#iconic bathing scene

[girl4music]

The iconic bathing scene. Can’t believe they got away with this in 1997. It’s crazy to me. I mean this is tame compared to now but WLW representation like this in a TV show in the 90’s was practically unheard of.

Yeah, it’s for jokes but at the same time, you could see they’re were being very genuine with this “subtext”.

Xena and Gabrielle take baths together. No big deal.

Except it was. It very much was in the 90’s. I guess it helped that Xena was syndicated and not primetime because networks that aired the episodes could choose the time and what content to show/not show. Primetime was much different. Yeah, they could censor some things in editing but once it was out,… like… it was OUT. You couldn’t mess around with it.

They got very lucky or the creator got very brave.

Probably a combination of both.

And damn… am I grateful. 🥹

[onepiexe]

ok no but srsly the bl+e l+ck fandom is insane. or an+me fandom in general i guess i could say.

[kenjisatos]

MSBY BLACK JACKALS READ THIRST TWEETS ! (SAKUSA EDITION)

will probably make this a series. i just love this team so darn much *sigh*

[atsumu version]

this fic features…

haikyuu timeskip!spoilers, highly suggestive content (as the title entails), inappropriate language, sus atsumu 🤨, genre: crack, some of these are actual tweets i found lol.

Set the scene: the MSBY quartet shuffle into frame, they each take their seat in front of the iconic blue backdrop. You hear Hinata and Bokuto exchanging lively words, Atsumu fixing his hair so it swooshes the right way, and Sakusa removing his face mask and handing it to their team’s pr manager who accompanied them to this shoot.

“Is one of us gonna say it or are we all gonna say it together?” Hinata asks, looking at his teammates.

“I think we should all say it,” Atsumu replies, to which Sakusa nods in agreement.

Bokuto claps his hands together, getting excited. “Let’s do this!”

- cut scene -

“Hi, we’re the MSBY Black Jackals and we’re here with Buzzfeed to read your thirst tweets!” They say in unison.

Bokuto makes a jazz hands gesture, “Sakusa Kiyoomi edition~” he sings, as Hinata bounces in his chair and Atsumu slaps Sakusa’s back in an attempt to hype up the outside hitter.

Sakusa sighs and lets out a defeated chuckle, “Lord, help me…”

- cut scene -

The crew tosses Sakusa a phone, he catches it easily and takes a deep breath before reading.

“I need MSBY’s #15 to bend that flexible hand inside my bussy. Please and thank you.”

Sakusa quirks a confused brow, “What’s a bussy?”

Atsumu snickers. Hinata smiles, “Well, at least we know Omi-kun isn’t chronically online.”

Bokuto puts an arm around Sakusa’s chair, knowing better than to drape it around him or else he’d throw a cold glare his way. “I told you to get on Tiktok, Omi.”

Sakusa rolls his eyes, “I am not getting that dancing app, Bokuto.”

Bokuto’s lips funnel into a pout, “Then how are you gonna learn the language of the people?”

“What, like bussy?”

Atsumu childishly laughs again. “Haha…bussy…”

Sakusa tsks, “Are you gonna tell me what it is already or what?”

Hinata sighs and puts his hands together, “I am sorry to tell you this, Omi-kun, but it means—“

“Butt pussy!” Atsumu blurts out, unable to hold it in any longer. “Like a boy’s pussy, Omi-Omi. Get it?”

Sakusa’s expression is one that makes it look like he was in physical pain, which he might as well be in at the moment. He side eyes Bokuto, “That’s the so-called language of your people?”

“It’s funnier when Miya isn’t combusting.”

Sakusa sighs, “I’m not using that word, let alone using my flexible wrists for it.” He says before he passes the phone to Hinata, who reads the next tweet:

“Dear Sakusa Kiyoomi, *taps mic and clears throat* NO LUBE, NO PROTECTION, ALL NIGHT, ALL DAY, FROM THE KITCHEN FLOOR TO THE BATHROOM SINK, FROM THE DINING TABLE TO THE BEDROOM—“

Hinata lowers the phone and says, “That’s it. That’s the tweet.”

Atsumu wolf whistles and Bokuto hoots while shaking his head. Hinata is biting his thumb, trying NOT to burst out in laughter.

Sakusa blinks once, twice, before speaking up. “That’s…wow that sounds filthy.”

Atsumu barks with laughter, “Literally!”

Sakusa’s eyes widen in horror, “The bathroom?? Seriously? I get the other places, but really? The dirty bath—“

Bokuto intervenes, “Woah woah there Omi, you get the other places?”

Hinata snickers, “You hiding your freaky side from us, Omi-kun?”

Sakusa groans, dragging his hands over his face. “Please, let’s not discuss this on Youtube dot com”. He recovers and clears his throat, looking right at the camera, “Make wise choices, censored user.”

Hinata passes the phone to Atsumu. The blond setter chuckles before he even reads it out loud, Sakusa already feels the dread awaiting him.

“It’s the broad shoulders and tiny waist and the compression sleeves and the undershirt and the butt and that neck and those curls and his eyes,” Atsumu reads through breathless laughter.

He turns the phone around so that his teammates can see the screen, “And then, they attached a screenshot from a manga that simply transcribes ‘cock sucking noises’!” He wheezes, nearly dropping the phone.

Bokuto’s mouth hangs open but no noise comes out as he struggles to catch his breath, leaning his weight into Atsumu who is just as equally—if not more—cracked than he is. Hinata is busy hiding his face with his hands as he laughs, nearly folding himself up from how far he’s leaning down from his seat. Sakusa is watching his teammates loss their minds as he begins to question his life choices that led him to this moment.

Sakusa sighs, “There will be no cock sucking noises, but thank you for the compliment.”

Atsumu begins to recover, “Oh man…” he wipes a tear, “Omi-Omi, stand up and let ‘em see that slutty waist of yours.”

Sakusa shoots Atsumu a deadly look. Bokuto cheers to encourage Sakusa, while Hinata can’t help but glance at Sakusa’s waist.

“Allow me to correct myself; there will be no cock sucking noises nor will there be any showing offs of the slutty waist.”

Atsumu and Bokuto boo, Sakusa rolls his eyes at their reaction. Hinata winks at the camera, “But there will be some slutty waists in next week’s Calvin Klein feature that Sakusa did.”

Sakusa hums, “Yeah, so save those thoughts until then.”

Atsumu passes the phone back to Bokuto, who mumbles: “C’mon give me a good one…”

Bokuto clears his throat, “Sakusa Kiyoomi might be an outside hitter for MSBY, but i need him to be an INSIDE HITTER for this pus—“, he turns to the camera, “They cut themselves off there.”

Sakusa winces at those words. Hinata laughs, “I like the play on words.”

Sakusa adjusts his posture, “That would be very painful, no?”

Atsumu clarifies, “I think that’s what they want, Omi-Omi.”

Bokuto rubs his chin in thought, “Sakusa hits spikes pretty hard…I can’t imagine how hard he could go inside user-san’s—“

Sakusa waves his hand panickedly, “Please don’t finish that sentence.” He glances at their pr manager, who—by some unexplainable miracle—hasn’t said anything so far.

Sakusa clears his throat, “Unless the pay is higher, I will not be changing my position to your inside hitter, sorry. Actually, I lied; I am not sorry.”

The phone gets passed back to Sakusa, “Sakusa Kiyoomi has 47 moles and I intend to suck each and every one of them off his body.”

Hinata giggles mischievously, “Miya-san, did you write that?”

“I DID NOT WRITE THAT!”

Bokuto cackles, “How else did the user know the exact amount of moles on Sakusa’s body? You’re the one that’s always staring at each of us in the locker room.”

“WE DON’T EVEN KNOW IF THAT NUMBER IS ACCURATE!!”

Sakusa speaks up calmly, “It is accurate, actually.”

Atsumu goes pale at his words, “O-oh okay…but that doesn’t mean I wrote it!!!”

Sakusa disguises a laugh as a cough, “As much as I love to pick on Miya—“

“HEY!”

“—I’m still impressed that the Twitter user got that number right. Bravo.” He then applauds. Bokuto and Hinata follow. “Maybe I’ll let you do what you said since you got it right.”

Hinata elbows Sakusa suggestively, to which Sakusa repels away from his touch, “Okayyy, Omi. Get it, I guess. Need me to find the user’s number?”

“No.” Sakusa says immediately, but he’s concealing a smirk. He passes the phone to the winking orange-head.

Hinata begins to read: “For Sakusa Kiyoomi, I would bathe in 99.9% disinfectant, drink that shit, even inject myself with it—if it meant getting a shot at bagging that man.”

Sakusa rolls his eyes, already huffing. “Look, I don’t know who started the rumor that I’m a crazy germaphobe, but let me sit the record straight now: I am not that deranged; I just like things to be clean and tidy.”

Bokuto nods, crossing his arms, “Yeah, you tell ‘em, Omi!”

Atsumu shakes his head in disappointment, “Ya guys keep making Omi-Omi sound like some freak. Yeah, he wears a mask everywhere and carries hand sanitizer wherever he goes, but that’s just basic hygiene standards. Do better.”

Hinata points at the camera with his chin up, “Yeah, the only time Omi-kun is a freak is when it’s in the sheets.”

“SHOYO!”

“HINATA, HEYYY!”

Sakusa facepalms and sighs, “Give me my mask back; I’m leaving.”

“NO, OMI-KUN, WAAAAAIT . I’M SORRY—“

“This is supposed to be a thirst tweets video, and yet my teammates seem to be the thirstiest of all.” Sakusa says to no one in particular.

“Call it team-bonding. Meian would be proud.” Atsumu responds, imagining the look of approval on their captain’s face.

Sakusa tilts his head back, appearing to be praying to some god. He looks back at the camera, “But to that user, please don’t do that. That’s deadly.”

Bokuto clasps his hands together, “Awww, Omi cares~”

- cut scene -

Sakusa tosses the phone back to the crew, “And that’s all, thank god.”

Hinata grins, “Thanks for sending us your tweets and traumatizing our Omi-kun.”

Sakusa grimaces, “Ah yeah, it was a delight.” He says sarcastically.

Atsumu flashes the camera a charming smile, “Tune in for the upcoming videos of the rest of us reading your thirst tweets.”

Bokuto throws up finger guns to the camera, “Can’t wait to see what you guys have in store for us!”

“This was the MSBY Black Jackals, goodbye!”

kenjisatos

[pignk]

I wanna show you guys something here.

Gotta admit first that I’m Thai to begin with.

And these sketches, at first I had a funny thought about ;What if Ramakien has a proper game like Wukong?; I’m literally got this whole idea when I was in a shower so I rushed outta there and draw these pics none stop for a whole day.

I wanna share you these because I think that it’s quite interesting. For me as a Thai person, I rarely see any game that based on Ramakien which us Thai people adore it so much, so yeah, I was just imagine “What if we got that AAA game about Ramakien?”

My huge inspirations here is Black Myth: Wukong, I love the fact that the main character is a monkey, so iconic, honestly love that. And the user interface theme I was inspired by Witcher 3 and Starfield. Also the bathing scene for the second pic I got an idea from Red Dead Redemption 2.

Please, I expect no drama or hateful behavior here, my brain wasn’t in a right state when I was in the shower. I’m not claiming that Ramakien is a Thai thing, I just draw these characters and plot in Thai version. Thank you🙏

(Sorry for my error grammar, but I tried my best.)

[elibeeline]

THRUPLE BUBBLE BATH IS IN THE SAME EPISODE

NO IFS ANDS OR BEES

[hometoursandotherstuff]

Historic 1769 Colonial style home in Keymar, MD has been renovated and redecorated in a variety of styles. Firstly, they painted the distinctive brick exterior pale gray, with an orange door. It doesn't look bad, but it's not the traditional, iconic look. It has 4bds, 4ba, 5,227 sq ft, and they're asking $3m. If you are a purist when it comes to historic homes, you probably won't like it.

Now, remember- I said that it was done in a variety of styles. The entrance hall has Oriental themed wallpaper. They stripped the newel post and railing on the stairs and left it bare wood, (I like that look, but it needs a flat protective finish, b/c it's going to get very dirty), plus a new floor has an inlaid border.

The light fixture was removed from the ceiling medallion and they did a copper-look design on it.

The sitting room is very non-traditional with it's bright green walls but the ceiling mural has a colonial scene. Above the fireplace they have colored mirror squares.

The next room has a large jungle leaf print and a wooden hippo, elephant, plus a trunk.

This room has a wall of shelving and opens to hall stairs.

The family room has a dark, rustic, nautical look with black and deep green walls. This room has wood paneling that was painted over, plus a brick trim around the top. I wonder if they darkened the brick.

I have seen faux aged walls, but this one looks like black mold. It's well done, but unusual. They left the pocket doors and beadboard, but painted them dark gray. Ironically, the sink cabinet looks very colonial.

The tub has a framed skull print above it and some stuffed animals on the ledge. The shower is modern.

The dining room is gray & black with a French cabinet. The table is a pine colonial.

The large kitchen has a rustic ceiling and 3 different cabinet colors- blue, gray, and colonial red. The ceiling looks like flooring to me. The glassware cabinet looks French.

The open concept space has a dining room with a big stone fireplace and stripped doors on the patio. The gold glassware shelf is a French pastry stand.

The primary bedroom has a traditional look. Nice big fireplace in here. The wood paneling was painted white and there's a mural on the coffered ceiling.

This smaller bedroom has nice wallpaper. It even has a colonial rocking horse in the fireplace.

This is a lovely bath. I like the cabinet and closets.

There's a 2 car garage with a space between that they've turned into a home gym/man cave. There's also a sleeping area.

They painted this beautiful barn-turned-home a dark gray, including this wonderful brick wall on the side.

It's lovely inside with slate flooring.

There's also storage for the big Home Depot skeleton.

This garage has a sitting room downstairs and more of a hangout space upstairs.

The main house has a patio.

Lots of space. There's even another small stone building.

There's also a pond on the 25.02 acres of property.

https://www.zillow.com/homedetails/11210-Cash-Smith-Rd-Keymar-MD-21757/67480669_zpid/?

[thenightshadowqueen]

The best character from each longform

(in my biased opinion)

This is (obviously) a long one, so if you do want to read it, more below.

(Also I left out the Patreon plays. I might do a separate post for them later; we’ll see.)

Jimmy (Tom, Toby’s Secret Pocket)

Look, Jimmy is the best. He’s adorable. He’s the representation we as the autistic community needed. He has happy flappy stimmy hands. He can’t walk through doors. We love him. (STOPINTHENAMEOFTHELAW!!!!!)

André Beetroot (AJ, Burglary and Bobsledding)

André Beetroot (André Beetroot) was iconic the first time around, but his return as the first recurring SFTH character obviously had to be memorialised.

The boy witch (Sam, Moist and Magical)

I was tempted by the witchfinder general, but the boy witch won out with “Henry Cavill with a wasting disease” and his thick accent. Also the cheeky little look he gives his grandma (Luke) when he flips her off wins him a lot of points.

Hugh’s mum (Tom, Marigolds Bluebells and Hugh)

She’s, like, a fair bit unhinged, but she has good intentions. She’s got amazing quotes, too; “why couldn’t you have just stayed in my womb forever” and “if you love something, lock it up” are both deeply concerning, but I love them.

The wife (Tom, Murders in Space)

This one is kind of an obvious choice. I mean, her quotes are glorious, and honestly “have you ever heard of feminism, James?” gets her top spot automatically.

Mario the sheep (Sam, the Lighthouse)

Was this even a question? I love Mario intending to be a one-scene character and then being forced to star in the whole play. I love the human bits. I love “🐑fuck you🐑”. I love the sheep (aka Sam) having a fucking breakdown at the end. 10/10 all around.

Titch (Luke, the Unrelenting Aubergine)

Listen, I was very tempted by Old Lady Margery (and by Derek), but in the end, canon queer guy with commitment issues and insane amounts of blindness around his own feelings won out. What can I say, I have a type in fictional characters.

Troll Son (Luke, Wine Under the Bridge)

Everything about this character is perfect. Screaming as hello? Colourful troll as a metaphor for being queer? Correcting a geography fact? It’s got it all. It’s perfect. I love Troll Son and his wine bar in Ipswich.

Juliet (AJ, Caesar and Juliet)

Is anyone surprised? She’s a murderous girlboss. “[My mother] said you have to be careful about men; they can be corrupted with power. But what she didn’t know is that so can woman.” They can, and I’m here for it. She’s bathing in blood and her skin is glowing. I love insane women.

Watson (Sam, the Mystery of the Midnight Circus)

Watson, driven mad with grief over his divorce and his one-sided love for Sherlock, becomes a murderous clown. Am I supposed to not love this? Is there even another choice in this play? And his breakdown at the end was gorgeous.

Priscilla (AJ, Pricilla’s Final Petal)

I was very tempted by both of her mums, and also a bit by the groundsman, but ultimately, Priscilla won out. She’s the title character. She’s confused, but she’s got the spirit, and she’s working through her trauma with a buttercup and a piano lesson. Good for her.

Marty (Sam, the Evil Make-a-Wish Kid)

I considered the seven-year-old detective, but in the end, Marty won. He’s evil. He’s a make-a-wish kid. What more can I say? He’s got an iconic smirk. He burns down all the petting zoos on the entire planet (and his mum). He dies at the end. He’s brilliant.

Derek (Tom, Susan’s Holiday)

There were a lot of great options in this one, but “I like looking at the back of another man’s head” was too good to pass up. Also, I adore the whole monologue he has while he’s waiting to be buzzed in.

The gasoline salesman (Luke, Beetroots and Murder)

Okay, I know he’s only in, like, a quarter of a scene. I know that. And I can’t tell you why I love him so much but I do. He’s just. I just love him. I can’t explain it. There are so many great characters in this play, but the way he says “could be, could be” has captivated me. If you understand the way my brain works, please contact me, because I don’t.

Peter Steven (Tom, the Milkman)

I love so many characters in this play. I love Gareth, and I love the Texan bartender, and I love David the milkman. But Peter Steven is the sweetest, most traumatised little boy and I want to protect him. I will adopt him and I will never make him walk on his knees again. I will throw away the PS5 and I will let him dig up the back garden as many times as he wants.

Johnny and Janae (Luke and Tom, the Neighbour’s Under the Bed)

I know they’re two separate characters, okay, but they’re a set. I want to keep them together. And I just can’t choose, okay? They’re two autistic children whose neurodivergence presents in opposite ways, and their parents don’t know what to do with them, and oh look, I’m back to wanting to adopt traumatised children.

Captain Egbert (Luke, the Leftenmost Window)

Shoutout to the mum, but Egbert won this one. He’s, like, kind of an idiot. I’m here for it, though. He’s got the iconic “diluileayilybilyeilysilym” speech. He wants to go to the ~astral plane~ but he’s waiting for his birthday. He lets his wife dip him into a kiss even though it’s 1940. I love him.

The king (Sam, the Prime Minister’s First Day)

Listen, I love several characters from this one, but I’m going with this one. He’s unapologetically a dick. He wears impenetrable armour made from diamonds stolen from Indian subculture. He’s impossible to beat. He’s brilliant. (Also did anyone else kind of find Sam hot as the king or is that just me?)

Franz Haberburg (Sam, the Excited Chinchilla)

Obviously fuck Nazis (god I hope that’s obvious). That being said, some of SFTH’s best characters are Nazis, and this is one of them. He’s glorious. I have never seen such a brilliant rendition of a Nazi chinchilla.

The Italian detective (Tom, the Ingredients)

He can’t pronounce paella. Do I need another reason?

Chip (Sam/AJ, the Cardboard Stegosaurus)

Oh look, another traumatised child! I want it. (No, but seriously, I love Chip and his English/French seizures.) Also he’s one of the few characters who switches actors mid-play, and I love that.

Persephone (Tom, Wild Wet and Worrisome)

She’s amazing. “HEY!” is a gorgeous siren call and don’t let anyone tell you otherwise. She deserved a happy ending and I’m still sad we didn’t get one. I like to think she swam to the shore and found Geoff again, and they lived happily ever after on a boat at sea, singing and not having to kill anyone.

Full Set O’Hands and his love/bother (Luke and Tom, No! I Always Loved that Caravan)

I know, I know, another set of characters, but you really can’t separate these two. They’re insane. I adore them. They’re just… Honestly, these two are comedy gold. Good for them because they are fucking timeless.

Andrew (Luke, All Eyes on Nigel)

Listen, Andrew is a naive little thing, and he must be protected at all costs. He goes through so much shit in this one, and I just want to wrap him up in a blanket and send him to rehab.

Magnus O. Puss (Tom, BUS)

Okay, this was a VERY close one between them and Arthur B. D., but Magnus is a genderqueer icon and we love them for it. Also, I feel like this is some of the most unhinged Tom content we have and I live for that.

Jeremiah (Luke, Inside the Mysterious Cube)

I was so torn because I love Bubba, too, but I’m trying to avoid putting sets of characters where possible, and Jeremiah just edged past Bubba because his death scene was gorgeous. (That is a mildly concerning reason to have a favourite, I will admit.)

Lord Lafayette (Tom, the Midnight Mystery)

You may be noticing a pattern; I adore Tom’s insane characters. We just don’t get to see that often enough. I love his very sexual flirting with Lady Lafayette (Sam). I love him making fun of the detective’s (Luke’s) shirt. I love “what does any self-respecting rich man do when he has a little boy in tights” followed by “captured—and only captured” as a save. I love him.

Dangerfield (AJ/Tom/AJ again, Once Upon a Time I Killed Mum)

I love the confusion when Tom briefly takes over as Dangerfield; it’s not often we get to see AJ understanding something that Sam doesn’t (I say this with all the love in the world). Dangerfield is so fascinating to me. He’s a “cleaner” for a crime lord, but he has mixed feelings about the things he does. I want to know how he got into it in the first place. How did he come into this life? I want to know.

Barry’s wife (AJ, the Hare who Wore a Sweater)

I don’t remember her having a name, but I could be wrong about that. She’s so sweet; she just wants to knit sweaters for the hares in peace. And then Jimmy the hare gets shot, and she and her husband go on a revenge plot. I’m here for it. I love her.

The king/tank commander (AJ, the Oopsie Daisy Bulge)

He’s obsessed with tanks. He used to have gay sex with his fellow tank commanders, but only as a joke. He sailed all the way around, through the other landlocked counties, into the east of France, and they never saw it coming. He drove tanks into the ocean. He’s so stupid he’s almost smart. I love him.

The landowner/farmer (Luke, Too Big to Be a Jockey)

He farms peasants (Luke, you genius). He’s such a dick, with his classist remarks about Johnny Jones, but somehow I love him anyway. His interview process is looking at a photo of someone and then hiring them, and he’s honestly wonderful. I love him.

Larry (Tom, Long Johns—Strike!)

Literally the only thing he does on screen is die. That’s it. That’s his whole purpose. And he does it beautifully.

Wizard Asceroth (Sam, the Dark Moons of Slough)

ASCEROOOOTTTHHHH!!! (I don’t have another reason. I don’t need another reason.)

The French waiter (Luke, Lost in Your Eyes)

I don’t know. I really don’t. But something about this character has stuck with me since the first time I watched it. Gorgeous accent. He kisses Amanda (Sam) for no reason at all. He gets stabbed by a gun. I love him.

The Lady of a Thousand Don Juans (Luke, the Meringue Haberdashery)

She tricked her husband for years. She murdered her own child. She has been a curse on all the Don Juans in this town. She’s one of the only villains who win at the end of a longform, and that’s very impressive. I love her.

Xavier (Tom, Oh my God is This a Joke?)

(Please refer to my previous statement about Nazi characters.) Okay, look. He’s a horrible person. But we as a fandom choose to disregard that because Tom looks amazing in a leather jacket and scarf. I am not above this. I am, in fact, a part of this. Tom looks amazing in a leather jacket and scarf. “I will die as I have lived…. Shirtless!” has to be one of the most iconic lines of all time. There was never any competition.

[elvispresley]

John Lennon's iconic bath scene in A Hard Day's Night (1964)

[cera-writes]

Heyo saw you were taking requests for Gambit and I'm deathly starved for content of our favorite cajun could I request something really fluffy maybe Remy taking us to the french quarter and going to cafe du monde for beignets and taking touristy pics in front of the st Louis just light hearted fun 😊 anyway love your writing and hope you keep it up!

I love this idea! I literally went to New Orleans again over the weekend and it's fresh off my memory so this was a fun idea to write <3 Pairing: Remy LeBeau x Reader Prompt: Remy shows reader a fun, cute time in the French Quarter.

A walk Around the Quarter

The air hung thick with the scent of chicory coffee and powdered sugar, drawing Remy LeBeau and you deeper into the bustling heart of the French Quarter. The vibrant hues of Creole cottages and wrought iron balconies blurred past as Remy, ever the charming guide, navigated the labyrinthine streets with practiced ease. Each corner turned revealed a new treasure: a hidden courtyard overflowing with blooming jasmine, a street musician coaxing soulful melodies from a weathered saxophone, the tantalizing aroma of Cajun spices wafting from an open doorway.

"Welcome, cher," Remy announced with a flourish as you both emerged into the sun-drenched plaza fronting the iconic St. Louis Cathedral. "The crown jewel of New Orleans, and the perfect backdrop for our first touristy snapshot."

He winked and produced a camera seemingly from thin air, capturing your smiles against the majestic facade. Then, with a playful tug, he led you towards your ultimate destination.

"Prepare yourself," Remy warned with a grin. "For a taste of pure, unadulterated bliss."

Cafe du Monde, a bastion of beignet-fueled delight, awaited. The air thrummed with the lively chatter of patrons and the rhythmic clatter of trays laden with the irresistible pastries. Remy secured a coveted table, its marble top already dusted with a generous layer of powdered sugar. A street performer, drawn by your laughter, serenaded you both with a jaunty tune on his accordion, adding a touch of whimsy to the already enchanting atmosphere.

"Three beignets, s'il vous plait," Remy requested with a practiced charm that had the waitress returning in record time.

The beignets arrived, a trio of golden-brown pillows, their airy centers promising a symphony of flavor. Remy, a connoisseur of the finer things, demonstrated the proper technique: a delicate pinch, a generous dip in the accompanying mound of powdered sugar, and a bite that elicited a satisfied sigh.

"C'est magnifique, non?" he asked, his eyes twinkling with delight.

The afternoon unfolded in a leisurely haze of powdered sugar and laughter. You strolled through Jackson Square, admiring the vibrant works of local artists, and paused to listen to the soulful melodies of a street musician. Remy, ever the entertainer, even tried his hand at juggling, much to the amusement of onlookers. A horse-drawn carriage clopped past, its passengers waving merrily, and Remy couldn't resist doffing his hat with a flourish.

As the sun began to set, casting a warm glow over the Quarter, Remy and you found yourselves back at the St. Louis Cathedral. The plaza was bathed in a soft, ethereal light, creating a scene of undeniable romance. The street lamps flickered to life, casting dancing shadows on the ancient walls, and the distant sound of jazz music drifted on the breeze.

"One last photo, cher?" Remy asked, his voice a low murmur.

He captured the moment, your silhouettes framed against the cathedral's illuminated spires.

"But the night is still young," Remy said with a wink. "Care to hear some real New Orleans music?"

He led you down a dimly lit alley, the sound of a saxophone growing louder with each step. You emerged into a smoky jazz club, the air pulsating with the rhythm of the music. Remy took your hand and led you to the dance floor, where you twirled and swayed to the infectious beat. The music wrapped around you, a tapestry of notes and emotions, and you lost yourself in the moment, in Remy's eyes, in the magic of the night.

As the final notes faded, Remy pulled you close. "Merci," he whispered, his voice husky with emotion. "For sharin' dis perfect day with Remy."

The French Quarter, with its vibrant tapestry of sights, sounds, and flavors, had woven its magic. And at its heart, amidst the beignets, laughter, and the rhythm of the jazz, a connection had blossomed, leaving a trail of unforgettable memories in its wake.

[b-skarsgard]

Bill Skarsgård on Remaking Nosferatu and the Pressure of “F--king With a Masterpiece”

The actor on Pennywise, Count Orlok, and the lure of monstrous characters.

(for those who weren’t able to read the article due to a paywall the full interview is now under the cut)

“I’ve always been a very happy monster.” So said Boris Karloff in 1962, looking back at three decades of creatures, ghouls, and killers that defined so much of his life onscreen. Bill Skarsgård hasn’t been at it nearly as long, but his tendency to play supernatural and terrifying figures suggests that, like his fiendish predecessor, he’s made peace with monstrosity.

The blockbusters It and It: Chapter 2 made him a horror icon as Pennywise the Dancing Clown, carrying on a long tradition in his Swedish acting family—which includes his father, Stellan, and older brothers Alexander and Gustaf—of playing haunting roles in hair-raising films. Since Pennywise, Bill has specialized in sinister, scene-stealing parts, from a high-society sociopath in John Wick: Chapter 4 to his recent turn as the otherworldly avenger of this year’s reboot of The Crow. His latest turn finds him playing the vampiric title character in Nosferatu, from The Witch and The Lighthouse filmmaker Robert Eggers, in a collaboration that brings an ominous new approach to the bat-faced antagonist of the 1922 silent film.

For Vanity Fair’s 2025 Hollywood Issue, he talked about touching the void and more.

Vanity Fair: We spoke years ago when you were about to start filming It, and you talked about the challenges of inhabiting an inhuman monster.

Bill Skarsgård: That was the first time—and wouldn’t be the last time—that I was taking on this kind of iconic character that has been done before so well, and that people love and cherish. The whole journey of that was so weird. If I spoke to you after the production, I would’ve been much more confident that we had something that was very special, but in the process of it, I was just like, Why did he cast me? I can’t do this.

We did speak again afterward. You talked about going home to your parents’ house after you finished shooting and being plagued by dreams about the character.

Those dreams were so strange. Either I was confronting Pennywise and I was upset with him, yelling at him—or I was Pennywise, but I was walking around in the streets that I grew up on, and I’m like, No, no. I shouldn’t be out here in public walking around like this. This is not how it’s supposed to be done. It was this weird thing where I was trying to separate myself from this thing, literally back in the place that I grew up in, in the same apartment that I grew up in.

Count Orlok in Nosferatu also emerges from a deep, dark place. What was it like for you to take that particular emotional ice bath?

Count Orlok was very different than Pennywise in a lot of ways. Orlok was even further away from who I am than Pennywise was, in the sense that my voice, posture, age, the look of it, it was just so far out there. That became the challenge. Before putting on the prosthetics, we explored so many weird things and looked into butoh, this sort of Japanese corpse dancing. We explored so many trippy things.

Did you say “corpse dancing”?

Yeah, butoh is this Japanese corpse dance. It’s all these, kind of, mummified movement patterns. It’s spectacular. It brought this much more precise and much more rigid and slow movement. Basically the outfit and the prosthetics helped so much. The voice was what I worked the hardest on. I worked with an opera singer—she tried to get it as low as possible. My brother Gustaf came to set when we were shooting. He’s sitting there and he gets the headphones on and he hears [deep growling sounds] and is like, “What the fuck is going on?” It must have seemed very insane.

Since you come from an acting family, I wondered what role your dad and your brothers play in your decision-making process or in your professional life.

I don’t talk to them in the sense of like, “Hey, do you think I should do this thing or that thing?” Of course, subconsciously, they’re such a big part of my life. It’s hard to quantify how much effect they’ve had in terms of my taste or in terms of performances. It’s great to have their support, more so in life in general than acting itself. It’s nice to be able to talk to your family, just going, like, “Oh, this shoot was a nightmare because of this and this and this.” And they’re like, “Oh yeah, totally. Tell me about it.” The job, the profession of acting, can feel kind of lonely sometimes. It just feels nice to have so many people, close people, around you that truly know what it’s like.

Especially after Nosferatu, people are going to look at your work and see a lot of monsters and a lot of dark figures. Why do you think you’ve been drawn to these characters?

I think those characters are drawn to me as much as I’m drawn to them. It’s a mutual kind of attraction. The fact that they’re drawn towards me is a bunch of different reasons, everything from the way you look, you have a sensibility, there’s a darkness about you, or there’s an intensity.

And it’s something you enjoy too?

Even going back to some of the earlier stuff I did in Sweden, transformation has always been very appealing to me—and playing characters that are very different than me. I played a character that was autistic when I was 19, and I loved it. I had so much joy in it. He’s not a dark character, he’s a very sweet character. But you study, and you change your voice. With Pennywise, that became my ultimate transformation. I just really enjoyed it. Now with Orlok, I really enjoy transforming as much as I humanly can. I think that’s very exciting.

Do you feel a curiosity about the more dangerous side of human nature?

The darker characters also tend to be more complex. More mental gymnastics are needed. Again, with Orlok, it’s like, Okay, if it’s an ancient sorcerer that speaks from a different realm and possesses all of this power and knowledge, what makes power and knowledge ultimately corrupt a soul as opposed to creating a messiah?

Do you ever worry about getting typecast?

I definitely don’t want to exclusively play those kind of roles, but I’ve never seen the appeal of the classic star, a movie star. The difference between a movie star and an actor is that a movie star plays himself in every part, in a way. Whereas as an actor transforms. There are people that play themselves, and they’re brilliant every single time, but it’s the same thing and they have that shtick. For me, I just don’t think that I’m that charismatic or interesting, so I can’t just lean on that. I need to transform as far away from me as possible.

Do you feel a kinship with actors from the past, like, say, Lon Chaney or Boris Karloff, who played dark beings and often transformed their regular appearances?

It’s a great question. Yeah, I do. But that being said, it was never my particular goal to be the “creature actor,” if you will. There are so many [actors] I draw inspiration from. A lot of other actors that are not known for their intense transformations are some of my favorites as well. I haven’t really studied the greats of prosthetics or creature performances in that way. I’ve watched a lot of it, but I don’t watch performances for inspiration per se, because there’s always this thing of emulation that I don’t want to go down. For Orlok, predatory animals felt like a cleaner source of inspiration.

You mentioned earlier that, several times now, you’ve played a character that is well-known from a previous iteration, but you did it in a new and different way. Did you feel that again with Nosferatu?

Orlok is also Dracula. To me, in terms of iconic horror characters, the number one is Dracula/Nosferatu. It’s the most seminal work of literature in gothic horror for sure. I think it’s been adapted more than probably any other book. This story is so ingrained in our subconscious that it was very daunting to step into it. I was a huge fan of [Robert] Eggers before. He and I would have these things we’re like, “What are we doing? Why are we doing Nosferatu? Are we taking on something too big here?” We felt that kind of pressure of fucking with a masterpiece. But the movie deserves its place as a new interpretation.

What’s on the horizon for you next?

I’ve always cherished the idea of being as versatile as I possibly can. I also want to do a kitchen-sink drama, I want to do a dark, fucked-up comedy. I want to make those choices or advocate for those choices. You have to fight against being typecast or put into a box. The more you fight against it, the bigger the box tends to get.

[hotvintagepoll]

Propaganda

Betty Garrett (On The Town, Take Me Out to the Ballgame)— She’s so unhinged in On the Town and Take Me Out to the Ball Game, chasing little twink Frank Sinatra around and just casually throwing him over her shoulder. Just an icon.

Teresa Wright (The Little Foxes, Mrs. Miniver, Shadow of a Doubt)— She wrote this into her contract herself: "Miss Wright shall not be required to pose for photographs in a bathing suit unless she is in water. Neither may she be photographed running on the beach with her hair flying in the wind. Nor may she pose in any of the following situations: in shorts; playing with a cocker spaniel; digging in a garden; whipping up a meal; attired in firecrackers and holding skyrockets for the fourth of July; looking insinuatingly at the turkey for Thanksgiving; wearing a bunny cap with long ears for Easter; twinkling on prop snow in a skiing outfit while a fan blows her scarf.”

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut]

Teresa Wright:

One of the best Hitchcock leading lady performances!!

Warm, lovely, vivacious, intelligent!! imo Teresa Wright is way too underrated and deserves much more credit! I truly can’t think of another actress with the same vibe as her and she deserves more appreciation!!

Betty Garrett:

Betty Garrett "picks-up" Sinatra in Take Me Out to the Ball Game (1949)

Garrett's comments on that scene (TCM - Word of Mouth):

[editor's note: the above commentary is so delightful OP is making a rare exception to the no-post-1970-propaganda rule to enjoy discussion of Frank Sinatra being flung around like a bag of beans)

[mysticofspades]

Top 10 Moments in the Life Series

Okay, so like, a month ago or something, Jimmy asked his viewers to compile together a list of their top ten moments from the life series, and I put together my potential list right then and there when the video came out. Then I forgot about it for the entirety of a month and now here we are. (ADHD sucks sometimes TT). Since he’s already put out his reaction vid, I didn’t feel like putting together an entire video but still wanted to ramble some so~

10. Desert Duo on a Camel Together in a Red Desert

Frankly, this made the list exclusively because of biases. The significance of these two men wandering around a RED DESERT – red as in; covered in blood – on the back of some rideable minecraft animal is probably lost on any new viewer. Not to mention the Cactus Monopoly scene, with Scar giving Grian the monopoly over it while saying; “I know how you love monopolies.” That entire interaction pretty much ruined me. I haven’t not thought about it in weeks. I need help.

9. The AH-HA Bit

I don’t know if I need to say anything more about this. If the previous was iconic for its dramatics, this is iconic for the opposite. It’s just a bunch of men having fun together, laughing and making stupid little puns about a made up British tradition. The fact that Impulse, a very american american, was somehow bound up in this group made it ten times funnier. No notes, this bit speaks for itself. Insert funny AH-HA pun here.

8. Etho’s Fishing Rod Kill on Scar

Already one of my favorite seasons for a variety of reasons, Last Life didn’t need this scene to make it my all time favorite season or anything. But damn, am I glad it happened. The precision and calculations on Etho’s part is just– damn! That entire situation, no matter how it played out, Etho would be on the winning side. Like, it was either Scar dies and Etho gets a boogie kill or just not. Even if Etho didn’t get his kill there, Bdubs woulda still gotten a life and Etho could still kill anyone else. Either way, Bdubs would’ve gotten his life and Etho would’ve gotten his buddy back. It’s all just beautifully and meticulously planned out that I can’t help but plop into this spot.

(Yes, I recognise that it might not have been planned to that extent on Etho’s part, or IRL Etho’s part, at least. I am choosing to believe that ch!Etho totally did weigh out all his options and came to the conclusion that this was the best course of action and was confident he could get the kill and even knew that Scar would have the Enchanter on him. He just comes off as that type of character to me, is all.)

7. Scott’s Sacrifice for Pearl in DL

You cannot tell me that this is not one of the most iconic moments of the life series, ever. Scott standing over that pile of TNT, lighter in hand while Pearl, bathed in red and a bloody ax clenched tightly in her fists, watches, wide-eyed and hysteric, trying to desperately ask what’s going on or to understand or to just do something, unable to in the end as Scott takes his own life crowning her victor over the bloodbath that she had never thought would end like this.

And that fucking line?! “Tilly death do us part?!” What the hell, Scott?!

In conclusion, your honor, Tilly is still alive somewhere in the DL world and someone should rescue her.

6. Grain’s Stalactite kill on BigB / Ren

Alright, this is pure luck and I am so fucking here for it. It’s simply beautiful. The unplanned accuracy of a man on a bloodlust ending up only getting a kill on his chosen soulmate is poetic as shit (shit that just so happens to be really poetic, that is).

It’s kinda like the reverse or inverse of the Etho fishing rod kill. Grian’s pure luck and also not is what makes this scene so fucking memorable.

Not to mention both Grian and Scar’s reactions. Grian was over the moon, screaming and celebrating and being ecstatic until he realizes just what he’s done. And his little “except when I got married,” is all pure chaos and we live for that here.

Then there’s Scar, ever the opportunist, immediately starts looting the corpses. Silently. He picks up anything he deems valuable (which could mean useless lint and string, but whatever) and tries to bealine it out of there the second he’s done. I love Scar, honestly.

5. Scar’s SL Win!

This specific season holds a special place in my heart for being the only season I watched and stayed tuned in for the entirety of its run. So when Scar, the one I’ve been rooting for since 3L, happens to win, you can imagine my excitement.

It was so out of left field, too. Like, in the final battle, I knew for a fact something was going to take out Scott and Pearl, them being winners already and this spoken rule of no double winners and all. But between Scar and Gem? I’m sorry, Scar, but I definitely didn’t see it coming. Gem was on a mad one, killing or getting someone else to kill more than half the server and already being stacked on kills. It just fits, ya know?

Like, Martyn, Grain and Pearl all were crazy about killing their entire season, even on green they were kinda unhinged, ya know? (couch couch Scarlet Pearl cough cough). And it's not like Scott didn’t have a body count.

To be fair though, it’s not like Scar didn’t get any kills either, it was just more…. Discrete? Unintentional. His kill on Bdubs and his accidental shot on Gem were both not of his own volition.

The idea that what it took for Scar to win was to completely give up on making friends is poetic as shit.

First season, he had an ally, a friend, a comrade, one whom he betrayed then gave his life for.

Next season, he tried and tried and tried again to make friends, almost as if chasing that same high he got with his first partner, but never managing to make any meaningful connections, and ended up shot in the back.

Then, he’s reunited with his partner of old and they get off to a good start, being the last greens and all. But as if with all things, it came down as Scar, accidentally, took their first two lives and his soulmate took the other.

Afterwards, he returns to his family, hoping to find peace and connections there. He finds it with his mother and brother and, sort of, with his estranged father. He leads a Scar-typical season of blowing things up (attempting to, at least), stabbing people in the back and swindling (only a little). It all comes to a head as his once-soulmate, once-partner-in-crime stabs him in the back, literally.

Finally, we have this season. Scar starts out looking for friends, he very much does. But the universe itself has other ideas. Bad task after bad task, Scar is left almost entirely isolated from the rest of the server. The backstabber of a soulmate offers him a home but he cannot take it (as per rules he made up about his task). Then, somehow, somewhere, he sees those words, “She’s dead, Scar, you won.”

It’s all just beautiful honestly.

4. “It was just a prank, Scar!”

The beginning of it all. This little prank led to so much that it deserves to be in the top5 of every list out there, in my opinion anyway. Like, Grian randomly happening across a creeper out in broad daylight then proceeding to choose to lead it all the way into a group of distracted people in the name of a prank which leads into a season-long, dramatic, all-defying alliance of which leads to a climactic battle surrounded by the disheveled and war torn lands they once ruled over together (we’ll get to this in a minute, don’t worry), chants of the ghosts of the lives they ended to get to where they are, screaming in their ears to fight and to kill and having to brutally take the last life of the person he’d once vowed his own to Al because of what? A prank?! Seriously?!– is that not the best shit you’ve heard all day? Or all week? Hell, maybe your entire fucking life???

I sure think so.

3. Liz’s Final Death in SL

I realize that this is my only Tim related moment on the list and it was Tim who had asked for the list in the first place, but whatever. There are plenty of cool ass (and miserably funny) Tim moments out there (ones I might plop into the honorary mentions bit) but this is honestly my favorite and the one I think makes the cut compared to the others on here.

Anyhow. Onto Liz taking Tim’s place as first out.

I watched Liz’s POV late, can’t remember if it was because she uploaded late or someone else uploaded and I forgot to get back to it afterward– I dunno. I saw hers late and thus already knew she was going to die first, so, unfortunately, I didn’t get to live it through her eyes first, quite sad I know. Point is, I fucking. Nearly. Cried.

Like, not only was Liz’s whole arc in the season quite sad already, with the whole, “I wish everyone were here,” and her attempt at cheering herself up ending up so horribly, I knew beforehand that something awful was going to have to happen to sum up all her season-long misery. Dying in the midst of an attack, her only proper attack really, with an ender-pearl sitting untouched in her hotbar, was not the way I thought that would happen.

And something I didn't expect even more?? Her dying first??? Yeah, no, it was definitely not on my SL Bingo Card, that’s for sure. It was just so out of nowhere and yet, it also wasn’t? How do I explain? Like, Liz’s whole season was going from one misfortune to another, bad decision to another and it just kept piling on, until, well– you know.

Tim’s seasons are usually like that, no? Bad decisions followed by the universe itself hating on him followed by pure bad luck. Pretty much any Timmy Life Series season honestly.

I don’t think I’m doing this scene– this event justice. Timmy went out first every season for 4 seasons in a row. then Lizzie waltzes on in for the second time, suffers a bunch in her episodes, tries to kill Scott (a well-known no-no if you want to live) and then dies. First.

Beautiful and iconic; that’s LDShadowLady for you.

(I realize I should probably talk about Tim some more, given that this is the only Jim-related moment on here, but eh. This segment is too long already. I’ll talk about some other Jim moments later.)

2. Scar’s Water Bucket Clutch

This moment proved to me that putting Grian and Scar together in a life series makes a seriously underrated but totally fairly rated duo. Like, in one season they managed to keep a whole ass, proper, monopoly going for at least, like, 2(?) whole sessions, Grain managed that stalactite kill I talked about already and then Scar does this shit??

I just– there’s a reason these guys got so fucking close to winning and never teamed up, volentairily, ever again. Had they teamed up again, and wanted to actively work together and actually win this shit, they totally could. There is a fucking reason both of them are individually winners now and I’m so shitting here for it.

Onto more specific things; Scar is a mad man and I love him for it. He saw Etho burning a couple of pandas (I apologize; a couple of jellies) and was just, “screw you Giran, those pandas need me,” and he went.

Grian’s reaction going from severely panicked to immeasurable pride is just beautiful (lots of things are beautiful, shut up).

When I tell you I replayed this shit non-stop until all the dopamine this scene could provide my ADHDed brain could be sucked up dry until it was drier than the driest of dry prunes you’ve ever seen on a hot ass summer afternoon, I mean it with every ounce of my being.

With that said; second place it shall be forevermore~

1. Cactus Ring

I mentioned this earlier and I don’t think anyone is necessarily surprised judging by all my other picks thus far, yeah?

Everyone’s heard of the beginning of the end. Well this feels a lot like the opposite of that. The end of the beginning, ya know? Third life’s the beginning, where everything began, where everything and everyone got established (well mostly everyone) and it’s where everything started. The cactus ring, to me, marks the end of the beginning. As if to say, “the beginning is over. We all know what we’re doing from now on, the trials are over and the bloodlusts and betrayals have already begun, let them continue (forevermore~).”

It’s a red mark (of blood) in the sand from where they began to where they’ll continue to go. It's the end of an era, the beginning of another, the continuation of a story left unfinished. It’s everything and nothing and I’m making no sense–

My point in all this is that this moment is iconic and deserves top 2, at minimum, on any and all lists of this kind. I accept none otherwise (not really :P).

…I feel like I spoilt myself a little my gushing about these guys earlier and now I don’t really have all that much to say–

Honorary Mentions!

1 - Tim’s final LimL death.

What the hell, dude? Talk all that crap to what? Trip off your own fucking Bad Boys Bread Brige™? Timmy, Timmy, Timmy.

Joel and Grain’s, and even Pearl’s, reactions were awesome btw!

2 - Grain and Scar’s Sing-Along!

It’s a desert duo moment, I don’t know what you want from me.

3 - Tim Killing Liz in SL

If I’m not mistaken, this is, like, Tim’s only kill that season and it being completely accidental and the fact that he feels horrible for it makes this moment comedy gold.

4 - Grain’s Triple Kill in 3L

This set the stage for many, many kills to come, and the excessive use of TNT minecarts can also be pinned back here, which is awesome of course.

5 - Etho’s Washed Up?!

This was originally on the list but because of (Scar-related) changes, it no longer is. It's awesome though so I put it down here. I fucking love this shit, dude. Cleo and Budubs’ back and forth and Etho just like, “I knew it guys, I really am washed up,” is just great.

6 - Mumbo’s Death in the Nether in SL

Mumbo is awesome and kinda not all there sometimes. This just so happens to be a moment of the latter, is all. Love him.

7 - Joel and Liz’s Romance in SL

I love these two interacting just casually. They’re super sweet and I just– I love seeing couples just doing normal things, like playing a game they both like together and just having fun, ya know? Whether that be with a little flirting or not, it’s fun to watch.

Alternatively; the Joel and Liz are trying to flirt in LL with Scar awkwardly there in the background.

[joannebernice]

Grief Poses - Bathroom Edition

CLICK PIC FOR BIGGER

Pose Pack By @joannebernice & @rebouks​

So i’ve collaborated with Rebouks again... It is kind of an accidental collab actually. She has tons of poses and I have some too ... and we chuck all of our old stuff together to make another grief pose pack

And since Sims are the gloomiest and most emo pixels around. The bathroom seemed like the most fitting scene for more drama, sadness, howling, bawling.... and all them things that make for a good read.

There is 31 poses in this pack But 15 couple poses. It works for all base game items. We tested them with the screen showers and they are all good to go. It works for the claw base game bath and most sinks and benches. This comes with its own custom icons so its easy to find. You will need to play these in game, these are not for CAS. You will need Andrew’s Pose Player for these to work well! USE X2 TELEPORTERS WHERE YOU WANT THEM TO POSE TOGETHER. There is obviously some clipping in some of the poses which is completely unavoidable with bigger bodies and bigger clothes.

>>DOWNLOAD IT HERE<<

Happy Simming! And thankyou @rebouks​ for making this pack with me. 

[eldritch-spouse]

What if Vesper's queen was into Lacai as well? I'm maybe a bit too prideful or bashful to admit it if asked directly, but Lacai is just (chef's kiss). I might even get into trouble just to make Lacai correct me. Of course, this doesn't lessen the love or lust I'd have for Vesper, but I would certainly be sparing glances at the impcubus and be too embarrassed to admit it- that'd only make it worse, I'm into humiliation too- god. If Lacai wasn't into topping I'd even be entertained by walking him around on a leash while out with Vesper despite my preferences to be the one receiving. Lacai and Vesper together just do something to me. Idk.

[Idk if you meant romantically as well, but I'm assuming you did.]

The thing with Vesper is that, out of every Icon, he's the one more likely to accept polyamory. This only works, however, if he maintains a position of power in the dynamic. It certainly helps that you have your eyes set on someone so close to Vesper, his very own confidant and an imp he's been sexual with plenty of times in the past. This is easily accepted by Vesper.

Lacai swings with the flow, so to say. While some concubi will already have the intent to top or bottom, Lacai reads your first couple of reactions and decides what'll work best. So, if you turn away or stutter some sad excuse when mildly prodded about your unsubtle oogling, he'll definitely be more insistent and domineering. It definitely riles him up to have the Queen of Lust crawling for him, debased before a mere imp servant. Is it just that you already can't control yourself around your subjects or is little old Lacai your newest cunt-throb?

Vesper has little idea as to why you'd be timid about wanting to sleep with others. This is now your Kingdom, human inhibitions are worthless, because everyone wants you here. The King clearly understands that there is much tension between you and Lacai, but you don't act on it- And so it clicks, you have a little crush. Isn't that adorable? And kind of hot to him, frankly. Vesper thinks Lacai is worthy of sharing with, so he'll just start messing with you two now.

Vesper finds you eye-fucking the impcubus while he's tidying something in the room? Alright Lacai, undress now. No other orders, Vesper just has Lacai work naked for the rest of the day, watching you simmer with arousal quietly.

Lacai, help me bathe the Queen.

Lacai, prepare the Queen for tonight's games.

Lacai, entertain the Queen while I handle the visitors.

It just won't end.

If it takes you too long to squeal, he'll arrange things differently, targeting the impcubus rather than you. Because if you're still too shy -Oh, how cute- To admit your own desires, then he knows someone who isn't. The imp.

The King is a master at setting up the perfect scene, making things look "accidental", such as when you stumble on him torturously edging his head servant, as if Vesper's goal wasn't for you to witness it. Even if you're not brave enough to walk in and decide to loom by the edge of the doorframes like a true voyeur, the other two can feel you. Vesper's teasing taunts to his servant all revolve around you, debauched fantasies of you servicing Lacai, servicing them both. The toys he knows Lacai would enjoy using on you. Loudly exposing how much of a creep the imp is, that he watches you change, that he jerks off to the scent of your panties, that he wants to wake you up every morning with a cock stuffed in you to the hilt.

Finally, Vesper will rip a confession out of the imp and pretend that the already very evident information shocks him. Most importantly, he reacts positively. And that should give you more confidence, in the Icon's mind.

If not, and by then they're both quite frustrated with this game, both Vesper and Lacai will "bully" the truth out of you. There's no hiding any lust from the residents of the royal mansion, so they'll rejoice in flustering you half to death as they share all the moments they have caught you staring, all the times your fingers rubbed soothingly over your pussy from how soaked you were getting around the imp.

Say you love them, say you want them both, and the two will use you together, make your dirty little daydreams a reality.

[wikitpowers]

um sorry but imagine the herondaisy bath scene, the iconic cofa clace alley kiss, thomastair in the carriage, malec's first time, the blackstairs beach scene in lady midnight... and now think about a scene like that with kitty as the leads.... yeah….

[liyue-harbour]

happy birthday, your grace

happiest birthday to my favourite genshin character, wriothesley! 🫶🏻 a ‘lil something for his special day, i hope that you all enjoy it <33

masterlist

“what is all this?” wriothesley inquired, his tone a curios mixture of sternness and genuine interest.

his office, once adorned with rich tapestries and antique furnishings that held an air of refined elegance now carried a different note—a note of celebration and warmth. it was wriothesley’s birthday, and against the backdrop of his meticulously organised desk, you had orchestrated a small surprise. a modest tea set adorned the polished surface, delicate porcelain cups reflecting the soft glow of the antique lamps. a simple yet decadent cake, adorned with intricate icing that mirrored the patterns of fontaine sat in the center, waiting to be enjoyed.

as the day drew to a close, you ushered wriothesley into his office, a conspiratorial smile playing on your lips. the surprise in his stormy eyes was evident as he took in the unexpected scene before him. his office did not look like this when he left earlier.

“it’s a celebration, your grace.” you replied, a mischievous glint in your eyes. “a modest affair but a celebration nonetheless.”

a flicker of surprise crossed wriothesley’s features before being replaced by a measured composure. “i see,” he said, gaze lingering on the tea set and the cake. “and what is the occasion?”

you couldn’t help but chuckle at his feigned obviousness. “wrio…,” you declared with a mock solemnity, “it’s your birthday.”

he regarded you with a raised eyebrow, a hint of amusement tugging at the corner of his lips. “very well,” he acquiesced, taking a step closer. “shall we proceed with this…celebration?”

the two of you settled into the plush chairs, and you poured the fragrant tea into the delicate cups. the room was bathed in a arm, golden glow as the lamps cast their light upon the scene, creating an ambience that felt both regal and intimate.

“you do realise,” wriothesley remarked, taking a sip of tea, “that celebrations of this nature are not a customary affair in fontaine.”

“consider it a deviation from the customary, then,” you suggested, a playful twinkle in your eyes. “a chance to break free from tradition and enjoy the simpler pleasures of life.” he hums, and for a moment, the weight of his responsibilities seemed to lift.

you clinked your tea cup against his, and the rich aroma of the tea envelopes the room, filling the space with a sense of tranquility. after a while, you signalled to the cake, it’s tempting allure impossible to ignore. “shall we indulge in a slice of fontaine’s finest creation?” you suggested, gesturing towards the cake adorned with edible depictions of the nation’s iconic landmarks.

wriothesley nodded, and you carefully sliced a portion for each of you. the cake was a masterpiece, it’s layers a harmonious blend of flavours that elicited a quiet hum of satisfaction with every bite. as the last crumbs disappeared, you couldn’t help but notice the genuine smile that graced wriothesley’s lips—the kind of smile that was rare and precious. the atmosphere, once steeped in the formalities of the fortress, now held a warmth that transcended the grandeur of the office.

“thank you for this,” wriothesley said, his voice carrying a sincerity that reached the depth of his stormy eyes. “this has been an unexpected but pleasant deviation from the usual routine.”

the glow of the lamps seemed to intensify, casting a soft radiance over the room, “it’s the least i could do,” you replied, own smile reflecting the joy of the moment. “birthdays are meant to be celebrated, even the almighty duke’s.” wriothesley chuckles as he takes another sip of tea.

“happy birthday, wriothesley. i love you so much.”

“i love you too”