#i'll fight to the death on this

[mikelogan]

SUPERNATURAL Season 9 Gag Reel

Part 2

[heartorbit]

the star you've longed for

[aroaceleovaldez]

One of my favorite things that could potentially come out of Nico being implied to be guaranteed immortality after he dies is, knowing how he is, there is a non-zero chance he could die defending his friends.

Which means you could totally have a scene where Nico is killed in a fight protecting his loved ones, and they see he is dead. Everyone is 100% certain he is dead, because he is. But then he just gets back up. And absolutely wrecks shit. Because he just entered phase two of his boss battle and he’s a GOD NOW.

I just need everyone to picture that scene. Imagine it in your mind’s eye. Good. Enjoy that.

[chaoticpositvty]

god good the smirk/smile this man tries to stifle to not give away how thrilled he is buck asked him to such an important event. tommy kinard, you deserve every bit of happiness you are feeling.

p.s. how anyone can look at this man in this moment and actively decide to hate him because he's not the man you think buck should be with, like seriously, fuck off.

gif by @dailykinley

[ganemouchie]

Not only are they boy, and they're detectiveds, but. theyre also.. *whispers* desd

[pinkd3mon]

Bonus piece from this art

[wilsonsmcgillsweatshirt]

When Wilson asks House to do things for him, like be present for his surgery or tell him he loves him, and he says no, House isn't saying no because he doesn't mean it, he's saying no because actions speak louder than words and everybody lies

[ruby-red-inky-blue]

Post hoc ergo propter hoc

A con of being friends with the White House Press Secretary, Jyn finds, is that the good-natured hazing in front of the rest of the press room goes on for far too long. Another is that Leia will absolutely not take no for an answer on the “mandatory tour”, even though she clearly doesn’t have time for it, going by the four aides that immediately besiege her as soon as they step out of the press room.

Jyn is sure there will be pros as well, but she hasn’t found any so far.

“Leia, Draven wants you in his office in half an hour about the HUD thing,” says the last of the aides, jogging to keep up with them.

“Thank you, Kate,” Leia says without stopping, her arm still firmly linked with Jyn’s. “I’m just going to finish the tour for Miss Erso here. She’s my latest charge, she took over for Hal.”

“Oh!” The aide smiles brightly and shakes her hand. “Congratulations, ma’am,” she says and disappears down a corridor.

“Four people have called me ma’am today.”

“Get used to it. This is the White House, it’s like a reflex.”  Leia stops to delegate some more important press secretary business in the next office over – Jyn gathers it’s the Communications Office – then returns to scoop her up again and drag her down another hallway.

“You haven’t shown me a thing, Leia.”

“Well, that was Kleya Marki’s office, and down there’s the mess, that’s always important –“

Jyn has a sudden realization followed by a horrible, sinking feeling. “Leia, please tell me we’re not –“

Too late. Leia has spotted her prey at the end of the corridor, and pulls her towards him, smiling brightly and heels unmistakably loud on the polished floor.

“Cassian!”

Oh God. “Leia, come on, he’s busy. It’s my first day, he can –“

“Nonsense, he just looks busy. He always looks busy.” She grabs Jyn by the sleeve and drags her further down the hall. “Cassian, meet the new Post correspondent!”

Jyn stumbles along, feeling like an absolute fool for falling for Leia’s whole spiel and letting herself be dazzled by the West Wing of it all – and for knowing the guy she was stupidly, wildly in love with in college and then left without a word now worked in this building, and still putting off preparing what the fuck she would do when she actually met him again until, well… right now.

The man who has stopped at the end of the hall is in a fairly rumpled suit, carrying a stack of files and looks achingly familiar even from afar. For half a breath, she’s standing in some Yale hallway and is about to run to catch up with him and probably do something silly like try and tackle the papers out of his hands – and then she’s back in the West Wing and they’re all ten years older and successful, serious people again. And she’s back to wondering if he still knows her name. Or if he hates her. And which would be worse.

After a beat, he turns around and walks towards them, with a spooked look on his face like he, too, briefly tripped over ten years of baggage – or, of course, like he’s trying to place someone who looks vaguely familiar. Then something, probably the lawyer in him, takes over, and he fixes an easy, warm smile on his face. She always liked his smile. He looks older, and even more tired than he used to – naturally, he’s Deputy Chief of Staff to the president – but still, he looks good. His hair looks as soft as she remembers, which is a deeply unhelpful thought.

“Jyn.”

She feels stupidly relieved. “You do remember me.”

An offended frown pulls at his eyes. She always did like those, too. They’re such a nice brown, it doesn’t translate on pictures.

“Of course I remember you.”

(To be fair, it probably is insulting to assume he’d forget a girlfriend he had for seven months, but still. He’s busy, and at least it would mean he couldn't hate her for disappearing overnight and never picking up the phone again.) Jyn opens her mouth, closes it again, feels herself blush.

“He keeps your Baba O’Reily piece on his bookshelf, you know,” Leia says with a grin, still holding on to Jyn’s jacket like she’s scared she’ll try and make a run for it. The thought has occurred to her.

“Very funny, Leia,” Cassian says curtly and makes a vague gesture down the hallway. “I… I’d love to – I have the Secretary of Labor waiting, so –“

“It’s fine, I know you’re –”

“We should catch up, though,” he says absent-mindedly, sorting through his stack of files before adding, with a quick look up at her: “Off the record.”

“Right.”

“Maybe just come by my office before you leave, if you’re free,” he says, fiddling with the files that are starting to slip. “I’ll be here, and uh, marginally less busy.”

“Okay, yeah. Sure.”

“Great. Um - congratulations, Jyn, on the – I have to go.”

“Yeah.”

Leia watches him dart off, smirking. “So, you two are really over that whole thing, huh?”

[keep reading on Ao3!]

[wispforever]

possess

[grumpyghostdoodles]

So. About to go into surgery, that directly affects my mobility, so no physical way for me to draw. Legit no idea when Ill be back to drawing, could be two weeks, could be a month and a half, it all depends on the outcome and rehabilitation. DO NOT WORRY, I will be fine, this is a long time coming surgery, and it all will turn out fine.

Ill still be around in tumblr, checking my notifications and such, just not able to draw (which is gong to drive me insane, I just know it lmao).

Anyways, Ill be back soon-ish. Cheers! <3<3<3<3

[thewhizzyhead]

not really a ramble and more of a brainfart but i really do find it interesting how mercy is,,,really really similar to both ajax and fox, the two girls she replaces in the roll-calls. Like ajax she is very confrontational, quite aggressive, and quick to defend and fight, but like fox she is also quite insecure in her standing and worth in the warriors and is very eager to prove herself to them. and in my opinion, the former makes fox entrust the warriors to her in reunion square, and the latter makes ajax trust her in sick of runnin'. I dunno what this all means but um yea I just find it neat that she takes after the two characters that really got fleshed out the most compared to their movie versions!

[ruvviks]

The Dobrynin family is a corpo family through and through, rooted in Arasaka and Orbital Air going back by several generations; though their powerful position within the corporate world ends with the children of Nadya and Matvey Dobrynin. With Vitali and Daniil fired from Arasaka and Kang Tao respectively— the former indirectly getting his parents fired, too— and Roksana having refused to set foot within a megacorporation from the start, the family begins crumbling apart at the very seams when clashing interests lead to grudges, betrayal, and pointless acts of revenge. ↳ read the unrevised fic here if you're interested!

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @roseeway, @stars-of-the-heart;

@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;

@kanos, @swordcoasts, @ordinarymaine, @claudiawolf, @strafethesesinners

[ladyluscinia]

Draft clearing. I think I had more of a point on the topic of Jenkins and genre I wanted to make when I gathered these, but I'm not feeling it anymore. However, I need spread awareness of his absolutely baffling ideas about pirate media and how he sounds half-convinced it must be a formulaic action/adventure. I only picked up on this by reading way too many interviews back to back so I'm not surprised I've never seen anyone else mention it, but like. It's wild. And he's SO additionally weird about how showrunning a piece of media about pirates relates to whatever concept he has of pirate media in his head.

Here's the link to my interview compilation if you want to check my sources on these.

Jenkins Quotes on "Pirate Genre"

"I think actual pirate stuff is fine, but it's not necessarily my cup of tea. And I think Taika [Waititi] felt similarly.

[...]

Showrunner Jenkins sees Our Flag Means Death as having "joy. A lot of joy. I like Stede because Stede is, to me, the outsider artist of pirates. And I think in designing the show, I was conscious [of the fact that it's] a hard genre to do anything to. It's a very stubborn genre because it's been done so well and so often. So I kind of tried to look at, like New York, like Alphabet City in the '80s via a pirate genre via Mad Max and try to throw all these different things at it. So I think you'll get a different feel than you'd get on a normal pirate thing. I think we achieved that with our amazing crew." - (Gizmodo, 2/22/22)

"I guess I really… I get kind of bored. How much pirate can you do? They're going to rob stuff. They're going to steal ships. There's only so many pirate stories you can do." - (Collider, 3/24/22)

Despite creating a pirate show, he himself says he's not a huge fan of pirate movies. - (EW.com, 12/13/22)

"I don't want to see a bunch of pirate things that I've seen in other things, I'll just go watch another thing if I want to see that. That's not really my thing. I like the genre, but it's a very hard genre to budge. I want to see relationships in a pirate world." - (TV Guide, 10/5/23)

"The pirate genre is fun, but I wasn't dying to make a pirate show. Taika wasn't dying to make a pirate show. But the thing that was interesting to me was that Stede finds love, and he finds it with Blackbeard." - (Variety, 10/13/23)

"I think there is something in the show about how piracy is a brutal way of life. It's essentially Mad Max, this world. There's no law, there's just strong and weak." - (Polygon, 10/21/23)

"And it’s also a pirate show, so he’s got to die." - (Vanity Fair, 10/26/23)

"Another thing I love is what I call shaggy stories, stories about people navigating each other. When you plug them into different genres, you get this great engine that comes with it. I'm not particularly dying to write a pirate thing, but I want to write a bunch of characters trying to navigate each other in a pirate thing." - (Vulture, 10/28/23)

"But I'm like you. I'm not a big pirate person. In general, it's a big creaky genre that's hard to budge, but I think the show benefits from we can pull pirate stuff out when we need it. Ultimately, yeah, I want to see these different relationships and perspectives on different relationships. Then it's fun to plug it into an overwrought genre.

[...]

Pirates of the Caribbean, those movies are great. That's not necessarily what I hunger to see, but in that genre, it's great. You're not going to beat that, especially on something that's lower budget. We've seen a lot of this stuff, so it's fun to take it then and don't do any of that stuff." - (Metro Weekly, 11/1/23)

"I think it's more interesting to me that I've never seen a love story like this in this genre, and you dream for that. Really, pirates, what can you do that's different with pirates?

[...]

To me, to tell the story about these two men in this very hetero action genre, falling for each other..." - (Metro Weekly, 11/1/23)

---

...This is the same guy who just ended a season on the British Navy blowing up Nassau for symbolism reasons that I'm pretty sure have nothing to do with the love story. 🤨

[cuubism]

hob: i'm not gonna die, death is stupid. i'll fight death behind the inn idc

hob's mates: listen hobsie, you go knocking on enough doors asking for the devil, eventually he'll answer

dream, materializing by the table: hello hob gadling

[marcusagrippa]

anakin was not born with the teeth of a star-eater, ferrous-black and always dripping blood. his halo did not used to shine so brightly that it hurt his master's eyes, his skin did not always shift and ripple like the surface of a newly-forming planet as the magma churns beneath. his eyes used to be soft and blue and human. he did not grow into his own radiance like it was an oversized sweater, nor did it grow from within him, transforming him gradually from within; his greatness was thrust upon him by a creature who whispered dark promises with the voices of a thousand evil men. he does not want it, this power, and it does not want him.

he is glad his mother has never known him like this. in the depths of his spiralling despair he finds himself almost glad she died, so that she remembers him as human and not... this. supernova child, borne of the cosmos. sky-walker. he is not the son of the stars, he is the son of shmi - wide-eyed boy, sunburnt cheeks, shock blonde hair. the galaxy will not remember him that way.

they will know him as monstrous. she knew him as kind.

[martyrbat]

perpetual mourning – batman black and white (1996) #1

[ID: a black and white panel sequence of Bruce Wayne as Batman investigating a murder. He performed an examination of the victim's body and found DNA evidence to convict her killer and then performed an autopsy to examine her stomach contents — which led him to a little 24/7 diner. He walks in, disrupting the cozy scene with his presence.

Bruce internally reflects, ‘People think i'm a knight. A savior. But in truth, I'm only a vessel to hold the memories of those who've passed on. Those who've no shell left to store them. They must think I revel in my victories. It must seem like I never lose a fight. I lose plenty. The ones I couldn't get to. The ones I couldn't save in time. Those are the ones I carry around inside of me. Those are the ones I'll mourn forever.’

He shows the only waitress a photo of the victim's face and asks, “Excuse me. Do any of you know this woman?” The waitress gasps and holds her hand to her head in shocked distress. She stammers, “That's Chelsea, she comes in here all the time. Sits in the same booth, the same time, reads the same book... um, what was the title...? She, uh, left here only a couple of... Why do you... Oh, god. No. Dear girl...”

Back at the morgue, Bruce solemnly gazes down at the woman as she lays in an unzipped body bag. He thinks, ‘Luckily, you hadn't digested your last meal, Chelsea. There're only a few places in the neighborhood where you were found that serve blueberry pie at this hour of the morning.’ He carefully zips the body bag entirely. The identification label states she was a thirty year old caucasian female. The name ‘Jane Doe’ has been scribbled out to now be replaced with ‘Chelsea Rain’. Bruce continues to ruminate, ‘You only have your thoughts and dreams ahead of you. You're someone. You mean something. I'll remember. You're within me now. Forever.’ END ID]