#i would actually love to hear it!

[littlebirdygirlywriting]

I was never 100% sure if they were or not (I’m always super hype about it anyway!), but honestly, isn’t the bigger question… why are you bookmarking something you don’t like??? (If someone has a genuine answer for this, I would actually love to hear it! Because right now, the idea of that is literally nothing but confusing to me—like, why would you want it under your bookmarks if you don’t like it?)

Been hearing this is a problem again. Don't be a dick in bookmarks, folks. And yes while I made this image, I'm giving free reign. Take it. Spread it far and wide. Because I'm hearing that some readers don't know that their bookmarks are visible.

[weirdsociology]

hey writers we have to talk.

if you've read any romance or fanfic in the past twenty years (i know you have), you know that there are a certain number of scents associated with hot dudes. you can probably recite the list of Things Men in Fic smell like in your sleep: leather, black pepper, pine, sandalwood, "something uniquely him", clean sweat, and if the character has ever fucking been within 50 yards of a firearm, something called "cordite".

here's the thing.

NO ONE SMELLS LIKE CORDITE.

cordite was a highly specific type of smokeless gunpowder developed in the 1890s by england specifically and used mostly in wwi.

if your good-smelling guy is not (a) english (b) using a very specific type of british rifle (c) dying in a trench in flanders, he does not smell like cordite. technically even if he does meet all those conditions he still doesn't smell like cordite because he smells like trenchfoot.

the point is, cordite is so far from universal that no one but the most hardcore gun nerds give a single shit about it. making your Sexy Hero smell like cordite is like naming a cassette-only bootleg live recording from the 1970s as your favorite grateful dead album. everyone at the party hates you immediately and knows you're doing it for clout. also, it's just factually... wrong. please stop. i know everyone else is doing it, but you can do the right thing here, i believe in you.

so what do people who are using guns smell like?

well if your story is set before the late 1880s, the smell of a fired gun is black powder, which, unfortunately, smells like seventeen flatulent cows have been shoved in a tire factory. trust me, you do not want your Hot Dude to smell like black powder. it's b a d.

if your story is set after the late 1880s, guns are using some variety of modern 'smokeless' powder - which speaking broadly doesn't really have a ton of scent when used. it does have some, but it's sort of non-descript: the best way i can describe it is the sweet, ozone, hot-plate smell of popping your car hood with a warm engine.

people who use guns a lot don't smell like fired guns all the time anyway, so while those scents might work in a fight scene, they're not realistic all the time. but there are some things that your Sexy Shootist will smell like basically 24/7 and that's metal and gun oil. metal you can go and sniff (i recommend non-stainless steel), but if you want a reference, most gun oils have a sharp, organic smell that's not dissimilar to canola oil but muskier and with a tang overtop. it's not unlikely leather is in the mix as well due to routine handling of leather equipment and gear. modern gear also tends to have a certain smell although it varies by production country and storage conditions - lots of opportunities there.

in conclusion: gunslingers and hired killers and military folks can be sexy and smell great on page, but i am begging you not to say "cordite" when you mean "gunpowder" ever again. we can do this. we are writers and therefore pedants. i believe in us!

[datcravat]

It seems there's a new lawyer in town!!!

[shepscapades]

Contrary to popular belief etho and bdubs are not divorced and in this essay I will

[gigizetz]

Hi Gigi :3

Are we gonna get a hold them down animation? Or no because the uncomforty topic?

that's up for the future to decide

I'll be busy with commissions up until february I think, so util then I won't be working on any Epic animatics

and then once I have time again I'll finish God Games

and after that I kinda want to do Legendary-

[the-rodent-gentleman]

All rise for the Big Daddy of Wrath

And as a bonus:

[vaguely-concerned]

the more I play the more I think lucanis basically knows it's illario who betrayed him right from the beginning (he's had a year in the ossuary to think. not that many people knew where he was going. when you ask him 'did Illario know you'd be on that ship' his only answer is the hardest flattest 'yes' you ever heard). so it's not so much about figuring out who the traitor is (because that's ludicrous. we all know. immediately. they didn't really bother to hide it lmao) as about methodically closing off every single avenue of denial lucanis has clung to that whole time with as much or little gentleness as you might prefer until he has no choice but to admit it. because the moment he has to admit it, he'll have to do something -- feel something -- about it. and that's such a catastrophic event in lucanis' inner landscape (he has had TWO people in this whole entire world up until now and will do anything to hold on to them with a heartbreaking child-like desperation, even at and especially through the detriment of his own self) that he'd rather just. not. what if we quite simply. didn't. what if we just stayed here in the emptiness where we can both pretend you didn't hurt me in a way I should never forgive. I have so much practice in that with caterina already it's always worked out great for everyone so far. (press x to fucking doubt but that's trauma logic for you lol)

after everything illario did, so much of the storm of lucanis' emotions around it is 'what the FUCK did you get yourself tangled up in this time and how do I get you out of this mess safely'. what's worse: the fact that your brother murdered you, or that he put himself in horrible danger doing so and thus exposed you to the risk of losing him forever. lucanis' heart certainly has an opinion here and it's fucking unhinged (affectionate)

the themes of dissociation in lucanis' character in general makes me feel nuts. allllll these contradictory messy things he needs to cut off from each other because they can't coexist or be easily reconciled inside him. but all remain stubbornly true separately anyway and will have their due one day. love and resentment. tenderness and fear and rage. terror and longing. love and freedom don't coexist. the burned out golden child anthem is playing in the background. he was always caterina's favourite and he has to keep striving to deserve that dubious honour with every breath he takes and then, presumably, mercifully, some day he will die and be excused and can rest. and until now he's suppressed all the -- natural, healthy, protective! -- negative feelings that threaten the few attachment relationships he actually has, at the cost of ever actually having his needs for connection and safety met and leaving his core self imprisoned and compromised. and spite goes 'what. no. that's dumb fuck that' (*spite voice* I do not understand that and even if I did I would not respect it) and does not allow him to fall back into that, which I think is what saves his life, ultimately. it took being possessed by a demon for lucanis to even contemplate telling anyone he loves 'no' in any way, but hey. whatever gets you there right lol

lucanis is dealing with the freeze response allll the way down baby. and he was even before the ossuary, that just turbo powered it and brought it to a breaking point way before it could happen naturally. but something was going to break eventually no matter what, and I'm just glad that in the end, through the power of friendship and also pure spite, it doesn't have to be him

[poorly-drawn-mdzs]

ghost horses

GHORSES

[keferon]

Two Peas in a Pod: part 2/?

*slips another piece into your mailbox*

_____________________

Jazz was still feeling a little woozy from his donation in the dark hours of the morning. Blaster had breakfast changed from the usual to something that felt more like a treat, probably a reward for his good behaviour, and to help his body recover. Fish heavy in proteins, fat, all that healthy stuff. Something that normally he would have tried to savour, but he wolfed it down from excitement. Too many questions ran through his head, and most he couldn't bring himself to voice.

The mer, the mer would pull through. Blaster told him about how he had saved their life with his blood. Praised him high and low. Because Blaster knew how Jazz felt about seeing blood, about how hard blood tests were for him, and that was only a tiny vial. Not three big bags of it. Jazz hadn't seen how much they had taken – because he had kept his eye closed until they left in a hurry –, and hearing about it made him dizzy for other reasons, but he honestly felt real proud of himself.

It was a new feeling, different from other moments of pride – like when he figured out the lock codes. Yeah, this gave him butterflies and the drive to help more.

Blaster laughed when Jazz offered that the vets could take more if the other mer needed it. His handler didn't think it would be, but he would pass it on to the vet team.

Jazz's morning checks were a little off, expected with having a little less fluids and feeling off-balance, but it was kept short and quick. Blaster told him that if he learned anything more, he'd tell him next time he came by and then hurried back down to the staff area. Blaster was needed elsewhere, understandably as there weren't many mer experts here, though he did leave Jazz his waterproof stereo if he wanted to play some of his favourites.

But, the orca mer was far too busy causing a whirlpool from the laps he was swimming. He was too excited to sit still, and embarrassment be damned he started practising old vocals. He didn't remember much of his mother tongue, and he was pretty sure that his pronunciation was off, that or had one hell of an accent. Echo-speech was even more rusty. And once he had gone over and over what he could recall, Jazz began to really worry. A few sentences and handful or so of words was all he had? Gods, I hope I can at least make a decent first impression. Blaster said they were just like me, so hopefully, that will give me some starting points.

More than he cared to count, Jazz would swim into the shallow waters of the medical bay and hope to see something through that window. But no one ever came close enough for him to hear any news of the mer. He couldn't even see anything on his radar, wherever they had done treatment, it wasn't in the hospital ward. It almost felt like he was being purposely kept in the dark.

And just when Jazz was starting to worry that things had taken a bad turn, a group of staff turned up around four pm. He wasn't able to ask any questions, or rather they refused to answer. Shooing him away as they got to work. Starting with closing the gate to the bay to 'keep him out'. Jazz could easily climb those walls, but that wasn't the point. Even if the gate window was closed, he could pick up that they were setting up the water hammock. But it wasn't until he heard the cautionary beeping of the hoist lift approaching that it dawned on him – the mer was coming. Now.

"Jazz," Blaster called, "… Jazz," he blew the training whistle and finally got his mer's attention. "Stop pacing and get over here."

"But–" Jazz looked back longingly up the wall.

"Jazz," his tone dropped to a firm one, and Jazz begrudgingly swam over to the pier. The human crouched and made sure that they held eye contact before he spoke. "I need you to promise me that you will stay in your enclosure."

He sunk a little, trying to play into his cuteness, but being far too anxious to really pull it off. "What do you mean?"

"Jazz," now warning him. Blaster knew full well that he was more than capable of getting into or out of places he shouldn't, bloody Houdini mermaid, "this is serious. Things are going well, we want to keep it that way. Which means keeping things calm and feeling safe. You're excited, I get it, we all are. But in about an hour, they'll be waking up and – from past experience seen with wild Mers – they will likely freak out. And the last thing we need is you hauling your tail over that wall and making things worse. Understand?"

The beeping was louder how and the hiss of hydraulics caused Jazz to look up. The arm of the lift was visible over the wall. They're here!

"Jazz," Blaster hopelessly called for his attention once more.

Within moments, a massive bundle was carefully raised, the staff calling out and coordinating. Jazz's gaze was fixed on the black and white fluke poking out, it was the only part of them he could see, and his heart began to race. Once they became hidden by the wall again, Jazz moved back to pacing by the gate without even thinking. Listening to people hopping into the water to unstrap the mer and call back n' forth. "Careful, careful! – Watch the head! – Someone give me a hand over here! – We're clear on this side! – Keep the head up!"

Really starting to sound like a broken record, Blaster chirped the whistle and called out to him again. The expression he wore must have been pretty pitiful because the look on Blaster's face dropped. "If I open the view port… will you promise me that you will wait, that you will stay in your enclosure?"

"I promise," he answered hastily, placing his hands on the gate, over the panel that would slide open.

"And that you will wait until everything is in the clear, till the staff come to oversee the integration. There will be no rushing things and no asking staff when we will open the gate."

"I promise," he repeated, trying not to beg.

Satisfied, Blaster pulled out his radio, "Blaster to Control; when the team is out of the Mer enclosure's medical bay, open the view port. Jazz's stress is mounting without a visual."

"Can do," came a quick reply.

Though, opening the panel was not. Several minutes went by, the hoist had cleared out, and much of the staff had returned to their other duties. Only two remained double-checking the mer's breathing and pulse. The moment that the last of them left, Jazz heard the lock disengage, and he retracted his hands as the panel shifted and began to slide open. The window was too small to get more than his hand – maybe up to his elbow if he wanted to push it – through, and sat just at water level– any movement sending water hopping to either side. But it gave him a clear view of the surface area inside.

Oh.

Oh. Jazz stopped breathing. While the mer's body was mostly supported by the fabric of the hammock, cradling them on their side, effectively hiding most of them from Jazz's angle. Propped up on a soft floating platform was the mer's head, face towards the gate. Sharp features and elegantly shaped finials, with flattering lines of their markings complimenting the peaceful expression as they slept. The butterflies from earlier came back stronger than ever, his heart thundering as words fumbled from Jazz's lips, "he's beautiful…"

_____________________

-GLC

Orca Prowl really is just-- too fucking pretty, omg, I'm living through Jazz in this moment like when I first saw your designs of him.

I'm more than happy to continue writing for you, you bring me so much joy. I screamed when I saw how much you liked it. If you have any requests you would like me to add to the story, leave it in the tags or comments ♡ I now plan to continue until the tsunami and a bit afterwards, maybe more, we'll see~

Upd: There is a next part!

Previous

Oh. MY GOD. OKAY ALRIGHT OKAY ALRIGHT OKA

I'M ABOUT TO START PACING IN CIRCLES JUST LIKE JAZZ OVER HERE KDLCNFJFLFB PL E A S E THIS IS SO GOOD. The tension?? You can fucking TASTE it IT'S SO GREAT GLC I LOVE YOU

The way it all starts at night and then you (as a reader) have all this additional time to boil in your anticipation?? So fucking great. Like you can really feel how little power Jazz has over the wholse situation. The plot is moving but he doesn't have any saying in it. Well. Yet heheh

Anyway haha. Im normal and I made some art>:D

[wackywatchdotcom]

pomni introducing the cast to this random npc she likes

[egophiliac]

hiii im sure you’ve answered this before but in regards to your twst x Pokémon, how do you choose which Pokémon go give to the cast?? really curious since your choices are unique :O

unique in a good way, I hope? 😅 (jk jk I haven't come across too many pokemon AUs, so I was going in without preconceptions, I guess!) I was sorta aiming somewhere between doing, like, a full AU with internal consistency and everything, and just picking entirely based on theme/character, so maybe that's why! basically I just set some arbitrary rules (no legendaries/no repeats/evo stages based on year) and then went on ~vibes~. a couple were also suggestions (thank you guys!) and last-minute decisions, so it was a bit of a delightful mess of ideas!

my one regret is that I should have given Riddle a Togedemaru after all. ...you know what, he can have one now, why not

[laurrelise]

shoutout to kate walsh as the handler for meowing on the set of the umbrella academy for no reason

[scribefindegil]

As much as I adore conlangs, I really like how the Imperial Radch books handle language. The book is entirely in English but you're constantly aware that you're reading a "translation," both of the Radchaai language Breq speaks as default, and also the various other languages she encounters. We don't hear the words but we hear her fretting about terms of address (the beloathed gendering on Nilt) and concepts that do or don't translate (Awn switching out of Radchaai when she needs a language where "citizen," "civilized," and "Radchaai person" aren't all the same word) and noting people's registers and accents. The snatches of lyrics we hear don't scan or rhyme--even, and this is what sells it to me, the real-world songs with English lyrics, which get the same "literal translation" style as everything else--because we aren't hearing the actual words, we're hearing Breq's understanding of what they mean. I think it's a cool way to acknowledge linguistic complexity and some of the difficulties of multilingual/multicultural communication, which of course becomes a larger theme when we get to the plot with the Presgar Translators.

[lovereadandwrite]

“I shall protect you, & you alone… even if…you stand as the last person on this earth”

[palmolli]

this is their dynamic, and you literally can not convince me otherwise. She made all the moves. This man stood still. Wimp.

[papercranesandpride]

Begging my fellow aros to realize that "x kind of love is so much better and more special than romantic love" is not actually fixing any of the problems with amatonormativity. That's just replacing one hierarchy for another. And you're screwing over atertiary alloromantics by saying that their preferred kind of relationship is lesser. You know, that thing alloromantics do to you all the time and you hate.

And of course God forbid anyone just doesn't do that whole love thing at all. We can't have that. Even if you're aro, love and relationships must be the most important thing.