#i've been playing this game and it is just so lovely

[httpdwaekki]

i was tagged by @secret-orange-slice ty <33

last song: five more days til christmas by the cheetah girls (i stand by it, it's a good christmas album LMAO)

favorite color: i think my favorite is purple or blue but i also like most colors despite wearing mostly black.

last book: good girl, bad blood by holly jackson! and i just foudn out they made a tv show for the trilogy so i will be watching that later!

last movie: how to be single

sweet/spicy/savory: i like savory but i always love a sweet treat :3

relationship status: single

last thing i googled: how to install windshield wipers, i had to change mine and i didn't know how lol

current obsession: uuuum probably gaming i guess? maybe alil bit of kpop but i've been getting back into my games and playing w friends more

looking forward to: i have a mini trip coming up next week! but i also really like the holiday season so i'm excited for that too !!

🏷️: @giddyfatherchris @bluejutdae @straykeedz @hyuuukaisand anyone else who would like to do it!

ten people i'd like to get to know better

tagged by: @megkuna thanks <333

last song: the phantom of the opera

favorite color: muted green

last book: uhhhhhh oh man i really need to start reading books

last movie: phantom of the opera which i watched with a friend

last tv show: the original star trek which i also watched with a friend

sweet/spicy/savory: sweet, i love sugar too much

relationship status: single and not looking, i'd rather just have more friends

last thing i googled: "how to know if skincare routine is too harsh" my pimples hurt in a Different way now :(

current obsession: probably still mob psycho 100 but it's not what it used to be. yay depression

looking forward to: when my family finally moves into the new house

tagging: @scarecloud69 @disorganised-thoughtss @daneonrainbow @lawful-goof @officialkarinuzumaki @leo-probably @vychodocech @umkayonninay @mocha-blossom @spageddy29 no pressure though <3

[coolsketchablestuff]

Welcome to my atrocious shipping chart, I apologize in advance

Their opinions on eachother:

Headcanons below:

I've been having a story going on in my mind and it's just progressively evolved over time and this is the culmination of that specifically, so I'll try to explain the context of it here:

MAIN THING HERE IS THAT THE BEASTS (for the most part) "GET ALONG" WITH THEIR OTHER HALF

In my au thingy once they get along both half's get stronger, as if the soul jam becomes more whole (yes the ancients still ascended and reclaimed their soul jams as the rightful owners)

Burning Spice:

Got defeated by golden Cheese Cookie, after she left and he awoke from under the rubble of his castle he went to seek her out, to continue the battle, he wanted to be defeated, to be bested by the only worthy opponent, it was his DESTINY to crumble to her hands, he desired it so much. When he found and re-challenged her, she originally did fight him, but upon seeing how badly he wanted to be destroyed she decided to make him one of her treasures. At first he HATED it and would remind her how he could destroy all of it if he wanted to, but after months of slowly wearing him down he's now her right hand cookie and personal guard, very quick to fight anyone who gets to close to her radiance, he is referred to by the kingdom as "his anarchist".

Shadow milk cookie:

(because his actual story will be coming out soon I'm so paranoid about having to retcon this in the future) he has defeated pure vanilla cookie, finally! After so long!!! But wait, why didn't this victory feel right..? Why was the soul jam not reacting properly? Upon vanilla cookie crumbling should it not go back to him? Spoiler alert, no, no it did not as he was not worthy of it and the light was actively fading, as he began to slowly feel weaker with the progressive fading, having to think fast and make a decision he was not sure if he'd regret, he put all of knowledge to use and revive pure vanilla, centuries of being the representative of knowledge sure does come in handy! Ever since that day and discovering if the light fades so would he, he's tried to stay close to pure vanilla out of convenience, over time it becoming an actual friendship, though he is still overly protective/possessive of him to make sure no one hurts him.

Explanation of the relationships:

Golden cheese

- appreciates how Pure Vanilla's kindness is not conditional and relishes in the praise, though she's worried over him slowly spending less time with White Lily

- loves how loyal Burning Spice is, she is aware he's obsessed with her but she interprets it as him being greedy for her attention (it kinda is ngl)

- has fun doing stuff with shadow milk cookie, they like going to events together like parties and just messing around, they can joke with each other comfortably

Burning Spice

- kinda obsessed with Golden Cheese, seeing her as the only cookie allowed to be stronger than him, he doesn't let other cookies fight her as they're "not worthy"

- mostly sees pure vanilla as one of Golden Cheese's treasures and feels an obligation to her radiance to protect him. Is too uncomfortable to get closer to PV because he reminds him so much of pre-corruption Shadow Milk

- the new shadow milk cookie is definitely more lively, and ever since SM got along with PV his pranks have become more harmless which is enjoyable, one of his oldest buddies

Pure Vanilla

- Golden Cheese is one of his oldest friends, after everything that has happened he doesn't want to lose his friends again, he's slowly spending more time with her as White Lily is busy with other stuff and after everything he just wants to spend time with his friends

- after learning to get along with eachother, shadow milk is actually enjoyable to be around! They can talk about intellectual magic stuff, enjoy food and drinks, play games like chess, or just spend time together in comfortable silence

- does not have any strong opinions on burning spice as they do not talk much, though he isn't sure why considering how often they hang out, PV is confident he's seen BS looking at him sometimes when he thinks he isn't looking

Shadow milk

- pure vanilla is calming, when they feel worked up over something he's always there, PV is helping him get along better with cookies

- Golden Cheese Cookie is (currently) his best friend, they jokingly got along under the pretense on not being huge on WL but their friendship kept improving

- it's too much fun to prank burning spice, like SURE he could just find something they both find fun but as long as BS doesn't how actual disdain towards them he's not gonna stop! He loves to tease him too :)c

If I think of anything else I might add It? Idk, genuinely I just like having good guys in media make the bad guys nice, I enjoy "I can fix him" so much, THE ANCIENTS FIX THE BEASTS I SWEAR

[drdemonprince]

I remember a while back you did a fun ask game where people sent in kinks and you rated how good an investment they are and it keeps popping into my mind because of how chill you were about kinks that even kinky people tend to view really negatively in the sense of ethics. I was wondering if you had any advice on how to *feel* chill in terms of my own kink ethics. I intellectually believe that fantasies can’t be immoral and that kink with other adults is moral as long as there is consent (and appropriate risk awareness).

But I am still pretty triggered on the topic when it comes up. Eg, earlier a friend told me they are cutting someone they love off for being friends with someone who “sexualizes trauma”. And yeah, that is definitely where some of my darker kinks come from—though not all. They’re entitled to that opinion and action of course! But hearing all the things they said against this person triggered me, making me feel like I’m dangerous and that it is wrong of me to interact with them going forward even though this isn’t a topic I would discuss with them anyway. Until writing this I hadn’t even considered if they are still a person I *want* to interact with given this. Though I’m sort of unclear on whether it is actually wrong of me to interact with them still.

I am working with my therapist on this. And I know it will take some time to work through. I was just wondering if you had any words of wisdom on the topic.

My thoughts are that if I had a friend who cut people off for having problematic (or in this case, just like, unsettling?) kinks, I would not feel safe around that friend. It would seem to me that they were judgemental, moralizing, and had a completely different viewpoint on how the world operated than I did, and that sooner or later they would demonize me for things I thought, fantasized about, felt, and so on. I might have sympathy if the person was a trauma survivor early in their recovery, as it's quite common for people to think in very dogmatic, black-and-white ways about morality in order to protect themselves and to be highly reactive to perceived threat. But their feelings of safety are their own business to guard over, and mine are mine, and I just wouldn't be able to get along very intimately with someone like that. I'd have to give them a wide berth until they started to get over it, if they got over it.

Recently, a friend of mine was completely ostracized from their local queer community simply for writing a piece that touched on a taboo fantasy -- a taboo fantasy they had concocted as a way to cope with some really gnarly early childhood abuse. They lost performance gigs and friends, had hate campaigns erected against them, had mobs of people threatening all their remaining friends and colleages, all based on a rumor about a piece that they never even got to perform anywhere because someone had heard it was about a taboo subject and even the IDEA of what it might be made them uncomfortable, and so they assumed my friend was condoning abuse when they were literally just describing what had already happened to them and how they found healing from it. Shit like this sucks, and it comes down most heavily against queer people, especially trans femmes, and I've seen the fear mongering ruin enough lives that I try to steer really clear of it.

My life has been so blessed by inclusion of people with really intense, taboo, stigmatized kinks into my life. I was afraid to even breathe a word of my hypnosis fetish to anybody until I was in my late 20s, because I thought it was so freakish and evil. and now I routinely talk with people about really animalistic feral fantasies, harkness rule violating monsterfucking, rape play, necro fantasies, abdl, age regression, incest roleplaying, blood, eating bodily fluids, and everything else that freaks people out but harms no living being. Even when it's not my stuff, even when it's something I might personally find a little squicky to actually be in the room with, it makes me feel seen, safe, and free to express the depths within me. I think surrounding yourself with more people like that or just consuming their stories can help a lot. And trying to find some mental distance from the people who do fear monger and get triggered. They have their reasons for feeling as they do. But that doesn't mean we have to align with their values or actions.

[dogtoling]

General life- and blog update , since I assume at least a few people might have been wondering where I've been and what i've been up to recently. I obviously haven't been posting or drawing much this year in general. This will probably be an important post if you care about stuff on this blog, and I already rambled on Sheezy, but that site isn't very populated yet and it's also very good at hiding journals so let's just ramble again...

The summary of this post if you hate reading: I'm heavily considering just stepping away from Splatoon. That decision obviously would affect this blog (mostly, my OCs, which is kinda most of the blog at this point). I don't think the blog itself will go anywhere, and I'll probably use it for something in the future... alternatively i'll cherry pick stuff from here into an archive for people who like the worldbuilding.

Longer post under cut:

So what have I been up to this year? The answer is quite simple: NOTHING. Like, actually absolutely nothing. Aside from Art Fight, this has probably been one of my worst art output years of all time, which is really frustrating. That's between my horrendous mental health and depression chasms this year and a complete lack of both focus and inspiration (which can also get chalked down to the depression to a degree, yeah). So the very real reason to why there hasn't been much activity on this blog this year is because I just haven't Done Anything in general.

Now because I know there will be a few people who think "that's fine! you shouldn't judge yourself based on productivity!" you're right! I also agree. However the issue for me specifically is that most (if not all) the time I spend NOT drawing or creating, I spend sitting around wishing I could start drawing or creating, because that is like the 1 thing that keeps me sane on this freaking earth. Unfortunately coming up with OC scenarios in my head doesn't really result in output I can feel fulfilled by in any form as much as I wish it did, lol.

Now; The Issue. It doesn't take a genius to see that if you spend 9 months trying to finish like a dozen OC pages that you COULD do in a week or 2 if you wanted to, then there's probably more than just the problem of executive dysfunction (even though that's at least 60% of it for sure). Obviously my other major problem is that I live by imaginary rules and structures that make sense, but aren't actually useful at ALL in reality and are more than a hindrance if anything (the mental to do-list in my head that says i can't do X until I've done Y doesn't do very much if task Y takes 10 months and I also don't want to do it, and it also has no structured ending).

How does this tie into stepping away from Splatoon, you may ask. Well, the issue is that I have foreseeably fallen out of love with the series. Which isn't exactly news lol. Currently, I'm not even sure i will get the next game, if and when the time comes. Yes, the loss of interest is also expected, given that Splatoon 3 has ended and every fandom has this kind of downtime and lukewarm in-between-titles period. But the truth is that modern Splatoon (almost 10 years old!!!!) is tangibly different from the way the series was back when I fell in love with it. That was Splatoon 1, and while the series has improved in a lot of aspects and is thriving, it's grown in a direction that I just don't really like. Splatoon 3 had the most freaking horrendous, immersion breaking story mode they could've done, then they followed it up with a DLC story that was pretty cool but also compounded a lot of my fears about the series' future and played into every single thing i do not want Splatoon stories to be - fully character focused, random fucking villain, mundane event that's unrealistically world-threatening just because a kids video game needs a scary climax even though it's immersion breaking AGAIN, the whole thing taking place in cyberspace and thus offering basically no worldbuilding even though there is SO MUCH WORLD. I COULD GO ON.

The gist of it is that nowadays, rather than playing Splatoon and being inspired and excited at what comes next, I mostly find myself dreading what dumbass plot they will do next to throw a wrench in the otherwise good stuff. And when that's like THE main approach I have to what's supposed to be my favorite series, it is HARROWING. I can't even really blame the game for this; the story is NOT its selling point, the developers probably do their best to get the bits to us that they really want to tell, and at the end of the day the game is unfortunately a product. Worldbuilding for Splatoon is fun to a point. It's less fun when in order to actually write or create something coherent, instead of filling in the blanks, the blanks are 90% of the freaking thing. At that point you're just better off making something of your own instead of being anchored onto an IP that gives more problems than answers and occasionally shoots you with like a machine gun. Working in the realm of Splatoon is frustrating because more often than not, the questions I have ARE NOT MINE TO ANSWER, and the likelihood that the specific-ass questions I need answers to will ever be actually addressed is really low.

Tying this back to my OCs. Obviously I love my OCs more than I love myself which admittedly isn't that high of a bar but you get the point. The problem is that I spend a lot of time mulling over worldbuilding that, again, frankly isn't mine to do. Because if I want it to be Splatoon, then it should be mostly accurate to how Splatoon is! But the problem with that is that there's really not THAT MUCH worldbuilding in the series that you can work with, and most of the core game mechanics are just abstract enough that it's actually horrendous to try and come up with workarounds and ways for things to make sense that don't require just constructing a full knockoff version mirror dimension of the game and saying fuck everything that's in place here because Inkopolis Plaza literally has no roads in or out of there and I have no fucking idea how that's allowed when your only option is to jump the fence (or, nowadays, take the train which also isnt connected to a street as far as I remember). Between the face value issue and the lack of REALLY IMPORTANT worldbuilding, like - I will always come back to this - THE INK TANK'S FUNCTION 10 YEARS DOWN THE LINE - there's a goddamn ocean of plot holes and things that end up being obstacles to creativity rather than inspiration. I feel like I'm pretty solidly at the point (and have been for a while) where hanging onto Splatoon is really only contributing to creativity block and frustration with lack of freedom and the ability to actually do things.

So I guess those are my reasonings that I've put together just sitting here for the time being. The TL;DR is that I wish I could just do stuff without Splatoon's canon getting in the way, which is a really stupid problem to have if you're making Splatoon OCs. I feel this frustration extremely strongly every time I have to work with actual bigger aspects of the world; we still don't have an Inkopolis map, we don't know what the world around Inkopolis looks like, we don't know what the wilderness is like aside from Just Normal Forest and Desert and very few snippets as to what modern wildlife MIGHT be, I still don't know how the fuck the Inklings teleport to the goddamn arctic ocean to play a turf war at Shipshape Cargo co. These are all actually really important things if you're trying to establish a setting in any kind of storytelling that's outside of immediate city bounds (and even there, you need to know the layout of the city and its important areas). Also a fucking mutant bear and a baby salmon and a squid not wearing suitable gear went to space and fought on a rocket in space. These are some things that would give me peace of mind to not have to deal with in my own writing, probably.

So where do we go from here? Unsure. I haven't really made a decision on this front yet, though right now I'm leaning more towards actually going ahead with trying to do my own thing. That will result in obvious design and setting changes for my OCs whenever I get around to it. This blog probably won't go anywhere (again, unless I impulse delete it during a mood swing like i've almost done on like three separate occasions this year), but it will probably get less use, and I will probably end up making a new blog to post about whatever I end up doing once I get to a point where it feels like it makes sense. There's a chance that I will delete this blog and put all the interesting stuff on an archive blog for the people who are here just for the worldbuilding. My actual true passion for a long time now hasn't even been Splatoon anymore, it's just been cephalopods. I'm kind of done having Splatoon get in the way of the cephalopods, as thankful as I am that it introduced me to them...

If you read this to the end heres a treat for you = 🍪

[copperbadge]

I'm still working on Chicken Salad War, but I've been thinking about the next book (or books) and reminding myself that sooner or later I'm going to have to write the book where Ofelia finishes democratizing Galia and they have their first elections. I was thinking just now that when they do it's going to be a big event, and Michaelis, who has taken on a kind of part-time mentorship role to Ofelia, would want to go witness the elections and bask in all the politics.

Which led to the realization that the funniest possible outcome of the Galian elections is if Michaelis wins on a write-in vote.

I won't do it, it complicates things too much and he retired for good reason, and certainly there's something in the bylaws about having to be a Galian citizen to become president. But I can't help laughing about it. Imagine his expression when he sees his name on the list of candidates whose votes are being tallied, and then his growing alarm as his name slowly rises to the top and just sits there.

"I am not going to become the president of a country whose previous head of state I punched in the face!" Michaelis announced loudly.

"Oh man," Eddie said, "I'm totally going to leak the fact that you punched the Duke."

"Georgie would kill you undetectably if I asked," Michaelis replied.

"Not if she wants to stay in Monday's good graces, she wouldn't," Eddie said complacently. "Jes, are you prepared to become First Theydie?"

"Oh, man, that joke's so good I might force you to accept," Jes said to Michaelis.

"I am betrayed by all those I love," Michaelis declared.

"Not everyone. I think you'd make a dreadful president," Joan said loyally.

"Thank you, mio Ioannina, I knew I could count on you."

"You know, they say we're a country of trolls, but I don't think we can top electing the former king of a neighboring country for sheer audacity," Gregory said.

"I'm going to accept the presidency and then invade and conquer you," Michaelis informed him. "Joan will help."

"I want the Shivadh throne if I do," Joan said.

"Well, the job of a grandfather is to spoil his grandchildren," Michaelis replied. "Gregory, you're on notice."

"Our family is super weird," Ephraim said to Noah, from where they were playing video games in the corner.

"Truer words never spoken," Noah replied.

[aymayzing]

Fate of Southern Thedas Rant

Okay, so

All in all, I enjoyed Veilguard. I have some gripes with the game and I can already point to a few things and go "yeah, I don't care what the game says. I am discarding that and filling it in with some headcanons" which happens with literally every Dragon Age game.

BUT

The main thing I dislike is what the game present as happening in the South of Thedas.

I've spent three games saving the South, piece by piece, I cannot accept it falling now, in a game that doesn't care about these parts of Thedas, so much so that it's only really acknowledged in codex entries.

I say - if for some reason the devs want Veilguard to be separted from the other three games, then give us LESS infromation about the South. I don't need letters telling me that the places I've saved once are now lost and therefore it didn't really matter. Tell me that the South is fighting its own battle and leave it there.

In a perfect world, however, here is where we'd have an acknowledgement of previous games.

Mention that mages in their new orgnization have been supporting the fight. Or that the rebuilt Templar order is leading the charge somewhere. If the Inquisitor encouraged Cassandra to rebuild Seekers new and better, mention that they're a great help with fighting demons. Bring up the conclusion of Wicked Eyes and Wicked Hearts. If a truce was forced upon Celene, Briala and Gaspard, say that they're using the chaos to fight for power. Or that Gaspard, as a soldier, has been great at protecting Orlais. What about the decision regarding the Wardens? Say it sucks there aren't Grey Wardens in the South or how fortunate that they're here.

Mention HoF. If they're alive, they're protecting Denerim. If they allied with the Architect, say there's darkspawn infighting in northern Ferelden. That thanks to the Warden being an X, there's a strong bond between Orzammar/the Dalish/mages and Ferelden and they're fighting hand in hand or that the elves of Denerim have been especially well organized and are protecting their city.

And then it can all be in codex, in missives. It's a positive thing then. I get to know that the choices from previous games influenced something in this one and I'm happy to read about it in a codex or a letter from the Inquisitor. But my friend who's playing DA for the first time doesn't care and they can skip those codexes.

I don't think the South has fallen and will never get back up again. I see Rook defeating the gods as a deus ex machina. With them gone, everything else is saved. If Minrathous can be rebuilt after being thouroughly blighted and destroyed during the finale, so can Denerim, Kirkwall, Val Royeux.

But. I just wish it was stated in game and not something I have to come up with on my own based on some ending slides. I wish the devs didn't discard the parts of Thedas I've grown to love over the previous games twice over. I wish they made another decision here

[yamisnuffles]

DATV Spoiler Free Review

I beat Veilguard a couple days ago and have had some time to let it settle in my brain. So, without getting into the nitty gritty and more spoilery things, here are my overall feelings on the game.

The Great:

The world itself. The scenery. It was really gorgeous and felt fully alive in a way that none of the previous games have quite managed. Since it wasn't as open world as DAI nor as narrow in scope as DA2 (nor as old as DAO lol), it felt more vital. Definitely a place where the advances in graphics helped, I'm sure.

The Good:

The companions. I wouldn't say any of them blew me away but they all at least ranged from enjoyable to very good. I definitely had my quibbles here and there but I think they were all pretty solid. As such, though I've only done one romance, I'll suppose they're all good. A bit... sparse in my experience and from what I've been hearing, but nice enough.

Overall, I also think the story was pretty good. Like much in this game, nothing that blew me away, but solidly compelling.

Also, mechanically, the gameplay and the glamour system. It still doesn't feel like DA to me but it was enjoyable once I got used to it. It works well with how I play games. And it was nice to just set looks for myself and my companions and not worry about stats vs appearance.

Rook. I have some definite Complaints, and so this point is probably closer to the good to mid range, but they did a pretty good job with letting you pull in your faction stuff. I'm prevented from saying great because it feels like, even with what are supposed to be rougher dialogue choices, you're limited to being mildly pleasant.

The Mid:

The music. This is tragic to me because every previous game had some really standout songs and DAI especially was such a solid soundtrack. I love soundtrack music. Also because Hans Zimmer! I love Hans Zimmer. But the entire thing felt very generic epic fantasy to me. It wasn't bad but it didn't feel good. The only times I ended up moved by the music was when they lifted DAI songs.

The lack of imports. It wasn't the end of the world but did make some cameos feel really off. And for all the talk of making what few things were imported matter, that really didn't feel like the case at all (unless you were in a specific subset of players). I didn't care too much, but it was just enough to make things feel weird, especially with characters like Harding who are so attached to previous stuff.

The Bad:

The world felt so sanitized. I have no issue getting rid of real life bigotry that makes so sense in the context of the world. For example, the sexism in DAO especially made no sense. That said, there was a lot of in world nastiness that is just... gone. The game does a lot of telling us the elves have it bad but doesn't show it. No one bats an eye at a Tevinter mage running about outside of Tevinter. No one cares about a Qunari in occupied Treviso. I suppose it's not the worst thing in the world but it feels weird, especially when it's so central to Solas' motivations.

This sanitization carried on through pretty much everything. All of the factions are presented as good and heroic, even the ones that are historically pretty shady. Your companions are all pleasant and palatable. They have the occasional minor squabble but even when they almost have actual beef, it's solved super easily. You might get some disapproval for decisions but companions never seem to much care or hold it against you, even on really big things. I don't need DA2 levels of interparty drama but, boy did I want a bit more tooth sometimes.

The Awful:

I can't get into it without spoilers but it did a Thing that Bioware sometimes likes to do that I absolutely loathe. This is definitely personal but it ruined some of my desire to replay.

Overall:

I'd give the game a 7/10 or maybe 6/10, depending on how I'm feeling. It was enjoyable for the most part but it had so many things that felt like splinters. Lots of little things that stuck under my skin and bothered me. Would I recommend it? Genuinely depends on the person.

[caught-tumbling]

I've been hospitalized and I've worked in mental health so I have some suggestions

1) You will see things that you don't understand. That's ok. As long as the behavior isn't harmful its fine. Unusual sentence structure, unusual requests, unusual movements, unusual associations, etc are just how some people function. So if you don't understand why someone is doing something try to just take it in stride, try not to laugh, stare, or look disgusted. When I was hospitalized a patient had a compulsion (I think) to shout their full name whenever someone said their first name, then they always looked embarrassed. So the best staff members just pretended it didn't happen which didn't stop the behavior but at least the patient was more at ease because they weren't being shamed.

2) People in psych wards often have a very dark sense of humor. Gallows humor gets us through. People will casually throw out the most upsetting and traumatic anecdotes as "funny" stories. You don't have to laugh along, just don't be too surprised. One benefit to being in a psych ward is a level of understanding most people don't have outside. People can drop a joke about the most horrifying shit they've survived and no one freaks out, they just laugh and share something equally messed up. That dark comradery was a weirdly healing part of my recovery. Sometimes as a staff member you'll have to intervene if people start looking uncomfortable but in general you just gotta shrug and move on.

3) Compassion, compassion, compassion. The difference between a good stay and a bad stay is compassion. Treat every patient as if they were a loved one. My worst stay the staff treated us like dangerous cattle. They didn't speak to us except to give orders, they ignored people in pain and distress, they refused every request just because they could. My best stay the staff ate with us, they played card games with us, they offered a hand to hold when someone was scared, they treated us like human beings. Just sitting with someone for a while can be huge.

4) Please report things. PLEASE REPORT THINGS. If a patient is harassing another patient, report it. If a patient is harassing an employee, report it. If a coworker is being cruel or neglectful towards patients, report it. If your reports do nothing then escalate it. I've reported patients, nurses, doctors, teams, even organizations both as a patient and as a professional. I've called the police. I've gotten people fired. You will need to do that sometimes. It sucks and is a little nerve wracking but you need to advocate for people's safety. The reports I made as a professional were taken way more seriously than the reports I made as a patient. The system is set up to dismiss patients so employees need to be more proactive. Please be an advocate. Some of the people you'll work with don't have any support outside the hospital, those are the most vulnerable people you'll probably ever meet and you won't always know who's in that group.

5) Talk to the patients. Avoid phrases like "I understand what you're going through" and use phrases like "I know this is hard" or "I'm here to help." If someone is having a hallucination or delusion that's upsetting sometimes it's better to work with the delusion than to deny it completely. If someone is worried there's bugs in their food just saying "no, that's ridiculous" won't help. But saying "I'll check to make sure there's no bugs" can help immensely. Some people will be scared of you due to anxiety, medical trauma, other trauma, or paranoia. You can't always change their mind. But you can show signs that you are a safe person. Little stuff like getting them an extra blanket, asking how they're doing, including them in their treatment plans, etc are vital but overlooked.

Help Me Train Nurses About Psych Stuff

I do a presentation at our hospital aimed demystifying mental illness and the people who live with it. The talk is for medical-surgical nurses, so specifically staff that does NOT work psych who feel ignorant about treating that population. A lot of the people I'm talking to are also young and still developing the foundation of their nursing practice.

If you've ever been in the hospital as a psych patient (or a psych patient navigating the medical system in general), what would you want the hospital staff to know based on your experiences? What advice or insight would you give?

I'd especially love anything about positive experiences, things that helped you, what someone did that improved the situation, stuff like that. In addition to saying what not to do, I'd love to give staff actionable things they CAN do instead.

[experimentalmadness]

The Last of Regret

A little Emmrich/Rook fluff near the end of the game. I thought a certain moment could have used some more power so I gave it a go. We do love seeing a slightly more disheveled and panicked Emmrich, after all.

I'm being a bit vague on details because it contains massive endgame spoilers if you haven't finished the game. Suffice to say. If you want some good Emmrich and Rook hurt/comfort and angsty fluff, I've got what you need.

There was no air here. 

No sound. Not even the whisper of wind. 

All color had lost its saturation. 

There was no warmth, nor was it cold. And still Sivan shivered, hugging herself. This was not like the rest of the Fade. And this was all there was. All that there was ever going to be. Forever. One long endless looping staircase with only the dead for company. 

“I’m sorry, I’m so sorry,” she whispered, eyes closed. She couldn’t feel if she was crying. Her heart hurt, but all sensation had lost its bite. She wished she could cry. Or scream. How long had she been walking in circles?

Varric told her she had to let go. She had to accept what had happened, but how could she when this was all her fault? She should have stopped Varric from confronting Solas, she should never have sent Harding out with such a small team, and Bellara….she hadn’t been fast enough. She should have caught her, should have chopped off the blight tendril before it had snatched her away. 

Too late now. She was just some stupid city elf up against literal gods. Why did she think she could win? She was never good for anything. She’d failed Varric, failed her own city, failed…oh no. No, she couldn’t think of Emmrich. Not now. If she thought about him she’d sink to the ground and never get up again. 

C’mon kid, what did I just say?

”It’s too hard!” She cried. “I’m not ready!”

No one’s ever ready, but you can’t stay here. 

Varric wasn’t really here. It was only in her head. All of it had only ever been in her head. Stupid, stupid; should have known Solas would play tricks on her. Should have seen it coming. But the part of her that could hear Varric knew he was right. She couldn’t stay here. Even if she couldn’t defeat the gods she couldn’t fade away in this prison. A clean death, a good death in a fight, that was the way to go. Not disappearing like this. 

As if tugging her boots through swamp mud, Sivan made herself climb the endless looping stairs. She did not look up. It would be Harding’s face again, Varric’s, Bellara’s, even her own parents’ and she couldn’t face them. Couldn’t let them see her like this. Failure, worthless, mistake…

I thought I felt it over here!

The sound was far away. “Lucanis?” Just another memory, another lie. 

It’s faint, but he’s definitely on to something.

”Neve?”

Sivan stopped, looking around. But the expanse was as gray and devoid of life as ever. Maybe that was all there was. Echoes. But her heart stirred. 

The Fade is distinctly thin here.

”Emmrich?!” There was no mistaking it that time. She had heard his voice. Bright, with his usual encouragement, but with a note of unmistakable panic that sent her running up the rapidly forming fade-steps. “Emmrich!” 

Did you hear that?

That was Davrin! She could hear them! It wasn’t just the hollow sorrow eating her alive. 

The Fade shimmered ahead and Sivan felt air in her lungs for the first time. A sheen of white glinted against the gray. Just like the small Fade tears she had seen so many times before. There was hope here, fragile and wild and oh it was so good to feel something, anything outside of the crushing regret. 

She went running into the white tear and the solid arms that caught her. 

I’ve got her!

We’ve all got her. Pull!

Sivan spilled out into the bright light. Her heartbeat resumed in her ears, the blood in her veins moved again, and she could feel. Everything. The colors of the Lighthouse almost made her shield her eyes. Her lungs felt as if they would burst. 

But she was out. 

On the crumbling courtyard stones. 

And she was certain she was alive. 

“Rook!” Davrin laughed in astonishment and it was such a good sound, such a pure sound. 

It was then she realized the arms around her had not let her go, but were in fact squeezing ever tighter. “Darling, my darling…”

Sivan wrapped her still nerveless arms as tight as she could around Emmrich. He was real. Her hands went over the back of his coat, up to his jaw, her fingers skimming through his gray hair. He was here. She kissed him even though she knew how particular he was when it came to public displays of affection. She didn’t care. She had to feel him, had to make sure this wasn’t another one of Solas’ endless tricks. 

He returned her kiss with such fervor she was grateful she was already kneeling on the cobblestones. Her eyes spilled over with tears. He crushed her to him as if needed to check if she was as much a reality as she herself doubted. She didn’t care if she couldn’t breathe. 

“Think we could give ‘em some fucking privacy?” Sivan could have laughed at Taash’s words but her mind was far too jumbled. Everything was so bright, so loud, so solid. 

But Emmrich was all warmth and safety and familiarity. Already he pressed light kisses against her cheeks, the tip of her nose, under each eyelid, and with each she felt a little more real. “Extraordinary as ever, dearest,” he said softly. “Only you could return from the very Void itself.” 

“A prison,” she gasped, trying to order her thoughts. How to even begin to explain? “For the gods. Solas…he…”

”Breathe,” Emmrich commanded gently, a hand on either side of her face. “Slowly.”

His dark eyes were welcoming, guiding—was he crying? She flailed in a poor attempt to reach out for him again, but he held her still. His chest rose and fell in a deep rhythm that she felt compelled to mimic. The tightness in her lungs eased in pieces. Emmrich brushed the curls from her eyes and when she felt less like she was choking she let herself relax against him, tucking her head under his chin. 

“Darling, should I take us inside? You would be far more comfortable if—“

”No,” Sivan said against his coat, burrowing as deeply as she could, curling around herself. “Stay. Please.”

”But you’re shivering.”

”No’m not.” Her teeth chattered. 

“Rook, it is a delight to have you contradict me again, even though I admit I have no desire to let you go as yet,” Emmrich said with a laugh that sounded so tired, so grateful. “I thought that I might not…that—to have the last things we said to one another be that horrid argument…”

Sivan reached up and placed a tentative finger against his lips. “Love you too much to care about that.”

“What?” 

Her dear man looked so shocked. And how Sivan adored those looks of bewilderment when she would sneak in a compliment here and there. His tear-stained eyes went wide. “Was scared to say that before, too,” she admitted. “Everyone I ever loved, they’ve…”

It was his turn now to stop her thoughts from spirling. The blanket void of regret was going to be hard to shake, Sivan realized with a pang. 

Emmrich hushed her, his fingertips skating down her cheek. She knew when he was studying her. His deep look of intent and awe stilled some of her shivering. Perhaps she shouldn’t have said it so suddenly. Stupid! She should have planned it out better. Made some sort of occasion out of it as he no doubt would have.

“Say it again, dearest. Please.”

His faint, pleading voice undid the last string of regret tied about her heart. Sivan smiled. “I love you.”

Emmrich swallowed up her words with a kiss that nearly knocked her backwards. Heat pooled within her as she tried to match him. This, oh this was never something she would ever take for granted. The sterile edges of what that prison had done to her sloughed off. 

“To think you lost only to hear you say that,” Emmrich said as Sivan rubbed her forehead to his, taking comfort in simply sharing the same breath. “You truly are indomitable, Rook. One of the many reasons I love you, too.”

Her face hurt from smiling. When was the last time she’d heard those words? When was the last time anyone had ever loved her? Ghosts now, all ghosts, but Emmrich was here. Alive. And wholly hers. 

“I think I can stand now,” she said. Her body was still shaking, but from something other than grief. 

“Then I will help you up, my love.”

[m00nl1ghts1vt]

Alright, I love you - Chris Sturniolo

Pairings - bf!Chris x fem!Reader Summary - Chris stays out longer than expected, making your insecurities come to light. Warnings - established relationship, mentions of cheating, strong language, fluff, angst?? W/c - 994 A/n - I haven't proofread this yet. Just something I put together while I was at work today lol. I was finally able to get into my inbox last night but I only see one of them so if you sent a request in, please resend it 🥲 Masterlist Most Recent - Positive Top Liked - Pierced II Current Series - City of Love II

“Hello,” Chris’s voice is raspier than normal. It was pushing midnight, and he had been out since dinner. Normally, you wouldn’t care too much but he just got back in town a couple days ago, after being away for a week, and it was late. You missed your boyfriend and the fact that he prioritized his friends over quality time with you made your blood boil. You were livid.

“Where the fuck are you?” you seethe into the phone, trying to focus on the background noise. Faint music played, but there were no signs of a female presence, only masculine voices to be heard. “I’m at the guys house,” he speaks louder into the phone. His response earns a scoff from you, “yea right Chris. I’m fucking stupid.” You clamp your bottom lip between your teeth, running a hand through your hair, “you’ve only been in town for a couple days. I swear to God if you’re with a bitch-”

“There’s not any bitches here. I’m playing the game with the guys, chill.” It’s obvious that Chris was trying to keep his tone cool, calm, and collected. He had a hard time balancing this social life and his relationship, oftentimes picking his boys over quality with you. Chris moved you into his house a few months prior, in hopes it’d help your relationship. He wasn’t wrong, it helped a tremendous amount, but you were just a girl, and you had your insecurities, as did he. You reject his excuses, repeating yourself, “you literally just got back in town two days ago.”

“And I've spent the last two days with you, babe. Just hanging out for a little,” he coaxes you. Chris had a way with words when it came to you, he always knew what to say and when to say it. You knew by the end of the night the argument would be resolved, and you’d more than likely be naked in bed with him. When you don’t say anything, Chris speaks up, “I promise.”

His reasoning puts you at ease, you sigh into the phone and just as you’re about to speak you hear, “hey baby. Want some time with me?” It was plain and clear it was a woman's voice. You squeeze your eyes shut, not wanting to believe your worst fears were coming true again. You were fuming at this point, “yea, who the fuck is that? I swear to God-,” you rage but get interrupted by your boyfriend. “It's not a bitch!” he defends himself quickly, “Nate’s on GTA, it’s a fucking prostitute he honked at,” a bit of annoyance laced through his words. Not wanting to argue, Chris takes a deep breath, “you’re funny for that one, though,” letting out a dry chuckle.

“You think it’s funny? I’m not fucking playing with you, Chris. Let me find out you have a bitch with you,” you snap at him, your voice getting the louder with each word. Infidelity was something your relationship has faced once before. From Chris’s end, of course. So, you had your insecurities when it came to not knowing his whereabouts or what the hell he was doing. Last he told you; he was going to meet them for a late dinner with his brothers and Nate. 

“Y/n, there’s not any bitches here,” he assures, but you can tell he’s clearly frustrated with you. Not giving a fuck about how frustrated he was, “let me find out you’re lying to me.”

Chris gives in and lets out a breathy sigh, “I’m not, babe. I love you.”

“If you loved me, you’d be at home with me at fucking midnight, Chris!” You refused to hold back this time, blinking back angry tears, and sucking a sharp breath, “if roles were reversed, you’d be breaking up with me right now!” The line goes quiet for a second for a few seconds, making you pull your phone from your ear to see if he ended the call or not. Seeing he’s still on the call, you hold it back up to your ear, “I’m leaving soon, alright? I love you.” 

“Whatever, Chris. I’m tired of you constantly lying. I’m not stupid and I know exactly what you’re doing,” you spit back at him, not letting up on your delusional thoughts. Technically, it wasn't a delusion at all. Chris had cheated on you before, and times like this showed the biggest weak spots in your relationship - your insecurities, the insecurities that he planted. Even though you had never cheated on him, you know he’d be flipping his shit if he was in your position, and he knew it too. 

“Alright, I love you,” he voice becomes more relaxed like he’d getting some type of pleasure out of hearing you all worked up. “Fuck you,” you tell him, this time letting a few tears slip before hanging up the call. To no avail, the word ‘hubby 🥰’ pops up on your screen a few seconds later, this time for a facetime call. Quickly dragging a hand across your cheek to collect any leftover tears, you press the answer button.

 Chris’s face stretches across the screen, eyebrows knitted together, and his lip pressed into a thin line. “I said I love you like a million times, did you not hear me?” he teases at his way of enlightening the mood but when he sees you hard facial expression not budging, he flips the camera around, showing his brothers and Nate. “Say hi to my crazy girlfriend guys,” making them all look up at the camera in unison. “Hey girl,” Nick stretches out, making the room erupt in laughter. Chris switches the camera back to him, “we’re gonna leave in a few. I love you, okay?”

“I love you too,” you sigh. You couldn’t help but feel relaxed now that he showed you who all was there with him, but you couldn’t help but think a bitch was hiding under the bed.

🏷️ - @lvrsturniolo @unknvhx @m11rx @ribread03 @thepubeburgler

If anyone else wants added on my tag list, just let me know!!❤️

[meo-eiru]

MERU😭😭😭 i finally had a free moment to relax and the first thing i wanted to do was play hold your tongues and i've spent the last few hours pouring over how absolutely beautiful of a piece it is in storytelling and visuals. i genuinely have so much to gush over and idk where i should be doing it so into your inbox it goes. i apologise in advance, you also don't have to respond to this bc 1) i am aware it's gonna get vv long and 2) spoilers will definitely be mentioned

i hope sel knows what an absolute gem of a writer she is for executing all of this bc i am fucking gobsmacked by how well certain ideas and concepts were interwoven throughout the entire piece. maybe a lot of the things following are just my interpretations, but that's another thing i really really love — there's enough ambiguity in the prose to be able to infer it in so many different ways

first to the namesake of the game, ‘hold your tongues’ and the many connotations of tongues that are explored throughout; as symbols of liberation and entrapment that intermingle so so well. i feel like the game really delves into the struggles that women face in society, in relationships, just in general and i like how since it's done so through maelyn's own perspective, we're privy to a more complex and raw display of how deeply emotionally scarring it can be.

eric is a little bitch imo (i won't retract that statement ever) but the ever judgmental, taunting and superior tone he has as the ‘voice’ in maelyn's head speaks volumes of the character he possessed and the lasting impact it had on her. giving her dress to another man makes her ‘unfaithful’, the fact that it's emphasised that these are only ‘remains’ of a dress too — bc eric left her with shreds, physically, mentally. 

if we take the dress to act as a metaphor for maelyn herself, he left her in shreds.

in response to this, maelyn bites her tongue, so hard that it bleeds. it's restraint, quite literally biting back your anger and the feeling of being wronged. grounding yourself again to the harsh reality of it all, and it brings her back to the present moment when starling points it out.

we see a similar occurrence later on when maelyn relays her tongue ‘longing for a taste, was to be kept down.' so again, she stops herself (and i think the wording here is particularly interesting, that it was to be kept, so intrinsically this too may also link to how women are commonly taught to be submissive and forced to fit to certain standards). 

in both contexts, the act of biting the tongue can be taken as a suppression of some sort of desire — the first is the desire to be mad, and the second is the desire of lust. both which women have been criticised for through the ages.

i also like to think that the tongue is a representation of freedom. starling is very much making wings to fly out of them, and taking them away from ppl has ‘forever deprived of their ability to lie’ (in which case lying = freedom, i won't expand on this too much bc it'll be another whole essay😭) so going back to maelyn, her biting hers can also be seen as her freedom being hurt, prevented.

another thing is, the line just before ‘he never ran out of tongues’, we can take this as starling never having his freedom threatened. and it poses further questions. is this because of his strength? is it because he has the ocean ‘wholly’? is it because he's a ‘man’?

on my first run through, one of the most prominent questions i came away w/ was what was it that attracted maelyn to starling? to the concept of these monsters of the sea that had surpassed human constraints that had her waiting out all those hours to catch a glimpse of one to begin with. what was it that kept her coming back? time and time again, day after day when she could've not gone back to that shore after leaving.

the text narrates a couple of things that i think contributed, there's a sense of warring humanity and animosity in the repetitive motifs of dirt and uncleanliness, in her noting that starling looked ‘half a man’ and that one half could've ‘consumed’ the other. maelyn has an envy that's touched upon frequently. does maelyn want to be closer to a monster so that no one can hurt her? or does she feel like a monster is all she can be now?

then there's a dynamic with power that was honestly done so well. again, my praise to sel for how well thought out it all was. that part where she put her hand into his guts and he made sounds he was ‘unable to control’, another when she tells him ‘cut’ and he does so without question — she recognises she holds the reins in that moment, acknowledges, ‘in control, I breathed.’ 

starling listens to her for the most part, it's a reoccuring theme. even when making his wings, he's following her instructions although it's made clear that he learns quick and is capable. perhaps this gives her comfortability.

but we see this turn on its head when things start to go left, starling begins to do as he pleases and maelyn is taken back into her trauma, back to feeling ‘disgusting’ and ‘unclean’, she even apologises and promises to do better.

leashes are mentioned a few times, maelyn first describes them as a sort of ‘necklace’ — perhaps this is tribute to the way a woman's submission is often beautified and normalised. the ‘leash’ starling puts on her in one of the ends is made of pearls, he keeps it in his mouth before this. could this be a reference to eric's sweet words that bound maelyn before he revealed himself? starling ties it somewhat loosely ‘so she could breathe’ yet that doesn't take away the fact that it's still there. it has a sort of your cage is not small, but that doesn't mean you're not locked in it kinda feel.

there's so much more i could say but i think ive alr said too much😭 i didnt even get to touch on the cuddle ending which was my favourite, or the symbolism of losing fingers, the significance of the numbers two, three and four to the story. I DIDN'T EVEN TALK MUCH ABT THE ART😭😭 MERU SORRY I GOT DISTRACTED BUT THE ART WAS PHENOMENAL❗️❗️❗️❗️

maelyn is super pretty and i love how her and starling contrast each other in design so nicely. starling's expressions were stellar ++ the bgs and cgs were beautiful (you're right, if you didn't clarify it i would think you were behind the chest one haha). also the body horror aspect was really brought to life with the visuals and ik it definitely mustn't have been easy drawing all those organs, thank you for your service meruuuu

i'll shut up here before i write another 3k, but both you and sel did such a great job w/ this. the two of you deserve a nice break to rest so pls make sure to take things easy and take care of yourselves!! drink water and sleep when you can, and know that you've made a masterpiece♥️

OH MY GOD THIS ASK IS MAKING ME GO FERAL

It's so well written??? You did such a good job picking up the details hidden behind their lines??? I fish you continued writing because I for sure did not want to finish it and please do send the other thoughts you had if you can, I love this so much

I'm sure @celerifleuri will too so I'll tag her

You already mentioned the spoilers at the start but I'll also note it down here for people who haven't played the game yet. I'm sure sel will do a much better job answering your story analyses but I'll also say you're completely right with most things you've said.

The story takes place in 1800s with dated gender roles we unfortunately can still relate to. Maelyn is a curious woman who wants to study and experiment, but is being held back by society and even people who she thought she could trust, but again Sel will do a better job explaining those.

I'll talk about the art a bit. One thing I really enjoyed that was kinda unintentional on my part was the use of night and day.

The story starts at night time, the first ever cg we get of Maelyn is her jumping down the cliff, with the moon's reflection on her left and the waves giving an illusion of wings as she looks up, in that very moment she is free.

On the other hand the first ever cg of Starling is day time. The sun is shining brightly from his left, almost blindingly, as he looks down. His hair covering the screen like spider webs.

To contrast these, it's night time in the wood ending. Just like the first cg of Maelyn, we can see the soft moonight shining upon them but not quite reaching Starling's face. Maelyn is alive.

Meanwhile in the bone ending, even though they are underwater we can tell it's day time, just like the first Starling cg. We get to see a glimpse of them through the seaweeds covering our view, the sunlight showering them gently. Starling is alive.

For the character designs too, a bit of a reverse but I'd say Maelyn resembles the sun, meanwhile Starling is like the moon.

They both share green eyes, although quite different shades. Maelyn has bright red hair that contrasts Starling's red tongue tail.

I also like that Maelyn's hair, albeit a bit loosely, is braided and kept tidy. Meanwhile Starling's hair is usually all over the place and quite messy.

[explorerrowan]

So I'm really enjoying the game No Man's Sky this year. With the patches Hello Games has released this year, it's finally feeling like the game they promised and always wanted to make back in 2016. The ships, stations, and missions are more interesting and diverse, the planet generation has really stepped up with more biomes and creatures (including oceanic and undersea stuff!), and all in all, it feels like a huge, diverse, sandbox universe to fuck around in while not feeling too empty.

The seasonal Expeditions have especially been fun. I've participated in three of them now, Aquarius, Cursed, and Beachhead Redux, and they were all great. I especially liked Aquarius, partly because I did it at a stressful time this fall and needed some time when I could just relax and catch some virtual fish. Probably the primary complaint I have is that the Expeditions are not especially newbie-friendly. Expeditions often change certain game rules (like restricting certain tech) to make sure the players participate in the Expedition's loose plot. So you kinda already have to have a certain amount of familiarity with the normal rules to know how to adapt to the changes. (The Cursed expedition was especially bad about this, since it effectively banned hyperspace travel and restricted you to portal travel to go from star to star, which frequently made objectives less obvious or harder to complete.)

Also, I really like the stuff that happens after you complete the main questline. You can meet a whole new race of robot people called the Autophage, and they're so sassy and independent compared to the Korvax and I love them. Not going to give too many spoilers about them so I don't detract from people who might play their questline, but they built their own bodies out of scrap metal and they're so proud of themselves (to the point that they call everyone else "pre-built" almost like an insult) and it feels very trans metaphor to me.

Tell me about your hyperfixation while I pose dramatically beside you.

[lucy90712]

Can you please make a hector fort fic where he spends all his time with his friends and spends barely time with her. Then they were supposed to go on a date together and she waits for him to pick her up, she waits for 2 hours and goes to social media to see if he has posted anything and sees on his story a picture of him and her girl bestfriend having fun playing games. So she leaves the house with her stuff. When hector comes home he realises what he has done and tries to get back in contact with her but he fails. They don't see each other for a while but he notices her walking on a busy street and tries to talk to her. (ending with fluff please)

You: good morning amor hope training goes well don't forget about our plans tonight I'll be waiting for you 

Hector: have fun in class and don't worry I'll be there at 7 as promised 

You: love you 

That was the last I heard from Hector and now it's 8:32pm and he's still not here to pick me up. He promised he promised me he'd be here and that he'd make up for us not spending any time together. I should've seen it coming as he's been doing this for weeks he's promised time and time again that he will come over or we'll go on a date and then he never shows up. When I can finally get hold of him he always has an excuse either he was busy or with friends and lost track of time but whatever it is it hurts. I've done so much for Hector I've been there for him since we were kids and I've been there for every good and bad moment of his football career but he can't even manage to show up for one day or just to see me for an hour. 

We made the jump from being friends to being a couple just over a year ago and for the longest time he was the best boyfriend ever he treated me so well was super attentive and really made an effort to be romantic and take me on dates. I don't remember exactly when it changed I think it happened slowly over time but ever since he's started playing with the first team more he's been busier with training and matches which I understand but what I don't understand is spending every evening with his teammates who he sees all day when he could see me. It might sound selfish but I just miss my boyfriend he's already missed so much like he wasn't here when I was stressed over my big exams and he wasn't here when I got the results and he wasn't here when I needed him most when my mum went into hospital and I was scared and panicking. Just a few months ago he'd never dream of leaving my side during any of those times but now he barely knows they even happened. 

I text him once then twice then three times then I called multiple times but they all went unanswered. My last resort was to message him on Instagram as I know he won't have turned the notifications off for that but I didn't need to message him Instagram gave me my answer straight away. He had posted on his story showing him out with his friends and my best friend was with them too which was a whole other level of pain. My best friend knows all about my troubles with Hector yet she went out with him and his friends anyway and didn't even bother to tell me. That was the final straw I'm not dealing with this anymore I deserve better I deserve someone who will be there for me, not break promises and definitely not someone who makes me feel like this. 

My mind was racing but I quickly worked out what I wanted to do so I grabbed my keys and got in my car. Seeing as Hector wasn't in I decided now is the perfect time to go and get all the things I have at his place and leave the spare key I have that he gave me ages ago because I won't be needing it anymore. When I opened the door I immediately saw all the little things of mine there are that makes Hector's place feel just like my own some of my books are on his coffee table and my hair ties on the sideboard by the door. I spent some time grabbing all my things while trying not to cry that I was losing my boyfriend who I thought was the love of my life. Before I left I found a piece of paper and a pen and wrote Hector a note to tell him his I felt and why I was leaving and then put my key with it. Closing the door I felt like I was closing a chapter in my life a chapter I never wanted to close and one that's going to stay with me for a long time but it has to be done. 

Hector's POV

As soon as I opened the door to my apartment it felt weirdly empty like was something wrong but the door was locked and nothing looked like it has been stolen. Still I had a quick look around and then I noticed a piece of paper on the kitchen counter. Next to it was a key and that's when I realised what was wrong all of y/n's things were gone her books, her hair ties and all of the little things she leaves here were gone and this is her key that's now in my hand not with her like it should be. I knew the note would be from her but I didn't need to read it to know what was going on and what I'd done. I had promised to see her tonight as I've forgotten about the last few dates we've planned but I did it again my friends dragged me out after training and then I got carried away and forgot about the most important part of my day proving to y/n that I will do better. I really didn't want to read the note but I knew I had to I owe her that at the very least.

Dear Hector, 

I have left my key and taken my things because I'm done. I'm done because tonight we were supposed to go out you promised you'd pick me up at 7 and you promised you wouldn't forget like you have been for the last few months but you did. Instead of trying to prove to me that you love me and that the last few months have just been an anomaly you went out with your friends and my best friend leaving me waiting for you, calling and texting you until I saw your story. I can't do this anymore I love you but I can't let you treat me like this so I'm calling it here. I've really enjoyed the last year or so we've spent together but it's time for us to move on as clearly we aren't meant to be. 

I love you and probably will for the rest of my life but this is goodbye. 

Y/n xx

Those words hurt to read. I already knew I fucked up but to see the words written in front of me made it truly hit me how much I'd hurt her. She was the best thing that ever happened to me she was always there for everything no matter what she's been by my side through every up and down and I truly thought she'd be there for everything for the rest of our lives. I wanted her there for every achievement in my career and I wanted to be there for all of her achievements too. She was the one I didn't need anyone else I didn't want anyone else but now she's left me and I don't have my person anymore and I may never have her again. 

After the initial shock I tried to text her to see if I could apologise but she had already blocked me so I tried Instagram but she had blocked me on there too. I should've seen it coming but it upset me that I wouldn't be able to reach out to her and try and make things right or at least tell her how sorry I am for fucking this all up so badly. She's gone and it's all my fault that's what hurts the most if I hadn't been such an idiot then we'd still be together but no I had to go and ruin things with the best woman in the world. 

A few weeks later

Life has been hell for the last few weeks I've really missed y/n I've missed having her sat in the stands during matches and I've definitely missed seeing her. She's been in my life for the longest time not just as my girlfriend but as my friend so not having her in my life anymore and so suddenly as well has been really hard. I've definitely not been myself all of the guys keep asking if I'm ok and I tell them I am but we all know it's a lie they know how much I love y/n and they can see how it's destroyed me to lose her. I've tried time and time again to reach out to her but of course I'm still blocked I even text her best friend to get her to talk to y/n but she says she hasn't seen her or had any of her texts answered either so I have no way of telling her that I'm sorry. 

Everyone keeps telling me I need to try and move on and they're right it's just hard everything reminds me of y/n whenever I go anywhere I see places that we've been on dates to or just places we have memories at. Today I'm going to stop myself from moping about and go for a walk to clear my head as that's what I think I need to be able to move on or at least start to. I decided to go to the nearest park and walk around as it's relaxing and it should be quiet there which is what I need. 

The park was pretty empty there was a few people around; one couple with their baby an older couple feeding the birds and a girl who was sat on a bench with a book. The girl reminded me of y/n her hair was the same colour and reading in the park is something she loved to do. As I walked closer I realised that it actually was y/n she had headphones in and the book she'd been reading in her hands like she so often did when I went to see her. Seeing her made me stop in my tracks I didn't know whether to go and talk to her or just leave her be but then I realised this is my chance to talk to her and get closure at the very least. 

Your POV

Being without Hector has been hard I've missed feeling his touch and having him next to me when I sleep. So many times I've wanted to take it all back and run back to him but I know I can't or he'll think he can treat me like that again or someone else and I can't let that happen. Today is Wednesday which is the day that I had free from classes and usually I would spend all day with Hector so I've been sat at home all day thinking about him but I can't keep doing that so I needed to get outside. To give me something to do I walked to the park with my book. I found a bench with a nice view of the trees and the little pond with a few ducks and let myself forget about the real world. 

I was so in my own world that I didn't notice when someone sat next to me to start with until they sighed which brought me out of my trance. When I looked to my side I think I turned as white as a ghost because Hector was sat next to me with a look of pure sadness on his face. It took a few seconds for my brain to begin functioning again but when it did I leapt up and tried to run away. I'm not ready to face him again not when I've been trying so hard to forget about him and move on I blocked him and separated myself from him so I wouldn't have to do this. Before I could get more than a few steps away Hector placed a hand on my arm he didn't pull me back he didn't even hold my arm tightly but having his hand on me stopped me dead in my tracks. He encouraged me to sit back down so I did and I watched as his hand moved off my arm down to my hand which he held tightly in his grasp so I couldn't run again. 

"Hector" I started to say 

"No please let me talk" he interrupted 

"Ok but you have five minutes then I'm leaving" I said

"I'm sorry and I know move said that a lot recently but I really mean it when I got home and saw the note you left it broke me having all of your stuff gone from my apartment made it feel empty and not being able to see or talk to you has killed me I've missed you so much and I'll do anything to make it up to you" he said 

"How do I know that you actually mean it and that you'll actually change I told you how disappointed I was a million times and every time you told me you wouldn't forget the next time and then you always did it's like I wasn't important to you anymore how do I know that'll change" I said 

"I know I was an awful boyfriend but losing you has taught me a lot I know I can't treat you like that and I'd never dream of doing it again this might seem to much but you are truly the one for me I don't want to ever be with anyone else so please give me a another chance and I promise I'll do better and if I don't I'll let you go" he said 

"Ok but this is your last chance if you miss any date or anything without telling me and giving me a valid reason we're done" I said 

"I'll never miss a date ever again don't worry" he said 

"I can't lie I'm glad to have you back I've missed you so much it really hurt to walk away" I said

"And you'll never have to walk away again I'm here to stay" he said 

He pulled me into his side and leant down to kiss my lips which felt so good as I've missed having him by my side and I've definitely missed kissing him. He let me sit and finish the chapter I was reading before we left the park and went back to his place as he wanted to make things up to me straight away by having a movie date at home which he knows are my favourite. He's definitely off to a good start at making things up to me but honestly I'm just happy to have him back by my side. 

[3416]

I’m gonna say something and maybe I sound crazy or wrong bc I’m not paying 100% attention. But I feel like the tone of Auston and Mitch’s interactions have changed?? And it feels proportional to the increasing amount of shit Mitch has taken from haters the last few years. Like it used to be Austin was cool with ribbing Mitch or teasing (in a nice way) on IG or in interviews. But now he’s very “don’t mess with Mitch”. Like in interviews he’s shutting down outsiders or other people that doubt Mitch left and right; or like “if I’m good on PK, it’s bc of Mitch” or “Mitch does everything for this team”. He’s always done it, to a certain extent, but now he’s reached like Feral Form. And Mitch obvs (for good reasons) has become very insular esp on social or when dealing with the media, except for Auston; like “Auston and I are hard to play with bc we’ve mind melded and it’s hard for people to keep up”, and it’s all very intense. Which could mean nothing. Or I could be wrong idk.

no, i've 100000000049824829% thought and ranted about this before too. i think they've just become more and more closed off about their personal lives as times gone on which is extremely understandable, but i do think there's been a shift ever since mitch has taken on the whole scapegoat role the past couple years. like the time they asked about trading mitch on locker room cleanout day and auston actually scoffed...... fkldsjfkls. WHATEVER YOU GUYS SAY ! auston's never going to say something to even remotely negative about him and is always gonna be willing to credit mitch for parts of his success without even blinking. auston also gets to know mitch on a personal level and knows how much it affects him so i'm sure that plays a role in his whole unwillingness to even entertain critique abt him. they critique each other in private and know theyre the only guys who understand aspects of each other's games so it doesn't need to be aired out in public for misunderstanding.

it honestly makes me think of the spittin chiclets ep auston went on like when he was a rookie and he was making fun of mitch for watching cartoons on the plane and then the hosts started really digging at mitch and auston kinda backed off and started defending him like. every way he teases mitch is extremely familiar and loving, and i think he's just been learning about how twisted and serious this media market take everything and it's only getting worse the longer they go on without winning.

[pjsk-hot-takes]

I don't think this is going to be a "hot take" per se but... Long time Vocaloid fan here (first song was "Last Night, Good Night" if that gives you an indication haha), but I genuinely enjoy pretty near all of Project Sekai! I enjoy how they've done the Vocaloids, how different they all are and how they embody different parts of vocaloid songs and the interpretations of the voice banks' personalities, and by extension, the fandom. While ProSekai can't cover ALL of the niches, I think they've got a decent variety. And while in another world I would love to have ALL vocaloids (or voice banks, whether by crypton or no) as characters, I understand why they just kept it to just Miku and co. I enjoy the characters made for ProSekai, whether main or side. I enjoy seeing how they have grown, how they will grow, and how they interact with not just their own groups, but with the world around them. I also enjoy the side characters, and how they also have their own struggles, and how, whether they be a good or bad person moral-wise, they add a lot of flavour and background to the main characters stories and struggles. I enjoy our main characters personalities. Yes, all of them, even if I wasn't as big of a fan at first of some, I've come to grow to like all of them. I also have found myself relating to all of them in some way or another. Whether it be Nene and her desire to do better despite her stage fright in the beginning and pushing through and learning from the critique of what she considers to be her strongest quality, or Ena and her struggle with her art, or Minori trying her absolute best and proving to not just others, but herself, that she can achieve her dreams and she can, indeed, be an idol that spreads hope (just for a couple of examples). Plus their singing! Sure, not every song may be a banger, but I enjoy listening to both the vocaloid and sekai versions of songs. I can't wait to see where the story takes them, especially since a lot of things have gone down as of late. Both in JP and ENG. I enjoy the gameplay and the art! First time playing a rhythm game that does piano-style, but I've been enjoying getting better at the game and playing with others. And the art has been lovely and I like seeing the themes and motifs that have been integrated into not just each set, but each character's card. Whether you choose to just enjoy it on a surface level of just being pretty, or if you choose to look further in to try to glean more, I find that it's a pleasant experience regardless. I know there's a lot of stuff going on in the fandom, and obviously not everything is perfect. Some events, cards, songs, and other media have been, well, cause of controversy, and I can completely understand why. There's also other things that can be improved, and as always, there are many different opinions as to how things can improve/be fixed. But I also think they have tackled some issues very well, and hopefully they can continue to try to do so. To conclude, I'm having a great time watching others create and enjoy the world that Colopale (and by extension Sega) have created. Hope you all have a great day, and thank you for making this blog! It's been interesting to see the many takes here, whether I agree with them or no.

.

[maddiedott]

It Will Come Back

Pairing: Logan Howlett x GN! Reader

Warnings: Very rushed ending, Logan through various different movies/timelines, gn! reader, fluff and tad bit of angst, sexual implications but not explicit, alcohol consumption (let me know if i missed anything)

Hi! Hope everyone is having a great day! I've been struggling with some Wolverine hyperfixation and Deadpool Wolverine being released on Disney+ like 2 days ago didn't help much. So, I decided I would finally post this fic thats been in my drafts for like a month now? It's heavily inspired by Hozier's 'It Will Come Back', so please enjoy!

Time was always a fickle thing for someone who could never age, who had lived centuries and watch as it affected everyone you loved and yet hasn’t graced you with the same courtesy, a long stretch that dipped into the horizon and melted against the inevitable void. There were times when you yearned for the ice cold grip of death, the blissful eternal sleep that most try to run away from, to prevent. But that was before you had met him, before he whispered life back into your hollow bones.

It was a fleeting encounter, words exchanged in a fraction of a second. You couldn’t recall how long this cat and mouse game played out, but you eagerly waited for the next moment you would see him, even if just for a glimpse. It started out slow, the long pull and stretch of time that came with his absence.

The first time you had met was in 1932, a time where many longed for the cold, dark Earth to envelop them so they wouldn’t have to suffer much longer. The interaction was brief, a swift knock to the shoulder as you passed down the street. He grumbled an apology, his voice rough and with an accent that didn’t quite stick in your head enough to name. There was a hesitation in his step as his gaze met yours, more of intrigue than anything else. He stopped completely as you called out, brows furrowed in annoyance. He turned towards you, apology leaving his lips. He introduced himself as James Howlett. An odd last name. You gave your name in kind with a smile.

He looked exhausted, although there wasn’t anyone in This Depression that wasn’t. So, despite your better judgment, you offered him a place to stay and some lukewarm meals to hold him over until he could find work. You never were much of a cook, even now you struggle to prepare much of anything, but it’s not without lack of trying.The rundown country home had been your home for a little before the dust bowl and the drought begun since you had moved into it, trying to busy your lonely mind with farm work. You had set the loft in the barn on your sparse and dusty property for him, giving him plenty of blankets and cloth that would make for a functional and maybe comfortable bed. He mentioned a brother who you had seen only briefly every now and again entering the barn before leaving a few minutes later, always snarling. And even though your instinct was shouting at you to question it, you never did.

There was always an objection to the kindness you showed him when you would bring meals, to leave him to the land as that’s all he knew- how he sleeps, to not be kind. But each time he only came back. It was routine until you found a small note etched in charcoal with the words ‘I come back’. And just like that he had vanished as if he had never existed, disappearing and leaving a strange ache in your chest.

You couldn’t tell when the next time we met was as the years turned to decades. People like you had gained a name; ‘mutants’ and they were becoming more and more common around the world. As narcissistic as it sounded, you thought you had been the only one, cursed to roam the Earth for eternity while watching everyone grow old and die around you. You hadn’t expected to run into him, not after 3 decades, and you surely did not expect for him to look just as the day that you last saw him, nor to recognize you.

You sat beside him on the barstool, not speaking until a whisper of your name fell from his lips as if he had figured out the answer to all of the prayers he’d whispered in the dead of the night to an unseen God.. A smile graced your face before you could stop it, turning in the seat to give him your undivided attention.

“You shouldn’t smile at me like that, you know better.” He gruffly spoke.

You didn’t realize how easy it would be to miss someone’s voice until you heard his. It was as if his words were a melody and you had been searching for the right tune all your life. Just the sound of his voice had been enough to cure you of any ailments for the day. You continued to show him the kindness he so desperately wanted to refuse. To offer him a hand and a soul, one that he feels less deserving of. This time was shorter than the last.

A few drinks, some chatting, walking, and a stumbling mess of feverish, open-mouthed kisses as we reached your apartment and found your way to the couch, the floor, and then the bed. He had ruined you, that much you knew from the very first press of his lips against yours, from the whisper of your name in the bar just a few blocks away, or perhaps it was the very first time his shoulder hit yours.

Towards the end of your euphoric highs, you had noticed the extension of bones from between his knuckles as they dug into your mattress and utterly destroying it. It led to a pensive conversation that eased as you revealed your own curse, your lack of morality. He showed off his claws, explaining his own hyper senses and regenerative properties. You admired the bone that extended from the divots between his knuckles, fingers ghosting over the claws. The night morphed into day as you both recounted stories, although you could tell his were vague and lacking details, keeping them for the darker parts of his mind away from the light.

You hadn’t realized him to be an army man before that night, but sure enough he was being shipped out that next day. So the reunion was cut painfully short and you had to wish him farewell from the comfort of your apartment’s sheets, tangled and damp with cold sweat from the previous night.

It was the middle of winter the next time. You moved from place to place as to not raise suspicion on why one of the neighbors never aged, stuck in a younger body than that hasn’t changed in the last few years of where you stayed. You could never forget James, he was always a lingering thought, a distant wish to run into him once again. As the seasons transitioned from to another, that wish slowly fizzled out.

It burned brighter one particular night, when there was a strange howling outside your door. There had been wolves hanging around, but they sounded nothing like this. So, with little fear to your well being, you opened the door.

He looked different, scruffier and wild. There was a metal contraption on his head that wired down to two boxes on either side of hips. The machinery and mechanism was complex as if he were some part of someone’s cruel experiment. There was a snarl sound emanating from his throat, sitting on his haunches. But his state of undress in the dead of winter was not what caught your eye but the sharp metallic ‘shik’ as metal drew from the divots where bone once did. A sharp gasp left your lips as he slowly stood to his full height, eyes locked and unwavering. He sniffed the air like an animal before taking a step forward, his instincts fueling his muddled mind, the movement subconscious.

He had found his way back, but at what cost? What had this poor man endured to become this way? This feral?

As he took a step forward you mirrored in a step backwards, crossing the threshold of your home and he simply followed. His wild eyes darted from corner to corner, sniffing once more and then taking a deep inhale. He visibly eased up, although still had the behavior of a cornered animal. You let him into the warmth of your home, let him wander and orient himself with his surroundings despite your conscious telling you not to.

It took multiple hours of gentle coaxing and many more attempts of snapping from him until you managed to get him to sit and settle down enough to remove the headpiece and electroids from his body, having them fall to the floor with a thud onto the carpeted floor. He just stared, even a whisper of his name had his head cocked to the side like an animal in a state of confusion.

There was dried blood under his nails, hair greasy and filled with mud and- you didn’t think you wanted to know what else it contained. Bathing and feeding him was no easy feat, metal meeting flesh and red decorating the floor; but, you eventually got it done and even had him dressed in sweatpants that were a bit too tight and the cuffs raised to his mid calf. It would have been comical if he wasn’t so out of his wits.

The next few weeks were awkward, each time you tried to leave he would grab your arm and tighten his hold in an attempt to get you to stay, but you needed food and he needed clothes that actually fit him. He still didn’t speak, just low huffs and grunts. When he finally did speak, it was low and broken as if he had forgotten how.

“Lo… gan…”

The words confused you. Why was he saying a stranger’s name?

“Is he the one that did this to you?” You ask softly, swiftly sitting beside him on the couch. You received a shake of his head in return and another mutter of the man’s name.

“I don’t understand.”

He ruffled into his pocket until a small clink of metal emerged and he withdrew dog tags with the name ‘Logan Howlett’ engraved. It was his last name, but the first one made no sense. On the opposite side it read ‘The Wolverine’. Was that his army name? You had heard of getting nicknames when in service but had no real idea about it.

“You’re Logan?” You clarify, eyes moving from the metal within his palm to his own eyes, still wild but tamed for now.

You received a nod from that, signifying you were correct in your assumption. That would make sense why he had never acknowledged me when you had called him James. So, from then on you referred to him as Logan.

You try not to think about the time during which you helped bring him back to a state of humanity, finding out his memories were scattered and he held no recognition in his eyes other than finding the smell of your home, of you, familiar. You cared for him, allowed him a place to stay and took him with you until he suggested a RV bed for an old truck. With the stash of cash you had dwindling, not expecting to care for another person, you hastily agreed. From there you traveled. City to city, province to province, finding cage fighting bars for cash while trying to bring peace to Logan’s mind and retrieve the memories lost or stolen from him.

Finding Rogue was a blessing, even more so when Scott and Ororo had rescued you both. You had been given a home and a lead on Logan’s missing memory and a chance for him to be a part of a team. So, when he was given information on a location that might jog his memory and insisted he would go alone, giving you his dog tags as a promise, you held some worry of course, but knew that he will come back.