#i’m sick of summer

[clancysjumpsuit]

can we just skip to october?? i want halloween and spooky season

[bookalicent]

yeah so this was insane

[wigglebox]

Perfect 🎃

[mother-lee]

photo

[leciraofthewilderness]

So, despite some faults, I really enjoyed totk, and on its anniversary I want to say something about it. Other people have said similar things before but it’s really important to me and actually a big part of why the story of totk was meaningful to me, so I want to also say it:

Zelda needed to come back from draconification. The story needed that. It wasn’t lazy and just ignoring “consequences” because (imo) that was the *point*

The point is to feel like there are going to be terrible consequences and then say actually, no. You can come back from this, with the help of other people.

To me at least, that was the theme of the whole story.

If botw was about how the world goes on past loss and grief and starts to heal (how flowers grow in the ruins and the world can be beautiful again, be worth saving, even if it has changed)…then totk was about a more personal kind of healing.

The weight of the world should not be on your shoulders alone…you, alone, should not have to fix everything…you should not have to sacrifice yourself, but when you do, someone will be there to save you from it.

This turned into a really long ramble so:

You (Link) gained so much and now it’s gone. It feels like you’re back to where you started and yet you know you have to do it all again…you were weak and you failed and you’re weaker now…but

You go down to the surface. Monsters swarm across it once again. Other people are fighting them too though. You help, but it’s not just you…

You go to the Rito, the Gorons, the Zora, the Gerudo…just like with the divine beasts, there are friends who help you save each region. But this time, part of them comes along with you when you leave. It’s nice, you realize, the first time one of them protects you from a monster you weren’t prepared for. You’re still weaker than you were before, but someone has your back…

When you go up to the sky you see a strange new dragon there. There’s something about them that feels familiar. You try not to think about it.

You go down to the depths too. It’s terrifying at first. You hate it. You only want to get what you came for and get out of the dark….but slowly, the light grows. You get stronger. The dark feels like a challenge you can face (and someone has your back).

There are spirits down there. You don’t know when they’re from, but some part of you wonders…are these all the people you let die in the Calamity? (You help them find rest from their wandering. The weight on your shoulders feels a little less heavy).

There’s so much gloom. The first few times the sky turns red and hands chase you (a reminder of what you’ve lost, how you failed) you just run. Eventually though, you have to fight. It feels like the (second) worst day of your life again. But you manage to get free of the grasping gloom and stand and fight, as wild and desperate as it is. Beneath the manifestation of your worst fears, there’s another thing to fight, but this time it has a face (a voice in the back of your head says…you know this isn’t all on you and your failure…it’s really Ganon’s fault right?). You get through it.

At every turn in your travels, it seems like something reminds you of Zelda. Her passion, her curiosity, her kindness. You miss her.

At first, the tears you find reassure you. She may be in the past, but she’s safe. She’ll come back somehow…but then you hear the word draconification for the first time. You want to believe she wouldn’t do it but you know her and the fear sits cold inside you. (Zelda is a lot of things. She’s been allowed to be more of them, since she was freed from her hundred year battle, without her father holding her back. But deep down inside her, there’s a vein of self-sacrifice that still runs strong. It’s what saved the world before, after all).

She did it. She really did it. She’s gone from you (from Hyrule) forever, and it’s all your fault. If only you hadn’t failed so utterly in the battle (you can hardly even call it that) under the castle. If only you’d caught her. If only you hadn’t let the sword break. You should have protected her you should have been better it’s all your fault and now she has to live with the consequences, forever. Everything really is on you, you should have been better.

(Zelda POV: you couldn’t call upon Hylia’s power in time, you were too content to let it wither and fade away from you, ready to be free of it. You shouldn’t have. He got hurt, the sword got hurt, it’s your fault…Sonia and Rauru help you channel it again, Sonia helps you learn how to turn back time…but you don’t save her. She dies because you couldn’t save her. Rauru dies not long after. There is no one left to guide you, once again. You could spend years trying to figure it out on your own. But you did that last time. It didn’t work. Self-sacrifice, stepping in front of someone you love, that worked. (You do what you can, to call upon the sages, to help Link in the future, first). And then you swallow the stone. You’ve come a long way, in the past five years, allowing yourself to exist. But in the end, self-sacrifice worked last time. It’ll work this time too.)

You (Link) go down beneath the castle. You were supposed to bring the sages but you didn’t. It’s nice, for someone to have your back. But no one else should get hurt to fix your mistakes.

They follow you anyway. They fight with you, against the hordes, against the greatest enemies you defeated together, along the way. They’ll have your back, even if you don’t think you deserve it.

You fight Ganondorf, and then the demon king, in the hardest battle of your life. You think it’s over and then the demon king decides it’s better to lose himself completely than let you win. You’re exhausted and afraid of yet another battle, but up there in the sky, when you’re falling, the Light Dragon catches you (you wonder why she changed her path to catch you, you wonder if there’s still something of Zelda left in there to save). With her help, you win.

And then you’re in some other realm. The spirits of Sonia and Rauru are there. You remember how the two of them and Zelda channeled such incredible power together. You think about Recall. Turning something back to the memory of what it was before, like Sonia said. You stand with them and you allow yourself to hope. Maybe the Light Dragon can remember the form she took so long ago, the person that she was.

And then you’re falling, and Zelda is falling, but this time you catch her. You catch her. She’s back home with you, finally, finally.

And maybe, one mistake doesn’t have to be the end of the world. You don’t have to be perfect. Sometimes, someone else can stand with you, and it’ll all turn out alright. (You can put the weight of the world on your shoulders, you can sacrifice yourself, but someone will be there to catch you, someone will be there to pull you back to yourself, when all is said and done).

[royaltea000]

Do not stand by my grave and weep. I am not there.

[emorick137]

summer and rick’s relationship is genuinely everything to me. he hides it behind misogyny as an excuse because it’s easier to justify that way, but the only reason he doesn’t take her on adventures all the time is because he’s scared to lose her. because canonically she reminds him of diane. she’s so much like rick too in so many ways.

evil morty says he doesn’t want vengeful summers coming after him if he kills rick. he knows she could track him down and cause him a lot of trouble (if not kill him successfully) because he understands her potential.

she’s super smart—canonically in episode two she says she “chooses” to get C’s in school. as in, she evens out her grades on purpose. she loves drugs and partying much like someone else we know. she understands rick arguably better than anyone else in the family; in s3 ep 1 she was right about the arrangement of flies opening a secret compartment, when they go on their party spree she does a “very rick thing” by averting an apocalypse just to prove a point.

i genuinely believe she’s the most like rick and has the most potential to be. and that’s part of why rick especially at first tries to not do to much with her; he doesn’t want her turning into him.

[cinemadaydream]

I’m living for the angst but I need them back rn

[indigosparkle444]

🤍✨

[sanjiswetcigarettes0]

Listening to old Brazilian love songs makes me think of zolu so much i am smiling so big rn. I want what they have.

They make me imagine them slowly dancing to one of those beautiful old salsa songs where they gently hold hands and move their bodies so slow, that they sweated terribly but still want to enjoy the warm sunny evening with the chilly breeze of the entire seas they sailed alone together while they hold and look at each other with endless love and big grins. THEY LOVE EACH OTHER SO MUCH AND I AM CRAZY OVER THEM.

[starzonez]

boy best friends go ghost hunting

[uservalentine]

[honorthysalad]

Going insane over the differences and similarities between ‘Hikaru’ and Kurebayashi’s husband and how Kurebayashi’s husband is a metaphor for being forced to stay in the closet and the problems that come with that. I mean, he’s literally stuck behind a door, unable to interact fully with his family. His kids feel like he’s distant, but we know he wants to be with them; he just can’t. He can’t connect with them on that emotional level and it hurts the family. 

I’d like to bring up that the scene with Iori and his dad. The dad pulls away once Kurebayashi enters the room. Kurebayashi is the one trying to cling to the family as it was, a model family with a husband & wife and two kids, but it just can’t exist like that anymore. She’s the reason he’s staying and also the reason he can’t come out. Which is why Kurebayashi thought that this had no hope of ever working, that Yoshiki should just move on from Hikaru completely, but the Kurebayashi we see in those flashbacks had never accepted that her husband died. She tried to keep everything the same, and that’s what will never work. Yoshiki knows Hikaru is dead, and now as we’ve seen, he’s not going to try and make ‘Hikaru’ into something he’s not. 

I think he’s an example of something that ‘Hikaru’ mentions in Ch15: this concept of being alive and dead and then ‘living’. ‘Hikaru’ is dead but he’s ‘living’. Hes living his queer identity, and even though he can’t be fully out, he does have a few people who he knows support him. Kurebayashi’s husband is dead and not living. He’s trapped in the walls of a family home, emotionally and physically distant from his family while desperately wanting to not be, but thinks he has to keep himself away for their safety and health. That’s the difference between them. 

And just to bring this metaphor more around- Yoshiki is alive but he’s not ‘living’. He’s closed off, unwilling to talk to even ‘Hikaru’ about his feelings nor is he willing to really admit them to the audience either. But Yoshiki’s also dying. The more he ‘dies’, the closer he gets to ‘Hikaru’, the more we see about his feelings for Hikaru. I think this manga will end with Yoshiki dead, yes, but ‘living’ freely in a way he hadn’t been able to before.

Edit: nvm on that ‘living’ thing. According to entertext, ‘Hikaru’ never said that </3

[tayhatesevery1]

[edge-oftheworld]

ik I rattle on about this too much but people love to assign blame when we see our faves get hurt. and im not saying romantic partners can’t cause trauma or anything like that but I genuinely think people overlook a really obvious thing we’ve seen time and again in literally every artist we listen to and we also have alluded to in lyrics like ‘a youth that was stolen and filled with mistakes’ basically all of 2011, and probably the most outright ‘I’ve been bought and sold’. guys it wasn’t the fans doing any of these things just cause we liked their music and kept them in a job or whatever, it’s the fact that the industry is a predatory capitalist machine that is at its current state no place for children, or anyone really. it’s that media outlets model the level of privacy breaches anyone in the public eye is allowed to have and GUESS WHAT? ALL OF THESE THINGS ARE AIDED BY LAWS, WHICH WE AS FANS AND THE PUBLIC HAVE A VOICE IN.

I’m not saying we can fix this overnight or it’s gonna be easy but I am saying that if enough people care about anything, someone is gonna have to listen at some point. like holy shit the amount of times we’ve seen luke in interviews just telling his story and how he’s got this experience he has to hold the gratitude and obvious trauma of concurrently and thought. he deserves so much better. they all do. so does chappell and so did the one direction guys and I could go on but my point is have I ever seen a protest or even a petition calling for privacy for artists, literally basic workers’ rights? for transparency among their team members and record labels that prevents the likes of scooter braun from ever doing anything he’s done? no. and before you say anything I don’t give a fuck how much they’re paid (which btw the way streaming services are now isn’t as glamorous as it used to be. soon this may end up being a middle class job and that’s fine as long as they have basic human rights, which they don’t). but anyway we can change that

[katnissdoesnotfollowback]

No witchy Wednesday this week. Life decided NO.