplanes and more. Whenever the anti-Israel crowd is scrolling social media on their phones, they're enjoying the work of a Zionist, who enthusiastically supported the State of Israel, and even introduced an important improvement to the Israeli Merkava tank, which has likely saved many Israeli lives, Jewish and non-Jewish alike, and others like him, since Israel's high tech is considered only second to Silicon Valley (going back to at least the 1990's). If they truly wish to boycott everything that's been "contaminated" by Zionism, they should probably just boycott technology.
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🌟 Rosa Parks, an African American leader of the civil rights movement (and someone who personally demonstrated how one can resist without turning violent). She was one of 200 notable black American leaders who publicly organized to express their support and respect of Zionism as the Jewish right to self-determination, and Israel as the manifestation of that right.
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-> Like I said, this is VERY incomplete, even just in terms of how the overwhelming majority of Jews are Zionist, and have been since the inception of Judaism, which is itself Zionist. Over the years, this led to many non-Jewish human and native rights champions to be supportive of Zionism, too. Take note of who is being vilified, when the term "Zionist" is ignorantly used as if it means anything other than belief in the equal right of Jews to liberation and self-determination in the Jewish ancestral land. Especially when it is used as being inherently evil.
(for all of my updates and ask replies regarding Israel, click here)
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pubbamoon · 5 months ago
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Your The Most Suitable Career Path Based On Your Destiny Matrix Chart
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Hello! It's been a while since I've made the last observation here on Tumblr, two weeks I guess. I think it's time to make an observation I promised you to do. So, this post will be about your possible career paths based on your Destiny Matrix chart. I've been thinking about making this kind of observation ever since I've made a post about an ideal partner based on the Destiny Matrix chart. Take what resonates and leave what doesn't. I hope you'll enjoy it.
For those who doesn't know, there's a money line in the Destiny Matrix chart right after the love line. It is also formed by three numbers and it represents career, profession, how we can make money etc. The second number from this line, which is the closest to the dollar icon/emoji, is the most important number if you wanna look for your career path. It can represent which career path is the most suitable for you and that kind of stuff.
I'm about to give you an example of that. I marked the adequate number with the black color, which is the number 5 in my case. So, the number close to the dollar icon/emoji is number 5, meaning that I should use characteristics of The Hierophant arcana to maintain my career path. I really hope it's understandable.
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Now it's time to describe each number and your possible career path!
1 (The Magician) - The Magician is a powerful card which represents manifestation, having all the knowledge and being the jack of all trades, which makes sense because this card is related to the planet Mercury. So, I think you might be successful in any field you can imagine yourself to be. Number 1 is ruled by the Sun in numerology, meaning that you might be very ambitious in your work environment. A great placement to have an own business or to have many sources of income.
2 (The High Priestess) - A number 2 is being ruled by the Moon, which can mean that you might choose your profession based on your emotions, gut, intuition or instincts. I think that you should do something that you love to do, because if you do something because you have to, it might not be good for your health in general. I can see you as a psychologist, healer, nurturer, nurse and in every field where you help other people. This arcana is ruled by the planet Moon itself.
3 (The Empress) - This card is connected to the planet Venus, which means that you may find success in creative pursuits, negotiating, partnerships, collaborations or expressing your feminine energy in general. Number 3 is ruled by Jupiter which represents luck, expansion and abundance, so you might have an expansive and successful career, but it depends on many other factors. Being a writer, artist, singer, model or having an own business in related fields might bring you success.
4 (The Emperor) - There is a huge leadership energy going on here. Any career where you can be a leader/CEO might be successful to you. Number 4 is ruled by Rahu in Indian numerology (or by Uranus in western numerology) which represents ambition, massive success and fame, while the Emperor itself is related to Aries sign, which explains the leaderships energy I already mentioned. You should use your masculine energy while striving for success, no matter of your gender.
5 (The Hierophant) - Number 5 is ruled by Mercury which represents fields related to communication, writing or teaching. The Hierophant card is associated with Taurus sign, so you might seek for the stable and traditional career path, since this card is related to tradition, spirituality and conformity. I see many of people having this arcana becoming a successful singers, or someone who has an influence over people. Being a lawyer, priest or (spiritual) teacher might also be fulfilling career options for you.
6 (The Lovers) - Number 6 is being ruled by Venus, which means being involved in artistic pursuits in this case. You might also become successful if you use your social and communication skills, since The Lovers card is associated with the Gemini sign. Being a musician or working in publishing, broadcasting on TV and writing might bring you success and money. Working with other people is crucial for you as well.
7 (The Chariot) - This is another ambitious arcana with leadership capabilities. Number 7 is being ruled by Ketu in Indian numerology (or by Neptune in western numerology), making this number very spiritual. But The Chariot card is associated with the Cancer sign, a cardinal sign which is related to movement. You could be a leader in any kind of way, even a spiritualist. Since this card represents victory, it's likely possible that you may succeed in your profession.
8 (Justice) - I always present the Justice as the 8th card, because this number is ruled by Saturn which is about balance and organization, while the Justice card is related to Libra sign. Saturn is exalted in Libra, which makes sense. The first thing that cross to my mind when I think about this arcana is law, so being a lawyer could be the adequate career option for you. I feel that you might be serious-minded in your work environment and work in a field where there has to do with paperwork or contracts. This arcana is giving me a hard-working energy, you might have a sense of working in teams and collaborating in general.
9 (The Hermit) - Your career path might seem to you as lonely or you might do everything by yourself, since this card represents solitude. This card is connected to Virgo sign, meaning that you can use your analytical skills in your career. You can be an economist, a programmer, a chemist, a scientist, an engineer of something or work in fields where you can use your wisdom, which this card is actually about. Number 9 is ruled by Mars in numerology, so you may also be very competitive in your work environment. Take what resonates.
10 (Wheel of Fortune) - I don't really have a point about what you can do with this arcana, I think that you can do almost everything with this arcana if you have it in your money line. This card is associated with Jupiter, which means that you might have a expansive and prosperous career. Seasonal jobs might be a thing for you. Working in entertainment industry could also be your lane. By saying the entertainment industry, I mean working as a singer, actor, entertainer, movie director, producent or even a content creator.
11 (Strength) - Number 11 is considered as the master number in numerology and is related to a higher purpose. This could mean that you might choose a career path where you can help and guide others. You could be a powerful motivational speaker, social worker, life coach or something like that. Since there's an animal in this card, it might mean working with animals, for example, being a vet, or a dog trainer. This card is associated with Leo sign, so you might also work in creative pursuits, entertainment industry or as a babysitter.
12 (The Hanged Man) - Whenever I hear about this arcana, the first thing that comes to my mind is spirituality. This card is ruled by the planet Neptune, which represents spirituality in modern western astrology. Being a psychic medium, a prophet or just a spiritualist might be fulfilling for you. You might work in any field where you can share your wisdom. The problem is that you may tend to sacrifice a lot for your career, since this card is all about sacrifice. The negative side of that could be becoming stuck in your toxic work environment, because in this card, there's a man being trapped and unable to move forward. Be aware if that!
13 (Death) - Your career or profession might transform other people's lives or their own life perspective, since this card is related to Scorpio sign. Being a therapist could be a good career option for you. Working as a funeral director, a forensic scientist where you can investigate the criminal cases or even as an archeologist might also be suitable for you. Even if you do something completely different, that field might be something you are passionate about, 'cause Scorpio is associated with the passion itself.
14 (Temperance) - You might put yourself in a position where you can help and heal others. Working as a doctor, a nurse, a pharmacist, psychologist or a therapist could be very suitable for you. Temperance card is associated with the Sagittarius sign, so you're someone who can teach and guide other people, 'cause Sagittarius is a moral sign which is about looking for the right ways to live a life. You can influence and heal a lot of people with your public presence or with your work.
15 (The Devil) - This is telling me that you might choose a career path which could be very risky. This card is ruled by the Capricorn sign, so you might use the dark side of yourself in order to succeed, since Capricorn is a very dark sign. You could work as a Casino worker, business owner, sex worker, stockbroker, investor, musician, police officer etc. You might yearn to earn money in a fast, maybe even in an unethical ways. I see you choosing a career where you can make a lot of money in general.
16 (The Tower) - This card is all about destructions, extreme ups and downs and spirituality. It's connected to the planet Mars which also represents similar things. You might become successful as a spiritual leader or doing some extreme work, such as firefighter, surgeon, policeman, archeologist etc. It might be hard for you to keep being consistent to your work and you'll never know which obstacle might be next to come to you, 'cause this arcana is about extremes. You might be extremely motivated and productive or extremely tired and unmotivated.
17 (The Star) - Well, I think that the name of this card tells everything. With this placement, you might work in any field where you can express yourself and to stand out from the crowd. This card is related to the Aquarius sign, so you may attract a lot of attention from other people. You can be a singer, musician, actor, model, photograph, graphic designer, content creator or just working in the entertainment industry. This is a very creative placement.
18 (The Moon) - This is another placement which indicate working in creative fields, but you might rather work behind the scene, which kinda makes sense because this arcana represents mystery and illusions. It is associated with the Pisces sign, which is a very idealistic, selfless and creative sign, so you might also work as a musician or an actor. You might also work in a spiritual field, such as tarot readings or selling crystals. I can also see you working as a social worker and as a therapist.
19 (The Sun) - You could work in any field where being at the center of attention is crucial. Putting yourself in a spotlight might be a great option for you. I can see you being an entrepreneur or a performer. Leadership energy is relevant here. I don't know if you are comfortable in putting yourself out there, but if you have this arcana in your money line, then I think you should try it, you can be successful by doing that. This card is ruled by the planet Sun (do I even have to say that?).
20 (Judgement) - I feel that you can work in every field where you can criticize or analyze several topics. This is a great placement of being a lawyer, judge, presenter, music critic etc. This card is associated with the planet Pluto, which represents transformation, so you might change the people's way of thinking with your career. This arcana is also about ancestry and family, meaning that you could work in your family business or as a caregiver.
21 (The World) - This is an obvious indicator of a career path where you can travel all around the world. Being a travel agent or an anthropologist might be significant. This card is related to the planet Saturn which does represent organization and structure, so you might need to be organized in order to become successful in your field. You could also work in a tourism industry as a hotelier. You might connect with a lot of people with your profession by using your open mind in general.
22 (The Fool) - You might use the profession that is very risk-taking and unconventional to societal norms. Mind you that this card is basically ruled by the planet Uranus, which tells a lot. I see so many people with this arcana in their money line who work in the entertainment industry as a singer, actor, comedian or presenter. There could be bunch of field where you might work in, 'cause you cannot bound into one particular category. You might also work as an astrologer, business owner or be a self-employed in general.
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Whoa, I finally made this observation until the end! I hope you enjoyed it and that you can resonate with that. If you want to deepen down in your Destiny Matrix chart, then you can book a private reading with me. I've published pre-recorded video readings and one-on-one readings on Zoom. The first three offers of mine are text-related readings (those offers which are categorized as Western Astrology, Vedic Astrology and Matrix of Destiny are text-related). Anyways, I hope you liked this observation. Wish you all had a beautiful week ahead. Bye for now and see you very soon!
Best regards, Paky McGee
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kiirodora · 3 months ago
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Hello everyone! I am opening commissions for profile icons of any character and also Object Show character drawings to help raise funds for Palestinian evacuation fundraisers.
SLOTS: 0/10 Commission details:
I will draw either your own Object Show character or a character you like from any Object Show in exchange for your donations!
For a 5€ donation, a cleaned sketch
For 10€, a cleaned sketch with flat colors (so no shading)
For 15€, an inked and rendered drawing.
How Does This Work?:
Donate the required amount to the fundraisers in the list below. You can pick one fundraiser or split your donations between multiple.
Take a screenshot of your proof of donation with the date of donation visible and send it to the e-mail address or the Discord account also found below. Take care not to reveal any personal information!
If you want your original character drawn, please provide a reference picture for said character! If they have never been drawn before, a picture of the exact real life object you want drawn and/or a basic sketch you made will suffice.
Terms of Service: (make sure you read this before contacting!)
Nothing promoting hate
No NSFW
Non-commercial only (the resulting art cannot be used in a commercial project)
I may share the finished image with a watermark covering on social media, but the clean version won't be posted online.
The commission work will take at most 20 days to finish. I will keep in contact with the client with frequent updates.
For the Flat Color and Lineart + Render options, no changes will be done on the artwork after the initial sketch is approved by the client since the coloring will have started by then.
I retain the right to ask you to change your request if it doesn't fit in my ToS or otherwise is not possible for me to draw.
(Since this a donation based commission and as such is paid in advance, I will of course draw something regardless! But if the request does not align with the ToS I will kindly ask the client to think of another idea for the drawing.)
Contact:
kiiro4789 (Discord) Or by mail: [email protected]
List of fundraisers:
All of these fundraisers have been vetted by Palestinian accounts.
https://www.gofundme.com/f/help-monis-and-family-escape-gaza-for-urgent-treatment
https://www.gofundme.com/f/donate-to-ahmeds-journey-to-safety-and-education
https://www.gofundme.com/f/support-safaas-quest-to-get-her-family-to-safety
https://www.gofundme.com/f/help-palestine-and-family-survive-the-gaza-crisis
https://www.gofundme.com/f/support-nabilas-fight-for-health-and-dignity
https://www.gofundme.com/f/support-aseels-fight-for-life-and-family-in-gaza
https://www.gofundme.com/f/bww5x-help-us-build-new-hope-for-me-and-my-family
https://www.gofundme.com/f/help-abboud-from-the-war
https://www.gofundme.com/f/please-help-muhammad-musa-fundraiser
https://www.gofundme.com/f/help-doaas-family-escape-to-safety
https://www.gofundme.com/f/help-me-evacuate-my-family-from-gaza-and-rebuild-our-life
https://www.gofundme.com/f/help-sara-and-her-family-to-evacuate-gaza
https://www.gofundme.com/f/help-ahmed-rebuild-hope-and-stability
https://www.gofundme.com/f/reconstruction-of-a-destroyed-house
https://www.gofundme.com/f/love-in-the-time-of-war
https://www.gofundme.com/f/support-wafas-fight-for-safety-and-health
https://www.gofundme.com/f/help-abeds-family-survive-and-escape-war
https://www.gofundme.com/f/help-us-build-new-hope-for-me-and-my-family
https://www.gofundme.com/f/help-hashems-family-escape-gaza
https://www.gofundme.com/f/evacuate-yousef-and-his-family-from-gaza
https://www.gofundme.com/f/save-kareman-dohans-family-from-despair
https://www.gofundme.com/f/helping-the-helles-family-achieve-a-better-future
https://www.gofundme.com/f/pm8th-help-me-and-my-family-please
https://www.gofundme.com/f/save-the-life-of-an-innocent-child
https://www.gofundme.com/f/empower-olas-pursuit-of-education-amid-crisis
https://www.gofundme.com/f/4qzqg-help-a-family-from-gaza
https://www.gofundme.com/f/gor-en-skillnad-for-gaza-varje-krona-raknas (IMPORTANT: 5€ is 57 SEK as of now, so please donate accordingly)
https://www.gofundme.com/f/Stand-With-AlBalawi-Family
https://www.gofundme.com/f/help-my-family-to-live-and-go-to-a-safe-place
https://www.gofundme.com/f/save-my-daughter-to-leave-gaza
https://www.gofundme.com/f/support-mohis-fight-for-survival-in-gaza
https://www.gofundme.com/f/be-the-reason-to-save-a-family-in-gaza
https://www.gofundme.com/f/help-doaa-rebuild-her-sewing-business
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scapegoated-if · 14 days ago
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DEMO (62K) SOUNDTRACK PINTEREST Prologue Release Date: 15th Dec 2024
All the leaves are brown, and the sky is grey.
18+ This interactive story includes graphic violence, sexual content, alcohol and drug use, profanity and more.
Disclaimer Gender and race-locked IF due to discussions of gender and racial politics throughout.
Take centre stage as a former-rockstar turned actress navigating your new career and the chilling grip of fan-obsession. Your once-famous band may be nothing short of a ghost of the past to you, but the rest of the world cannot seem to let go. The split in 1968 was scandalous, abrupt and mysterious. And although you’ve thrown yourself into acting and secured your first major role with a big time Hollywood director, whispers of blame have been on your tail ever since.
While most of Hollywood sees these rumours for what they are--empty gossip--a darker current takes precedence and poses a much more sinister threat to your life and the lives of those around you.
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✼ Shape and mould into your truest ‘70s self. Perhaps you’re a mod-girl or a hippie? ✼ Interact with '60s and '70s icons on the Sunset Strip. ✼ Help uncover the identity of the 'Ampersand Killer' terrorising the West Coast. ✼ Decide which career path is more fitting for you. Are you made to live on the silver screen or stadium stages? ✼ Maintain and better your physical health and self-defence skills. ✼ Pick from a selection of love interests (including two gender-choice options). ✼ Includes an array of potential flings. ✼ A catalogue of original songs for fictional musicians.
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Vincent "Vince" Buscemi, the ex-bandmate ⇢ You were part of one of the most renowned bands of the '60s together. Vince is a jaded soul, harbouring deep-seated reservations about many people--most notably the band's keyboardist--but he has always had a soft spot for you. Despite his guarded demeanour, he exudes effortless charm and impeccable manners, a testament to his healthy upbringing. Though widely celebrated as a pop-culture heartthrob, Vince defies superficial stereotypes. His truest passion lies in music, and it's clear that nothing in the world brings him greater joy.
Penn Hausler, the filmmaker ⇢ Though still considered an up-and-coming filmmaker, Penn has already made a name for himself as a creative force in the industry, thanks to his latest hit starring Faye Dunaway. He radiates charisma, with a shining personality and a sharp sense of humour. He's unmistakably a nerd--passionately devoted to his craft. He's also prone to being a bit of a square, often finding himself tangled in bouts of nervous awkwardness. Despite this, his unwavering commitment to his vision sets him apart, and he's not afraid to take bold creative risks. Case in point: he has cast you as a supporting actress in his next film.
Kai/Kaya Anahareo (m/f), the folksinger ⇢ Although they haven't yet broken into the mainstream, K is a highly skilled musician deeply respected by their peers. Their artistry intertwines seamlessly with their role as a political activist, with much of their protest powerfully conveyed through their music. K is the embodiment of levelheadedness, exuding an aura of calm and balance that draws people to them. Their presence is steady and reassuring, much like the songs they sing--thoughtful, impactful and unwavering.
Dorinda Fisher, the journalist ⇢ Dorinda is a sharp, driven and fiercely dedicated journalist. Relentless in her pursuit of a story or a hard-to-find answer, she doesn't back down easily. Hailing from a small town, she's well-read and possesses a no-nonsense approach to life. You first crossed paths through your bandmate, whom she dated earlier in your career. During the US leg of your tour, she joined the band on the road while freelancing, documenting the whirlwind of your band's journey during a fair few defining months in your rise to fame.
Please note: You will have the option to decide whether the two of you had a romantic connection in the past while you were on the road. If you choose not to follow through with this backstory, you can still romance her as a new connection.
Phillip/Phyllis Wright (m/f), the movie star ⇢ P is a Hollywood icon, a name already as timeless and celebrated as the likes of both Hepburns, Cary Grant and Sidney Poitier. An Academy Award-winning actor, they embody the pinnacle of cinematic stardom, capturing Penn's admiration and dream of collaboration. Known for their charm, striking good looks and effortless sophistication, P commands every room they enter.
Lesley Nielsen, the detective ⇢ Detective Inspector Nielsen is a man married to his work. His guarded and disciplined demeanour can often make him seem laborious, but beneath the tough exterior lies a dry wit and the ability to crack a well-timed joke. A strikingly handsome gentleman, he's adept with a handgun and keeps one at his side at all times. A seasoned veteran of the force, Nielsen only crosses paths with you once he's assigned as the lead detective on the high-profile Ampersand Killer case. Whether you share much in common is up in the air, but one thing is certain: your mutual determination to bring a cold-blooded murderer to justice.
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thefrogsennaneverfound · 1 year ago
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If you’ve no idea what this is (even if, for some bizarre reason, you have no idea who Andrew Scott is... where’ve you been hiding the last decade?), you must must MUST take two minutes out of your day to watch it. It’s one of those moments of utter perfection the BBC does so well (another, also Scott, is Jim Moriarty causing havoc at the Tower of London in “Sherlock”).
Andrew Scott's iconic dance in The Pursuit of Love - BBC
youtube
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sunkissedchld · 9 months ago
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𝐏𝐈𝐂𝐊 𝐀 𝐂𝐀𝐑𝐃
𝒄𝒉𝒂𝒏𝒏𝒆𝒍𝒆𝒅 𝒎𝒆𝒔𝒔𝒂𝒈𝒆𝒔 𝒗𝒆𝒓. 𝒐𝒏𝒆
take your time to use your intuition to choose the pile that will best resonate with you. the piles are from elft to right, so the clear crystal is pile one, the tiger's eye is pile two, and so on and so forth. lastly, please don't be afraid to say if the message resonated or not; it helps me in determining if my interpretations are correct or not, and i appreciate any sort of feedback - even if it's "bad".
good luck to you, reader 🔮
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𝐏𝐈𝐋𝐄 𝐈
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Signs:
heavily craving or avoiding physical touch, prominent first house or major first house transits right now, 9/99/999, heavy fire sign placements or embodying fire sign energy recently (or needing to), archangel gabriel, heavy sagittarius and/or cancer energy, mercury, uranus
Shufflemancy: 
“Confessions” by Usher
“Lost Without U” by Robin Thicke
“Insecure” by Amare La Negra
“ICONIC” by Aespa
“3RACHA” by Stray Kids
Cards:
Ace of Cups, Page of Wands (Rx), Knight of Swords (Rx), Broom, Knight of Pentacles (Rx), Queen of Pentacles, Justice, The Hermit, The Star, The Magician
Reading: 
It feels like there’s two camps of people for this pile: those with project ideas in mind for work or for their own personal lives and those interested in a potential crush or relationship. I’ll try to give examples for both and keep things semi-neutral, but sometimes things aren’t always that clean, so apply to your situation as needed. 
You may feel excited about this new project or relationship. You’re excited about potential prospects and have all these ideas running in your mind about how to go about things or how things will turn out, but this excitement is actually proving to be unhelpful or detrimental in a sense. Excitement with the right work ethic and listening ears can be a blessing, but without direction and input from others can cause you flail. It seems you could be rushing into things and trying to make pieces fit where they don’t so to speak. You could be thinking your plan is perfect and if everything just went the way you wanted, then all would be great, but this isn’t true. You need to get rid of this idea of you being this know-it-all who knows exactly what’s happening right now. 
For those of you who are used to always pursuing and making things happen; you need to step back and allow the universe to play out its wants. You could be the type of person who thinks they have to sacrifice everything in order to be happy or live comfortably, and the truth is that is not the case. You can have a balance between your work life and romantic or personal one; it’s okay to love working and coming up with all these ideas, but you also need to learn how to get comfortable with being with others and yourself outside of that professional, work-minded setting. 
For those of you who sit in the background and are a little more lazy, the opposite is true in that you need to step into taking control of your own life instead of leaving decisions and everything else up to the universe or other people around you. you could be too hedonistic and concerned about personal connections to the point where you put your livelihood and financial security at risk. In both instances, a need to balance is present. Also for both instances, there’s an emphasis on spending a little bit of time with yourself to determine in which way you need to expand and in which way you need to pull back from some of your habits. 
This pursuit versus lackadaisical attitude can also be applied to pursuing relationships. Some of you are constantly on the look for this person you’re interested in, or you’re always thinking of how you want to be in a relationship or how you can get into one when you need to step back and let it come to you when you need it. Others of you are acting as if you’re completely out of the game and are putting in no effort to create and maintain relationships when the reality is humans are interactive creatures, and you too need interaction! Again, a balance is needed for those this aligns with. 
Ultimately, you can have whatever it is you want: the lead on the project, the relationship, the good work ethic, the hedonistic lifestyle, but you also need to balance that with what it is you’re avoiding. The perfect recipe or spell concoction isn’t made with too much of any one ingredient. Everything has to work together in order for so-called perfection to be derived.
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𝐏𝐈𝐋𝐄 𝐈𝐈
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Signs:
lack of sight, “going in blind”, prominent twelfth house placements or transits, heavy pisces placements or energy, 1212, venus, 3/33/333, “i’m walking on sunshine”; “i’m trying to ascend”; “i’m crucified like my savior; saint-like behavior”
Shufflemancy: 
“in my head” by Ariana Grande
“Cry Baby” by Megan Thee Stallion (feat. DaBaby)
“Say My Name (Live)” by Beyoncè
“Emotional Bruises” by Madison Beer
“Streets Is Callin’” by B2K
Cards:
Page of Wands (Rx), Page of Pentacles, The Chariot, Ace of Swords, Seven of Cups, The Patient Witch, Three of Cups, Three of Pentacles, Good Luck Charm
Reading: 
Those choosing pile two might be in an intermittent state currently. Previously, you could’ve felt like you were on top of the world with everything set in stone, but now you’ve lost your footing, and you can’t necessarily figure out why. You might’ve started a project or new endeavor, and now you’re running into unexpected troubles which are making you want to give up. 
You might be someone who is obsessive about the things they want; you need everything to turn out exactly how you pictured it - to the point of refusing to be happy with anything less or slightly different even if the bulk of what you want is given to you. When you do encounter differences (or what you’d consider roadblocks), you have a habit of abandoning things or believing you must’ve messed up in some way – even when that’s not the case! You get so focused on “fixing” things that you forget to be appreciative of what you do accomplish. 
It seems you recognize you’re on some sort of journey, and you’re excited to do so much; you have so many ideas you want to pursue that sometimes you confuse yourself about what to do. In some ways, an abundance of choices is confusing you. You could inherently know that you likely can’t pursue everything (or that you shouldn’t), but your curiosity is getting the best of you. For some of you, I feel like some of these illusionary good choices have already come forward, and you’ve figured out the hard way that not every choice available to you is a good one. 
Those of pile two are being called to do a few things. One is to be patient and listen to yourself. Again, you can have all these ideas about what you want to do, but you need to figure out a way to “be still” and concentrate your energy on what’s best for you. You don’t have to be making moves or plans all the time; I know being told to meditate can feel frustrating, but the truth is that it’s hard to make good decisions without fully thinking them through. This act of listening to your inner self does not have to be done completely alone though (although parts of it should be). Don’t be afraid to ask friends, your guides, or other people around you for advice or help. Talk through your ideas, work with others to achieve them – you might see more success creating a community as opposed to acting totally alone. 
Overall pile two, things will work out for you depending on how you act and whether or not you listen. If you keep pursuing things faster than you’re ready to, then you can expect rude awakenings about needing to slow down and think before acting. If you take the time to get in tune with yourself and determine what it is you truly should be going after, then you can expect better outcomes and results.
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𝐏𝐈𝐋𝐄 𝐈𝐈𝐈
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Signs:
9/99/999, feeling sick recently, not trusting yourself, “don’t trust yourself”, uranus prominence, the color red, lack of fight, dogma, fire dominance or being drawn to fire, 3/33/333, swords, prominent air energy or dominance, 6/66
Shufflemancy: 
“Right Here” by Alex Aiono
“Princess Going Digital” by Amaarae
“King’s Dead” by Kendrick Lamar (feat. Jay Rock, Future, & James Blake)
“Muwop” by Latto (feat. Gucci Mane)
“Die A Little Bit” by Tinashe (feat. Ms Banks)
Cards:
Six of Swords, Six of Wands, Four of Pentacles, Nine of Swords, Five of Swords, The World, Nine of Wands, Temperance, The Tower, Ten of Cups (Rx), Ace of Swords
Reading: 
I think this pile is mainly for those thinking about or experiencing a romantic situation – not everyone will be, so don’t be alarmed because the overall message will be able to be applied regardless of whether romance is in your life right now or not. Those who chose this pile may be the type to close themselves off from others; in a lot of ways you’re hiding your light and existence from people who would appreciate and celebrate you. You could be someone who has social anxiety or worries often about the way people perceive you; you might find it hard to make friends or to establish relationships (romantic, platonic, maybe even familial) where you feel comfortable revealing your authentic self to others. 
You’re being called to leave this unsure part of yourself behind. You could be insecure when it comes to interacting with others – maybe you have a stutter or there’s some other factor that impacts your speech or how comfortable you feel when talking to people. For some of you, you may not understand what makes you special or what would draw people to you as a person, but Six of Wands in the deck I have says, “you’re kind of a big deal, so start acting like it!”. Even if you can’t see your own beauty, draw, or light other people can and want to connect with you because of it and because of who you portray yourself to be. 
Going back to relationships and trying to make connections with others, you may be someone who always thinks the worst of people. You may often think, “no one will like me”; “I won’t be able to make friends here”; “I’m not interesting enough”; “all my relationships go to shit in some way, so why try”, and the advice to you is “you can’t be right all of the time”. The worst possible outcome is not the only outcome. There’s almost a guarantee that if you get out of your comfort zone and be intentional in establishing relationships with people, then you may find the outcomes you fear so much won’t happen. “You have to give people the chance to show you they’re not like the people who have been in your life previously”. 
There’s an emphasis on the fact that you’re still standing even though you may have experienced times when you didn’t think you would keep going. The only/main thing holding you back right now is not your guides or the universe or the people around you or some outside evil force that you think only has it out for you – you are imposing limitations on yourself because of your fear of being hurt again. Although you’re being urged to try and pursue relationships out of your own volition; it’s important to note that some people are coming forward regardless. You must get rid of this idea that you’re unlikeable or unlovable, and you’ll likely have a Tower moment regarding your idea of and the way you act in relationships soon.
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𝐏𝐈𝐋𝐄 𝐈𝐕
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Signs:
the color purple, feeling restless or tired, sun dominance or needing to go out in the sun, prominent capricorn, libra, and/or gemini placements, red orange/blood orange, second house placements or transits, “trust yourself”, artemis, poseidon, water dominance or working with water, hades
Shufflemancy: 
“libidO” by OnlyOneOf
“Focus” by H.E.R
“Victory” by Yolanda Adams 
“UGOMDN” by chlothegod
“Star Lost” by Stray Kids
Cards:
Page of Pentacles (Rx), Seven of Cups, The Patient Witch (Rx), Queen of Swords, Page of Cups, Five of Wands, Ten of Wands (Rx), The Lovers (Rx), Ace of Pentacles, Eight of Cups. Judgment
Reading: 
The message for those of you who chose pile four is going to be a little harsh – just as a disclaimer. Your guides may be at their wits end in trying to tell you nicely or in trying to contact you in general, so this could be a message you’ve been ignoring or not understanding for a while. This could be a lesson you keep running into; I heard “you’re tired? We’re tired too”, so take that as it resonates. This pile also feels adjacent to pile two because some of the same cards came out, but I think this pile is for those of you who have little time to make your decision to change your ways because you’ve already been warned multiple times. 
At your core, you embody the Queen of Swords; you may be quick-witted, steadfast in your knowledge of who you are and what you want, outspoken, and independent to a fault, but currently these attributes are manifesting in the most negative ways. Currently, you could be acting childish and “rotten”; I’m reminded of Violet from Charlie and the Chocolate Factory. You’re so stuck in this idea of how you want things to play out and what you want that you’ve backed yourself into a situation where you come off as immature and lazy if things don’t go your way. What seems to be coming through is “oh, you’re stubborn? We can be stubborn too”. 
Your guides are wanting you to loosen up and be open to experiencing what’s thrown to and/or given to you. You have the ultimate control over your life, but I’m seeing some of you specifically asked for your guides’ help and aid, so if you want it, then you have to listen to their suggestions also. Your work with them is not a one-way affair, so stop treating it as such. They are not magic genies who are to drop everything and give you everything you want at your beck and call. I heard “cruisin’ for a bruisin’” which could be related to your need to control things. 
The advice of this reading is really to be mindful of how you're treating your guides and your intentions in your journey with them. For one, you’re shouldering too much responsibility to the point where you’re burning yourself out. It is not possible to go through life all by yourself with no help or input from anyone else. It’s also not possible to have a relationship with your guides and never listen to them or treat them like they’re your servants. If you keep running into obstacles and misfortunes going on your own, then maybe try their way for a while and see how it works for you. 
Overall pile four, your guides want to work with you. They want to provide you with abundance and see you prosper and above all happy, but if you refuse to listen, then you will keep stumbling.
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chubbychiquita · 16 days ago
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Hi I love how comfortable you are with being in the feederism and continuing to grow is really impressive and basically what I’m looking to ask is do you have any advice for someone like my self who wants to grow but it’s getting the courage to fully dive into as I’m worried abt what others and family may think do you have any advice to help me overcome that . Ps keep doing your thing your amazing and a true icon of the community much love from Ireland
this is such a good question. i think it takes a bit of self reflection and identifying the things that you value and prioritize. i knew that if i spent my whole life dieting, watching my weight, trying to be skinny, and endlessly repressing my feedist urges, I would always have a piece of me that was unsatisfied. I would get to the end of my life and feel bad that I had let the opinions of others dictate the pursuit of what would make me a more emotionally fulfilled person. The conclusions that you come to about your values might be different, but I very very much hope that you allow yourself to do whatever you think would make you genuinely the most meaningfully happy, regardless of what your family thinks.
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ninazadzia · 11 months ago
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rewatching "the last airbender," and can I just say...
...how much I fucking *love* that the plot of this whole series, I shit you not, was set in motion by Katara's feminist tirade
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^^Specifically, less than five minutes into episode 1 - see the above gif as a point of reference
A recap, of how our series kicks off, for those of us who need a refresher:
~ Katara is trying to practice her waterbending while she's on a fishing trip with Sokka
~ Sokka sees waterbending as a less worthy pursuit (at least compared to, say, fishing), and belittles her abilities -- Katara, meanwhile, has successfully CAUGHT A FUCKING FISH with waterbending alone
~ When Katara tries to call attention to her success (again, both with the fish + the waterbending), Sokka's literally not paying attention and is trying to show off his "skills," and deadass smacks the CAUGHT fish OUT OF THE AIR and back into the water
~ Even though *HE* is the reason they're down a fish, Sokka proceeds to belittle Katara's waterbending some more, at which point, they're caught up in a rough current + lose their canoe
~ After losing the canoe, in a moment of frustration, Sokka decides that the best way to handle things is to make your typical shitty teenage boy comments about how he should "leave it to a girl to screw things up" (even though losing control of the canoe + losing the fish had absolutely NOTHING TO DO WITH KATARA and NOTHING TO DO WITH GENDER, MORE IMPORTANTLY)
~ Katara, understandably, fucking loses it.
And in the heat of the moment, while Katara is ranting about how much of an immature sexist POS her brother is - she literally waterbends open the fucking iceberg that the Avatar has been trapped in for the LAST 100 YEARS
I could *never* for the life of me put my finger on why I liked Katara as much as I did as a kid, but holy SHIT is it obvious now -
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I was 8 when "The Last Airbender" premiered. And from what I remember, I watched this show in real time as it was airing.
Katara, to me, is the OG feminist icon.
She was the feminist icon I had to look up to when I was a little girl watching this show, way before I could even grasp the concepts of feminism or be expected to know what it was, and how much it would mean to me ~20 years later
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abnomi · 4 months ago
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EVERY REASON (that i can think of) AS TO WHY TURBO/KING CANDY IS NEURODIVERGENT 💥💥
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i would like to make a disclaimer first and foremost about the obvious, being that Turbo/King Candy is heavily implied to have narcissistic personality disorder (NPD) and antisocial personality disorder (ASPD). Very often, characters with these disorders are portrayed as villains, and Turbo is no exception to this. There's nothing wrong with antagonistic characters having said disorders, per se, but when the only representation available for people with these conditions are found in characters you're not supposed to root for, it can be really disheartening. i won't be erasing these parts of him because i feel it would be in poor taste to gloss over those core elements of who he is, but plz keep in mind that having any kind of personality disorder doesn't make anyone inherently evil!!!🌞 your ACTIONS make you, not your brain
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Also if anyone has any suggestions or other ideas for his neurodiversity, i would love to hear them! please do share!! I LOVE PSYCHOANALYZING CHARACTERS AND HEARING OTHER PEOPLE PSYCHOANALYZE THEM !!!! YAY🎉 if u agree or disagree with any of my points I'd love to discuss them further :-]
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without further ado... click read more to find out…😈 be ready for a lot of reaches
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💥 ADHD 💥
STIMMING
Turbo's constantly moving around in some way; he's a very expressive character! even as King Candy, he can't seem to conceal his frequent giggling. it's a big habit of his; he seems to do it involuntarily to regulate himself, including when he's nervous or uncomfortable.
he seems to display other repetitive behaviors as well, like doing his iconic thumbs-up pose, sticking out his tongue, or hopping around gleefully. he is but a jovial court jester..
i personally like to think that his phrases, "Turbo-tastic!" and "Have some candy!" are vocal stims of his, although i equally really love the interpretation that these (and the aforementioned stims) are tics :-]
another headcanon; i think it would make a lot of sense for him to have an oral fixation of some sort (ignoring the whole sigmund freud part of the term ermm...); just lots of biting, chewing, needing to have something in his mouth. It would align with the whole idea that he smokes, too
HYPERACTIVITY
we can clearly see throughout the film that Turbo has a lot of energy, made abundantly clear by his mannerisms and general behavior. he's constantly moving, using exaggerated expressions and gestures to communicate + express himself. He's one of the most animated and bouncy characters in the movie, next to Vanellope! it's silly how a character not very grounded in reality is such a threat, but i suppose that's what makes him so threatening in the first place...
another factor in this is how he is very adrenaline-seeking, craving activities that give him a rush (sugar rush...😂😂). more on that in a bit!!
HYPERFIXATION
Turbo's fixation with winning is all-consuming for him; it's an obsession. he doesn't appear to care about much else, if anything besides it. this could be interpreted as a hyperfixation for him (or special interest if ur all about that autism lifestyle), as it overtakes all of his focus and impedes every process of his mind.
it's clear that racing is much more than a passion for him, and while that fact is due to how he was programmed, it's a major character trait of his regardless that could be correlated to neurodivergence.
HYPERFOCUS
There seems to be a big theme of "all or nothing" when it comes to Turbo. he will either be fully dedicated to something or brush it aside without a second thought. it can't be denied that he fully wraps himself up in what he wants, whether it's a conflict he can't let go of or a new pursuit he's hungrily chasing after. 
ultimately, his dedication varies depending on if it is relevant to him and his interests or not, but this aspect of him still shares patterns with neurodivergent thought processes.
INSTANT GRATIFICATION
Seeing as he has a tendency to cheat in his use of code to spawn in whatever his heart desires, it can be assumed that this could do with Turbo wanting instant gratification to fill that bitter, empty void inside of him. while this could simply be brushed aside as greed and his belief that he is obligated to have access to whatever he wants, this trait is consistent with his generally dopamine-seeking behavior and wanting to be instantly rewarded by his actions. His obsession with needing to feel good directly relates to his need for another buzz, constantly after the next rush. (a sugar rush if you will☺☺☺)
ADRENALINE-SEEKING
Closely related to the previous speculation, Turbo always seems to be chasing his next high. he loves the thrill of action and being surrounded by crowds of people below him. it's why his big thing is racing! people cheer him on, he can do whatever he wants, he can go really fast and look cool..
it's possible that a big aspect of why he does this is to distract himself from any kind of pain, because pain = vulnerability. bro does NOT know how to independently cope with his own problems.. HE MAD AS HELLLLL!!! 😂😂
STRUGGLE WITH SELF CARE
(i know this is reaching but bear with me... 🐻) going off of his appearance and tendency to make poor decisions, it can be gathered that this man lacks skill in the self care department. his yellowing teeth and sunken eyes not only serve to complement his design, but also give way to the idea that he neglects himself in favor for whatever weird scheme he's up to.
of course, Turbo does prioritize himself above everyone else, but he doesn't strike me as the type to care much about how others think he smells. him being a bother to anyone isn't a concern of his. he cares about whatever gets him the most praise and attention from as many people as possible, which is winning and racing. Who cares about how clean he is when he's up on a podium holding a shiny, golden trophy, anyway?
It's likely that he had to step his game up when he went under disguise as king candy, which is why he looks well-groomed in comparison to his more corpse-like appearance. Ugly hoe. it can also be assumed that he's had more time to focus on himself because everyone loves him without question... Well, except for Vanellope, but who cares about her, right?
also, i know he makes a condescending comment to Ralph about how bad his breath smells, but it's made abundantly clear that Turbo is a massive hypocrite. his comment doesn't erase the possibility that he has suffered from such "halitosis" as well.
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💥 ANXIETY 💥
GENERAL ANXIOUS BEHAVIOR
i know, i know, this could technically be chalked up to be "Turbo is nervously giggling and shit because he's scared of getting caught," but guys. g
even in the flashback scene, we can see how easily stressed he can become in an alarmingly short period of time. he is extremely insecure, therefore i am led to believe he is not only emotionally dysregulated, but also by extension, anxiety ridden.
yes, this is purely speculative, but who's to say that he wasn't like this before? being high-strung and intense are significant facets of his personality consistently portrayed throughout the film. as long as he is getting exactly what he wants, he is happy; the moment he loses even a blip of control, however, he immediately grows extremely tense.
if Turbo wasn't anxious about his disguise as King Candy before, he was anxious about how much attention he was receiving on a given day. if not that, then he'd be anxious over how he presents himself. He hates how he can't control how other people perceive him, which is why he is constantly trying to act like he's better than he is.
its why he justifies his behavior to himself, proudly making others refer to him as the "rightful ruler" of sugar rush and relishing in the attention of his countless underlings. Any secure and stable person would NOT ACT LIKE THIS!!!!😭😭😭
FIGHT OR FLIGHT
As we can see a handful of times on screen, Turbo's instinct to protect himself is very easily activated.
 his fear manifests in anger and aggression. we can see at multiple points how easy it is to upset him or fluster him; his anger is one side of the same coin, the opposite end being his fear and paranoia.
Going off of this point, have you noticed that Turbo is either satisfied or furious without much of an in-between? how the second something isn't under his manipulation, he lashes out and fights back? I'm led to believe that this is how he responds to fear (AAUAAYAUUUUGGHHH 🐡🐡🐡🐡🐡🐡🐡). This guy is so against the idea of being vulnerable, that even when afraid, he will utilize violence to regain his dominance over the situation at hand.
CONTROL + PARANOIA
Turbo's always trying to writhe or fight his way out of uncomfortable situations, unable to exist outside of his comfort zone for seconds at a time.
his defensive, paranoid, and controlling behavior are all reflections of how deeply insecure this man is. He feels such an intense need for everything to go exactly how he expects it to go that the moment he senses any kind of threat, he instantly jumps to defend himself and what he feels that he has "earned," regardless of whether there truly is a threat or not.
this could potentially be a coping mechanism for his anxiety and sense of stability; can't forget to mention how territorial he is!! he jumps to conclusions about what others' intentions are before they even get a chance to reply, as seen with his first encounter with Ralph in the movie. 
the racer is so internally discombobulated that he seeks any sense of stability on his environment, including on those around him. his sense of self is so warped that he copes with constant distraction; being under the spotlight, being actively racing, having to be showered with attention, having others make him feel good because he doesn't know how to do it for himself. he needs to feel like everything is under control, lest everything falls apart.
"...if there's ONE thing I can't abide, it's ANYTHING out of order!"
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💥 NPD 💥
INFLATED SENSE OF SELF IMPORTANCE
Turbo's most in-your-face trait above all else. It's made more than crystal clear in every scene he's in that his arrogance is a determining factor in how he interacts with others. This is exactly what drives him to desperately crave admiration, to chase after others he's envious of because he thinks he is obligated to take what they have.
he seems to genuinely think he is entitled to get whatever he wants, just because he is inherently "special" or "better" than everyone else. Why else would he have made himself a king, a step above princess?
EXCESSIVE NEED FOR ADMIRATION
Turbo's self worth is COMPLETELY dependent on the opinions of children and teenagers. I think i don't need to say any more than that, but i will. (Evil).
As cartoonishly massive as his ego is, i think that it's fair to assume that Turbo has a very unstable sense of self, distorting his perception of his own worth down with it. his near-constant flaunting and need to be the best is a dead giveaway to his deeply-ridden self-doubt. The foundation of his stability is built around how "good" he is (at racing and winning), how powerful he is, whether or not he is being prioritized above everyone else, whether or not he is the absolute best, etc. etc.
The racer outright manipulates others to shower him with admiration and undeserved appreciation. He is incapable of forming a true sense of internal value, instead heavily and codependently relying on others to form it for him. if he isn't the best, he may as well just be nothing.
INTENSE JEALOUSY
He reacts so severely to what he perceives as others taking away what is rightfully his that it only goes to solidify my previous points even further. the second someone else is getting more attention than him, Turbo will bend over backwards to rip back the praise he believes he so rightly deserves.
being extremely competitive, he will one-up against anyone he thinks of as a threat, dedicating himself to taking them down to the best of his ability, and making sure they STAY down to top it all off.
INABILITY TO HANDLE CRITICISM
if we really dissect the entire one-off joke with Turbo insisting that his stolen pink castle is actually "salmon," along with all of his other domineering behaviors, we can garner that he is very persistent in how he wants others to view him. i wholeheartedly believe that this would translate into him not only being defensive over his supposed "ownership" of Sugar Rush, but also over himself and his own insecurities.
He needs to feel good about himself or else he will die and quite literally try to kill everyone.
LACK OF EMPATHY
He appears to have a fondness for making jokes in very poor taste. Turbo has a big sense of humor, but it's always at the expense of others. Be it a pun about a "fungeon," or jumping to protect himself with a joke about "hitting a guy with glasses," he has a tendency to take serious situations very lightly. It's not that he's unaware of the weight of it; he simply doesn't take it Seriously.
its admittedly impressive how he was able to feign empathy so well for Ralph; it goes to show how he is very capable of understanding that what he's doing is wrong, but ultimately does nothing to change his behavior because it doesn't impact him personally. 
i would like to honor this part of him, because even in the possible alternate path of a redemption arc, his struggle with empathy can be explored in a variety of interesting ways :-] he can understand complicated emotions and situations on an analytical level, but he doesn't feel for them unless it has to do with him specifically. (this obviously doesn't make him inherently evil, his ACTIONS make him evil)
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💥 ASPD 💥
LACK OF REMORSE/GUILT
One of Turbo's core characteristics is just how far he is willing to go for his own self-interest with lack of regard for how it impacts everyone else. he has absolutely no concern for how anyone else feels besides himself, willing to go so far as to attempt to mutilate a 9-year-old to achieve his petty goals.
Turbo is shameless when it comes to how he goes about getting his way. While I'd like to believe he isn't fully incapable of feeling regret, he doesn't showcase feeling it in the movie itself. The most regret he'll feel is when he slips up and exposes himself. anything else is the fault of everyone else; he is untouchable in his eyes.
DECEITFUL TENDENCIES + LYING
Where do i even start with this one.
well, first of all, let's acknowledge the... erm, horse? in the room? 🐎😅(Please someone help me there is a horse in my room help helphel) being that Turbo went under disguise as King Candy for at least a decade. Even before this, there's a good chance that he's already had plenty of experience with lies and manipulation. i'd be willing to bet on this!!
one of his specialties is being proficient in manipulation, be it the code of games or the minds of people. theyre basically the same thing to him, anyway... I'm sure you all know the scene where he uses 16 manipulation tactics against Ralph and wins. this was Obviously not the first time he'd done this.
REPETITION OF HARMFUL BEHAVIORS
Time and time again, Turbo can't seem to help himself when it comes to poor decision-making. he never internalizes that his bad choices aren't JUST bad for others, but also for himself, continuing to escalate further and further into very dangerous behaviors until he literally dies.
Here's a list of bad decisions he has made! (at least, that we know of)
Pinning himself above his peers
Harassment + stalking
Carelessly charging through GCS with his car, endangering countless civilians
Attempting to take over a game that isn't his x2
Vehicular manslaughter
Implied mass murder + attempted murder, attempted mutilation
Mass endangerment
Breaking and entering, theft, usurpation, plagiarism
and more!!!!!!!
AND HE LEARNS FROM ABSOLUTELY NONE OF THIS!!! with some of the items listed here, he's attempted to do multiple times! Absolute buffoon.
RECKLESS DISREGARD FOR SAFETY OF SELF AND OTHERS
Considering how he was willing to charge into a game that wasn't his own with the awareness that it could permanently kill him, going as far as to recklessly crash into another car (albeit it's possible this was unintentional), it's easy to gather that he doesn't seem to consider anyone's safety at all in the spur of the moment.
IMPULSITIVITY
his impulsivity and disregard for safety both go hand-in-hand. When it gets to a certain point, Turbo's emotions will boil over and blow up in a cold rage, thus causing him to spiral and act on impulse, becoming a detrimental force to himself as well as everyone around him.
What's interesting is how much restraint he is capable of; he typically is very strategic in how he orchestrates his plans! but once he reaches his breaking point, he snaps and leaves all of his hard work behind in favor of something that calls for his immediate attention.
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💥 ETC. 💥
extra tidbits i didnt have enough energy to fully delve into :-]
BPD
Fear of abandonment
Blurry sense of identity
Feelings of emptiness
Self destructive tendencies
Emotional instability
Explosive anger
ODD (oppositional defiant disorder)
He seems so infatuated with his own autonomy that he gets to the point of being resistant and defiant
Resisting against the rules of the world that he directly caused as a result of his own actions, being that one shouldn't "go Turbo."
Enjoys upsetting/getting a rise out of others. this is more speculative as i am going off of the assumption that he thinks pissing people off is funny, based on his other behavioral patterns. (cruel sense of humor, wanting to feel above others via control & manipulation, enjoyment of inflicting pain onto others)
Forcefully defends himself and refuses any kind of criticism
Lashes out when he feels slighted
Excessive persistence despite all odds, whether it's beneficial to him or not
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ok bye!! thank you if you managed to read this far ^^ peace and love take care of yourself! all in all turbo is so neurodivergent ok please Okay <3 get this thing his meds
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apoloadonisandnarcissus · 2 months ago
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Of Lust and Sex on Tolkien lore: Sauron x Galadriel in “Rings of Power”
Many fellow fans have complaint there’s a trend among the Tolkien fandom to de-sexualize Galadriel, but folks, this is not exclusive to her character. This is, actually, an on-going theme on how many see Tolkien’s world and work, in general, and it runs deeps.
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There’s this weird headcanon that, just because Tolkien was catholic and a “gentleman”, the world he built is somehow devoid of sexuality or sexual matters, and asexual in itself. Nothing wrong with that, except we have countless examples of “sexual stuff” happening in the legendarium, from characters lusting after each other, to actual sexual assault. Just because Tolkien didn’t write explicit sex scenes (let’s say like George R.R. Martin, who devoted himself to try subvert Tolkien) doesn’t mean is not there. Not everything needs to be “in your face” meaning explicit.
Firstly, Tolkien cared enough about sexuality to write several essays on the matter, namely about the Eldar sex culture and customs. It’s clear that the Elves try to be the “perfect Catholics” on his lore, and this reflects on their views of sex = marriage, premarital sex is frowned upon, repression of sexual desire, adultery is unthinkable, and divorce is forbidden. The Eldar sex culture is purity culture in a nutshell. And it reflects Tolkien’s own views on the subject:
Later in life when sex cools down, it may be possible. It may happen between saints. To ordinary folk it can only rarely occur [...] Faithfulness in Christian marriage entails that: great mortification. For a Christian man there is no escape. Marriage may help to sanctify & direct to its proper object his sexual desires; its grace may help him in the struggle; but the struggle remains. It will not satisfy him – as hunger may be kept off by regular meals [...] No man, however truly he loved his betrothed and bride as a young man, has lived faithful to her as a wife in mind and body without deliberate conscious exercise of the will, without self-denial.   [...] Out of the darkness of my life, so much frustrated, I put before you the one great thing to love on earth: the Blessed Sacrament [Marriage].... There you will find romance, glory, honour, fidelity, and the true way of all your loves upon earth, and more than that: Death: by the divine paradox, that which ends life, and demands the surrender of all, and yet by the taste (or foretaste) of which alone can what you seek in your earthly relationships (love, faithfulness, joy) be maintained, or take on that complexion of reality, of eternal endurance, which every man's heart desires.  Tolkien Letter 43
In Tolkien lore, there’s a strong connection between sex and morality. This is clear on the most iconic romances on his legendarium: Beren and Lúthien, Aragorn and Arwen, etc., which follow the medieval tradition of Chivalric romance: adventures of knights, courtly love, codes of honor and chivalry, trials and tribulations in the pursuit of love and glory.
“Courly love”, in the European tradition, is a highly idealized portrayal of human romantic relationships, that emerged in the medieval courts of the continent. Is a form of ritualized love between a knight (Beren/Aragorn) and his lady (Lúthien/Arwen), characterized by restrain, discretion and devotion.  Tolkien himself talks about this, as well: 
It idealizes ‘love’ - and as far as it goes can be very good, since it takes in far more than physical pleasure, and enjoins if not purity, at least fidelity, and so self-denial, 'service’, courtesy, honor, and courage. Its weakness is, of course, that it began as an artificial courtly game, a way of enjoying love for its own sake without reference to (and indeed contrary to) matrimony. 
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It’s clear Tolkien sees the lustful side of relationships as something sinful, but does this equal “evil”? No, because his characters (including the Elves) and the legendarium are complex, and this is not a pure Good vs. Pure Evil world, as Tolkien says himself: 
Some reviewers have called the whole thing simple-minded, just a plain fight between Good and Evil, with all the good just good, and the bad just bad. Pardonable, perhaps (though at least Boromir has been overlooked) in people in a hurry, and with only a fragment to read, and, of course, without the earlier written but unpublished Elvish histories. But the Elves are not wholly good or in the right. Tolkien Letter 154
For Tolkien, is more about being on the “right side of History” (let’s put it this way) than being an immaculate hero. His characters are complexed and nuanced:  
There are also conflicts about important things or ideas. In such cases I am more impressed by the extreme importance of being on the right side, than I am disturbed by the revelation of the jungle of confused motives, private purposes, and individual actions (noble or base) in which the right and the wrong in actual human conflicts are commonly involved. If the conflict really is about things properly called right and wrong, or good and evil, then the rightness or goodness of one side is not proved or established by the claims of either side; it must depend on values and beliefs above and independent of the particular conflict. A judge must assign right and wrong according to principles which he holds valid in all cases. That being so, the right will remain an inalienable possession of the right side and Justify its cause throughout. (I speak of causes, not of individuals. Of course to a judge whose moral ideas have a religious or philosophical basis, or indeed to anyone not blinded by partisan fanaticism, the rightness of the cause will not justify the actions of its supporters, as individuals, that are morally wicked. But though 'propaganda' may seize on them as proofs that their cause was not in fact 'right', that is not valid. The aggressors are themselves primarily to blame for the evil deeds that proceed from their original violation of justice and the passions that their own wickedness must naturally (by their standards) have been expected to arouse. They at any rate have no right to demand that their victims when assaulted should not demand an eye for an eye or a tooth for a tooth.) Similarly, good actions by those on the wrong side will not justify their cause. There may be deeds on the wrong side of heroic courage, or some of a higher moral level: deeds of mercy and forbearance. A judge may accord them honour and rejoice to see how some men can rise above the hate and anger of a conflict; even as he may deplore the evil deeds on the right side and be grieved to see how hatred once provoked can drag them down. But this will not alter his judgement as to which side was in the right, nor his assignment of the primary blame for all the evil that followed to the other side. In my story I do not deal in Absolute Evil.  Letter 183 
This is why, in "Rings of Power", Sauron can be in love with Galadriel and still be the villain he is. Tolkien doesn’t deal in absolutes, and Sauron is not pure evil, either.
And if people can’t wrap their head around nuanced and complex ideas, it’s not Tolkien's fault, really. This concept that “evil can love” (and it doesn’t make it any less evil) is absolutely fascinating to me, because I wholesome agree with this. Folks have this idealized notion of love (even Tolkien himself talks about this), like it’s only valid if it’s Beren and Lúthien. When it’s not. “Lord of the Rings” is meant to reflect our “fallen” world; and, in our world, tyrants and dictators can love, and have families, and still be genocidal monsters. Their ability to feel romantic love has no direct connection in how they treat their subjects. This is why Tolkien says that “good actions” on the wrong side don’t excuse it nor make it any less evil.
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This is not “Harry Potter”, and Sauron is not “Voldemort” that can’t never “know love”. Tolkien was a college professor at Oxford, a renounced linguistic, the father of the modern fantasy genre, and a classic of World literature, he would never write just a basic concept.
This leads me to the idea that “Elves are not wholly good”, and that, they too, can be sinful, and that doesn’t make them “evil” (= on the wrong side). We see this with Galadriel in Tolkien legendarium; not only she commits the sin of pride, and greed, but also lust.  
In "Unfinished Tales", Tolkien tells us: Celeborn was the lover of Galadriel, who she later wedded. In Letter 43, Tolkien defines what he means by “a lover” (in general): “engaging and blending all his affections and powers of mind and body in a complex emotion powerfully coloured and energized by sex”.
So, it’s safe to assume that Galadriel was having sex with Celeborn before they were even married (premarital sex). Probably that’s why he had no quarrels with the wild John Boorman script of her and Frodo f*cking in the middle of the woods.
Galadriel doesn’t care about the Eldar sex customs, because, of course, she doesn’t, she's above that, being Noldor royalty and her own authority. Which makes sense with her “repentant sinner” character arc in the legendarium, actually.
Because, as Tolkien, told us: “in The Lord of the Rings the conflict is not basically about 'freedom', though that is naturally involved. It is about God, and His sole right to divine honour” (Letter 183). And “sin” is considered a transgression against divine law (aka God); an offense against religious and moral laws.
Tolkien was religious, but he wasn’t a Catholic priest, and he was well aware that women have sexual desire, and some are, indeed, promiscuous and have no problems acting on it: “You may meet in life (as in literature) women who are flighty, or even plain wanton — I don't refer to mere flirtatiousness, the sparring practice for the real combat, but to women who are too silly to take even love seriously, or are actually so depraved as to enjoy 'conquests', or even enjoy the giving of pain – but these are abnormalities, even though false teaching, bad upbringing, and corrupt fashions may encourage them” (Letter 43). Pardon the language, but Tolkien was, after all, a man of his time. 
The “Higher Beings” Nonsense 
This is one of the occasions I completely disagree with Charlie Vickers when he calls Sauron a “higher being”. He probably means it in sense he’s a Maia, a demigod or an angel in Tolkien lore, but his use of words can cause some confusion. Sauron is, in no way, shape of form, an “higher being” (in the Christain sense): he’s a literal demon, a satanist, a follower and a servant of Satan himself, in Tolkien legendarium. Demons exist in the lowest frequencies of existence in Christian theology.
Tolkien makes this very clear on his letters: Melkor/Morgoth is Lucifer/Satan on his myth, he straight-up calls him “diabolus” (Letter 153). It should be obvious enough on his entire character: he’s the one who corrupts God’s creation and is the symbolic archangel/Valar (like Lucifer was). Him being dragged in chains and imprisoned until the end of time also parallels a biblical event.
Sauron is the chief satanist demon in the lore, the #1 servant and follower of Morgoth/Satan: Satanic rebellion and evil of Morgoth and his satellite Sauron; in which Evil is largely incarnate, and in which physical resistance to it is a major act of loyalty to God (Letter 156).
And here, too, there’s a weird attempt of de-sexualizing these characters (mostly Sauron) in the Tolkien fandom. Despite the fact almost everyone recognizes the Christian inspiration here, and the Devil being seen as the creator of all kinds of sexual depravity, deviation and promiscuity in the world (according to Christain faith); the same way Morgoth was responsible for "corrupting" Arda. Apparently, sex had nothing to do with this corruption, according to some. Odd, to say the least, when Tolkien gives us descriptions of “indominable lust” on both characters (Morgoth and Sauron).
Them being magical and demonic creatures might indicate they have the ability to control whenever they want to reproduce or not. We know from the lore that Morgoth bound himself to his physical form because of his non-stop corruption of Arda. 
On Note 5 (“Vinyar Tengwar”) of “Osanwe-kenta", Tolkien writes: 
The things that are most binding [to Valar and Maiar] are those that in the Incarnates have to do with the life of the hroa itself, its sustenance, and its propagation. Thus eating and drinking are binding, but not the delight in beauty of sound and form. Most binding is begetting or conceiving.  We do not know the axani (laws, rules, as primarily proceeding from Eru) that were laid down upon the Valar with particular reference to their state, but it seems clear that there was no axan against these things. Nonetheless it appears to be an axan, or maybe necessary consequence, that if they are done, then the spirit must dwell in the body that is used, and be under the same necessities as the Incarnate. The only case that is known in the histories of the Eldar is that of Melian (...)  'The great Valar do not do these things: they beget not, neither do they eat and drink, save at the high asari, in token of their lordship and indwelling of Arda, and for the blessing and sustenance of the Children. Melkor alone became at last bound to a bodily form...' 
This might suggest that Morgoth became bound a physical form because of his “great lust”. "Begetting and conceiving” might, indeed, mean more than just standard reproduction, because Morgoth did “begot” with creation and mastery of several races and creatures. However, the only other example of a Ainur (in this case a Maia) getting bound to a physical form in the lore is Melian, when she became pregnant with Lúthien (after reproducing with her Elf love, Thingol). 
* Trigger warning: Mentions of Sexual Assault *
Then we have the fact that Morgoth might have been a serial r*pist. In “Myths Transformed” section of “Morgoth’s ring”, Tolkien has Morgoth r*ping Arien, the Maia who ruled the sun, and was “the most ardent and beautiful of all the spirits that had entered into Eä with [Varda]":  
. . . afire at once with desire and anger, [Melkor] went to Asa  [The Sun] and he spoke to Arie, saying: 'I have chosen thee,   and thou shalt be my spouse, even as Varda is to Manwe,   and together we shall wield all splendour and majesty. Then the kingship of Arda shall be mine in deed as in right,  and thou shalt be the partner of my glory.'  But Arie rejected Melkor and rebuked him, saying:  'Speak not of right, which thou hast long forgotten.  Neither for thee nor by thee alone was Ea made; and  thou shalt not be King of Arda. Beware therefore;  for there is in the heart of [Asa] a light in which  thou hast no part, and a fire which will not serve thee.  Put not out thy hand to it. For though thy potency  may destroy it, it will burn thee and thy brightness   will be made dark.'    Melkor did not heed her warning, but cried in his wrath:  'The gift which was withheld I take!' and he ravished Arie,  desiring both to abase her and to take into himself her powers.  Then the spirit of Arie went up like a flame of anguish and wrath,  and departed for ever from Arda; and the Sun was bereft  of the Light of Varda, and was stained by the assault of Melkor.  And [the Sun] being for a long while without rule . . . grievous   hurt was done to Arda . . .  until with long toil the Valar made   a new order. But even as Arie foretold, Melkor was burned   and his brightness darkened, and he gave no more light,   but light pained him exceedingly   and he hated it.    Nonetheless Melkor would not leave Arda in peace . . . 
So, yes, Tolkien really had the Devil r*ping the Sun... Can this be a parallel Sauron and Galadriel’s scene in “Rings of Power” Season 2 finale? When Sauron ravishes Galadriel's soul using Morgoth's crown? Since Sauron said he would make Galadriel a “queen as fair as the sea and the sun”, in 1x08? No quite. But more on that later.
Then we have the infamous Lúthien episode. There is an on-going debate on Morgoth’s intentions in this scene, but, in my opinion, and taking in consideration the incident with Arien, the “since he fled from Valinor” bit might indicate his intention was, indeed, to r*pe Lúthien. 
Then Morgoth looking upon her beauty [Lúthien] conceived in his thought an evil lust, and a design more dark than any that had yet come into his heart since he fled from Valinor. Thus he was beguiled by his own malice, for he watched her, leaving her free for a while, and taking secret pleasure in his thought. The Silmarillion [Lúthien dances for Morgoth on his Dark Throne, before she puts him and all the host of Angband to sleep with her magic singing]
Tolkien comes back to this “evil lust” Morgoth felt for Lúthien on several works:
…Yet I will give a respite brief, a while to live, a little while, though purchased dear, to Lúthien the fair and clear, a pretty toy for idle hour. In slothful garden many a flower like thee the amorous gods are used honey-sweet to kiss, and cast then bruised, their fragrance loosing, under feet. … A! curse the Gods! O hunger dire,O blinding thirst’s unending fire! One moment shall ye cease, and slake your sting with morsel I here take! In his eyes the fire to flame was fanned,and forth he stretched his brazen hand.Lúthien as shadow shrank aside. ‘Not thus, O King! Not thus!’ she cried. … …And her wings she caught then deftly up, and swift as thought slipped from his grasp, and wheeling round, fluttering before his eyes, she wound a mazy-wingéd dance… The Lay of Leithian, The Lost Road and Other Writings
“Nay,” saith Melkor, “such things are little to my mind; but as thou hast come thus far to dance, dance, and after we will see,” and with that he leered horribly, for his dark mind pondered some evil.  Book of Lost Tales vol.2
Then Morgoth laughed, but he was moved with suspicion, and said that her accursed race would get no soft words or favour in Angband. What could she do to give him pleasure, and save herself from the lowest dungeons? He reached out his mighty brazen hand but she shrank away. He is angry but she offers to dance. Commentary to the Lay of Leithian (The Lays of Beleriand)
Almost every servant of Morgoth either came to resent him or were absolutely terrified of him. The most notorious case being Sauron himself, as he went into the hiding after his spectacular defeat in Tol-in-Gauhoth (at the hands of Lúthien and Huan, the Hound of Valinor), probably to escape being punished by Morgoth.
“Rings of Power” already had Sauron talking about the unbelievable tortures he endured at Morgoth’s hands, and taking into consideration all of this… well, those “r*pe of Mairon” dead dove fanfictions might be on to something here.
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Do you know what it is to be tortured at the hands of a god?
Sauron’s entire dialogue in this scene can be interpreted as that of a r*pe survivor, actually: we have the dissociation element of “sometimes, the pain almost became a reward. Became a game"; and the self-guilt of “no, you chose it” (which is something many victims of sexual assault go through).
And then, we have the fact that the “feminization of hyper-masculine Mairon” was a consequence of his corruption by Morgoth, as I’ve already talked about in this post.
Tolkien himself talks about the Christian devil in terms of sex and lust, so it’s odd why the Tolkien fandom plays mental gymnastics trying to equalize Tolkien’s use of the sin “lust” with “greed” (these are two different sins in Christian theology, even though they are connected). 
The devil is endlessly ingenious, and sex is his favorite subject. He is as good every bit at catching you through generous romantic or tender motives, as through baser or more animal ones. Letter 43
Greed vs. Lust in Tolkien Lore
Indeed, Tolkien uses the sin “Lust” in connection with "Power" and "Jewels" (Silmarils/One ring/gold), but this might be a metaphor for sexual temptation, as well. Mainly because of his Christian inspiration behind the whole story.
Some examples of Tolkien’s usage of the word “lust”, that might be interpreted as “greed”:
The oath of the sons of Fëanor becomes operative, and lust for the Silmarils brings all the kingdoms of the Elves to ruin."  "But also they [rings of power] enhanced the natural powers of a possessor – thus approaching 'magic', a motive easily corruptible into evil, a lust for domination."  "Very slowly, beginning with fair motives: the reorganising and rehabilitation of the ruin of Middle-earth, 'neglected by the gods', he [Sauron] becomes a reincarnation of Evil, and a thing lusting for Complete Power – and so consumed ever more fiercely with hate (especially of gods and Elves)."  Now Sauron’s lust and pride increased, until he knew no bounds, and he determined to make himself master of all things in Middle-earth, and to destroy the Elves, and to compass if he might, the downfall of Númenor
"Also so great was the [One] Ring's power of lust, that anyone who used it became mastered by it..."  The Númenóreans attempted to take the Undying Land by force of a great armada in their lust for corporal immortality.
“Greed” is the disordered desire to consume (wealth, power); while “Lust” is the disordered desire to possess (something or someone). Lust is “consumption” and “action”, while greed is “hoarding” and “possessing”. Someone who is greedy wants more and more of something (not necessarily do anything with it); while someone who is lustful wants to do something with the thing it desires.
But “desire” that is not acted upon in Tolkien lore is not sinful, nor it’s a transgression of God’s (Eru) laws.
“The Original sin” (or “The Fall") is central to Tolkien world-building: “The dislocation of sex-instinct is one of the chief symptoms of the Fall [of Adam and Eve]”. And this means is that Lust is the “original sin”, and the gateway to sin, and from where all other sins originate.  
St. Paul writes "cupiditas radix malorum": “the root of all evil is cupidity". This is motivated by the fact that Eve ate the forbidden fruit because "she saw it, was beautiful". This explains why Christians have such a bad view of sex, especially when it’s not restrained by marriage.
There is lust for the forbidden fruit (the fruit from the tree of knowledge of good and evil that Adam and Eve were instructed not to eat in the Garden of Eden). This is when “sin” is first introduced into the world, leading to their banishment from paradise. The themes here are: disobedience to God, and succumbing to temptation (Devil).
And it’s the serpent that inflames Eve's lust, and "Rings of Power" wasn't even being subtle here (even the OST for this scene is called "The Fall of Galadriel"): 
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“Lust”, in his biblical/catholic sense, is the misuse of the body, sexually. The opposite of “lust” is “temperance” and “chastity”. “Lust” is disorderly sexual desire, and the subordinated enjoyment of sexual pleasure (against God’s law). It’s not just promiscuity, but extra-marital sex, as well.
In the Bible, “lust” is thematized by adultery (because marriage is a sacred sacrament, and acting against it, it’s breaking God’s laws, hence being a “deadly sin”). We also see this sin in connection with “idolatry” (one of Sauron’s crimes in Tolkien lore), when characters (such as Solomon) take foreign wives, symbolizing the forsaking of one’s partner for another.
But the catch here is: Eve wanted to eat the forbidden fruit. She wanted to bite into it, it was consensual. She was tempted, and she succumbed to temptation, to lust.
This pretty much goes hand with hand what I wrote on my “Of sin and sinners” post, that made the purity police gone wild. Galadriel and Sauron’s dynamic is not only hyper sexual, but it’s being consummated as well, and that’s why Galadriel gets banish from Valinor.
Sauron ravishing Galadriel using a sharp object parallels another Christian event (demonic version): the Ecstasy of Saint Teresa.
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Beside me, on the left, appeared an angel in bodily form…. He was […] very beautiful; and his face was so aflame that he appeared to be one of the highest rank of angels, who seem to be all on fire…. In his hands I saw a great golden spear, and at the iron tip there appeared to be a point of fire. This he plunged into my heart several times so that it penetrated to my entrails. When he pulled it out I felt that he took them with it, and left me utterly consumed by the great love of God. The pain was so severe that it made me utter several moans. The sweetness caused by this intense pain is so extreme that one cannot possibly wish it to cease, nor is one’s soul content with anything but God. This is not a physical but a spiritual pain, though the body has some share in it—even a considerable share.
This is, essentially, a description of a Catholic saint having an orgasm. The “lorebros” wanted the Virgin Mary that never was, and “Rings of Power” delivered. Iconic. And that probably provides the subtext to this unhinged expression over here:
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Happy with ourselves, are we?
So, yes, in the end, Sauron did take Celeborn’s woman as foreshadowed by Season 1 with the “clams” scene in Númenor (1x03). And now that his blood is inside of her, stuff is about to get wild.
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silentscrying · 2 months ago
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🎸 out of my mind ! 💿 track two: kowalski, status report
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guitarist!ino x drummer!reader
summary: it's the annual battle of the bands at the fix, your college campus's iconic live music bar, and this year you're taking the stage as the drummer for indie rock group cursed technique. you know the competition is strong, but no part of you is ready for lead singer and guitarist takuma ino. you lock eyes at the edge of the stage, and something starts—something that might make you feel alive even more than the beat of the drums.
warnings: language, alcohol, mentions of drugs/drug dealing, toge bullying, unbearably cute dogs. || sfw. 9k words.
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"I SHOULDN'T CUSS in this, right?"
It’s the day before the other four artists premiere their sets at Battle of the Bands, and you haven’t been home since six in the morning. You’re running on caffeine and spite and the pursuit of the story, parked on a high stool across the bar from the one and only Ieiri Shoko.
Toge leans on the counter beside you, opting to stand. He’s agreed to pay for the next snack run in return for you letting him be your partner. You both know you’re going to end up doing most of the writing, but you don’t really mind. Toge would if you asked him to, but you love this kind of thing in a way he just doesn’t. Plus, he’s better with a camera than you, and he’s taking photos tomorrow night.
You laugh, pulling out your phone to record. “You can say whatever you want as long as it’s honest. Be candid.”
“You might regret saying that!” Gojo calls from the back, and Shoko silences him with a glare.
“Are you coming or not?”
Gojo grins and finishes up whatever he’s putting away in the storage room, then strides out and leans his elbows on the counter.
“Do you mind if I record?” You point to the open voice memo app. “Makes it easier to quote you correctly.” You also just hate running interviews when you’re scribbling hand-written notes the whole time. You’d much rather have a genuine conversation and worry about the details later.
Shoko waves a hand airily. “No problem.”
“Absolutely,” Gojo says. “You can probably sell that for thousands.”
You set the phone on the counter, next to one of the tiny pumpkins scattered across it in celebration of the beginning of October. You and Toge bounce back and forth as you run through the standard start-of-interview checklist, having them spell out their names, getting their ages, hometowns, degrees, all that jazz. And then you launch into the stuff you really care about.
“So, you opened The Fix about ten years ago now, correct?”
Shoko nods. “Yeah, a little over two years after we graduated.”
You look at Gojo, whose eyes are even more alarmingly blue in the daylight. “And you were hired right away?”
“Utahime first, then me,” he nods. “Best for last, y’know.”
Shoko snorts. “We knew each other in school. I just took pity on him.” She smirks as Gojo’s jaw drops. “You can quote that.”
“Right, so all of you were friends in college. And you came together to start this place—what was the idea behind it?” Toge chimes in. “You said you studied nursing, Shoko?”
And you sit and listen as Shoko explains. Back in college, she was at the top of her class. By graduation, she’d been accepted to basically all the best med schools. She had her pick. She could do whatever she wanted. But she realized that what she wanted wasn’t that at all.
The medical field is brutal, she tells you. It’s all late nights and emotional burnout. People yelling at you, misplaced anger when you give them the bad news. Getting attached to people only to watch them waste away.
“I needed to get out before I got too far in. Maybe it was selfish,” she admits. “But I wasn’t cut out for it. I have so much admiration for medical professionals, but I couldn’t be one of them. A few clinicals and I was already feeling the consequences of giving too much of myself and getting nothing back.” She shrugs. “So I named it The Fix, as some kind of homage to the medical background. And I figured I’d just make sure it’s safe.”
Something sits heavy in her gaze as she stares at something behind you, middle distance, like she’s remembering.
“Why a college bar?” you ask, nudging the phone across the counter to pick up her voice better. “I mean, the extra security, thinking about underage drinking, dealing with a bunch of broke university kids. You could’ve just as easily opened a different bar in a more lucrative area. What was the appeal?”
She smiles crookedly. “Appeal. Well. My senior year, I was working in the local ER. And I saw… god. So many kids came in there needing their stomachs pumped, or kids who’d done laced drugs, gotten roofied, harassed, it was… I mean, it was a city university club scene. They weren’t safe. And I just felt like I needed to give them that. I couldn’t stay there as a nurse or a doctor. But I could do this.” She shrugs. “Sorry. That was probably way too much.”
“No,” you say quickly, smiling at her. “That was—that’s what we came here for. Shoko, that’s amazing. And it’s not selfish, taking care of yourself. You’re still here taking care of others.”
You don’t know Gojo well. Most of your stories about him come secondhand from Nobara, who knows him through Megumi. She paints the picture of a flamboyant, obnoxious bartender who’s more like a weird uncle to her than anything. From what you’ve seen of him at The Fix, you know this to be mostly accurate—he’s rarely serious, always taking flack from the students and giving it right back, ragging on Utahime, begging Shoko to play his playlist instead of Geto’s and knowing she’ll never cave. But now, as he listens intently to Shoko, you think you’re seeing another side of him.
There’s something troubled on his face as she speaks, like he wishes he could reach into the past and help. Like he regrets it.
The bar’s not the only thing that has a different side in the daylight.
“She’s right,” Gojo tells Shoko. It’s not much, but she looks up at him a bit surprised, something in her expression softening. A smile tugs at the corner of her mouth, not quite there but not quite not. “You’ve got a pretty big heart under all that RBF.” Shoko rolls her eyes, the moment over.
“What about you?” You turn to Gojo, nudging the phone his way. “Why a college bar?”
Shoko turns toward him, leaning a hip against the bar, just as curious as you are. “I think kids deserve to be kids,” he shrugs. “And if I—if we—can create a space where it’s actually safe for them to do that, it feels important.” His gaze shifts from you and Toge to the empty bar, the stage and floor and high-top tables that tomorrow will be full of music and laughter and students knowing they’re allowed to let loose here.
“There aren’t a lot of places out there that are exclusively for students,” he continues. “It’s this weird phase, college, where you’re figuring out who you are, trying to take risks without losing too much. It’s a lot. And you look at the crime rates, date rape drugs, theft, DUIs, in the city, and it’s just—this place gives them the room to learn and grow and mess around and have a good time without the danger of the… I don’t know. The outside world. Does that make sense?”
He drums his fingers on the countertop, then seems to abruptly remember the recording and stops. “I think it’s just… well, no one’s allowed to take youth away from young people. So that’s why I’m here.”
You wonder what Gojo was like in school. He majored in gender studies, which you’re pretty sure is what Todo is at least minoring in, too—you’re not sure how it’s applicable to anything, but Nobara says he likes to pull his diploma out from behind the bar and say he’s an expert in women. It seems a far cry from this rare, more subdued version of Gojo you’re seeing right now. You’d guess he’s grown quite a bit in the time he’s been here. And Shoko’s been here to witness it.
He’s not a business owner, like Shoko or Geto. And according to Nobara, he definitely doesn’t need this gig to make a living. He’s here because he wants to be.
“These last few years have been nice, in particular,” he offers. “Just ‘cause some of us have kids going here. I mean, you know the Fushiguros. Suguru’s got the twins. And I know Ino’s not Nanami’s kid, but they’re tight.”
“Wait, what?” Nanami is the bar’s primary security guy, a bouncer who never lets a fake ID fool him. He’s part of the reason this place is so safe. Toge spins to look at you as you blurt out the question, caught off guard. “Uh, sorry. I just didn’t—I didn’t know they knew each other.”
Shoko studies you with tired, intelligent eyes, and you can’t help but feel the tables have been entirely flipped. You’re the one being interrogated, wordlessly, by the woman across the counter. You feel like every thought in your head is scrawled across your face for her to read.
“Yeah,” Gojo says, unaffected. “Ino looks up to him a lot, I think. Even though he’s an old man who reads the newspaper for fun.” He snorts. “He’s a good guy, though. And Ino’s a good kid.” He finally clocks the way Shoko’s looking at you and cocks his head, appraising.
Thankfully, Toge cuts in with another question. “So, we’ll be around tomorrow for the bands and to take some photos and observe,” he explains, glancing at you to make sure he’s got the information right. “Will Geto be around?” You’d wanted both owners’ perspectives, and now that Gojo’s reminded you of the twins, you’re even more curious.
“Yeah, Suguru and Utahime will be here tomorrow night,” Shoko says. “And Nanami. Geto would totally be down to talk to you some other time, too, when it’s a bit quieter.”
“Amazing,” you say, pulling the phone back toward you. You’ll need details, follow-ups, but you need to process this first, write some things down while they’re fresh in your mind. ‘Thank you so much for this. We appreciate it.”
“Anytime, kid,” Shoko says, waving you off. “See you tomorrow.”
As you turn off the recording, Gojo and Toge have already devolved into conversation about the bands and predictions about tomorrow night. A few posters are scattered across a low table near the door, and you pick one up, smiling at the blocky lettering advertising Black Flash. There are posters advertising all of the artists, and they look amazing, straight out of one of the alt rock venues in the wider city.
“They’re sick, right?” Gojo calls, nodding to the posters. “I gotta hang those up, actually. Thanks for the reminder.”
You wave goodbye to Shoko and Gojo and lead the way out, Toge just behind you.
“Man,” he says, and you brace yourself, recognizing his teasing tone for what it is. “They said Ino’s name and you look like scared Bambi or some shit.”
“Shut up,” you mutter, elbowing him.
He holds his hands up. “I’m just living in pursuit of the truth! Like Kusakabe would want.”
“Is your camera battery charged for tomorrow?” you say in a blatant attempt at a topic change.
“Who do you think I am?”
“Toge Inumaki, chronically irresponsible student and—”
“Okay, sorry I asked, holy shit.” He sticks his tongue out at you. Then he hesitates, frowning, and then he’s pulling out his phone and calling someone in his favorites list before you can see who it is. “Hey,” he greets. “What? No, she didn’t kick me out. Hey. Hey.” You snicker and Toge glares at you, pressing the phone closer to his ear. “Yutaaa,” he whines. “Do you know where my camera battery is?”
Even when you’re not the one on stage, you live for Fridays at The Fix. Tonight you’re doing double duty—because of the dual elimination at the end of the round, all of the competing artists are here. It’s not a requirement, but you want to see what you’re up against, and the sentiment seems to have carried. You and Toge are also in reporting mode for your project story.
The band on stage right now is… well, you can’t say new wave metal is really your thing, but it’s definitely theirs, and the audience is loving it. The Cull, you write in your notes. Look up names.
You couldn’t make out the lyrics if your life depended on it. It’s three guys and a girl, vaguely familiar, but you’re fairly certain they’re seniors and absolutely certain they’re baked right now.
“God, this is loud.” Yuta winces, turning to face you, and then his eyes flicker to something over your shoulder. You divert your attention from the stage and just catch the brief commotion in your periphery. Nanami has a kid by the elbow, and he’s escorting him out the side door, expressionless. The kid’s obviously drunk out of his mind, tripping over himself, shouting something that Nanami doesn’t bother to respond to.
Maki follows your gaze and wrinkles her nose up in distaste.
“Who’s that?”
“My cousin,” she says flatly. You glance quizzically at Megumi, who is definitely standing five feet away and not being escorted out of the bar.
“Dude, how much family do you have at this school?”
She sighs. “Just Mai and Megumi and him. Naoya. He’s a piece of shit.”
“Clearly,” Toge says. “He broke the M theme. No respect for the family alliteration.” Maki kicks him in the shin.
“One last round for The Cull!” Panda calls from the stage, and your ears slowly, very gradually stop ringing with the raging new wave music. The stage techs get to work behind Panda as he introduces the next group.
“Up next, making their debut, we’ve got a sophomore girl pop trio. Give it up for MOTION CAPTURE!”
There’s a big cheer from the bar, and you turn to see Geto grinning. Three girls take the stage, the blonde one grabbing the mic and adding, “All caps!” The girl beside her is very obviously her twin sister, though her hair is straight and dark while the blonde’s is tugged into pigtails. Light and dark. The girl on keys has a long, black bubble braid that she pushes out of the way as she settles in to play.
The blonde plugs in her electric and calls out, “Alright, I’m Nanako.” She tests out a chord, the sound reverberating, filling the bar all the way up to its high ceilings. “That’s Mimiko, that’s Remi, and we’re just here to have a good time.”
“Hey,” a voice says behind you, and you jump. You turn to find Takuma holding two drinks, offering one to you.
“Oh! Aw, thanks, you didn’t have to do that. How much do I owe you?”
He rolls his eyes. “Nothing.”
“Takuma—”
“Nothing,” he reiterates. “Anyway, The Cull. Thoughts?”
You take the drink and try it while you think on your answer—it’s the same thing Nobara got you last week. How did he know?
“I didn’t really understand any of the lyrics,” you admit, shrugging. “They weren’t bad. Not really my genre. Do you know them?”
Takuma shakes his head. “I had a gen ed once with that Rin kid, but I don’t know the other ones. These girls aren’t bad, though.” He’s right—they’ve launched into an Olivia Rodrigo cover that’s actually decent. They could work on their voice control, but they’re young and fun and having a good time and working the crowd, and that’s what it’s all about, isn’t it?
You sing along, alternating between your drink and exchanging quips with Toge and talking with Takuma. You like this new balance between your band and his, the easy camaraderie.
When the girls wrap up their set, you whoop and cheer and Kirara shamelessly watches Hakari move things off the stage, arms bare in his cut-off tank.
“You’re subtle,” Takuma tells her, and she tugs his beanie down over his face.
“Hey!”
You grab his drink before he can spill it and grin as he yanks his hat off and readjusts it. His hair is a fluffy mess underneath, and it’s kind of endearing.
When the girl pop trio is done, two guys take the stage, one in white and one in black. They’re clearly related, dark hair and pale skin and piercing eyes, and Panda introduces them as the Kamos. You don’t know if they’re brothers or cousins or what. But they’re good—they sing a few alt rock covers, play guitar.
“Damn,” Nobara sighs, a little longingly, her gaze settling on Choso as he takes over the chorus. “They’re…”
Beside her, Yuji wrinkles his nose. “Dude. That’s my half-brother.”
Nobara hums noncommittally. “And?”
He groans, tipping his head back and staring at the exposed beams of the ceiling, run through with colored lights. “Why does this always happen?”
Toge is taking more photos of them than is strictly necessary, considering your story is about the bar and not the band, but you let him have this. Scattered throughout the crowd are more kids with cameras, freshmen from the entry-level reporting classes with big underage stamps on the backs of their hands. Somebody mistook Toge for one of them earlier, and Maki hasn’t let it go all night.
You jot down atmospheric notes on your phone, little things that’ll help set the scene for your project lede, keeping an eye on the bar as much as you can. Geto has jumped in at the bar, which he usually does when the place gets busy, and Gojo is terrorizing Utahime again.
“How’d your interview go?” Takuma asks, nodding at your notes. It shouldn’t faze you so much that he remembers what you told him about your story, but you can’t help the little kick of your heart in your chest at the reminder.
“Good! Really good.” And then you catch sight of Nanami, back at the door after calling a cab for Maki’s asshat cousin. “Actually, Gojo mentioned you.”
Takuma’s brows shoot up. “Gojo? Why?”
Nanami has always seemed incredibly reserved, stony and silent in a way Takuma has never been. You don’t want to pry, but you’re also curious about the relationship between them, how they met, what they are to each other. The journalist in you wants to know.
And then there’s the part of you that just wants to know Takuma.
“Well, he was talking about the twins and the Fushiguros, and he kind of mentioned something about you knowing Nanami?” You try to sound casual, jerking your chin toward the door where Nanami is posted, like a tall, blond guard dog.
“Oh,” he says, surprised, but he shrugs, not seeming too alarmed by the question. “Yeah, I’ve known Nanami for… a long time. He’s kind of a mentor. He’s the reason I met Fushiguro in the first place, actually, ‘cause of him knowing Gojo.”
You’re considering asking how exactly they did meet when the Kamos wrap up, Nobara staring up at them dreamily, and the stage clears out for the final artist.
Whatever questions you had are thrown out the window, because you know who this is. Everyone knows who this is.
Fifth-year student and resident SoundCloud rapper, Ryomen Sukuna. Or D!SH0NORED1, according to the posters.
“Oh, here we go,” Megumi groans.
Despite his reputation on campus, you don’t know anyone who’s actually close to Sukuna, except Uruame. You mostly know that he deals at the skate park and that he’s clean about it.
And that his raps are truly, genuinely horrible.
He lets Panda give a stilted introduction and launches into a verse, mic too close to his mouth, making hand gestures or stepping to the beat of his backing track. His tattoos are even more stark and bold under the stage lights.
“My blood type’s B, your type is me, my zodiac Caprisun, it might be controversial but you’re still lookin’ at me, son!”
“Oh, sweet Jesus,” Kirara mutters. “I’m gonna bleach my eardrums.”
“Caprisun?” Nobara whispers. “Oh, dude.”
You might be a terrible person for thinking it, but watching this guy’s performance makes you feel infinitely better about your odds of advancing in the tournament.
His final song is a new one he introduces as Frosted Flexin’, and Maki looks like she’s about ready to keel over dead.
“Frosted flexin’, I'm the cereal king, pourin' oat milk in the mix, yeah, I'm doin' my thing,” Sukuna spits in his low voice, swaggering up to the front of the stage. You are trying so hard not to lose it.
“Sukuna being an oat milk truther wasn’t on my bingo card,” Toge says.
“Got the swag of a squirrel and the brain of a dove, call me trash, but you're still showin' me love.”
“Thoughts on the amount of swag a given squirrel possesses?” you ask Takuma. He laughs, loud and bright, and then seems to very seriously consider the question.
“I don’t know if campus squirrels have swag. They live in luxury. They probably eat better than we do,” he says. You can’t argue that—you did once see a squirrel outside your sociology class run by with a full bagel in its mouth. “The wilderness squirrels, though, I think they got a scrappy kind of swag. Like, I wouldn’t cross them.”
You nod sagely. “I want them on my team in the apocalypse.”
He nudges you with a shoulder. “Am I on your team?”
You glance at him, make a show of looking him up and down. Maybe you’re imagining it, but you think he’s blushing a little. “I don’t know. How fast can you climb a tree?”
Sukuna is nearing the end of his song, now, saying, “Off-tune, out of sync, yeah, I know it's a sin, but you'll play it back twice 'cause I still might win.”
He actually, physically drops the mic and Hakari swoops in and catches it, clearing his throat and saying into it, “Yep, friendly reminder that equipment’s expensive! Everyone give our last artist of the night a hand, yeah?”
There’s scattered applause and more than a few confused faces as Sukuna lopes off stage, and Panda hops back up to explain the voting system for anyone who wasn’t here last week. “QR codes to the Google form are posted around the bar,” he says.
Out of all eight artists, the bottom two will be eliminated. You’re nervous. But voting was open last week too. You can’t vote as a member of the band, and it’s all done through school Google accounts to avoid double votes or the link getting sent out to non-students.
“Open until tomorrow morning,” Panda reminds the audience. “Results and second round schedules will be posted on the Instagram at some point tomorrow! That’s it for this Friday at The Fix. Have a great night, folks. Get home safe.”
Gojo whoops dramatically from the bar, and Panda gives him a weird look before getting off stage.
Your friends start heading toward the door, and you grab Toge and excuse yourself to catch Geto at the bar. Gojo sees you first. “The newsies!” he calls.
“Like the musical?” you say in lieu of a greeting. “Banger soundtrack.”
“I could dance on newspapers,” Toge says.
“Geto!” The Fix’s other owner smiles at you, soft and genuine. Part of his dark hair is pulled back and the rest hangs loose over his shoulders, a stark contrast to Gojo—like the Kamos, you think, or like Nanako and Mimiko. Light and dark. “We were wondering if you’d be down to set up a time to talk. Has Gojo told you about our story at all?”
Geto smiles, drying a glass and leaning against the bar. “He told me he’s gonna be the front page of every paper in the city, which I assume is a horrid exaggeration,” he says. Gojo looks affronted. “Shoko mentioned you’re doing a feature for class, though. I’d be happy to.”
“We have our Monday night class time open for field reporting the week after this one,” Toge offers. “Will you be around?”
“I will indeed. Utahime, too, if you want to speak to both of us. And Gojo won’t be here, which might be beneficial for you.”
“Suguru,” Gojo gasps, pretending to stagger back. “You wound me.”
“Mhm,” he says, unaffected. “What time works best for you two?”
You set up a time to interview Geto and Utahime, then say goodbye to him and Gojo and run to catch up to your friends. It’s a nice night, and since you didn’t have to deal with instruments, you all decided to walk.
“How goes the… journalisming? Journaling?” Takuma asks when you fall into step beside him.
“Good, all good. Reporting is maybe a better word, but valiant effort.”
“I like journalisming. Can you just submit words to the official dictionary? I’m gonna do it.”
“No,” Toge says, and you blink. He shrugs. “What? I tried once. But the only submission form I could find was for the Bureau of Linguistical Reality and it wasn’t like, a legitimate dictionary form. There’s all these requirements, it’s horrible.”
“What word did you try to submit?” you ask warily, not sure if you actually want to know.
“Some things,” Toge says solemnly, “are better kept secret.”
The night is hazy, only small rays of moonlight piercing through the cloud cover, and you make your way through the campus roads guided only by the streetlamps and Maki’s reliable sense of direction.
Part of you wants to ask Takuma to come over, or Yuji to insist the band come over to his place again, just so you can keep talking. But you have work to do, things to write and transcribe, lists of follow-up questions to make, and that’s only your workload for this one class. You still have exams this week, and you need to study now so you can balance it with rehearsals. Assuming you actually advanced to round two, that is.
And part of you worries you might be taking this too fast, too. You don’t typically integrate people into your life so quickly. You like spending time with Takuma and Kirara and Yuji and even Megumi, though he’s pretty quiet. You just don’t want to jump in too far too fast.
At your place, you say your goodbyes and head up to your room to get some work done. Toge uploads his photos and puts them in your project folder on Drive. And you spend the night doing what you do best, aside from drumming—writing.
Youth for the young: JU alumni run safest live music bar in city limits
You don’t even notice the time until it’s past one in the morning, and you’re nearly asleep at your desk. The dark has crept across your room, the only source of light the desk lamp and your laptop screen. Finally, you push the computer shut and flick off the light, flopping into your bed. A few missed messages pop up when you hold your phone up, wincing at the bright screen.
takuma: just letting you know i made the treacherous journey home safely takuma: many miles of hardship takuma: thought i was gonna die halfway there
You smirk and type out a reply.
you: did kirara have to save you takuma: i resent that takuma: (yes) takuma: wait why are you up it’s so late you: journalisming you: why are YOU up takuma: travel adrenaline takuma: (coding project due monday that i just started) you: TAKUMA
The next text to come through is a voice note, and you can’t help smiling as you hit play and his voice fills the open air of your bedroom.
“Okay, in my defense, I thought it was due next Monday. Which maybe isn’t my defense because it means I just can’t read due dates, or maybe I just can’t read, but I thought I had a lot more time and then one of my classmates texted me asking for help on this block of code and I told him I hadn’t started and he was like oh my god, Ino, it’s due in three days, and I was like no it’s not, we have so much time—turns out we don’t have so much time, so I’m over here staring at my screen until the vessels in my eyes pop—”
He yawns, and it makes you yawn too, despite the screen separating you. “Sorry, agh. Anyway, I have to write this program that uses some kind of randomized generator…”
You find your eyelids fighting gravity, exhaustion washing over you as he explains the project and all the reasons he’s not that worried about getting it done by Monday because actually he’s on a roll and it turns out the code isn’t that different from a similar project he did last year so he can just lift the main blocks over and wow, he’s tired, and you stifle a laugh as the voice memo comes to an end and he says, “Okay, gosh, I should go to bed. You should go to bed. Stop journalisming, Skip, get some sleep. G’night.”
You grin, plugging your phone in and sending him a voice memo of your own.
“I’m done journalisming. Still haven’t written that story on you, though. Night, Takuma.”
The last thing you see before you fall asleep is his reaction to your text. It’s a thumbs up, but after a few seconds, it disappears, replaced with a heart.
“I’m gonna die,” Nobara groans.
You’ve been checking Instagram every hour on the hour for the bracket results, but to no avail. The five of you are sprawled out in the living room, a Fleetwood Mac record spinning in the corner, cups of coffee and tea and scattered remnants of breakfast dotting the table and the floor and the windowsill.
You have post notifications on for the Battle of the Bands Instagram page, but you check anyway, as if you somehow missed it.
“Okay,” Maki says. “Cut it out. No phones.”
“Maki,” Toge groans. “How do we live with the suspense?”
“Go around and give a rundown of your week?” Yuta suggests.
“Aw, highs and lows, it’s like elementary school,” Nobara says happily. “I’ll go first! High: annoying slacker guy in my marketing class got a shit grade on the group project and the rest of us got As. Low: Skipper won’t give me Ino lore.”
“Lore,” you mimic. “I don’t have any lore. We’ve known each other for like, two weeks.”
“That’s enough time for lore,” she insists. “What’s your high? Ino?”
“Okay, jeez,” you say. “Maybe it’s that Toge and I had a really good first interview for our project story.”
Toge blinks at you.
“Fine, maybe it’s Takuma.”
Nobara grins in a way you can only describe as malicious. “Okay,” you say, pointing at her. “Low: whatever that is.” She sticks her tongue out at you.
“My low is Skipper bullying me in class,” Toge says. “And my high is she said she’d be my partner, so I’m not gonna fail.”
Yuta nods sagely. “Maki?”
“Uhh,” she says eloquently. “My parents won’t stop pestering me about fall break. But I aced a test on Thursday in anthro, so there’s that.”
“You’re not going home, right?” you ask. She shakes her head resolutely. Maki doesn’t go home unless she absolutely has to—one thing she and Mai actually have in common.
All of your phones go off at once, a mix of buzzes and beeps and Apple watchfaces lighting up, and Nobara screams. “I can’t look!” she cries. “Someone tell me!”
You click on the notification and pull up the post, heart racing.
The first slide is a generic Battle of the Bands announcement with the cool ass graphics you’ve been seeing on the posters. Whoever designs those needs a raise. The second image is the bracket for next Friday, with the first knockout round of three—only one group will move on to the finals. “Who is it?” Nobara asks anxiously, pacing the room. “Oh god, I’m gonna die.”
“Shibuya Incident,” you read off, unable to keep the smile from your face. “Angel.” Nobara groans overdramatically. “And the Kamos.”
You swipe to the next screen, heart in your throat. OCTOBER 18, it reads. THE CULL. CURSED TECHNIQUE. BLACK FLASH.
“Oh my god!” you scream. “Oh my god, we made it!”
Toge yanks you to your feet and starts hopping around the living room, and Nobara shrieks with joy as you pull her into the celebration. Even Maki and Yuta are sporting wide smiles as they watch the three of you bounce around like kids on a sugar rush.
“What, no Sukuna?” Maki teases when you’ve calmed down. Toge clears his throat and does his best impression, going as far as to make his pants sag a little around his waist.
“Frosted flexin’, I’m the cereal king, pourin’… uh, duh nuh nuh, something doin’ my thing,” he says in a deep voice. “Uh… squirrel? Somethin’ fuego, that’s Spanish, uhhh…”
“Oh my god, let me look it up,” Nobara cackles, pulling up SoundCloud. “It’s I’m the king of bad decisions, got a throne made of Legos, took a bite of my mic and said these bars are fuego.”
Yuta physically winces. “Does he really sag his pants like that?”
Toge shrugs. “It felt right in the moment.”
“Wait, who’s the other one eliminated, then?” you ask, running through the bands in your head. Yours, Takuma’s, Black Flash, the Kamos…
“Motion Capture,” Maki says.
“No, it’s all caps. You have to shout it. MOTION CAPTURE!” Toge hollers. Nobara snorts.
You aren’t entirely surprised, but you have a feeling the girls aren’t too put out about it. They’re young, too—they’ll have their time to shine eventually.
You grin, flopping back onto the couch. “Okay, rehearsal when? Tonight?”
“Yeah, I have to go to a friend’s to figure some stuff out for a project, but I’ll be back at like… five?” Yuta says.
“Oh, fuck, I gotta go too!” Nobara says, darting toward the stairs.
“Group project?” Maki asks.
“Shopping! I gotta pick Miwa up in like, ten minutes!”
Maki rolls her eyes fondly. Yuta stands up and grabs his bag, heading toward the entryway, and the rest of you gravitate instinctually to the kitchen. Nobara is out the door moments later with a wave and a shout, and Toge grins.
“What,” Maki deadpans, not a question.
“I printed memes to hide on her Polaroid wall. Be right back.”
You snort, turning your attention to the window to watch Nobara cruise down the block. The view of her sleek, small car is interrupted by Yuta’s jungle of plants.
“I hope they’re not too cold,” he says, frowning as he tugs a jacket on over his white hoodie. “Do they look okay to you?”
“Yeah,” you say, pointing to the one in the white, ovular pot. “Especially this one, it’s getting so big! What’s his name, Snorlax?” Yuta had a phase where he named at least six plants in a row after Pokèmon.
“No, that one’s Rika, after that TV show,” Maki corrects, not looking up. Yuta blinks, looks between her and the plant, whose vines have started to creep up the window. A smile tugs at the corner of his lips. Both of your eyes on her have her looking up from her phone, expression flat and unaffected. “What?”
“Yeah,” he says slowly. “I didn’t know… anyone paid attention.”
Maki shrugs. “You talk to them out loud.”
“Yeah, I guess I do.” Yuta laughs and waves one last time before he walks out, closing the door behind him. You count to five in your head and then whirl on Maki, entirely unable to keep the shit-eating grin off your face.
“Kowalski, status report.”
She blinks at you. “What?”
“I said—”
“No, I know, just—on what? What happened?”
You groan, dragging the heels of your hands down your face. “Maki. Please.” You gesture wildly between her and the door, wondering if she’s genuinely this oblivious or if she’s just as good a liar as Mai. “Are you—did we not just witness the same interaction? Jesus, Maki, put the boy out of his misery!”
Seeing Maki frazzled is not a common occurrence. The most agitated you ever see her is talking about her family or trading passive aggressive jabs with Mai. This is an entirely new sort of disarray—she’s flustered.
“I—what?! I can’t do that! And he’s not miserable. He’s that nice to everyone.”
You groan, burying your face in your hands with your elbows on the counter. “Maki! He likes you. And your face is telling me you like him back.”
She scoffs, turning her head down and crossing her arms defensively. “I’m not messing things up by dating my bandmate. We live together, Skip, he’s my best friend, if things got messy—”
You hold up a hand. “First of all, offensive. I’m your best friend. Second of all, I hear no denial. Also, it won’t get messy. You are the two most mature people in this house and you know how to separate personal from practical. If anything, it’s gonna kill the vibes of the band and the house if you just keep stewing in the sexual tension.”
“Oh my god,” Maki groans. “There. Is. No. Sexual. Tension.”
“There’s always sexual tension,” Toge announces, walking in and jumping up onto the countertop, legs swinging. He looks between the two of you innocently. “What are we talking about?”
“You might be of some help, actually,” you say, turning to Toge with your hands clasped.
“Uh, actually? Not oh, Toge, you’re always so helpful, thank god you live with me and keep my life interesting—”
“Nevermind.”
“No, pleeease,” Toge insists, sticking out his lower lip. “What?” His gaze shifts to Maki, who’s blushing a furious red. His mouth turns into a small O. “This is about Yuta?”
You didn’t think she could get any more scarlet, but here she is.
“Does everyone think that?” she groans, throwing her head back in exasperation.
Toge shrugs. “I thought we were all just quietly skirting around it until you both snapped.”
“Nobara doesn’t skirt around anything,” Maki says.
“Well, there’s no way she doesn’t know,” you point out. “Maybe she just respects both of you enough to leave it alone.”
“Hah!” Toge snorts, poking you in the ribs. “That means she doesn’t respect you. She wants the Ino lore.”
“I’m gonna tell Nobara about the memes.”
“You wouldn’t dare.”
Abruptly, you realize you never got around to Yuta for highs and lows, what with the chaos of the brackets dropping. “Ah, guys,” you say. “We missed Yuta.” You pull up the house group chat.
you: YUTA DROP YOUR HIGH AND LOW IN THE CHAT you: YOU ARE NOT FORGOTTEN freak no. 1: yes you are utah: haha aw that’s nice utah disliked a message from freak no. 1 utah: uhh low is maybe that toge keeps leaving memes all over our room. like i keep finding them tucked in my notebooks and everything freak no. 1: SLANDER freak no. 1: LIBEL you: not the same thing freak no. 1: SHUT UP utah: high is someone remembers the names of my plants!! :) nobara: Sorry, using voice text while I drive. Who knows the names of your plants? You and God? utah: maki! :)
“Okay, well, respond,” Toge says, poking Maki in the side. She glares at him and likes Yuta’s message.
“Guys,” she says exasperatedly. “What the hell am I supposed to do? Does he know?”
And you’re not sure, honestly. You don’t know that Yuta is even aware of his own feelings, let alone aware that Maki reciprocates them. You shrug helplessly. “How about… ask?”
“Jesus,” Maki says.
“Not him, Yuta.”
Maki socks Toge in the shoulder and levels him with a disdainful look. “You are the bane of my existence.”
“And the object of all your desires,” Toge proclaims in a horrendous Bridgerton accent. He made you watch all of it with him in two days. Maki refused.
Now, she just shoves him, and he squeals as he falls off the kitchen counter.
“Children,” you sigh. “Do you need to be separated?”
“Yes!”
“Why is this so hard?” You stand with your feet planted on Takuma’s skateboard, which is confoundingly, entirely different than balancing atop your longboard. “Oh my god.” You lurch forward as the board rolls a bit to the left, unable to stifle the squeal that comes out of your mouth.
Takuma stops it with one foot.
“Your center of balance is lower on a longboard,” he laughs. “Like, here.” His hands wrap around your waist and you tense under his grip, and he immediately freezes, jerking his arms back. “I’m so sorry, I didn’t—”
“No! No, it’s okay,” you blurt, sheepish. “I just wasn’t expecting it, I—here.” You try to fight the blush furiously rising in your cheeks as you take his wrists in both hands, putting them back where they were. You clear your throat, suddenly too warm. “Um. Okay, so—do you turn the same way?”
“Pretty much. You just lean,” Takuma says, and you shift your weight to your heels, letting him steady you. “It’s a bit harsher than you would on a longboard, though. Unless you want me to send you right into kickturns?” His tone is teasing and you pretend to consider, tapping a finger against your chin.
“Mm. Maybe later.”
You’ve been at the skate park for a while now, and you’ve only recently ditched your longboard for the skateboard. Takuma brought the extra board you saw hanging on his wall the other day, and he uses it to demonstrate while you practice riding back and forth, getting a hold on your balance. After you feel like you can make it a good distance without pinwheeling your arms, you come to a staggered stop beside him.
A flash of blue-green hair grabs your attention, and you watch a kid in a lightning bolt hoodie slip under the ramps. The park has been pretty deserted today aside from a few guys doing tricks in the pit, a chilly Sunday with the sunlight muted by the clouds.
“Ooh, drug deal in action.” You poke Takuma in the side.
“Ah, probably Sukuna. He deals here all the time.” Sukuna’s business is one of those things everyone’s aware of but nobody talks about. He’s consistent and pretty safe, as far as drug dealers go, but he’ll deny any involvement while smoking a joint if he has to.
“Who’s space buns?”
“Uhh…” Takuma narrows his eyes, and the guy slips out again. “Damn, that was fast. Oh, that’s Hajime. Another senior, I think. They hate each other. Fastest deals I’ve ever seen.”
“I wonder how much of his songwriting is just… while he’s really, really high,” you muse. Swag of a squirrel doesn’t strike you as a particularly levelheaded thought, but hey, it’s certainly memorable.
Takuma leans in and says conspiratorially, “I’m pretty sure I heard him dropping bars here the other day when I was with Yuji.”
You snort and look up at one of the smallest ramps, one you think you could handle without falling on your face, and point to it with a raised brow.
“Oh, moving up in the world?” Takuma kicks his board up and starts walking over, and you do the same. Before you put the board down at the top of the ramp, though, you hold it up to the light, noticing a few short, white hairs caught on the surface.
“Is this… fur?” Maybe there was a cat hiding out somewhere when you were over. Kirara seems like she’d have a cat.
Takuma sighs. “Yeah, the dogs shed like crazy. It gets everywhere. I don’t think I even left that on the ground.”
Your jaw drops, and you stare at him until he looks back at you. “Dogs?”
“What? Yeah, Fushiguro’s—”
“Fushiguro has dogs? Dogs plural? In the house?”
“You didn’t know?”
“No!” you cry. “What? Oh my god! Where were they on Wednesday? How many? What are their names?”
Takuma leans back on the rail next to the ramp, grinning. “I can’t believe you didn’t know. Oh my god. They’re so cute. Tsumiki had them Wednesday, I think. Mandated auntie time. Do you wanna meet ‘em?”
“Do I want to meet them?” you repeat, practically bouncing on the balls of your feet. “Uh, yeah. Are they home? Oh my god. I love dogs.”
“I couldn’t tell,” he deadpans, but he’s smiling still. “Yeah, they’re home. And you can meet them if you go down this ramp without dying.”
“You’re cruel,” you say, situating yourself on the board. “But I will. And then I’ll meet the dogs and become their best friend and they’ll love me more than you and Megumi combined.”
“Confident.” He comes up beside you, checking your stance. The ramp didn’t look steep or long at all from your vantage point across the park, but now that you’re atop the board, it feels suddenly very steep and very long. “You got it. Just don’t panic, keep your stance.” He drops his own board and cruises down the ramp, hardly even trying.
“Okay, go!” he calls from the bottom. “C’mon, Skip, the dogs are waiting.”
“Oh, god,” you murmur, the wind catching your words and whisking them away. You ball your hands into fists and push off, planting your foot back on the board and trying to keep your knees bent, but not too stiff, as you careen down the ramp. Don’t panic, keep your stance. You’re at the bottom in what feels like nanoseconds, and the sudden shift from ramp to flat ground has you stumbling off the board with an embarrassingly high-pitched squeak of alarm.
“Nice!” Takuma laughs as he catches you, the board rolling a few more feet ahead. His arm is wrapped around your front, the other holding you up by the shoulder, and this time you don’t tense under his hands.
“Thanks,” you say a little breathlessly, grinning, the tiny spike of adrenaline making you almost lightheaded. He lets his hands drop when you’re steady on your feet, and part of you mourns the warmth a little. But there are more pressing matters at hand. “So, about those dogs?”
You opt for your longboard on the way back down your street, cruising along beside Takuma, who has his extra board tucked under his arm. You’ve got a lot to do tonight, all the last-minute preparation for another crazy week, but you can and will drop everything to pet a puppy. Or two. Always.
And they’re actual angels. Big, fluffy angels on earth, one white and one black, and they’re all over you the second you open the door.
“Hi!” you say happily, sinking down to their level. The white one immediately tries to burrow into your lap. “Oh, hello! You’re so nice, aren’t you?” You glance up at Takuma. “Where’s Megumi?” You grab the white one’s collar and check the tag—Shiro.
“Shiro thinks she’s a tiny dog,” he says, bending down to ruffle the fur behind her ears. “Uh, Fushiguro’s at the animal clinic. He works there Sundays. And Tuesdays, I think.”
“Wait, really?”
“Yeah, he’s a vet student. You didn’t know?”
“I did not.” The black one is licking your face, and you giggle and check his tag, too. Kuro. “Hi, Kuro. You’re a good boy, aren’t you?”
“He’s got such a soft spot for animals,” Takuma says as he kicks off his shoes. “You should see when they both try to sleep in his little twin bed. It’s ridiculous.”
“I love them,” you say, burying your face in Kuro’s scruff. “Hi, doggies. You’re awful cute, you know that? Mhm. Yes you are.”
When you finally look up again, Kuro’s cold nose nudging insistently at your palm, Takuma is leaning against the wall, looking down at you with his phone discreetly angled your way. “Takuma!”
He laughs, not bothering to hide it anymore, very clearly taking photos of you with the dogs. “It’s cute!” he insists. “I’ll send them to you. Proof for Fushiguro of your master plan to make them like you more than him.”
“And you,” you remind him.
“Well, I don’t know about that.”
You gesture pointedly to the two dogs, who are all over you and not him. It’ll be a nightmare trying to get all of Shiro’s white fur off your black jacket later, but it’s worth it.
“You’re new,” he says. “New scent. It’s the novelty factor. I am their favorite.”
“You sure? I’m pretty hard to compete with.”
He smiles, looking from you to the photos he took of you and the dogs. “Yeah,” he says. “You are.”
The first half of the new week goes by in a rushed routine of classes, homework, and rehearsals, each night ending with you collapsing into bed, new and old lyrics fighting for dominance in the back of your mind. Sticks re-taped and drum heads re-tuned, assignments turned in and drafts edited. Your classes are ramping up as midterms approach, and Yuta bounces between his own work and poking his head into everyone’s rooms, making sure they don’t forget about dinner.
Toge follows through on his snack run promise, and the two of you spend hours on Tuesday afternoon trading two different flavored bags of Doritos back and forth, Toge writing photo captions while you edit your story lede.
Takuma, Hakari, and Kirara have offered to help Cursed Technique record a single on Wednesday night, and the five of you have been drilling the new song you wrote up, down, and sideways.
Finally, Wednesday arrives, and you’re all crammed into the recording studio space, instruments set up and headsets tuned in.
“Yeah, I’m good,” Nobara says to Hakari on the other side of the glass. She taps a finger on the mic in demonstration, and you hear it in your own headphones.
“Great,” he says. “Skipper?”
“Skipper? I hardly know her,” Toge says, earning a harmless smack upside the head from Yuta and a not harmless smack upside the head from Maki.
“I will throw these at you,” you tell him, holding up your sticks. Toge sticks his bottom lip out, pouting.
A snicker from beside you draws your attention back to Takuma, kneeling just beside the throne as he adjusts the kick mic. He has you hit it a few times while Hakari monitors the levels. You feel oddly self-conscious like this, him looking up at you, but then he smiles and it’s not strange at all. It’s stupid how fast he can put you at ease with a look.
“Nice,” he says. “Okay, that should work, yeah, Hakari?”
It’s Kirara who answers, “Yeah, you’re good.”
Takuma stands up, claps his hands together once, and looks at you. “Okay. Kill it, Skip.”
“Yessir.” You salute him with a stick and he makes his way to the other room, closing the door behind him.
“All good?” Yuta asks, glancing at each of you in turn before giving Hakari a thumbs up. It’s strange to be on this side of the glass, to think about your music being played back, to think about it on Spotify, out in the world.
“Next Fix,” Takuma says into the mic, locking eyes with you through the window. “Take one in three, two…”
The song starts out simple. You click your sticks together near the mic, on two and four, while Maki lays down a four-bar loop.
Yuta keeps glancing at Maki while she plays, utterly unaware, and the look on his face is so soft you want to shake Maki by the shoulders until she does something about it.
Nobara’s got her eyes closed with the headset over her ears and her hands around the mic, entirely engrossed in the song.
“It’s comin’ on, comin’ strong, spinnin’ up out of the blue, mmm,” she sings, stretching out the vowels. “And I’m on the ground, bleedin’ out, until my next fix of you, ooh.”
Now you start up with a light rock beat, closed hat and a bit of a dragging buzz on the snare hits. Just as you transition into the beat, Toge comes in with some low chords and Yuta moves down the line in syncopated sixteenths.
Hakari is nodding approvingly and Takuma has a wide grin on his face, and you can’t help smiling back.
“I need it like a lung,” Nobara sings, swaying a bit. “I need it like a light. It’s got me twisted up. I need you here tonight, tonight, tonight, oh, oh, I wanna—”
And this part is your favorite—Nobara sings each two-syllable phrase while you pound on the toms twice, emphasizing it with the kick, and then the backup vocals echo her. Get my (get my) next fix (next fix) of you (of you, of you, of you.)
Kirara pumps her fist in the air twice, in time with the beat, and your bandmates can’t keep the smiles off their faces. You’ve got something here, you really do. This might be your best one yet.
When the song’s over, Nobara whoops and tugs off the headphones, jumping around the cramped studio space with a grin on her face. “That was so cool! Oh my god. Guys, we sound good. We actually sound good.”
“Damn,” Kirara calls. “Okay, girl drummer. Good shit.”
“Not bad for a first run,” Maki admits, adjusting her bass strap over her shoulder. “Do we wanna try recording backups separately at all?”
“Good call.” Takuma nods. “Let’s run that again without the backups and record them over, see what happens.” He’s in full producer mode, flipping switches, colored lights reflecting in his eyes as he and Hakari talk shop away from the mic. He’s good at this, you realize, running sessions like this, making sure things go where they need to go, that everyone’s heard, that things get done. It’s a little bit like watching him skateboard, or seeing him on stage. There’s a confidence to him here, a smooth, easy energy. He’s in his element.
“Alright,” he says after a minute. “Let’s hear that again.”
And you play it again. And again. And again. And you are so in love with this moment, with your band, with a couple rowdy kids on the other side of the window, the rasp in Nobara’s voice and the expression on Yuta’s face and Maki’s obliviousness and Toge’s consistent, head-banging keys, and your drums and your words and the music, and the lyrics feel right to you.
You need this like a lung.
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jjk taglist open: just send me a message!
@shutuppeter @mikikkoo @reactwithjan @theclassbookworm @lilactaro @bisforbuse @risararelywrites @idkidk32
a/n: GUYS. loml @shutuppeter is so downbad for soundcloud rapper sukuna that she's writing fanfic of my fanfic😭 credits for frosted flexin' are all hers LMFAO so go check that out (MDNI for that one though).
yutamaki nation rise. also, i kinda love this fic. there may be spinoffs for other characters in the works...
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tylermileslockett · 2 months ago
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Week 10: FINAL ART FRIDAY, Close-ups and Trivia
Art Piece: The Thread of Destiny
The art is complete! After guiding you through plans, sketches, and timelapses, we proudly present the final reveal—where imagination meets the mythic at Lockett Studio.
Here are five concise and surprising trivia facts about Theseus and the Minotaur: “The Thread of Destiny”
1. Dual Paternity Twist: Theseus’s parentage combines both divine and mortal realms—he is simultaneously the son of Poseidon, god of the sea, and King Aegeus, ruler of Athens, thanks to the ambiguous timing of his mother’s unions.
2. The Poisonous Plot: Before he was recognized as Aegeus’s son, Queen Medea tried to poison Theseus with a cup of wine, but his sword—a family heirloom—revealed his identity just in time.
3. Ariadne’s Betrayal Aftermath: Although Ariadne helped Theseus escape the Labyrinth by giving him a ball of thread, Theseus abandoned her at Naxos due to a divine dream from Dionysus, who claimed her as his bride.
4. Athenian Cultural Icon: Theseus not only defeated the Minotaur but also became a key figure in Athens’ rise, credited with uniting its fragmented regions into a cohesive city-state and fostering democracy.
5. Infamous Abduction Attempt: In a reckless pursuit of glory, Theseus kidnapped the young Helen of Sparta, intending to make her his wife, which triggered political tensions that would later play a role in the Trojan War.
✨ What do you think of this controversial Greek hero? Do you have your own interpretation of the story? Let us know in the comments—we’d love to hear your thoughts!
Check out our website (http://lockettstudio.co) and discord channel in the Linktree : https://linktr.ee/lockettstudio —we can't wait to hear what you think about our interactive art pieces and the narrations by the heroes.
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kings-highway · 3 days ago
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So instead of working on any of my actual writing projects that I really do need to finish, I decided to google a bunch of the most iconic or famous romance movie/book quotes and assign one to each of my usual haikyuu ships. And now that’s your problem.
Daisuga
"So it's not gonna be easy. It's gonna be really hard, and we're gonna have to work at this every day. But I wanna do that because I want you. I want all of you, forever. You and me. Every day." — The Notebook
Iwaoi
“In vain I have struggled. It will not do. My feelings will no longer be repressed. You must allow me to tell you how ardently I admire and love you.” — Pride and Prejudice
Ushiten
"I love you. Not like they told you love is, and I didn't know this either, but love don't make things nice, it ruins everything. It breaks your heart. It makes things a mess. We aren't here to make things perfect. The snowflakes are perfect. The stars are perfect. Not us. Not us! We are here to ruin ourselves and to break our hearts and love the wrong people and die." — Moonstruck
Kuroken
"The only way to beat my crazy was by doing something crazy yourself. Thank you. I love you. I knew it the minute I met you. I'm sorry it took so long for me to catch up. I just got stuck." — Silver Linings Playbook
Kagehina
"I'm scared of walking out of this room and never feeling the rest of my whole life the way I feel when I'm with you." — Dirty Dancing
Asanoya
“I came here tonight because when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible.” — When Harry Met Sally...
Tsukkiyama
“The truth of it is, I’ve loved you from the first second I met you.” — Four Weddings and a Funeral
Bokuaka
"What do you want? You want the moon? Just say the word and I'll throw a lasso around it and pull it down. Hey, that's a pretty good idea. I'll give you the moon." — It's a Wonderful Life
Arankita
"Medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for." — Dead Poets Society
Ukatake
“I'm always just about to fall off of the edge of the tallest building. I stopped falling the second I saw you." – West Side Story
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