#i wrote you a novel

[oakthcrn]

Pain still thrummed through her dominant hand; her knuckles were a deep violet. She was sure that the incident at the state dinner would be the talk among the nobility for quite some time, though she couldn't really care. What did concern her was how it was going to affect Nikolai. Some small rational part of her knew it could come and bite him in the arse and it'll be her fault for not keeping her temper in check.

A resigned sigh escaped her as she strolled through the dimly lit corridors of the grand palace. The royal wing was a maze of turns and doors. Lark knew she should feel sorry for striking that old perverted noble, but she didn't. She only felt sorry that Nikolai; in his charming ways dealt with the situation with grace and humility. However, he didn't hear what the geezer had said.

Lark could endure many things, insults to herself were not uncommon. She had endured far worse under the darkling and tolerating the names under whispered breaths. Weapon. Doll. Whore. Monster. She had heard it all, but she found she could not stand the blatant insults toward the new King of Ravka. Murmurs of parentage being questioned, a weakling too young for his duty. While Nikolai had the grace to not be affected by rumors, Lark was surprised to find she did not. Would not. And so, like a strike of a viper, she struck him the moment that damn noble uttered the word: Bastard.

Lark turned down the hallway and gave a quiet nod to Tolya and Tamar who dutifully stood by the King's door, a quiet vigil, and one that Lark appreciated. However, she surmised that the reason for the silence was to keep Tolya from reciting poetry. She slipped past them and into the King's private chamber. Half of her suspected that he would be asleep, for it was incredibly late. The logical half told her he would be up tinkering with something or working on the bountiful stacks of paperwork.

Her sapphire gaze fell upon the man, and a pang of guilt rippled through her, she slipped her bruised hand into the pocket of her form-fitting trousers as she approached.

❝ You're up late. ❞ Said Lark as she settled into a vacant, velvet-bound chair. Slowly, she canted her head to the side, long waves of copper ginger hair were draped around her, it wasn't often she elected to wear it completely down but she found it too much a challenge to rebraid it into something neat and tidy as she wore it during the day.

❝ I think we need to talk...❞

@everpoet

[batfall-done]

m. haven’t you heard the stories ?

the smell of aged books and stale coffee fill the space. gotham city library so kindly donated by the wayne family - evident by a plaque that sits upon the entrance of ornate structure. truly , it was more mausoleum than library a building built out of pure ego as it housed archived works that had been damaged during flood.

bruce finds that here he finds solace , no one dare disturb and he sits so far back in a small enclosed space that is dedicated to maps and various other public records. in wake of the flood it had been become nothing more than a forgotten building. for a time housing refugees as they were moved into temporary housing , housing that provided little warmth or comfort from a city that praised herself of living in a fog of constant grief and chaos.

before him sprawls an impressive amount blueprints - old city maps and archival photos that show a cluster of city officials dating back to 1942 , all smiles and feigned niceties. bruce thinks that the more he studies them , the more he'll understand.

there's a shift , someone lingers - words spoken. the interruption not unwelcome and as he looks upward his brow knits ever so. ' stories ? ' his words soft as treads water lightly. fingers shifting through pictures as he picks one up and offers it to the other , ' all those moments lived ' words plucked as to continue conversation.

odd , and as my lenses survey features : tomás saucedo a name offered up as it lists credentials. i wonder if he's heard about the pines barrens ; the missing bodies that have been featured in the news recently. it's on my radar as is the last pages of alan waynes journal. they say there used to be a city out in those woods , a city that my family helped fund ... the pieces always one shape off as they never quite fit.

' though is the narrator to be trusted ? ' offering a small smile , shoulders rise and fall with a shrug - the act alone causing a sigh to follow. ' that's the question ' / @desolades

[happypeachsludgeflower]

Who wants to bet Peerless Cucumber has an entire fan base within the pidw’s fandom? Potentially even bringing in a portion of pidw’s readers who just want to enjoy shen yuan just loosing it in the comments.

Like sure, some of the fandom’s definitely there for the toxic masculinity and papapa, but I guarantee you there’s an entire section dedicated to gleefully watching the fandom sewer rat being feral.

[silverwhittlingknife]

So you're a go to source for all things Dick&Tim bros and you tend to write primarily from Dick's POV. So, odd question, but if you were to summarize their relationship from his POV in FIVE panels which panels would you pick? Keeping in mind that one specific aspect of their relationship that you love needs to be clearly represented by each panel (loyalty, trust etc). I hope this is a fun challenge and not an annoying question so if you don't want to answer that's cool! Have a wonderful day!

No more talk. The same thoughts run through two minds... (SotB 29) / You're my equal. My closest ally. (RR 1) / I can't stop thinking how much I rely on him. (GoG 3)

25 Feelings Dick Has About Tim

This was such a kind ask & a cool challenge which I totally failed; here are TWENTY-five panels of Dick's POV on Tim sdfdsfds Look, I got carried away! Marcia and Cindy! The boys!!

OKAY SO BEFORE I GET TO THE PANELS A FEW NOTES:

WARNING THAT THERE ARE SOME NEGATIVE EMOTIONS IN HERE because I love conflict but but but you gotta remember those are not the final word!! They are complicated people and sometimes they get mad at each other BUT ultimately their relationship is so hugely important in both their lives & they love each other and rely on each other so much -!!! <3

Also I have CONCLUDING THOUGHTS at the end about what Dick's POV leaves out (mostly: a lot of Dick defending & protecting & supporting Tim, which Dick does instinctively but isn't very self-aware about most of the time)

I have loosely organized my list into 5^5 format (5 categories with 5 examples each!), so if you want to skip to a relevant one, here are the categories!!

Below the cut:

I hate him and find him infuriating (#1-5)

On second thought, he's endearing & fun (#6-10)

Grief is complicated & he's all tangled up in mine (#11-15)

I love him & think highly of him (#16-20)

I rely on him & though it's hard for me, I trust him (#21-25)

I hate him and find him infuriating (#1 - 5)

1) He thinks he’s so smart and can psychoanalyze me and Bruce, but he doesn’t know me at all, he should get lost (New Titans 61)

2) He thinks he’s so smart and can psychoanalyze Bruce but he doesn’t know Bruce at all, he should get lost (Gotham Knights 26)

3) He is so nosy about stuff that is MY business (Robin 0)

4) He sounds like an insincere suck-up half the time... but okay, fine, if you push him he's got a sense of humor about it (New Titans 65)

5) I'm sure he's a better vigilante than me. It's my fault for being a failure, but I resent him anyway. (Nightwing 9 - Dick's having a nightmare)

On second thought, he's kinda endearing (#6-10)

6) He worries too much and gets anxious so easily, but it makes him fun to tease (Robin 67)

7) I'm not that competitive - okay, so maybe I'm a little competitive, I gotta make sure he doesn't get a swelled head (Prodigal)

8) I'm supposed to be his favorite! It is not cool for him to be fanboying over my not-girlfriend's not-boyfriend!! (Birds of Prey 19)

9) We have fun together. I can kick back and relax when it's just the two of us. Plus I get to boss him around a bit. (Prodigal)

10) He’s always trying to reassure me, and I guess it's a little comforting, but also he doesn’t really get it. Or me. He makes excuses that he shouldn't, because he doesn't understand that I suck. (Nightwing 64)

Grief is complicated and he's all tangled up in mine (#11 - 15)

11) He reminds me of everything I try not to think about. Sometimes the memories are so strong it hurts to look at him. (Batman 441)

12) WHY IS HE BEING IMPOSSIBLE ALL OF A SUDDEN??? THIS IS SO FRUSTRATING (Nightwing 139)

13) We're the same. He says all the things I don't let myself think about. It's like arguing with myself. (Nightwing 139)

14) He thinks he gets to tell me what to do but he doesn’t, fuck him (Battle for the Cowl)

15) Life sucks, so what. I sucked it up so he should too (RR 1)

I love him and think highly of him (#16 - 20)

16) He’s the closest thing to a brother I’ll ever have.  If someone hurts him I will hurt them harder. (Nightwing 6)

17) I can't handle the idea of losing him. (Nightwing 97)

17) He’s so good and I’m not. I'm afraid I’m bad for him. (Nightwing 110)

18) He’s better than me, and it’s kind of a relief because I know no matter what he’ll be okay. (Gates of Gotham 3)

19) In my head he’s the responsible one.  (Gotham Knights 10)

I rely on him, and though it's hard for me, I trust him (#20-25)

20) I know I have to trust him but I'm afraid he'll make the wrong choices and get hurt (Nightwing 139)

21) I'm sure I know what he should do because I see myself in him - not that I can take my own advice, but he should (Blackest Night 3)

22) I trust him.  When I’m losing my grip on things, he pulls me back. (Gotham Knights 10)

23) I want him to trust me (Red Robin 12)

24) He can tell when I'm lying. Sometimes he sees my weaknesses better than I wish he did. (Detective Comics 874)

25) He’s always there when I need him. (Teen Titans / Outsiders Secret Files)

Final rambling thoughts:

TIM: Uhh, okay, so I'm just skimming this list - do you really trust me? you're not just saying that? - but anyway, I'm confused because you left some stuff out? Like some stuff that's kinda important? DICK: No? I think I got everything? TIM (starts counting on his fingers): The time I was having a bad day but then I called you. The time I got captured by Two-Face but then you saved me. The time I fell off a train but then you saved me. The time I fell off a building but then you saved me. The time I fell off a different building - DICK: I feel like you're trying to make some kind of point but I'm not sure what it could be.

SO THE THING IS, I put 25 panels in here and not a single one has Dick catching Tim when he’s falling!!! But I think that's a central motif of their relationship from Tim’s POV, not Dick’s. I love Dick, but in some ways I think he is spectacularly un-self-aware.

And I think he especially has a lot of blind spots about Tim. He kinda intermittently gets that Tim admires him, and he enjoys it in a playful I-get-to-boss-you-around way. But Dick tends to consistently underestimate all of his own good qualities & skills, and he meets Tim at a point in his life when he's especially down on himself & his abilities. And so he's unable to see his own influence on Tim, & therefore unable to fully understand a lot of Tim's priorities and loyalties and motivations, because you can't actually understand Tim without understanding Dick's impact on him. There's a fascinating moment in Bruce Wayne: Murderer when Dick's completely blindsided & upset to discover that Tim doesn't entirely trust Bruce, even though this has been a definitive fact of Tim's whole thing ever since he showed up with his Batman needs Robin theory, and Barbara has to actively remind Dick of the obvious-to-everyone-except-Dick fact that a lot of Tim's loyalty is to Dick, and Tim loves Bruce but feels free to be more wary of him. (And to give Bruce credit: this is not something he ever begrudges.) But anyway Babs points this out, and Dick manages to sorta process it for about five seconds, but he cannot actually accept it into his worldview so instead he discards it at the speed of light and goes off and has an argument with Tim instead sdfsfdsf

All of Dick's virtues - Dick's kindness at the circus and Dick's determination to fight through grief and Dick's rigid sense of morals and Dick's vigilante skills and every time Dick has ever backed Tim up or listened to him or protected him or saved him from something or just been casually kind to a stranger in Tim's presence etc etc etc - all these things loom really large in Tim's mental story of Who Dick Is, and What Dick And Tim's Relationship Is. Tim meets Dick before he meets Bruce, trusts Dick more than Bruce, aspires to be Robin instead of Batman. And so in Tim's default version of the story, Dick is the super-special and admirable hero and Tim is... nobody in particular, a tagalong outsider who's barely managing to be a hero, not part of Dick and Bruce's family and not part of their story, who, if he's VERY LUCKY and tries REALLY HARD, might be able to fight his way to proving himself and offering something to Dick that Dick will value, if Dick doesn't get fed up with him first.

But that's not Dick's version of the story!!!

Dick's version of the story is almost the exact opposite, a story where Dick's an outcast failure black sheep who's screwing up everything he tries, and meanwhile Tim is The Sudden New Perfect Robin Who's Better Than Me And Probably Bruce Loves Him More And Probably They Gossip About What A Loser I Am, mixed with a complicated edge of Tim Thinks He's So Smart But He Doesn't Know Me/Us At All. Dick gets much more attached to Tim over time, and Tim gets unnervingly better at the know-it-all psychoanalysis so then Dick gets to have complicated feelings about him being right instead of just annoyance at him for being wrong, plus Dick's relationship with Bruce improves a lot, so Tim stops feeling so threatening. But Dick never fundamentally changes his basic theory of their relationship in which Tim is highly impressive and capable, and Dick is not so much.

And so asking Dick about Tim is kinda like if you asked George Bailey to tell you about Harry Bailey in It's A Wonderful Life; like, you'll be there for five hours while he tells you how great Harry is, and how accomplished Harry is, and how he doesn't really get how or why Harry does the things he does, and maybe George does feel a little resentful or jealous sometimes, but that pales in comparison to all his admiration and trust for Harry who he loves so much, who's better than him in so many ways, and he's not gonna openly gripe but secretly he can't help but feel sometimes like he's such a failure in comparison to Harry, a perfect person who emerged fully formed from Zeus's head with all the virtues and also all the accomplishments, etc. etc. etc. --

-- and he will not actually remember the part where he changed and saved Harry's whole entire life unless you literally send him to an alternate timeline in order to force him to remember it. <3

[marlynnofmany]

It’s back!

If you missed it the first time around, the “human are weird” anthology is back for a second printing. (There’s even a new story included: “Black Box” by Dara Brophy.)

Here’s the blurb:

In science fiction, humans are usually boring compared to other races: small, weak, with no claws or tentacles, and no special abilities to speak of. But what if we were the impressive ones, the unsettling ones, the ones talked about by all the other aliens? What if we're weird?

If you’d like a collection of excellent stories about humans inspiring awe, fear, and utter confusion, it’s available everywhere books are sold!

[faeyuh]

Too weird to love, too scared to die

Too alien to take you home

-

will wood lyric!!! this song is literally him!!!!!

[ered]

Hey you

[noxiousgrace]

Hi I'm a marksman!krs believer

I've imagined him sitting in the ruins of a flattened korea, turning the safety on his gun on and off

Tw: suicide ideation

-----

Click (pull), click (don't), click (pull), click (don't)

Drowning in grief, he sits alone on cracked pavement.

He sits in the void of everyone he's ever cared about, the misery serves as a comfortable perch.

.

Click (pull), click (don't), click (pull), click (don't)

.

Plucking the sounds coming from his gun like it's a daisy.

They loved me, they loved me not

I'll end it, I'll end it not

The ringing in his ears and mind can't be silenced by white noise anymore

Click

.

Click

.

Click

.

He hears a scream off in the distance, his hand is already raised and the trigger has been pulled before his stagnant mind can catch up.

A creature takes it's final breath, it's prey running back to safety.

He looks at his gun, smoke still staining the air.

"i must be going insane" he said to the ghosts over his shoulder.

Taking one last look at the empty sky, he went back to his shell.

His responsibility.

The things that were left to him.

He paid for this with other peoples lives.

He isn't allowed a freedom such as death until he's paid off that debt.

It feels endless.

He deserves it, people don't understand that fact.

Stop offering me a vacation

I don't get to be tired

I couldn't even send them off properly

I didn't waste the energy to cry so why do i need to rest

I'm fine

My heart doesn't need rest if I don't have one in the first place

Leave me, alone, please

Let me ignore it, i hate pain.

It hurts.

Thinking hurts.

He places the finished stack of documents to the side, picking up a new pile to sort through.

He writes monster descriptions after that.

He works, the gun now forgotten in his drawer.

He will do what he must.

.

.

.

"jung soo and i are happy as well."

....

Fuck.

I'm glad.

I'm sorry for thinking of your last words as a burden.

I'm free now.

My shoulders feel light.

I never knew they were this heavy until the weight was gone

Thank you

[lotussokka]

inspired by my own tags on this excellent post

[aroaceleovaldez]

Mark Oshiro confuses me a little bit not going to lie. In the press tour for the first book all they ever talked about was how Nico is their son and Will is fine I guess. Then they said like 2 weeks before TSATS came out that they didn't understand Will's character at all and it's one of the main reasons why Will has so little POV.

Possibly unpopular opinion but I don't think it's a good, encouraging sign when the writer admits to not really caring about the deuteragonist or not even having a sense of how to write them...

Yeah, no. If you have no interest in 1/2 of the POV characters of your book, you REALLY shouldn't be writing it (or at least, not have that be a main character). Especially when the main way TSATS could have been improved is if it was primarily Will-centric instead of Nico-centric. Will basically had next to no established character prior to TSATS! He was practically a blank slate! But all the new stuff we got for Will in TSATS was so clearly disinterested and had no regard for his previously established traits (or the established timeline/canon). Which is annoying because fleshing out Will would have been the PERFECT opportunity to actually incorporate a lot of the topics that Mark Oshiro specializes in as a sensitivity reader, which was the ENTIRE REASON THEY WERE BROUGHT ON AS A CO-AUTHOR!!!!

As TSATS stands, there is no reason for Mark Oshiro specifically to have been the co-author instead of someone else. It's so clearly just a PR move from RR following the huge backlash Rick received due to his response to criticism on how he wrote Piper and Samirah (and Reyna and etc etc). This was immediately following Rick saying he wasn't going to write what would become TSATS because "it [wasn't his] place to." Most of the topics that Mark Oshiro specializes in either weren't relevant at all to TSATS or written very poorly (to downright offensively) in TSATS, so either Mark Oshiro wasn't doing their job or was not able to do their job for some reason, but either way it basically makes the theoretical justification for Mark Oshiro being the co-author/sensitivity reader irrelevant.

With Will, it was HUGE fanon back in the day for him to be trans. Trans!Will and photokinesis!Will were basically the two biggest headcanons for him (both largely popularized by Cherryandsisters). We know Rick is aware of this old fanon because he canonized photokinesis!Will. If we had gotten trans!Will, that would have been great! And then made sense why we specifically got a trans co-author! (Instead, if anything, TSATS canonized Will being cis.) If we had gotten Will being latino, that would have been amazing!!!! And also then made sense as to why they chose Mark Oshiro for the job as a latinx author/sensitivity-reader, versus potentially choosing an Italian co-author since Nico being Italian/Venetian was emphasized so much in the book (and done poorly! Yknow what they could have done to fix that? GOTTEN A SENSITIVITY READER FOR IT)! Based on the themes and focuses actually present in the book, it would have been most logical to get a queer, neurodivergent, Italian co-author or sensitivity reader who specializes in those three topics at least. But we didn't! So why was Mark Oshiro chosen instead when they only specialize in one of those topics? PR reasons. It's blatantly entirely PR reasons and no actual thought or care was put into this book (or, likely, TSATS 2 either).

It doesn't help that we're also actively being told that the published version of TSATS was a rough draft. Or that their editor blatantly isn't doing her job. Or that "The Sun And The Star" was the working title that they just kept cause they didn't bother to make an actual title. And that the final version is full of explicitly last-minute scenes that weren't checked over at all (the final Bianca scene, for one). Or the ACTIVELY ADMITTING TO SOURCING IDEAS AND INFORMATION FROM FANS! That last one is kind of important because at this level of publishing that is a HUGE no-no for legal reasons. You can get into a lot of trouble for that and there is a reason why it is Ye Olde Fandom Law to never try to pitch your ideas or headcanons to the source creator(s) and keep fandom separate from the creators. There is a REASON why Rick Riordan is so distant from the community these days and it's for PROTECTION AGAINST LEGAL REPERCUSSION. Mark Oshiro being the exact opposite while also ACTIVELY ACKNOWLEDGING sourcing concepts from fans does not bode well! It has to do with copyright stuff.

It's just. So. Sighhhhhhhh >->o <- me lying on the floor about all of this. It's sad being able to see the glimmer of what could have been at the very least a decent book underneath all this. If anyone involved in the process had actually cared just the tiniest amount.

[fictionadventurer]

I'm sorry, but if you call Fanny Price (or any female character) insipid, I don't want to hear anything else you have to say.

[atopvisenyashill]

Thoughts on the Alysanne is Maegor's daughter AU? I feel like it has some interesting potential, and it vastly recontextualizes different parts of Jaehaehae (I do not like him sjsjsjs) and Alysanne's relationship (such as Jaehaehae's treatment of their daughters) but I wanna hear what you think about it!

I’ve touched on this a bit before but since you actually want to hear my thoughts, allow me to present to you my Jaehaerys Is The Goddamn Worst, And Alysanne Annoys Me Too: An Essay lmao but my answer is basically “yeah all of what you just said.”

I think it makes Alysanne much more palatable (to me) as a character because as she stands, she just fixates on forcing her daughters through these fucked up marriages at too young an age bc it traumatized her to be married and pregnant at 15 too but she’d never admit that being a willing participant in her own kidnapping by her brother-husband was the single worst thing that ever happened to her, and because Alysanne doesn’t want to admit it (and Jaehaerys would never see it as wrong or a mistake) F&B really shies away from delving into the fact that Alysanne is as deranged of a mother as Cersei is. So as she stands, she’s very flat to me because she’s presented very flatly and inconsistently. She’s so in love with Jaehaerys, she’s maritally raped by Jaehaerys, she’s a loving and doting mother, she forces her daughters into marriages when they’re the same too young age she was, she accuses her teenage girls of being scheming whores then gets angry when her husband accuses their teenage girls of being scheming whores, and worst of all we are just told “Maegelle tells them to make up so they do” so we don’t know why Alysanne gets over all of this. What is the point of riding a dragon when you never use that dragon to protect your daughters from unwanted teen marriages? We’re just not given a good enough justification for why her behavior is so weird and frustrating towards her daughters.

Make her Maegor’s daughter though…most of her behavior as an adult makes more sense. Like a worse version of Rhaenyra’s childhood almost - a father desperate for a son, but lowkey obsessed with his daughter, who makes all his hang ups about his parents the problems of every woman around him, except Maegor is out here blood sacrificing and torturing and starting wars and forcing babies on wives he discards quickly and brutally. Then here comes Jaehaerys on a white horse green dragon to save her from the horror her life has become, and he loves her so much he runs away with her even though Alyssa says they shouldn’t marry because people won’t like it. And they have beautiful children, and a beautiful marriage, and build a beautiful kingdom.

Then her pregnancies start getting dangerous. Gaemon, then Valerion, die. Alysanne thinks of the shriveled up mutants she called brothers, if Maegor’s taint has passed to her. Her perfect husband ignores her no, and forces Gael on her. Alysanne remembers that he said nothing to Rogar when Alyssa died, merely wept. Then her daughters start to die. Daella, Alyssa, Viserra, all within a few years. Then Jaehaerys makes Saera watch as he murders her boyfriend, calls her a whore, and says Alysanne cannot follow Saera to Lys. Alysanne thinks of Maegor torturing the Harroways over Alys’ presumed infidelity. Jaehaerys says he’s sorry, and her daughter badgers her into forgiving him, and she remembers how she helped Jaehaerys badger Alyssa into forgiving Rogar. Not two years later, Jaehaerys passes over Rhaenys. Alysanne thinks of how she was never enough for her father, how she felt so superior to Rhaena banished to Dragonstone and resented by Aerea, yet there she is dragging Gael away from court because she can’t stand to be with Jaehaerys. How her father was surrounded by dead women and dead babies and how Jaehaerys is surrounded by his own dead daughters, but surely she did the right thing, surely Maegor was worse, surely the realm is better off? Is he right to pass over Rhaenys? Is she enabling a man just as monstrous as her father? She will never decide, because Maegelle will guilt her about keeping Gael isolated at Dragonstone, and Alysanne will do as she’s told, just like Rhaena, and Alyssa, and Jeyne, Elinor, Ceryse, Alys, and Tyanna, just like every one of her daughters.

I do get why Alysanne is Alyssa & Aenys’ and not Maegor’s. The weird Targ babies, the line not descending from Visenya, Jaehaerys and Alysanne being held up as the perfect Targaryen couple specifically because they are brother and sister and dragon riders. I do even think canon Alysanne is likely traumatized by her time as a hostage on Dragonstone, and the ensuing war, and the trauma bond that caused with Jaehaerys, and it makes her idolize Jaehaerys, and then he isolates her at Dragonstone so he can swiftly and safely marry, groom, and knock her up. It’s not like,,,, a fun time, and it’s enough to make anyone crazy and weird about their daughters, but I think having her father be Maegor makes Alysanne herself much deeper because it gives her, as the most beloved Targaryen queen, a blood tie to the most hated Targaryen king, and a marriage to the most beloved Targaryen king. It fits better with a lot of the themes of the main series (again, imo) - forcing the spotlight on the outsiders to see how the affect the story from behind the scenes. The fall of Aegon’s sons, and The Long Reign, not told from the PoV or to serve the PoV of any of the kings or princes, but of the queen that tied them all together.

[archangeldyke-all]

Hello Angel!!!

Perhaps Cowboy Sev breaking older Vi and Jinx out of jail. After so many years Sev would be so rusty that she needs reader to help too. Go wild with the shenanigans they get up too. Could bring back Silco and the boys to help legally maybe. Hilarious if somehow Vi got in trouble trying to impress Caitlyn and somehow managed to get Jinx involved. Also funny if Sev and reader meet Caitlyn as Vi’a girlfriend during this break out HAHHAHA

Pls I’m obsessed with cowboy Sevika HELP ME

Thank youuuuu

this is SOOOOOO cute such a good idea i'm crying.

men and minors dni

ten years into marriage, fifteen years into your relationship, eight years with the girls, five with them legally yours, and sevika finally retires.

there was no need for her to work at the ranch in the first place. the amount of loot she'd stolen and stored in your inn (both in your room hidden beneath the floorboards and in the rafters, and buried beneath your side garden) was enough to take care of you for ten lifetimes to come. but, sevika was used to spending her day on shimmer's back, and she needed something to do with her free time once she gave up her life of crime.

but now, things have changed. sevika's ready to settle down and spend her days in the inn with you. the girls are growing up, vi being sixteen and powder being twelve-- they'll be living their own lives soon, and sevika wants to be around to keep you company as you transition into empty nesters.

shimmer died last winter. the four of you spent her last days cuddled up beside her in the stable, feeding her sugar cubes by the handful, saying your final goodbyes to sev's trusty mare. she rests behind the side garden now, marked by a big stone vi and jinx engraved.

old man ernie died too, leaving his ranch to his son. when he took over, he offered to let sev keep her job, but she declined. she was ready to retire.

she's been adjusting to retired life really well.

she loves working behind the bar in the evening, chatting with locals who stop in for a drink and swapping stories with some of your shadier guests in the in.

she's gotten really into reading-- especially smutty paperback romances.

when she gets restless cooped up in the inn, you send her out to ride the new foal-- a sweet young horse the girls decided to name teddybear.

it's been great having sev around all the time. especially for your sex lives.

speaking of your sex lives, you and sevika have been having a particularly fun week. the girls took teddybear out on a trip to a town two days ride south. they're meeting up with mylo and claggor there to catch the traveling circus. and it's summer time, which is always your slow season, and as of two days ago-- you've got no guests. you and sevika have been having a fucking blast, fucking on any and every flat surface you can find. your legs have been like jelly all week long.

it's been paradise.

"what're you smilin' at?" sevika mumbles from her side of the bed. you grin, turning on your side to stare at your sleepy wife. it's the crack of dawn, not even the rooster is awake yet. just you and the crickets, singing through the open windows.

"you're awake." you say. sevika smiles.

"i am indeed. c'mon, what's got you smilin' all pretty, darlin'?" she asks again, yawning to punctuate her question.

you scooch forward to kiss her nose, and sevika grins, her eyes scrunching closed.

"what i've been smilin' at for the past fifteen years, baby." you say. sevika chuckles.

"havin' sweet dreams about me?"

"more like flashbacks to last night." you say, waggling youreyebrows salaciously. sevika laughs.

"mmm, knew we'd break the bedframe one'a these days." sevika says with a proud little smile. you giggle and sit up on your elbows to look over at the broken bedframe stacked against the wall beside where the two of you sleep-- on the mattress on the floor.

"shit, sev that was oak, can't believe you fucked me through oak." you laugh. sevika nods cockily.

"damn right i did." she says. you giggle and fall back down to bed, snuggling against her chest. "how're you feeling?" she asks.

you snort. "well, i don't think i'm gonna be able to walk straight for a few days, and i woke up giggling, so... i'm better than i've been since our honeymoon." you say.

sevika grins, her sweet little gap makes your heart melt, and she smacks your ass.

"fuck, i love you." she sighs. you giggle and kiss her neck.

"love you too."

you guys drift off to sleep in each other's arms.

an hour later, the rooster crows, and you both wake up smiling again.

"morning." sevika mumbles. you kiss her lips.

"morning."

"i'll fetch some fresh water if you start breakfast?" sevika offers.

"will you let the chickens out?" you ask. sevika nods.

"duh." she says. you grin.

"deal."

you guys move slowly, lazily rubbing your eyes and yawning as you wash your faces and brush your teeth, stretching and kissing between each article of clothing you pull over your naked bodies, luxuriating in the slow morning all to yourselves.

sevika laughs at the limp in your step, and you pinch the bruises you left on her shoulders in revenge.

you fry up some eggs and hashbowns, watching through the window over the stove as sevika pumps fresh water from the well, watering your garden, the chickens, and finally lugging two buckets inside for the two of you to share.

you guys eat breakfast on the front porch, cuddled together on the porch swing violet 'found' for the two of you a few years ago. (you're pretty sure she stole it off sheriff marcus' front porch, but violet hasn't admitted it yet, and the sheriff's still too scared of you and sev to say anything.)

"how do you think the girls're doin'?" you ask as you sip your coffee. sevika snorts.

"i knew you were gonna ask that." she teases. you roll you eyes and sevika leans over to press a kiss to your temple. "they're fine. you know they're fine." she says. you huff.

"i know, i just miss 'em." you say. sevika laughs.

"i do, too, darlin'." she says.

sevika leans in to kiss you, and you sigh against her, quickly melting against her lips. she licks against your lips and you hum, opening your mouth for her to slide her tongue into your mouth--

"ahem!" a voice calls.

you and sevika pull apart, necks snapping to the stairs in front of you where a teenage girl stands, blushing and rubbing the back of her neck.

sevika clears her throat in embarrassment. you giggle.

"how can we help you, honey?" you ask the girl. her eyes dart up to you, quickly shooting between you and sevika, back to you, and then sevika again.

"uh..." she chokes out. she squeezes her eyes shut and shakes her head, before taking a deep breath. "s-sorry to inturrupt ma'am, i just-- d-do you happen to know a mylo and claggor? or violet and jinx, percha-"

"oh fuck." sevika groans. the girl squeaks at the curse, and you chuckle. "what did those shits get themselves into now?" she asks.

she blinks. "uhm. jail, miss." she says.

you blink.

sevika's jaw drops.

the girl clears her throat. "a-about thirty miles south of here in a small town call--"

"what did they do?" sevika groans. "i trained them for every scenario, how the fuck did they get caught?!" she whines.

you blink again, spots in your vision popping up.

"uh... they shot the sheriff?" she says.

you gasp.

sevika laughs.

"shit." she says, somewhat impressed. "on purpose?" she asks, her eyebrow raising.

you feel lightheaded.

"n-no ma'am. accident. he's still alive-- but he's sentenced them to hang at the end of the week..."

that's the last thing you hear before you black out.

you wake up in bed, sevika nervously hovering over you, pressing a wet cloth to your forehead.

"wha--"

"you passed out."

"jinx and vi--" you snap up in bed, scrambling to your feet. sevika's beside you in an instant, steadying you as you're knees threaten to give out beneath you.

"it's oka--"

"sevika don't you dare say 'it's okay' to me right now!" you snap. she shuts her mouth.

footsteps start up the steps, and you look over your shoulder, where the teenager from before appears, a fresh bucket of water in her hands.

she freezes at the top of the steps, taking in the tense environment she walked in, then turning red as a tomato when she tries to avert her eyes from you and sevika, and makes direct eyecontact with the broken bedframe behind the two of you.

you would laugh at the poor, flustered girl. now though, she just reminds you a bit of the first time violet saw you and sev kiss, and that just makes you want to vomit.

"caitlyn, here," sevika starts in an irritatingly annoying voice, "was hanging out with the kids at the circus, right cait?" sevika asks. caitlyn nods.

"i live in town." she explains.

"and when they got arrested, cait was the only one who got away. violet told her to come get us, right cait?" sevika asks again. caitlyn clears her throat.

"i rode through the night. i also sent a telegraph to a mr. silco?" she says. you blink.

"right. and we're all gonna meet in town, and we're gonna figure something out, okay baby?" she asks. you gulp.

"sevika--"

"honey, i'm not gonna let anyone put a damn finger on our kids." she says firmly. you look away from the teenager to take in the steely sincerity of your wife's eyes, and you gulp. she gently reaches up to cup your face. "c'mon, have a little faith in me, darlin'" she coos, melting into a soft smile. you sigh shakily. "i'm the fuckin' weary woman of the west-- what's a little jailbreak, huh?"

you take a deep breath and lean forward to press your forehead against hers.

"we're gonna need a few horses." you say. sevika grins.

"i'm way ahead of you." she says.

grayson was happy to lend you two horses and buggies, almost crying at the thought of the girls in trouble. she promised to come over every day to care for your chickens and garden while you were away, and you thanked her profusely before riding the animals home faster than you've ever ridden-- anxious to get back.

when you arrive, it's to caitlyn and sevika waist deep in the dirt behind your garden, a few yards away from where shimmer lays. for the first time since caitlyn's arrived, you laugh.

sevika's pulls a crate out of the ground prying it open with a crowbar. as she opens the crate, she reveals dozens of sticks of dynamite, and she grins up at you with a proud smile. you giggle, and roll your eyes. caitlyn shoots out of the hole, terrified by the explosives.

"i'm gonna pack up some food for the trip." you nod to your house. "come help me kid." you say. the girl nods eagerly, sprinting away from the dynamite. sevika laughs.

you guys pack quickly, visiting the cellar for cans of food, gathering the essentials for travel, a couple blankets and quilts, a pack of matches, canteens and jugs of water. while you're folding some clothes, both for you and sevika as well as jinx and powder, you break down into tears.

caitlyn flounders around you for a few seconds, and you try desperately to collect yourself, but you can't quite manage.

the girl gently, awkwardly pats your shoulder.

you turn around and hug her impossibly close to your chest. she squeaks.

"fuck. shit." you cry. you take a few deep breaths, squeezing the girl in your arms, before letting her go. "sorry." you say, dropping your hands at your sides. "thank you." you sob. "for coming to get us."

caitlyn blinks, then wraps her arms around you, pulling you toward her this time. you giggle through your laughs against her shoulder and she gently rubs your back.

"violet told me you'd freak out." she says... "you remind me of my mom."

"oh, fuck, do your parents know where you are?" you gasp, pulling away. caitlyn laughs.

"yes." she says. you raise an eyebrow at her and she sighs. "okay, no. but they think i'm safe, at the circus, they won't be looking for me for a while." she swears.

"you stupid fucking kids." you groan.

you leave town at noon, and ride until midnight. the trip is solemn, nobody tries to talk much.

sevika's got this look in her eye, something you haven't seen in a long time. she's up to something-- something more than her usual mischievous pranks and jokes. the gears in her head are grinding, you can practically see her run scenarios and outcomes back and forth through her mind's eye.

it's a little scary-- you forgot how focused and intense she gets when she's plotting something. it's mostly hot though.

but you can't really say that-- not with caitlyn lurking. still, sevika catches your eye a couple of times and smirks, like she knows just how hot she looks as she rides beside you.

caitlyn's a good navigator-- apparently she's a junior guide up and down the river, so she knows the route to town like the back of her hand. she gets you around mountains, avoids most hills, and knows the best spots to stop for when the horses need to rest. sevika's impressed. the two of them chat over the campfire about the surrounding areas, comparing notes and shortcuts they've learned over in their travels. it's so cute it breaks your heart.

it's a dry, warm night, so you sleep beneath the stars.

you don't sleep.

sevika doesn't sleep.

you just stare at the sky while caitlyn and the horses rest.

at one point, sevika reaches over and grabs your hand. "it's gonna be fine." she says. tears well up in your eyes.

"i love you so much." you say. sevika squeezes your hand so hard it's painful, and she replies shakily.

"i love you too darlin'."

it's silent long enough for you to think sevika's fallen asleep, but then she speaks again. "betcha five bucks caitlyn's vi's girlfriend."

you burst into laughter, smacking your hand over your mouth as you laugh. caitlyn stirs beside you, and you can feel sevika's silent, mischievous laughter beside you. you nudge her with your elbow.

when you catch your breath, and caitlyn's snoring returns, you whisper to your wife. "you have way too much faith in your daughter."

she snorts.

you get to town by noon, and sevika sets you and caitlyn up in a the saloon that was the address caitlyn had telegraphed to vander and silco. she takes off to scope out the police station.

it's a pretty gritty place, and you look around it with a raised eyebrow, then look down at caitlyn. she's sitting with perfect posture, dusting off her tailored riding coat.

"you hang out in this saloon?" you ask. she blinks up at you and then sighs.

"well, no... but it's where all the shootouts in town happen!" she says. "it felt... good for planning a crime?" she tries. you laugh.

"sevika's gonna love this." you say. she grins. "what do your parents do?" you ask. caitlyn gulps.

"uh... oil?" she says.

you burst out into laughter.

"shit you're an heiress?" you ask. she nods. you shake your head. "no way vi's bagged you yet." you mumble. caitlyn blushes bright red and clears her throat.

sevika comes back before sunset, sitting beside you at the table and scrawling away in her notebook little sketches of the prison, mumbling to herself, occasionally looking up to ask caitlyn questions.

surprisingly, cait seemed to know a lot.

"do you know which cell they're in?"

"the one on the far end here." caitlyn says, circling a part of sevika's diagram.

"and who else is being held right now?"

"nobody. the sheriff's been itching for some action."

"how do you know all of this?" you ask. caitlyn blushes.

"it's good to stay up to date on local going ons." she says. you chuckle.

she's a dork, you think fondly. she's perfect for violet.

sevika returns to her drawings and you decide it's time to interrogate your daughter's possible future girlfriend.

"how exactly did the kids shoot the sheriff?" you ask. caitlyn blushes bright red, and you raise your eyebrow.

"uh. well..."

sevika looks up from her notebook, intrigued.

caitlyn gulps, then looks away. "it might've been me." she whispers.

your eyes widen.

"what?" sevika asks.

caitlyn blinks, then speaks so fast it's almost impossible to make out. "violet was showing off all the cool things she could do, and i had packed my gun to bring to the circus because they've got contests for clay duck shooting and you can win twenty bucks if you make it to the tournement and i'm a really good shot--" she sucks in a breath, tears bubbling up in her eyes "so i wanted to show off my shooting skills and vi told me to shoot the big roasted hog in the food tent and i did right through the eyes! but i didn't see the sheriff on the other side of the pig getting himself a serving, so the bullet went straight through his shoulder." she finishes, gasping for another breath.

"how did--"

"and before i could even do anything violet was already taking the gun from my hands and telling me to run and i'm so sorry--" she starts to sob.

"shit, relax, kid, it's okay." sevika says, reaching out to pat caitlyn's back. you smile. "it's fine, we're not mad." sevika says. caitlyn gasps, her eyes shooting up between you and sevika.

"you're not?" she asks. you shake your head no. "o-oh." she whispers, wiping her eyes. you ruffle her hair.

silco and vander arrive quickly after. they took the train, and they clearly left the moment they got the message-- wearing day old wrinkled clothes, no luggage, just pistols tucked in every pocket on their bodies.

silco's greeting is a gaurentee that he's going to kill the kids before the sheriff can, and vander's apologetic assurances that his husband is only joking. silco's appearance seems to ease something in sevika, and the two of them quickly fall into a hushed conversation as sevika discusses her plan with silco. caitlyn's right beside them, a little furrow in her brow as she absorbs their hushed discussions.

vander, cordial as ever, gives you a hug and presses a solid kiss to your scalp.

"how're you holding up?" he asks.

"better now that you're here." you respond. he laughs.

"can i be honest?" he mumbles. you nod. "silco's not gonna get the chance to kill the kids, i'll have already fucking done it." he whispers. you laugh. "we're not young and spry like you and sev-- we both nearly had heart attacks when we got your message." he groans. you rub his shoulder as you laugh.

"you wanna hear somethin' that'll make you laugh?" you ask. he nods.

"violet's got a crush on the girl here." you say. vander raises his eyebrow, looking over at caitlyn, who's absorbed by the diagram of the prison, pointing and mumbling to an interested and engaged silco and sevika. "an oil heiress." you say. vander chuckles.

"huh. well are the feelings mutual?" he asks. you laugh.

"they better be. violet got all our fuckin' kids arrested for her ass." you whisper. vander groans and rolls his eyes, grabbing his chest.

"oh, don't tell me these things." he begs. you laugh.

"you're lucky you don't have girls." you say.

you wait until midnight to start your plan.

you split up into three groups.

silco and vander are the horsemen, both of grayson's and cait's, plus teddybear, who they found outside the jail, wrangled up and tied to the two carts-- ready to get out of town fast once you break the kids out.

sevika's on explosives, obviously.

you and caitlyn have to find a way to communicate with the kids.

you're helping wrap a bandanna around the lower half of caitlyn's face, tugging an old hat low on her face to disguise her as best as possible. she grunts and squirms.

"quit movin'. you're a fuckin heiress, everyone knows your face. you can't be seen breakin' kids outta prison." you say. she sighs.

"fine." she grunts as you wrap a scarf over her neck.

"okay." you whisper, satisfied now that she's bundled enough to be indistinguishable. "show me this window."

caitlyn guides you around the back of the jail building, and quietly points up to a cell window about fifteen feet off the ground, iron barred.

"take the beef jerkey." you say, shoving the paper package in her hand. she pockets it, and then you crouch. "stand on my shoulders." you say. she nods, clambering on top of you.

once she's steady, you groan as you stand to your full height. with caitlyn on your shoulders, she can peek through the window.

the window, apparently, sits above the sheriff's desk-- likely where he's in a whiskey induced coma now-- sleeping away the pain of his shoulder. oppisite his desk, are the iron bars holding your children.

the sheriff's got a dog, hence the beef jerkey.

caitlyn whistles into the window. you cringe.

the sheriff snores, and the dog whines. you can make out the plop of a piece of jerkey, and then caitlyn's whispered, "hi doggie!"

you bite back your smile, and almost collapse when you hear jinx's voice.

"oh for fuck's sake-- violet!" she whispers."your stupid fucking girlfriend's here!"

you grin, tears welling in your eyes at the sound of your kid.

"caitlyn!" violet exclaims. you take a shaky breath.

"we're blowing the back wall down." caitlyn whispers. "you need to shelter on this end."

there's some shuffling as the kids wake up and run over to the oppisite wall, and you grin at the pitter patter.

the sheriff gasps, and you freeze. caitlyn bites squeaks.

and then he's back to snoring. you sigh shakily and squeeze caitlyn's ankles.

"stay there. we'll see you on the other side." she whispers, then she jumps down from your shoulders.

the two of you take off for the oppisite side of the building where sevika's waiting for the two of you.

she grabs your hand as she lights the line to the dynamite. you hold your breath. the line sizzles, sizzles, sizzles, quickly reaching the sticks at the base of the wall, until it... fizzles out.

sevika holds her breath. you hold your breath. caitlyn gasps, "oh fuck-- what do we do no--"

she's cut off by a BOOM!

the ground shakes, dust goes flying, and the wall comes tumbling down.

as the dust clears, a small fire illuminating the inside of the cell, you grin as the kids start hooting and hollaring in amazement.

"THAT WAS FUCKING AWESOME!" jinx and claggor shout at the same time as they all come sprinting out of the cell.

sevika snorts, then smacks them both upside the head.

"fuckin' stealth mission, assholes!" she whisper-scolds. mylo cackles.

"sorry sevika, but the stealth went out the window with that wall!" he laughs. sevika snorts and wraps all three of them up in her strong arms.

beside you, violet gasps, tears streaming down her eyes as she reaches up to pull caitlyn's bandana away.

"you came back." she whispers dramatically. you roll your eyes at the pure corniness, and then melt at the sweet sight of caitlyn darting forward and pressing her lips against your daughter's.

it's clumsy and quick, and they're both pull away bright red and gasping. you quickly look away when violet's eyes dart toward you, pretending like you weren't looking.

it doesn't seem to matter though, because next thing you know you have an armful of violet, sobbing into your shoulder. you squeeze her tight against your chest, and press a kiss against her head.

"you're in so much fucking trouble." you whisper against her hair. she giggles between her sobs.

"i knew you'd come." she whispers. you laugh.

"duh, dumbass. we need someone to take care of the chickens every day." you say. she cackles.

a gunshot rings out, and you all jump, turning around to face the now- open cell.

the sheriff stand sin the debris, a shard of wood speared through his unshot arm, his gun held weakly in his hand at his waist.

you push violet and caitlyn away to run grabbing their hands as you sprint down the street. beside you, sevika's got mylo under her arm, and calggor's got jinx on his back as they sprint, screaming and laughing down main street.

as the sheriff chases after you, unloading his gun at you, a bullet grazes violet's arm. she gasps in pain, and you gasp in horror, and before you know what's happening you're spinning on your heel and stopping dead in your tracks, reaching for the pistol you'd tucked into your waistband this morning.

you take a deep breath, and close one eye. lining your barrel up with the sheriff's bald, sweaty face.

he gets closer. he gets closer. sevika notices you're missing behind you, screaming your name, and the sheriff's right in front of you.

you shoot, and he crumbles to the ground.

it's quiet, and then your ears start ringing, and then, as the music fades, the sound of jinx's celebratory hoots fill your ears. you grin and turn back around, jogging to catch up to your family where everyone besides jinx (whose dancing in celebration at your shot) is frozen in place and gawking at you.

you smack sevika's ass as you pass her, grabbing jinx's wrist as you continue down main street, toward where silco and vander were waiting.

"c'mon y'all, someone's gonna check in on all this commotion soon!" you call over your shoulder.

shocked laughs fill the dusty main street as you and your family flee.

the ride back to your inn is mostly spent in long lectures, hilarious re-tellings of the kids' experience in jail, and tears and kisses being pressed to cringing children's heads.

but when you get back home to your inn, on your turf, all the anxiety and stress from the journey wear off, and you can finally relax.

you set up vander and silco and the boys in three rooms. violet eagerly volunteers to host caitlyn in her room, which makes you all laugh, (jinx groans in disgust) and you allow it.

and then, after scrubbing down with a washcloth, you fall crawl into the mattress on the floor beside sevika.

she's been snoring since you got back. she woke up for dinner, then fell back asleep after. but the second your weight hits the bed, she's blinking open, a smile on her face. you snort at her.

"what's that look for?" you ask.

"y'know that was the hottest thing i've ever fuckin' seen?" she whispers. you laugh.

"oh yeah?" you ask. she nods.

"didn't think you had it in you." she says, smirking. you just shrug and wink at her.

"you woulda done it anyways, i saw that look in your eye." you say. she grins and nods.

"yeah, but i didn't even have to try. my fuckin' outlaw wife killed the sheriff for me." she says, a blush working up her cheeks. you grin.

"now you know how it feels." you say. she laughs and you dart forward to kiss her forehead.

"i love you." she whispers. "i'm gonna fuck you through the floor tomorrow morning." she mumbles as she drifts off to sleep. you laugh.

"not happenin' babe." you say, kissing her forehead. "the kids are underneath us."

sevika groans. "those stupid fuckers."

you laugh and kiss her again. "i love you, sev."

"you owe me five bucks." she says.

taglist!

@lesbeaniegreenie @fyeahnix @sapphicsgirl @half-of-a-gay @ellabslut @thesevi0lentdelights @sexysapphicshopowner @shimtarofstupidity @love-sugarr @chuucanchuucan @222danielaa @badbye666 @femme-historian @lia-winther @gr0ssz0mbi3 @ellsss @sevikaspillowprincess @leomatsuzaki

[justaz]

all this was to say that lance had the perfect set up for a deep, beautiful character arc but…well. we all know what happened. he’s arrogant, overconfident, and cocky and this ends up with him making mistakes and costing his team a pretty run with the flight sim. yet you can see in that episode with the yupper that lance has a deep insecurity that he buries and hides under smirks and quips and a whole lotta pride. (they also could’ve tied it to his family as well since they gave him multiple siblings which would’ve overshadowed his accomplishments which is the root of him striving for greatness and perfection so much that he gets tunnel vision and his team pays the price, but i digress.) with his competition/rivalry with keith, the star student who is effortlessly talented, it would’ve been beautiful for them to be equals as coleaders without them realizing. it wasn’t a conscious decision for either of them but lance’s little line from the first episode had more truth than he realized - “lance and keith, neck and neck”.

and then to lose that along with himself when kuron takes control of the team, to watch him struggle and flounder and fall deeper into his insecurities, his pride and ego wounded so much that he is unsure of his every move, his every word, his every breath. it would’ve been PERFECT for him to figure out that kuron was a clone and that the team was under galran command. lance being forced into the leadership role, much like keith was, and having to make decisions and choices for the team as black paladin - still being so unsure of what he’s doing and if it’s right. he full heartedly believes that the team needs keith back, they can’t do this without him, but keith is on the space whale and no one can get ahold of him so it’s up to lance. lance who slowly heals the deep wound within him that has him believing that he’ll never be good enough and grows his confidence back on solid ground. lance who becomes steady and sure of himself and leads the team almost effortlessly.

all this paralleling keith’s character arc which (ofc) happened off screen in canon. keith who was restless and explosive for years bc he never had a mother, his father died when he was young, he was bounced around from foster home to foster home, and once he found a permanent home, shiro goes missing and is presumed dead. keith who is constantly searching for something he can’t name and finding his mother and is forced to be with her for two years while glimpsing the past and future. keith seeing his parents meet and fall in love, watching as his mother practically tore herself apart inside as she left him and his father behind - feeling a piece of him settle within at the sight. she didn’t want to leave, she would’ve given anything to stay. watching his father and shiro raise him, their love unconditional until the day they left. krolia watching little keith rage at the injustice and being there for his older self and healing those wounds. settling every restless piece within him until he became the man who stepped back onto the castleship with a space wolf, an altean, and his alien mom.

keith and lance finding a shred of stability with one another as coleaders of voltron and best friends since they definitely grew closer during s3. they were attached at the hip, they did everything together, the line between platonic and romantic blurred so much that it wasn’t even there anymore, it was just them. but it was unhealthy how close they were, how dependent they were on one another. only to be torn apart and with their unhealthy codependency, they completely fall apart without the other there so theyre forced to rebuild the foundations of their beings. lance crumbles all alone as he and the team become distant and he rebuilds as black paladin. keith crumbles alone at the blade hopping from mission to mission and rebuilds on the space whale with his mother.

steady keith and lance meeting almost like for the first time after lance and the team took out kuron and keith and krolia found a hidden altea. together they turn on lotor and take him down too. since kuron has already been dealt with, lotor didn’t get away and all that other shit in canon didn’t happen so they get to remain in space until they take the empire completely. allura places shiro into the clone’s body and meets romelle and talks of freeing the hidden altea after the war is over and theyre not at risk anymore. keith and lance are unsure of how to proceed with the whole leader thing but there again pops up the coleader resolution. as steadier, mature versions of themselves, keith has really stepped into the black paladin position while lance had always been more suited for red. keith and lance, leader and his right hand, but they’re equals. theres no competition, no rivalry, no jealousy or envy, just respect and love.

[disgracefulthings]

Is it me or...

Is Han Sooyoung from Omniscient Reader's Viewpoint very similar to our resident hamster?

[sacchiri]

Hellsing 2002 calendar illustration.

Ein wunderliche und erschröckliche Hystori von einem großen Wüttrich genant Dracole wayda Der do so ganz unkristenliche marrter hat angelegt die mensche, als mit spissen als auch die leut zu Tod geslyffen

A wondrous and frightening story about a great berserk called Dracula the voivode who inflicted such unchristian tortures such as with stakes and also dragged people to death