#i would Love more discussion on what parts of regression are good for you rather than just feeling nice (feeling nice is good dont get me

[chickpea0]

Once I get enough brain energy to talk about the more psychological side of regression it's over for you guys

[black-butler-meta]

Green Witch Arc: Sullivan vs. Ciel

I finished reading the Green Witch arc a few weeks ago, and my mind has been mulling over it ever since. I absolutely loved it, so many different things I want to talk about! Today, however, I will focus on only ONE thing, because, well, it's a big one and I write too much for my own good.

What is it, you may ask? Well, it is the dichotomy shown between Sullivan and Ciel when it comes to sex/sexuality. Sex stuff AGAIN? YES. Because this shit is everywhere, mixed in with all of the trauma this show has, and it's fascinating to stare at it under a microscope.

TW: discusses the sexuality/sexualization of minors, implied/brief references to Ciel's trauma, and Sebastian is an immoral bastard (but we love him).

How fascinating to have Sullivan, an 11-year old who is OBSESSED with the idea of sex, contrasted to Ciel, a 13-year old, who often turns a blind eye or straight up refuses to think about sex (that we explicitly know of, of course).

First, let’s look at Ciel. He is VERY resistant to sexual advances, comments, or themes in general. It doesn’t help that these advances/comments are often coming from adults (e.g., his clothing designer, that creepy sex-trafficking guy I can never remember his name…). But it’s there with Sullivan too, of course (understandably… anyone would be uncomfortable with how she treated him). He keeps a certain level of innocence about himself, which I see more as a trauma response rather than an actual lack of interest. It’s not that he likely doesn’t have thoughts about sexual things, but that the concept of sex at all is something that is deeply bound to what he went through, and so he avoids it like the plague. We all know that typically 13-year-olds are well into exploring their sexuality and attitudes/desires around sex. But Ciel doesn’t seem to have any interest at all.

On top of that, he is often treated less like an adolescent and more like a prepubescent child by others, including Sebastian (at least with the topic of sex). I don’t think Sebastian sees Ciel as an innocent child like the others; instead, I think he does this for two reasons. First, he ‘shelters’ Ciel to maintain his butler persona in the presence of others. He has to follow the cultural rules and expectations of the times, which includes protecting his master’s “innocence” (an innocence that Ciel was long ago robbed of). Second, he does it to rile him up, to strip Ciel of his “adult” persona that he wears around others and make him feel vulnerable in front of Sebastian. We all know that the two of them love taking jabs at each other and getting under each other’s skin, and this is no different. Sebastian didn’t point out the inappropriateness of Doll sleeping next to him out of concern/kindness of his master’s reputation. No one was there to see it or report on it. No, he did it because he knew it would irritate Ciel.

But, I digress. Point is that Ciel is particularly sheltered and infantilized both by himself and by those around him. Part of it is the trauma (aka Ciel’s age regression that I described in a separate post), and the other part of it is due to his cultural upbringing in Victorian era England, where morality and purity of the soul were big at the time.

By contrast, Sullivan is the total opposite. The parallels between them are very obvious - they both have male butlers as their primary servant/provider, they are (mostly) isolated amongst adults, and they’re close in age. In this sense, Sullivan acts and Ciel’s foil during this arc.

Sullivan is two years younger than Ciel, and yet she is far more comfortable with the ideas of sex and sexuality than he is. She’s very forward with what she wants, very direct, and has no hangups/issues around the topic. She’s also still very young and immature, evidenced by how she doesn’t understand the inappropriateness of her questions and comments, as well as her physically grabbing Ciel without his consent. It shows that while she’s comortable exploring her sexuality, she’s still obviously very young and immature.

Sullivan’s hyper-sexuality may seem odd/uncomfortable at first, especially for those of us from western cultures where media doesn’t portray the sexual side of pre-adolescent/pre-pubescent minors. But portraying the sexual/attraction side of minors (both as the subjects and objects of desire) has been present in anime for forever. Some examples that come to mind off the top of my head are Becky’s crush on Loid in Spy x Family; Young Yosano (age 11) from Bungo Stray Dogs being crushed on by the older soldiers in her platoon; and Reg and Riko from Made in Abyss. Sometimes these things are used for comedic effect, utilizing that discomfort to cause a laugh. But other times, it’s entirely serious/genuine (as a side note, Sullivan’s scenes do both.) But that doesn’t make it bad… instead, the sexual exploration of minors in fiction within anime is often portrayed as something natural. These aren’t instances of children being taken advantage of; in fact, they are often turned down either by characters or circumstance (e.g., spy x family), or they themselves shut down those who exhibit interest (e.g., bungo stray dogs), or the exchange/situation is with someone their own age (e.g., made in abyss).

And I think that’s a distinction I’ve noticed between Japanese and Western media. Minors, specifically pre-adolescents, are often portrayed as active explorers of attraction and sexuality. Which, when we really sit down and think about it, is entirely natural and a part of overall development. Sullivan being obsessed with sex at her age, while exaggerated for humorous effect, is typical. (As a side note, I chuckled at the fact that she got her information from romance books, because I have very clear memories of being 11 years old and sneakily reading the sex scenes from my mom’s harlequin romance books when she wasn’t home!). But, as I said above, while her curiosity and desire to experience this aspect of her body that is meant to bring pleasure is normal, her approach is very immature and inappropriate.

Which brings us to a very important point: While it is normal for minors to be curious and want to explore sex, the responsibility, in the end, falls on the adults (and older minors) to maintain healthy boundaries. Sullivan is allowed to have her curiosity, but she is regularly shot down by those around her, and her sexual advances are written off as a misunderstanding due to her lack of social and cultural exposure.

It’s also worth noting that I found Sebastian’s reaction to the whole thing very interesting AND very on-point for a demon. Sebastian is far less appalled by Sullivan’s advances as well as her overall curiosity. In fact, he finds the entire thing hilarious. There is even a point where he points out “Is Mr. Wolfram not a man?” I felt like this had a double meaning. The surface level is pointing out that Wolfram is a man, even though Sullivan says she’s never seen one before. But also implies that if she were so curious about men, then why not go to her butler who is one?

Sebastian is not bound by human rules of morality. He’s a demon and sees all humans as inferior. Food, insects… you get the idea. And as a demon, I don’t think he cares much about age/age differences, either. In fact, to be honest, I think all humans likely seem like infants to him because he’s immortal. He’s been around far longer than all of them. It’s the same way someone in their 40s will see someone in their 20s as young, or the way someone in their 80s may see someone in their 40s as young. Young, old… it’s all relative to oneself, and for Sebastian, he’s the oldest there is. What he does know is that humans are very sexually motivated (he uses this to his advantage, after all). It’s just a part of their nature. He doesn’t care that the sexuality is coming from an 11 year old versus a 25 year old. To him, the solution is simple: if you want it, take it. If Sullivan wants to experience sex, then she should reach out to Mr. Wolfram because he is a man. There’s nothing sinister about, nothing predatory… it’s just the logical solution that Sebastian came to due to not being restricted by human thinking. As long as both parties are consenting, what does it matter?

Which why it is so perfect that it’s Sullivan who shuts him down. But not because Wolfram is an adult and she’s a child, but because she doesn’t think of him “that way.” She sees him as a guard dog. He’s a loyal servant, there to protect her, and in that way, is more of a parental figure to her than a romantic one (as it should be). It’s not that she can’t be attracted to an adult; she’s obviously attracted to Sebastian. Which, once again, is normal. I distinctly recall having crushes on adults as a preteen. And let’s be honest, EVERYONE crushes on Sebastian, he’s literally sex on legs.

But what’s so great about this exchange is that Sullivan, while still being a child, is given agency as a character within the story. It’s not that she can’t, but it’s that she doesn’t want to. And that, in itself, is powerful. While she may be young and immature, just starting out her sexual journey, she gets to decide what she does/doesn’t want to do with her body, who she does/doesn’t want to share it with. And she’s able to make that choice within a safe space because those around her, who are older than her, maintain that very important boundary of appropriate/inappropriate behavior, not letting her cross that threshold that can lead to a potentially damaging outcome (mentally, physically, emotionally).

We often try to maintain a strict dichotomy between “child” (no sexual agency) and “adult” (full sexual agency). However, that’s not how it works in the real world, is it? We have that transitory period of adolescence, and we can’t prevent the sexual curiosity of minors from happening. We may create this dichotomy as a way to protect children from ill-intentioned adults, but at the same time, doing so strips children of their own autonomy and ability to learn about themselves - what they like, what they don’t like, what feels safe and what doesn’t. A child without agency is a child without control, and in that sense, is at greater risk for harm when they do eventually cross that legal threshold from minor to adult.

Additionally, this binary viewpoint either promotes, or is in response to, the fear that if a child is allowed to be their own subject of sexual desire, then it will open up the allowance of them becoming the object of someone else’s sexual desire, which can increase the risk for harm. In a way, this almost puts the blame on the child, rather than the adults, as being the one responsible for maintaining healthy boundaries. It’s the same tune of “women shouldn’t dress provocatively because it might entice men to assault them.” Let us not put the blame on the victims, shall we? Allow and acknowledge the natural sexual development of children and adolescents; provide a safe space for them to be curious, to ask questions, to get things wrong. It is OUR responsibility as adults to honor and protect their space and teach them boundaries for safety.

Oops, I got sidetracked…

To tie this back to Ciel, in this sense, he’s still very much stuck in that dichotomy of “child” (no agency) and “adult” (full agency). He’s forced to occupy both spaces due to his culture and his circumstances. In that sense, he’s grappling for control within himself, his past, and the world that he is both physically bound by and yet emotionally separate from. It demonstrates how he’s still shackled by his past and by his need for revenge, and ties into his voluntary age regression that he still relies on in response to his trauma. And if Ciel has any hope of ever truly healing beyond it, then him coming to terms with his own sexuality and desires will likely have to be a part of that.

I have much more to say regarding Ciel’s sexuality within the story overall, Sebastian’s role in it, as well as how that relates to us as the viewers…. but that’s a post for another time. This post is already long enough. 💀

ANYWAAAYYYY, Green Witch Arc. Loved it, it was fantastic, so much going on in it, can't wait to see it all animated eventually! I have more ramblings to write for it, so hopefully I can get those jotted down soon!

[247-diaperboy]

Posted by Lyrick Raccoon · February 07, 2021

How Common Is ABDL In The World?

ABDL's are in all careers, demographics and span the globe. ABDL is a large sub-community that has managed to cultivate families of normative acceptance around the lifestyle. So, then how common is ABDL in the world? Extremely common.

ABDL is VERY common! If you are ABDL you are far from alone.

Why haven't I heard of ABDL until now?

If you've heard of the term "forever young," you have likely thought to yourself that being younger generally has elements that held a much happier time. Maybe you've even told other kids to enjoy being young, as life tends to get more difficult and complicated. Regardless of the quality of upbringing, we often try and remember the good things and forget the bad. The same good elements make ageplay so popular as the lifestyle practice provides an opportunity to experience a safe, intimate, and care-free experience. The main reason you may have never heard of ABDL until now is that society as a whole doesn't understand the intricacy that ABDL is more like a spectrum of preferences rather than a one size fits all definition.

ABDL is often hidden because it is misunderstood or viewed as taboo, leading to social consequences (fear).

Many ABDLs go through a majority of their life without telling anyone they are ABDL. It hasn't been until the availability of information through the internet that more ABDLs connect on a large scale and find enough support to be more open about their ageplay tendencies.

Is someone I know and love ABDL?

It is reasonably possible you work with an ABDL, are friends with an ABDL, or even live with an ABDL (possibly even the parent of an ABDL). The feelings of being smol or into diapers is a significant stress reducer, and the diaper is many ABDL's drug of choice to lessen stress and anxiety, acting as a healthy coping mechanism. If you are a parent reading this, and you think your kid is ABDL, I'd encourage you to support them and know they can choose many ways to handle stress that is detrimental to their physical or mental health; the diaper is not a harmful method.

Likely, YES. Someone you know is ABDL.

A typical follow-up question to ask is, "If ABDL is such a big part of their life, will they ever tell me (their best friend) regression or diapers is something they enjoy?"

The short answer; It's hard to say. People will tell others more about themselves when they feel confident in who they are. Maybe they will someday, perhaps they won't.

Even best friends hold the information that they are into regression or diapers close to the chest as not everyone is as open-minded as they think they are. Discussion in public and private social circles regarding ABDL over the past 100 years has not held even the closest of relationships together after disclosure. It has ended many friendships and healthy relationships. "Why?"

Unfortunately, we live in a world that what people think matters more than who people are.

The world has a multi-billion dollar market of beauty and exercise products that reflect the chameleon approach to human connection as a result of human nature. We want to put our best selves forward, even at the cost of the authenticity of who we are, which is likely far more interesting and loveable.

Why would someone be ABDL if the world seems to dislike them?

The individuals who get the most airtime in the public sphere regarding ABDL's tend to be mostly the community's outliers. The goal of most television is to gain viewers, rather than to educate, unfortunately. 

As the saying goes with the media, "There is no news like bad news." For this reason, a large amount of the public is misinformed about ABDL and ageplay as a community. 

Universally, there are always rotten eggs in any group, but I'd argue that ABDL's have much richer and more authentic personal lives than the average relationship. You may ask, "Why is that?"

One of the most misunderstood advantages that ABDL's have regarding friendship forming and relationship storming is the diaper. This "silly object" to a non-ABDL is one of the keys that fast-tracks intimacy and trust between other ABDLs because of the nature and use of the diaper, explicitly referring to vulnerability. Vulnerability is also the reason ABDL's filter and chose their friendships and ABDL relationships carefully.

ABDLs tend to have a higher-quality relationship because ABDLs have a heightened innate understanding of emotional needs towards each other.

The primary reason for this next-level care is because ABDLs long-for and thrive for "care" themselves. The most significant advantage of ageplay towards relationships is that the practice of regression educates and enhances knowledge of nurturing and caregiving. This knowledge, which stands outside of judgment, can significantly enrich the ABDL's emotional connection and support within relationships (interpersonal or professional).

How would I let my closest friend know I support them as an ABDL?

The real question is, "why do you want to know?" or, "Are you interested and curious about the practice of ageplay?" Many people find their love of ageplay very young or in their early twenties due to many factors. Knowing about the ABDL tendencies of your best friend has nothing to do with whether they trust you. The beautiful part about relationships is that long-lasting relationships are built over time through the smallest of moments. If you happen to be close to an ABDL, they will eventually tell you if they feel safe, and your trust is unwavering over a long period.

Knowing if your friend is ABDL shouldn't have any bearing on your relationship's quality; if they feel comfortable in themselves, they will tell you; or maybe they won't.

In many cases, it is not safe for ABDLs to tell others as many parents or friends can see this as something that needs therapy even though the tendencies are healthy. Misunderstanding can lead to fear and many hurtful assumptions. It is for this reason many ABDL's keep their preferences safe within their own space. 

Chances are you know an ABDL. :D

So what's next? We encourage you to be more open-minded and to stay curious in a world of diversity. One of the best phrases that we overheard during an ageplay convention is that " Kind curiosity makes friends." We couldn't agree more!

[nothingmatters-everythingmatters]

I read your last response to an ask (sending love and luck to that anon, what happened to them is awful) and you mentioned "until popular opinion shifts". I found that interesting! I've never thought about that possibility when it comes to lgbt stuff tbh.

Do you think popular opinion will change/shift? (/gen) Personally, I can't really see it for some reason, or if it does shift I can't see the shift being positive. I feel like it's more likely that things will regress (think classic Conservative hate) than change to, for example, an environment where discussions about gender and the concept of transgenderism can be safely discussed. Maybe I'm just a pessimist lol. I hope the latter will happen, but if it comes down to it, I'd rather have more weird gender stuff than the aforementioned "anti everything hate" ... It's kind of depressing to think about lol. Whoops.

~🪼

good to see you again !! apologies in advance for how long and slightly uncoordinated this one is, it's a good question and something I feel like I have contradictory thoughts on so lots to unravel :D

it really is an interesting thing to consider. I think I do agree with your take, for the most part that (at least in the states) things are so likely to regress. it already looks like conservatism is on an upswing again, especially as the right gets more and more extreme, but is still able to capitalize on touchy issues (like gender) to get people who would be left-leaning or moderate on their side and buy into harmful traditional ideas about gender stereotypes. and I would agree that at least if we exist in a world of gender weirdness, there'll still be space to critique it and nuance can eventually be carved out. new problems are preferred to old problems, I suppose. so yeah, that I definitely have to agree with. plus, it's probably smart to take a bit more of a pessimistic perspective in reality so that if good things do happen, we can be pleasantly surprised lmao

however, I am kind of (maybe baselessly?) hopeful that within leftist spaces and just general populations (I guess of younger generations specifically), people will become more receptive to feminism or radfem beliefs that involve critique of gender. especially as more topics directly surrounding women's rights become more and more urgently in need of support (abortion, birth control, etc.), progressives might shift their attention, and younger women might become more politically active specifically with these issues of women's rights.

I also do think now, more than ever, it's pretty easy to have some kind of "awakening" towards radical feminism if you're young. I mean, not to literally speak from experience, but it happened to me! maybe on some level I believe all women* have the capacity to hold radfem beliefs. and now, it's both easier to connect with other women who feel this way, and it's easier to see real life examples of the arguments radical feminism proposes (just think of how easy it is to find examples of the terrible way men think of women, or literal examples of women's oppression online, or discussions on feminism and theory in general). I would also say it's easier now to "peak" on gender ideology, but in a more nuanced way than it was before. from what I see, at least, more people are starting to understand variance in gender expression, and that gender non-conformity is something to accept instead of immediately pushing people to transition because it ties into regressive gender stereotypes (if I had to guess, I'd say the growing voices of detransitioners, therapists, and healthcare specialists who criticize gender might be pushing this more). of course, there is still the bleed of traditionalists and conservatives in the mix, but a growing amount of gender criticism does lean more moderate or left, with the people less concerned about "weirdness" or "degeneracy" of it all, but instead medicalization and the harm on same-sex attracted/gender non-conforming youth, which can obviously come from a more progressive angle.

I guess I just like to believe that out there, there are a lot of people dissatisfied with the options they've been sold, and they want to strive for a better, compassionate, and more functional world, and so they'll eventually find their way to engage with nuance in discussions over topics of ideology. I think these small shifts in conversation may at least make people more open to discussions on gender even within spaces fairly hostile to the idea. (there's also a point I can make about how most people are open to talking about certain things as long as you use different words about it, semantics and optics really run the conversation on gender, honestly, so I can absolutely also picture opinion shifting just based on the changing language people use to talk about certain things. at least in personal social circles, I can definitely see this happening. maybe not as easy on a broad societal level, but I digress. might tangent about semantics later lmao) is any of this founded on facts or consistently observable trends? not really! however, something is changing, and it is what I base a lot of my hope for the future of gender discussion on.

okay, maybe that last part is too built on wishful thinking lol. this answer kind of got away from me, most of it is based on personal experiences and hopes for the future, it's really not very scientific or like, concrete political theorizing (I go to art school lmao, unfortunately I'm not exactly qualified to exactly posit what the political landscape might be headed towards). yknow, there is a part of me (most of me, honestly) that thinks it's all doomed. the prevalence of social media will digitize people's lives further, the patriarchal status quo in america will live on forever from the left and the right, consumerism will destroy the environment and people's capacity for empathy, and all the major cities will be wiped out by natural disasters and whatnot. and maybe that's inevitable. but I do like to let myself build a world around me where at least I can try and contribute to the environment I wish I could live in. try to make the most out of life for myself and others like me, I guess. and for me, it's at least nice to hope that the conversational environment will shift because then I can at least strive for that with how I personally engage in conversation with others. kind of like believing a future I want and attempting to create it around me with my actions.

and maybe again all of what I said is bullshit because I do still have an astonishing lack of social interaction in real life (evidenced by how much time I can spend on tumblr sigh) but hey, the internet is basically real life for a lot of people now, so maybe it will hold true to some extent? ¯\_(ヅ)_/¯

I hope any of that was interesting or even answered your question! sometimes I realize I've blabbed so much that I probably went completely off topic, but the structure of the rambling is too far interlocked within itself that I can't really delete anything :p

but as always, thank you for the thoughtful ask! anon, you are very good at framing questions with lots of substance to consider, and I admire your patience for reading the subsequent avalanche of words and tangents I throw back at you !! have a good one, and I hope to see you soon!

*realizing now I basically only am talking about women right now lmao. this is almost entirely based on the interactions I've had with women/seen women have. yeah, not sure how these kinds of discussions really go down with men. I dunno, maybe it's something I'll test out irl and see how receptive men who identify as leftist/queer/gendery are to a conversation. fun stuff!

[pompettepink]

Hey guys! I’m slowly starting to incorporate coquette styles, but how do I explain that to my mom? Coquette has different substyles, and I don’t want to confuse her!

How to explain coquette ⁽⁠⁽♡⁾⁠⁾

Pretty much everyone has a general understanding of the word coquette. It isn't in most people lexicons but people HAVE heard of the word before. Most people associate coquette with flirtatious girlishness, but that definition really doesn't mesh with the fashion. So the best way to explain the fashion to someone who isn't very knowledgeable about it is ACTUALLY to start in the middle.

When discussing the fashion it helps to start by defining what coquette means to the community rather than discussing what it means according to Webster's dictionary. Coquette is a reclamation of girlhood with members basing their aesthetic on what their girlhood is/was to them. It is NOT a community full of people trying to agebait, age regress, or cosplay as children. Even if some members do age regress, bait, or dress in children's clothes that is NOT the standard or the end goal for the community. Being coquette is a much more personal experience and our clothing and aesthetic incorporate a broad reflection of the concept of girlhood while also pulling the unique experiences of community members. It can be a little hard to explain the concept to people but if you know the person well enough you can use their life as an example (like telling your mom she can wear general 80s inspired fashion AND also replicate outfits that she use to love wearing or wish she could have worn as a kid) OR you can give a more open example like a dessert table that's filled with desserts everyone will love AND also features desserts you use to love as a kid alongside family recipes.

When you feel like the person has a pretty good understanding of what it means to be a coquette then you can dive into the subsets. Not everyone is aware that fashions can have different branches to them so defining what a subset is will be your base in defining what coquette subsets are. Use an aesthetic that the person you are talking to is aware of then expand on it. For example, everyone is aware of what a blue collar job is compared to a white collar job, with one being more manual labor that often requires a uniform and the other is more stationary and often requires a business attire. You can get into further detail and discuss the different types of business attire out there, like business casual, business formal, smart causal, black tie, preppy, techie, sporty chic etc etc. Give a general understanding of what it means to dress "business" then explain the differences between each business category and explain how they tie back into the general business aesthetic. After that then you can explain the different types of coquette subsets and how they exist as their own concept but still have the foundation of coquette fashion.

Finally end by going to the beginning. After you've discussed the coquette aesthetic, community, and subsets with the person you can circle back to it's history. Explain why coquette is even a thing. Talk about it's evolution. Discuss prominent members and celebrity inspirations. You might even feel comfortable enough to discuss Vladimir Nabokov's literature, Lana Del Rey's discography, and toxic traits such as smoking, drinking, materialism, and body image issues. That way, even if people are shocked over the smaller problematic parts of the community, they would have already had a positive opinion of the aesthetic after your initial clarifications.

As a side note, leave lots and lots of room for a two sided conversation. If the person has any questions be very open to answering them. If you see that they're deep in thought ask if there's something they're confused about. If they have a criticism don't be offended! Use that as an opportunity to educate, or maybe even concede to less savory parts of coquette spaces. HAVE EXAMPLES ON HAND! If you wanna talk about the subsets be ready to SHOW THEM. Pull up your phone's camera roll. Take them to the search bar and invite them to scroll thru on their own. Have resources from YouTube, Pinterest, Tumblr, Wikipedia and Google on hand. And encourage independent research. Confusion can't always be helped, but you CAN help guide people through the topic of coquette by informing them on what you know and ALSO what you believe ❤️

[edoro]

do you ever think about age regression & whether Hunter might do that at all? also hi, love your fics, hope you have a good day

thank you!

and you know, it's definitely an interesting thing - i haven't done a ton of reading either fic or actual Serious Examination Literature or personal experiences wrt age regression, although i've had like... one time it happened to me while doing some Trauma Journaling that was very weird and interesting.

i could definitely see it... his development has been really warped and stunted in some ways, accelerated in others, and there's obviously quite a lot of trauma that occurred when he was very young. i can imagine there are inner parts of himself that are still very much frozen at the moment of the trauma and that it wouldn't be hard to trigger him back to feeling small and helpless like he did when it happened.

i imagine that he'd probably find something like that really embarrassing and distressing. he's spent most of his life being shoved into positions of adult responsibility, forced to keep up with adults and prove himself against them, so he tries to come across as more mature and grown than he is, so something that made him feel small like that would be really scary. i imagine he'd be very afraid of anyone else noticing or catching him in that state.

i can also see him, once he does find out like, What That Is and that it's not abnormal or wrong or bad, finding it very soothing to try to like... do deliberately or, when he ends up accidentally in that state, intentionally take care of himself, or have someone else take care of him. some reparenting, you know. i can imagine he'd find it really powerfully healing and comforting to feel like a kid and be given the care and love and kindness he never received when he actually WAS a little kid.

(this bit under a cut bc i am discussing implicit csa and also Hunter's potential future sex life)

(since i do also think Hunter is just SUCH a sub and would get very into D/s dynamics when he starts getting sexually active in a consensual way with people his own age, i'm also turning over the idea of him incorporating this into his sex life... it could again be a way of kind of taking power over his trauma, turning the traumatic situation into something he feels in control of...

i don't typically see Willow as much of a mommy domme? i feel like i could definitely see the two of them being into ageplay, but i'm not sure if i can really solidly imagine Hunter wanting to actually regress in a sexual way... i feel like he'd more likely enjoy playing the role of like, a teen being 'taught' by an older woman, rather than recreating his childhood abuse with her...

but i could see him being comfortable eventually approaching her to like, be nice to him and take care of him when he's regressing in a non-sexual way... more of a big sister vibe than a mommy vibe, i think?)

[cangelgifs]

Saw some really bad anti-Cordelia/anti-Cangel opinions but I’m being so brave about it. In all seriousness though, what do you say to people who think Season 3 regresses on cordelia’s development for the sake of the romance plot? I think it’s an unbelievably wrong take that clearly has no appreciation for her character whatsoever but I’d like to hear your takes.

So, I do think we lose some of Cordy’s POV in the second half of S3 once she becomes a ‘romance interest’ but I don’t see this as a flaw on Cangel’s part. Moreover, I see it as a flaw of the show itself AKA having too many male writers in the writers room.

However, I don’t think her character is regressed at all. S3 has some of the most amazing growth for her character in the show. "So - demonize me already” is one of the best Cordelia moments across both series.

I'm going to quote Nika_83 here because she said it better than I could:

"I say they also don't know the meaning of the word regression. Which is to go backwards. At no point in season 3 does cordy slide back in to season 1 btvs behavior. So that's pattently wrong. Rather she is way more selfless and giving. This all makes sense given what she has seen and experienced. She literally feels the pain of the visions. She wants to help those people. And selfishly she wants to be important to angel and the cause. And she still maintains that "materialism' she always had with loving nice things, being bought out by clothes, loving being pylea princess, etc. Which is a part of her as a character and can be a flaw but that doesn't override her need to save others, or herself."

I don’t know the posts your referring to specifically but common arguments I see for S3 are:

She’s become a Mary-Sue/Saint Cordy. 

Angel on Top has a good response to that: “She's in this relationship with Groo that we already discussed as being, like, flawed in various ways and has a certain amount of denial baked into it. Like that is imperfect. And she also tries to read what is going on with Gunn and is completely wrong as well. Like, she’s also, like, there’s human error happening still with her. Like I don’t think she is—god forbid I use the Mary Sue word–she’s like not doing that kind of stuff. I do think Cordelia would be inherently less interesting if she was suddenly perfect and never did anything wrong ever in her life. But, you know, she’s still Cordelia. She’s still, like, making some mistakes and being a little too abrasive every once in a while. Like, I don’t subscribe to that.”

“Angel's feelings are the only ones I care about” - The Price; ‘she’s become too focused on Angel’

I think saying ‘oh, all she cares about is Angel’ is oversimplifying it greatly and missing the point. Yes, she cares about Angel and always has (see 1x22 when she buys him art supplies to make him feel better and “Well, he's gonna have to start wanting things from life, whether he wants to or not!”). This is nothing new. I think in the overall context of what’s going on in S3 at that time, it makes sense. I think she is prioritizing Angel and focusing on Angel’s grief over losing Connor to protect herself from her own grief. If she keeps busy taking care of Angel, she won’t have to feel the pain/loss herself. Also we know Cordy is guilty of downplaying her own pain to her own detriment (her hiding that the visions were literally killing her!) so sadly this is in character for her.

Thanks for the ask!

--whatisyourchildhoodtrauma

I also wanna hop in here and say that I completely agree with everything that has been said and I also wanna add that even if you completely strip away the romantic subtext of s3, Cordelia would be the same person that she was in that season because two things are very true. One, that her life would still be very much intertwined with Angel's because that's the nature of him being the protagonist--similar to how Cordy's life was very much intertwined with Buffy's on BTVS--and two, her growth over the last seasons (and arguably since BTVS) would still lead her to the place that she wound up. She didn't grow to the kind hearted, loving person who cares more about the mission than money that we see in s3 because of Angel or for Angel. She grew because she was presented time and time again with a worldview and a mission that was bigger and more important than herself and it shaped her and facilitated her growth into the person she became.

I also gotta point out that the argument in itself feels kind of sexist as if a woman can’t have positive growth unless it’s attributed to shipping her with a man. Not to mention that the "Saint Cordy" moniker also feels sexist because it both diminishes her growth and patronizes her. Essentially it paints her as this super perfect saint of a person instead of talking about how much she's grown or the sacrifices that she's had to make in order to get where she is in canon or even talking about the mistakes she does make/flaws she does have in the back half of s3. Not to mention it also is used to not talk about the real issues of the back part of s3 and how that twisted into the narrative of s4 (which is a very sexist narrative with many flaws). It's just is like "oh she's saint cordelia now" and doesn't leave much, if any, room for deeper discussions. Not to mention it also paints this narrative of "a woman has to be suffering constantly or tormented in order to be viewed as a flawed, complex person" which is both gross and incorrect.

Again, super agree with everything that has been said and this was a very good question, thank you for the ask!

-- someonefantastic

[little-fics]

Curiosity Killed the Cat

Fandom: Marvel

Pairing: Stucky x Reader

Request summary: you are not happy about your daddies new way of keeping track of you, but maybe you could warm up to the idea of it

Warnings: Age regression; pacifier mention; sort of leashes but its like a baby leash connected to a backpack; baby has hurt feelings; I could have missed something so please read at your own risk.

Word Count: 2.6K

A/N: I really hope you like it nonnie, I really enjoyed writing it. love you buggy boos <3

You wanted to look at everything not matter where you went with your daddies. At the park it was every dog, every leaf. At the store it was every fluffy thing you could find, every piece of candy or toy. If you saw something you wanted to look at, you were gone. Steve and Bucky had discussed their options after the fifth time you'd run off from them. It wasn't that they didn't want you to look, but you're their baby and you needed one of your daddies to go with you. The problem with that? You forgot in your excitement; a lot.

That's how you've found yourself in this predicament.

You were ready to go to the zoo, tattered thigh jean shorts and a pretty tie-dye shirt with SpongeBob's crew with cute purple shoes. You were bouncing on your heels at the door, waiting impatiently on your daddies. You know better than to go out the door and wait for them by the car, so you're whining, rushing your daddies.

"Papaaaa, it's time to go! We not gonna get to see eb'ryfin'!" Steve came rounding the corner, Bucky trailing right behind him with a lavender backpack in his hand that seemed a little full. Steve picked you up, balancing you on his hip, "We're almost ready little one," he wiggled his finger on your tummy, "we just want to show you something before we go." Bucky held the backpack up, smiling innocently.

It was so cute, it was a shade lighter than your shoes to match perfectly. It was plain, other than the pins and small keychain fidget toys your daddies had surely put on. He opened it up and it had a coloring book, a pack of colored pencils, your favorite pacifier and Lincoln the Ram, the oldest stuffie you had. You reached for the ram, and when you'd pulled him out you saw a bag of candy. Bucky laughed when your eyes lit up, "No baby, that's for today, you can have some later." You jutted your lip out and he shook his head, "Nice try, but puppy dog eyes only work on papa."

When you accepted that, Steve spoke up, "This is a special backpack sweetness." Your brows furrowed as you looked at it, not seeing anything about it. Bucky pulled out a stretchy cord that ended in a scrunchy like bracelet. "When you put this backpack on, daddy or papa will put this on." He slid it on his wrist and tugged at the cord close to his wrist, "So you can't go wondering off like you always do." You whined loudly, "Won' run off!" Your face in Steve's neck, letting out another loud whine.

“Oh silly baby,” Steve kissed your hair, “it’s okay, you’re not in trouble for being curious, we’re just trying to protect our kitty.” You let out a heavy groan, “No, don’ wanna wear it.” You clutched to Lincoln, your chin wobbling on edge of tears. “Dollie,” Bucky said softly, stepping forwards to rub your back, “it’s dangerous when you run away from us, you forget in the pretty head to tell your daddies where you’re going and we can’t find you.” You let out a long groan in protest and stayed in the crook of Steve’s neck, Bucky’s hand still on your back, “We can stay home instead of going and seeing all the animals, would you like that better?” Your head rose and you shook your head at him, “No daddy, I’ll wear it.” Bucky felt a strain on his heart when he saw the way your pout still rested on your face. “You won’t hardly notice it baby,” he kissed your nose, “not with all the pretty animals we’re gonna see.”

When you got to the zoo, Bucky unbuckled you in the back. You always sat in the middle because that’s where you were most protected, so he had to drag you out of the car a bit. “Okay baby,” he held the backpack up, “put ‘em in there.” You just stared at him a minute, “What if I pinky p’omise to be good?” He shakes his head, “Baby, you already are good. You agreed to wear it to be safe, we can’t go in if you’re not going to be safe.”

You huffed and put your arms in it, the band already around Bucky’s wrist. “Good girl, now listen to me baby, you gotta keep your backpack on, it can’t come off or it defeats the whole purpose.” You nodded deftly, body now trained on bouncing towards the gate. As you got around more people, Steve grabbed your shoulder and bent down to your face. “Did you hear daddy baby? That backpack doesn’t come off until we are back in this parking lot or you're in one of our arms, understood?” You nodded and Steve raises his eyebrows, “Yes papa, I understand.” He rubs your cheek with his thumb before giving you a quick kiss, standing back up.

It had worked remarkably well, you’d gotten distracted by all the animals as suspected. You were pulling Bucky around everywhere, and of course with Bucky came Steve. You pulled them to the lions rather quickly, jumping up and down, changing positions all over the outside of the enclosure to see them. “Daddy!” You ran to near the end of the enclosure, stopped dead in your tracks by the leash.

Bucky chuckled, but to you it was no laughing matter. “Wha’ you doin?” You pulled on him, shaking your bag roughly, “Baby, slow down okay, we’ve got plenty of time to look at the lions.” You made an angry face at him and continued to pull at the leash, “Come on! Wanna walk wif it!” You stomped your feet until he finally caught up with you. “Dis’ is why I always look wifout you, you too slow.” Bucky ignores your comment, mainly because you grab his hand and intertwined your fingers with his, shaking his arm and pointing at the big cat, “Take it home wif us?” Steve, who stood behind you, laughed in shock, “That’s a no from me bug, come on, let’s go see what’s next.”

With his recommendation you remember that there are so many more animals at the zoo. You squeak out a high pitched okay and take off skipping. Your long legged daddies had no problem keeping up throughout the next few hours, but then you had to potty. Truth be told, you were tired of looking at the giraffes anyway.

You glanced up to your daddy, who's whispering something in Steve's ear and laughing. You tug on him, and he turns toward you, "Gotta go potty." He smiled, nodding his head, "Of course bug, thank you for telling us without trying to run off." You grumbled and started walking to the bathroom, keeping the leash taught the entire time. You started to shrug off your backpack, irritation creeping up your spine before stopping.

You turned around to Steve and Bucky, a frown plastered on your face. You waited until they were dead in front of you, you slid off the backpack and pushed it roughly into their chest, stomping away to the bathroom. Both of them stared at each other for a moment, Steve commenting lowly, "Awfully grumpy." Bucky's mind swirled, you're not one to be outrageously bratty, so when you came back out, he knelt down and grabbed your hand.

"What's going on my buggy boo? Is something bothering you? You not feeling good?" You shrugged, pulling your hand back and taking the backpack with a wobbling lip. He made a clicking noise, smiling and took the backpack from you. "How about papa wears the backpack and I'll carry you, it's about time for lunch anyway, right?" You seem to instantly relax and let Bucky balance you on his hip, kissing your cheeks.

Steve slipped on the backpack, an odd and tight fit on his body but with the straps completely loosened, it had a millimeter of wiggle room. He starts to lead the way and Bucky whistles sharply at him. Steve turns around with raised eyebrows, but Bucky is looking at you with a 'can-you-believe-him' look.

Bucky turns to Steve, grabbing the bracelet part of the backpack and sliding it on your wrist, "You can't go running off either," Bucky looks down to you, giggling into his shoulder, "isn't that right sweetness?" You nod, looking up to Steve, shaking your wrist, "Papa we gots tuh know you safe!" Steve immediately catches on to what Bucky's doing, and smacks his forehead playfully, "How silly of me, huh dovey?" You pointedly nod, a smug look on your face, "Uh-huh, now nommies please!"

You're in a much better mood being carried by your daddy, shaking the leash playfully at Steve when you sit down at the table. He slid the backpack off of his back, laying it down on the table. "I thought maybe you'd like a dum dum while we wait on Daddy to come back?" Steve was bouncing you on his knee, already popping the sucker into your mouth. You laid your head on his shoulder, your eyes fluttering closed while enjoying the sweet lemon in your mouth, too asleep to notice it disappearing from your mouth.

Bucky sits down with Steve, smiling at your tired form, "I told you she'd tucker herself out and we wouldn't be able to get through the whole zoo today." Steve scoffed, "You act as if she's going to be willing to leave." Bucky kissed Steve softly before planting kisses all over your face, rousing you from sleep.

As much as you don't want to be grumpy, you can't help but frowning at Bucky. He just kisses your nose and tilts his head towards the food at the table. Your eyes land on the chicken strips first and your whole body bounces at sight of the large slushy on the table. "I-Buh-'S mine?" Bucky laughs at your apprehension to breaking the rules, don't have too much sugar. "Of course baby, we thought you'd like something sweet, like yourself."

When you are done eating lunch, Bucky tries to help you put your backpack on, but you run away from him, around the table. "Nuh-uh," you cross your arms over your chest and look to Steve with puppy eyes. "Baby," he starts, coming over to you, sitting on the metal seat, "what's going on? Don't you like your new backpack?" Your bottom lip wiggles again, tears in your eyes, "'S ugly." Steve looks shocked, "Honey, you love purple, what's really going on?"

That's when the damn broke, tears falling from your face and broken sobs coming out. Steve's holding his arms around you, and Bucky's found his way to rub your back. "Shhh, dove, tell papa what's got your head going so fast." You're hiccuping, letting out broken coughs with small gags, unable to form coherent words. Bucky grabs your chin, holding your straw to your lips, "Here baby, take a drink of your slushy." Somehow you listen to him, sugar is always a good bribe for you.

"Dollie," Bucky pulls you onto his lap, "what's wrong?" His eyebrows are raised, forehead against yours, noses almost touching. He's waiting for you to regain a normal breath to press harder. He doesn't get the chance, because you start talking before he can ask again. "J-jus- 'nother reason tuh ignore me."

Bucky's heart breaks, Steve's expression matching the hurt Bucky feels deep inside him. "What on earth are you talking about honey?" Your eyes start to tear up again and Bucky scolds you gently, "No, no more of that you hear me?" You nod and let Bucky wipe away one of your stray tears. "Honey, we bought the backpack because we were so worried, not so we could ignore you. You run around and poke at everything, you forget to tell your daddies what you're doing and it scares us. You understand baby?" You shrugged and Bucky sighed, kissing your cheek. He's about to say something else when Steve picks you up from Bucky's lap.

"Bucky, put the backpack on, let's go," he's gentle about it, but you're still upset. "No! Wanna see more pets!" Steve tries to lightheartedly chuckle, but it comes out dry, "Oh dove, we're not leaving the zoo, we're just moving on." When Bucky has the backpack on he puts the leash on your wrist, just as it was when Steve wore it.

Steve catches you shaking the band around your arm, and a lightbulb goes off in his head. "You see baby?" Steve starts, and you're confused, so he continues, "You're constantly playing with it, that means your eyes are on daddy at all times." You furrow your brows, a pout still resting on your face. "Go on Bucky," Steve nods in an opposite direction, and Bucky starts walking. When the leash reaches the end of its rope, your arm is pulled until Bucky turns around to face you.

You're hesitant, eyes flickering between Steve and Bucky, "No forgettin' me?" You're looking up into Steve's eyes, swimming with love, "Dove, you're everything on our mind every second of every day. We got it so if anything happened, anyone tried talking to me or Bucky, or we argued over dark or milk chocolate, we'd never be too distracted for you." You instinctively wrap your arms around his neck, cuddling closely to him.

You can feel the leash pulling on you, and it takes your attention away from Steve. Steve doesn't move his feet though, Bucky playfully moving side to side to pull at the cord around your wrist. "Papa, daddy's tryin' to run off!" You could hear Bucky laugh as Steve caught up to you. "Whatdya say we get some of that ice cream you love so much Dollie, before we go see the rest of the animals?"

You beam at Bucky, a genuine smile crossing your face that lights up your eyes. "Dippin' Dots!" You shake and dance in Steve's arms, "Lemmee down, lemme down! Dippin' Dots! Dippin' Dots! Dippin Dots!" Steve lets your feet hit the ground, and you pout a little, glancing to the backpack. Steve seems to pick up on your hesitation, "How about daddy wears the backpack, you wear the bracelet and hold my hand? That way everyone is kept together and safe?"

You happily take his hand, all wariness thrown to the wind when you started skipping. "Dollie," Bucky stops, making you and Steve stop in place. He looks stern for a minute, but then breaks into a laughing fit, pointing to the righthand turn at the intersection. "You were so excited," he kept laughing, moving you to see the stand with many balloons and a sign that says 'Dippin' Dots', "that you ran right by it!"

You take off running, Bucky and Steve quick to follow. They didn't bother trying to gently reprimand you, they didn't care if you were excited and couldn't contain yourself. In fact, they loved it, as much as they needed a way to keep track of you with the leash, they wanted a way to make sure they never miss your bubbling excitement.

When you've made it to the stand, you are tugging on Steve. He looks down to you, watching your eyes flicker to the balloons. He smiles at you, adding your favorite color balloon to the order. Once you'd all sat on a bench, he starts to tie the balloon around your free wrist but you jerk away. "Daddy," you turn to Bucky, "we switch." You starting pulling the backpack off Bucky without waiting for a response, causing him to struggle to shuffle around his dippin' dots while laughing at you.

You've safely switched who holds what, now chowing on your dippin' dots in your hand and a y/f/c balloon on your wrist. You're starting to think the backpack isn't so bad, maybe you can convince them to buy you more of the things you want if they see you so excited over them.

Or you could always pout about the backpack and get what you wanted any ways.

[florrickandassociates]

TGF Thoughts: 5x08-- And the détente had an end...

I did not like this episode! I had many problems with it! More under the cut...

A purple line is painted on a curb and then we’re watching footage of Wackner’s show. Question: do they only wear the costumes when it’s a low profile case? It was very noticeable they didn’t have them on in the cancel culture episode, and they don’t have them on in the Julius scenes in this episode...

Also, can I pretend that the horse and cat wearing tiara are meant to be BoJack and Princess Carolyn?  

Del is remote-watching a focus group about Wackner’s show when Liz walks in. He refers to Wackner as “your guy” and Liz replies, “Must not be going well if you’re calling him my guy.” Sounds like “why is she my stripper when she does something bad?”

The focus group is in Vegas “where the real Americans live.” The clips from Wackner’s show being tested seem to be only the most ridiculous ones. Unsurprisingly, the focus group hates the show.

And here is my first question: Why are they testing a version of Wackner’s show that seems to be exclusively silliness? I know, you know, the writers know, and Del knows that that’s not funny.

Wackner Rules is not a good title.  

I love Liz being amused by the focus group going poorly.

Why don’t people like Wackner Rules? Well, the cases are stupid—fights over barking dogs, shoes that don’t fit. They’d rather see burglary or robbery. This is silly, because while I’m sure most of Wackner’s cases are silly, we've seen a fair number of cases with a little more substance (or at least zaniness that makes them less mundane), including the one with the high profile comedian that was filmed explicitly to be part of this reality show. So is Wackner Rules, despite its cases financed by David Cord, just the most boring shit possible? And if so, why? Again, everyone involved here knows better than that.

Also is this just Del’s pet project? Is that why he is producing it, testing it, and approving it?

Liz rolls her eyes at the “wisdom of the crowd” on display. Then she shuts the laptop without realizing what she’s doing and jokes around about it.

If I were Del and my partner had just disparaged my work and then shut down my laptop while I was working, I would be furious. However, this is a bad episode of a television show and I love Liz so I am amused.  

Del goes to fill Wackner in on how the focus group went. Wackner does not care about the opinions of twelve people. (This is funny, given that he has decided he is the most important person when it comes to making decisions and also that juries have twelve people too.)

No, dear god, no, please do not make me sit through tiny office jokes again. Have we transported back in time to season seven of TGW? I hated the door slamming against Eli’s desk then and I hate the sudden addition of this “joke” to Wackner’s chambers now.  

The calendar says February 2021. Is it supposed to be February?  

Apparently, the focus group likes the court, the costumes, and, mostly, Marissa. Just not the cases.  

Marissa’s all, “well what do they want, a murder case?” and Del gives her a look like, “Can you???”

Again, the cases weren’t so silly they were boring in any other episodes and we know that Del/Wackner/Cord were meeting to discuss the best test cases for TV. So, like, how did people waste their time and energy making this obviously awful episode of TV for the focus group? No one involved is that clueless and it makes me dislike this plot.

AND RIGHT AFTER LAST EPISODE WHERE THE CASE ESCALATED TO THE POINT OF PRISON? I think that’s maybe my biggest complaint about this plot, and this episode as a whole. The last episode gave the this season a lot of momentum. Prison! Stakes are raised! Will Marissa say anything!? How much power is too much power for Wackner?! And then we get this episode, and it’s like, jk, forget about all that, now Wackner’s cases are drying up and everyone involved has zero critical thinking skills and we’re going to forget the prison thing ever happened!  

“His court needs this show. Look at Trump. He wasn’t shit until The Apprentice,” Del tells Marissa after Wackner exits. Marissa does not react to the Trump reference, which may be the low point of this episode. Does Marissa Gold want to build the next Trump!? Is Marissa Gold not concerned that someone has just suggested that the goal of her show is to make someone in to Trump!? Hello?! This is not a reference you drop casually! I would be concerned about partnering with Del if I heard this! Marissa would be too! So why isn’t she?!  

Also, this line + the “real Americans” as the target audience for Wackner’s show + the USA! Chanting at the end make me think the point here is somehow supposed to be about Trump and, like, cults of personality? I don’t really see it but I’ll reserve judgement until I see where Wackner’s arc ends up.

Julius heads to Wackner’s court to meet with Cord. He pitches them on his new firm. How is Julius going to start a new firm already? Wasn’t RL the only place that would take him? And pitching Cord on a firm with the 20% of staff that was laid off is a stupid idea, too. As Cord says, hiring the people laid off means hiring the “B-Team.” I dunno if that is actually true, but I know that Cord and anyone else who knows those were the people who were laid off will see it that way. Why is this in Julius’s business pitch? Like, is Cord wondering where Julius would get employees from? Is that a question?  

Reddick & Lockhart, Julius says, is no longer eligible for no-bid government contracts. I want to know why: is this because RL is actually STR Laurie, or is this because Diane is white? If the latter, then you’d think we’d hear a little more about it...

Why is Cord calling the Copy Coop somewhere near the courthouse in a business district in Chicago “the middle of nowhere”?  

Anyway, Cord passes on the new firm because it is not innovative and it does not disrupt anything.

Then Julius pitches the firm but with known-innovator Diane Lockhart and her client list. Cord is kind of interested. Cord cares that much about Diane? Alright.  

Julius, after involving Diane, calls her to tell her what he’s done. When he gets back to his car, he is being given a ticket for parking in a purple zone. A purple zone is, apparently, court staff parking for Wackner’s court.  

Julius rips up the ticket, then gets another ticket for destroying the ticket, and another ticket for destroying that ticket.

Wackner asks Marissa to find out how he can get out of the reality show. Marissa refuses and says she’s going to find out how they’re portraying Wackner, since the show benefits him. This is because he has “fewer cases this week than the week before, and fewer than the week before that. This court goes away unless more people know you’re here.” What? Where did that come from? I’m so confused. Last week Wackner had infinite money and a prison and was dealing with cases with settlements in the millions and famous comedians. Now his audience is dwindling and I’m supposed to care about this plotline? Thanks, but I cared about the plot you already sold me on, writers!  

Hey, wasn’t there a thread at some point in this season about David Lee bugging Liz’s office? Odds we ever hear about that again?  

Diane does not like Julius’s new firm idea. “David Lee is insisting that I stay,” Diane says, as though David Lee actually has that kind of power over her.  

Julius points out that all the other partners are threatening to resign unless Diane is replaced, and “at a certain point, it won’t matter what David Lee says.” Diane says she’ll think about it.

Julius tries to talk to Cord again and finds that his car has been towed. This scene is too long, and watching Julius get confused by shifting, fake rules feels a little too much like the first Memo 618 episode. This episode only has a 40-minute run-time and we spend a lot of it on building up this plot. I don't really get why. Sure, it’s fun to watch people act incredulous, but we already know Wackner’s court is trying to put some muscle behind its authority (violence to encourage compliance, literal prison) so I don’t know why we need to spend so much time on what feels like a lower key bizarro version of a theme we are already aware of.

Just, like, do a boring ass case of the week episode if you don’t have ideas. Don’t regress the plotting and kill the momentum.

SPEAKING of killing momentum, remember how Carmen got a stellar introduction, a few episodes of development, and then pretty much disappeared for several consecutive episodes?  

Then there’s another one of these scenes where Julius tries to get his car and more and more people enforce Wackner’s fake ticket.  

I do not like “Wackner’s City of Chicago” being on the seal. I think he'd have something more clever than that on the seal.

David Lee calls Cord in to pitch him on bringing over all of his business. This scene confuses me, because you’d think Cord would be a big get for giant corporation STR Laurie. But no, David Lee wants Cord to bring his West Coast, East Coast, and Europe business to boutique firm Reddick Lockhart. Or, at least, that’s what Cord’s hesitance suggests to me.

Cord tells David Lee that Diane is leaving and that he won’t go to a firm that is breaking apart. David Lee denies it.

THIS sounds like the Hitting the Fan score.  

David Lee insists that Liz and Diane drop what they’re doing and come up to his office. They do.  

David asks Diane if she’s leaving. She says she was asked to join another firm, and that she was told that the equity partners are planning to resign unless she resigns, so she’s considering it.

“No one is threatening to resign without my permission,” David responds. Those must be some contracts if he is this powerful...

David warns Diane about poaching clients and she’s all, they’re free to leave if they want (ah, so they’re free to leave when you’re leaving but they’re your clients and can be stolen when YOU’RE losing them, I see). Liz is irritated by all of this and pre-accuses Diane of stealing clients after what she’s already done to keep her position. Fair.  

David asks Diane what her issues are. “I’m a name partner being squeezed out of the decision making process,” she says. “And why is that, Diane?” Liz asks. “Because of my race!” Diane insists. “Because no one respects your decision to stay in your position. It is not yours by right,” Liz says.

“I’ve fought as hard as anyone here to keep this firm solvent. And I didn’t inherit this firm. I was invited in, and I earned...” OOOH FINALLY WE ARE GOING TO ADDRESS THAT LIZ HAD NO EXPERIENCE RUNNING A FIRM BEFORE THIS ONE FELL INTO HER LAP. Shame it’s a throwaway line.  

STRL’s presence both adds and removes tension here. I wish they pushed this a little further. Sometimes David Lee seems to be functioning as an outside mediator; sometimes he has more power. What’s the point of all of these dilemmas and battles if at the end of the day, STRL owns and controls everything? How much can RL really mean to them? There’s even an RL in their name that doesn't stand for Reddick/Lockhart. I just don’t understand what it means to be a name partner in a black firm when that firm is actually controlled by some giant company. The way I see it, Diane should want out of RL because she’s past retirement age and being controlled by David Lee and that can’t be fun, and Madeline et al should want out because the mandate to focus on profit over social justice is not mostly coming from Diane or even Adrian’s legacy... it’s coming from the giant power and profit hungry corporation that owns you!  

David has Diane and Liz stand on opposite sides of his desk. “Are you gonna spank us?” Liz says. I love funny Liz. Funny Liz is my favorite. But you know what I wish we also got more of? Liz’s thought process in general.

David’s point with this is that David is going to “come live and work with” Diane and Liz if they don’t figure it out themselves. I know they can’t easily get out from under STRL but Adrian did it so there’s surely a way to resign... this feels so demoralizing... I can’t believe Diane just takes this.  

As they walk downstairs, Liz says, “If you’re going to leave, there’s nothing to talk about. “Liz, I don’t want to leave this firm. And you don’t want me to leave. So why don’t we hire a partner to replace Boseman?”

(1) I like that they’re acknowledging that Liz and Diane clearly want to work together and like working together and are having this fight mostly because they have to have this fight, not because they actually want to. Pretty much nothing Liz has done suggests she actually wants Diane to step down and pretty much nothing Diane has done suggests she actually wants to switch firms. So good, that’s text instead of subtext now.

(2) Weren’t they going to hire a partner to replace Boseman in the first place? Why didn’t that just... happen then and avoid all this?  

Liz says she’ll think about it, but we all know that this is what she and Diane both want. This is where they should’ve been weeks ago.  

OMG okay I knew they had talked about it before! In 5x02 Diane suggests this strategy from the start! Why does it go away!? It’s clearly the right strategy and doing it that early could’ve prevented a lot of conflict and tension. At this point, it feels almost too little, too late. What’s it going to do other than smooth things over with Diane and Liz?  

They really are keeping the cameras rolling for Julius’s dumb parking ticket thing? Guarantee this does not make Wackner look good. As trivial as parking spaces seem, this feels like the sort of issue that would really piss off a lot of people. Maybe that would make good TV, but you want people to like and trust Wackner to keep people coming back to a reality show...  

Julius, being Julius, refuses to apologize to Wackner and make the whole issue go away. I think why this rubs me—and so many others; I have seen nothing but negativity about this episode among friends and on the internet—the wrong way is that this feels like power for the sake of power. It is trivial, self-important (“Wackner’s City of Chicago”), disconnected from anything resembling reality. That’s not to say anything else about Wackner has been realistic, but the writers have been walking a very fine line between surreal, allegorical storytelling and straining credulity. This feels so mundane and unneeded that I actually have an easier time accepting that Wackner has created his own prison system than I do accepting that he’s tried to reserve parking spaces for his staff. At least with a prison, I see the larger-than-life point the writers are trying to make.

The parking attendant tells Wackner she wants to add more reserved spaces up the street and Wackner is like, oh, good! I don’t understand! Who is this lady that just wants to enforce Wackner’s rules? Does she want more spaces because it’s kind of a powertrip to give people tickets? Why do they need more reserved staff parking when cases are dwindling? Who is Wackner’s staff? Why do they need more parking?

And like, it’s one thing when Wackner’s antics affect people who are part of his little bubble, since they all have agreed to be there. How can he just reserve street parking? Wouldn’t this get shut down in a day? Julius would NOT be the only one furious.  

Then Julius decides to steal Wackner’s book of seals so he can make it look like his ticket is paid.  

So if they have footage from the cancel culture episode of Wackner Rules, why wouldn’t they have used it? We see it here, in the editing room, so why are the cases so boring again? (I’m sorry, I know I've said this like 1000 times, but it’s bothering me so much that this episode isn’t even internally consistent.)

(This whole plot is a time-filling detour tbh. I have no problem believing Wackner Rules could be an interesting TV show seeing as how I am watching it as part of an interesting TV show, so I don’t get why we need to spend all this time on how this obviously bad first draft of the show is bad and that it can be improved by fixing a non-existent problem? Also, there are zero stakes because Del owns the show and is also the one deciding whether or not to air the show.)  

(Like, there could be a version of this where the focus group really helps us get into where Wackner’s stuff does and doesn’t translate and the changes he’s asked to make and how the fact it’s television changes the court, blah blah blah. Instead, the premise seems to be that the show is capturing what Wackner’s court was like in the days before Marissa or Cord or Del became involved, which makes no sense and is also boring!)

They’re mentioning Marissa being in the IDF again. This comes up because the re-edit of Wackner Rules is all about Marissa. This is kind of fun and meta! Marissa would definitely be a favorite on a reality show!  

It turns out this re-edit is mostly about how the editor has a huge crush on Marissa.  

I know that these tv writers know the process for tv writing and production better than I possibly could. I still do not believe that this reality show has one producer (Del) and an editor who is making executive decisions about the content of the show, and that this is for some reason happening in a mobile trailer parked outside of the court. Surely there would be meetings about what direction to take, not just a vague instruction to “make it better”?  

In case I needed more evidence that the writers did not bring their A-game for this episode, we get Diane talking to RBG, again, because apparently now there are no other ways to clue us in on what Diane’s thinking. This is just lazy.

The RBG thing worked for me in 5x06 because it felt like a novel way for Diane to get to talk out loud, and that episode that wouldn’t have worked if we didn’t have a way to see what Diane was thinking. Here, it feels like the writers are doing it because they did it before and it worked and it’s thematically connected and it’s easy.  

Doesn’t this entire scene just radiate laziness????  

I know not every episode can be great but just don’t try to do something interesting and innovative if you’re going to half ass it.  

I’m not even bothered by the thought that Diane daydreams about conversations with RBG. I buy that. I just don’t need this conversation (which feels way too much like it’s supposed to be an actual conversation for my taste).

OMG please stop talking about how RBG and Scalia were friends, I beg you, if you’re going to do this device again can you at least have a different conversation.  

So much exposition. Diane knows someone named Allegra through EMILY’s List and thinks she’ll be a perfect choice for the third partner. Diane did hear she had a meltdown, though.  

Julius gets arrested for stealing Wackner’s sticker book. When he starts shouting about how it’s a fake court, the officer is like, “As real as Officer McFinely’s death?” calling back to the last episode. I do find it interesting the police would be willing to overlook Wackner’s complete disregard for the law because of a grudge involving the law firm, and I like that choice.  

Allegra is basically a slightly more toned-down version of Elsbeth. She has a messy, rented office, and trails off mid-thought. Since she’s kind of a familiar character type, I’m not overly impressed by her, but she’ll be fine to add some little bits of humor to the office drama, I think. My hope is that they use her in small doses, because I have a low tolerance for quirk.

Allegra’s office has tons of books. I can’t see what most of them are, but she has a copy of The Nix, and I liked that book! It’s the only fiction title I can spot; the rest seems like political commentary or pop sociology/business stuff.  

Diane mentioning her RBG hallucinations to Allegra is probably a very smart way to win over Allegra.  

Marissa encourages the editor, whose crush is so obvious it’s uncomfortable, to put Wackner’s outburst in the show. The one about how Del is using the show to rehabilitate the comedian!? Why would Del air that?! How does this help anything?! If the goal is to get Wackner’s court more cases, why would this make anyone choose to take their case there?

The police bring Julius to Wackner’s court, which I have a slight bit of trouble believing (not that any of this is believable, but you know what I mean—I don’t feel like it’s logical given everything else I know about this premise) but I'll roll with.

Now there’s some ridiculous, awful fake lawyer who was “devil’s advocate” with devil horns in the last episode and David Cord is prosecuting Julius and... what the actual fuck is going on in this scene? This Devil’s Advocate man would not have lasted a second in what we’ve seen of Wackner’s court before this point—he is an obvious liar and showman who Wackner would have no patience for. And if Cord has a bone to pick with Julius, this is an odd way of showing it, because it feels like Cord is there as a familiar face and not for a story reason.  

Like, does Cord actively HATE Julius? Is... that supposed to be the point of this?

Seriously though, Devil’s Advocate would get like two sentences into his story about how Julius grew up poor before Wackner would make him stop, and if he got farther than that, Julius interrupting to ask “What are you talking about?” would’ve prompted Wackner to hold up that “cut the shit” card.  

This humor is so fucking lazy. In the worst moments of this show, they take gags that have previously been successful and run with them until you can’t believe you ever found them endearing. That’s this scene.

Also it just occurred to me when I referenced the “Cut the Shit” card that we’ve seen Wackner be able to get audience responses to his cases. Seems to me like you pretty much already have your focus group results, no? You do more of the things that make the live audience excited and fewer of the things that make them get up and leave. The things that the live audience plays along with and reacts to are the catch phrases you’re going to put on merchandise. I’m not a TV producer and this is very obvious to me.  

Instead of telling this lying lawyer to stop, Wackner instead asks the court musician to play “This is Us like music.” Make it stop. I don’t know who finds this funny but it’s not me!

Can you IMAGINE the fake reality show airing any of this? I dislike it and I know all of the players and context.

There is a shot of Del looking excited to see what’s going to happen. I’m sorry, but if Del’s instincts are this bad I just do not believe he runs a streaming service. Maybe his main role is to do the business stuff, not the content stuff? (But if so, why’s he always hanging around Wackner’s court?)

This episode is full of extremely essential scenes, like Marissa and the editor having sex as they watch footage of Marissa. Good for Marissa, I guess? This could’ve really easily just been implied. And if you really want to give Marissa more material, give her an arc, not a hookup where the focus of the sex scene is the editor dude. Or, like, just let her react to the whole prison revelation from the last episode. WHY ARE WE NOT TALKING ABOUT HOW WACKNER IS SENDING PEOPLE TO PRISON?

Liz and Allegra meet. Allegra makes it sound like it is about her book but then she’s extremely (and intentionally, I think) obvious that she’s there to be the third partner and that Diane scouted her.  

What is the point of Allegra asking if Liz has a view of Willis Tower and misidentifying the building? Presumably Allegra lives in Chicago, so you’d think she’d know its most recognizable building by sight (and would probably also call it the Sears Tower).  

Liz likes Allegra.  

Now there are a ton of cops in court and Del is loving the drama. Sure, it’s dramatic, but is this really want you want to air? Some convoluted thing where a bunch of police officers intimidate a lawyer who works at a firm that was unfairly linked to a cop killing because that lawyer refused to pay a parking ticket issued by a fake court? Who... who is this for?! What’s the angle? Who is amused by this?  

Marissa sees Julius is the defendant and jumps into action. She asks Wackner why he’s prosecuting Julius and he says it’s his job. She argues that Julius is from their firm and this is bullshit. Wackner still won’t let him go.

If Julius is from the firm and Wackner employs the firm, is Julius NOT covered under the court employee banner? Why do I even care.

Wackner acts like he’s just not bending the rules, just like Marissa wanted. I’m not interested in this enough to decide whether I agree that this is consistent or think this is actually a different scenario. I just want to be done with this episode so I can forget about it.

I imagine—maybe hope is a better word—that this episode is bad because it’s hard to write five great episodes in a row without kind of phoning one in. I wish this episode didn’t kill the momentum coming out of 5x07 but I’m hoping that it is an isolated issue and not a drop in quality that will also spoil 5x09 and 5x10.

Wackner closes the door on Marissa, which I think is supposed to be meaningful, and Marissa calls Diane down to Wackner’s court to help Julius.  

Diane and Liz both go to court. “I’m about to be sent to prison for parking in a purple zone,” Julius explains. “What does that mean?” Diane asks. “If I explained it to you, it wouldn’t make any more sense,” Julius says.

Oh so now we remember that Wackner’s prison exists. When I said I wanted more about it, I didn’t mean that I wanted it looming as a threat... I meant I wanted to explore what it meant that Wackner was promoting prisons...

Diane asks if they should call the police, “the real ones.” I like that it takes her a second longer than Liz and Julius to understand the cops are real. Liz also notes that the SA’s office won’t help either because they might be happy with anything that fucks with RL. This scene is decent. Some of the themes in here are decent. It just feels poorly timed and with the emphasis in the wrong place. I imagine the goal here is to show that Wackner is now more concerned with enforcement than with the process for trials, and that enforcement brings with it a lot of uncomfortable questions. I wish that we’d spend less time on the incredulous reactions and silliness and more time reckoning with those questions.  

The next focus group likes the Wackner anger outburst, because, in Del’s mind, they want to see Wackner care about something. Does Del have the worst judgment ever? Wackner looks invested in every single thing he does—how could anyone accuse him of not seeming like he cares? His whole thing, the whole thing that got Del’s attention, is that he pays each case the kind of individualized attention it deserves. Now he only looks like he cares if he blows up? Even if the thing he’s caring about in the explosion in question is his own reputation? Is Del trying to make Wackner into a mid-2010s anti-hero? And if so... why?

Wackner’s outburst that accuses Del of corruption is apparently so good it got an unprecedented “95%” from the focus group. Sure. Why not.  

Then Del tells him to keep doing cases “just like this” and they’ll keep the court going. Does that mean just like the ALREADY HIGH PROFILE AND ALREADY HAND PICKED FOR TELEVISION cancel culture case, or cases like the Julius case? If the first, well, duh, that’s why they picked that case in the first place. If the second, again, why?

“You and your colleagues think you get to decide when and how justice is determined. You think it is your right to make and break the rules as you see fit,” Wackner says to Julius. UM, WACKNER, THAT IS LITERALLY YOUR ENTIRE DEAL???????????????????????????  

That’s the point, right????? Please tell me the point of this is that Wackner is supposed to look totally hypocritical and like an egomaniac who thinks his own judgment should not be questioned but everyone else’s should be????????????????????????? If this line isn’t meant to be supremely ironic I... I wouldn’t even know where to start.  

“The law belongs to the people,” Wackner says, and the cops start chanting, “USA!”. What?!  

And then we cut away from this and suddenly we’re welcoming Allegra to the firm and... did I miss an entire episode or something? What happened with Julius? Why are Liz and Diane smiling? How did Diane and Liz’s conversation about Allegra go? Did the other partners agree to this? Did David Lee? This is a very big development! I need more!  

Madeline seems welcoming towards Allegra. She and another partner are still suspicious of Diane because they have seen right through this strategy. So... I guess we aren’t done with this arc yet.  

Aw, Liz has a picture of herself with her son when he was a baby on her desk.  

Diane and Liz drop Wackner as a client. It takes longer than it should for Marissa’s name to come up in this conversation.  

If you were wondering about the Julius case we spent most of the episode building up, it’s resolved off screen by Wackner releasing Julius with time served. Why? Don’t know. Did it seem like it was headed that way during anything we previously saw? Nope.  

Wackner won’t let Diane and Liz back out, saying he gets to choose his representation (does it REALLY work this way?) and also, probably more importantly, that they won’t be able to get all of Cord’s business if they piss him off by dropping Wackner.  

Wackner also notes that they picked up his pilot. I’m sorry, what? Del didn’t just decide that the series he created for his streaming platform would be straight to series? That whole little “Wackner doesn’t test well” plot was resolved by showing an episode with the COTW they obviously should’ve shown from the start and then Wackner made a total of zero changes to his behavior or attitude and now the show is a huge success? What was the POINT? Why did I just watch that?!  

“Fuck,” Liz says as the episode ends.  

I’ve kinda always thought this, but it’s worth saying again: Madeline and company should resign from the firm. BOTH RL and STRL care more about profit than anything else. Liz and Diane want to work together. Liz and Diane both take the threat of losing Cord’s business seriously. If Madeline wants a firm that’s focused on social justice, it doesn’t matter if Diane is name partner or not. Liz is probably even faster than Diane to decide things based on money, and even if she weren’t, STRL owns them! Plus, I have a feeling that Diane, her clients, Liz, and Cord are probably individually worth more to STRL than Madeline and the other partners combined. If Allegra is down to pursue profit and deal with corporate overlords too, then Madeline and the others matter even less to STRL. Just cut your losses and start the firm you want to start. At this point it won’t even compete with RL.  

Don’t get me started on this absolutely idiotic title sequence for Wackner Rules. I’m sure this is someone’s idea of a joke. If I take it seriously, then I have to write about how it is even worse than all of the things I just complained about for the entirety of this recap, and honestly, I’m exhausted.  

[inkandpen22]

Beautiful Angel of Darkness (7/?)

Pairing: Spike x Female!Reader 

Warnings: Mild swearing 

Word Count: 1.8k

Part Summary: Y/N is starting to improve and live by Angel’s lifestyle. Then, someone pays her a visit. 

Masterlist

Six months later... 

Who would've thought working at the law firm as one of Angel's team members would be so fulfilling? Granted, it took a moment to get settled... more like a month. There was a withdrawal period, not pretty. Angel sort of locked me away in his basement for a few weeks. After that, I bounced right back and started fresh! Now, I'm Angel's assistant, much better than Harmony. I gave her the boot as soon as I got released from the basement cell. 

I step off the elevator to Wolfman & Hart with Angel's usual blood bag in a cup and my iced coffee. I drink my blood bag on the way here. 

I set everything down at my desk in front of the firm's sign. The normalcy of having a daily routine again is nice. When I was with Spike, I thought normalcy would bore me to death. I guess Angel was right, there is some humanity left in me. 

I knock on Angel's office door, blood cup in hand. When he announces for me to enter, I greet him warmly and immediately get into the day's agenda. 

"Morning Boss, we have a busy day ahead of us!" 

As per usual, he wears a crossed expression as he stands behind his desk shuffling through some papers. 

He sighs in frustration, "Y/N, have you seen the-" 

I place his mock coffee cup in his hand so I can grab the case file from under my arm. He glances between me and the file in amazement. 

"You left it on my desk when you were leaving last night," I explain with a light chuckle. 

"You're a lifesaver," he thanks as he eases down in his chair. 

"It's what I'm here for," I shrug and lean against his desk beside him. 

"Sorry for keeping you here late this week. I'm sure you much rather be home," he apologizes as he reviews the contents of the case. "I just... I don't know how to go about this." 

"Maybe a fresh pair of eyes?" I suggest, reaching for the file. 

Angel hesitates to hand it over. He doesn't like me working directly on cases. He believes I'm not ready for the gruesomeness of them and that the blood may trigger me to regress.

"Angel, I'll be fine!" I assure him confidently. 

Reluctantly, he hands over the papers and I begin to skim the crime scene photographs.  The police are involved, believing it to be a violent murder. However, Angel and the others are pinning it with a series of animal attacks the last few days. They suspect a werewolf. Angel wasn't wrong, these images are rather unsettling, but nothing I can't handle. 

"Based on the slashes on the neck, I would agree with you and say it's not cut wounds. There are no signs of forced entry either," I analyze. 

"But all of the damage..." He debates. 

"It's from the attack. If you were being attacked by a werewolf, you'd toss a lamp and vase at it, wouldn't you?" I reason. "The front door is in perfect condition, except for the blood, of course. I suspect the victim knew their attacker," I determine and hand the file back to Angel. 

He leans back in his chair, deep in thought. Humming, he considers my predictions. "That would certainly narrow down the suspect list." 

"Was she single?" I question. 

He frowns in confusion, "I think so, why?" 

"Check her calendar, see who her latest date was with," I suggest as I rise from my leaning position against his desk. 

"You got all of that from looking at one photo?" Angel remarks in astonishment. 

I glance over my shoulder as I head toward the door. "Told you shouldn't let me help sooner," I wink. 

_____________________________________

At noon sharp, Angel likes his second cup of O Neg. It sounds tedious, knowing exactly when my boss likes his blood. If someone told me months ago that I would be fetching Angel everything he needs, I would've killed them. Ironically, I've never felt never more human than when I'm at Wolfman & Hart. I feel like I have a life of my own, my existence. Before...Before Spike, I belonged to my family. Then, I belonged to Spike. Now, I belong to myself. Granted, Angel watches me like a hawk, but he's easing up. 

Angel and the others hold a team meeting at the same time I'm supposed to deliver his refreshment. More and more lately, Angel lets me sit in on the meeting.  It's usually so that I can act as a scribe while they talk, but I still appreciate the invite. 

Carrying my files, notepad, and Angel's drink, I back into his office door as I'm handless at the moment. Right when the door gives, I immediately announce his dinner plans with a major banker to discuss his Greed Demon issue. "Don't forget tonight, the meeting with Stuart Lawrence! You have to be at his residence in Brentwood at seven o'clock sharp and-" 

I stop dead in my tracks as my eyes flicker toward Angel's desk. Instead of just seeing Angel stressing over some papers, as usual, I see a bleach blonde vampire reading over his shoulder. 

The paper coffee cup falls from my hand and spills on the floor by my feet. The substance coats my left heel, staining it crimson. 

"Y/N..." Spike utters my name with his smooth accent. 

"Oh my God..." I whisper breathlessly in awe. 

Angel flies up from his chair and points to the door. "Y/N, get out of here!" 

"Never took you for the lawyer type," Spike smirks mischievously as he slithers toward me. "Gotta admit though, loving the working woman style." He gestures at my body up and down like I'm a mannequin in a store. 

Behind me, the other members of Angel's team enter for their meeting. 

"Lorne, take Y/N home!" Angel instructs. 

"Right away, Boss," Lorne complies.

"Take one step closer to her green goblin and I'll bite your head off!" Spike threatens sharply. 

"Spike, stop it!" Angel barks. 

"Oh come on, Angel," Spike dismisses as he closes in on me. His fingers comb through the ends of my hair. "It isn't like you to ruin a perfectly good reunion!" 

My body tenses under his touch, much to Spike's dismay. It wasn't long ago that his embrace was the only thing that kept me tied down to Earth. Now, it makes me shutter. 

"You shouldn't be here!" Angel growls as he rushes over to us and yanks Spike away from me. "She's been doing great without you!" 

"Have you forgotten? She was mine before she was yours," Spike chuckles wickedly. 

The English vampire turns to me again and caresses my cheek. His eyes continue to linger in my memories late at night staring at me intensely. 

"Did you really think I was going to let you go?" He mumbles to me and the words make my heartache. 

"Get away from her!" Angel hisses warningly, on the verge of throwing Spike through the top floor window.

Spike ignores Angel and continues to admire me. "Did you miss me, My Love?" 

Yes. 

I shake my head while I slip my hand over his to remove it from my cheek. "You hurt me. I can never forgive you for what you did." 

Spike's face falters immensely. "Y/N... Let me explain! I-" 

"No!" I stand my ground, something I never used to do when we were together. "You deceived me, used me, broke me!" I switch my gaze between Spike and Angel frantically until I find myself overwhelmed. "I... I can't do this... I'm sorry Angel, excuse me." 

Thus, I hurry out the door past my coworkers before anyone can stop me. Both Angel and Spike call for me, but I ignore each of them as I gather my things and disappear onto the elevator. 

________________________

After today's cluster of events, a long shower was much needed. I have no doubt Angel will be visiting me once the workday is over, just to check-in. I can't believe Spike is here in Los Angeles. It all felt like a dream or perhaps a nightmare. How dare he come here after half a year and expect me to act as though nothing happened. 

Immediately after my shower, I go to my kitchen to fix myself a cup of tea. I stick the kettle on the stovetop before I get dressed. At first, living alone startled me, but since then I've grown to prefer it. I like the peace. After long days at the office, time alone and space alone is what I need. 

"Y/N," a voice makes itself known. 

My hand flies up to my chest as I pant. "Spike! Jesus and Mary! What the actual fuck?!" 

"A vampire scared of the dark... how ironic," he teases with a smirk. 

"Get out!" I shout, pointing toward the door. "I'm not even dressed you feen!" I start to march back to my bedroom which makes Spike follow. What part of 'get out' doesn't he understand? 

"Oh come on, Love. It's not like I haven't seen anything before," he insinuates. 

"Get out!" I repeat. 

"No, not until you hear what I have to say!" He insists. 

"You love Buffy! Congrats! Now, go be with her!" I urge him away. 

Abruptly, Spike grabs my forearm and yanks me to a halt. His free hand flies up to my chin and forces me to meet him in the eye. I fight him off, prying at his arms, but nothing works. 

"I never loved her!" He barks at me. "Well... maybe a little once... but that was before I met you! That night I didn't cheat on you! I swear it! I went over to her house to kill her and when I got there she was crying! Her mother has been ill! That's why I couldn't come sooner... plus I... I..." 

"You what?" I growl in disdain. 

"I got a soul for you," he remarks calmly, nearly solemnly. 

I frown, how is that possible? 

"You what?" I question. 

"I went to the desert, got my soul back so I could be like Angel..." He explains. "To be like someone you'd want to be with," he adds. 

He softens his grip on my face. To my surprise, I don't pull away. I stare into his blue eyes with astonishment. How could he get back his soul? Is that why it took him so long to come and find me? For months I wondered if he would ever come... but he never did. When I finally started to get settled and moved on he shows up. Spike's hand falls from my face with a sigh.  

"Forget this. Never mind," he starts to back away. "Have a good life, Y/N." 

I stand frozen, speechless, and unsure what to do as Spike struts away toward the door. Thus again, he has disappeared from my life. 

________________

Masterlist 

Tags:  @currently-obsesed-with-spike @mx-pibbles @shy-ginger-in-the-graveyard

[nextstopparis]

Hello again, funky little raccoon! I just have a quick question, do you think Arthur is more bad or good? (I know that’s probably a tough question because everyone has bad and good parts in them and it might be difficult to say which is bigger, sorry!) I know he’s done some things that he probably shouldn’t have, but then he also does some other things that are good and I don’t know??

Cause I’m having another little bout of love for him but then I’m like “ahh he’s not that good though! But maybe he can’t help it and it’s Uther’s bad parenting?” But I feel like although some of it was Uther’s bad parenting, he could’ve still changed?? And so now I’m really conflicted.

jsndksn omg hello!!!!

you're right lol this is a really hard question, but only because i could technically write you like. a 7 page essay on my opinion. now, i HATE to sound like one of Those people that try to turn things that really arent philosophical discussions into philosophical discussions but. i really think this heavily depends on what you personally define as a "good" person vs. a "bad" person. regarding arthur specifically, it also very extremely depends on your own interpretation of his character.

like. is someone good solely because of their actions to you, or does intent matter as well? which one is more important? what about if they repent for evil deeds theyve done? what if they want to but aren't given the chance? does that make them good or bad? does that even matter? all those fun questions.

ive personally always loved arthur because i believe he's fundamentally good. this is for a bunch of reasons (im not gonna go through them all) but one of them is because.... i think its obvious that..... whether properly executed or not.... the concept behind arthurs character was obviously a good person...? at least, to me it feels like thats what the writers were going for? someone with many flaws that is fundamentally good, just needs to be pushed to actually achieve his full potential of goodness? like going by the way they talk about him.... it just felt obvious that THATS what they were going for......

now, a lot of people have a problem with arthur because...as we all agree, i think.... they really did his character dirty for the sake of? comedy, prolonging the story, needless shock/tragedy, whatever. take your pick, lmfao. the way they portrayed arthur's fundamental goodness/difference to his father was through a mostly "tell" medium, rather than a "show" one, which rubs people the wrong way. i mean, you have all these people saying he's a great king, that camelots better now that hes king, etc etc, and yet time and again we see him regress his forward thinking every two episodes. we see him make promises that never turn into anything. whatever. and i get it. obviously that sits wrong with people. it sits wrong with ME. but that makes me hate the writing, not the character, because i personally see it as a fault with the writing. its not the characters fault the writers didnt take the "show dont tell" advice. there were a lot of storylines the writers just abandoned, it didn't seem out of the ordinary that arthurs promise to the druids would be yet another one, to me. they also completely abandoned the small detail that he was born of magic?? but also, you know. i understand that some people hate the character for it, and who am i to say anything about that.

so regarding your dilemma on like. how he's done pretty shit things. yeah, i totally get it. and unless he'd actually done something to repent for them, they shouldnt be ignored. but we're talking about a tv show that didnt really seem all that concerned about proper character development/actual redemption/whatever so. unfortunately, we didnt get that. what we did get, however, was arthur being willing to listen to criticism against him. we got arthur surrounding himself by very good people, who loved him and called him out. we got arthur wanting the best for his people. we got arthur ready to risk his life on every occasion just to save even one other person. we saw arthur explicitly express he wanted to bring peace. that he just wanted his people to have peace. we saw arthur want to repent. we saw arthur promise to keep his mind open about magic. we saw arthur be very concerned about justice, and not blindly convicting someone. we saw arthur want to be better.

again, its a lot of the "tell"ing thing and not much of the "show"ing thing, but... again... to me thats just the writing's fault. he sounded genuine, and im biased so i believe that the intent behind all the above was good/genuine. this makes him a good person, to me, with a lot of unresolved ..... er? everything?

i dont know if this answered your question at all, but i can only hope at this point jdnsjkncsk. at the end of the day, he's a fictional character, and its completely valid to just hate him sometimes and love him other times for literally any reason at all:) or you know. hate him all the time or love him all the time.

[phynali]

Canonization and Fandom Purity Culture

I wrote a 1k-word twitter thread (as proof that I am Not made for Twitter and it’s goddamn 240-character limit) and am pasting it here with edits and updates (it’s now 2k words). 

I have thoughts to share (which I know have been stated more eloquently before by others) about this trend of demanding/obsessing that certain ships become "canon" and how it overlaps with the rise of fandom purity culture.

Under the cut.

Here in 2021 there is a seemingly large and certainly loud and active contingent of online fandoms who desire (or even demand) "canon validation" for a given interpretation of a source material. This is more true with shipping than anywhere else.

First, it is important to note that the trend is not limited to queer ships or to any single fandom. In the past few years I've seen it for Riverdale, Voltron, Supernatural (perhaps most extreme?), The 100, etc., and less recent with the MCU, Sherlock, Teen Wolf, Hawaii 5-0, etc. It is a broad trend across ships, fandoms, and mediums.

So if it is more common for queer ships, it is hardly unique to them. Similarly, pretending that it is about queer representation is a clever misdirect to disguise the fact that it is most often about ships and shipping wars. If you ever need proof of that, consider that a character can be queer without being in a given relationship or reciprocating another character's affections. Thus a call for more/better queer rep itself is very different than a call for specific ships to be made canon.

Also note that when audiences frame it as wanting to recognize a specific *character* as queer, it is almost always in the context of a ship. Litmus test: would making that character queer but having them *explicitly reject* the other half of the ship be seen as a betrayal?

(Note: none or this is to say we shouldn't push for more queer rep and more *quality and well-written* queer rep! Just that that isn't what I'm talking about here, and not what seeking canon validation for a specific interpretation or a specific ship is almost ever about.)

Why does this matter?

the language of representation and social justice should not be co-opted to prop up ship wars

it is reciprocal with a trend toward increasing toxicity in transformative fandom spaces

Number 1 here is self-explanatory (I hope). Let's chat about 2.

Demands for canon validation correlate with a rise in fanpol / fandom purity culture. What is fandom purity culture (and fandom policing)? This toxic mentality is about justifying one's shipping preferences and aiming to be pure (non-problematic) in your fictional appetites regarding romance and sex.

Note that this purity culture is so named as it arises linearly from American Protestantism, conservative puritanical anxiety around thought crimes, and overlaps in many ways with terf ideologies and regressively anti-kink paradigms.

It goes like this: problematic content is "gross" and therefore morally reprehensible. Much like how queer sex/relationships get labelled as "gross" (Other) and thus morally sinful, or how kink gets labelled as "harmful" and thus morally wrong. The Problematic label is applied by fanpol to ships with offset age or power dynamics, complicated histories, and anything they choose to label as "harmful". As such, they would decry my comparison here to queerphobia itself as also being harmful, because their (completely fictional) targets are ~actually~ evil.

(The irony of this is completely lost on them).

This mode of interacting with creative works leaves no room to explore dark or erotic themes or dynamics which may exist in fiction but not healthily in reality. Gothic romance is verboten. Even breathe the word incest and you will be labelled a monster (nevermind Greek tragedy or GoT).

As with most puritanical bullshit, fanpol ideology only applies these beliefs to sex and never to violence/murder/etc, proving what lies at its core. It also demands its American-based values be applied to all fictional periods and places as the One True Moral Standard. It evangelizes – look no further than how these people try to recruit others to their cause, aim to elevate themselves as righteous, and try to persuade (‘save’) others from their degenerate ways of thinking. 

“See the light” they promise “here are our callouts and blog posts to convince you. Decry your past sins of problematic shipping, be baptized by our in-group adulation and welcome, and then go forth and send hate to others until they too see the light.” In many ways “get therapy” by the antis is akin to “I’ll pray for you” by the Christian-right (and ultimately ironic).

(Although it has been pointed out to me that these fans are likely not themselves specifically ex-evangelicals, but rather those who have brushed up with evangelical norms and modes of thinking without specifically being victims of it. In many ways they are more simply conservative Christian in temperament and attitude without necessarily being raised into religion by belief).

What this has to do with canon validation is that these fans look to canon for approval, for Truth. On the one hand, if it is in the canon then it must be good / pure or at least acceptable. The authority (canon) has deemed it thus. It is safe and acceptable to discuss and to enjoy watching or consuming. In this way, validation from canon means a measure of safety from being Bad and Problematic. 

For example, where a GoT fan could discuss Cersei/Jaime's (toxic, interesting) dynamic in depth as it related to the canon, fans who shipped Jon/Sansa (healthy, interesting) were Gross and Bad. The canon as Truth provided a safety net, a launch point. "It's GRRM, not me, who is problematic." It wasn’t okay to ship the problematic bad gross incest ship, but it being in the canon material meant it was open for discussion, for nuance, for “this adds an interesting layer to the story” which is denied to all non-canon ships labelled as problematic.

(Note: there are of course people who have zero interest in watching GoT for a whole slew of very valid reasons, including but not limited to the incest. That’s a different to this trend. A less charged example might be The Umbrella Academy, where a brother canonically is in love with his sister and antis still praise the show, but if you dare to ship any of the potential incest ships then you are the one who is disgusting).

On the other hand, a very interesting alternate (or additional) explanation for this phenomenon was raised to me on twitter. (These ideas aren’t mine originally, but I wholly endorse them as a big part of what is likely going on): Namely, as with authoritarian individuals in general, they see themselves as right and correct, but the canon (which has not yet validated their ship) is not correct, and is in fact problematic, and so they can save the canon from itself.

As mentioned, these fanpol types see their interpretation as Good and Pure. So if they can push (demand, bully) the canon into conforming to their worldview and validating their interpretation, then they have shown the (sinful) creators the light and led them to the righteous path. This only works if the canon allows itself to saved though, otherwise the creators remain Evil for spurning them.

How is this different from fans simply hoping for their ship to be canon?

For a second here, let’s rewind to the 90s (since Whedon has been in the news recently). This “I want it to be canon” thing isn’t 100% new, of course. We saw this trend then for the show Buffy the Vampire Slayer, but it was different then. At the time, fans who hoped for a ship to be canon might have been cheering for a problematic one to begin with (Buffy/Spike). So shipping was still present, minus vocal fanpol.

(And Buffy fans learned that canon validation...can leave a lot to be desired. A heavy lesson was learned about the ways that fan desires can play out horrifically in canon, and how some things are best left out of the hands of canon-writers).

These days, this is still largely true. Many fans hope for their ships to go canon, as they always have. There are tropes like “will they/won’t they” that TV shows may even be designed around, which a certain narrative anticipation and a very deliberate build up to that.

But while shipping *hopes* occur for many fans, almost all ships fans that *demand* to go canon and obsess over are now the ones deemed as Unproblematic, or as Less Problematic. I’m talking here about the ships that aren’t necessarily an explicit will/won’t they dynamic but do have some canon dynamic that leads them to being shipped, but which the creators aren’t necessarily deliberately teasing and building up a romantic end-game for.

These ships often have fans who are happy to stick to fandom, but there has also been a huge uptick in the portion of fans who are approaching shipping with an explicit lens of “will they go canon?” and “don’t you want them to be canon?” and now even “they have to go canon” and “the canon is wrong if they don’t make this ship canon”, to a final end-point of “if the ship doesn’t go canon, the source material is Wrong and Bad.”

These latter opinions are the one we see more by extreme fans (‘stans’), hardcore shippers, but especially by fanpol-types, the ones who embrace fandom purity culture at least to some extent.

Why them?

In pushing for canon validation, fanpol types seek to elevate their (pure) interpretation of canon. As mentioned above, it’s validation of their authority, a safety-net, and a way to save the canon from itself if only they can bully the canon into validating their right and good interpretation. 

There’s also another reason, which is that canon validation is a tool to bludgeon those seen as problematic. They can use it to denounce other (problematic) ships as Not Being Canon and therefore highlight their own as Right and Good, because it is represented in the True Meaning of the Work.

Canon validation then is a cudgel sought by virtuous crusaders to wield against their unclean enemies. It is an ideological pursuit. It is organised around identity and in groups sometimes as insular as cults.

How does this happen?

Fanpol tend to be younger or more vulnerable fans, susceptible to authoritarian manipulators. As many have highlighted before, authoritarian groups and exclusionary ideologies like terfs are very good at using websites like tumblr to mobilize others around their organizing beliefs. Fanpol tend to feel legitimate discomfort, but instead of taking responsibility for their media engagement, ringleaders stoke and help them direct their discomfort as anger onto others; “I feel ashamed and uncomfortable, and therefore you should be held accountable for my emotions.” Authoritarian communities endorse social dominance orientations, deference to ringleaders, and obedient faith to the principles those ringleaders endorse.

As these fans attach more and more of their identity to a given media (or ship), and derive more and more validation and more of their belongingness needs from this fanpol community, they also become more and more anxious about being excluding from this group. This is because such communities have rigid rules and very conditional bases for social acceptance. Question or "betray" the organizing ideology and be punished or excommunicated. If that is all you have, you are left with nothing. Being labelled problematic then is a social death.

What this means is that these fans cannot accept all interpretations of a media as equally valid: to do so Betrays the ideology. It promises exclusion. And, in line with a perspective around ‘saving’ canon and leading others into the light – forcing and bending the canon to their will is what will make it Good (and therefore acceptable to enjoy, and therefore proof of them as righteous by having saved others). As was also pointed out to me on twitter, endorsement from canon or its creators also satiates that deep need they have for authority figures to approve of them.

Due to all of this, these fans come to obsess over canon validation of their own interpretation. In a way, they have no other option but to do so. They need this validation -- as their weapon, as their authority, as their safety net, as their approval, as their evangelical mission of saviorship.

Canon validation is proof: I am Good. I am Right(eous). I am Safe.

(In many ways, I do ache for some of these people, so wrapped up in toxic communities and mindsets and so afraid to step out of line for fear of swift retribution, policing their own thoughts and art against the encroaching possibility that anything be less than pure. It’s not healthy, it’s never going to be healthy.)

In the end, people are going to write their own stories. You are well within your rights to critique those stories, to hate them, to interpret them how you will, but you can never control their story (it's theirs).

Some final notes:

This trend may be partially to do with queer ships now being *able* to go canon where before so no such expectation would exist. Similarly, social media has made this easier to vocalize. Still, who makes these demands and the underlying reasons are telling. There are also many legitimate critiques of censorship, queerbaiting (nebulous discussions to be had here), and homophobia in media to be had, and which may front specific ships in their critique. But critique is distinct from asking that canon validate one's own interpretation.

[algernoninwonderland]

Miraculous, intertextuality and why referencing other works all the time isn’t necessarily a great idea

TL;DR: Miraculous loves itself some pop culture references, they’re in the show all the time for you to enjoy, especially if you’re a big nerd.

Only, making a list of references and trying to replicate what other works did before yours doesn’t make your show good by association, and when it comes to Miraculous, these references seldom do these original works justice. Instead, it makes comparing these other works with Miraculous really easy, and the comparison is rarely flattering.

Miraculous would be a much better show if it tried to be its own thing, a few scenes are just that and they are great. It’d be a wonderful show were they not so few and far between.

Miraculous is made by nerds, as is the case with most cartoons. The show itself lets you know that right away. It’s a pastiche of magical girl anime and Silver Age comics, it uses a lot of their visual languages, and references its other inspirations a lot, for instance:

The name of its fictional locations, (Françoise Dupont is a regular kid with a masked detective alter ego named Fantomette, Marinette’s address is a reference to a French illustrator who often drew a talking ladybird)

The way its characters look (Master Fu is both Mr Miyagi from the Karate Kid and Muten Roshi from Dragon Ball, when akumatised, Mme Couffaine becomes basically Captain Harlock and her houseboat becomes the Arcadia) 

Sometimes entire scenes are references to other works (Aurore’s akumatisation is straight out of Utena’s Dark Rose Saga, “Gorizilla” has a King Kong pastiche). 

You could fill an entire Wiki with all the references in Miraculous if you wanted to. If you paid me well, I’d do it myself.

Wearing your inspirations on your sleeves is a double-edged sword, really.

On the one hand, you showcase the things that inspired your creative process, a way to say, “hey, that show/film/book exists within a landscape, it’s the heir to such and such work”. You acknowledge that you owe a lot to your predecessors, you acknowledge that there’s no such thing as a 100% original thing. That’s a great act of humility. 

And intertextuality conveys meaning, too! Let’s take a very mainstream example. When you notice that ha! The pod-racing scene in Phantom Menace comes from the 1959 movie Ben-Hur for instance, you get the sense that you understand the cinematic masterpiece that is Episode 1 a bit more. It tells you that your movie about space wizards owes a lot to other genres, and that it transposes these genres to another setting, space! “It’s Ben-Hur, in that that slave kid is pod-racing for his freedom, but I gave it my own spin,” George Lucas tells you. “Look, the funny Gungan stepped into that space cow’s poop! Haha, sure hope I’ll sell lots of toys and buy myself some death sticks!”

You feel really smart when you get a reference, too! “Hey, that’s a Dezaki effect right there!” “Wow, is that a robot from Castle in the Sky in Age of Ultron?” Likewise, if you don’t recognise the work being referred to, you might get curious about it! References send back to other things and your knowledge of these things and when you get it, it feels nice. Lots of people discovered Utena thanks to Steven Universe and that’s really cool, and these references add to the meaning of the cartoon! Folks who casually got into RWBY but didn’t know Soul Eater and Cowboy Bebop heard about those shows and many others while discussing RWBY and I’m sure lots of them got into anime thanks to RWBY!

On the other hand, by being so open about your sources of inspiration, you expose yourself to criticism, especially in the case of your work being compared with what inspired it: it might be seen as derivative, or even worse, unable to do these previous pieces of media justice by only retaining and replicating their most superficial elements without a great understanding of what made them work, gratuitous fanservice for nerds.

And I’m not quite sure where Miraculous stands. Oftentimes, it feels more like a Spider-Man/Kamen Rider crossover with bits of outdated shoujo manga and superficial wuxia sprinkled in there than a show at least trying to be its own thing.

And the problem is, Sailor Moon is better at being Sailor Moon than Miraculous could ever be, as it uses its visual language better, and it has a tiny thing called “the main character having a group of friends who aren’t props and a plot you can follow” that is the very reason why people liked the manga and anime in the first place. Miraculous only retains the very superficial aspects of the manga/anime and of the genre. Marinette still trips over a cat in the opening. Because that’s how it happens in Sailor Moon. Her characterisation as a civilian screams “Usagi Tsukino but more stressed out”.

Spider-Man is better at splash pages than Miraculous because ML’s CGI is pretty meh when it’s not in motion, these weird filter effects don’t look great, that only works when you’re Into the Spiderverse and have comic-book aesthetics. Queen Wasp has a whole sequence that is just that scene in Sam Raimi’s Spider-Man 2 only this time Queen Bee sabotaged a metro on purpose to stop it. It’s not an awful scene, it carries its point across rather well (Chloé is a selfish nerd who thinks she can be like these comic book characters but truly isn’t fit to be a hero) but the original did it better, it was more impressive, there was more tension to that original scene, some really interesting camera and foley work that made you feel the weight of that train. It didn’t feel cheap the way that scene in “Queen Wasp” did.

Utena’s Black Rose Saga explores the psyche of some of its secondary characters the audience is already familiar with, with problems we could already identify within them. It offers an examination of the storyworld from another point of view, and helps build it further. There’s always a proper buildup before these characters have a mental breakdown in an moody elevator with a butterfly pinned on the wall that turns back into a chrysalis, because the characters are going through a kind of regression that makes them easier to manipulate and turn into “villains” while acting out their true desires in a twisted way. “Stormy Weather” has most of that, an elevator with dramatic lighting, a butterfly and a mental breakdown, but the character is all new to us so it’s just not that impactful. Often, that one secondary character who’ll get transformed has had spoken lines, yes, but that’s only minutes before they get akumatised.

“Kinda the same but a bit worse and missing some of the key aspects of what made the original thing so good” isn’t much of a tribute, is it?

In an earlier post, I stated that Animaestro was basically “I have watched a lot of animated shows and I know how to mimic them, the episode”. It told us nothing about animation as a medium except that it’s cool sometimes and that you get to imitate other people who are much better at the things they do than you are. 

It’s not a clever metacommentary, it’s just “me likey moving pictures”. Good for you, I guess… Did you really need an entire episode to make that point?

And then you’ve got all the bad outdated shoujo tropes with characters falling on top of each other, aggressive flirting (harassment, really) from Adrien portrayed as really sweet and romantic because it’s just like in the shoujo manga (which one?) you see… And that’s just not great, is it?

Miraculous is a much better cartoon when it doesn’t try (and fail) to emulate other shows and movies and comic books and manga. The only thing it tells us about these works is that That Guy and co really like them and that copy-pasting them is the best way they’ve found to show their love. Imitation and flattery and all of that I guess.

“Look, it’s like in that scene in the anime! Did you like the anime? It sure was a good anime, and if our show makes you think about it, then it’s also good, right?”

No, you guys, I’m sorry but no. If making references was all it took to be good, then gaming webcomics would be regarded as masterpieces. 

Very often, the show seems interested in being anything but itself. And it’s a shame, because there are lots of ideas the show kind of brings up but never quite touches. Marinette is interested in fashion design? That’s great, show us more of that! Make it an important part of her character, and by the same occasion, make her creations look not-laughable. Miraculous could be the first cartoon to explore what it’s like to be a biracial kid with a Chinese parent in France (would that work with a crew of almost strictly middle-aged white men is another question to which the answer is a resounding “no”). The show is set in Paris? Cool, how about exploring the city outside of its landmarks every tourist and their mom already knows?

Inexplicably, in the middle of an episode when you expect it the least, you get brilliant bits of directing that aren’t references to other works. Alya becoming Rena Rouge and her first steps as a superhero? Brilliant, really immersive, loved it, not a reference. The sad car scene in Puppeteer 2? It’s really really good, not a reference either. All the unexplored lore? It seemed really promising and having more of it would help us understand things a bit more!

People don’t just like your show because it reminds them of another show. Why watch it if you can watch that original work in the first place?

Trying to make a superficial mashup of all things you think are great in other works is not the way to do these works justice, nor is it the way to make your show interesting, let alone good. 

[wri0thesley]

many many anons under the cut bc i didn’t want anyone to feel like i was ignoring them and i wanted to respond to u all! warning for small text too, it was so long i wanted to make it look smaller fgbnjkgkjn

Anonymous asked: NAT... you can write WHATEVER you want! It's your blog, and I hope that rude anons can learn to respect that. I used to be on your blog just for jjba content too, so when you started getting into jjk I was indifferent but eventually you dragged me into jjk so hard!! I already like bnha, so seeing you write for it only made me happier! I hope that you continue to write whatever make YOU happy:) ❤and yes, longer fics certainly doesnt mean it's better, quality over quantity

ahh i’m happy that you are here for all three!! i always feel so accomplished when someone is like ‘your constant screaming made me think about jjk <3′. all three of the fandoms are fairly popular and i tag everything v carefully so i hope people who do use the filtering find that useful!!! 

Anonymous asked: Goodness gracious. People really be out there thinking they're entitled to dictating what kind of content you should be making

i think part of it might be that i do take requests so people feel like they have like . . . a certain right to certain kinds of my content? i take requests mostly bc they keep me motivated, i like making content for ppl who cant find what they want bc i’ve Been There, but maybe people think i am a pushover? idk i am just trying to have a good time!!!

Anonymous asked: Hi. I only started following you a few days ago but please ignore that rude anon. People are so fucking entitled towards writers it's insane. I recently had someone throw a fit for "spoiling" something in my fanfic, even though the fic was about a manga-exclusive character, so what did they expect?? Overall I've really enjoyed your writing so random assholes coming to guilt you is just a shitty thing that happens. Keep going with what you wanna do.

ah gosh anon i’m sorry about that :(. i’m always super careful tagging spoilers and stuff but like, if someone clicks on a fic about say, naoya or the steel ball run boys and is mad that i spoil something they havent found out yet . . . yeah thats on them fgbnkjgfkjn

Anonymous asked: That...that anon had the nerve to say "we". The fuck?! No no no anon, YOU'RE the only one talking and you're just talking for yourself, don't you dare try and lump us other anons/followers up with you to make yourself look like you're right. We love you nat and we appreciate you. It's your blog, you're allowed to write about whoever and whatever. This brain dead anon just needs to either go read someone else if they're that salty or write their own stuff if they're that impatient.

gosh i WISH some of my mad anons would just write their own stuff honestly. idk if this anon thought they were talking for everybody but i guess they expected anons to agree with them and not be mad at them. i appreciate u anon ;_;

Anonymous asked: Just want to say that ily and you’re one of the best jojo fanfic writers in my opinion 💗 I don’t think you’re half assing jojo fics and there’s absolutely nothing wrong with you being multi fandom. A lot of jojo blogs have started posting about jjk so it’s not as if you’re the only one. I’m not sure why you get hate like this but I think it’s just because you’re one of the popular writers and that makes people bitter for whatever reason. Keep being you and posting about the things that make you happy 💕

honestly after so long writing for jojo - i’ve written well over 200 jojo reader insert fics - sometimes it feels like i’m retreading stuff, and that’s when i take a break bc i dont wanna half-ass stuff!!! i love all of my fellow jojo friends who are posting about jjk too, i appreciate them <3. 

Anonymous asked: Hey my dude, ur writing has really grown since the jojo days and its better and awesome seeing u become happier to branch off and write in different fandoms 🤌🤌 those stupid anons are just boring farts that couldnt be bothered making their own content 😤😤 is it possible to block them to ease ur mind?

hello anon!! i run a statcounter for IPs but it doesnt always work for ppl who access through the tumblr app, i don’t think; a lot of the anon hate i get i just use the ‘block’ option, but last night got to me because i’ve been getting that kind of writer a lot which is . . . a bad look for the jojo fandom who are, as a whole from the ones i’ve interacted with, lovely!!! <3

Anonymous asked: People often forget, the person behind art or writing, is just another regular fan. You deserve to be happy with what you create and we should be thankful you share your talent with us. You also have right to change your main interests, and it's very normal thing. Jojo is one of the MANY things that you write for and all you get from that is a like or share. Its not your job. It's your fun thing to do, in spare time. You haven't betrayed anybody. That person was just rude, selfish and bored.

i am just a person doing my best!!! anime fanfic is one of many interests i have and i already devote a lot of time to it honestly, i love when people tell me they’ve enjoyed something i made bc it makes it feel worthwhile but equally it gets to me a lot when people are rude because i am usually trying my hardest. 

Anonymous asked: Bro that jjba anon... the entitlement🤮 Fam, you write whatever you want to write😤 -Saturday

dfnjbkjnkgf i find most fic readers are NOT entitled at all and are just grateful but when they are . . . oof. 

Anonymous asked: It's funny how people throw "we got you popular" and they think you start apologize and cry. Your writing and passion made you gain few numbers on a follow counter, nothing more. I think I'm too old for stuff like this, we are nothing more, but +1 on a number scale. You ow us nothing, we ow you nothing. Popular... Funny word. You just write for fun of it, fake scenarios about someone's manga characters. It's not that deep. Have fun and don't listen to people like this. I knew it's not that easy, but they are really not that important as they think they are.

extremely fun fact for people who think ‘popularity’ is important to me: i would 100% rather have 10 people who regularly comment, reblog my fics with tags and interact with me than 100 people who read my fic and either leave a like or simply move on. i think this is true for the VAST MAJORITY of writers tbh. i’m glad that people think i am a ‘popular’ blog (i am not in the grand scheme of things, one of my ex-best friends used to run a kpop reader insert blog with like 30,000 followers) bc it gives me an ego boost lmao, but i really just want people to read and enjoy the stuff i write!!! 

Anonymous asked: I followed you a while ago for jojo and when my friends started getting into jjk i was like...eh sounds like work...but now that I see you writing for it I feel really motivated to get into it!!! I really enjoy your writing and I want to be able to read the new stuff too!

ah anon i really hope you like it!!! it’s only one season rn if u wanna watch the anime and there isn’t too much of the manga to catch up on either but it is a lot of fun and it’s nice to be in a fandom that’s like, excited about a new chapter and new plot developments every week!

Anonymous asked: Pls dont reply if u dont want to! <3 I'm not sure if this will be of any help to you or not but this is the kind of thing that often helps me and is the only way I know to try comfort others so I wanted to give it a go~

Now im not gonna say 'dont feel bad pls' bc I know that's not really useful but what I do think is useful is just discussing why that anon and many others feel the need to respond that way. As someone who follows a lot of writing blogs myself and have done for a long time, i've seen my handful of favourite writers come and go for different reasons, lose motivation for a while, gain motivation for a while, go from multi to single fandom, or single fandom to multi. Often times as a reader it can be upsetting when things change but it's also important as a reader to understand that some things aren't in anyone's control, I can't control what my favourite writers become a fan of or lose interest of, I can't control things in their personal lives that may motivate or demotivate them to write, but what I can do is support them as long as they're active, and if they move on to do things i'm no longer interested in or i'm the one that changed interests, rather than being upset that they're evolving to do other things or that they're not evolving with me, I think it's important that I still feel thankful for the works that I enjoyed while we were still on the same page and this is how I personally deal with those negative feelings. I think the anons that lash out at you probably just dont know what to do with themselves, maybe they got attached to your works while you were still only a jjba blog and now that you're evolving they're upset, while I understand how they feel, they're going the completely wrong way about it. I've learned to take these things and turn them into something positive for myself or at least something bittersweet that I can move on from but the anons that lash out at you for whatever reason probably haven't learned this yet. Maybe it's because i've moved on and changed interests a lot myself that I know how these things go for both writers and readers but those anons maybe haven't experienced this as much so they dont know what to do with themselves other than complain that you've changed and throw insults at you in an attempt to get you to revert back. None of this is because of the quality of your writing like they want you to believe, it's literally just because you've evolved and while some of your old followers might not like the new content for no reason other than it not being their cup of tea, it's definitely not regressed at all. You are pumping out a lot of content right now but every single thing i've read has just been better than the last. Things that really stand out to me is how well you get characterisation down to a T and all of your dialogue is just on point and from the pov of a reader I think those things seem the hardest to get right so I am such a huge fan of your stuff at the moment and I can tell you're really putting so much thought and care into each and every fic no matter how fast you're producing it, I think the fact that you're also proud of what you're writing at the moment really shines through as well and I just adore the passion that radiates from every completed request as well as in the responses for the subsequent thirsts resulting from these works that appear in your ask box later (I know i've sent quite a few by now~)

Just to be clear i'm not defending those anons in any way, while I can understand what they might be feeling/why they're reacting in the way they are I still believe it's just so immature to be hateful online point blank. Even during a time where I still got upset with writers if they started doing something else I still never targeted that negativity directly to the writer and sending rude or hateful comments whether on anon or not never something i'd stooped low enough to do even when I still had an immature way of thinking, however, I hope that it might make it a little easier to brush them off if we try and understand what they're really upset about, and that they're just putting the blame for their negative feelings onto the wrong thing rather than coming to terms with change themselves.

hello anon!! i appreciate the long message. i do feel bad for people who have no interest in what i’m currently producing and i get that they feel upset about it; i’ve watched a lot of fellow jojo writers move on completely or just stop posting, honestly. this kind of thing is why i was so intense about asking people if it would be better if i made a separate blog but the resounding answer seemed to be ‘i’m just vibing with whatever happens and i’ll block tags as needed’. 

i often return to works by my favourite reader-insert writers who no longer write for the fandoms i like (and i read stuff bc it sounds interesting or i trust the person who writes it), but change can be difficult and i guess at this point i’ve - whether u like me or not lmao - been a fixture in jojo reader-insert tumblr for a While so it’s probably kind of jarring. 

anyway i really appreciate you and the nice words! <3 

Anonymous asked: hi nat! I just wanted to pop in and say that regardless of what fandom you write for, the love and care you pour into your writing and into interacting with followers who care about your work as well is really obvious. you're doing this for FREE and people should appreciate what you've given us so far, since ultimately this blog should be for you, whatever that means to you at any point in time. it's ok to jump fandoms! the important thing is that you feel good about what you're producing and that it makes you happy. everyone else is just a bonus - but, seeing you on my dash certainly makes me happy : ) I hope you feel better soon!

thank you anon! i’m feeling much better and happier today. birthdays are very difficult for me (i did not think i’d be alive at eighteen, much less 25!) so this event is definitely kind of a way for me to concentrate on something else, and i’m a little bit extra sensitive atm. i appreciate you so much, thank you for the kind words!!! <3

Anonymous asked: Hello! I just wanted to say, write what YOU want and make YOUR writings as long as you'd like. 💖 To the anon who is like "We mAdE yOu FaMoUs dOnt HalF asS iT" stfu, let people do what they wanna do. If you think they half do it, write something better and longer you asshat.

this is an open invitiation to that anon to send me a link to their writing blog and i’ll hype them up i promise <3 

Anonymous asked: nat i'm so so sorry about that ask please know that your older followers don't share the same opinion :( sometimes people forget about the living, breathing person behind the screen smh. you are not a machine. you absolutely should not restrict yourself to posting about one fandom forever. yes, we're first pulled in by your amazing content, but we stay for your wonderful personality and work ethic. please just keep being you, taking up projects you feel comfy with! <333 bless u

ahh thank u anon! unfortunately i actually am a writing robot, i’m sorry u had to find out this way. my jojo chip has been removed, please send it back so i can continue to not half-ass my jojo work. fgnjkbgjkfn thank you so much angel!!! i appreciate you ;_;.

Anonymous asked: i don’t think it’s fair for other people to say shit about what you choose to write about because on tumblr and other writing platforms, writers are constantly developing how they write and the fandoms that they write for. it’s not fair for someone to criticize that “you don’t care about jjba blah blah blah” because you can enjoy new shows/manga. and like you said you’ve grown so much!! proud of you nat and im glad that ive been able to read your works (sincerely other nat)

i am STILL waiting for you to come and fight me other nat fgnjkbnf. it’s nice to be enjoying different things! i am constantly learning new things and reading new works and making new friends and improving and i think that’s important. i do care about jjba - a lot! but i can care about other things too! <3 

Anonymous asked: I may not be one of your oldest followers, but i've been here for almost 3 years. Yes, i started following u for ur jojo content, but let me tell u, ur newfound motivation and enthusiam for other fandoms was honestly contagiuos for me. And i say this as a person who finds very difficult to move from one interest to another. Jojo is great, but so are other fandoms. Please don't let some faceless scum rob u that motivation. This is ur blog and u r always free to write whatever u want.

honestly, i have been there! i am autistic and i have special interests and watching other people move on to stuff i’m not vibing with has made me sad in the past, but i want people to be happy more than anything and sometimes that means new things and change! <3 

Anonymous asked: Hi Nat! I saw that rude anon message & I just wanted to pop in & say that they're wrong. You're not betraying anyone & you should write whatever it is you want to write. I followed you for jojo & I'm not familiar with the other fandoms that you write for, but personally it makes me SO happy to see you enjoying new things! It's always good to find joy wherever you can, so keep writing what you're interested in. There a lot of ppl who want to see you happy and healthy <3

honestly the idea of it being a GRAND BETRAYAL is so funny, i am just writing anime fanfic here and thriving!!! tysm anon! <3

Anonymous asked: Those anons can piss off! They have no right to judge how long or how short your writing is. If they want longer content write it their damn selves. I think your writing has improved wonderfully and I originally followed for Jojo and I'm enjoying all the content period. I don't even watch jujutsu ( not my cup of tea personally) but I love seeing the creativity and the interactions. You write what makes you happy Nat and that's on that! You don't owe anybody anything! I know how hard writing is and when your consuming new content it's hard to make content for something else. That doesn't mean you don't like it any more your just doing something different for a while. Love you and your content and I'm enjoying the love your putting into your content whether long or short. ♥♥💕 Sending love your way!

honestly my idea of ‘short content’ is still over 1k words, i’m not good at reeling myself in! i guess it’s bc they see like, 1.5k jojo fic versus 5k jjk fic but it’s not that i didn’t enjoy the first fic, just that the point and the story came a lot quicker and so did the natural end! thank you anon, i appreciate you ;_; 

Anonymous asked: Hello! Just wanted to let your know that I think your writing is awesome, and that you should write for whoever and for whatever you want to! You dont have to stay loyal to one fandom or anything, and your followers shouldn't expect that from you! It's not like they are paying you to write, you are doing this for free, and because you enjoy it and it makes you happy! If they dont like your stuff, they dont have to follow you, they can go to other blogs that cater to their taste, and they definitely don't need to be sending you such hurtful comments, and they dont get to make you feel sad about your writing! Just because they followed you during your earlier stages of writing, doesn't mean you owe them some type of loyalty or compensation! You can write literally whatever you want as long as it makes you happy! That's what your hobby and your blog are for! I hope you know that alot of your followers love your work and think that you are an amazing writer and are down to support the work that makes you happiest! 💖💖

ahh thank you so much anon!!! i am always so bowled over by how many people are nice to me when something like this happens, i am sending you my love <3

Anonymous asked: don’t listen to them!! we love you as a writer no matter what you write, because you’re a good person and a talented writer!! you shouldn’t have to change what you write to please a bitter person, and if they only want jjba, they can go to another blog instead of bringing you down. you’re doing amazing and they should be thankful you grace us with your talents!!

to be totally honest, if i was half-assing or not vibing with content i was making i just. wouldn’t post it. like you’d be able to TELL when i was half-assing stuff just to get words out (source: i have re-read my own nanowrimo works). there are lots of great jjba blogs who could do with more followers n interaction!!! i hope they do find them and i hope they’re nice to them :(. 

Anonymous asked: Please don’t pay attention to that anon. People only have that confidence when they have anon turned on. Them looking through your blog despite feeling that way is peak fan behavior and speaks to how addicting your writing is. Naturally, you can’t please everyone and there will be people who are irrational and feel entitled to tell you what to do or what to write no matter what. Trust me when I say they’re a small minority and are more likely probably passing viewers rather than regulars. I check your blog about three or more times a day because I love reading not just your fics but also your takes, banter with other anons, or even random updates. Brainrot posts? LOVE TO SEE IT!!! Desk update? AMAZING!!! With that being said, don’t feel pressured to continue pushing out content for others. Write what makes you happy! You’ve been writing for JJBA for 4 years and it’s completely normal + healthy to get into new media. I’m not sure if it would mean much, but your love for JJK has gotten me excited to start it too!!

anon i really hope you enjoy it!!! sometimes these anons remember stuff i’ve posted and said better than i do tbh, i am living in their heads rent free i guess! 

Anonymous asked: I've been following you for a couple of years and honestly it would always be a joy to see when you posted. Your writing has improved and I'm very happy you're enjoying yourself ! I know it hurts hearing and seeing stuff like that but I'm happy you're here. I'm honestly blessed everytime you post. Your writing is phenomenal. I love reading it even if its characters that I dont care for. You capture their essences so well and weave an amazing tale within the prompts and whatnot. You're amazing nat!

wehh thank you so much!!! re: the improvement, i really don’t feel like it has and then i re-read something i wrote when i first started and i’m like oh my god maybe it has. did i really write about jotaro acting like that. 

Anonymous asked: Hi Nat. I recently became a follower of yours and I'm really saddened to see you get hate. You seem like a genuinely sweet person with amazing talent! I'm a writer myself and, unfortunately, get the same kind of comments. And when you get those comments, it doesn't leave you feeling motivated. People need to understand that people can and will, at times, grow out of fandoms. (1 Not just that but you're doing all of this for free. Again, I'm sorry you got such a comment. But please know that I'm proud of how far you've come. I'm proud that you're living a life that makes you happy. And no matter what fandom you may find yourself in next, I will always enjoy your writing. Take care of yourself. (2 end

HELLO NEW FOLLOWER I LOVE YOU (i get a lot more a day now than i used to and i feel guilty about not being able to look through so many blogs but i do try and follow back other writers for my fandoms!! ;_;). i’m sorry you get the same kind of comments! i’m always just happy to see people i like enjoying new things, even if i have no interest in it (hello to all of my mutuals who write for hunter x hunter and haikyuu, not interested but i’m sure you’re having a great time and i support you!!!). 

Anonymous asked: I'm sure you're getting a barrage of supportive messages now (at least I hope so) but I figured I'd add my voice, because I'm a longtime follower. Your writing is, and always has been, wonderful. I've been so happy to see you and Haz get to a place that works for you both. Idk if it's obvious for everyone, but you seem like you're emotionally in a pretty good place most of the time these days, and it makes me really happy to see that. I followed years ago for JJBA content, but I stayed because regardless of what content you put out, I find your wit delightful. And I'll stick around even if you move fandoms entirely, because whatever content or editorializing you produce is going to be worth reading, regardless of what it's for.

ahh, anon!! thank you for sticking around so long, sorry if you’re old enough to have been around the vore and jorts and spider rohan fiascos! <3 i am definitely a lot more stable than i have been and - barring the Pandemic Related Mental Health Issues - happier! i’m glad that it’s noticeable! <3

Anonymous asked: It actually makes me mad how entitled some people are. Nat, you're not a content creating machine and those who expect you to be are not worth wasting a thought on. Your love for something is not measured in word counts and for you to write every day without getting burned out in the slightest you really must have a burning passion and huge dedication to your craft. If others decide to send hate then allow me to send admiration because I can feel your love and hard work in each post you make!

i try and write every day bc it’s super good for my little ocd/autistic brain to have routines and distract itself, so i’m glad other people can enjoy them because that makes me motivated to carry on! like, i write for myself mostly bc the content i want i sometimes get find, but filling requests and writing for other people also leaves me with happy warm fuzzies too! i appreciate you!! <3 

Anonymous asked: If people only care about your writing for the jojo porn that’s on THEM, not you. Your writing was amazing when I followed about a year ago, and it’s only gotten better and will continue to get better! I think it really comes through when you enjoy what you’re writing and it adds a whole other layer of worth to it, because not only are you making free content but you LIKE that content and we can all gush about it together!!! More than just fans, I think you’ve created a community here and we don’t just stick around to read smut, I promise you that. -Reronon

i do miss having a discord community bc it was nice to talk to everyone in real time but it was hard work, i am glad that people feel like they can just come into my askbox and gush! i’m not very friendly in real life and people tend to think i am cold and stuck up so i work very hard to try and seem friendly and approachable online, which is much easier for me because i get to think and re-draft before i type! <3 

Anonymous asked: Hi Nat! I’m sure you’re getting a lot of messages like this right now but I just wanted to say for what it’s worth that, as a person who originally followed you for jjba content and hasn’t watched/read any of the other series you’re currently writing for, I’m honestly still along for the ride. This is your blog and you’re allowed to do what you want with it and put out what content you feel like writing. Sometimes??? People acquire new interests??????? Shocking! I know absolutely nothing about jjk or bnha but out of curiosity still read some of your posts about them and even though I might not Get It, I still enjoy them because I think you’re a very talented writer! Honestly, as long as you’re still writing, I’m still down to clown, and whenever you take breaks (which are important!) I’ll still be waiting for your return or supporting and respecting your decision to stay away longer. Don’t let the entitled assholes get you down. Utilize YOUR blog and YOUR space however YOU choose. Your talent and kindness speak for themselves. Love you!!! ❤️❤️❤️

anon i care about you and i am so appreciative of you and everyone for sending me such nice messages! i am running out of ways to say it but it’s true, it really does mean a lot to me ;_; <3

[chillafqueen]

This started off as a rant piece but then turned into an essay about my feelings about the show so definite Sex Education Season 3 spoilers under the cut

Literally do not try to argue with me I do not care

Tagging this only as sex education spoilers and sex education season 3 spoilers so hopefully it only shows up in those tags for people filtering it because I don't really care to make this a discussion I just needed to get this out my head

We seem to be in this golden age of media where we no longer care about character development or story development.

only ships and ships only, if your ship breaks up or it doesn't happen it's queer baiting or it's straight baiting or it's misogynistic or it's shitty writing

And I'm aiming this mostly at the Sex Education fandom just because I've seen /some/ people claiming it as such.

Ruby and Otis were cute together trust me I loved it. But it's not bad writing for them to break up it's not objectifying as a ship point to further along Otis and Mauve

Or the same goes from Adam and Eric

It's a show about high school. Even if it's a show, realistically these people won't stay together forever

It's take realistic routes for these characters

And we need to think critically about it

Ruby and Otis might just be a stepping stone towards endgame Otis x Mauve but it's not wasting Ruby or bad writing

It's sad to see, I really loved Ruby's development and her dynamic with Otis was adorable and I loved watching them grow

Ruby grew from this relationship. Did you really think the first person she trusted and loved was gonna be the person she married? No that's unrealistic and truly bad writing

These relationship, their highs and their lows and their break ups are there for each character's development

Sure Ruby got her heart broken but she also learned and hopefully she grows from it

She started off a rude, selfish bitch obsessed with status, image and popularity

Then she opens up and allows herself to be vulnerable

She shows Otis her house her family and that her real life isn't as glamorous as she puts on it's scary and she thinks that he will judge her and leave but he doesn't

He treats her with the same amount of respect that he had before he knew these personal parts of her

And sure now that she got hurt she could regress, she might think that she was right all along that once she shows her inner self to someone they'll hurt her just like Otis did or she grows from it and realizes that what she thinks the unattractive parts of herself aren't as bad as she thought and she'll learn and grow to be nicer and less judgemental and less distrustful and she'll meet more people and learn that looks and popularity aren't everything and one day she will find someone who loves her just as much as she loves them

Otis didn't love her, he had strong feelings for her but he wasn't on the same page as Ruby and even though he said those feelings could develop with time and that there's no guarantee that his feelings won't grow into love, Ruby had every right to set boundaries and end the relationship. She has every right to expect her partner be on the same page as her. And also she's a teenager she can end a relationship with her high school boyfriend because he doesn't love her back. If she wants to wait and continue the relationship hoping Otis would eventually reciprocate her love, then she could. But she was hurt and felt dejected and she decided to cut her losses rather waste her time if Otis couldn't love her back. She had every right to do so. It's not bad writing. She's not the type to hopelessly pine after someone who doesn't love her back. She is a bad bitch who moves on and does better.

And while Otis doesn't really gain much from the relationship except that he hurt Ruby he still continues to develop as a character

And there's a message there that it's hard to love someone when you never got closure from your past love

His relationship with Ola failed because of his unresolved feelings with Maeve and then his next relationship with Ruby also fails because he can't love her because of his unresolved feelings and lack of closure with Maeve and he also learns that

But also it's okay to not feel the same way about someone. And Jakob was right when he assured Otis that it was right to be honest with Ruby. Even if he hurt her, it was best to be honest and hurt her than lie to her and lead her on with a lie. It wouldn't be good for Otis and it wouldn't be good for Ruby if Otis just lied saying he loved her back.

And even if Ruby was just a plot device for potentially endgame Otis and Maeve then big deal.

It's kinda obvious that Maeve and Otis are the main goal and target relationship of the show.

And it's a common trope with them in the show that they are never in the same place at the right time.

Otis has feelings for Maeve but she's with Jackson. He tries to move on and dates Ola. And when he's no longer available it's when Maeve realizes her feelings for Otis and it's shown that Otis still very obviously has feelings for her even while in a relationship with Ola and it effects the relationship until it falls apart when Ola finds out that not only does Otis has feelings for Maeve but he holds Maeve in higher regards than her.

So the relationship ends

So does that mean Maeve and Otis will be together now that Ola and Otis are.over? No because neither of them are on the same page.

And so they miss the opportunity. Then they fight and their friendship is over

Then Isaac deletes the voicemail of Otis confessing and apologizing to Maeve and asking for them to try again

So Maeve misses that opportunity because she doesn't even know. And Otis doesn't know that she never heard the voicemail and thinks she's rejecting him so he tries to get over her.

And when he moves on, Maeve takes that as him saying their friendship and whatever she thought could happen was over. He was with Ruby, so obviously he didn't have feelings for Maeve

And then Ruby and Otis break up and Maeve and Otis talk and finally are on the same page and kiss

But oops, Maeve has feelings for Isaac and things seem to be going well so she's not going to ruin that for a chance with Otis

Then Isaac finds out that Maeve and Otis kissed and ends things.

So now Maeve and Otis can be together right? Otis is single and so is Maeve and feelings are out there. Well things look good until Maeve can't miss the chance to take that exchange program to study in America.

But they're technically together??? Maybe they can be long distance? Maybe they will wait for each other?

Their entire theme is not ever being at the same place at the same time. Something always comes up. One of them is always in a relationship when the other isn't. Or something comes up where they aren't available or now, Maeve is going to another country for a few months, just as things were going to happen.

Why does it have to be that way? Why can't your favorite ship be endgame just because you like it? Because it's not your show. You didn't produce it or write it. You are not entitled to have the show cater to your every want. These writers have a specific vision in mind and they may or may not already have a set ending in place. The moment they presented their idea to a network they might've already had their endgame ship set in stone.

It's not bad writing if your ship isn't endgame. It isn't objectification if a character was written in a way just to further the plot in a certain way. That's how stories work.

That being said, Eric and Adam was the same way.

They both grew because of their relationship and they learned.

Was it shitty of Eric to cheat on Adam and not tell him right away? Sure, yes.

But he learned that even if he loved Adam and was content in their relationship, it was caging him. He is a different person from Adam. He had his own dreams, likes, boundaries and such. And as does Adam. But those differences can hold each other back and hurt each other.

Eric is comfortable with his sexuality. He is gay and proud and he happens to have a lot of stereotypical gay hobbies and interests. He likes camp, he likes drag, he likes makeup and he is comfortable with his sexuality and doesn't care what others think and so he wants to be all these things out there in the world.

Adam doesn't. Adam is in his first gay relationship after slowly coming to terms with his sexuality. He's not out there like Eric. His mom doesn't know about them and he's scared of telling her, and he especially doesn't want his dad to know.

He was raised the same way his father was, which we find out this season. He gets taught toxic masculinity. He is taught any weakness is feminine and weak and bad. Being vulnerable is bad, expressing soft emotion is bad. And that cultivates into anger and violence.

He is emotionally stunted because of it. And he is slowly unlearning it.

He slowly comes to terms with his sexuality, and he slowly learns to be emotional and vulnerable. And Eric helps a lot with it. Eric is patient and encouraging.

But Adam is still a different person than Eric. He is shy, he is slowly becoming more out every day, he's learning to express himself through meaningful ways, but it's in ways different than how Eric does.

He likes makeup and dancing but maybe he's not ready to go out in the world doing that. Or he is just a private person and no matter how comfortable he gets with himself he may never want to go out to a gay club and dance and wear makeup

But Eric does.

Eric wants to go out he wants to be gay and free and open. That's his personality and he's had a longer time accepting himself and learning not to be afraid of public perception because he knows there's people out there like him. But Adam isn't.

And Eric has every right to break up with Adam because he is young and he doesn't have to stay grounded. He has yet to experience everything he wants and has yet to really know himself. But being with Adam halts that because Adam isn't like him.

Eric is learning to experience life and fly free and he's not afraid of going out there and living life to the fullest. In a way Adam doesn't.

And that's okay. That's real life.

People grow at different rates and in different directions. Let them grow even if it's away from you.

And by the end Adam is hurt but he is a different person because of Eric and for the better.

He is learning to be himself. He is learning how to express himself, to reach out for help, to be open with others. And that's a lot of progress.

He is hurt, his first love, his first gay love broke his heart. But he is stronger than before.

And Eric is free to continue spreading his wings not afraid of being held down by someone not in the same place as him.

And that's what the show is really about.

It's about these teenagers growing and learning and becoming better people. They will change and they will develop into new forms of themselves with each new relationship and challenge.

Love isn't the ultimate goal. It's being yourself and doing what is best for yourself.

Ruby and Otis were really cute together. I really did root for them and I really loved watching Ruby slowly change for the better. And I hope she continues to.

And I really loved Adam and Eric together but Eric cheated and he realized while it was wrong it made him realize that his relationship with Adam is stunting his growth.

You meet people and they may hurt you or you may hurt them but that's how life goes. And hopefully you impacted each relationship in a meaningful way even if it's not the way you intended. That you learn a lesson or you are the lesson.

It's truly brilliant writing. It's realistic, it's diverse, it's open and fresh, but witty and sometimes cheap but Jesus Christ it's not about you and your ship. You are here to watch the story unfold. And maybe get inspired or just be entertained.

When the story takes a turn you don't like it's not always bad writing.

It's only bad writing when it makes no sense, cut corners, is inherently offensive with no meaning to it, or completely does a 180 on all the character progress or other examples.

Hopefully the story ends with meaning. Maybe Otis and Maeve are endgame. Maybe they breakup and meet later in life. Or maybe Otis reconnects with Ruby. Or he meets someone new entirely.

Or maybe he ends the show single and just as involved in his career as his father was or whatnot.

And maybe Maeve also gets so involved with just making it in life that she has no room for a relationship. Or she meets someone new or reconnects with Isaac.

I love that even though the story points to Otis and Maeve endgame it's not the only story or romance explored.

We see Aimee is still struggling with her assault but she's willing to get help and that she learns to stand up for herself and do what makes her happy even if it may upset others, like breaking up with Steve even though he has been nothing be supportive.

I really enjoyed Cal and their introduction. And I enjoyed seeing Jackson be more and more open to trying and learning new things. He is just wanting to find himself and feel fulfilled. And I loved seeing Cal set boundaries with their identity and Jackson.

If Jackson can't accept that Cal isn't a girl and so that means if they were together it would indeed be a queer relationship and that would make Jackson not straight. And Jackson trying to bargain and negotiate while Cal stood firm was insightful.

Because I too, like Jackson, even if subconscious, still perceived Cal as a girl in some way even if I completely understand their identity and will help accommodate it in anyway. And it's just about unlearning the norms I was raised with. Even if I accept and understand, there is always room for more learning. But another thing with Cal, it's not their responsibility to fight.

If they don't want to lead the fight for gender rights and equality then they don't have to.

If you can't accept or won't listen, it's not their responsibility to make you change your ways but they will not respect you and they will not come quietly.

It is not every non-binary, trans, gay, bi, pan, ace, lesbian or anyone who isn't like you, person's responsibility to teach you or answer your questions or change your perception

And that was quite refreshing to see and I really admired seeing that in this show

And also showing that each non-binary person is different. Layla isn't willing to even challenge the system. Because they are scared and from what we see in the last episode, they aren't out to their family. They aren't ready and aren't comfortable trying to fight and that is their right.

And then seeing Cal teach Layla how to bind properly is a good lesson to anyone watching the show that might be binding incorrectly.

And then I also really enjoyed seeing Vivienne and her long distance boyfriend Eugene.

I was happy to see that her jealousy of Cal wasn't because she saw Cal as a romantic rival but friendship rival. Jackson and Vivienne were drifting apart due to their opposing views on Hope and that Viv took Jackson's place as Head girl.

And also seeing Vivienne's boyfriend be some hot, refined man was satisfying to see.

I also loved seeing Maeve learn to accept help and kindness. I was so scared that he and Aimee would never make up but they did and it was the most beautiful thing to see because they are the best friend goals to ever bless the tv world.

And I loved that Isaac wasn't depicted as just some poor helpless paraplegic but he had character and he had talent and he was never seen less than. He was a witty asshole!

And he even got the girl for a while! And he has standards!

I mean sure I don't feel that bad about his feelings getting hurt by Maeve because he took it upon himself to make a decision for Maeve and manipulating the situation for his own selfish crush on Maeve. I mean you didn't let her make the choice. You deleted the voicemail and so she thought Otis still hated her and refused to apologize. Sure she ended up getting feelings for you but because you intervened and lied she never got the chance to truly get closure with Otis because you knew that if she heard the message she'd go to him

Sure you didn't deserve her kissing Otis when you two obviously had something going on but... What did you expect?

And my last thoughts are Jakob and Jean. I liked them together in the beginning but it became apparent that they are two very different people. They just don't fit.

At first I couldn't understand Jakob's distrust of Jean, I mean she messed up once while drunk with her ex husband. It was wrong but I thought it was a tiny little forgiveable thing (and maybe I think that because I'm biased by my love of Jean). But once we get that soft moment of Jakob opening up to the therapist and we find out that his last relationship, with his wife, also had trust betrayed. Her having an affair and then getting sick afterwards so therefore Jakob felt he couldn't leave her when she was so ill.

And I thought Jean and Jakob trying to force a family relationship was not the best route. They had made it clear before that they are just two different people. You can coparent without being in a relationship.

But even through it all they still cared deeply for each other. So yeah.

But my only true criticm of the show is the paternity test results. Now sure we don't know what they say BUT Jean's reaction screams that Jakob isn't the father. Which just disappoints me. Jean has been through so much.

And who else would be the father? We weren't shown any other potential baby daddies.

Also she's been through so much just give her one thing.

Like I like to hope that next season she tells Jakob and even though he's not the dad, he's been there and he was making that baby a goddamn tree house that he steps up and raises that baby like it is his because that baby deserves a father.

But I can only see that Jean will probably hide the truth and they start out quite happy until the results are discovered and Jakob finds out and he is rightfully upset and angry and betrayed and he leaves her and the baby. Or real baby daddy comes to try to be there and makes more drama.

Idk

And just because it's how the show goes Maeve and Otis are gonna have something come up and it gets in the way of them being together.

I hope Michael and Adam make some peace as part of both of their developments. Of course I do see Michael having issue with Adam's lack of traditional success and his sexuality but I hope they work it out or at least try next season.

And I hope that Rahim and Adam don't become a thing. They are similar in their introversion and lack of flamboyancy with their sexuality but I hope they bond and become friends but I don't think it's be in good taste for them to date. It's like recycling your gays.

I'm not really sure what's in store for the school. I think maybe someone swoops in last second or they all go to different schools and have to move away and they all lose touch and it's a big component of next year.

And I'm not sure about Eric and what path he takes. Maybe he starts going out to gay spaces and meets someone or just messes around to have fun. But to be honest I'm not sure.

Anyways yeah.

[bullyyourgayuncle]

Bully Your Gay Uncle, A Series of Vignettes Concerning Steven Boxleitner, Becky Botsford, and the Ethics of Being a Jewish Man with a Mouse Brain Attached To Your Head

Becky isn’t quite sure how she’s related to Steven Boxleitner – her dad’s cousin’s wife’s brother, or something like that.  It doesn’t really matter how they’re related - all that matters is that he’s the closest family the Botsfords have in the city, and that he discovers her secret early on.  He becomes the only person she can trust with her secret for a long, long time.

Becky loves her Uncle Steven.  How many kids can brag about their multiple-doctorates uncle?  Some of her classmates don’t understand exactly how smart he is, but all Becky has to do is describe the contraptions in his lab to capture her friends’ attention.

Uncle Steven isn’t just smart – he’s also one of the nicest people Becky knows, and he cares about her as if she were his own daughter.  His one flaw is his airheadedness, and it’s a forgivable sin.  He’s Becky’s favorite uncle by far, and the Botsfords invite him over just as often as they drop Becky off at his lab when they have a date night or have to go shopping with T.J.  

Then, of course, the accident happens, and things change.

Becky can’t even look at her Uncle Steven after first putting him in jail, much less speak to him.  She doesn’t know what to think.  Her parents don’t know that he’s changed, and she feigns illnesses every time they discuss dropping her off at his home.  They don’t find out he’s been put in jail until he calls a month after and tells them he’s been released.

“So, yeah, feel free to drop Becky off whenever you need to,” he rambles in that strange, new, higher-pitched voice of his.  “Sorry about all this.”

Tim Botsford frowns, and calls his wife over to discuss the situation. 

“I don’t know about leaving Becky alone with a criminal,” he says in the same innocuous tone he says nearly everything in.  Becky pretends not to listen to the conversation, but she can’t help herself.  Her mom sighs.

“He’s not really a criminal,” she wheedles.  “He was arrested for cheese crime.  That’s about as criminal as a parking violation.”

 “I still don’t think it sets a very good example for the kids,” Tim says.  

Sally sighs.  “Let’s sleep on it.  I’m sure it’ll be easier to decide in the morning.”

Becky goes to sleep, hoping that the adults can solve the problems for once.

——— ——— ——— ——— ——— ——— ——— ——— ——— ——— 

Two-Brains regresses into a bad uncle before he becomes a good uncle again.  He knows he’s being a bad person, but he can’t bring himself to care for a while.  All that matters is cheese.

Becky captures him and hands him over to the sheriff, and he’s cognizant enough to realize she’s incredibly upset.  He sits behind bars for his given time before his release, and then he visits his rabbi. 

Rabbi Donenberg barely bats an eye when he strolls in.  “I had a feeling you’d be here soon enough.”

“No ‘welcome back?’” He grouses.  His mood is exponentially worse than it was as Steven, and the mouse brain is still aching for cheese.  Rabbi Donenberg shrugs.

“How are you, Steven?” she asks.

“Not Steven, Dr. Two-Brains,” he snaps.  “Steven’s not here right now.”

Rabbi Donenberg hums to herself.  “Alright, Dr. Two-Brains.  What do you need help with?”

Despite himself, he hesitates.  “I don’t think my niece likes me very much anymore.”

“Can you think of anything that may have caused this change?” Rabbi Donenberg asks dryly.

“I came to you for help,” he says, scowling.  

The rabbi shrugs.  “Have you talked to your niece since the incident?”

“...yes?”  It's not a lie.

“Are you not sure?” Rabbi Donenberg asks.

Two-Brains makes a “feh” noise and shrugs.  He’d been confronted by Wordgirl.  He wasn’t sure if that counted as talking it out with his niece.

Tell her Becky is Wordgirl! the mouse brain yells.  It had been a near-constant thought in Two-Brains’ mind since he acquired the pesky thing.

I will not do that, he thinks back crossly.  Be quiet.

Cheese!  Now!

Two-Brains pulls a piece of cheese out of his lab coat pocket and eats it.  Rabbi Donenberg watches him do so, her eyes flitting between the cheese and the mouse brain.

“So you have or have not spoken with your niece?” she asks.

“Sort of?” Two-Brains answers.  “We’ve met.  We haven’t really talked.”  Again, not quite a lie.

“You know, I may not have any PhDs, but I’m not an idiot.  You are a poor liar,” Rabbi Donenberg says.

“I’m decently wealthy, actually,” Dr. Two-Brains quips.  “You would think the college would fire me after the accident, but I’ve got tenure, and–”

“Now you’re just avoiding the subject,” Rabbi Donenberg sighs.  “My suggestion is that you actually talk to her.  She’s about ten, right?”

“Yeah.”

“She’s going to be going through a tough time soon enough anyway, and she doesn’t need to be worrying about you on top of that,” she says.  “Reassure her that you’re there for her, despite your – um, condition –”

“You’re referring to the evil mouse brain I fused to myself, correct?  Just to be clear.”

“Yes, Steven –”

“Dr. Two-Brains!”

“Dr. Two-Brains,” Rabbi Donenberg corrects, rubbing her temples.  “Just be there for her, the best you can.  Reassure her you won’t hurt her, and that you still love her, and that none of this is her fault.”

Two-Brains leaves feeling more guilty than he did when he arrived.

——— ——— ——— ——— ——— ——— ——— ——— ——— ——— 

Becky – Wordgirl, rather – pulls him into the hallway by his arm, and glares at him.  She says nothing, so he takes initiative and speaks first.

“Hey, Becky,” he says, smiling.  “How’s my favorite niece?”

“Two-Brains,” she replies shortly, and yeah, it may be true, but it hurts.  “What are you doing here?”

“What, in my synagogue?”  He rolls his eyes.  “What do you think?”

“What do I – what evil thing are you planning now?” she demands.  “Are you gonna turn the building into cheese?  The books?”

Two-Brains blinks at her.  “I have cheese with me,” he says frankly, pulling a small bit out of his pocket.  “To keep the mouse brain in check so I don’t cheesify the Torah.  I do this every Friday night?”

“No, Uncle Steven did this every Friday night!” she exclaims.  “Not, not you!”

“I have his brain, you know,” Two-Brains says.  He’s irritated, but he only lets mild annoyance creep into his voice.  “It wanted to go to temple, so we went to temple.”  He moves to walk back into the sanctuary, and Wordgirl – Becky – zips in front of him.

“Where do you think you’re going?” 

“I’m missing the service – can we do this after?” He asks, exasperated.  “I haven’t seen these people in two weeks because I was in jail.”

“You committed a crime!  You wouldn’t have been in jail if you hadn’t!” she says.  “And you broke out!  I should take you back to jail right now!”

“I haven’t done anything!” He says, and tries to move past her again.  She picks him up and zooms him to the end of the hallway.  “Becky –”

“It’s Wordgirl,” she says venomously.

Those two words shouldn’t hurt as much as they do.  Two-Brains grimaces.

“I just want to attend services,” he says.  “I dragged myself all the way here, out of a sense of tradition, or loyalty, or muscle memory, and now I just want to finish services.  No heist, no scheme.”  He raises his eyebrows.  “Is that alright with you, Becky?”

She scowls.  It’s always been strange to see Becky’s face twist in anger – he’s known her since she was a happy, super-powered baby– but it’s so much worse to have the scowl directed at him.  She looks so much older and angrier than she should.

“You can come in with me if you want,” he says.  He doesn’t really want to extend the offer, but he does want to get back to the service.  “Keep an eye on me, if it makes you feel better.”

Becky is still glaring, but she gives a sharp nod.  “Fine.”

They slip back inside, and Two-Brains knows everyone notices that Wordgirl is in their synagogue, but no one says anything to them.  He re-situates himself in his place in the back, and tries to figure out how much he missed. 

——— ——— ——— ——— ——— ——— ——— ——— ——— ———

“What are you saying?” Becky whispers.  Two-Brains is caught off guard, and he stumbles over the words.

“It’s Hebrew,” he whispers back, and Becky rolls her eyes.

“Duh. What does it mean?” She presses.

“Just, like, prayer stuff.  Hoping for peace and all that jazz,” he answers.  People have begun singing, and he jumps in.

“Sounds kind of hypocritical,” Becky mutters.  Two-Brains ignores her to finish the song.

“I can hope for peace and not be a hypocrite,” he objects quietly.  “I’m just of two minds.  One wants peace for people and the other wants a piece of cheese.  I’ve reconciled that within myself.”

“That’s a loophole!”

“Yes, it is,” Two-Brains agrees, and holds a finger to his lips.  “Now be quiet.  The grannies are going to give me an earful after this.”

——— ——— ——— ——— ——— ——— ——— ——— ——— ———

“God, it’s so much easier to keep Kosher now that I really only eat cheese.  Not that the mouse brain isn’t partly carnivorous – calm down, Squeaky, it’s just a fact – but man, I’d completely mix my meats and cheeses before, and eat all the good stuff the big man upstairs forbid.  This cheese-based diet is a life saver.”

Two-Brains is talking as he eats.  His temple is never short on cream cheese, and he’s able to put lox on the bagel without Squeaky throwing a fit.

“You used to say that religious dietary restrictions were scientifically foolish,” Becky says with complete confidence.  She’s thirteen - the world is still mostly black and white for her, and Two Brains doesn’t fault her for it.  She’s a kid.

“Yeah, well science schmience, Steven still felt guilty about it,” he responds.  “But now I’m home free.”

——— ——— ——— ——— ——— ——— ——— ——— ——— ———

“It’s not easy being a Jew with a mouse brain attached to your head,” Two-Brains says.  “Enough people think I’m a rat as is.”  He winces as Squeaky barrages him, offended at the word.  “The rat part because I’m Jewish, Squeaky, Jesus.  Learn to pick up context clues.  I know you’re not a rat.”

“That’s…” Becky starts, and trails off.  “Are you allowed to say that?”

“If anyone is allowed to, then I am,” he says.  “I don’t think anyone else in the world is in this situation.”  He gestures at his machine.  “So, what do you think?”

“I think you should keep your day job, stand-up just isn’t your calling,” Becky deadpans, and that startles a laugh out of Two-Brains.  “The machine is good, Uncle Steven.  Even if it is cheese technology.”

——— ——— ——— ——— ——— ——— ——— ——— ——— ———

“I hate church.  I feel like I’m going to burst into flames,” Two-Brains mutters, and Becky elbows him in the side. 

“Uncle Steven never complained,” she whispers back as the priest wraps up his homily.  “He just sat there happily.”

Two-Brains snorts.  “Becky, I still have his brain.  He wasn’t happy, believe you me.”

Becky scowls.  “Just be quiet.  It’s T.J.’s first communion, it’s important.”

Two-Brains rolls his eyes, but he doesn’t say anything else.  He earns another elbow in the ribs when he chooses to sit rather than kneel.

“Steven would –”

“Blah blah blah Steven, I’m not kneeling.  Absolutely not,” he says.  “End of discussion.”

This is something Steven’s brain has full agency over – Two-Brains despises church.  He has cheese in his pocket that he’s trying to discreetly eat, to sate Squeaky.  If Becky wasn’t right next to him, he wouldn’t even be discreet – but then again, he wouldn’t be there if Becky hadn’t asked him to be there.  T.J. is his nephew, he supposes, but T.J. never got along with him like Becky does.

He can feel his eyes glazing over, and then everyone is standing again.  They sing another song – that’s the only non-miserable part of this whole service – and then the priest does something with the crackers and steps forward.  People begin to file out into the center aisle, hands folded together.

Becky pokes him.  “You shouldn’t have your hands folded,” she whispers.  “Cross them over your chest, so the priest knows not to give you communion.”

Two-Brains keeps his hands folded and ignores Becky.  She pokes him again.

“Uncle Steven, your arms,” she emphasizes, then demonstrates herself.  Two-Brains continues to ignore her.  Steven had always been curious about the cracker, but had never had the guts to try to get it.  Two-Brains is going to get that cracker.  

“You are unbelievable,” Becky hisses.

Two-Brains is able to get the cracker from the priest, and he triumphantly chomps down on it.  It’s dry and not very satisfying.  He foregoes the wine—the common cup has always grossed him out.

“That was terrible,” he says once they’re seated again.  Well, he’s seated.  Becky is kneeling.  “You know what church needs?  A cheese platter.  Crackers and wine and cheese.”

Becky ignores him.

——— ——— ——— ——— ——— ——— ——— ——— ——— ———

Becky throws herself onto Dr. Two-Brains’ couch as soon as he lets her in.  “I hate boys.”

Two-Brains snorts.  “You and me both.”

Becky sits up.  “Aren’t you going to ask what’s wrong?”

Two-Brains shrugs.  “Do you want me to?”

“Yes!  Jeez, why else would I be here except for some sympathy?”  Becky throws her hands in the air.  “I tried talking to my mom, but she just doesn’t get it.  You’re the only person I know who has worse relationships than me.”

“Relationships?  You’re twelve,” Two-Brains says.  “You’re not in relationships.”  His human brain seems to catch up with Becky’s words, and he scowls.  “Also, rude.  Rude, rude, rude.”

“It’s the truth,” she huffs.  “You haven’t dated someone since I was in elementary school.”

Two-Brains crosses his arms.  “That wasn’t too long ago, and may I remind you, I have a mouse brain attached to my head.  I look twenty years older than I am, and I’m not exactly young.”

Becky waves her hand dismissively.  “Whatever.”  She rolls over on the couch, looking at Two-Brains expectantly.  

“What’s wrong, then?” He asks, taking the hint.

“Tobey!  He’s unbearable; I don’t know why he can’t just talk to me like a normal person!” She exclaims.  

“Is that the kid with the giant robots?”  Two-Brains asks.  He vaguely remembers teaming up with him, but he’s never been great at remembering names.  Once you knew one twelve-year-old, you knew them all.

“Ugh, yes.  Giant robots and a giant pain in my side,” Becky groans.  “So, I was wondering, how do you get a boy to stop liking you?”

Two-Brains looks at his niece with his arms folded across his chest.  “And, again, you are asking me because…?”

“Well, no one but me really seems to like you all that much,” she says, brutally honest.  “Even your henchmen seem to be on the fritz most of the time.”

That stings.  Two-Brains keeps the look of genuine hurt of his face, pinching the bridge of his nose.  “Look, Becky, you shouldn’t want to not be liked.”

“I didn’t say that, I just want Tobey not to like me,” she says.  “I need you to focus whatever makes you unbearable to be around and tell me how to direct it at him.”

“Okay, okay, okay, can you lay off?” Two-Brains asks.  “I don’t need constant reminders that no one really likes me.”

“Except me and my family.”

“Except for you and your family,” Two-Brains amends.  “Family doesn’t count, though, because family’s required to love you no matter what.”

——— ——— ——— ——— ——— ——— ——— ——— ——— ———

“I don’t know if I want to go back to being just Steven,” Two-Brains says through gritted teeth.  “Becky, you’re very smart.  You must understand that I, as a person, should not exist.”

“But –”

“I’m not Steven.  I’m your uncle, and I love you, but I’m not Steven,” Two-Brains says.  “I’m not Steven or Squeaky, I’m a freak of nature, a combination of both of them, and I don’t know how I could possibly go back to being two separate entities.”  A stab of pain hits him hard, and he winces.  “Ow, ow, ow, Squeaky, I know, I was agreeing!”

Becky frowns at him.  Two-Brains has noticed she’s been doing that more and more.  “Don’t you want to be free, though?”

“This is freedom – what part of “shouldn’t exist” didn't you understand?” Two-Brains asks.  “And beyond that, being Steven wasn’t being free.  I had a set schedule, I had set hours, I worked for the school.  I lived and breathed research, mostly on the behalf of someone else.  So what if I have an obsession with cheese?  Better a –” He cuts himself off, because Becky looks so sad and shocked, and that’s his thirteen-year-old niece who doesn’t know how cruel the world can be.  He sighs.  “I’m happy like this, even if the mouse brain goes haywire sometimes.”

“Uncle Steven?” Becky asks, and Two-Brains hears the nerves in her voice.  “Why do you not think you’re Steven Boxleitner?”

It’s Two-Brains turn to frown.  “Because I’m not.”

“But you always talk to the mouse brain like it’s its own entity, and you never talk to the other brain.  You talk about his memories like they’re yours,” Becky points out. 

Two-Brains doesn’t have an answer for her.  “I used to fight with Steven.”

“No, Squeaky used to fight with him,” Becky says.  “And then you stabilized.”

“This isn’t stable, this is – I don’t know, I just learned how to deal with it!” Two-Brains says.  He realizes he’s raised his voice, and he takes a deep breath to bring himself back down.  “I’m the only person who can deal with this mess, because it’s my mental state.  I had to learn to deal with it.”

“And now you do?” Becky asks.

“For the most part.  I cope.  I manage.”  Two-Brains sighs, and allows a small grin.  “But I’m free.”