i feel like one of the reasons i get so frustrated and angry when doing anything is ‘cause my autistic brain can’t process things that well. someone will try and tell me what to do or show me how and it always takes me a minute for me to figure it out even thought they showed/told me what to do.
also no matter what i’m doing, it takes me so much longer than the average person to do it and i have no idea why. it’s really hard when most jobs are time based to see how effective the workers are and cut everything down to the minimum.
i always feel so behind everyone when they can do things so much easier and without a lot of guidance. it just sucks that the world is built on efficiency VS craftsmanship.
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like ok. i’m trying not to be a hater. but to me the eddie going to therapy talk. like when there’s a little “and of course eddie should see frank!” dropped in or whatever. it kind of feels to me like the equivalent of when. out of the blue. someone is like “ok and you know the traffic light system right!” in a slightly less than vanilla sex scene. even when it doesn’t like. matter. or make sense. just to prove that we’re meeting some pop psychology standard of healthy and good. you know what i mean. like it doesn’t feel interesting or necessary
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I literally woke up in the middle of the night like God will dark rise is so fucking screwed. The line that’s like. “Everyone wanted to kill the Dark King.” What’s the part where he looks at Violet helplessly, haunted, almost pleading for mercy? But of course he reveals nothing of substance to anyone. Elizabeth is too young to understand but the reader knows what “Her relationship with that boy was…unnatural” can mean. Tying him to bedposts? Failing to strangle him? What else? Never not even once seeing beyond a mythological identity Will himself didn’t know he had? What did he think was the reason? That he was just intrinsically hateful? Of course he says nothing. Of course Violet can’t trust him- he’s given her nothing as painfully real as what she’s given him. So he gives her the sword hoping at least he can die at the hands of someone he loved, but even that doesn’t work out - she gives the sword to a Visander still furious at SARCEAN. The pattern continues; no one looks at Will, who vomits when he realizes what’s happened to James, Will who is much of a liar and killer and sneak as Elizabeth accuses but nonetheless wants to be different. Even when he doesn’t remember his own past. There’s no way out for him that doesn’t hurt. Hope this obsession passes soon given the one and a half years of waiting required for book 3
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breaking news: i’m in my jaddison era. i GET that kate walsh wanted the show to end when it did and i love that they (for the most part) gave everyone reasonable endings. but ugghhh the wasted potential with how they cut jaddison short and squished the timeline of their relationship together.
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2024 reads / storygraph
So Witches We Became
YA horror
a girl and her friends go on vacation to a house on a private Florida island, but when a strange mist and toxic tar surrounds them, trapping them there, they have to find a way to survive and/or escape
while she’s being haunted by a traumatic experience with her friend’s boyfriend - who just showed up - that she’s been unable to tell anyone about, and by a shadow from her childhood that she fears might have something to do with what’s happening
sapphic, explores complicated friendships, and surviving assault
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obsessed with the idea of the doctor and the master standing together in opposition to gallifrey post-end of time. less in it being the reality of the situation, and more in it being what the master perceives it to be in the immediate aftermath of being. well. told he was going to be disposed of. the combination of that rejection with the doctor choosing him, the way that sets them up with a common enemy. but where that enemy for the master becomes gallifrey in the abstract with the council as the face of it, the doctor never sees it that way, never thinks of it as the two of them against their own world. the doctor, crucially, kept count of the children. when he saves gallifrey, it isn’t about the master at all, not to anyone but the master themself. because how are they supposed to take the doctor choosing gallifrey over them as anything other than a betrayal.
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IDK if you've seen Crown of Candy yet, but it's treatment of Not-Christianity is much better even if ultimately still negatively-oriented. It's more centered around the historical institution with Not-God being more of a force than a sapient being, and the pagan representation turns out to be sinister so it's consistent in not endorsing any strain of divinity in particular. Ravening War likewise does some interesting stuff with church-drama that doesn't cast genuine faith in a bad light.
I have watched both of those and I agree with you! It’s definitely a bit better because of all of that. It’s also more my genre anyway, which made it more fun.
It’s so tricky because there’s truth in both Comida and Fantasy High’s depiction of religion. I’ve met the Bobby Dawns and read up on the Belisabeth Brassicas. I understand that God can feel distant, like a force and nothing more. I am so angry and grieved at the damage the church has done to people. Any time there is a grasp for power or a putting down of others or another goddamned cult I want to just cry because this isn’t what it’s supposed to be and it’s horrible to just watch. Also I do believe that as much as possible there shouldn’t be an endorsement of one religion over another in entertainment, so not endorsing any particular religion in Dimension 20 is good.
But I feel such a connection with characters like Sir Morris Brie. Because I’m a Bible-believing Bulbian. I’ve studied my god and I’ve also met him. And he’s not like Helio at all. He loves me. Has always loved me. Has always wanted what was best for me. Has grieved with me when I’ve lost everything in little ways over and over again. Has been my father and friend when I haven’t been able to trust one and didn’t know how to have the other. And I’ve been able to trust the Bible over and over again even if I haven’t always agreed or understood.
And it’s just never represented. D&D has always felt like the closest thing to representation for me, as a Bible-believing queer person. And Dimension 20 (again, understandably, it sounds like Ally’s experience was awful and part of healing has been leaving) rarely if ever portrays someone with genuine faith in a Christian-esque god. Or if they do, it’s portrayed as toxic or ill-informed. And that sucks, frankly.
I get it, I truly do. No one gets more irritated than I do at bigoted ignorant Christians and I will fully doxx myself by saying I have been to the American South and I would NEVER live there willingly because of the culture.
But I tend to listen to the more neutral Dimension 20 campaigns. It took me so long to try A Crown of Candy. Because I don’t just respect my religion; I love my God. And I hate to see the slander, especially because some of it is true and even more especially because some of it is not.
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