#i wish there was more I could do but what am I meant to do? I feel like shit. I'm being ignored by most people

[mangoamango]

In 2013 I lost a close friend at just–a stupid young age. My cat was one of the few things that helped. shortly afterwards he passed away too & all the grief I had from losing my friend & him just poured over me like a wave. And while deep in that fuckin pit, I wrote to sashayed about losing my cat, and she took the time and energy to respond to me in a way that--I don't even know how to describe it. Like a ring of keys. Being seen in a way I didn't know I could be seen.

Today would be my friend's 35th birthday; I'm putting the rest under a cut because I want to talk about her a little, but I don't want to derail Rave's post about her own loss.

CW for death and animal death if that is not already apparently obvious

I think of my beautiful friend so often. How much she would HATE the political landscape now. What hilariously mean things she would say about it. The music she's missed out on. The books. The memes! What her fashion would be like. If she would've published anything professionally (her dream). If we would finally be able to talk about how T E R R I B LE her first original fantasy novel was (she started writing it in like 8th grade, so like who amongst us at 13 would've done any better etc). What she would think about my cat rescuing and if she would take any of the little wayward gremlins I find outside. Her beautiful soft ankles.

Claire was a dear friend of my heart. And then--after her completely abrupt death--the cat of my absolute soul died of a brain tumor at only 4 years old. I don't know if I would've survived her death without my cat, and while I know I would've survived the death of my cat it would've been much more difficult without the kindness Rave showed me. It means a lot now, and it meant a lot then.

Rave, you will never know what a difference your kindness made in my life. i wish there was something i could say or do for you in return besides: i’m so sorry for your loss. thank you. Your friend sounds so much like mine--pretentious and clever and mean. Today I am thinking about them both.

My best friend who died for no reason would have been 40 today. I think when people die it's tempting to make them into saints, which he certainly wasn't, but without exaggerating his qualities he was and is one of my favorite people, and if you met him i think he would've been one of yours. He was my favorite for a lot of reasons I can't imitate or match -- his intelligence, his kindness, his patience, his artistic daring. But he was also my favorite because he was interested in and curious about so many things, particularly other people, and that is something I or anyone can emulate, which is why Sept. 20 is my personal Curious About Someone Else's Area of Interest Day! In honor of my dead friend I would love for you to tell me something you are learning or doing that's taking up space in your brain. Are you learning a new language, did you write six pages of a novel, did you try linocut (!), are you studying gene expression, do you have a new pet lizard, did you visit an arboretum? I would love to hear about it. and so would your friends probably even if you think they wouldn't. before my friend died i loved hearing him talk about dramaturgy and would've loved to listen to him do it for 24 straight hours, even though i always made fun of him for having a pretentious job. i wish i had 10000 more conversations to remember about this thing he loved.

[yolothh]

Viktor really meant the "in all timelines, in all possibilities" line BECAUSE IT'S OUR TIMELINE TOO! THEY EXISTED!

Please take a moment and let me introduce you to: Giacomo Leopardi and Antonio Ranieri's partnership.

Leopardi was an italian poet, author, philosopher and philologist. He is an important figure in Romantic literature (albeit, he did criticize the Romantic worldviews).

All throughout his life he suffered from a debilitating chronic illness (juvanile ankylosing spondylitis) that had him suffer horrendously from a young age, until it eventually took his life in 1837, when he was 39 years old.

He dedicated most of his life to studies, translating old tomes, writing poems and treaties diverting on humanity's degeneration from our glorious past to our suffering present. He exhorted modern folks to take action against the unjust present, aiming to a revolution of our pitiful condition.

In 1827 Leopardi meets Antonio Ranieri a young man that is described (verbatim) as a "very young and handsome in person and spirit".

Ranieri had been exiled from his city during his youth, because of his excessively liberal views in regards to politics.

The two become very close friends, but it's in 1830 that their "partnership" (literally, not making this up, Ranieri himself wrote a book about it if you care to check it out "Seven years of partnership with Giacomo Leopardi") starts. They move together from Firenze to Naples and Ranieri attends to Leopardi's every wish (noted that this man was a fanatic for sweets) paying with money from his own pocket.

Now, friendship at the time was different than what it is now, and they might’ve been very close friends, yes. But I'll give you some words from their letters and what Ranieri wrote down in his book and leave it to your judgment.

-----------------------------------------------------

Ranieri, Naples, 1833:

"I- left my own bed- used to sleep in a room that was not mine (scandalous at the time) to sleep by his side"

Leopardi, Florence, 1832-33, from when they got separated because Ranieri needed to tend to some family issues:

"My Ranieri, you will never abandon my side, nor will your love for me grow colder. I don't wish for you to sacrifice yourself for me. In fact, before anything else, I strongly wish for you to take care of yourself first: whatever you choose to do, you will do it so because we live for one another, or I know that I do for you; my last and only hope. Farewell, my soul. I keep you close to my heart, which in both possible and impossible occurrences, will forever be yours"

Leopardi, Florence, 1832-33, on someone making a joke out of Ranieri for staying by Leopardi's side:

" [...] Oh, my Ranieri! When will I get you back? I won't stop trambling until I'll recover this immeasurable love, until I know it's true. Farewell, my soul, with all my spirit's strength. Don't get bored of loving me"

And more:

"Ranieri of mine, I need not say that in every way you wish, I will be there with you (...). My resolution has been so for a great time now: that I will never be parted from you. Farewell"

In 1833, Ranieri sends a letter where he says he intends to set off to get Leopardi and go live together in Naples, to which Leopardi answers:

"My Ranieri, will this [letter] reach you in Naples still? I must warn you, I cannot live without you no longer, I'm overtaken by a morbid impatience to see you again, and that I am sure that if you will be late, I will die from the malencholy of not having you still. Farewell, Farewell"

Ranieri, on the landlady that took them in in Naples:

"She revealed this: that I had introduced a consumptive in the house: that, loving him so much as to stay up at night by his side, there could be no reason I could not do that as well in mine own house"

--

So now, take it as you will- because maybe I am way too much of a nerd about this stuff- but I can't read ANYTHING Leopardi and Ranieri related without seeing Viktor and Jayce. I will gladely add more in the future.

--

Addition! If you want to watch/read on them (but mostly Leopardi, which is a catch) I STRONGLY advice you:

Leopardi. Il poeta dell'infinito - I don't personally love it but if you want more on them, thats the place

Il giovane favoloso - AMAZING movie

Canti - by Leopardi, it is a collection of poems he wrote and I think it is absolutely useful to understand his marvelous mind and character

Sette anni di Sodalizio con Giacomo Leopardi - the one I mentioned before, written by Ranieri on his time with Leopardi

[keepingitformyself]

older (and wiser): i

synopsis: in which time could have never undone what she left.

A/N: FIRST WANDA FIC!!! had this idea long ago when i was crushing hard on this girl from the theatre program at my uni; around that time i had also seen ‘past lives’ and i wanted to do something similar with that film. also at my core i know wanda maximoff would’ve totally been a theatre kid, this is me paying ode to that. while this specific part doesn’t go into that, i am gonna work on a sort of prequel to this Short Series…anyways enjoy!!!

pairings: wanda maximoff x reader

genre: angst?

warnings: it’s sad. but it gets hopeful…

MASTERLIST

please do not repost my work anywhere for any reason at all. if you do see this happen to any of my stories, please let me know. thank you x.

it had been years.

wanda had finally decided to take a breather. she’d been working non-stop ever since she left for work all those years ago after college.

she didn’t think she’d get so lucky off that one job, that it’d immediately get her into another, or another, and so on and so forth.

she loved her work, sure, but now it was catching up to her. everyone in her life, her manager, her agent, her family had all begged her to slow down.

“take some time off, wanda.” her agent, daniel had said to her during a meeting. wanda’s eyes traveled between daniel and her manager, samara.

the meeting had all been a set up. what wanda thought was supposed to be a discussion on a new project, was actually a ploy. she had no idea the meeting was meant to convince her to take a break.

“yeah right.” she scoffed. not believing in what they were saying.

“we’re serious, wanda.” samara stated, her eyes stern but with genuine care. “when was the last time you had time for yourself?”

wanda remained silent at the words. all of a sudden she felt like a kid being scolded by their parents. and she wished to be anywhere else but in the room with them.

“really.” daniel starts. “go be a real person. smell the flowers, meet people, fall in love, take in the view—”

“i meet people all the time, daniel.” wanda quickly cut in.

all daniel could do was shake his head, a sigh escaping his lips as he tried his hardest to make the woman in front of him understand.

“you know that’s not what i meant, wanda.” he gives her a pointed look.

with a jaw clenched, she crossed her arms over her chest and looked off to the side. the windows overlooking los angeles now seeming more interesting than this conversation.

“we know how much it means for you to work, we know how much you enjoy it, but you’ve been doing it for so long. we just want you at your best.” she hears samara say. and as much as she hated to admit it, daniel and samara were right.

wanda hadn’t stopped working since she started. in fact, it’s all she can think to do. she didn’t have anyone outside of work—no partner, no obligations except to her family. why stop when there was nothing waiting for her?

wanda knew the answer but wouldn’t admit it. she might as well never have fully faced it.

the truth was, she’d loved someone once. she’d loved you. and no matter how much time had passed, the thought of you still gnawed at her.

though everything was perfect for a while, her career was well off, she was successful, and her family was proud.

but wanda couldn’t help asking, is this really it?

of course, she tried meeting people. she really tried. she didn't like being miserable over someone she hadn't been in contact with for years. but even that wasn't enough. it was honestly a bit pathetic. it had happened years ago. four years, to be exact. wanda should’ve been well moved on by now, but she isn’t. at least not entirely.

so, she poured everything into her work to distract her from that gnawing feeling inside her. the one that had been lit up all those years ago. the one that was tamable with you around.

but you’re not around, and wanda couldn’t help but throw herself into more work hoping she could get rid of it, get rid of you. but she hasn’t.

“listen, wanda,” daniel cuts her train of thought. “your work is important and people need it, but to keep it up to that degree, you need to go out and just be a human.” he finishes.

wanda sighs. she leans forward on her knees and drops her head into her hands. daniel was right. they were both so right.

wanda never properly dealt with things. maybe it's time she finally did.

she looks up from her hands, a look of defeat yet understanding, with pursed lips she finally says,

"fine."

and now, two months later, wanda finds herself back in los angeles, in an empty home, eating expensive sushi.

she had gotten off the phone with her brother, pietro, who had just joined her on the recent trip she’d been on.

a trip that he insisted he’d join her on to make sure wanda would do all the resting and touristy things she should.

she had done all the traveling she could do in the last two months, jumping from plane to plane. talking to strangers, being a tourist in european cities, and befriending random people in planes.

now, wanda actually had time for herself, time with her brain. a thing she honestly didn't want to face. because even thinking about anything made it even more real.

but now wanda was bored, and the movie playing on her eighty-inch television wasn't doing much to entertain her. and it also didn't help that it was eleven pm on a thursday night and all wanda could do was feel bad for herself.

so she does the next thing she had been really trying to avoid,

stalking your social media.

wanda herself wasn’t much active online these days. she had much to do day-to-day and week-to-week, rarely would she ever have the patience to sit down and scroll through her phone much. that and she honestly tried to stay off of it.

but now she has the time. and the patience. and honestly, she’s a little scared at what she could find.

she tells herself it doesn't have to mean anything. just a little check-in to see how you were, after that she'd really work on trying to forget about you altogether.

and with the simple type in of your name, wanda finds your instagram. your profile picture, a professional headshot of you, and a bio that reads,

editor in chief.

New York Times contributor.

something that shouldn't have made wanda's chest burst with joy, but it does. and as she scrolls further and further, she finds that you now reside in new york city, that you've moved on well without her and that you have a cat and a boyfriend.

boyfriend.

she shouldn't care so much, but she does.

you were living your best life. the one you had always wanted.

just not with her. not with wanda.

but she doesn't stop there, and she ignores the lump in her throat as she exits your profile and searches for your mother's name.

and maybe she feels her heart break a little when it turns out the boyfriend you had is actually your fiancé. she finds out through a photo your mother posted.

the picture shows you, and a handsome man next to you. you’re both sat outside some restaurant in the city, his arm is thrown over your shoulder while your right hand clutches his left, and there it is. in all its glory—with the diamond on it catching the suns light perfectly. the ring on your finger.

it doesn’t help that he looks so in love with you.

out for lunch with y/n and paul again! i promised them an engagement lunch and we were NOT disappointed. make sure you try Jack’s Wife Freda if you are ever in SoHo!!#motherinlaw #NYC #loveinnewyork

is what the caption reads.

wanda freezes at the fact and immediately throws her phone on the empty seat beside her. she stares at it like it had just offended her.

many things go through her brain. how did you meet him? was it shortly after you broke up? was it really him you wanted to spend forever with? how long did it take for him to ask?

wanda had always loved your mother. a sweet woman who always had your best interests in mind. she had always pushed you to do what you loved. and wanda had always seen that some of her favorite traits of yours had come from her.

after the break up, your mom made sure to check in on wanda. without you ever knowing, wanda and your mom kept in touch, until eventually wanda had cut her line for the sake of fully moving on.

though, she never really fully did.

wanda evaluates what to do next. was this her sign? she doesn’t want it to be sign.

wanda doesn’t want to admit that it seems like you had moved on so completely.

on impulse she looks up your fiancé’s name. “paul” is all she had to type out in your mother’s following before she found his account.

she finds that paul is just as successful as you are. he’s an investigative journalist, born in ireland. he briefly worked at a publication in london but transferred to a firm in new york after a year.

he’s gorgeous, she thinks. he has blue eyes, a kind smile, and he has an accent. it would make perfectly good sense why you would choose him.

wanda’s stomach twists with a mix of happiness and regret.

“fuck!” She whispers to herself.

“of course, you’re happy. of course the man you’re engaged with is actually a decent man! fuck.” wanda says to no one in particular. in frustration, she burries her hands in her hair.

wanda is annoyed at herself.

“i need a drink,” in an instant she’s on her legs making her way to the kitchen. she finds a bottle of wine that has been kept cool in the fridge and she wastes no time in popping it open, she pauses briefly, debating on whether she’d need or glass or not.

to hell with a glass. she thinks, and makes her way back to the couch, she holds the bottle by its neck and takes a long swig from it.

it’s all so perfectly miserable. wanda maximoff stalking her ex-girlfriend on social media while she gets wasted. the self loathing has got the best of her. she finds it all ironic.

wanda maximoff could have anyone she wanted. she knew this. she has everything she could ever want or need. she has credibility, a nice home, the luxury of traveling at any moment she wants.

yet, her mind kept coming back to one thing. the one thing she’d decided she’d leave behind all those years ago. it isn’t fair, she thinks. wanda was young and stupid back then, but she was so so in love. she knew that for sure.

but sometimes…sometimes she really wishes she had fought harder.

briefly, wanda wonders if your number was still the same. if you had ever changed it or at least tried calling her. she wouldn’t know, she had changed it years ago once she started getting more attention for her work.

wanda was really drunk at this point. her better judgment had gone away as soon as she’d picked that bottle out the fridge. there was no better time than now.

she taps on her phone until she lands on the number keypad. her fingers hover over it, would she regret it if she didn’t? probably. would she regret it if she did? probably.

but if there was one thing wanda had, it’s that she’s got nerve and audacity.

so she types in the number that she doesn’t think she could ever forget, and lets it ring.

your fiancé answers the call.

“hello?” an irish accent sounds through the speaker. paul. wanda’s blood runs cold and she stays silent for a moment. all of sudden she feels incredibly sober and regretting making the call.

“hi.” she pauses. “uhm, i’m looking for y/n?” wanda manages to squeak out.

“right! who is this? your number isn’t saved.” paul says,

“an old friend. i changed my number a while back.” wanda replies smoothly.

“oh! let me pass her to you, she’s just in the kitchen.” the line goes quiet for a few moments, and she’s able to hear a few words exchanged between you and paul.

“hello?”

wanda freezes again, a hand covers her mouth as she tries not to shake at the sound of your voice. it’d been so long. she grips her phone tighter.

“hey…” her voice shaky and unmistakable. you know it’s wanda.

“wanda?” your voice betrayed the surprise you felt. from the couch paul caught your eye, a raised eyebrow on his face. everything okay? he mouthed.

you shook your head.

“i wondered if your number was still the same.” wanda says after a moment. her tone light, but with an undercurrent of something else.

your mind raced. why was she calling you? why now? your fiance was in the other room, you were getting married soon. you’d built a life perfectly fine without her in it. so why was she calling you now?

“how have you been?” her voice cuts through the line again. wanda holds the phone close to her ear, wanting to make sure she could hear every word you say.

and all you can think of is how confused you were.

“i- i’m fine. i’m good. yeah.”

“that’s good—”

“i’m sorry, uh…why are you calling?” you find yourself cutting her off. your fingers press against your forehead in act of trying to understand what was happening.

wanda pauses. she realizes just how impulsive this whole thing was. she’s on the phone with her ex of four years, while your fiancé was probably in the other room. she goes silent again. her words have to be carefully measured.

she gulps,

“uhm…i just—i just wanted to know how you were. heard you’re based in new york now...so…” wanda trails off. you don’t miss the tone in her voice as she says those words. the familiar rasp, the lowness of her voice, she’d used it many times on you when she wanted something.

you close your eyes with a sigh, “yeah. yeah, i live in new york now, engaged and everything.”

wanda smiles through the phone, her eyes almost prick with tears at the corners.

“i saw," she says just above a whisper. "congratulations, you…you’ve always wanted that.” and she means it. she knows better than anyone how much you’ve wanted this.

suddenly a wave of nostalgia hits you, and you’re brought back to when you were both in college. so young, so dumb, but god, it was one of the best times of your life. you try not to let it affect you, how much this call seems to be doing for you. you haven’t yet figured out if it’s a good or bad thing.

“thank you." your voice softens. "how have you been?” you find yourself asking her next.

wanda smiles at your question, “life has been…insane, you know?” she pauses on the line. “still missing some pieces, but overall i’m doing well,” you pretend not to hear the sudden shift in her voice when she said that.

you exhaled quietly, unsure of what to say. the air between you felt charged with unspoken words, old memories stirring to the surface.

“can i see you?” she asks, her tone hesitant. “catch up in person? i’d really like to see you.”

with your bottom lip between your teeth, you contemplate your next words. paul notices your tick from the other his seat on the couch, despite you telling him it was okay he couldn’t help but worry. he’d heard enough of the call to know something was wrong. still he knows you had it down, so he waits until you need him.

you struggle to find your words for a moment, the question being so…why?

“oh, wanda, i don’t know if—”

but wanda ever the stubborn woman she is, doesn’t relent.

“please. Just for some coffee and conversation.”

your mind is torn between keeping your peace or taking wanda up on her offer. but you were curious.

with a sigh you finally decide.

“where and when?”

you can hear wanda’s smile through the phone,

“i can fly to new york anytime you’re free. you can pick a spot and i’ll be there.”

you think for a few moments.

“okay, meet at caffe reggio in greenwich. i’ll be in touch with when.”

wanda’s heart stutters, something she hadn’t felt in a while. her eyes flutter closed, she breathes in— out. her eyes open again. and though you can’t see it, there’s a new look in her eyes.

“i’ll be there.”

[ofdarknesseyes]

Yeah he didn’t know Megumi not completely. Sure he can still get a read on him like when he was little, that could just be fatherly instincts that never actually go away no matter how hard he tries. But he isn’t naive, it has been years since he spent any time with his son. He wasn’t the one to raise Megumi. Megumi wasn’t like him, he gave a shit about others. He isn’t sure if that is a good thing or not. On one hand, yeah great, his son wasn’t a piece of shit like him. On the other, it only meant it was more likely for Megumi to get hurt. Both mentally and physically or worse…

He leans against the door frame waiting for Megumi to be ready. Sighing at his words. He gets it. Gojo was much more his father than he ever would be. He doesn’t blame Megumi for caring about the man that was there for him. Who actually raised him, trained him, provided for him, and protected him. As much as he didn’t want to care it did make him feel something. Remorseful? Regretful? Almost as if he wished he stuck around. No use thinking like that though.

“I get it. I owe that brat too anyways.” He grumbles the last part to himself looking almost annoyed. Cursing under his breath even.

Megumi’s next words, his concern for him, shock him to the core. He shouldn’t be shocked, not really, not with the way Megumi has clearly shown to care for others, but still, it shocks him and makes him feel other things he isn’t used to. Those feelings are drowned out by the guilt that he doesn’t deserve anything from Megumi, not even his pity. Also, the way Megumi says his name… He doesn’t expect to be called dad or father or anything like that but even just hearing Megumi say his name did something to him… He buries that feeling deep inside for now.

His eyes are wide only for the briefest of moments before he chuckles softly and shakes his head. He ruffles Megumi’s hair before his hand caresses his face gently, lowering his voice slightly.

“I am supposed to be dead anyways, kid. Don’t sweat it. I’ll be fine.”

His green eyes set on Megumi his expression almost saying: You won’t lose me. Even though he can’t make any promises.

Toji reassures him anyway. And what was he supposed to do just let Megumi waltz out there on his own? He almost groans at himself when he realizes that his feelings and his actions are becoming very father-like. It was too damn late to be a dad he tries to tell himself. Whatever, he always did whatever he wanted didn’t he? The least Toji could do was admit to himself he wanted to do this. He wanted to be by Megumi’s side for as long as he could this time. Fuck it! He had nothing more to lose now. Everyone thought he was dead and if trouble does come for him he will ditch Megumi before it gets too dangerous.

For now, it seems like Megumi was the one in deep shit with all that is going on. He owes him after not killing him like he should have and he owes him after the beating he gave him. However, it makes him realize this kid of his still needs more training. What the hell has Gojo been teaching him anyway? More like codling him probably…

“If we are gonna get going let's go then. I want food on the way though.”

Toji almost demands as if he were the child here and is being dragged along on a trip with his dad.

Megumi knew very little about his dad as if that much wasn't obvious already. The pull he felt was a connection since birth and a wanting, but that didn't mean he KNEW his father. The man could have been an animal abuser and a wanted criminal. Would Megumi's issues and love erase all of that? Toji took revenge for the murder of his mother, but was he the kind of man who fought and stood up for what was right? Megumi was. Part of him felt he had to, another part of him, a greater part of him, believed that was what his life was meant for.

Toji wasn't a sorcerer though. Likely he wasn't raised with those convictions, but he was making a lot of assumptions. All he had was assumptions and a creative mind. Thankfully his father wasn't just sitting by even though he certainly seemed to favor it. Once his father began changing out of his clothes, Megumi looked away and then waited before he's standing right in front of the man. Megumi had to tilt his head back to match those green eyes. So very much the same as they were different. Toji's eyes looked almost haunted.

“ I know I don't, but I still have to for me and for... ”

The man who replaced you. it went unsaid. Megumi's green eyes flickered with sadness, then determination.

“ This is what I've been training for most of my life. I'm willing to sacrifice myself if I have to but I don't want to lose... you. ”

Feeling vulnerable the boy dropped his head until his spiky hairs masked his eyes.

“ I know you're strong but I don't want to drag you into this and get you killed... Toji. ”

[patchworkcuddlebug]

Humanity

[CW: Passive suicidal ideation.]

Being a person feels... heavy. Like I'm always full of something. It didn't have to be gross, but it usually was. Sometimes it was something with an easy word to it, like disdain or cowardice, but usually it was more vague. Some sort of congealed, disgusting mass that's been slowly accumulating for as long as I've been alive, weighing my guts down until I'm too stressed to eat and too tired to sleep.

I don't want to die. Death sounds too painful, and I'm scared of commitment. But, as I looked out into the bay, waiting for the traffic on the toll bridge to advance, I can't help but daydream. If I drove into the river, just by some freak accident out of my control, I... wouldn't do much to fight it. I would just let whatever happens happen as I sit still. Let this heaviness in my chest weigh me down and drown me.

My whole life was like that, really. Just moment after moment of letting things out of my control happen to me. My parents never really let me do much, either because we didn't have money, or they decided it wasn't right. I had to move out young after they died, and that didn't give me much of a choice in where to work and where to rent. I didn't even have a chance to think about what my major would've been.

Being a waitress meant doing what you're told when you're told, which table to go to and what to bring them, and what to clean. The work itself was fine, it's just... everything around it. The same awful people just as trapped here as I am, the same inconsiderate boss that barely pays me enough to buy vegetables, the same disgusting smell of fish and chips, all building up and coagulating little by little.

The only way I could get through an average work day was by shutting my brain off and just letting my body move on its own. The years I've worked there have just been the same fog of meaningless obedience. It's a sort of torture, suppressing your ego all just to become your work, for the sake of people you hate. Just feeling full and heavy and gross.

That's how I survived most of my life. Ever since I started school, I learned quick that you keep your head down and go with the flow. Don't be too loud, too big, too anything. Just look pretty and do what you're told without thinking too hard about what you're doing. Try not to feel too much.

Of course dying isn't that big of a deal. I don't feel like I was ever truly alive, ever something that could really be called a person.

Oh, I'm home.

God it's so cold out. It's like the wind is trying to bite me through my coat. I really wish our heating worked, but I've given up trying to fight for it a long time ago.

I can hear the music from here. I swear to fucking god if she's throwing another party I'm going to scream. She can't keep doing this, she really can't.

I fumble with my keys because it's too cold in the hallway, and I struggle with the lock because it hasn't been replaced in over a decade. This is the right key, and I keep trying to turn it, but it won't unlock and my fingers are starting to hurt.

Today needs to end. Please. I just need to stop, after everything, I just need things to stop and let me be still for a single fucking-

Finally.

I leave the door open for as little time as I can. I don't even take my coat off before I march into the living room. She's there, on the couch with more friends than I've ever met. They're all smiling, talking with each other, and having fun. They're smoking weed inside.

I need to stop looking at the one sitting on the arm of the couch, she's not important right now.

"Hey, what the fuck?!" I raise my voice to be heard over the music and drunken ramblings. "I told you that you can't keep doing this, I'M the one who gets in shit for this with the landlord!"

She looked around her, gauging her guests' reactions. She forces a timid smile. "Hey, you don't have to make a big deal out of this, alright? Nothing's gonna happen if nobody tells on us, so just relax." She turns away from me, back to the others. To the woman on the arm of the couch. My roommate falls into this sort of drunken fawning, trying to excuse my behaviour, but that woman on the arm of the couch doesn't join in with them exaggeratedly rolling their eyes or shooing me away.

"I'm not the bad guy here! You're the one who keeps...!" I wince, bringing a hand over my eyes as I recoil into the door frame. It's so loud. "Fuck it, I can't do this with you, I'm going to bed." I turn and leave and slam my door and lock it. She turns the music back up. I'm ordering food and going to sleep.

After I stop crying.

. . . . .

"Do you like your life, darling?"

I'm floating. I'm naked. I can't tell where I am. I don't think I'm anywhere.

"...No."

The woman from earlier. I couldn't stop thinking about her all night. The way she looked, how she carried herself, it was just stuck in my brain.

She's so... big. She's towering over me. I'm like a toy, barely up to her shins.

This isn't a dream. She's there. I can feel her in front of me, almost more real than being awake. I've never been more lucid before.

"Such a poor thing..." She looks so sad. For me?

She's kneeling. "Let me take all that hurt away. I've always wanted nothing more than to help someone like you live the life they deserve." I should be scared. I shouldn't trust her. "I already know you'd make such a good doll~"

I look down at my body. It's fluctuating, moving in and out as I look at myself. My torso is flat and wooden like a marionette, but with each breath in it expands with cloth instead of skin. I can feel the seems of my stitches, the plastic of my joints, the clattering of my porcelain, all at once. It feels... welcome.

She's reaching for me. I know I should flinch, I should be scared of her crushing me as she wraps her hands around me like a doll, but I can't even remember what such a distrust would feel like. She's pulling me to eye level.

Why does her touch feel so... nice?

I feel a breach, like I've just come up for air. I can feel my soul hack and sputter, and finally begin to breathe. I've never felt so light, so emptied. Everything disgusting inside of myself was drained away. Have I been drowning all this time?

"Meet me whenever you're ready, darling." I know where she means. I see her manor, grand and sprawling, but tucked away just out of sight. I can see it so perfectly. "I'll be waiting for you there."

Her hands start to loosen, and I start to fall, further and further away from Miss.

I inhale sharply, way too deeply, as I wake up. It feels like I'm gasping for air. My whole body... hurts is the wrong word, there's a heavy rawness pulsating through me. It's not the heaviness normally in my chest. I'm in a puddle of sweat. I can feel my heartbeat behind my eyes.

My phone says it's 4:37 am. I don't care. I need to see her.

. . . . .

It's a blur. I'm on autopilot, too wired to think. This doesn't feel like before, this isn't the fog. This is pure intention.

I find myself in my car, driving to her. I know where to go, I know. I need to get there. I can't afford to waste any time.

I leave my car parked on a dirt road and wander into the forest just as the sun starts to rise. I didn't bother grabbing anything I didn't need to get here, and I left what i did grab in the car anyway. I didn't even take the keys out of the ignition. Whatever happens, I'm not coming back.

It's a few minutes of walking from the road to her manor. I have plenty of time to reconsider. It's not too late to go back. I'm afraid, of course. My self-preservation is trying to restrain me by my neck. But every time I think about giving into that fear, that complacency stopping me from stepping into the unknown, the idea of returning to what was... I keep walking. I couldn't explain why. Too much momentum, too heavy to bother stopping.

I'm here. Oh god, this is really happening. I lean against the house on an outstretched arm as I stare at the front door. It's thick and wooden, like something from a fairy tale. I close my eyes, take a deep breath, and raise a fist. She opens the door before I can knock.

This is really happening.

"Oh, I'm so happy you came, darling!" She quickly reaches an arm around me and ushers me through the door. "And so quick, too! I knew I made the right choice."

She sits me down on the couch and disappears just a room away. Before I can even admire the decor, she returns with two glasses, and a jug of iced tea. She sits down beside me, pours herself a glass, and sets the jug out of my reach.

She takes a swig of her drink, leaning back and swirling it in her cup. She stretches her arm across the back of the couch. I could cuddle up to her so easily, and I've never before felt this tempted to do that with someone. "Tell me what you know about dolls."

I feel something I've never felt before. Just a little, just enough.

"U-uh..." I try to gather everything I can. I don't know why I'm so caught off guard by the question, I came here for a reason. But saying it out loud, actually articulating these feelings, is something totally foreign.

"A doll is like a person, but... not." I take a deep breath. I feel like I'm standing in front of a stadium of thousands. "Witches use their magic to turn people into dolls so they can have servants. And... there are rules to being a doll, like how you have to call yourself an object, and do everything you're told."

I look at her for approval. She's waiting for me to continue. "Am I gonna be a doll?"

The witch almost... melts. She has such a kind, compassionate smile. She sets her drink down and turns her body to face me as much as she can. "Do you want to be a doll, darling?"

"I... I mean, I, uh..." I have never felt more like prey. Why is my face so warm? I'd do anything for her.

She reaches out and takes my hands, that I was holding up to my chest defensively. I leave them limp, just letting her grab them. I feel my shoulders start to lower just a little bit. She's so warm.

"Dolls are empty spaces shaped like people." She teaches me. "Dolls are objects that are obedient and docile. There's a special feeling they have called stillness, where your thoughts go away and you just feel happy." She starts to smile, a tender eagerness. "Can you feel it now?"

I feel it. I feel it. I feel it, I feel it. The stillness. She's making me still. It's gone. I don't feel heavy. I'm empty in such a wonderful way. I feel like I could float through the breeze for the rest of my life and be perfectly happy. Like I could do anything, and I would be happy. Is this what life was supposed to feel like? All this time?

"It's a big decision, darling." Her voice is so... magical. It's calming, it's exciting, it's everything to me. "This can only happen if you want it to. Think about your old life, everything you'll leave behind. This is your last chance."

I think about being a human. I think about everything that comes with being a human, the things I'll lose. My autonomy, my identity, things I was never granted in the first place. The privilege of destroying my self just a little every day, all to save myself the trouble of feeling. More than anything, that disgusting heavy feeling, the filth so deeply compacted inside me I thought it was inherent to being.

"Y... y-yes... yes, I want to be a doll!" I'm smiling so wide. Crying hasn't felt this good in a long, long time.

The witch smiles back at me. She pulls me into her, hugging me so tenderly. She's soft, and warm, and so many things.

"You're going to become such a good doll."

Good doll. I can finally feel good.

[watarfallar]

Incorrect quotes because I haven't posted in a while

Scar: BWWAAAAAAAAAA! Oh, you hear that? That's the wrong opinion alarm. Grian: That is not something you actually have installed. Scar: Sorry, say again? I couldn't hear you over my alarm that YOU SET OFF with your WRONG-ASS OPINION.

Grian, ordering Starbucks: Hey, I just got my heart broken, what do you recommend? Scar, who’s running the drive thru: … Scar: Tequila.

Scar: You can do it Grian! Scar: But if you can't, at least your death will be quick, painless, and really cool to watch.

Scar: casually taking four stairs at a time Grian, falling behind, taking two stairs at a time: Fuck you fuck you fuck you fuck you fu-

Scar: Grian, I am nothing if not a man of principle. Scar: Now let’s break into this apartment.

Grian: When I die I want Scar to lower me into my grave so they can let me down one last time.

Scar: One time I went to hand Grian a bowl of soup. I wanted to say “Careful, it’s hot!”, and “Here’s your soup!”, so instead I blurted out “Careful it’s soup.”

Scar: I have an idea. Grian: A good idea? Scar: Let's not get ahead of ourselves.

Scar: I hate to say ‘I told you so’— Grian: No, you don’t. You would marry 'I told you so’ and have a baby with it and buy adjoining burial plots.

Grian: Fine! I don't give a shit! Scar: You seem to give a lot of shit for someone who claims not to give a shit.

Scar: If there are no questions, we’ll move on to the next chapter. Grian: I have a question. Scar: Certainly, Grian. What is it? Grian: What’s the point of human existence? Scar: I meant any questions about the subject at hand. Grian: Oh. Grian: Frankly, I’d like to have the issue resolved before I expend any more energy on this.

Scar: You… you saved me. You're not a beast at all. YOU'RE A HERO, AN UGLY UGLY UGLY HERO! Grian: Call me ugly again, and maybe I will eat you.

Scar: Your Honor, I hereby submit the following to the court: Scar: Grian, what the actual FUCK?

Scar: Grian, can I ask you a question? Grian: Sure, anything. Scar: Why don't you go back to your own house and leave us alone?

Grian: Go big or go home! Scar: Please, for once in your life just go home. I'm begging you. Go. Home. Grian: I'm going big!

Scar, playing a video game: This game is so frustrating! I hate it, I hate it, I hate it! Grian: Ok, I think it’s time to turn off the game for a little while. Scar: But I’m having fun!

Grian: What are you up to today? Scar: Nothing. Grian: But you did that yesterday! Scar: I wasn’t finished.

Scar: I got an idea! Grian: Does it involve breaking the law? Scar: By now don’t you think that’s a given? Grian: I was just trying to be optimistic. Scar: Don’t bother.

Grian: What’s your greatest weakness? Scar: Interpreting the semantics of a question, but ignoring the pragmatics. Grian: Could you give an example? Scar: Yes, I could.

Grian: Scar… Scar: I can tell by the tone of your voice that you are disappointed. Alas, I must further disappoint you by affirming how little I give a fuck.

Grian: I wish I had more enemies. Scar: I’m sure you will someday, honey.

Grian: I am the most responsible person in the group. Scar: …You just set the kitchen on fire. Grian: Yes, and I take full responsibility for that.

[aidede-camp]

Oof, I think this is what OP meant about Fiyeraba shippers. You don’t have to be Straight to not get it. The call is coming from inside the house, truly.

I don’t necessarily think OP was being bi-phobic. I think they’re completely justified in feeling like Fiyero was used as a tool to hide Elphaba’s bi-ness. If anything we are just as pissed about the same thing. The musical does try to cover up its original story’s queerness. That’s not a debate. You could have completely focused on the relationship of Elphaba and Galinda while having Fiyero in as well, but being that sort of gateway into a more open relationship status. It still fits in actually showing the queerness of Elphaba being bisexual and doesn’t make Fiyero this sort of presentation of heterosexuality if you will.

I will say that I am proud of the movie for expressing Fiyero’s bisexuality in a way that makes it so utterly obvious, but where the fuck was that same energy for Elphaba? Sure, feel free to interpret Elphaba’s relationship with Galinda as a platonic one if that’s how you feel, but it’s genuinely a shallow way of looking at it, especially considering the many interviews with Gregory Maguire who wrote the queer guidelines for these characters. I don’t think saying that we feel snubbed for erasing Elphaba’s love for her friend is being bi-phobic. We are upset because they cover it with a heterosexual blanket to give straight people the upper leg.

Elphaba is bisexual. Point blank period. And she can be in love with Fiyero. Absolutely. But she is also allowed to be in love with Galinda without the shame of it as well. She’s far likely to be ridiculed for the latter in the society we live in.

I think it’s weird to use, “show me the proof of Elphaba being in love with Galinda in the text” as your proof that she isn’t in love with Galinda. Do we know the same Elphaba? The one who would probably rather die than outwardly show an emotion like that, let alone to someone LIKE Galinda? So, we are just going to ignore the fact that Gregory Maguire openly states that Elphaba is queer? We’re going to ignore that? Just because she doesn’t openly state it, doesn’t mean it’s not true.

We forget the Wicked novel is told in third person limited. This limited and detached narrative perspective and style fit with the book's themes of storytelling, perspective, reputation, and biography. Wicked is not Elphaba's story, told from her point of view. So naturally we wouldn’t get that information!

We have got to stop invalidating others experiences and feelings. Being queer is hard enough as is. We have to try to look through lenses that otherwise wouldn’t fit our typical viewpoints.

I love Fiyero’s character and I love his and Elphaba’s relationship in the book. But that’s because the book was so open about who they truly were and hides nothing. Gregory could care less how comfortable the audience is. We just wish the musical did the same.

P.s.

As an asexual, sexual tension has to have no presence for intimacy and love to be prevalent.

I know we joke about it, about how they cut the scenes between Elphaba and Glinda because they were too gay, about them being played very fruity and shit, but it always rubs me the wrong way that it still is left into this terrain of deniability or uncertainty that the jokes feel bitter sweet now, like they were willing to cut a crucial scene of character development for Glinda and Elphaba that was essential for their relationship in the movie because it was too suggestive on the romantic intentions of it, and regardless of what they say publicly is very obvious why they cut it, so I'm genuinely heartbroken about how Wicked still cowards away from it's queerness, and unfortunately it does make me inevitably lack some sort of respect for it.

Did I love the movie? Yes, but in such a way where I feel bitter about it.

I adore it the same way I do a show, as book Elphaba would say, it is a theatrics, yes and it is a beautiful spectacle, but it is just that, a spectacle, that never fully commits. Don't get me wrong, the musical has its merits, but there's this insatisfaction, this conformity this fear of being more that leaves me feeling unsatisfied when it's over, and not because it's a tragedy, but because it feels shallower than it's book counter part.

Because the book, as much as it also only suggests, it never cowards away from how weird and queer it is and never uses a veil of heterosexuality to cover up Glinda's and Elphaba's unsaid romance, (basically the existence of musical Fiyero), the book suggests Gelphie and let's it linger to become real for those with enough sensibility to comprehend it, enhancing the romance that never flourished, but the musical is just the same cowardice it so blatantly criticizes, and for that it may never actually gain my respect the same way the book has done before.

There's much I could say about how the musical just downright destroys its original material for the sake of making the audience comfortable, without actually being this revolutionary piece of media it calls itself to be, but I am frankly tired. Sadly the movie commits quite a lot of the same mistakes as the musical, and that's why I can't love it like I wish I did, it hurts more knowing the movie had the opportunity to change it yet didn't and I'm not only talking about Gelphie, I'm talking about many other things, Fiyero himself as well, because if you look closer, it seems as though the movie tries to fix it, to rewrite what was once a butchering of the original material, but it never commits, too afraid to diverge, because committing would mean to let the queerness and the uncomfortable topics flourish in the text if ever so lightly, but they can't have that, so the movie is between this very thin line between trying to be faithful to the musical and wanting to improve it, but never achieving either perfectly for it's fear of commitment. I didn't expect it to be a book one on one because it is first and foremost a musical adaptation, but they had a chance to bring what was only subtext into text and they threw it away. I want to hope that in part two they will improve it and I still hold onto said hope because the movie also does a lot of things right, but they cling so desperately to such mediocre romance between Fiyero and Elphaba and such waste of narrative that it is for the three of this characters with Glinda that it's so pathetic, why are they so attached to such mediocre 2000s stereotypical straight love triangle is beyond me, obviously if you read between the lines it is more than that, but it's subtext, like it always has been.

So yeah, as much as I adore the musical now movie as the spectacle of theater it is, it will never gain my respect the same way the book does, it feels like being gaslighted and manipulated just for there to be people who say "what? No you're seeing things".

And it's sad because you'd think we're on a day and age that has the ability to do this, to make what was once buried subtext, text, but it doesn't, and it may never will, but whatever had happened between Glinda and Elphaba was real to me, and real to them in a way beyond their comprehension and their control and time, it was then, what went unsaid that became buried for us who seek.

Also before the movie, there was never this amount of stupid discourse between Gelphie and Fiyeraba shippers, maybe because most of the fandom was a Gelphie shipper because well what we couldn't get from the mainstream we sought in the community, but now that so many straight people are joining in they not only feel threatened by the overwhelmingly queer community, but they actively want to shame it.

And although I do think Fiyeraba is boring, made there too be palatable so the straights don't get mad and shit, and to hide the intense level of tragedy that is Gelphie, I never bothered to mess with the Fiyeraba shippers before or give much though to them because there was no need, but suddenly they feel the need to be so annoying and homophobic and have some gotcha moment because their ship is the one that ends up together and all I can say is ... What a superficial way of viewing the story, because Wicked is a tragedy and that part is in itself a tragedy, but I digress, I don't want to hate on Fiyero it's not even worth it, but people will do anything to hate Glinda, without understanding her character, praise a male character clearly written to be a narrative device for Elphaba more than his own character, a cheap attempt at writing a Glinda that does abide by Elphaba's narrative necessities, then they bring down a queer ship and act self righteous about it while also being discretely homophobic. Like the irony, they feel so self-righteous about it too is ridiculous.

Talking about irony, it's funny because if musical Fiyeraba shippers read the book I might actually say, yeah book Fiyeraba has its merit and I agree Fiyero meant as much to Elphaba as Glinda IN THE BOOK, but they don't even bother reading it. They can't even grasp Glinda's musical complexity I doubt they'd understand the book, but I'm being bitter and pretentious.

Oh and everything they did to Fiyero is a blasphemy, book Fiyero has my appreciation.

This already lasted way too long, but I couldn't stay quiet about it anymore because I had never felt so attacked on what was once a really safe fandom for queer people specially sapphic/queer women

[icewindandboringhorror]

Pages from trying to keep a little sketchbook-scrapbook type thing going for two weeks lol. I gave myself specific rules in hopes they might all end up more cohesive/consistent seeming, but alas, scribbly chaos reigns, it seems

[crescentfool]

does anyone else want to stick these two in the same room together or is that just me... i simply think they are adjacent in vibes... (+a bonus thing???)

get u a fictional guy that makes you feel like this... seeing these guys just evoke a Similar Kind of Brain Chemical and Response. Help Me.

also have bonus yosuke doodle featuring the same brushes used here...! from january 23rd, lol.

[ettadunham]

sometimes i remember the hunger games and how nobody actually paid attention to what was in those books

[ohmylcve]

He had questions, many of them. How could he not? Inside Verona's mind, she was sure he would have so many, but she wasn't so sure if he would actually ask. If he would be willing to know the raw truth of Verona's past. The whole pressure of convincing him was getting on her nerves, as if it were an obligation rather than a simple story she could choose not to tell. Of course, she had the choice, but choosing not to tell meant losing him, and that isn’t something she’s willing to do. Verona has never told this story to anyone. She’s had multiple lovers before, who left once they discovered her marriage. She also had ones who knew about her marriage—but those usually came for her flesh, not for her soul. Not a single person knew the entire story, because truth be told: no one mattered this much to her.

Though she was willing to speak, to go on and on about how she’s stuck in a situation she’s not willing to get out of, she hates that she’s compelled to do so. Verona would rather be in a bed, late at night, after a few glasses of white wine, spilling words like she accidentally spills her drink, when she’s not controlling herself. In this very moment, she wishes time travel were possible, just so she could go back and be able to tell this story the way he deserves to hear it.

Ali’s whole body betrays him: the clenched jaw, the closed fists... it’s almost as if he’s about to start a fight, and she knows that this very moment is one for him. He’s fighting himself, he’s fighting against her, but also... he’s fighting with her. And she’s battling to understand what it is that truly hurts him: is it the lie itself? No... once she realized that the words are mere objects to hide the true pain inside. So what was that pain? Scavenging through every word, through every silence, Verona finds herself eager to discover what it is that he’s hiding behind his thick and yet trembling walls.

She does so until he reveals his secret—one he might not have revealed if it wasn’t for this huge misunderstanding between them, just like the story she would’ve never told. After all, this was entirely about vulnerability. Hers, his. About how neither of them could deal with that. But more than that... it was about Ali. About how he never opened up this way to someone; not only did she feel that while in his sheets, but she acknowledges the truth of it by his mere state. "Oh, for fuck’s sake!" The entire control she held until now felt like it was shattered by his fear. She was still defeated, still felt like she needed to convince him, but she was tired. Tired of listening to him blabber on about what he thought, rather than hearing her say it. "If you're too much of a coward to deal with how much we feel, you might as well leave," she fires, guessing her entire face is as red as her hair. "I could’ve lied about so many things. So many! I could’ve faked how I felt, but I don’t take you for a fool. I know you can read people more than I can understand, so I know you’ve read me and you felt the truth in every touch. Mine or yours. You felt it, and if you can't admit that to yourself, then go. Because if you’re here to throw your truths at me, I am not interested in this conversation at all." With a deep breath, she takes a sip of her drink, allowing the anger and irritation to fill her body. What is that pain of hers, then? Clear as day, it popped into her head: he’s knowing me before I can show up to him, just like Viego did.

As the trigger was identified, Verona finishes her glass of wine, forgetting her manners and wiping her mouth with her sleeve. "I could've lied about my name. Have you ever thought about that?" she begins, her gaze meeting his, silently challenging him to keep up. "I’ve had my fair share of affairs, but you were the only one who got my full name right. Verona Quinn." Lowell, she knows. But that's not her name, not the one she claims, not the one she's known for. "My maiden name is my full name." With a slow breath, she looks away, tears rising as she reminds herself that she is the one who built her empire. Not Viego. Her.

"I have no idea how you felt. Not a single glimpse of comprehension," she begins, calmer than before, as if the storm she threw was nothing more than necessary to bring her back to herself. "And I never will. Nothing I can say will change the fact that I’ve hurt you a lot, I’m well aware of it." Confidence blending with her words, as if both were merely colors she was merging to create a new one. "But I do have my reasons for acting the way I did. Nothing will justify the pain you're feeling, so if you're looking for that, again, you might as well just leave." Still able to hold his gaze, she continued. "I am Verona Quinn, for what it matters. I live as Verona Quinn, I EXIST as Verona Quinn." Emphasizing existence, she knows the core of what she's about to say lies there. "I never lied to you because I was dragging you into my mess. For me, it was never a lie, because the life I live is already one." Admitting it to herself out loud hurts more than she expects, and afraid she might stop in the middle of it, she continues, faster than before, but with as much intention. "Forget social conventions for a while, and think of our last walk through the streets of Venice, Ali. I can imagine how confusing that might be for you, that we've felt that much and yet I am married. I can assure you, in this marriage, there's no love. Nothing like we have, not even close." Her gaze turned into a searching one, as if she was trying to find the small piece that held both of them together inside of him. Her hands, on top of his tightened ones, slowly moved to open them, to grab his hands while she kept talking. "I gave you my all. I never gave you lies, no, not in my perspective. What I did was open up my chest, to grab my heart, and put it inside your hands. These very ones." She says it softer, a childish smile quickly making its appearance and then leaving as she recalls the information that once left his lips: I've killed for less than what you did to me. Then, lifting her eyes to meet his gaze, she adds, feeling her throat close in anxiety for his answer to what she's about to ask. "Will you crush it, or will you keep it?"

Ali’s thoughts swirled in a tempest of contradiction. He wasn’t sure which stung more—the raw truth of Verona’s words or the realization that he had come here, into her world, unarmed with anything but his own vulnerabilities. Vulnerabilities he despised. Vulnerabilities that, for the first time in years, he couldn’t hide from himself. Her gaze, unwavering and penetrating, stripped him bare in ways no interrogation or battlefield had ever managed. It was excruciating. It was intoxicating. For so long, Ali had conditioned himself to avoid moments like these. To bypass the chaos of human emotion and live within the neat, controlled lines of precision and purpose. Chaos belonged out there—on the job, in the face of danger, where his body and mind could cut through it like a scalpel. Not here. Not in the eyes of someone who made him feel exposed, seen, and, worst of all, uncertain. He hated uncertainty. And yet, as Verona questioned him—her voice steady but her breathing betraying her—he didn’t feel in control anymore. His carefully constructed walls, reinforced by years of discipline and detachment, buckled under the weight of her honesty. The vulnerability in her words was almost unbearable. He wasn’t sure if it was anger, regret, or something far messier that churned in his chest, but it clawed at him like a caged animal. What did he want to know? Did he even know? Her question hung in the air like smoke, suffocating him as much as it compelled him to answer. He clenched his jaw, fighting the instinct to retreat, to end the conversation with an abrupt exit and return to the comfort of isolation. But he stayed. For reasons he didn’t fully understand, he stayed.

“Start with why,” he said, his voice steady but lacking its usual coldness. It almost felt foreign to hear it. His own words sounded sharper than he intended, but Ali didn’t soften them. He couldn’t. Not when his mind was flooded with fragments of memories—brief moments of trust, of closeness, that now felt tainted by betrayal and lies. Not when he wasn’t sure if he wanted to forgive her or punish her for the way she made him feel. For the way she still made him feel. He hated the way his heart raced as she took a step closer. Hated the way he noticed every detail—the slight quiver in her lips, the tension in her shoulders, the way her eyes searched his, not for forgiveness but for understanding. Hated how much he wanted to give it to her, even when he wasn’t sure she deserved it. The truth, he realized, was that he wasn’t here for closure. He wasn’t here for answers. He was here because, against all reason, he couldn’t stay away. And that terrified him more than anything. Ali’s hands tightened into fists at his sides, his nails digging into his palms as he struggled to steady himself. The air between them felt thick, charged with all the words left unsaid, all the truths she had buried and he had clawed at only to uncover too late. He stared at her now, his mind a battlefield of emotions he couldn’t afford to indulge: anger, betrayal, longing. Why had she lied? Why had she pulled him into her orbit, knowing all along she had another life—a life she’d hidden while weaving herself so deeply into his? Ali’s voice, when it came, was low and deliberate. Every word felt like a sharp-edged weapon, carefully aimed but impossible to dull.

“Do you have any idea what it felt like,” he began, his tone measured but barely masking the storm beneath, “to find out the way I did? To look into the life you kept hidden and realize I wasn’t just a part of it—I was your secret?” His gaze was fixed on hers, unrelenting. Her eyes, so often a mystery, were now a mirror, reflecting the weight of his words back at him. But Ali couldn’t stop. He’d held this inside for too long, and the dam was cracking. “You say you weren’t playing with me,” he continued, his voice hardening, “but what else would you call it? You didn’t just lie, Verona. You let me believe there was nothing else. No one else. And I—” He cut himself off, the words catching in his throat. He didn’t want to admit what he had given her, what he had felt for her, not when it still ached like an open wound. His breath hitched as he forced himself to calm down, to rein in the chaos she had unleashed inside him. Ali prided himself on control, on precision. But she had dismantled that so easily, with her truths and half-truths, with the world she’d built for herself while leaving him in the dark. “I’ve killed for less than what you did to me,” he said softly, his voice a dangerous whisper. “Do you know that?” The cat was official out of the bag, and Ali didn't even realize he just let out a big secret. That's how crazy he was about her. That's how mad she made him. “And still,” he said, softer now, the anger bleeding into something rawer, something vulnerable, “I came here. I needed to hear it from you. Why you lied. Why you didn’t trust me enough to tell me the truth.” He paused, his gaze locking onto hers again, searching for something—remorse, regret, an answer. Anything to explain why she had taken what he’d offered her and broken it so completely. “Did any of it mean anything to you? Or was I just the escape you needed until you went back to your real life?”

[autisticlee]

everyone likes to tell me that real friends exist, the right people for me exist, i'll find them, I just have to look, keep trying. etc.

but no one tells me how, where to look, or how to know who "the right people" even are!

not to mention the fact that I'm getting too old to "make friends" because it's mainly expected of kids/teens to do that. older adults are supposed to have their people already. most adults my age already have their established friend groups that i'm not allowed to join. or they're all pairing off and prefer their partners over friends. or I just simply can't relate or bond with them because we have nothing in common.

[talkorsomething]

I have Got to get more transgender

[theotherrichardpapen]

nigel & alex - to be haunted by your love

henri nouwen // like minds (2006) // death - melanie martinez // pope alexander - crywank // her mother's kiss - eugene carriere // sometimes i fall asleep thinking about you - catarine hancock // the song of achilles - madeline miller // achilles lamenting the death of patroclus - gavin hamilton // lee martens

[davy-zeppeli]

I feel fucking horrible

[trevisos]

filing these under “lines that make xarrai feel extremely normal” as well.