#i'll try to illustrate as much as i can later on

[meganegatari]

LYSSSSSS!!!!!! oh you genius. ima start this all off by saying this is my favorite lyss work to date…you absolutely NAILED IT. the weaving of plot, the banter and dialogue, and ellie????? peak characterization, you really don't see skill like this every day. tbh sometimes it pains me you aren't able to see just how good at writing you really are, but oh well. guess i'll have to make it my life's mission to convince you! you'll believe me when i'm done, i'm sure of it :)

first of all the photo you chose— elliesgalaxy is genuinely not human methinks, how tf do you make a pixel look like that. i want to eat her.

she lingered outside, shifting her weight like she was debating whether to knock. but since this had become clockwork, you were already pulling the door open, and she shuffled inside uttering a, “don't make a big deal out of it.”

MY BABYYYYYYY. stop…no STAHPPP. i would not mind at all patching her up, my babyyyyyy she is so cute. the shuffling, the awkwardness and the silly internal battle— UGH LOVE IT. with your writing, i've noticed you are an expert in the ‘show don't tell’ idea, and i'm quite jelly!! you're a master of subtleties wherever they go,and i'm always in awe of how you paint such a vivid picture.

she'd been through hell and back.

what if i sob so hard i flood the earth huh…what are you gonna do. i just want to kidnap her and keep her safe in my basement so nothing could ever hurt her, and i'm the crazy one?

your lips pressed into a thin line, but you didn't protest further. you knew how much patrol meant to her— how she needed it. how ellie seemed to rely on it to feel like she provided something useful to jackson.

AGAIN WITH THE SUBTEXT HOW DO YOU DO THATTTTT i am going to cast a spell and steal all your talent…jk i would never do that it's all yours. but omg :( jackson is baby's home…thinking of the game's storyline and when they first got to jackson, this draws up such nostalgia. in between games one and two, i really do wonder how ellie adjusted, but before we go too far off topic i must continue to gush!

also i love love love your use of “said” when mentioning her burn, maybe i'm looking a bit too deep now, but it gives off almost a little suspicion..almost. can always count on you to be two steps ahead of all of us.

and your dialogue!!! i tell you this all the time but it's seriously so so good, i can hear the banter so perfectly in my head, TEACH ME YOUR WAYSSSSSS

i did also mention i love your use of “pitchy lilt” such a poetic description but it's so illustrative and clever!!

[...] made your stomach do something stupid.

AAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHH. ok normal calm zen and chill but real!!! her dorkiness istg…there's nothing better than that. like yes she makes me weak in the knees yes i want to kiss her till she's dizzy WELL, YES!

you'd both insist, later, it was simply the sting of the antiseptic anyway, as if she hadn't weathered worse injuries before.

i. need. to. calm. down. the bloody tension????? are you trying to kill me in cold blood is this what this is. i am such a sucker for almost a slow burn like this, both of them not sure, but the subconscious never lies. GOD

“i think you're helping me all the time ‘cause you've got a soft spot for me.”

YES! YES! BINGO!! YOU'D BE CORRECT!! RIGHT ON!! WONDERHOYYYYYYY BOOM SHAKALAKA YES GAWDDDD okay my heart. it's gonna fuckin explode. i will charge you for murder lyss, this isn't funny.

the whole next chunk has me literally biting my firstbecayuse first of all how dare you, secondly, this is the most perfect thing i've ever read, thirdly, the characterization is honest to god so out of this world unreal, you make me fall in love with ellie more and more, with each post. truly, no one does it like you.

".....a kiss.”

insert feral monkey noises. insert squirting noises. insert blowing up the entire world noises. insert killing myself with a gun noises. ok i have no words. wtf are you doing i will be brought to tears because of this fucken pixel its so unfair…

this fic. this fic is everything to me, you don't understand. it makes me wanna laugh it makes me wanna cry it makes me want to scream into the void— you write ellie so true to life it makes me SICK! ILL! in the best way though, always the best way. my dramatic little baby, ugh. i'd give anything in the world to kiss her until we're both suffocating, but i suppose i have to deal with something close because that isn't an option, and that's gotta be to tell you how much i adore your writing every chance i get. 💚

becoming ellie williams' personal nurse was absolutely not part of your grand plan. in fact, being ellie williams’ anything hadn’t crossed your mind until an unexpected run-in left you the only one available to patch her up after a rough patrol. you’d spoken fewer than ten times before that, but after that night, ellie unilaterally decided you were the only person allowed to help her when she got injured. you didn’t fuss as much as maria, or dina, or anyone else—and that was enough for her. or at least, that’s what she claimed. it certainly didn’t hurt that you were cute.

that's how you found yourself falling into a routine—ellie 'just happening' to show up at your door, flashing those worn green eyes and grumbling about how "it's not that bad" to garner enough pity until you inevitably caved and fixed her up, sparing her yet another lecture from maria.

tonight was no different. she lingered outside, shifting her weight like she was debating whether to knock. but since this had become clockwork, you were already pulling the door open, and she shuffled inside uttering a, “don’t make a big deal out of it.”

you sighed, already moving to nab your ever-growing stash of first-aid supplies as she dropped into your desk chair. ellie had tried to clean herself up beforehand, but it was fruitless—her green jacket, the one now being hastily shrugged off, had been covering the worst of it. a deep gash on her arm, the lingering traces of a nosebleed, fresh cuts along her cheek. she’d been through hell and back.

"ellie," your voice carried a warning as you approached, reaching out to cautiously inspect her wounded arm. "this isn't just some scrape." ellie exhaled sharply through her nose, taking the accosting while settling in the chair she'd visited many times already. "it's nothing. i don't want maria finding out and pulling me off patrols."

your lips pressed into a thin line, but you didn't protest further. you knew how much patrol meant to her—how she needed it. how ellie seemed to rely on it to feel like she provided something useful to jackson. so instead, you got to work, gently cleaning the cuts along her forearm. ellie winced as the antiseptic hit raw skin, her fingers twitching against her thigh. unfortunately, the cut had grazed her tatted arm. you made a valiant effort to be delicate enough to mend the cut without disturbing the tattoo—luckily, it had missed the chemical burn ellie said she'd gotten on that arm years ago.

"oh, stop whining," you chided over her complaints. "shouldn't you be used to the pain by now? little masochist. and what's with you aiming for this poor arm so much? you've got two to work with, you know.” ellie scoffed at your chastizing, biting the inside of her cheek as her expression shifted to annoyance but not full offense. "right, lemme plan my injuries better next time."

you dabbed at a shallow abrasion beneath her cheekbone. ellie's eyes flickered up, trying to capture yours, but you wouldn't budge from the injury. she bit her crimson-stained lip, like she was weighing her next words wisely. "you keep patching me up, though. makes me wonder... i mean, i dunno..." ellie stilted her delivery, partly out of nerves, partly to grab your attention. "maybe you like seein' me all banged up," her tone took on a pitchy lilt as she kept peeking up at you.

the way she said it—less of a tease, a tad second-guessing, trying to dare a reaction out of you—made your stomach do something stupid.

"a better patient would stop causing such a distraction," you shot back, deliberately avoiding her gaze while keeping with the 'strict nurse' facade. you couldn't suppress a hint of a smirk though, briefly wiping your mouth to try and shield the small break over her nervous attempt at flirting. you just hated how right she was—no one was forcing you to do this, to put up with her maddening stubbornness and save her hide time and time again. all ellie had to do was bat those ridiculously pretty greens, and your defenses crumbled.

ellie huffed, pleased with your accidental admission but now more determined to coax more from you. she shifted slightly—and that's when you felt it. the light press of her fingers against the dip of your waist, like she had just meant to steady herself but forgot to pull away. her fingers curled slightly into the fabric of your shirt, sending a shiver up your spine. you said nothing, pretending not to notice. maybe she hadn't even meant to. you'd both insist, later, it was simply the sting of the antiseptic anyway, as if she hadn't weathered worse injuries before. neither of you moved.

ellie couldn't disguise her beaming when your strict charade allowed the gesture. she swallowed, like she was trying to decide whether to try her luck. her fingers tapped your side, hesitant.

“i think you're helping me all the time 'cause you've got a soft spot for me."

your breath hitched, warmth creeping up your neck, but you weren't about to let her win that easily. with a little head shake, you willfully regained your composure and lightly patted ellie's uninjured cheek before schooling your expression. "hush. you're being disorderly. i can't fix you up with all this blabbering."

ellie let out an exaggerated hiss, scrunching her eyes shut dramatically. your stomach clenched in brief panic, helper mode reigniting—until you realized she was full of shit, twisting her head like she'd been mortally wounded when, in reality, you had barely touched her.

"you're impossible," you muttered, smacking her good arm lightly in playful retaliation. "your life is in my hands. don't forget that." ellie leaned forward just enough to close the space between you, her voice dropping. "yeah, yeah, and every time i show up like this, i'm choosing to put my trust in you."

she wavered briefly, then added, softer still—only brave enough to say it now because she was already committed to the bit—"and that’s also why you won’t look at me."

you froze, and the second you met her gaze, it was over—long lashes framing those round green eyes, a smattering of freckles, some loose auburn strands that had escaped her barely-held-together bun sticking to her skin from the leftover sweat of patrol. with scraped skin and blood-streaked face, ellie was a proper mess—and yet, here you were, fighting every aching urge screaming at you to throw yourself on top of her.

you swallowed hard. the unassuming, bashful, loserish ellie was nowhere to be found. replaced by an ellie probably still riding the adrenaline of her close call with a horde of infected earlier, caring a little less about the consequences of her words and even further fueled by your easily cracked stoicism.

ellie seized your defeated, flustered silence to keep going. "also, as my nurse, i'm surprised you don't know the best cure for any injury."

you inhaled to brace for whatever nonsense was about to come out of her mouth. "oh, yeah? what's that?"

".....a kiss."

a drawn-out groan escaped you. "jesus," you muttered, cheeks burning. but fine—just this once. you weren't giving in completely, but you leaned in, pressing a fleeting peck to the tip of her nose.

the way ellie's face immediately split into a stupidly giddy grin was almost worth it. almost. her whole expression flushed a rosy pink, too.

"oh, on the nose? that barely counts," ellie teased, her voice dipping into something softer, more expectant. definitely hoping she hadn’t pushed her luck too much.

"deal with it, williams," you murmured, but your mind was already betraying you.

despite your best efforts, you couldn’t stop yourself from wondering what it would be like if you really gave in. if you disregarded all medical safety and climbed into her lap and kissed her senseless, letting your hands explore each other in desperation and recklessly savoring the taste of metallic red left on her soft lips.

snapping yourself from that less-than-holy thought, you deflected under the guise of needing to retrieve more supplies for another small cut you had overlooked.

when you came back, ellie was still watching you, something unreadable in her expression. you hesitated for a moment, then finally gave her a little glimmer of hope to cling to.

"tell you what," you started. "don't be an idiot—which i know is hard for you—and let everything heal," you let the jab sit for a second to build suspense, "and i’ll grant you the other half of that kiss."

ellie's smile widened triumphantly, though her posture was beginning to laze as exhaustion from the day's chaos caught up with her.

"anything for the nurse."

"yeah, yeah. now hold still so i can finish fixing you up."

and, for once, ellie williams actually listened. pic creds @/elliesgalaxy

[evintide]

Some headcanon questions for you!!

1- what is the diet of the Twili? Carnivorous? Herbivores? Omnivorous? A secret fourth option?

2- can Midna understand other languages beyond Twili and Hylian?

3- Do the Twili have livestock? What about other animals? I know they have big fuckoff birds but what else?

first of all THANK YOU SO MUCH FOR THE QUESTIONS !! ;0; i appreciate the curiosity and your time! these are all, like, a mish-mash of stuff i've considered over the years along with ideas that i've thrown together during the past few days. so if it seems all over the place... that's why, LMAO. and this is going to be LONG on top of all that too, sooooo... a read more is in order! also, as a forewarning, a lot of this stuff is not wholly set in stone as i'm always working on new ideas and finding new inspiration for things. i believe the twilight realm is just as vast as any other realm, and what we see and experience in game is not even a teaspoon as to how much is in there. so just like any world, variety is OUT there, just. not all seen within one place. thus a lot of the stuff i'm about to talk about will mainly be concentrated on what has been generally seen from a game perspective. but, like. expounded on. ANYWAY I'M ALREADY BABBBLING HERE. TO RAMBLES !!

» LANGUAGES !!

Midna is fluent in twili and an archaic version of hylian, and can read ancient zoran and gerudo. she wasn’t very interested in learning languages as a child, but because using relics and certain magicks requires an understanding of them, she had to try to learn them eventually. they aren't her strongest subjects, but thanks to becoming queen she has greater access to relics that have even older texts and hieroglyphics, thus her need to learn even more has increased.

since hylian was the predominant language of the interlopers ( but not the only )  it remained that way until it developed into twili over the years. Twili in itself is an amalgamation of all of the above languages that transformed over time thanks to an exposure of all sorts of influences. modern twili trends towards a more singsong like cadence, while older versions have a choppier, brusque intonation.

her archaic language proficiency is mainly text and phonetic. she is wholly fluent in both old and modern twili along with archaic hylian, though her time in the light realm exposed her to modern hylian, which has come to reflect itself in her current speech patterns.

» DIET !!

the twili diet predominantly consists of grains mixed with nuts and vegetables. proteins come in the form of mushrooms and eggs, the latter of which is their main consumable animal product. fruits are also a treat, but are not main courses in any meal, as they tend to be small but very flavorful. spices take center stage when it comes to all meals, and instead of a singular plate where all the food is served, their meals will be one main dish with some sort of grain set alongside several smaller dishes with pickled foods, dried and curried spices and saucers for dips and sauces.

while the original interlopers were banished with an assortment of things ( whatever they were wearing, tools they were using, animal companions, etc. ) very few actually survived their first century there. they had to rely on magic to transform what little wildlife already existed in the realm to sustain themselves, and due to their outside influence many different types of animals and vegetation were able to come into fruition. these new species needed almost constant assistance however, which made for a very narrow amount of variety to be had within their original stocks.

now that the twili people have grown accustomed to their home and environment, better sustainability has been achieved and they now have a broader selection of things to choose from — though eating meat is still seen as something of a delicacy. not many of the creatures that they have are suitable for consumption, and even more tend to return to the twilight not unlike the twili people do, so having any meat with which to consume afterward can be difficult to even obtain. this is why eggs are the most common and accessible animal product.

» WILDLIFE !!

the original flora and fauna of the twilight realm are still present in the world, but it is not as commonly seen or experienced by those who reside in the capital. however, given that the twili people have assimilated to their realm compared to their ancestors, they can safely recognize, traverse and consume whatever natural wildlife is in the realm before their influence. twili that live outside of the capital often bring in wares to trade and sell biannually, though there are travelers who can be sent out to pick up items from these merchants throughout the rest of the year if more supplies are needed.

some merchants travel with vehicles powered by magics, but those leaning towards more traditional methods have access to horse-like creatures to help carry their wares. in a traditional sense they’re like a combination of a camel and a horse, though they have a wider, stockier physique. they were specifically domesticated to help traverse wide landscapes with few pit stops for food and water, though they have to consume large amounts of both before and after their trips.

dometic animals are fairly similar to those seen in the light realm. this is not limited to livestock either, as house pets of all different types and sizes have either been domesticated or crossbred over time to serve as companions or pest control. the most common of which is a small creature that has developed a method of flight with it's ears.

indigenous animals have a thinner and more angular body type that requires small amounts of food sustained over longer periods of time. natural bioluminescence is present in almost all life there, as it is needed to see and communicate in their environment of perpetual low light. many, if not almost all wildlife is smaller than that of any found within the light realm, but they have… for lack of a better word, a denser quality to them. they are, essentially, their own diet, as they are made of shadow and must also consume what is made of shadow. not entirely carnivorous, but not wholly herbivorous either.

animals often seen and used within the capitol are small deer like creatures with two predominant teeth that curve out and backwards towards their ears. their wild cousins have shorter sets that look more like fangs, but the domesticated breeds have been kept so that their teeth serve for ornamental purposes. all species have a pelt that has reflective spots towards their sides and flanks, and tails with a pale underside that can be raised to alert their herd of any dangers.

avians of all types are helpful in transporting goods and people across all surfaces, but namely those in height. while technology and magic is a predominant proponent for all life within the twili realm, many still rely on their birds to travel to and from places, and some even own creatures that have been in their family for almost a century. these larger birds have crossbred naturally with wild ones over the years, which have since become something of a nuisance when in close proximity with domesticated animals.

certain creatures hold high respect in twilight culture as well, as it is said that every monarch has a divine beast that watches over them during their rule. you can actually tell who held the throne and for how long thanks to any iconography on pottery, clothing and other items that show a certain animal or beast.

again, as stated above, the interlopers who originally settled within the capital crossbred and raised their own animals with the native wildlife to reflect creatures and comforts they originally had from the light realm, but over time everything was influenced and altered to best suit a lifestyle within the twilight.

[hollowed-theory-hall]

So, Wizarding Robes

I saw this post by @iamnmbr3 and @kittenjammer talking about wizarding fashion and I wanted to talk about this for a while, so I'm going to give my own two cents on it based on fashion history. I love history in general, but fashion history and historical architecture are two I’m incredibly passionate about. So, here we go (post with a lot of pictures ahead):

When I read the books and they mentioned unisex “robes” which function like dresses in a way (as you don’t have to be wearing trousers beneath them:

James whirled about; a second flash of light later, Snape was hanging upside down in the air, his robes falling over his head to reveal skinny, pallid legs and a pair of graying underpants.

(OotP, 647)

And described as being very colorful and billowing, often accompanied by a pointed wizard hat, it was clear to me JKR was trying to invoke the image of the classic fantasy wizard robe:

Especially when it comes to Dumbledore.

The thing is, this style is based on a real historical period and historical styles of the medieval period in Europe.

Medieval Europian Robes

When I'm thinking about the "classic fantasy wizard look" the first historical period that comes to my mind is the 15th century and I'll illustrate why.

Spesificly, the 14th and 15th centuries houppelande. It was a long over garment that looked kinda like a dress with wide, flaring sleeves available for both men and women in various shapes, cuts, and even patterns. Here are examples of some houppelandes:

(As you can also see, early 15th-century fashion comes built-in with silly hats! Just like wizards)

In the 15th century you also have a wide array of cuts of cloaks (and even more silly hats!):

Along with surcoats, that contrary to their name, weren't just for knights to signify on their armor the house they serve:

These 15th-century garments are exactly like wizard fashion is described in the books: billowing robes, colorful and eye-catching, and accompanied by silly hats.

The thing is, all these garments are from the high medieval period and as wizards broke away from muggles only when the Statute of Secrecy was enacted, I'd expect their fashion to follow the muggle trend up to that point and then start diverging. Even the most pure-blooded wizarding families of the modern day, like the Malfoys, integrated with muggle circles up until the Statue of Secrecy, something that would've forced them to dress like the muggles at the time to blend in better.

As the Status of Secrecy was first enacted in 1692, it's time to talk about:

Late 17th Century Fashion

Now, while the high middle ages in Europe had everyone wearing essentially wizard robes and silly hats on the regular, the Statue of Secrecy was enacted much later. Fashion in the 17th century was drastically different from the earlier one mentioned above.

In the late 17th century, this is the kind of dress I'd expect from women in England:

And this is what I'd expect from men:

Which is very different from what is described but would've been the historical basis the wizards would work from.

So what do I think wizarding fashion is actually like?

Well, since the books are in the 1990s and wizards don't really live in a vacuum we know some later influences in fashion did make it in. So, I think wizarding fashion is an odd mix of 15th-century and late 17th-century fashions updated to the time period the wizard grew up in, hence distinct fashion changes between generations like we see in the muggle world.

We see these distinct generational fashion changes with characters like Agusta Longbottom who wears a Vulture hat. These sorts of hats with real birds on them were a thing historically. They were quite fashionable in the late Victorian era, which is when Agusta would've been a child if she's around Dumbledore's age:

Fudge is described as wearing a Bowler Hat, a kind of hat that started catching on in the late 19th century but was still a staple in menswear into the early 20th century, hence indicating Fudge's age.

Ron's yule ball dress robes are described as old-fashioned, again indicating fashions in the wizarding world change at a similar rate to the muggle one. Note that since the 17th century, fashion has been changing quite rapidly and by the 18th century fast fashion where you need to buy new garments each "season" has already started becoming a thing. With all that, I think wizard fashion indeed changes just as rapidly as the muggle one.

Now, that's great, and all, but, what would that odd mish-mash fashion even look like?

Well, I made a few very quick sketches as concept examples for what casual wizarding fashion in the UK might look like if we're working off historical references:

(not my best pieces, it's just to get the concept across)

Note that Wizengamot robes and other formal professional wear would probably be older in style and closer to 17th-century fashions.

[tiredsmashbros]

THURSDAY - .... um...?

well would you look at that. the blue bitchass is beginning to give up... how wonderful doing a party ain't easy don't try this at home-

WELL... since... SMG4 isn't going to announce something cool, i um, will! similar to the 1K birthday party last year on thursday, i'll show an itty bitty wip update once more on:

LIPBITE PART 3!!

since i already teased lil bit from this page a few days ago, i thought might as well show the whole thing!! obviously not final, but very close to it. frankly i've been meaning to have this next part done before 2025, yet i kept getting really sick, and having to manage several projects and irl issues/events. hopefully within my last spring semester i can continue working little by little but i can't genuinely guarantee a date. other than later this year LMAO. but what i CAN guarantee is i'm making sure its as great- maybe even better than pt2 as i'm putting a little more effort and thought from improving the past few months. alas, it is slowly in the works and reminder to folks i AM in my senior year and will be graduating THIS SPRING!! yippee!!! hopefully, after this event i can get back to prioritizing this one as i slowly get back to college. either way, once its done, i hope you guys will enjoy it as much as i do and hopefully the wait will be somewhat worth it. until then, wait patiently fuckers /silly

BUT THATS NOT ALL!!

since obviously that one sketch above ain't going be enough

here's a bunch of other things i've worked on during my fall semester that seems pretty cool and relevant but never uploaded on here !!

this is a illustration piece i made for my screen printing class! with the printed one being off from the reference since i put the color order wrong LMAO and i also wanted to experiment how chaotic i could make it hehehe. kinda shy to share this piece in particular, but its honestly one of my favorites i've done, so theres no harm in sharing

the same class, but as 1/3 of my final, i had to make books! but because i'm horrible with using pins and too picky with paper + string alignment, i thought it would be best i do... well... a very silly collage-like project xDDD buTT!! this one taking the opportunity to make a cool TSB book!!!

lastly, something even more crazy, another final from one of my other classes... a kickstarter.

BUTT PLEASE LET ME STATE THAT THIS IS FAKE AND PURELY MADE FOR EDUCATIONAL PURPOSES. I AM SOLELY SHARING FOR FUN AND ENTERTAINMENT. THIS ISN'T REAL WHATSOEVER AND VERY LIKELY WONT EVER BE.

okay legal reasons out of the way-

i've shared this with very few people on my server, HOWEVER, instead of me being in control what you can and can not see, i've decided to just let it out for people to see the silly jokes and additions around the page i've made on your own free will, and additionally to help folks get a more semi-direct answer to what TSB story is to those who haven't caught up or confused! a win-win lmao

welp. time's nearly up for me so i will flee for now. hopefully this satisfied some interested despite not being TOO grand, but just small silly goodies for the day.

but if you're still reading this, all i gotta say is tomorrow is a more special day. something i'm very proud of and hope ya'll will enjoy 🍔

[yumeka-sxf]

Spy x Family merch updates and manga hiatus

I wanted to post about some recent fandom news, starting with the good news: while I mentioned in my 2-year anniversary post that we've been in a dry spell lately as far as SxF content, we just recently got a bunch of new merch/designs! (mostly from various Jump Festa vendors) I'll start with my favorite of the new designs, from HMV's Jump Festa set - Forgers in winter outfits ❤️

Next is the "French casual" set from Chara-Ani~ Bond's little red beret looks so cute!

Another winter outfit set, from Animate. Gah, this one's so adorable, too 😭

Next is merch from Ichiban Kuji. Not sure if it's for Jump Festa as well, but either way, I want the acrylics and the plate!

And lastly, Ensky's merch for Jump Festa - Forgers baking cakes/cookies!

Again for those who don't know, Jump Festa is a yearly event held in Japan in late December that's dedicated to Shonen Jump IPs. SxF will have its own panel with the four Forger voice actors in attendance. We've always gotten exclusive announcements and content at past Jump Festas, so fingers crossed it will be the same for this year! I'm gonna try my best to get some of this merch when it goes on sale in late December. And of course, if I'm able to make high quality scans of these new designs, I will post those as well!

Now onto the bad news, which most of you probably heard about already: the hiatus for the SxF manga has been extended to December 23rd. I believe this is the longest hiatus the series has had so far, and what makes this one concerning is not only that the date kept changing, but also the noticeable silence from Endo and other official outlets.

In the Japanese version of the manga, the last page of each new chapter typically notes the date the next chapter will come out. In the case of the most recent chapter, 107, it said it would release on November 25th, meaning Endo would be taking a break from the bi-monthly schedule, which isn't uncommon. But then, just a few days before the 25th, official English manga outlets like MangaPlus updated the release date to December 9th. It was disappointing since we had all been waiting longer than usual for the new chapter, but again, a second postponement wasn't too alarming...what was alarming though, was the third one that came just yesterday, only a few days after the last. People started noticing that official manga outlets had, again, changed the date for the next chapter to December 23rd this time.

The fandom got stirred up quite a bit when this happened, mostly out of concern for Endo's well being. What made me particularly worried was the fact that, while these hiatuses had been going on for the past month, Endo hadn't posted anything on his Twitter account, which is very unusual considering every month prior he's posted at least a few unique illustrations. Not only that, but the last thing he posted was this oddly cryptic image on October 19th, with text that says "Don't look for me." And he then deleted it soon after, which makes it even stranger.

But thankfully, Shonen Jump must have noticed the pandemonium happening in the fandom, because just a couple hours later, they made this statement on the official Jump+ Twitter, apologizing for the delay and confirming that chapter 108 will indeed come out on December 23rd.

This to me was good news, since their official statement about it makes it unlikely they'll change the date yet again. But some sort of explanation would have been nice, even a vague one. I'm not someone to spread rumors, but my own personal speculation (which could be totally wrong) is that there was some dispute between Endo and Jump. This is the only explanation I can think of as to why his Twitter would suddenly be barren for a month after he posted consistently for so long - my guess is that he has to get approval from Jump for all the illustrations he posts there. I don't know much about the inner workings of the manga industry, but I would assume he has some contractual obligations where he can't freely post stuff on social media without some sort of publisher's approval. It is possible he's just been too busy with Jump Festa and other things, but he's still posted at least a couple times a month even when he's sick or busy, so I don't think that's the main reason. Again, this is just my speculation that could be completely wrong. There's also the fact that they so quickly changed the release date to the 23rd, the day right after Jump Festa ends, which could indicate that Endo's been busy cooking something big to be announced there. Regardless, I'm happy we finally have a new chapter release date that's pretty set in stone now, though I won't feel totally better until we get clear acknowledgment that Endo is okay, either from himself on his own Twitter or somewhere else official.

Anyway, despite this setback, I'm relieved that SxF is still going strong with all the hype for Jump Festa and season 3. Between that and the new chapter right after, we'll be eating good this Christmas!

[electronickingdomfox]

Star Trek TOS slash bits (Season three)

This is my personal rundown of all the slash scenes in TOS season three. I've omitted episodes when I didn't find anything remarkable in them.

-What I count: lingering touches or affectionate looks, clinginess, actions that show a strong concern/familiarity with each other, suggestive scenes...

-What I DON'T count: friendly gestures (like smiling or looking amused when someone says something funny), scenes taken out of context, physical proximity just because there's not enough space...

I'll try to illustrate some scenes when necessary, though screenshots usually don't do justice to it.

For season one analysis go here. For season two, go here.

Spectre of the Gun:

McSpirk The mind-meld scene. For Kirk, this was his first mind-meld, for McCoy the third, if you count the one with Mirror Spock. Actually, Spock also mind-melds with Scotty here, but in my opinion, the scenes with Kirk and McCoy look much more intimate. Almost like love scenes, while Scotty's seems a more clinical meld. For comparison:

The Paradise Syndrome

McSpirk At first McCoy is infuriated by Spock's decision to take care of the asteroid before rescuing Kirk, though then he submits to his very logical reasons for doing so (explained with rocks, so the doctor can get it). McCoy will spend the rest of the episode entering Spock's cabin every five minutes, to see if he's getting enough rest. While Spock works himself to exhaustion, trying to figure out a way to divert the asteroid and save Kirk (granted, he also wants to save the rest of the planet, but still...). Also, McCoy tries to comfort Spock, by telling him it wasn't his fault the ship was crippled, and that Jim would have done the same. For his part, Kirk isn't very worried about Spock and McCoy, but that's because he's being KIROOOK!! and can't even remember them.

And the Children Shall Lead

Spirk The famous turbolift scene. When Kirk feels he's losing command, he first grabs Spock in a panic, and then literally throws himself into his arms, in a half intimate, half awkward scene. It's only when Spock whispers "Jim" to him, that Kirk regains his confidence.

Spock's Brain

Spirk Kirk's anxiety when he discovers Spock's brain has been stolen. He argues with McCoy just because he can't replace a brain, and is determined to search the entire galaxy to save Spock, if needed. Later, when he hears Spock's disembodied voice, his face reflects absolute bliss:

Spock also says that he feels a distinct pleasure upon hearing his Captain's voice.

Spones McCoy doesn't hesitate for an instant to use the knowledge helmet to save Spock, even when warned about the possibility of it killing him. And Spock begs McCoy not to jeopardize his life for his sake.

McKirk This... this moment (nothing said):

Is There in Truth no Beauty?

Spirk At first, Kirk is all gallantry and pleasantries with Dr. Miranda Jones... Until he starts suspecting that she may have hurt Spock on purpose, out of jealousy. Then he turns absolutely nuts, accusing and threatening her, in the hopes that this will stir her conscience to save Spock's damaged mind. The whole scene is actually quite uncomfortable to watch.

Spones McCoy seems very angry and/or worried when Spock praises Uhura's beauty after his mind-meld with Kollos (jealousy?), and quickly points out that this can't be Spock. Though he's immediately relieved when Spock replies in his usual tone, proving that Spock's still there. It's noteworthy that Kollos had showed ample signs of being controlling Spock before this moment, like making him smile. Yet McCoy only reacts once Spock/Kollos starts flirting with Uhura.

Apart from this, there's Miranda's jealousy about Spock and Kollos, since she perceives their union as far closer than what she could ever achieve. Miranda is in love with Kollos, so Spock functions as a kind of romantic rival, at least in her mind.

The Empath

McSpirk It's like... the whole episode. But there are certain scenes that stand out. First we have Kirk offering himself as test subject for the Vians, as long as they leave his friends alone. Then McCoy sedates Kirk, knowing that he'd subject himself to the torture if awake. But his plan backfires, since this leaves Spock in command, and of course he wants to sacrifice himself to protect the doctor. At one point, Gem touches Spock's shoulder, and through her empathic powers she senses something in him that makes her smile with fondness; presumably, his deep love for his friends. McCoy is determined to be the one tortured, though, so he also knocks Spock out, even if the Vians had previously said that he was the most likely to die. Afterwards, Kirk and Spock gently hold the dying McCoy, with Spock touching his face, and McCoy complimenting him for his "bedside manner". Kirk tries to convince Gem to save McCoy, by all means possible, and has to restrain his strong emotions in order to break free from the force field. It's really a lot. After all, the whole point of the episode is that Gem learns about love and self-sacrifice by observing these three particular individuals.

The Tholian Web

Spirk Spock insists on staying in Tholian space, despite the danger it poses to ship and crew, for the remote possibility that Kirk may still be alive. McCoy points out the illogic in such an action, and this is one of the main causes for their disagreement.

Spones Spock and McCoy are very tense with each other in the first part. But after seeing Kirk's last message (that pretty much amounts to saying that they complement each other) they make peace, and McCoy apologizes and acknowledges Spock as Captain. They almost get into another argument because McCoy's being affected by the spatial distortion too, but he quickly apologizes again, before collapsing in Spock's arms (and how convenient that everybody else becomes crazy and murderous, yet McCoy's reaction is fainting on Spock...)

By the end of the episode, they're toasting together and have grown fond of each other. Kirk notices the change and teases them, so they reveal how difficult was working together. However, they don't give him the satisfaction, and even deny having seen his message.

For the World is Hollow and I Have Touched the Sky

McKirk Kirk is very angsty and pained upon learning that McCoy only has one year of life left. But he's even worse once he learns that McCoy won't be spending that year with them, but with Natira. Apart from this, Kirk is pretty touchy whenever McCoy is feeling bad.

At times, Kirk and Natira almost seem like romantic rivals, in a competition for McCoy. Further expressed by their parallelisms: both Kirk and Natira are leaders of men, burdened by enormous responsibilities, and this position has forced them to lead solitary lives.

Spones Less evident, but when Spock grabs McCoy's arm to prevent him from getting up, McCoy looks at the hand and seems surprised and moved by the gesture.

McSpirk In the end, McCoy chooses to go back with Kirk and Spock, even if this means losing Natira. And he does so even before they find a cure for his illness! His situation is literally the same, so it's a choice born of free will. Besides, Natira knows that McCoy won't stop disobeying the Oracle and thinking about his friends as long as they're alive.

Plato's Stepchildren

McSpirk Similar to "The Empath", the whole plot revolves around Kirk, Spock and McCoy sacrificing themselves for each other. First, Kirk and Spock are subjected to the Platonians' humiliation because they refuse to leave McCoy behind. And when McCoy can't bear their torture anymore, he agrees to be a prisoner of the Platonians in exchange for their freedom, though Kirk talks him out of it. They're both also very concerned about Spock's wellbeing, after the Platonians force him to show emotions. And Spock can't contain his rage at having almost killed Kirk.

Wink of an Eye

Spirk When Deela monitors Kirk's actions, she notices that he's trying to communicate with Spock. And from this she concludes that humans are quite capable of affection. She's not speaking about "friendly affection" precisely, because she hopes that Kirk will show it to her too, and this makes Rael quite jealous.

That Which Survives

McKirk A bit of a silly example, but Kirk and McCoy probably didn't need to sleep so close together (and so awkwardly), with so much free terrain around.

The Mark of Gideon

Spirk In the beginning, Kirk looks at Spock with fondness and regrets that he can't accompany him down to the planet, which he describes as a paradise.

Requiem for Methuselah

McSpirk The final scene, where Spock makes Jim forget through a mind-meld, is often interpreted as pure K/S. That is, McCoy is nasty towards Spock for not feeling love; Spock proves him wrong by showing his love for Kirk; the end. But I think that this interpretation ignores certain elements in the story, and some things don't make much sense. In particular, the assumption that McCoy is simply being nasty. First, why would he insult Spock now? They don't even argue in this episode, there's no previous conflict between them to prompt this. Second, would McCoy really believe that Spock doesn't understand love, when a moment ago Spock showed a perfect understanding of Rayna's dilemma? ("The joys of love made her human, and the agonies of love destroyed her.") So, the way I see it is thus. There's a parallel between the love triangle of Kirk/Rayna/Flint (discussed right before McCoy's speech), and the triangle of Kirk/Spock/McCoy. Pretty much like Flint tried to extract emotions from Rayna, McCoy tries to extract the same from Spock. He's been doing it for the whole series, but it was also seen in this episode, when McCoy wanted to see Spock drunk, or celebrated that Spock admitted an emotion: envy. And here he's doing it again, with his speech as a revulsive for Spock to acknowledge his love and act accordingly. The difference is that, while Flint was motivated by selfish reasons, McCoy is doing it not just for Spock, but also for Kirk. His deep worry and love for Jim makes him wish he could forget. And it's this suggestion what finally sets Spock into motion. In a breach of logic, and probably Vulcan manners too, he mind-melds with Kirk to erase his pain. It's a complex scene, but all three characters are deeply intertwined in it, with each caring for the other two (well, except Kirk who's sleeping at the moment...).

The Savage Curtain

Kirk is absurdly in love with Lincoln, and he has this dreamy, goofy smile on his face every time he looks at him. Despite knowing very well that he's not the real Lincoln. Despite McCoy calling him on his bullshit... Lincoln is just THAT irresistible.

Even Spock admits that he too "experienced his charm"!

All Our Yesterdays

Spones And how! In the first part, Spock is constantly looking after McCoy and caring for him. When McCoy falls on the snow half-frozen, Spock refuses to leave him behind (despite McCoy's pleas for Spock to save himself), because they "go together, or not at all". Later, in the cave, Spock puts the doctor to bed and leans over him on several ocassions, mostly focused on his recovery, even if this prevents him from searching for Jim or an escape.

Once Spock begins to revert to his ancestors and show an interest in Zarabeth, is conflict time instead. In particular, McCoy's outburst at Zarabeth, and his accusations that she's lying and just wants to keep Spock for herself, sound like a bout of jealousy. As a matter of fact, it IS true that only Zarabeth is trapped in that world, but McCoy has no way of knowing that, and no proof that she's being dishonest. After this outburst, Spock pins McCoy to the wall in a very tense scene, while McCoy grabs his arms the whole time. And it's only then that Spock realizes what's going on with him.

In the end, when forced to choose between staying with Zarabeth, or going back with McCoy, Spock chooses the doctor. As he said in the beginning, they go together or not at all.

McKirk Much less obvious, but McCoy is constantly asking about Jim, and tells Spock to stop worrying about him and go find Jim instead.

Turnabout Intruder

Spirk Kirk (inside the body of Janice Lester) convinces Spock to perform a mind-meld on him, by saying that Spock is closer to the Captain than anyone in the universe, and that he knows his thoughts. Once he learns the truth, Spock takes Kirk by the wrist to accompany him outside the cell. Spock touches people more often than is usually believed, but here in particular is a tender gesture, not strictly necessary.

Apart from this, Dr. Coleman seems to still love Janice, no matter the body she inhabits. There's this scene where Janice (inside the body of Kirk) approaches him seductively, and places a hand on his shoulder. From the point of view of the audience, it's one of the most explicitly gay scenes in the whole series (and extra points for Shatner for choosing to play it that way; there was nothing of the sort in the script).

Summary

Spirk: 7 out of 24 episodes Spones: 5/24 McKirk: 4/24 McSpirk: 6/24

A big increase for McSpirk, in relation to previous seasons.

[theraprism]

Class subtext thoughts on Gatsby, Flatland, and Bill.

So broadly speaking, we've had some idea of what Bill's home dimension was like since the 2015 in-character AMA, when the idea that it was nearly (if not fully) identical to the world of Flatland was first introduced. During the Weirdmaggedon 4-parter, we finally learned that Bill had obliterated his home dimension and called it liberation. (From what I recall the fan concensus on this information was that it was a malicious act of evil on Bill's part -- up until the Book's release, I don't think the idea that it was a tragedy or accident ever had much ground to stand on.) Journal 3 picked up on this again when it established the existence of Exwhylia, which (importantly!) also reinforced the hierarchical nature of existence that Flatland presents.

I'll own up to the fact I've never read Flatland myself (it is on the neverending list of classics that I still haven't gotten to yet) and will be instead be relying mainly on Wikipedia and Sparknotes clones for this analysis, but the good news is that canon Gravity Falls materials have given us the basics of how Bill's home dimension operated at this point, and so knowledge of the work seems less required and moreso recommended. Similarly to Gatsby (the book as well as the character). More on that later.

To be more specific, the important info that Hirsch has given us about Euclydia is that it was repressive in the extreme. The exact ways that it maintained this are left up to the imagination, to an extent (e.g. there is no evidence of the upper echelons of Euclydia carrying out public executions against the lower classes, as there are in Flatland), but the Book does directly pull an image from Flatland that illustrates the class hierarchy there.

Since Flatland was written originally as a satire of the stratification in Victorian society, the work goes to great lengths to specify and elaborate on the different social roles of each shape (for example, women as lines, though the gender stratification isn't relevant in Bill's case). More relevant is the way that the work considers upward mobility through generations, and the fact that isoceles triangles (working class) are considered among the lowest beings in existence, just above irregular shapes. Bill has been referred to and drawn inconsistently as both isoceles and equilateral, but based on what we learn from Exwhylia in Journal 3, it's possible that this distinction is not relevant in the GF multiverse's reinterpretation of Flatland. See:

I'm sure a part of this reduction of the hierarchy in the original Flatland has to do with the work needing to be at least somewhat accessible to younger readers, but it does textually ensure that, regardless of the specific details of Bill's geometry, he comes from a background where, in spite of his exceptional ability to see the third dimension, he saw those around him receive resources more freely. His singling out of irregular quadrilaterals reads to me as a form of internalized classism; he needs someone to punch down to.

And earlier:

He describes his regular shape as an out-and-out "power". Bill explicitly carries with him the classist ideals and values of his home dimension despite its destruction. The way he internalizes different ideas about himself and who he is is probably a subject for another post, but the point is that these qualities Bill is emphasizing aren't simply a matter of arrogance. Bill is trying to sell himself as a gentleman, a respectable individual from an upper-middle class position.

This is where Gatsby becomes relevant, because The Great Gatsby is all about a man who wants more than anything to cross the threshold of inborn greatness and become a true upperclassman. Bill appealing to his innate biological qualities as evidence for his own greatness relates back to the notion that such greatness is an ontological trait which cannot be given, but can also not be taken away. Note what he explicitly says here about the themes of class in Gatsby:

If you walk up to any college English professor and ask them what Gatsby has to say about the American Dream, I really do not think you are going to hear them say the word "bittersweet". The American Dream is a false idol and illusion; Gatsby himself is utterly miserable and meets a miserable end. There is nothing "sweet" about it.

At the same time, it makes sense that Bill would describe it as bittersweet, because for all his powers of sight, Bill cannot imagine a future where he is happy. Throwing crazy parties every night (for Gatsby at his home, for Bill on the Earth's remains), staring at an unreachable desire far out in the distance -- that's his end goal. He emerged from a position where he was repressed and since then his life has been a steady climb/crawl in the direction of power and control. Both Gatsby and Bill seek to reclaim a lost sense of fulfillment and purpose through this ascent, and both seek to become untouchable as gods are, but both are brought down in the end due to the consequences of their own actions, stemming directly from the violence they bring into their worlds of their own volition. In case you've forgotten, or if you've never read it, Gatsby's money is not clean. We may not see Bill use money, but his social currency is not clean either.

I think it's telling that Flatland can be understood as it relates to Bill's character through summary, but with Gatsby, there is so much subtle incentive to actually read the thing. From the GIF originally posted by Hirsch that I included at the top of the post to the PDF link on ThisIsNotAWebsiteDotCom.com to the fact that the gag in the Book itself goes on for multiple pages when it could have ended after one or two, the intertextuality is paramount. I think that's really cool. It's rare to see intertextuality this well-considered in genre fiction, and I think it makes the whole analytical process more fun.

[spacelazarwolf]

I apologize you’ve explained this before but why do you think male/female socialization is bullshit? From the way I think about it isn’t it just the fact that certain gender roles are pushed onto afab and amab people by authority figures and thus society in general to dress a certain way, show or not show emotions, forced to cover up, etc? Isn’t this a thing that happens or is there another term for it

I agree that male socialization to justify describing amab people as inherently bad is wrong though. But otherwise isn’t this an actual thing?

i've sort of touched on it in other posts, but i'll use this opportunity to try and collect all my thoughts and expand on some things i've been thinking about lately. i can't promise it'll be all-encompassing, but i'll do my best.

i think when it comes to conversations about "socialization", we're having the wrong conversation. we shouldn't be asking "how did being 'raised male/female' make this person act?", we should be asking "how was this person affected by the gender roles they were taught growing up, and how did it intersect with other parts of their identity?"

to try to illustrate this better than just a wall of text, i'm going to give some examples of "traditional" gender roles that come up a lot in discussions about socialization, and how different people might be affected by them.

"female" gender roles

must be softspoken/speak when spoken to

under white supremacy, black women are painted as aggressive (which is seen as a bad thing) while white women are painted as docile (which is seen as a good thing). how would this gender role affect a black woman differently than a white woman?

jewish women who are raised in jewish culture are generally seen as much more outspoken than the culturally white norm. how would the expectation to be "softspoken" affect them?

how would this affect trans men who are raised with this expectation, but when they transition and are put in the societal role of "man" are expected to be more outspoken? or trans women who have this gender role used against them when they try to speak up?

must focus on being a mother

to society, giving birth is one of the pillars of womanhood. how would this affect a trans man who has given birth or wants to? how would this affect a trans woman who can't?

how would this affect a black woman who deals with racist rhetoric surrounding black people having multiple children? how would it affect a black mother who is afraid of bringing black children into a world that is not safe for them?

how would this affect women who don't want children? how would it affect women who do want children, but still want to maintain their life as an individual person and not just a mother?

must be nurturing and learn how to handle others' emotions

how would this affect women of color who are frequently burdened with managing white people's emotions in conversations about race?

how would this affect all trans people, both those who were raised with this expectation and those who have this expectation put on them later in life, whose safety can be compromised by perceived "outburtsts"?

"male" gender roles

must not express emotions

how would this affect men who are racial and ethnic minorities who are trying to talk about the oppression they face and the grief that comes along with it? especially those for whom showing intense emotions is perceived as aggression?

how would this affect trans men who transitioned later in life who now have to deal with people's negative reactions to them showing the same emotions they've shown their whole life?

how would this affect trans women who were raised with this expectation, and now have difficulty expressing their emotions even though the societal role they're in now "allows" for that?

must be a breadwinner and protector, regardless of personal cost

how would this affect trans men who have different safety needs than most cis men who are now expected to put that safety on the line? (remember malte c.)

how would this affect working class men who are not paid fairly, expected to work more for less, with less benefits and protections, and then don't get to connect with their families and friends the way they might want to?

how would this affect darker skinned men of color who are already at higher risk of police violence who want to protect their loved ones from harm but know if they try the consequences could be deadly?

must not show any femininity

how would this affect jewish and east asian men who are seen as inherently more feminine because of their ethnicity/race?

how would this affect queer men whose expression is more feminine?

how would this affect trans women who are still forced into the societal role of "man"?

how would this affect trans men, who are inherently seen as feminine because of their agab, or if they don't want to present entirely normatively masculine?

particularly when it comes to trans people, depending on when we transition, our agab can have very little affect on any sort of social conditioning we receive. for me, i came out and started medically transitioning when i was 28, almost 29. my life up until that point had been profoundly affected by misogyny and sexism. growing up in a conservative town, i'd been told by the culture that i lived in that my place in the world was to have babies with a nice man, and maybe do some music on the side. i experienced medical sexism that left me disabled, educational sexism that forced me to drop out, and those things are a huge part of why i am who i am today. so it does frustrate me when people say that because i'm a man today i couldn't possibly have experienced or been affected by those things, because those experiences supposedly belong to "women" and by trying to claim them i'm somehow defaulting on my claim to my identity as a man.

i can't change what i experienced or the way it affected me. but just because i experienced one thing doesn't mean that everyone who shares my identity has to have the exact same experience, or that everyone who is the "opposite" identity of me has to have experienced the opposite. the trans boy i know who came out at age 6 is going to have a very different experience. his teachers see him as a boy, he is growing up in a more progressive and accepting community, his parents are fierce advocates for him in social and medical settings, and he is going to have a really amazing life. the kind of life all trans people should be able to have.

my life experiences will be more similar to a trans girl who came out at age 6 and experienced growing up placed in the "girl" role than they will be to the trans boy who came out at age 6 and experienced growing up placed in the "boy" role. and that, to me, is what makes trans experiences so fascinating. the trans girl might not know what it's like to get messaging about having babies being your only role in life because you have a uterus, but those messages about having babies are still going to affect her because having babies is seen as the most womanly thing you can do, and people will use the fact she can't have babies to "prove" she's not a woman. women with uteruses who are infertile often experience similar reactions, people stripping them of their womanhood because they can't carry a child. the trans boy might not know what it's like to have high school teachers speak down to you and put you in the front row so they can look down your shirt in the middle of class, but he'll still know what it's like to have people try to prevent you from transitioning because of your physical capability to have children, and what it's like to live in a world that hates you and wants to punish you for trying to "rise above your station."

every human being experiences some sort of social conditioning, because that's how humans grow and develop. we look to the world around us to try to learn how to interact with others, what society expects from us, etc. there's really no valid argument for the idea that no one experiences any sort of conditioning when they're young, because that's just not how human brains work. it's just that it's not as simple as "male vs female socialization." there are dozens of ways that intersecting experiences like race, ethnicity, ability, neurodivergence, queerness, etc. can affect the way society sees and treats you, the way society expects you to behave, and the way society enforces that behavior. it's not black and white. nothing is.

the only person who can determine how your upbringing may have affected who you are today is you. other people might be able to make observations, but you're the only one who can connect the dots. if there are things you learned growing up that you find were not healthy behaviors or were ineffectual coping mechanisms, you can unlearn them. we are always growing and changing. i've said before, socialization is something that happens to you, not something you are. no one is trapped in their 14 year old self forever.

[mtkay13]

A toast to freedom. more info below!

I'm back......... -sigh- I'm so behind on everything I want to post and ofc i just gotta.... post my latest pieces instead of catching up. Oh well. So the illustrations mostly speak for themselves but I know I can find stuff to say about them, so-- First of all, the right side was drawn first, and it was not supposed to be about the nails nor was it supposed to have a companion piece in the first place. I'll be real: I just wanted to draw ZZS's big chest and make it classical portrait style. But I also ended up sort of horny-bonking myself into adding some substance and storytelling to it and put a nail right there (how convenient), haha. It did give me the idea of making a mirrored image, a year and a half later, of ZZS and six nails in, right before he's about to leave--particularly because it illustrates something I've always been QUITE peculiar about when it comes to designing ZZS, and it's the state of his body. At the start, it struck me how in the book, he's described as being skeletal--and how much priest insists on that. I pretty much immediately started trying to draw TYK ZZS as very skinny, because I felt it would make the nails much more dreadful (on top of being faithful to canon which I'm also a bit prickly about). Somehow, while ZZS being well built otherwise is both mentioned in canon a couple of times and influenced by how he looks in SHL, I later found that pushing it a bit further would increase the contrast with how he looks like in TYK and make the nails' impact on his body and health even more striking. I guess that from there, over the past year, I made him bigger and bigger....... I assume because I found it was interesting? (I mean, I still do, but--) Mainly because I love that such a big dude can nonetheless make himself completely unnoticeable, and this image of a tiny grandma turning around a corner and unfolding herself into a big buff guy.... ALSO HLY's looming shadow being this big threatening guy....... IDK ITS MY JAM (not to mention, again, that it's such a strong contrast with TYK ZZS!) A little note--I think I've mentioned so before, but working in animation, I've gotten the habit of trying to "push things" or exaggerate them to make them a bit bolder and striking/powerful. I definitely feel like it has been an impulse on both ends; in the way I draw the skinnier, skeletal ZZS as well as in the way I draw the healthy, top of his game ZZS. Exaggerating things slightly and pushing them out of the molds is an interesting exercise overall, especially with character design (even if at some point we end up toning those exaggeration down, we can at least keep the more interesting elements developed through exaggeration.) So yeah. I thought the two would work well together, and I tried telling things through their expressions, posture, etc.

[qadmonster]

Sorry, words!

I got rid of my photoshop and illustrator subscriptions which won't be missed and I can always sail the high seas for later if desired. I'm also lowering the monthly payments on a debt which has been doing a lot of damage over the last half a year.

I was able to get my rent in on time this month to avoid late fees thanks to generous ko-fi donations, but I hate relying on a life line like that. I'm just so grateful (like seriously beyond words full of gratitude) that there are some good willed people that really helped me out again. I still don't have any money left to do much else so it's rice and lentils until I get paid again. I have an upcoming dental procedure and I don't even want to think of how far back that's going to set me. My dentist is pretty chill, but still, another debt owed.

The world is a capitalist hellscape, I'm tired of being bled dry every month by EVERYTHING.

I'll try to get to the ko-fi doobles when I can. I'm taking on extra hours so I can buffer my paychecks a bit, so it might be a while. I'm very tired. Even though it might take me a while to get to it, please consider supporting me on ko-fi and leave a monster prompt

[ladyloveandjustice]

List of "Does it Like Women" Results and whether I agree

I find the "Does it like women" blog fascinating, as y'all have probably noticed. I always tend to think deeply about this topic when I consume media, so I wanted to make a list of results I disagree with, because it interests me! I'll likely be updating this through reblogs if my interest doesn't wane, I'll make a note in the replies when I do!

Loves Women

I agree with all of these so far! Well, loves women might be a little bit of a stretch for the first Spiderverse movie (on the other hand...doc ock...hnnn), but I think the second does so yeah basically agree.

Likes Women

Kill la Kill- Man it's 2013 again and I'm seeing tumblr make powerpoints about how klk is deeply feminist and it's actually a super deep critique of harassment that Ryuko has to wear the ugliest outfit ever and Westerners Don't Understand (person making this argument is inevitably a Westerner).

Yeah, based on the part I've seen and everything I've heard, hard disagree. But I have not seen the whole thing, just those three, I do know the part I saw included rape jokes a plenty, a weird victim-blamey take on "not being ashamed" of being forced into a skimpy outfit and how if you're bothered by men ogling you that's your weakness, and a vagina wedgie. I'm not as mad about it as I was back then,and I can appreciate the show has it's good points later on. Not having watched it also means my knowledge is incomplete. However, I have listened to really in depth breakdowns of the series (mainly Anifem's podcast), so I know exactly what happens, and yeah, the treatment of women doesn't impress me. I'm on the dislike side, (holding back on hates because again, haven't seen all of it)

...could understand mixed feelings though, I guess

Fullmetal Alchemist 2003 anime- nahhhh man, it doesn't like women, treating them significantly worse than the manga it adapted. I have a lot of issues, from how thoroughly it shafted Winry, to how it gave Riza nothing, to Dante being every cliche about a female villain they could fit in here, the treatment of Rose leaving a horrible taste in my mouth (I see arguments of what happened to her being a critique of imperialism, however I have yet to see anyone justify why the show had to continue to have her kidnapped and assaulted and treated as an afterthought after that) and some truly rancid one-off episodes.

I break down my problems with it at the end of the little FMA 2003 liveblog I did, though it's phrased super obnoxiously because I wrote it...oh my god twelve years ago oh god I'm crumbling to dust as we speak. But I break down the basics with the "top gross things" post I did (ignore any thoughts on race I had no place writing bout that tbh). The tag anime: turn your zombie mom into ethanol also goes into more of my thoughts, though again, very obnoxious and the deeper you dig the more ancient and obnoxious it will get lmao.

I have several ancient posts on how it treated Winry in particular, as she was my fave and was done so dirty, and I think they hold up fairly well. Here's a post I made about the Winry-Roy plotline, and a good response by another user. Then we have this post, ignore horrible art.

(Please don't try to spark a debate with any of this stuff, it's years and years old, I went through so much drama and legit panic attacks, and I'm not committed anymore. Love 2003 and think it likes women if you want, that's fine! I'm just trying to illustrate what I mean in saying imo it dislikes women).

The Handmaiden- This poll reminded me to finally get around to watching this movie, and I'm so glad I did! I'd go with "loves women" for this one actually,The nos must either be misclicks or people who don't understand that two women having sex on screen is not the same as the male gaze.

Madoka- I'd definitely go more towards mixed feelings honestly (especially if we're counting Rebellion) but I get the people who say "likes".

Yuri is my Job- it loves women, it loves messy women, it loves women who love women, it loves them so much, idk why it got a sizeable no vote. People who only watched the first ep? People who think yuri is "bad"?

Mob Psycho 100- Someone in the notes says "accidentally likes women" and that's the only answer in the "likes women" area I'll accept. It has 10 million prominent male characters and like three prominent female characters. ONE really really obviously has a hard time imagining women as powerful or action heroes. (this is reflected in One Punch Man too) (One Punch Man actively hates women and queer people though, Mob is infinitely better) Only one who ever gets to fight and play with the boys, and she's a low level mook, and we have to spend 75% percent of her limited screentime on whether it's actually okay to fight women, with her winning argument being "Well you're literally a child so I guess it evens out" (???) The little girl with the evil dolls gets even less screentime.

I do like that the series examines how Mob idealized Takane and how people not caring about the real her made her tired, as well as how it allowed her to reject Mob and was basically a lesson in the importance of accepting rejection. But her screentime is also really limited, and I feel like we could have dove into her a lot more. Tome is a wonderful weird girl and I liked her little arc, and I hear she gets more in the Reigen manga, but still not a TON of screentime, and even with her there are a couple jabs about how she doesn't "count" as a girl due to not acting traditionally feminine we're clearly supposed to find funny. Emi is...there I guess. There's that sweet scene with the writer girl, and the bully girl, but they're like, not reoccurring at all, as evidenced by how I can't remember their names.

And uh. the girls school episode.

Anyway. Hot take but I don't think "they're barely in the story but when they are two of them are treated pretty decently and have some depth, though there is some weird stuff about whether women can even fight men or whatever" really counts as "likes women". I'd go more mixed feelings.

Life is Strange-out of the two options I chose dislikes, but my feelings are a lot closer to "mixed feelings". I go into why here.

Gushing Over Magical Girls- lol. lmao even. The anime about middle school girls who look 8 sexually assaulting other middle school girls DEFINITELY doesn't like women. I go into more detail here.

Cowboy Bebop: Mixed feelings, probably. I chose dislikes because yes, Faye and Ed are great (you could def read Ed as nb though), but Faye also is repeatedly damsel in distress'd and treated as incompetent in her field when I don't think she should be, she can be a failgirl without being the sole woman in the action side of the group and also the least capable (there's also That Scene in the movie). also i just. it's fine that she's sexy but I hate her outfit. give her something nicer looking, it's so ugly. But my main reason for a dislike vote is the treatment of Julia. Girl is a textbook example of fridging. They really gave her so little. But yeah I could see mixed feelings.

Also do you remember that one scene during Faye's tragic backstory where she's hospitalized and the camera requires us to look down her super (painful looking? like idk how she's not screaming about it) squished boobs during this tense and important moment god that took me out. whenever anyone acts like Faye always owns her sexiness and the camera never does anything I remember that scene.

Ranma 1/2: I've seen read a good chunk of it, and this result is...surprising. Maybe by the standards of 80's manga though, who knows.

Better Call Saul- I did vote yes on this one, but I'd put it more at mixed feelings. Kim is a fantastic character, but there aren't enough women on the show at all. She's a major part of the show, but basically the only one of any note. I only voted yes because I finally remembered Francesca was a reoccurring character and she's all right, but the fact I had to think to remember...

Undead Unluck: I know it gets a lot better later but I'm not sure if a work that has it's female character continuously and comically sexually harassed for the first few chapters can ever get liking women privileges. I don't know enough about it but it might be a mixed feelings situation.

Akiba Maid War: tbh I'd probably give this 'loves women'.

Ducktales: For the second season specifically I'd say "loves women". The first season leans more towards 'like women' though, so it evens out.

Crazy Ex-Girlfriend- Should be "loves women" but people are ridic and voted based on the title.

Mixed Feelings

Dracula- IIII definitely think it dislikes women, sorry guys. Mina is a great character and you do have to take it in the context of when it was written. But there are surely contemporaries of Bram Stoker that wouldn't have randomly gone out of their way to scoff at the "New Woman". Not to mention again, really random sidebars about how men are so much smarter and cooler and women should be grateful to them. I could go on about Lucy and how Mina is treated and whether that's a critique of sexism or just playing into it and how it's so open to interpretation but I'll stop here.

also the book is hugely anti- Romani, immigrant etc and I think that ties into disliking women since some women are those Romani and immigrants

It really really felt like a case where a lot of people in the Drac Daily tag just wanted it to be super feminist because they liked it (you can like things without having to make them feminist! it's fine!), and the way they scoffed at feminist scholars who had "surface level readings" of the text (aka they dared to say it was sexist) still leaves a bad taste in my mouth.

The Lego Movie: dislikes women. what are y'all on. Even it's own sequel calls it out for disliking women. Wildstyle is basically the only woman with real characterization and she's the purest concentration of "hypercompetent woman must play second fiddle to Average Male loser who is the one who actually saves the world and also she falls in love with him because of course she does'. Then Wonder Woman got one line (in literally the first theatrical move she got to even be in) and Superman and Batman a lot of screen time.

Does not like

Scott Pilgrim- Don't get this result, I'd put it at likes or mixed feelings? It's literally about how Scott has weird issues with women where he doesn't see them as to full people they are, and it calls him out on that hard. The whole sixth volume is how he made up a damsel in distress scenario for Kim and always took her for granted, how he put all the blame on Envy for the end of their relationship when he played a huge role in that, Knives finally getting over him, moving on, and telling him he needs to grow up a little (highlighting how his grossness towards her was him refusing to accept that he was an adult now, and that he was horrible to her, and yes he does apologize), and accepting that he and Ramona are both messed up people and she's just as flawed as he is, taking down the pedestal he put her on. And having Ramona triumphantly confront her abuser. Scott acknowledges he has a lot in common with Gideon, the supervillain!

Roxy is a sticking point, the whole 'it was a phase thing' and her and Ramona's relationshipbeing unexplored was annoying (fixed in Takes Off) but even she had some moments of pathos and was definitely the (Ramona's) ex the story seemed to sympathize with the most.

I dunno. this seems like a tumblr lacks media literacy thing again. Did you think the narrative agrees with Scott. Did you only watch the movie.

Succession- I'd go more mixed feelings? Dislikes is fine, I think it doesn't have enough women and often privileges male characters over them, but sometimes it's examination of the sexism Shiv faces is really incisive, and she's a complex character. But she should have gotten that abortion.

Watchmen: hates women actually. Pretty much anything written by Alan Moore does.

Persona 4: I think it hates women actually. But dislike is fine too.

Merlin: Everything I've heard about the show puts in in the hates camp rather than dislikes, but i never watched it (I did watch this video on it, and the bootlicking is out of this world if it's accurate) so I can't really comment

Fables: I cannot fathom how this did not get "hates women". Not just the fact it's written by a known misogynist. I will always remind everyone that I was literally there to see Bill Willingham say the female fans protesting the misogynist treatment of Stephanie Brown were annoying and he wishes he could shoot them. I was there. I heard him. This attitude completely shows up in his work. On top of that, his conservative, women hating idealogy all over this comic. Do you not remember all the random abortion soapboxes and how hard Snow White got sidelined????

And when I refreshed my memory, I discovered the reason Snow White had kids when she didn't want to was because a spell made her have sex with the male lead and she didn't even remember that happening. I also forgot that her backstory was the seven dwarfs raped her (but then she murdered them! Girl Power!) This is only the tip of the iceberg, I rediscovered way too many screwed up things he did to his female characters. Plus blatant Zionist propaganda and a ton of racism.

Like Snow White's backstory was some dark and edgy rape revenge and she's an Empowered Woman now, only to have her be raped by the man she will marry (in a mutual rape) but we don't call it that, and now she has kids she doesn't want, she can't get an abortion because It's Evil, time to quit her job she's proud of and move to a farm to have six kids.

iCarly-- It hates women! Dan Schneider. That should be all we need but some people in the comments insisted on separating the art from the artist despite the fact the artist is ALL OVER the art, and said art directly tormented Jeanette McCurdy! There was so much content in the show that was there to specifically torment her-- the fact her character has a food addiction/eating disorder while she had a real life eating disorder and they had to have known this, the fact after hearing she had a crush on an actor then they wrote it into her character to humiliate her, the fact they continually sexualized her while knowing her discomfort with it and with her body-- I have also watched the exhaustive basically minute-by-minute breakdown by QuintonReviews. Some gross shit happens on that show.

Hates Women

Agree with all of these so far!

[y-rhywbeth2]

Lore: Dating, Marriage, Sex, etc

Part 1/2

Link: Disclaimer regarding D&D "canon" & Index [tldr: D&D lore is a giant conflicting mess. Larian's lore is also a conflicting mess. There's a lot of lore; I don't know everything. You learn to take what you want and leave the rest, etc etc etc]

DnD isn't exactly a dating sim, so most of this lore comes from mining Ed Greenwood's answers to questions, but since his answers are apparently canon unless and until contradicted in published realmslore, here you go.

It's mostly in regards to human culture (and the Heartlands, Waterdeep etc at that) but I'll throw in some demihuman stuff here and there.

So sexuality, and the norms and moral values Torilians build around it: More tolerant and kinkier than Earth, for the most part, and still not a perfect bed of roses. (You won’t face legal oppression; you can get called slurs.)

Attitudes in the Realms

Dating

Sex (and a bit about contraception and conception)

Sexual Orientation

Polyamory

Cut for space and expected in the follow up: marriage, sex work, religion, and the absolutely deranged shit going on in some noble families.

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Attitudes about relationships in the Realms

The long and short of it is that the root of Toril’s mainstream attitude towards sex and relationships draws from the sexual revolution of the ‘60s and ‘70s.

Cultural variations on and subversions of these norms occur, but the rule of thumb, especially as it applies to the video games is as follows:

Sex is not a terribly big deal nor innately taboo; pseudo-puritan attitudes are solely the province of some old high priests on a few religions in a minority of a minority. Virginity and the loss thereof is meaningless unless you're nobility.

Pretty much anything is legal so long as all parties involved are capable of giving and gave consent on most of the planet (though legal isn’t the same as ‘approved of’).

Of course TSR, and later WotC, fell very much on the side of ‘we can’t publish that!’ So it got massively obscured. It only really came through now and again, usually in sly little hints that could get past the radar/editors, becoming more obvious with 4e and 5e (Although Sune and Sharess were flat out stated even back in 2e to ignore gender when they’re in the mood to seduce mortals, and we'd already had Mystra saying that gender is basically just a costume for gods (which Mask illustrates.))

The Realms itself still has bigotry to go around, of course, but generally it's the clergy of a select few gods and the nobles who'll make a fuss about such things, and the latter only in regards to their own social circles and inheritance shenanigans. A traveling merchant who encounters a culture that practices forms of relationships he personally disproves of was probably raised to be polite and keep the slurs unsaid; diversity encourages trade, offending your neighbours does not.

What is and isn’t morally acceptable to an individual is determined by church doctrine and dogma (which determines many of life’s aspects, including love and sex and what's good or bad (chastity vs promiscuity, monogamy vs polygamy, whether procreation is mandated or not or even a sin, if loving people instead of despising them is a sin or not, and what acts are taboo))... and all that as interpreted by the local priests, who may not agree with their fellows’ interpretations. Some gods declare chastity a sin and want you to engage in as many romantic and/or sexual relationships with as many different people in as many different ways as humanly possible. Loviatar mandates BDSM and Ilmater doesn't frown on it either.

Most deities probably aren't going to discriminate. Gods see the universe in terms of their portfolio: what aids it is good what opposes it is bad. Most portfolios aren't terribly impacted by mortal love lives and hormones so I suspect the vast majority of gods could not care less, and, as per Faiths and Avatars, the gods 'generally try to be as liberal as possible to try and attract as much worship as they can.'

With Toril being polytheistic all of these gods are due respect and conflicting dogmas are just a fact of life. Several times a day a person is likely to be confronted with a choice – usually a minor one – where one action will serve some gods and be a sin in the eyes of others, and the rule of thumb is that everybody accepts you can’t please all of them all the time. You live according to the gods you favour above all others and respect the faiths of those you don’t: you expect that people will mind their own business and do them the same courtesy.

In the majority of the realms, including the cities and realms of the Heartlands, Silverymoon, Waterdeep and etc, at least, people are open minded and tolerant. A rule of thumb is that cities are more liberal and rural areas more conservative, but even then their norms and values don’t necessarily match the modern earth norms that might spring to mind; the nuclear family unit is not necessarily seen as default and polyamory is very common in some villages.

Largely, there’s not a whole lot of emphasis put on identifying your sexuality or making it a big part of who you are: most Torilians wouldn’t understand the point of drawing attention to sexuality outside of occasions where it’s actually relevant. If you were visiting Baldur's Gate and pointed out two men getting married at the temple of Tymora the people around you would be utterly confused about why you felt the need to single out the gender of the couple.

‘Individuals may find [queer relationships] too much for themselves to handle, but the laws and general attitudes of society don’t frown on it.’

You may have to ‘pick your neighbours and friends’ to live comfortably, but that’s significantly easier to do on Toril than Earth especially because you should have no reason to worry about persecution or discrimination under the law for deviating from whatever moral code a particular priest might be espousing.

Bastard children and wedlock don't cause a fuss so long as you're not a highborn (or found to have cheated on your partner, one assumes).

Contraception is widely available and family planning is emphasised; you are firmly encouraged to use it in a dangerous world where famines and disasters mundane and supernatural mean babies at the wrong times can lessen the chances of survival (for you and them).

-

Dating

Somebody who catches your eye is 'glim,' as in 'oh no he's hot' or 'she's well fit' or whatever. A Torilian who's very attractive is 'right glim.' As in they're 'glimmering.'

A term for a pair of lovers is 'brightbirds.'

Your 'fancyman,' 'fancylad,' or 'fancylass' is what your disapproving relatives will call your lover that you insist on seeing for reasons that escape them.

Waterdhavians call the target of their affections their 'rose,' which may get confusing as in other dialects a 'rose' is the slang term for a submissive woman in a Dom/sub relationship.

Red and black are considered the erotic/'sexy' colours. Garments featuring black lace and leather in particular.

Many priests, curiously, seem to find potential partners more attractive if they get a tattoo of their deity's holy symbol.

You can advertise your interest by wearing an artificial rose pinned to one shoulder: red signals that you're looking for a long-term romantic partner and black shows you're looking for sex. If the rose is made of steel then it indicates you're looking for a partner of the same gender. Wearing multiple roses indicates you're looking for multiple partners, but you might expect some raised eyebrows or comments if people think you're being overconfident. It's very rare to see women doing this looking for men, since it's thought of as a 'man thing' (wlw doing this to seek each other out apparently don't count to said men).

Sunites, as devotees of the goddess of love and beauty, are available for matchmaking services, advice and make overs.

Dancing - especially erotic dancing - is a large part of courtship trends across the cultural board. Which might tie in to the fact that all the goddesses of lust and love - Sharess/Zandilar, Sharindlar, Sune, Sheela Peryroyl, and to a certain extent, Lliira - are dancers or have dancing as a thing within their faith. Lliiran clergy give dancing lessons, and Sharessans and Sunites probably don't mind teaching either.

The only description of what a one might wear if one is feminine and wants to dress up and look fancy in human culture - the equivalent of a 'little black dress' - is a simple black gown with a high collar and plunging neckline in the front (the latter of which is optional). It's matched with a sash and boots and some small jewellery. If you want to 'dress down' the gown is pinned open to expose either bare skin or the underlying chemise (if you're going for a 'classy' look it'll be lacy and white).

Dwarven courtship involves a slow exchange of crafts made by ones own hand (this can be tools or physical artwork or things like poems and songs, the point is to illustrate your skill and the care you put in). You send it to the dwarf you're interested in, and hopefully they respond in kind. You then spend years doing this and slowly getting to know each other, eventually moving in and seeing if you can settle into something that can last past the initial spark before tying the knot.

Elven courtship apparently involves poetry, songs, and yet more erotic dances.

Drow have courting games called 'spider hunts' usually played at festivals by young drow, which are basically hide-and-seek.

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Sex (and a bit on procreation)

You can't just fuck somebody right in the market square, but borderline public sex hidden on a rooftop, or ducking into an empty alleyway is pretty common and tolerated behaviour. You are, however, encouraged to keep your shenanigans off the streets lest you 'scare the horses,' take yourselves home or to the nearest festhall/brothel, and keep your 'public displays' limited to appropriate festivals (Greengrass, for example, which is a fertility festival and usually involves dropping all inhibitions for the day).

Lingerie comes in black and red and lace clouts (underwear) and dethmas (bras) which can be readily bought in most cities. Lace-up boneless corsets and shapewear are available as unisex garments.

Sex toys named as existing include whips, dildos, clamps and 'tingling creams.'

I've heard something about halfling orgies, but have found no details beyond 'exotic food.'

And in the Realms you're more likely to say 'rutting' rather than 'fucking' when being vulgar/casual about sex. Unlike 'fuck' it doesn't seem to double as a curse.

If you're considering bedding a priests be warned that as gods are said to derive power from having their name said aloud priests tend to call their gods name in bed. Fervently. The enthusiasm and emotion behind it is supposed to have a positive effect.

Elven foreplay involves sensory deprivation and ear nibbling.

Contraception, as mentioned, is stressed upon. People are concerned about plagues, famines, monsters and other concerns that lead Faerûnians to place a lot of importance on family planning. Contraception is generally delivered via divine magic - a cleric or druid can render you temporarily barren/sterile, guarantee conception or freeze a pregnancy at its earliest and least detrimental stages to be resumed at a safe date. People can ensure that their children will be born in times when it's best for them to be born. Elves have apparently mastered birth control, and it's basically impossible to get a child from an elf when they don't want one.

You can also ask the gods nicely and if you make sufficient offerings the deity can also rearrange your organs a bit to change the way you procreate (or possibly allow you both methods). Generally people will ask the deity they have the most positive relationship with, but Sune and Lliira are the favoured choices in the pantheon. Of the gods not recommended are Bane, Shar, Malar (whose idea of the perfect transformation is lycanthropy) and Selûne (who gladly supports you, but she's considered too mercurial and everchanging. She's not one transition she's eternal, ever shifting transition beyond the human physical endurance or mental comprehension.)

Arcane magic can manage physical modification via transmutation and glamours, which people often play with either as part of exploring their gender identity or just for fun, but transmutation via divine magic is vastly superior at allowing you to be fertile after the change if that's a goal. Arcane magic struggles with that. Arcane magic that allows for surrogacy and sort of IVF apparently exists, having been invented by a pair of liches that wanted a child for whatever reason, but I don't know how commonplace that is.

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Sexual Orientation

Most people freely experiment in their youth, working out their preferences. Heterosexuality is the default, with bisexuality making up a sizeable second place and other sexualities constituting a fairly sized but unremarkable minority.

Obviously, the Isle of Lesbos does not exist and so neither does the world ‘lesbian’; Toril doesn’t have Earth’s terminology, it has its own words. It should be noted that some can be used in a derogatory fashion, although, considering reality, they could very well be reclaimed or have been stolen terminology twisted into slurs. The given terms, in Common, are:

Thruss - Lesbian Liyan - Gay man (elvish slang loanword) Praed - Gay man (gnomish slang loanword) Tasmar - Bisexual (masc.) Shaeda - Bisexual (fem.) (elvish slang loanword) 'No-thorn' - Asexual

Butches (‘harnor’) and effeminate mlm (‘dathna’) are liable to get scorn for their gender presentation more or rather than their sexuality.

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Polyamory

In some lands (unspecified which ones) it's unremarkable and even expected for a relationship to be open by default.

While obviously it's not socially acceptable to jump into anybody's bed with no consideration of your partner's feelings on the matter, it's not a foreign idea to see love and lust as separate concepts.

In rural areas one can find villages that definitely don't follow the nuclear family model with mixed families living under one roof, and symbolic polygamous marriages may factor into the traditions of some seasonal festivals. For example in Turmishan a farmstead is traditionally inhabited by a family consisting of four married people, usually two men and two women.

[moonmeg]

what kind of bracelet is micah wearing in the last comic? 🤔

He's been wearing it since First Kiss(es)!

In this post I mention it first. As Makenna (21) is leaving Bonesborough and Feya (19) follows just a few months later, while Micah (16) stays behind, Feya and Micah had the idea to create something that firstly was supposed to just be a reminder to Makenna that she has siblings who love her very much but then essentially thought all three of them deserve that reminder. A literal sibling bond you could say.

They braided three identical bracelets/charms using golden yarn as representative color for Makenna, pink yarn as representative color for Feya and red yarn as representative color for Micah, and surprised Makenna with it. Now all three of them wear it one way or another and will continue to wear it ♡

I thought about illustrating it, but I'm afraid my brain works more and faster than my hands and schedule/private life can manage, so I hope you are fine with just the script 🥹❤️

Feya: Kenna, before ye go... Mikey and I have something to give ye.

(Hands it to Makenna)

Makenna: A bracelet?

Micah: It can be a charm for yer bag too. It can be lotsa things. Whatever ye want it to be, really.

Feya: Red is for Micah. Pink is for me. Gold is for ye.

Micah: Fey and I have the same for us too. (They hold them up)

Makenna: For what?

Feya: Well, ye're going and we ken ye'll try to write letters as frequently as ye can but we don't ken when we'll meet again face to face. Since I'm thinking about going too and Mikey is almost grown up and who knows where he'll go or do... this might be the last time in a while we see each other like this.

Micah: The idea was to have something that physically connects us no matter where we are... like a literal sibling bond, so ye don't forget us, Mak.

Makenna: Oh, ye bafoons. I'll die before I forget ye. Ye're my little sister and brother and I may not have always shown it but I love ye two so much and I promise this isn't the last time we stand face to face. I'm so happy and grateful to have ye two in ma life. Even if I wanted another sister instead of a brother-

Micah: Well, I'm sorry I ruined yer perfect dream family.

Makenna: Nah, I think it's better ye turned out a little annoying brother rather than another annoying sister who constantly steals ma stuff.

Feya: I have never done anything of the likes.

Makenna: Uh-huh. I'm still missin' three pairs of earrings that I last saw when I lend them to ye. As well as a shirt, a pair of boots...

Feya: Alright, alright! Maybe I did borrow a thing or two. Ye want 'em back?

Makenna: Nah, keep 'em. I'll surive wi'out. (Pause. She looks st the braid in hand, tearing up as she remembers how she was the one to teach them how to braid) I'll miss ye two goons*¹. A lot. I love ye.

Feya: We love ye too.

Micah: Always will.

Makenna: Aye, I know.

Micah: Hah! We made ye cry!

Makenna: Och falbh dairich fhein!*²

*¹ idiots *² Oh, go fuck yourself

[gofancyninjaworld]

There's redraws and then there's Redraws

Or 'Effortless Talent' is a Lie That Needs To Get Dragged 'Round the Back and Shot

What can I possibly add that isn't already said? Well, I thought that there's a bit of information that's been staring us in the face but we've not understood.

Question: Why Only 48?

Famously, chapters that are replaced on the Tonari site are archived for posterity. Link On Thursday, I went to have a look at them and found that there were just 48 of them. This was odd, considering that we've seen many more chapters change between their initial online publication and final in-print edition.

Fortunately, I'm a bit of a hoarder and have a sub-site dedicated to translations (yes, send me ALL YOUR ROUGH TRANSLATIONS, EVEN JUST PARTIAL TEXT ONES! You NEVER know what they might contribute later). I was looking at the extensive changes to updates 158-163 and realised one thing: most of them were art changes, and the output of the manga chapters was NOT STOPPED to accommodate the changes. When the problem is the ART, Murata saves it for the print edition and then smoothly updates the Tonari site. The old art is NOT ARCHIVED. It disappears into Murata's scrap pile. Here's an example of how much one of those chapters changed without affecting manga chapter production. (from: https://www.tumblr.com/acidproofnotebook/677286392448122880/update-159-previously-158-changes-between)

Old version, Food Battler is given Waganma while the other heroes try to stall.

New print version: Captain Mizuki takes off with the kid and hands over to Food Battler when Nyan gives chase.

I have many more -- do dig!

So What's Archived?

I'll make it short: the chapters that are archived have story problems. They're chapters where ONE is dissatisfied with what he's set down, and fixing them materially changes the manga. THAT'S WHAT STOPS MANGA PRODUCTION. NOT ART CHANGES. The art changes, of course, because Murata is illustrating a different version of the story.

Can everyone get this straight then? If there's a hiatus for the story and redraws, that's because of ONE, not Murata. ONE really wants to tell a particular story, and he's got a fantastic partner who believes in bringing it to light as best he can. Even if it means losing a year's worth of work.

The Ninja arc in the webcomic was not treated as having much weight. For sure, we got to learn of Flashy Flash's and Speed o' Sound Sonic's histories, a bit about Blast's activities, and the two ninjas got some nice new tools. And? That's kinda it. Which is fine as things go. The manga is less 'things just happen' and more of a turbulent river into which tributaries flow and others split off.

We can see the ideas that ONE is wrestling with to turn into a concise, coherent part of a much bigger story in the manga. The 'soldier of God' concept is a define cornerstone of this, as is the interest characters have in trying to piece together what this 'God' threat is about, given their limited knowledge.

The Village having had a dual purpose is staying firmly put.

Things we see ONE trying to work out in the latest chapter are how to explore Flashy Flash's backstory without an info dump. Who needs to know it? Why? How? And to what effect? The previous iteration had most of the backstory be replayed only in Flashy's mind as he recalled what happened back then. This iteration looks like Flash is going to tell Saitama, mostly out of annoyance at being considered equal to Sonic, but still. We have to look forward to seeing how other concepts that were introduced, like Empty Void, his motivations and abilities, his relationship to Blast, how Blast knows that the guy is back, whether Flash will decide to spare the Tenninto or kill them and why... all that, we wait to see.

The Effortless Isn't

The One-Punch Man manga is a much bigger and more ambitious story than the webcomic it spawned from. Additionally, ONE has changed as a writer over the years, and his more expansive, relationship-exploring story reflects that. Will it be a long-standing success in the end? No one can tell: when the final chapter is in print, we may be looking at an overambitious work or a wonderfully wrought masterpiece showcasing a true talent.

But those forty-eight chapters are forty-eight times that ONE feels that he's failed to tell the story he really wanted to and has been willing to redo and try again. Don't let anybody tell you that talent comes from the gods. It's mostly wrought through painful effort and the courage to try again.

[queer-ragnelle]

i’m new to arthuriana but love your posts nonetheless

i am just curious about the many references to gawain sleeping with so many people when, to my understanding, in sir gawain and the green knight he specifically breaks this promiscuous behaviour and makes sure he doesn’t sleep with the wife of the duke

(i apologize if this is a stupid question!)

hello anon!

welcome to arthuriana and thank you so much for the kind words. this is not a stupid question at all! the truth is gawain is nothing if not inconsistent between texts haha. he's different from other knights such as lancelot who pines solely for guinevere across text after text, in that it seems every author wanted to create their own special gal for gawain. he therefore has numerous women attached to him, and when readers try to reconcile those many texts into a single story thread, it gives the impression our mans gawain gets around! (and he does!) i have several examples here to illustrate this so i'll put it below a cut.

for all the textual variance, sir gawain and the green knight is the exception that proves the rule—meaning that it's perhaps the only text in which gawain is abstinent. we know this because one of the five virtues attributed to the five points of his pentacle crest on his shield is chastity.

furthermore, on the wife's second seduction attempt, gawain pleas his own inexperience with "love" (ie: women).

whether or not that's true is up for debate, but it's worth mentioning, as it's a departure from other texts where his virile prowess is well-known, and in the knight of the two swords, he openly boasts about his own attractiveness and popularity. (humble guy, that gawain!)

there are several examples of gawain's reputation with the ladies preceding him and actually benefitting his odds of getting laid. one of my favorites is from lancelot part II in the vulgate. gawain had just cured his brother agravaine of an illness and agravaine's amie basically wingwoman's her sister.

goated of her. so gawain pencils it in on his calendar. later, he locates the castle, sneaks in, and succeeds in bedding the maiden. she's not named here, although malory later refers to her as "the lady of lys," and accredits her as the mother of gawain's three sons, (although the couple never formally wed).

among the strangest of examples is the middle english text the carle of carlisle, in which the carle brings gawain to the bedchamber and orders him to make out with his wife. but things quickly heat up...

so the carle stops gawain from outright cuckholding him, then leads gawain to his daughter's chambers, gives them his blessing, and locks them inside. at the end of the text, gawain marries her.

now i would be remiss not to mention my beloved the wedding of sir gawain and dame ragnelle. i think it's notable that ragnelle specifically asks for gawain by name, much like the lady of lys did (according to her sister and her warm reception of him).

now the conclusion of this poem brings us to another theme of gawain's which ties into his many partners, and that is his consistent subservience to ladies. he breaks the curse on ragnelle by granting her "sovereignty" in the relationship. this seems to be another aspect of character which sets gawain apart from other knights, as this is not a chaste expression of courtly love, but a precursor to fornication, and draws the attention of strong-willed ladies, such as ragnelle, with whom he is "a coward," or according to the translation notes, "submissive."

then again in roman van walewein, he's already famous by the time he meets his ladylove, ysabele, and whilst tied up in her father's prison, he leaves the decision of his own life in her hands.

which then results in their coming together because this is a gawain story and he always gets the girl.

even in the post vulgate, which we can all agree portrays every single character at their absolute worst (and is therefore invalid<3), gawain's choice of words consistently upholds the lady's desires above his own. at first, gawain intended wingman for pelleas by pretending he, pelleas, was dead to begrieve arcade. he discovers instead that she's elated by pelleas's supposed passing, so she and gawain fall in love. but even after admitting his feelings, he still takes great pains to frame the final crossing of that line as her choice, and only relents when she makes her intentions plain.

he might also just like it when women boss him around if his treatment from orgeluse in parzival by wolfram von eschenbach is any indication.

similarly to the knight of two swords, in parzival, gawain is aware of his fame, fosters it, and then employs his orgeluse brain worms as a motivation for sparing lives instead of like...morality.

i think what's particularly interesting about gawain's relationship history is that many of his partners are named, whereas it's pretty common for damsels and maidens in medieval texts to exist without identities of their own. there are so, so many named, interesting, fully developed women linked to gawain, it's actually pretty awesome! here are a few more:

lunette in yvain: knight of the lion by chrétien de troyes...

amurfina in the crown by heinrich von dem türlin...

bloiesine in the 4th perceval continuation by gerbert de montreuil...

marjorie in gawain and marjorie by oscar fay adams (if we extend our search through the 20th century!)...

and on and on forever! so in conclusion, gawain has been pulling bitches for many hundreds of slutty, slutty years, and from what modern retellings i've read, authors have no intention of interrupting this trend. i hope that helps clear things up somewhat. thanks for the ask!

[barghest-land]

Hello! I have an advice question if you have the time and inclination. I would like to draw better extinct animals and I am wondering if you have any advice for putting meat on old bones. I know I need to do anatomical studies, and I'm familiar with all yesterdays/not shrinkwrapping. However, when faced with a fossil, I don't know where to start. I've tried looking up papers where they model the muscles, but those are usually 1 leg, or a jaw, so not particularly helpful for illustration. What's your thought process? Your illustrations look so real. I know part of that is your lovely handling of light and shadow, but the animals have real heft to them.

hiii!! ahh i'm probably not the best person to ask tbh, sorry. but i'll try to help as much as i can and explain how i do things:

i still don't feel confident enough in my paleoart. i came to paleoart from "art" part, not from "paleo", so if we talk about science, i know very little. i'm still trying to learn myself and do studies whenever i can, so i can't really explain things in a scientific way. however, there are some things that are helping me to learn: i have a good knowledge of anatomy in general, so if you study extant animals and how their anatomy and muscles work, it helps to draw those who are extinct. it's a really good base, and a lot of references you can work on! and while you're working on those, you can also study light and shadow, that helps to understand the shapes as well. if you want to be more confident in paleo, i think it's easier to start with an extinct animal that is well known, has muscle 3D models, good skeletal drawings, etc. it will help you more than looking on a jaw fragment and not knowing what to do with it (trust me i've been there). also, when it comes to paleo, and especially soft tissue, a lot of it is speculation. for most of the species info about it isn't known at all, so you can do something fun with it! having fun with speculation might be scary (i know it well i'm still scared lol), because you don't know what you can draw, will it be wrong or not, but the answer is - we don't know how most animals looked like, so the fear of making a mistake goes away with practicing and allowing yourself to speculate here and there. for example: if you know how to draw a well studied pterosaur, and later want to draw their relative that is known by only the fragment, you'll be more confident to do so, because you'll know their base features already. so when there's some animal known from a tiny piece of a bone and not much is known, i think the safest way is to look at their closest relatives that are more studied. that definitely doesn't hurt, especially with new described species that don't even have any reconstructions yet. long story short (from the artistic point of view since i don't have another): study living animals, gain confidence drawing well studied extinct ones (you'll have more references there and it's less confusing for a start!), and most importantly have fun! <3 ah and also, there are places where you can get a feedback on your drawings from paleo people. i ask for it often, especially when i'm drawing something far from my comfort zone. i'm learning a lot from my mistakes and it feels good tbh:)