#i was so conflicted over this for ages and i think this is accurate to my head

[ollieartss]

me finally understanding why i prefer skk over sigzai even though sigzai is tailor made for me

sigma and dazai see parts of themselves in each other. sigma is a young kid (three year old casino owner is CRAZY) at his core. dazai is too, don’t get me wrong—his constant childish personality is both a facade and the part of himself he wishes he could have back—but it feels very different in a way. dazai puts in so much effort to keep sigma around because sigma is like fifteen dazai. a young child at his heart who has been dealt such a horrible hand that he becomes cold and unwilling.

i think that’s why i cant ship them even if I wanted to—it’s like dazai taking care of himself when he was fifteen. that, and it feels like the friendships formed in primary school. so for me it’s like shipping two eight year olds together if that makes sense. i love their dynamic and i really hope sigma’s alive but skk and their history remain supreme. sigzai shippers ur actually iconic and I understand u sm but this is just my take :] feel free to disagree.

my proof of this lies in the dancing scene mainly. like you could not look me in the eyes and tell me that isn’t primary school kids learning how to waltz. it’s so endearing omg. it’s dazai dragging sigma into this childish display, with sigma protesting like “bitch get ur hands off of me” and dazai just hums along. reminds him of himself. he’d probably react similarly. or maybe sigma’s reaction is akin to chuuya’s, but that’s a WHOLE different can of worms.

[liedownquisition]

I'm so tired.

Bonus meme under cut:

This is both for him in general (or at least the fanon version dominating fics) and extra for him as Robin specifically tbh. Let him grow up and find an identity outside of being Bruce's emotional support child. It's not like it's actually helping anymore anyways.

[httpiastri]

PERFECTLY FINE – CHAPTER ONE (BAHRAIN)

genre: fluff, angst, etc.

warnings: hmmm nothing i think

word count: 5.3k

author's note: aaaa first chapter !! i don't rlly like it but still !!!! a very much opener/get-to-know-the-characters/intro chapter, so maybe boring at times idk. still so excited, thanks to everyone who's contributed. love u all <333

author's note pt2: when i write about the different drivers and their living situations, i know it's not all accurate to how they actually live irl. ik i wrote modena instead of maranello here for ollie although idk exactly when he moved, but there are mentions of milton keynes for the rbj drivers bcs it made it easier for me. anyways, just go with whatever i say about how they live lol. also !!!! i changed yn's team from mp to campos hehe. okay now let's start :)

series masterlist

the winter break coming to an end is always a bittersweet feeling.

having a lot of free time to catch up with friends and family is always greatly appreciated, but at the same time, it doesn't take many days before you miss racing after the last race of the season. especially when the season is as short as the f3 season is, and especially when you don't partake in any of the winter-season races.

this year, though, coming back to the paddock doesn't feel as complicated as it most often does. your heart is light and your smile is big as you enter through the gates after the long taxi ride from your hotel, and you already can't wait to get started.

as you make your way toward the campos truck, you greet a few people you meet here and there, but it's the sight of a head full of dark, curly hair that makes you stop in your tracks. "jak!"

the american turns around when he hears your voice, grin taking over his face already. you strut all the way over to him, practically throwing yourself into his arms. "hey there," he chuckles, giving you a big hug.

"oh, i've missed you so much!" you exclaim, giving him one last squeeze before pulling away. "it feels like i haven't seen you in ages."

"right? the break was way too long."

juan pokes his head through the door to the truck when he hears your voices, making some kind of comment about all of these loud teenagers always causing a commotion, before coming down to greet you with a hug as well. "how was your break?" he asks.

"wonderful, really. i spent most of it at home, catching up with family and friends. then me and ollie-" your eyes widen at your own words. you clear your throat, looking away from both of the boys for a second. "well, i went to italy."

your relationship with ollie isn't exactly a secret around the paddock, but it's a bit of an unspoken rule not to mention it too much. both because you all want to separate your personal lives from your racing ones – you don't wish to crash into a close friend like jak any more than you'd like to crash into ollie, after all – and because a certain other driver might be around to hear.

someone who's quite the conflict of interest in this specific topic.

your break truly was wonderful. it felt like the only things on your schedule were skiing in the italian mountains, gym-and sim-training, and just relaxing at home in england to recharge for the next season. you had spent a lot of it with ollie, getting to know both him and his family better. it hadn't taken you long before you were best friends with his little sister, sharing little inside jokes and spending time cheering her on at the stable. and you'd even grown surprisingly close with ollie's younger brother, and you loved seeing the three siblings interact.

they all made you feel truly at home with them, like an extended family. you couldn't have asked for anything more.

ollie was well-known in your family even before the break, especially considering how he was one of the first drivers your father picked out for the academy. and during the break, he only further impressed them; he always helped out with household tasks, he did his best to create connections to every relative of yours that he met, and he even bought the sweetest little christmas presents for your parents and grandparents. however, just the mention of italy in your current conversation is enough to make the dams drivers understand. no other detail is necessary.

when you're done talking about your break, it's juan's turn, and then jak's. during the catchup, more and more people drop by to say hello, and it doesn't take long before there's a full-on gathering outside the dams truck. dennis, another one of your former academy members, and pepe, your new teammate and newly found platonic soulmate, both listen in as jak tells you all about how jetlagged he is after coming back from the states just two days ago. "have you gotten properly settled in with aston?" you ask with a smile.

"totally. it's been great, honestly. even the apartment they found for me is top-notch."

"oh? better than milton keynes?"

jak raises his eyebrows at you, and then he bursts out laughing. "duh." throughout the many years of living next-door from each other, there wasn't a single day when the two of you didn't complain about something the apartment complex. the smell, the noise, the trails of blood in the staircase; not exactly things you'll miss when you move out one day.

"i still can't really believe we're not neighbors anymore," you complain, jutting out your bottom lip as you speak. "i've been so close to knocking on your old door so many times, but now some other freak lives there-"

"hey!" pepe shoves your shoulder, and the whole group laughs. "you're much worse than i am!"

"i'm so glad i finally moved out of there," dennis chimes in. "if i had been neighbors with y/n and pepe at the same time… i don't think i would've gotten any sleep at all, man."

"i didn't get any sleep for four years when i lived there..." jak groans.

"is this your first time in a series together?" juan jumps in, looking between you and jak, but seems surprised when you both nod. "best friends but you've never raced each other? maybe this season is what forces you apart."

"yeah, what will you do if i crash into you when you're in the lead?" jak teases, pressing an elbow into your side.

"then i think a few compromising pictures of you might make their way to the aston martin headquarters..."

when it's like this, being on the same grid with all of these people is so easy. you're all friends, not opponents. all in the same boat with the same excitement and expectations for the season. unfortunately, you know it won't stay this uncomplicated for long. when you're actually out on track in a few weeks, forcing each other into the walls and swearing at each other over the team radios, there won't be any more happy faces.

but for now, you enjoy smiling with the people who are just as much your friends as they are your enemies. that is, until you spot someone else joining your little group.

paul.

suddenly, the smile feels much more forced; the air is thicker and harder to breathe in. and when he makes his way over to you, a lump forms in your throat.

a lump you understand probably won't disappear all season.

the second you're back in your hotel room, you reach for the little dark blue book you've hidden in your bedside drawer. the pen in your hand is one you've had for years, one you always bring with you to every race weekend. the ink has been refilled possibly hundreds of times, but the plastic body has remained the same ever since you bought it.

the journal itself is torn; it's been used and loved for many years, too. it's like an extra best friend, a second home. when you're writing in it, it's one of the few times you feel like you can actually be your true, authentic self – it's one of the few times when you're not afraid that someone will judge your emotions or thoughts.

today, you know what you want to write about instantly.

i saw paul for the first time since abu dhabi.

i haven't been able to stop thinking about him. no matter how hard, i couldn't get him out of my mind. i've been wondering what he looks like now, how his voice has changed, if his smile is still as bright. and suddenly, he was there and i saw him.

the answer? he's just as he always was. and i can't tell if that makes me feel alright or awful.

you're pulled out of your head by the sound of a knock on your door, and you instantly scramble to hide your journal in the drawer again. the second you pull the door open and ollie's gaze meets yours, it's like all of your previous thoughts disappear. it's just you and him again; no one else even exists.

especially not paul.

"are you ready to go?" ollie asks, hands finding your sides as he leans in to press a quick kiss to your cheek. "i found the address of some good pasta place, it's just a few blocks from here."

you nod, your hands landing on top of his and giving them a quick squeeze before pulling away. "i just need to put on some earrings," you start, backing into the room. "will you help me choose?"

"of course."

"carlos set a stunning lap today. did you see it?"

the question makes you roll your eyes, letting out a sigh as you bring out three plates from the cupboard above the stove. your dad has always been quick to comment on anything good regarding ferrari; to anyone living in the max verstappen era, even a sliver of a good result is enough to spark some hope, so you aren't exactly surprised. "yes, dad. of course i saw it."

"i reckon this will be our year," your dad continues as you walk past him cooking by the stove, carrying the plates to the dinner table. "carlos will make them regret getting lewis instead of him."

you can't help the chuckle that leaves your mouth. your mom gives you a knowing glare over her newspaper – don't start anything. you choose to ignore it. "you really think this is how it's going to look next week during the actual race?" you ask. "you don't think max is sandbagging the slightest?"

"i'm just telling you," your dad starts, giving his stew a good stir. the snarky tone in his voice is unmistakable. "don't come home crying to me when you realize red bull isn't going to cut it anymore. if you regret your choices, go somewhere else."

even like this, when you're back home for a few days to catch up with your family, neither of you can stay away from this bickering. your dad is always pestering you about sticking with the red bull junior team, and you never can back down from a fight. you're way too stubborn.

"are you saying that i wouldn't have a place in ferrari if i wanted to?" you set the plates down with a thud, the sound making your mother flinch in her seat by the table. "you would say no to your only daughter, huh?"

"i'm just saying that you'd need to prove yourself to get into the academy."

despite your harsh tones, most people around you think you're just joking around when you act like this; some family-mockery can never hurt, right? however, there's always a hint of seriousness behind it. it's been like this between the two of you forever, and especially ever since your dad became the head of the ferrari driver academy – the rivalry between you two is stronger than ever.

you've always been sure of your choice; you've always felt like the red bull family is perfect for you. but recently, you've started to wonder if staying with the team actually was the right thing for you. what really is your future in the team? it's not like you haven't got great drivers ahead of you, drivers who will be called in for a possible f1 seat before you.

and it's not like red bull has a stellar record of keeping all of their drivers. they only have four seats in formula one, after all.

your dad wants you in ferrari, that much is clear. you may have joined the red bull junior team because of his past with the team; he did win their first ever championship, after all. accepting was the only option when you got the offer to join. however... your dad really wants you in ferrari. there's just something about the brand, the colors and the history that obviously is intriguing for everyone. even lewis hamilton couldn't stay away, for god's sake.

you can't admit it, though. not here, not right now.

so instead, you choose to fight fire with fire. "bullshit," you mumble under your breath before speaking clearly again. "second in the championship last year wasn't proof enough?"

"stop this," your mom says, folding up her newspaper and placing it on the table. you roll your eyes yet again but look back at her when she speaks again. "new subject: how is our dear ollie doing?"

you visibly relax at the question, your heart softening in your chest. "he's good. he's back in modena now, so..."

if it had been your dad asking about ollie, you know it would've been because he's interested in how the academy is doing. but since your mom is the one asking, you know it's real concern and curiosity. "how did he find the new car? did he enjoy testing?"

"not really," you say, slipping into the seat opposite your mum as your dad places the pot of stew in front of you on the table. "though, you know, the prema cars are never that good in bahrain. but he assumes they'll bounce back."

there's something in your dad's tone when he speaks again that makes you stop in the middle of your reach for the ladle. "yeah, so i've heard..." it's almost sarcastic, maybe a bit... irritated?

you turn towards him, a frown on your face. "what?"

"william," your mom says with a shake of her head. she knows something. "let's not go there." but just as you're about to call them out on how strange they're acting, she speaks again: "what do your upcoming weeks look like? for how long will you be back in england?"

anyone with eyes – or even without, to be fair – can tell that they're hiding something. and while your curiosity is killing you, you're not in the mood for a full-fledged fight at this time. you take the high road, which isn't your most familiar way of handling things like this, and try your best to push away any wishes to question your parents. you answer, engage in polite conversations and chat about your upcoming season. then, you thank them for dinner and leave the house after giving them their respective kisses on their cheeks.

but all evening, your mind is on something else. and when you get back home to your apartment, your fingers itch to send ollie a text asking if he knows anything. but instead, you go to bed with a knot in your stomach. maybe it's a topic for another day.

being back in the car for testing was great, but it was nothing compared to being back on the track for an actual race weekend. the first round of the championship was something you'd looked forward to for what felt like years, and now it was finally time. you've never been more excited, or nervous, for any race weekend.

you weren't off to the best of starts, though. qualifying has always been one of your stronger suits, so coming 13th was not a result you had anticipated. thankfully, it meant you had time to practice overtaking and had a good chance of improving your place. having to start right behind pepe and paul in both races was an interesting coincidence, but you were obviously not going to let any of it affect your racing.

though p8 is not the best place to finish, you are actually quite pleased with having gained several positions in the sprint race and taking your first point of the year. the car was, as you knew it would be, very different from the f3 car, although you were surprisingly confident and managed it well despite the circumstances.

paul, too, handled it all very well – p12 to p5 is a great record. and when he sees the timing board and realizes that you also did well considering the circumstances, he's overjoyed. he's practically bouncing down the paddock when he finally gets out of his car, accepting the fans' cheers and the handshakes from his engineers with a big grin. and when he sees you further down the paddock, his mind is filled with memories of the two of you celebrating your good placements in all other categories.

just because you aren't a couple now doesn't mean you can't honor these results together, right?

but just a second later, he realizes that you're surrounded by the familiar red-clad staff members instead of your own campos staff, and you're standing right by that red prema car he knows so well. and, sure enough, soon the person he'd forgotten about steps up to you.

paul watches as you wrap your arms around ollie's shoulders, and his heart sinks in his chest. your boyfriend hides his face in your shoulder and your hand comes up to stroke the skin on the back of his neck. paul can tell how your lips are moving, and the pout you're showing off tells him enough about what's going on even though he can't actually hear what you're saying. you aren't prioritizing being happy about your own race – it's more important to comfort ollie.

to paul, there's something so unsettling about the sight. he's seen the two of you together many times before – besides, he gets tagged in pretty much every picture a fan takes of you with your boyfriend – but it isn't your proximity that he has issues with.

the thing that upsets him is the fact that there's a frown stretched across your features; one that doesn't leave even when you part from ollie, or when you're cheered on by your mechanics, or when you leave for your post-race interviews. a frown that any other time would be replaced with a big, proud smile because of your accomplishments.

the music blasting into your ears from your airpods cuts out the rest of the world, the usually so busy and loud paddock all gone the second you pressed the play button on your phone. it's been your favorite way of getting in the race mood for years; you're not superstitious in many other ways, but your playlist has stayed the same since your first season in f4. walking around the garage, doing your warmups, or even just sitting around and waiting to get in the car like you are right now, you listen to the exact same songs on repeat. it's one of the few things that makes you truly focus on the race ahead of you.

so when you feel two hands on your shoulders from behind, you jump in your seat. turning your head, you're relieved to see the big smile of pepe shining down at you. "did i scare you?" he asks loudly enough to cut through the music, and you barely have time to nod and take one airpod out before he speaks again. "good, that was my intention."

you slide your airpods into their case as pepe plops into the seat next to you, eyes zoning in on the f3 feature race on the screen in front of you. "i'm so upset," you huff, shaking your head. "did you see the start?"

"i heard," he answers just as dino's red car appears on the screen, and he crosses his arms over his chest. "but he's made up ten places already, right?"

"yeah..." you lean your head onto his shoulder with a sigh. "we should focus on the positives. like chris!"

"and like our upcoming race." you can practically hear his grin when he speaks. "i have a good feeling about it."

when you found out that jak was leaving the red bull junior academy last fall, you were heartbroken. he's been one of your closest friends ever since you first met; the two of you have always been joined by the hip, despite how you've never raced in the same series before, and you spent most of your free time either training together or just hanging out. how would you ever get over him leaving you all alone in the academy?

thankfully, pepe joined in the late summer. at first, you were just acquaintances, but something about his personality was too good not to fall for. it didn't take long for him to become one of your closest friends, too. another boy your age, another boy with crazy energy and amazing potential – he filled the void in your heart quite well.

as well as jak's old apartment.

you'd raced each other in f3 last season, though barely ever crossed paths or talked. but living next to each other, doing all of your sim work together, and now even being on the same team meant that your relationship went from zero to one hundred in just days.

this season is your first with campos, while he's been with the team for several years already, and so far he's been very good at helping you get used to everything off track. they took a big chance choosing two rookies for their lineup, and the two of you promised each other to do your best to make them satisfied with their choice. so far, you've gotten one third and eight place in your first-ever f2 race – and you're just getting started.

"i do, too," you hum. "let's go out there and show them today."

paul is beaming when you see him stroll back to the paddock after his media duties. his cap is perched on top of his head – the right cap, finally – and his fingers are still tightly wrapped around the neck of his champagne bottle. when he notices you leaning against the doorframe leading into the f2 hospitality, his smile grows even bigger.

you meet him halfway, arms wrapping around his shoulders easily, just like they have so many times before. one of his arms drapes around your waist and he holds you close, a hum vibrating from his chest. finally, he thinks to himself; this definitely makes up for all of the things he felt yesterday.

"congrats, paul," you tell him. "that was amazing. you were amazing."

"thank you," he says before pausing. then, he lets out a chuckle. "to be honest, i wasn't sure if you would care."

you frown at him when you pull slightly away from him, just enough to look into his eyes. is that what he really thought? that you wouldn't care about his driving? "oh, please. you still mean a lot to me, okay?" your hand moves down to his upper arm, giving it a soft squeeze. "i still consider you to be one of my closest friends."

friends. the word stings like a knife in his heart. it's been months since you broke up, and yet, it still feels like a raw wound.

paul forces a smile. he understands that despite how painful it is, there's something good in it. there's still a place for him in your heart, even if he's forced to share it with someone else.

he pulls you in again, and the hug is even tighter now than before. it's a comforting feeling; you're both at peace, with a good weekend behind you, in the arms of someone so close to you. after everything you've gone through together, but especially everything he has gone through these last few months with the mercedes academy and prema, you're finally through to the other side. "it all worked out in the end, huh?" you ask after a few moments of silence.

"i guess it did." you part from each other to leave that oh-so-familiar gap between you yet again. "will you be celebrating with us tonight? i think pepe had something planned. you know how he is."

you snort. "yeah, i do know. maybe i will." you shift uncomfortably, crossing your arms over your chest as your eyes dart to the ground. "but, um... i'll have to check with..."

you don't even say his name – you don't have to. ollie's entire weekend has been so far from everyone's expectations, and if you know him correctly, he will not be in the mood for celebrations tonight.

paul nods slowly, pressing his lips into a thin line. "right."

the silence that follows is so awkward you can't help but chew on your bottom lip, a tiny sigh escaping through your mouth. he must be hating this, you think – today is supposed to be only a good day for him, he shouldn't have his ex's new relationship pushed up in his face.

"well, i have a debrief to get to," you make up, flashing him a quick smile. "congrats again, paul."

"thank you." he gives you another nod, before turning away and making his way towards the paddock. "pepe will text you!"

and just like that, he's off, and your mind wanders to the thought of actually going out to celebrate. ollie will definitely not join you, though you're not sure why you don't want to go without him. is it because you'd rather stay and comfort him?

or is it because you're scared of what you'll do, or feel, when you're alone with paul for the first time since you broke up?

"p5 is still good, my dear." your mom's voice booms out from the speakers of your phone as you drop it onto the desk, and you can't help but let out a sigh, taking a step back.

"of course, but... i feel like i could've done more." it was both true and not; with paul's five-second penalty, you definitely could've gained at least one more position if only you had stayed within that gap. but then again, a fifth position and ten more points was a great result for a rookie.

"but you'll still be going out to celebrate with your friends, right?"

you ended up telling pepe you weren't in the mood to party, despite his persistent complaints, and decided to instead use the evening for relaxation and recovery. your entire body, especially your neck, has really suffered this weekend – you were already sore after the shakedown, but this is on another level – so a bubble bath and a good night's sleep in your hotel room seemed like a much better choice.

"no, i'm just going to rest a little..." you hum, flopping down on the chair by the desk. "maybe grab something to eat with ollie."

weirdly enough, you haven't been able to get in contact with him all evening. you were told that he hurried back to his hotel room right after the race, not in the mood to talk to anyone on the team at all, so you chose to give him some time alone to cool down before you'll eventually go over there. still, you thought he would've answered at least one of your many texts by now.

thinking about your boyfriend, you suddenly remember something. "hey, mum?" she lets out an affirmative sound. "you remember when i was home last time, and dad said something about ollie and the car? and he acted all weird?" you pause for a moment, but when she doesn't say anything, you keep going. "what was that all about?"

"well darling, we..." you take the sudden silence as a sign that she might not be sure how honest she wants to be right now, and it makes you frown instinctively. she sighs. "we're just a little worried about him, that's all."

your confusion only grows. "what's that supposed to mean?"

"we're worried he's feeling too pressured to impress us." you hear her take a deep breath. "of course, your father is his boss, so it is natural in that way. but we wish he would just see us as any regular parents. he's always talking about racing like there's nothing else in the world, and..."

"that's not fair." you shake your head despite the fact that she can't see it. "that isn't him. he isn't all racing and no fun."

"oh love, i'm sure he is loads of fun, but-"

"i really have to go," you cut her off, standing from your seat. "talk to you later."

you hang up before she can even answer, the guilt in your head from treating your mother like that already pushed away by the anger growing inside of you.

you always assumed your parents loved ollie. sure, you knew they adored having paul over when you were still a couple, too, but ollie is every mother-in-law's dream son. he's from your country, he's a pure sweetheart, he's even in the fda for god's sake. how could they not love him?

and so what if he tries to impress them? who wouldn't do the same?

when ollie opens his door for you, he looks like he's just woken up from a bad night's sleep. bed head, bags under his eyes, and just a general aura of tiredness. if you didn't know better, you'd think he was an insomniac. but thinking back to how badly his race went, the sight of him just makes your stomach churn.

your arms wrap around his neck in an instant, pulling him into your warm embrace. you feel the tension in his upper back release right away, and ollie's hands find your sides, giving you a light squeeze. you refrain the urge to pull away when he nuzzles his nose into your neck, standing strong against your usual ticklishness, and your heart softens slightly when he lets out a deep sigh into your skin.

"you okay?" you finally manage to get out, and his answer comes in the form of a nod against your shoulder. "is there anything i can do for you?"

he pulls away but stays so close that you feel his breath against your face; so close that you're both slightly cross-eyed when your gazes meet. "stay with me?"

your answer is expressed through the fleeting kiss you press to his lips, your way of saying of course. ollie doesn't waste any time pulling you into his hotel room, and you flop down onto the bed with him. he sits up and watches you lie down against the covers, your head nestling into the pillow. "tell me about your race," he says as he reaches down to take your hand, his fingers slipping in between yours. "eight positions gained, huh?"

of course he doesn't want to talk about his own race. but the fact that he's willing to think about racing at all, just to let you have a chance to talk about how well you did and boast a little; it all makes your heart flutter.

and you're sure, you're so sure that he is so much more than just a racing driver. he's not what your parents think he is. he's an incredible racer, sure, but he's also the sweetest man you've ever met. the perfect boyfriend.

even when he's feeling like this, he takes his time to still pay attention to you and ask questions. and then he listens, he really listens, because he wants to understand every inch of your mind just as well as he geeks out about every detail of apexes and tyre degradation. and then he says just the right things, the things to sweep you off your feet yet again.

he's so perfect that he's incredibly easy to love.

so why is there a knot in your stomach at the thought of the race – and more specifically, the person on the last step of the podium?

why does your mind keep running back to how he's celebrating, and what it would be like if you'd been there with him?

yourusername just posted!

yourusername double pookie podiums & good points in the bag! thanks camposracing for a great car ❤️ we go again in a week!

show all 81 comments

user top job this weekend!!

‎ ‎ ‎ ‎ ‎

user i will stop hating on red bull if either of these get into f1

→ user red bull juniors >>> anyone else

‎ ‎ ‎ ‎ ‎

user what happened to ollie though 😭

→ user it's just the first round, calm your horses

→ user why always bring up ollie on her posts... is that all she is, ollie's gf? 😐

→ user forreeaaalll

‎ ‎ ‎ ‎ ‎

redbulljuniorteam y/n and pepe making us proud 🥺

→ user pls admin you're making me cry

→ yourusername me too 😭

[fridayyy-13th]

gonna be honest, feeling very conflicted about this episode, lads. i've been really hoping Protocol won't explain away the (NARRATIVELY IMPORTANT) mystery left at the end of Archives, i.e. Jon and Martin's fate, so seeing as they're the next thing Sam and Celia are gonna be investigating, this is kinda gonna be the thing that makes or breaks Protocol, for me.

i do think there's a solid chance Chester and Norris are the Jon and Martin from Protocol's universe, and that is something i absolutely would not mind. but i haven't actually made a post explaining why i think that, and i should probably do that before it's explained, just so i can mayyyybe say i called it.

(for the record, i'm pretty sure i came up with most of this before the series even officially dropped, when all we had was the ARG and the trailer. i haven't done much to connect this theory to the further information we've learned, so it's probably not fully accurate (if accurate at all). and quite a bit of it is kinda baseless conjecture; i'm just throwing my thoughts out there. just a little disclaimer.)

so!

in Archives, Jonah's primary motivation is fear of death. turning to the Eye is what allows him to body-hop as he does for 200 years, trying to create a world where his Patron reigns supreme, where he is seated upon its throne and cannot die. assuming his motivation is the same in Protocol, this new universe is (likely until recently) untouched by the Entities. if Jonah wanted to evade death, how could he do that without the help of an eldritch fear god?

easy—alchemy.

i'm not particularly knowledgeable about the subject as a whole, but i'm certainly familiar with the Philosopher's Stone (the symbol of which is also present in the OIAR's/podcast's logo, though it seems the OIAR is more focused on balance than on experimentation).

i also know that the seven metals used in alchemy (gold, silver, mercury, copper, lead, iron, and tin) are all components of computer chips. i've been thinking Jonah, or maybe his successors, saw that and began turning their research to how it could be utilized to extend—or preserve—life.

to cut to the chase, bc frankly it's hard trying to sound like i know what i'm talking about and this post would take forever to write otherwise, i think Jonah tried to Sergei Ushanka himself into a computer, because metal and plastic are a hell of a lot longer-lasting than a human being.

but he wouldn't shove his consciousness into some random motherboard without making sure it was safe, what do you take him for?? he is a man of academia. obviously he had to test it on others first, and then he'd do it himself.

cue the thought experiments the Institute ran on kids. the things the experiments quantify are empathy and obedience to authority, which to me screams that they were trying to find kids who were easy to manipulate into more dangerous experiments.

and who are two characters who were kids in the 90s, with circumstances that left them lonely, isolated, and who, even as adults, are desperate to please (whether a parent or a bad boss)? Jon and Martin.

i posit that Jon and Martin were both victims of these experiments, perhaps the first (and only) successful subjects, and Jonah uploaded his consciousness to the computer soon after. their records could have been stricken from the spreadsheet to hide that they'd even been part of the program, and given the Institute burned down soon after, and there were no survivors—it could have been assumed that they'd died in the fire. it isn't like they had the most doting guardians to worry over them.

...but Chester and Norris's voices are those of adult Jon and Martin.

best i can figure, Jonah's plan might have worked in the short term, but computers have had date/time hardware in them since the 80s, so they—and Augustus—are still aging. so they've been trapped in computer software since 1999, and now that Sam and Celia are digging into what happened, they're desperate to catch their attention and find a way out.

(and lastly, a fun little thought—given Jon and Martin were both born circa 1987, they would have been twelve in 1999. they didn't even get to be teenagers.)

[prolibytherium]

I never touched it but I feel like i only ever hear positive things said about song of achilles.. in (rough strokes at least) what makes it dogshit to you?

Okay it's been a while since I actually read it so some of this might not be spot on accurate. Sorry if at any point I say 'the book never does xyz' and it actually does once or twice but I think my underlying criticisms are accurate

-Patroclus is made into like this soft gentle tender quivering little yaoi boy. In the source text, he's shown as compassionate and moved by the suffering of his own men (and apparently having some medical skill, tending to the wounded in the camp), but very much invested n combat and very, very good at it (pages worth of descriptions of the guys he's killing left and right). In this, the arguably more complex character from this 8th century BC text is flattened into Being A Healer, he doesn't want to go to war he just wants to help people, he only goes because Achilles has to but he doesn't want to fight he's a HEALER he's a gentle lover NOT A FIGHTER who just wants to help he just wants to help everyone around him he HEALS while Achilles is a doomed warrior who is so good at fighting and KILLING its a DICHOTOMY GUYS!!!LIKE THE BEAUTIFUL SUN AND MOON DOOMED LOVERS SO SAD patocluse HEALER . (I Think he's specifically characterized as being BAD at fighting but might be misremembering)

-I don't remember much about Achilles' characterization I think it just makes him less of a jackass while not adding anything of interest and levels out into being mad boring.

-Not getting into the literal millenias old debate whether the mythological characters Achilles and Patroclus were being characterized as some type of lover by the original oral sources of the Iliad or its Homeric writers. We will never know. We don't even know what (if any) culturally accepted conventions of male homosexuality existed in bronze age Greece (we know much more about their descendants). But there are some interesting elements of their characterization in this direction, with how unconventional their relationship is WITHIN the text itself- Patroclus is described as cooking for Achilles and his guests (very specifically a woman/wife's job), Achilles chides Patroclus like a father, but there's also scene where Achilles' mourning of him directly echoes a passage of Hector's wife mourning her husband, Patroclus is explicitly stated to Achilles' elder, and is overall treated as his equal or near-equal, closest confidant and most beloved friend (to the point that pederastic classical Greeks would debate over who was erastes (older authority figure lover) and who was eromenos (adolescent 'beloved')- many took it as a given that this text depicted their present-day cultural norms of homosexual behavior but it existed so Outside of these norms that it had to be debated who was who). Their relationship is non-standard both within the text and to the descendants of the civilization that wrote them.

Basically what I'm saying is this book had opportunities to like, explore the unconventionality of the relationship (being presented here as explicitly lovers), explore the dynamics of why Patroclus wants to do 'women's work' (besides being a tenderhearted softboy), the weird dynamics where they take on paternal roles to each other but also roles of wives, how they feel about being this way, and just kind of Doesn't. Which I guess isn't an intrinsic fault (because it omits much of what I just talked about to begin with). it's just like.... Lame. This book takes jsut abandons everything interesting about the source text in favor of flattening it into bland Doomed Yaoi.

-The conflict that sets off the core story of the Iliad is Achilles and Agamemnon fighting over Briseis, an enslaved Trojan woman taken by Achilles as a war-trophy, Achilles spends most of the story moping because he was dishonored by his 'trophy' being taken. Achilles and Patroclus and everyone else are raping their captives, all the women in the story are either captured Trojans (or in the case of the free women within the walls of Troy, soon to be enslaved, and are slave owners themselves). Slavery as an institution and extreme patriarchal conventions are innate to the text and reflective of the context in which it was developed. You cannot avoid it.

But obviously you can't have your soft yaoi boys doing this, so the author has them capturing women to Protect Them from the other men. Their slaves are UNDER THEIR PROTECTION and VERY SAFE (and they might even Like And Befriend Them but I might be misremembering that. Briseis does though). Our heroes have apparently absorbed none of the ideals of the culture they exist in and the author seems to think "they're gay and aren't sexually attracted to their captives" would translate to them being outright benevolent (also as if wartime sexual violence is just about attraction and not part of a wider spectrum of violent acts to dehumanize and brutalize an accepted 'enemy')

In the source text, Briseis mourns Patroclus as being the kindest to her of her captors, who tried to get her a slightly better outcome by getting her married to Achilles (which probably would be the Least Bad of all possible outcomes for a woman in that situation, becoming a legal wife instead of a slave), and wonders what will happen to her now that he's gone. This is a really really sad, horrible, and compelling dynamic which could be fleshed out in very interesting ways but is instead is tossed entirely aside in favor of them being Besties. Like brother and sister.

All of the above pisses me off so much. If you don't want to engage in the icky parts of ancient/bronze age Greece then don't write a retelling of a story taking place in bronze age Greece. I'm not gonna get mad at children's adaptations of Greek myths or silly fun stories loosely based on them for omitting the rape and slavery but it is SO fundamental to the Iliad. If you're not willing to handle it, either fully omit it or better yet set your Iliad inspired yaoi in an invented swords-and-sandals setting where you can have all your heartbreaking tragic doomed lovers plot beats and not have to clumsily write around the women they're brutalizing.

-The author didn't seem to know what to do with Thetis and she made her just like, Achilles bitch mother who spends most of the story trying to separate our Yaoi Boys (iirc her disguising Achilles as a girl and hiding him on Scyros is made to be more about getting him away from Patroclus than trying to save her son from his prophesied doom in the Trojan War) until she sees how much they loooove each other and I think helps Patroclus' spirit get to the afterlife or something in the end?

-This is more of a personal taste gripe but it has that writing style I loathe where the prose feels less like a story and more like an attempt to string together Deep Beautiful Hard Hitting Poetic Lines that will look great as excerpts on booktok (might predate booktok but same vibe). It's all very Pretty and Haunting and Deep but feels devoid of real substance.

I really like The Iliad and The Odyssey in of themselves. They're fascinating historical texts that give a window into how 8th century BC Greeks told their stories, saw their world, interpreted their ancestors, etc. And genuinely I think these texts have 'good' characters, there's a lot of complexity and humanity to it.

WRT the Iliad- all of the main Achaeans are pretty fascinating, the one singular part where Briseis Gets To Talk and laments her situation is great, Achilles fantasizing that all of the Trojans AND the Achaeans die so he and Patroclus alone can have the glory of conquering Troy (wild), Achilles asking to embrace Patroclus' shade and reaching out for him but it's immaterial (and the shade being sucked back underground with a 'squeak' (the squeak kinda gets me it's disturbing and sad)), Hecuba talking about wanting to tear out Achilles' liver and eat it in a (taboo, exceptioally pointed) expression of rage and grief for his mutilation of her son's corpse, just one tiny line where the enslaved women performing ritual wailing for their dead captors are described as using it as an outlet to 'grieve for their own troubles' is heartrending, etc. A lot of grappling with anger and grief and the inevitability of death, a lot of groundwork laid for characters that could be very interesting when expanded upon in the framework of a conventional novel.

And Song Of Achilles really doesn't do much with all that. I know a lot of my gripes here are kind of just "It's different from the Iliad", I would have thought of it as mostly mediocre and forgettable rather than infuriating if it wasn't a retelling (and I DEFINITELY have strong biases here). But I think the ways in which it is different are less just a product of a retelling (of course there's going to be omissions and differences) and more a complete and utter disinterest in vast majority of its own subject matter, to the book's detriment. I think a retelling has a point when it EXPANDS on the source, or provides a NEW ANGLE to the source. This book doesn't Really do either, it just shaves off the complexity of its source material, renders the characters into a really boring archetype of a gay relationship, and gives very little else. Its content boils down to a middling tragic romance that has been inserted into the hollowed out defleshed skeleton of the Iliad.

Bottom line: I definitely would not be as mad about it if I wasn't familiar with the source material but I think it's fair to expect a retelling to Engage with/expand on its source, and I also think it's weak purely on its own merits. This book was set up to disappoint Me specifically.

[punkeropercyjackson]

Related to my prev post:

I don't give two shits if Bruce is written like a bad dad if it means we get good writing for everybody else since i think minorities are more important than a white cishet male nepotism baby unlike his butch lesbian counterpart who's judaism is an actual fundamental part of her character and since he's been written as abusive so consistently over the years it's in-character anyway

Dick can be both bi/pan and demisexual and there's more evidence for the latter than the former so making him be sexually loose is aspec erasure and mspec stereotyping and he dosen't have a thing for redheads,he has a thing for black women and to me the only guy he seems to like romantically is Roy and that adds on to his demisexuality since they're childhood best friends

'Catholic guilt Jason' is a shit headcanon that misses the major and critical part of him being Red Hood that he didn't feel the slightest bit bad about killing people and the point of his redemption was learning remorse,afrolatino Jason isn't based on stereotyping but him filling out so many black and latino cultural aspects and if any hcs for him are stereotyping it's the one that he's a slut because he's a very handsome and hot and cute goth punk man

Tim is perfect the way he is and dosen't need power ups or to get 'punished' for the oh so horrible crime of being a realistic teenage boy,he's not JUST huge a loser or a super cool dude but both at once and it's bad writing and fetishistic to ignore his wide range of relathionships that consists of mostly of women to make him a 'guys guy'

Stephanie is heavily autistic and bpd-coded so she's far from a 'normie',much less an 'it girl' but people see blonde hair and blue eyes and throw away everything else about her because that's all she's worth to them or call her an abuser and a pick me just like they do irl bpdtistic women and she's also canonically pastel/indie punk and a Team Mom but gets her presentation switched to basic and made out to be a womanchild instead

Cass had a million times more moral conflict than Jason ever did,would never in her LIFE wanna be feminine even in the chinese way and would be butch in it instead,turning her scattered speech into sign language is ableist not unlike(but not on the same level as)changing Babs' type of wheelchair disability and she'd be a better Batman than any male character in existense

Duke is only a golden child in the sense he has a yellow motif and is as disruptive and authentically quirky as his siblings,We Are Robin is a better team than the canon Outlaws,his powers are cooler than any Al-Ghul ones you could come up with,he has more femme energy than Tim does and Carrie Kelley ain't shit and only gets brought back to replace him because DC is antiblack

Damian's introduction mentality was a result of not only child abuse but also psychological grooming to get him to dehumanize himself and all his bigoted comments are explained either by him being like 12 or his writers trying to demonize brown people and anybody who thinks he's a bad person is a super-sized pissbaby with no sympathy for kids of color,shipping him with Jon is making a bisexual man into a ped0phile and Jay is good even if aging Jon up wasn't and he should be friends with Maya,Suren,Nell,Colin,Kathy,Maps,Tai and Miles,Gwen,Peni,Pavitr,Hobie and Margo from Atsv and Nico and Hazel from Pjo instead of Billy Batson or Danny Fenton or ANY Mcu characters

Talia is super hot but should be drawn in accurate arab clothes instead 'sexy assasian gear'(not that these two can't co-exist but you get what i mean),her personality is extremely rich and her stories are mega interesting,she's a good mom to Damian and literally never 'took advantage of Jason' seeing as That Scene In Lost Days was decanonized by it's writer who said it was ooc for her on his part,she should've been a mom figure to Stephanie in her Robin Days too since they would get along and she deserved her own run where she takes over Lexcorp to transform it into a force for good and become Superfam-adjacent to free herself from having only male connections

[vladdyissues]

I started to think, The pompous pep of younger x older is usually hotter than the older x older, I mean, Danny 28 is not as hot as Danny 14???, I don't understand 😭, Does Vlad find him more attractive when he's little? ...oh it's just "damn, he's cute"

I think a lot of the appeal of younger Danny boils down to a) power imbalance and b) size difference.

A 28-year old Danny is presumably going to be a little bigger and more powerful, maybe not quite on par with Vlad, but enough to make the old man think twice about challenging him. And that's… kind of dull to me, honestly. (There are ways to make it interesting, don't get me wrong, but older Danny just lacks a certain zest.)

But let's examine the numbers, because I like numbers and examining them. On AO3, there are currently 953 works in the Vlad/Danny tag.

Of those works, 182 of them are warned for Underage. That comes out to about 19%.

So 81% of all pompep works are, presumably, older Danny and Vlad, or non-explicit underage romance*. On the surface, it looks like the fandom prefers older Danny to underage Danny. However, it's necessary to take into account Creator Chose Not To Use Archive Warnings (CNTW), which makes up nearly 39% of all Vlad/Danny works and means that there could be underage material but the author chose not to specify.

*The Underage warning only applies to descriptions and depictions of underage sexual activity. Kissing and vague references do not require to be warned for. See: AO3 Warnings FAQ

It's possible that up to 58% of all Vlad/Danny works on AO3 deal with an underage Danny in some form, but you'd have to go through each and every CNTW work to see which ones apply in order to get an accurate number. I don't know anyone who has that kind of time or energy, so I suppose we can only speculate for now. But the possibility of more than half of all Pompep works featuring teen Danny is intriguing. And even then, age does not always correlate with the power imbalance or size difference that many of us enjoy. Danny can be eighteen and still be small and inexperienced.

But back to the appeal of Teen Danny and Adult Vlad. There's a popular writing proverb: When constructing dialogue, it's more interesting to have characters disagree with each other rather than agree. It all boils down to conflict and stakes.

From WritePerfectly.com

Conflict is essential in dialogue. When characters disagree or face challenges, it creates tension. This tension keeps readers invested in the outcome of the conversation. Introducing stakes can elevate the importance of dialogue exchanges.

Friction and discord is generally exciting and compelling, thought provoking. How is this going to be resolved? Will the disagreement turn into a fight? Is one of them lying? Does one have knowledge that the other doesn't? It's the same uneven power distribution that we see in Enemies to Lovers. One of them is usually always getting the upper hand over the other, and isn't it satisfying when we finally see the winner suddenly completely undone by the loser, made weak by the realization that they love them? Or teaming up to defend them against an even bigger enemy? Pompep serves up all of these things.

And for everything else, there's

[tyrantisterror]

You seem to have been enjoying Baldur's Gate III a lot. Would you mind giving your thoughts on the individual companions? I'm just curious to see what your take on them is.

Yeah sure! The game's been rotting my brain for months now in part because of its character writing, so I can stand to gush about the companions a bit.

Before we get to the companions individually, I want to talk about them as a group, because one of the things that makes this game so impressive to me is its commitment to its core themes, and that extends to how the companions were crafted as a group. See, each of the core six companions have the following things in common:

The mindflayer tadpole that threatens to turn them into a monster against their will (i.e. the thing that gets them all together on a quest)

A personal history of being abused and exploited by someone they trusted

A Want that comes as a result of their personal history of abuse that is self destructive but understandable given their circumstances

A Need that comes as a result of their personal history of abuse that they have written off or ignored because their past makes them think fulfilling it is impossible

A point in their character arc where they will come into conflict with the player character if the player character tries to advocate for their Need over their Want. If the player values the Want over the Need, the relationship will initially go smoother, but end badly.

The overall theme of Baldur's Gate 3 can be loosely summed up in one of its major recurring songs, I Want to Live, and that's ultimately what each character's arc is a variation of: the desperate desire to live in a world that has been trying to kill your mind, body, and soul to the best of its ability. Got it? Cool, we can talk about the characters now that we've got this established.

Oh, and, uh, this game covers some... HEAVY themes, given that abuse is one of the common denominators between the companions. I'm going to try to be gentle in talking about it, but this will cover some of that subject matter, so this is your warning if you want to avoid that.

Companion 1: Astarion, My Bisexual Awakening

I'm going to start with the companion I feel is the most talked about/popular/overexposed I suppose, Astarion. I feel like anyone with even the vaguest knowledge of Baldur's Gate 3 probably recognizes Astarion at this point, even if it's just as "that annoying vampire twink I'm sick of seeing." There's already a growing "he's popular so he sucks" movement about Astarion here on tumblr and at the cesspool of hate known as Twitter, because of course there is, he's popular, ergo he must suck.

...

I think Astarion is one of the best written video game characters of all time.

There's this one great tumblr post that summarizes Astarion's role in the narrative really well, with the great punchline of "Astarion is kinda like if they sexualized gollum," which is not only funny but perfectly accurate. I can't really top that, so I'm just going to talk around some of its points a bit, but I highly recommend reading it yourself, it's more concise and well-thought out than whatever this ramble will be.

But, ok, so, "I Want to Live" is our theme, right? Astarion is dead. Dead to begin with, Marley style. He has been killed, at a young age, before his time. Sure, he was brought back to a sort of life, being a vampire and a member of the undead and all, but the life he knew is gone. All the pathos one can mine from being a vampire is played up here, for as Astarion himself notes, he's not even a full fledge vampire, but a vampire spawn - "All of the drawbacks, few of the perks." Worse, as a vampire spawn, he's magically bound to the will of the vampire that turned him - forced to live out his undead life as a slave to a sadistic monster that abused him in every way a person can be abused.

Which is why Astarion is the only companion who's entirely thankful for the mindflayers kidnapping him and implanting a tadpole in his head - because they broke that magic connection to his master, and gave him resistances to many of the stock vampire weaknesses to boot (hungry tadpole doesn't want its meat suit burning in the sun, after all). Astarion's life was so fucked that getting a brain-eating parasite was a unilateral improvement.

But while the magic connection is severed, the psychological affect of the abuse Astarion suffered lingers. His master made him use sex as a lure to bring victims to his lair, and so Astarion still believes that he has to offer people sex to "earn his keep" - that his body is a tool for others to use for their gratification, and if he refuses their desires he puts his life at peril. Astarion hates putting himself out to help other people not only because no one has done that for him during his long undead life, but because doing so puts his life at risk. Astarion is power hungry - his Want is to be as strong, no, stronger than his master, so that way he can never be afraid again. Astarion Wants to be a true vampire.

His need, however, is to find value in the life he has now. He needs people who love him for who he is, not what he can offer, and who will protect him the way he has needed protecting for hundreds of years. His need is to be shown that kindness isn't a weakness, that charity is possible, that power does not have to be gained through selfish and cruel means. You're shown this in the game's approval mechanic - while Astarion will disapprove of you putting yourself out on a limb for others and revealing sensitive information freely, he has a soft spot for whenever you help someone who, like him, is being exploited. Because while he'll protest otherwise, Astarion wants to believe kindness is possible, and that the horrible things he's suffered don't define him. Astarion may believe he's just a tool to serve others' desires, but that doesn't mean he doesn't wish to be more than that.

And I know the cynics among you are like "Oh, ok, so the cute vampire twink has a ludicrously tragic backstory. How is that original or good writing?" Because that's the thing, right? If there's an effeminate, brooding bad boy character that lots of teenage girls like in a piece of media, it HAS to be shallow wangst at its core. Every tumblr sexyman is just Edward Cullen when you cut past the bullshit, right?

Like, I know I'm not going to convince the "Thing popular so thing bad" crowd on Astarion's quality no matter how many words I write, but, like, there is a reason for the hype. Dude's got fucking layers! The different interactions with him you can have, the dimensions you can bring out of him by how you choose to engage with him, all paint this great tapestry of a character who takes the concept of a vampire and explores it to a depth few pieces of media have every plunged to.

And he's fucking funny! Dude's got some of the best lines in the game, and his voice actor didn't just give him a sexy sultry voice, but, like, shades of Tim Curry that make him endearingly weird and goofy and witty as hell while still being very sexy.

And yes, he's a sexy vampire, that's a big point in his favor and what most people are dwelling on. And I'm standing by the sexy part - listen, for the past few years I've been kind of wrestling with whether or not I'm bisexual, and the question was laid to rest the first time this fucker flirted with me in game. My heart raced, my cheeks flushed, I reflexively giggled and went "Whoo!" like a Southern Belle in need of a feinting couch. Every time he's flirted with me since has given me the fucking vapors. Thank you, Astarion, I'm bi for sure now. you solved that fucking riddle pretty decisively.

Let's move on.

Companion 2: Shadowheart, A Fellow Lapsed Catholic

Shadowheart is a bundle of contradictions. She's got some of the best quips and quickest wits in the game, and she's also a huge fucking dork. She is oozing with confidence about the role she's been assigned to play and is incredibly assertive in group social situations, but on her own she's a mess of insecurities and is constantly plagued with doubts about her worth. She's constantly preaching about the need to be pragmatic and self-focused, but loves it whenever you are kind and generous. Depending on your choices during the tutorial level, she can become the first ride-or-die party member you get, and she's also a miserable pile of secrets who is terrified of you discovering what she really is.

See, Shadowheart is a cleric of Shar, the Goddess of Darkness, which is both in a literal and figurative sense - that is, Shar is the goddess of night and the absence of light, but, like, also the goddess of loss, and sorrow, and hopelessness, and secrets, and lies. The Goddess of Gaslight Gatekeep Girlboss, basically. Being raised to follow the goddess has plagues Shadowheart with guilt over the secrets she's had to keep, the cruelties she's had to inflict, and the distance she's kept from all people in her life as a result of the church's creed. If you're a nerd who comes into this game knowing who Shar is, you'd probably be immediately suspicious of Shadowheart when you find out her alleigance, because Shar's basically one of the more prominent evil gods whose followers are always fucking things up for everyone.

However, I did not come into this game knowing that, but I did come into it knowing what's it's like to be raised in a religion that teaches you that many of your natural desires for companionship are wrong and to feel guilt and paranoia over how your every action will be judged, for like Shadowheart, I am also a Catholic.

Shadowheart's Want is to become a Dark Justiciar, which is basically the Sharran equivalent of the Spanish Inquisition, and to fully prove her devotion to Shar's will. The way she talks about Shar is so thickly coded with the way children of abusive parents talk about said parents that's it's legitimately frightening to witness at times. Shadowheart doesn't blame Shar for hurting her, she knows it's her fault for disappointing Shar in the first place.

Shadowheart's Need is to leave the fucking Catholic church. Depending on your choices, she can accomplish this with the help of two moon-worshipping lesbians, at which point she dyes her hair a color that would piss off her parents Shar and proceeds to indulge in a somewhat hedonistic rebellion of self actualization that only a lapsed Catholic can fully comprehend. I love her.

Companion 3: Lae'Zel, The World's Most Loyal Toad

Ok, so, brief tangent: one of my favorite games of all time is Dragon Age Origins, and it is one of my favorite games of all time in part because it has Morrigan, one of the best characters in all of fantasy fiction, fuck you fight me. Morrigan is a divisive character in the DA fandom because she is notoriously hard to please if you're trying to be a good person - it was so prominent a criticism, in fact, that "Morrigan Disapproves" was put on a fucking t-shirt to play on/monetize the controversy.

But, see, the thing about Morrigan is that she's 1. incredibly complex and 2. designed to challenge your worldview, and to be challenged in turn. Morrigan isn't just an evil bitch, she has a genuine philosophy for why she behaves as coldly as she does, which in part stems from her awful upbringing by her cruel, selfish hermit mother who was trying to shelter her from an even crueller world that would see her in chains just for being a witch. Morrigan has been taught that love is a weakness others will exploit, that kindness is folly, and that everyone is out for themselves. And you need to contradict her on that - getting to know her inevitably involves fighting her on this point, and you proving to her that the cruelty she's been taught is wrong. If you are willing to listen, to argue, to truly understand this character, she grows because of you. It makes her character arc so fucking satisfying, when you get to the end of the game and she realizes that she does love you, she does want to be kind, and that even though she now feels more accutely than ever how love has made her weak, she can't be without it. It's so fucking good.

I bring Morrigan up because almost all the companions in Baldur's Gate 3 are on her level, in part because they are designed like her - to challenge you and be challenged in turn. And none of the core six are more like her than Lae'zel.

Which, sadly, includes the fan backlash part. A lot of fans of the game hate Lae'zel - she's too mean, they say, too hostile, to proud of her strange and callous worldview, too critical of our normal and kind outlook, too difficult to relate to.

These people are cowards.

If Shadowheart is Catholic, then Lae'zel is, like, Christian Reformed. A fundie. She's been training at Githyanki Bible Camp for years to be her lichqueen's perfectly loyal soldier, only to run into this minor snag of being kidnapped by Mindflayers, the ancestral enemies of her people, and infected with a tadpole that will turn her into one of them, the Worst Fate that can become a Githyanki. Luckily, she's read all of her people's Chick Tracts, and knows that if she can get to one of the Githyanki creches, they can use their special machine to pray the tadpole out of her brain and save her.

Lae'zel has drunk the metaphorical kool-aid of her people, but only to a point. See, Githyankis are viciously racist, but Lae'zel is REALLY quick to accept you and most of the other companions (not Shadowheart, though, as like a true Fundie, she cannot stand a Catholic) despite them not being Giths like herself. Yeah, she'll preen and posture about the superiority of her kind a bit, but she sides with you within seconds of meeting you, and from that point on she is ride or die until you give her a good reason to think otherwise. Lae'zel can be mean, stubborn, and arrogant, but she is above all else loyal.

Her Want is to be a perfect Githyanki warrior, earning the respect of her queen and serving her endlessly in the Astral Plane. Of course, when you actually get to that creche she's pointing you towards early in the game, this all falls apart on her, because just like Fundamentalist Christianity, Githyanki culture is little more than a sham designed to uphold an evil and exploitative power structure where the rich drain the life and resources of everyone beneath them and declare it the will of the divine. In this case, that "drain the life" part is explicitly literal, as the Githyanki queen literally devours the life force of any gith that gets even a bit close to rivaling her in power. If Lae'zel tries to follow her dream, it will end with her queen eating her soul.

Lae'zel's Need is to not only break out of her culture's indoctrination, but to find a way to make her life worthwhile on her own terms. It's heartbreaking to witness, honestly, because unlike the other core companions, Lae'zel has no idea what a life outside of her Want looks like. What is she without serving her queen? What the hell does she want? If you've been taught God your queen is all that is good, then how the fuck you you figure out what good is when you realize she's actually evil?

And while she goes through this seriously traumatic existential crisis, she finds the energy to be invested in the struggles of you and your companions. When the other characters are going through The Shit in their respective arcs, Lae'zel is always quick to note that she thinks they are strong and deserve more than they're getting - even Shadowheart, that fucking Catholic!

Because the first word you'd ever use to describe Lae'zel, the one that most succinctly captures who she is, is LOYAL. She fucking rocks, I love her.

Companion 4: Wyll, The Unjustly Underrated

Almost no one talks about Wyll and it fucking sucks, man. I mean, we all know why (it starts with a Ra and ends in a Cism), but still it fucking blows dude. And yes, I include myself in this, anyone who's followed my blog can tell that Wyll's not the companion I fixate on the most.

But listen, I promise you, if the game let me take along four companions instead of three, Wyll... would be competing with Lae'zel for spot #4, and Lae'zel might win out because she's an angry girl, but... fuck I'm losing the plot.

Wyll is great though! He's severely underrated! He's one of the nicest companions you'll get, first of all, but he's not just a nice guy. Everyone's got layers in this, right? Wyll is nice, but he's also a bit arrogant - a glory hound, really. He's the only companion who's given himself a superhero name, and he routinely uses it. Dude wants to be fuckin' Batman so bad, it's wonderful.

He's also the most actively fucked member of the party. Everyone's got abusers in their past, but Wyll's is the only one who's followed him to your camp. Mizora, the devil he sold his soul too, frequently shows up to give him shitty tasks and shittier punishments, and is one of the most hateful fucking characters I have ever encountered in my life. Like, to put this in perspective: if you know me, you know that I have certain... preferences... when it comes to women. So if there was, say, a demon lady character who's also a bit of a dominatrix, and I fucking hated her guts, you'd probably be a bit surprised given, you know, my preferences.

But the way Mizora treats Wyll? The way she talks about him and to him? It's fucking heinous. She's not fun evil, she's evil evil, and she's got to fucking go.

It kind of reframes Wyll's kindness and cockiness as you experience it, because beneath the showy acts of heroism and the bluster, Wyll is a sad little dog in a burning apartment telling himself "this is fine!" over and over again.

Wyll's Want is to be a hero and make the sacrifice of his soul worth something. He has accepted that there is no redemption for himself, that Mizora preying upon his vulnerability in the past is something he can never recover from, that he cannot be free of her chains, and only hopes to use what time he has to do some good, even if it inevitably comes at the cost of his life.

His Need is to break out of Mizora's control, to wrest his fate back into his own hands, and to prove what has always been true: that he IS the hero he's selling himself as. It's a real Rango arc if you think about it.

Companion 5: Gale, The Friend With the Messiest Fucking Love Life You've Ever Heard Of Goddamn

Gale... kind of breaks the companion formula, a little bit? Like, for the other five core companions, there is a clear-cut situation where they were abused and exploited by an asshole - Shar exploited Shadowheart, Cazador the master vampire exploited Astarion, Mizora exploits Wyll, etc. Gale's fucked up traumatic relationship is a bit... messier, and harder to untangle, because by his own admission, he was not blameless in it.

Gale is a wizard, and like all good wizards in fiction, he's a bit of a mad scientist. He was so good at wizarding, in fact, that the goddess of magic itself, Mystra, reached out to him, and eventually the two had a little romance. Now, fans have gone back and forth interpreting this, with some saying that Mystra was grooming Gale from childhood and thus is as bad as Cazador/Shar/Mizora/et cetera. I feel that's kind of a bad faith reading of the character, one that's actively ignoring the concept of what an ageless immortal goddess is to try and fit it into a human context.

For nerds who know about the setting, Mystra is NOT an evil goddess like Shar. In fact, she's kind of a vitally important goddess to have around, as Magic is such an integral part of the reality of this setting that not having a god of some sort for it results in an fucking extinction event - which the characters in the game know for a fact because at one point in the past, a mortal wizard killed Mystra and made that extinction event happen. Mystra reformed, as gods do, and eventually things got back to more or less normal, but that doesn't do much for the shitload of people and creatures that died during the period of time where magic was dead.

And that's what ends up souring Gale and Mystra's relationship. Gale, being mortal, felt he had to prove he was Mystra's equal, and so set out to find a source of magical power not unlike that used by the wizard in the past who killed Mystra. And when Mystra saw Gale doing that, she freaked the fuck out because she thought she was going to get killed again - because the wizard who slew her in the past ALSO felt he needed to prove he was equal to a goddess.

Neither character takes the breakup well. Gale feels like fucking shit because he fumbled a literal goddess, and also got a piece of super destructive magic lodged in his chest in the process that's slowly killing him. And Mystra is worried that the super powerful piece of magic lodged in Gale's chest could kill her, and also about the cult using a very similar piece of magic (it's a big plot point for the game I won't go into it this is already too long), and so, in an act of cruel godly pragmatism, she sends D&D Gandalf to tell Gale to use his the magic murder ball in his chest to kill the cult, even though it'll destroy him in the process. "Hi sweetie, please kill yourself on my behalf, k thanx!" basically.

It's... it's a mess.

Gale's Want is to prove he is Mystra's equal by mastering the ancient magic he's found, and either win her back or, better yet, become a god himself and dethrone her. As I said, he's got a bit of a mad scientist in him.

Gale's Need is to move on from this relationship, talk things out with his ex, give her her dvds the ancient magic artifacts back, and move on with his life.

I like Gale. He's got funny lines, he loves his cat, he's a goofy nerd, and while his love life is a mess, his heart is mostly in the right place. He needs some nudges to do the right thing, but he's a good guy deep down, and I always love it when fiction shows a relationship that falls apart not because one person in it was "bad," but because the two people were just not compatible. Yeah, Gale fucked up, but you can understand why he fucked up, and he can understand it too if you help him own up to his mistakes and move forward. Also, he loves his cat, he can't be all bad.

Companion 6: Karlach, the Most Beautiful Woman I've Ever Seen

Karlach is my favorite companion in this game, which is why I saved her for (sort of) last. And, yes, sure, part of it is because of my aforementioned preferences with women...

she's so goddamn pretty

But it's also because of how she plays with those core themes I've mentioned. Karlach was sold into slavery as a teenager, where her devil master ripped out her heart and replaced it with an engine to turn her into a super-strong gladiator. She's been living in literal Hell for years, fighting every day to survive, and like Astarion she actually views being kidnapped by Mindflayers as a godsend since it freed her from her enslavement.

Unlike Astarion, Karlach doesn't have a long life to look forward to. That engine in her chest can't work properly outside of Hell, and it will eventually break, overheat, and melt her from the inside out. Karlach is the only companion who knows she's going to die soon whether or not the tadpole is taken out - no matter how this adventure ends, she will die.

At least, that's what she's told herself. Karlach's Want is to never return to Literal Hell, no matter what, because she's afraid if she does she will be taken as a slave again, and that there is no hope for a good life if she touches foot on that ground again. Following this want means she WILL die - either by the engine, by her enemies in the mortal plane, or by turning into a mind flayer (because while mind flayers can retain their hosts' memories, they are NOT the same being as their host).

And Karlach is convinced she's ok with this! No, really, she's fine! This is fine! She's got a few days left to live, and she's going to enjoy them! She is unfailingly kind and compassionate, always willing to help others, always cheery and taking the best view of her friends and people in need, a ray of fucking sunshine.

And beneath it all she's terrified and sad. When you get towards the end of the game, and Karlach feels how close the Inevitable End is, she reaches a breaking point where that happy facade snaps and it's... it's gut wrenching, man. It breaks your fucking heart, because as much as she's determined not to risk setting foot in Literal Hell ever again, she really doesn't want to die.

...

Karlach's Need is to go back to Literal Hell long enough to get that engine replaced. Her Need is to find hope, TRUE hope, not just a facade of optimism - a true belief that she can face the worst and come out of it ok, that she can survive, that she is not alone in facing the darkest shit this world can throw at her. Her Need is to find the strength to believe that she can live, even if it's hard, even if it's Hell to get there.

And Karlach is worth it. She is worth Hell.

Companions 7 - 10 Speedrun

I don't have as much to say about the four other companions you can get in the game, mainly because I already love these six so much that trying to take time to get to know four other weirdos who I don't get to recruit until halfway through the game just... like, there's a party limit of four characters and one is me, I can only take three of you along at a time, I'm prioritizing the one's who've been with me since all the goblin shit in Act 1, feel me? The rest of you seem real neat but I've got my nakama all set, we're good.

Halsin is the one I know the most of these four because he helped me at the tail end of the goblin stuff and he seems fine. He's a big nice hippie who turns into a bear and is into polygamy and carving wooden ducks. A lot of people thirst for him, but he's not my type - like I get the appeal but this is a case of Not My Favorite Pennywise Hentai But OK as far as I'm concerned. I like his subplot about restoring balance to the cursed forest, though. Felt like teaming up with Smokey the Bear.

Minthara is the companion that used to require you to kill a shitload of innocent people to recruit, but people found weird work-arounds that involved turning her into a sheep and so the developers sighed and released a patch where you could recruit her without mass murder using only slightly cheesey means. She is Genuinely Evil, but in a complicated way that's still fun from a character perspective. She's also a great comically serious character - i.e. someone who's so serious all the time that they end up being incredibly funny on accident just by their muted reactions to all the weirdness around them. From the clip compilations I've watched on youtube, her romance is basically a Lady Macbeth situation, and that's pretty hot. If it weren't for Karlach, I'd... romance Astarion, but if it weren't for Astarion, I'd... romance Shadowheart, but if it weren't for Shadowheart, I'd... romance Lae'zel, but if it weren't for Lae'zel, I might romance Minthara. Or Wyll. One of the two.

Jaheira is a character from one of the previous Baldur's Gate games, neither of which I've played, so I had no preconceptions or attachments to her going in this game. She basically becomes your surrogate mom as the game goes along, and I mean that as a compliment. She's pretty great and fills a nice emotional niche - I didn't use her that much because, again, I've already got six close friends to rotate out, I'm not going to ditch them for long periods of time to hang out with my MOM, but it was nice having her along for the ride a few times.

Minsc is the OTHER returning character from the previous games, and from what I can tell he's basicall Kronk from The Emperor's New Groove but with a funny accent. I like him, he's fun comic relief, and he throws a hamster at people while telling it to eat their eyes. I don't have a lot to say on Minsc, I just think he's neat.

At some point I might do a followup to this gushing about NPCs from the game, because goddamn the supporting cast is great too. Omeluum, Us, the Emperor, fucking Dame Aylin. Dame Aylin is so goddamn fucking cool, I want to read novels about her adventures, she rocks so hard. All glory to the Nightsong!

[antianakin]

@theneutralmime

I think my personal view on Padme is that she was introduced as a really interesting character who then sort-of got swallowed by the romance and Anakin's story taking more and more precedence over her own development. Lucas said a few times that TPM is, in many ways, Padme's story more than anybody else's. Which is cool, but it means that when she sort-of disappears into being nothing more than a catalyst for Anakin's fall and Luke/Leia's incubator, it feels a little strange and jarring. The Padme of ROTS no longer feels like the interesting character we had in TPM. Even in AOTC, most of her interesting character development scenes (like meeting her family, her speech about the war, even just the extended arrival on Naboo where she talks about how she set aside her dreams of a family to continue a career of service) got cut in favor of (presumably) focusing more on the romance and how that affects Anakin.

Padme is someone who got introduced in TPM as a person who wanted to avoid violence as much as possible, she tends to play things safe because she believes it's the better political choice to make, but by the end of the movie she's learned that sometimes she just has to trust her instincts and do what she believes is right (this is the whole point of her being on Tatooine with Qui-Gon and seeing him insist on continuing with the podrace idea and the way this works out for him leading to Padme then choosing to approach the Gungans for aid in taking her planet back by force, a plan NOBODY ELSE believes in but her). So they take Padme on this journey where she becomes someone who trust herself and her instincts above anyone else, but who also deeply cares about doing the right thing to help the most people which is why she's in politics at all.

When we get to AOTC, she's continued that into her senator years and apparently only gotten even more reckless with age. But when her feelings for Anakin come into conflict with what she knows to be her duty, she has to make a choice. Does she "follow her instincts" and do what she wants, or does she continue to make that sacrifice because it's the right thing to do? And in the end, she makes the selfish choice.

My problem with what happens in AOTC is two fold. For one, I don't think it does NEARLY enough to convince me about why Padme likes Anakin enough to throw away her morals for him. The overall journey Padme is taking in this film I think is fine, but I don't think the chemistry between them works and I think the romance has aged like milk, which leaves me just kind-of wondering why Padme would risk SO MUCH for... a dude who can't even be considerate enough to respect her boundaries and who she believes makes jokes about fascism and dictatorships (or more accurately, who she has to CONVINCE HERSELF would make jokes about fascism and dictatorship so that she doesn't have to come up against the much more uncomfortable truth that it's not a joke to him at all). Anakin is creepy, insensitive, and sometimes almost unkind to Padme all throughout AOTC, when I THINK he's intended to come off as awkward but charming, enough to make Padme feel sort-of "young again" (I know she's only 24 in this movie, but she hasn't allowed herself to really ACT young for probably about 10 years) in a way that sweeps her off her feet a little. The romance doesn't work, it just doesn't, and I think a LOT of people would agree with me that it doesn't work even if we might not all agree on why that is. The editing isn't good, the dialogue is clunky, the chemistry is practically nonexistent. So when Padme makes her big declaration about how she loves him so much and then marries him, I find it hard to believe, and that is a problem for the rest of the narrative of the Prequel Trilogy.

The other problem I have with AOTC is that Padme is told to us to be a very MORAL person, someone who believes very deeply in doing the right thing and gets righteously upset at people being mistreated. She's someone who ends up seeing Jar Jar more kindly than almost anyone else and is capable of extending that experience with him to the rest of his people enough that she goes to make a deal with them that allows the Gungans better representation and treatment. She gets upset when she realizes slavery still exists on Tatooine and always treats Anakin and Shmi very kindly. She is incredibly upset by the possibility that her people on Naboo could be suffering and dying at the hands of the Trade Federation, enough that she ultimately decides to leave the Senate behind and find her own solution. She barely is willing to leave Coruscant in AOTC for her own protection because she doesn't want to leave before the big vote about whether they're going to go to war against the Separatists or not. And so I have a hard time reconciling that person with the person in AOTC who hears Anakin advocate for a dictatorship and chooses to laugh it off, or the person who hears Anakin say he murdered an entire village of Tuskens and not only chooses to COMFORT HIM about it, but basically CONDONES what he's done by saying it's only human, and then MARRIES HIM. The moral Padme who cares deeply about people seems incongruous with the one who falls in love with and marries Anakin. Fewer people might agree with me on this one since it requires being critical of Anakin, but I think there'd still be a solid group of people who'd agree that this just doesn't seem to match up.

So by the time those two things come together, that interesting journey of this person who wanted to avoid violence as much as possible but had to learn to follow her instincts if she wanted to get anything done starting to give in to selfish desires because she's sacrificed most of her life to serving her people kind-of... disappears. Because I don't understand why she even HAS desires for Anakin, selfish or otherwise, and loving Anakin by the end of AOTC requires her to be so immoral that it feels out of character for her. I don't think the romance INHERENTLY ruined Padme's character at all, but I do think it was mishandled and ended up causing some unfortunate implications about her with the contradictions that exist due to it being a badly written romance.

I like that Padme is, in some ways, almost equally as selfish as Anakin is. She's giving up her morals to marry him just like she is, her job makes this relationship just as forbidden as his does (more so almost, since the Jedi clearly KNOW about the relationship to some degree and don't do anything to actually break them up until Clovis happens and Obi-Wan feels the need to step in a little more and even with THAT they clearly are still aware of the relationship having continued and don't do anything about it, while Padme believes that if the Queen found out about her pregnancy in ROTS that she wouldn't be allowed to serve on the Senate). I like the idea of Padme paralleling Anakin in this, that she starts off such a moral person and that it isn't Anakin himself who causes her to start veering towards selfishness, but the invasion of Naboo and the corruption of the Senate leaving her feeling like she has no choice but to do what SHE believes to be right. And she IS right in that instance, but the implication we get in AOTC is that she's kind-of gotten... worse since then. She follows her instincts no matter what and it leads her to reckless places, up to and including a marriage to a Jedi that is forbidden to her. I even like that Padme is SO selfishly invested in this relationship that she's willing to lie to Obi-Wan to protect Anakin from committing a genocide and then begging him to run away with her so he can escape justice rather than facing the possibility that this is WHO HE IS and she's just been able to ignore it up until now.

I actually like that and think that that's interesting as a character, this... devolution that she has throughout the trilogy in parallel to Anakin and the Senate themselves. She's an immensely flawed person and her connections to the other narratives about how good things go bad can't be a coincidence.

But what sucks is that, over time, Padme has kind-of ended up getting interpreted as this person who was above those kinds of flaws, who wasn't selfish, who WOULD put her duty over her desires. People see Padme as this person who did everything RIGHT and just ended up an unfortunate tragic victim of it like the Jedi when that just... isn't true. And I think it's a reaction to how contradictory Padme's actions (especially in AOTC) seem to be to her character from TPM to just defend her as being RIGHT to be in a relationship with the person she loved despite the reasons for it being forbidden, as being RIGHT to defend Anakin against Obi-Wan's accusations in ROTS, as being RIGHT to prioritize Anakin's comfort instead of condemning what he did to the Tuskens in AOTC. But it misses that Padme isn't just the catalyst for Anakin's choices, she's not just this perfect thing he couldn't live without, she's someone who ENABLED those choices by being selfish herself. She's ALSO someone who started off with such good intentions, such lofty ideals, and was brought low by greed and selfishness and an unwillingness to be mindful about herself and her own desires. Padme might not have ultimately caused a genocide as a result of her selfishness, but it doesn't mean she WASN'T selfish in her choices and that her selfishness helped lead Anakin down a bad path just as much as Palpatine's machinations did. Anakin's choices are obviously still his own and not Padme's FAULT, but I find it frustrating when people try to exonerate Padme of all responsibility for what ultimately happened and pretend like she never did anything wrong in this story, that her love was pure and selfless and free of any attachment.

So on paper, I LIKE Padme's arc and I find it fascinating and the romance is necessary for that arc, but I do think the romance part of it was mishandled badly to the point that it makes Padme feel contradictory and incomplete and underdeveloped. Like if I'm supposed to believe Padme is willing to set aside jokes about dictatorship and the massacre of an entire village of Tuskens when I've been repeatedly told that she's a moral person who cares about humanitarian issues above anything else, I need more than just "this pretty boy is kinda dorky and sweet sometimes." I need know what would DRIVE her to pursue a relationship she knows is forbidden for a reason with a man who is pretty clearly unstable and almost dangerously obsessed with her. What insecurity is making a relationship with Anakin seem so immensely compelling to her, let alone a MARRIAGE.

So either I think the romance needed to be a little more... romantic and eliminate the things like the jokes about dictatorships and the Tusken massacre so Padme doesn't seem like a complete idiot who believes it's okay to murder people so long as those people are Tuskens, or Padme needed to be more explicitly someone who was a little corrupt herself so that Padme being okay with murdering Tuskens and jokes about dictatorship doesn't feel so out of character for her. Or both, maybe a little of both. She's corrupt enough to enter into a relationship with someone she knows she shouldn't without giving up her position as a senator because it's what gives her power, but she's not SO corrupt that murder of an entire village down to the last child is okay so perhaps leave that bit out.

Padme is a character I REALLY loved as a kid when I first watched the Prequels (which were the first Star Wars films I EVER saw) and so I still really like her generally due to pure nostalgia, but my feelings on her have gotten far more complex as I think about her and her narrative more critically.

Ahsoka I think works fine right up until you get to the Ahsoka show where she's just blatantly and wildly out of character and completely flat at the same time. There's things I wish were done a little differently in TCW for my own personal taste, but I think that generally the idea of Ahsoka as someone who only really knew Anakin through the context of war and as a child actually does work. Some of his more violent outbursts can be more easily explained away through the context of the situation as well as a child's sort-of more naive outlook on the adults around them. Ahsoka also never sees him do anything as heinous as the Tusken massacre or make jokes about dictatorships (at least none that I can remember), so unlike Padme, she's not ever blatantly ignoring anything that should be a massive fucking red flag. Well, there's the abusive training from TOTJ, if we choose to consider that canon, which I think Filoni was technically on the fence about. But even that is something that seems to not cause any long-term damage and that Anakin tells her is for her own protection, so it's easier to set aside perhaps than the massacre of an entire village down to the last child.

What makes the Ahsoka show frustrating is that it doesn't ALLOW HER to have an adult perspective on it where she looks back and sees all of the things her child self wouldn't have been able to notice. She never looks back and sees the outbursts of violence or some of his more unorthodox comments about the Jedi as the warning signals that they were. She elects instead to IGNORE everything that he's done in order to double down on the opinion she'd held as a child (and that she'd been able to KEEP up until Malachor) that Anakin was a genuinely good person overall rather than acknowledging that while Anakin had good MOMENTS, he was in fact a bad person and a bad teacher, and she can only move forward if she LETS HIM GO. Ahsoka deserved that and now she'll never get it and it sucks.

Obi-Wan I sort-of disagree with you on in that I don't think Obi-Wan's ever BLIND to his faults. I think this is part of a major misconception of his character that a lot of people seem to share. But Obi-Wan spends like all of AOTC being VERY aware of Anakin's faults and has to figure out how to let go of his worries in order to have faith that Anakin has learned enough to fix and learn from his own mistakes. So by ROTS, it's not that he's blind to Anakin's faults at all, he's just chosen to have faith that even when Anakin stumbles, he'll always pick himself back up again. We see this most evidently in his reaction to Anakin's temper tantrum in the Council chambers about not being made a master where he's clearly disappointed in Anakin's behavior, but he later tells Anakin that despite that, he's still ON HIS SIDE and tries to give Anakin guidance on the situation. He takes Anakin's apology later as a sign that Anakin is sort-of figuring things out a little more, but he is uh. Wrong. Anakin's apology is sort-of half-assed AT BEST, but I can see where Obi-Wan would at least see it as good first step in the right direction. But I don't see Obi-Wan's faith in this film (or in TCW) as a flaw or a blindness because he cares too much about Anakin. It's his STRENGTH. Much like the Jedi themselves, just because his faith was betrayed and misplaced doesn't mean that he was wrong to decide to have faith in the first place. It was STILL the right, healthy choice to make.

The guilt we see him have in the Kenobi show is more a product of the uncertainty surrounding why Anakin did what he did than it is about Obi-Wan caring too much about Anakin to handle what he did. I think if Obi-Wan had KNOWN about Palpatine, and Padme, and the visions, and how all of those things came together, he might've had an easier time of it. But he knows VERY VERY LITTLE about why Anakin is making the choices he's making, and in that uncertainty, the easiest thing to do is blame HIMSELF. Especially since, at the beginning of the show, he believes Anakin to be dead. In some ways, it might feel easier to blame himself than it is to blame Anakin or even Palpatine. And this ISN'T healthy, but I don't think it's necessarily a problem because he blinds himself to Anakin's faults. His journey at the end is about accepting that he may NEVER know why Anakin did what he did, that there might not have BEEN anything he could've done differently or better to cause a different outcome, and that there is likely nothing he CAN DO to keep Luke and Leia from going down the same path. All he can do is have faith again, faith that he did the right thing by giving Luke and Leia to the Larses and Organas, faith that the Larses and Organas will raise Luke and Leia well, faith that Luke and Leia will not be like Anakin and repeat his mistakes.

Rex is definitely just a product of not knowing the truth. I imagine he'd have a LOT less positive gushy things to say about Anakin if he knew Anakin was the one who betrayed them all and became Darth Vader. I'm STILL waiting for someone to show us Rex's reaction to that because I would maybe DIE to see Rex react to finally discovering that particular truth. With what we do have though, I think Rex is mostly come to peace with what's happened to him. I don't think it's that he's choosing to ignore the things that hurt so much as that he's gotten himself to a place where he CAN just... let himself remember good moments with people he'd cared about. The end of it sucked and there were moments in the middle that sucked, too, but there are still a lot of good memories acquired during the war, good people he'd met, good lessons learned. Rex seems like he's in a pretty healthy place by Rebels, having had to live with the truth about the chips for a while and do what he can to live his life as happily as possible with what's left of his family. He can't do anything to change what happened, so he's let it go. He obviously does still have some PTSD from the war, that's always going to be true, but he genuinely seems like one of the most healthy characters in Rebels despite how shit his life has been.

[bonaesperanza]

More random Captive Prince thoughts, because I feel like being a sadist to all of my mutuals these books are living rent-free in my head right now. These ones are more about the plot and the worldbuilding.

Worldbuilding-wise, I loved the attention to detail, because as far as I could tell all the little details of how a medieval-ish army functions and how you would run it and what you would do with the horses and the supplies and the roads etc. etc. were pretty accurate. I mean, these books are by no means a treatise on warfare (in fact they can be delightfully pulpy, which I liked - I grew up on The Three Musketeers and the Scarlet Pimpernell and similar swashbuckling novels, and I got some of the same feelings here!), but there were details in there that most other authors don't bother to put in or inadvertently fuck up (I love ASOIAF to death but historically accurate it is not), and most of the military stuff seemed plausible enough as well, though again not described in too much detail so you can fill it in with your own assumptions or skim over if it's not something that particularly interests you. And I also loved the architectural details and could imagine everything quite well, but again, as I said previously, this may be because the author spent some time living near where I live so we've seen a lot of the same stuff probably.

Actually when I was first reading it and thinking it was going to be bad I was reading it exclusively for the architectural details lol, I was like yeah, yeah, they're all sucking each other off, but Damen please tell me again how you feel about the tiling?

What I also particularly liked is how the... scale of the conflict I guess? was refreshingly accurate for the "historical period".

The worldbuilding is a mashup of Ancient Greece and medieval France, but what it really felt like to me is a world where the Roman Empire never really consolidated to the extent that it did in our world and Italy went on into the middle ages (because these are decidedly feudal systems) with Cisalpine Gaul having the, well, Gallic culture, while the South had a Greek one. I may be thinking this because I live in Italy and so everything reminds me of Italy, but once I thought of it I couldn't unsee it.

I guess I gotta put in a cut somewhere and now's as good of a time as any?

But anyway, back to the scale of the conflict, the actual middle ages were filled with small and mid-sized countries, and petty local conflicts with family members turning onto each other over succession and stuff, and random small territories going back and forth (well, that's just Europe in general, always, TBH), and this is how it all felt like to me. Actual medieval history has a guy who started a rebellion because his brothers threw a pisspot at him and his father did nothing about it and he felt humiliated, and the war was secretly funded by his mother, so the combination of the small scale with a random local conflict that probably literally nobody cares about outside of the region we are in + everything being so intensely driven by interpersonal drama between insane people felt really authentic to me, like the kind of weird historical moment that would get turned into a funny Tumblr post. And of course the royals did a lot more sneaking around than was probably smart, but I can forgive that for the swashbuckling vibes and also because if Cleopatra could sneak into a palace in a carpet these guys can do whatever they want in my book.

Speaking of the petty interpersonal drama, I also liked the emphasis on how in this system personal reputation and the performance of kingship are king. Usually when you have a heavily political story it's much more based on the quid-pro-quo, "rational actor" kind of politics, but medieval politics also had a lot more going on in the cultural sense (and so do modern politics actually but at least pretending to be a "rational actor" IS the modern performance of leadership), and here you had people dealing political blows through meticulous management of their own and others' political reputations, which was fun to see, especially in combination with so many manipulative bastard characters. Like, how Laurent is manipulated into going to the border just because looking like a coward will lose him more political points than he can afford, and Damen's continued wearing of the slave cuff and instistence on not being served by slaves initially deals massive blows to his reputation, because these are cultures that value heroism, of one sort or another.

(And speaking of heroism, the emphasis on the physical activity-related activities that are the centerpiece of noble life in both countries were wonderful, especially since because both Ancient Greece and the European Middle Ages were really into that in their respective ways and it makes the mashup feel really well-done and coherent in how she tied it together.)

What's notable is a lack of any kind of religion, which felt particularly glaring during the whole Kingsmeet thing - in the real world there would likely be a belief in some kinda curse from the Gods or something similar to discourage the drawing of weapons, but since I'm not really religious and tend not to personally care about religion (while ofc recognizing its anthropological importance) I really didn't care and it didn't diminish my enjoyment of the series.

Still, I do have to say that the ending of the last book felt reeeeaally rushed, and that felt really glaring exactly because the rest of the series had such amazing detail work and excellent pacing and very gradual plot development.

I didn't get the part with the doctor and the letter (why didn't he say anything earlier? how would they verify the authenticity of the letter? Did anyone even have the time to READ the thing?) but I'm gonna be honest with you here, I read book 3 under a heavy fever and it was like 2 AM when I got to that part, so I'm not sure that I haven't missed something that makes it make more sense.

BUT even if that part makes sense, I feel like the Regent was dealt with far too quickly. Like in one paragraph he is in control of everything, in the next they've already beheaded him and that's it. I can imagine in my head that a lot of the nobles were probably already sick of him and took little convincing, that they were disapproving both of his meddling in foreign politics and of his likely grave breach of cultural rules via taking an aristo kid as a pet, or that he initially rationally seemed a better choice over Laurent until Laurent proved himself to be more competent and with a more competent ally, or they already had some hints about what happened that the audience didn't and the evidence confirmed what was inconclusive before.

But I feel like in a series that spends so much time detailing the shifting alliances between the characters and the public's opinion on everyone that matters? I really needed to be sold on it a bit more. Like I really needed some discussion over what to do with the Regent, I needed them to keep him in a cell for a while as they decided whether to kill him (and have the leads scared that the Regent will turn them over as Laurent often does to people), I needed them to consider the evidence just a little bit more, I needed some post mortem with the council members where they explain what was happening on their side of the things. It needed to be MUCH longer and more detailed.

Another thing I wondered at was why the Regent was so insistent to paint Laurent's collaborations with the Akielons as a bad thing when he was... also collaborating with the Akielons? Like he is foaming at the mouth calling them barbarians and accusing Laurent of sleeping with the prince-killer but it feels more like setup for Damen's big declaration of love than an actual political strategy because my brother in Christ, you are literally in the Akielon royal palace, in the middle of Akielos to which you ran after your nephew started a rebellion, with the Akielon king sitting next to you as your equal. Why do you think that you can convince your people that YOUR Vere-Akielos alliance is somehow more morally pure than Laurent's? This was also the right moment to pull out all the patricide allegations that seemed to be going around for Damen, but IIRC he didn't use that as much as he could if at all.

Since there were some Akielons in the room as well, I was also wondering WTF was Kastor doing as the Regent was shitting on his country and calling them barbarians and making it like allying with them is a grave transgression? Why was HE allowing this humiliation? It felt like a very unpolitical thing to do from a character whose strength was in his political acumen (obviously meaning the Regent, not Kastor) and the plot just let it slide by.

I feel like a lot of this is due to this being the first time that the story had to fit within the constraints of a traditional book? So it needed a decisive traditional climax and perhaps it was getting too long for a traditional format, or the author got a bit tired of it and wanted to wind it up now that she wasn't getting regular feedback as you do with serialized publishing, or she prioritized emotional impact over plot logic.

I don't know. I still think they're great books, and the conclusion was emotionally satisfying in the sense that the psychological and interpersonal threads were wrapped up impeccably, I just wanted more detail on the political side. It's still grabbed me like nothing else did for a long time, I can take a mid ending, half of my favourite series will never have one at all because the author wrote themselves into a corner and then died lol.

[dist0rt1on]

SAMPO KOSKI: FOOL'S DISCOVERY

Synopsis: How you helped a fool realize his own feelings.

> Pairings: Sampo Koski x Gn!Reader

> Genre: Fluff, Slight Angst and Hurt-Comfort???

> Contents: Sampo being a part of The Masked Fools, backstory of your relationship with him, confessions, mostly ooc i guess? No proofread btw im sleepy

> Words: 3.8k

> A/N: Sorry if it's not rlly accurate to Sampo i just have a lot of 'what ifs' with him and this got birthed ig

Sampo Koski is everyone's friend. A charismatic, humorous, cunning man. He's certainly a hot topic in all areas. Though, everyone around him views him as a skilled-yet-idiotic criminal. Or... maybe that's what Sampo himself wants them to think. After all, he tells himself every day that people like him are better suited to be shadowy comic reliefs anyway. Even so, no one knows how the gears behind his brain work.

Sampo Koski is a silver-tongued 'salesman' and an eloquent mercenary. He holds so much information that makes it so hard for people to not approach him for help. With the right price, he's willing to do all sorts of jobs for his lovely customers. Though, he isn't afraid of betraying his customer if he were to get paid on a higher price for it. You can't blame him, can you? Living in the underworld itself isn't easy. You gotta be willing to accept the opportunity for some extra cash if you want to survive.

Sampo Koski is a common enemy. Despite how much conflict Belobog's regions has over the years, most of the citizens in both overworld and underworld would agree that they share a similar distaste for the bi-haired man himself.

Lastly, Sampo Koski is a fool. A following fool who also thinks that the world is a joke. Just like a drama, or a soap opera that runs every day to be witnessed by the people in the audience's seats. No matter how endless the pain and suffering became, it could always be shoved away by laughter. Joy eliminates pain, after all. Laughter is a God-given right to avoid pain. Or so he heard.

Days would usually pass by just like night and day. Except you can't really see the 'day' on the underworld. Business after business through the years, he never thought of having to love someone. Not to mention someone even loving him in the first place. Though, that mindset shattered when he met you. Or specifically, after he spent so much time with you.

You two met in one of the underworld's desolate alleyways. You, who were mistaken as Sampo's anonymous customer, were trying to find some peace. Gazing upon the ceiling with wonder. 'How many more years are we supposed to endure all the suffering in the underworld before the fragmentum consumes us all?' You sigh sadly.

That thought was quickly replaced with a sense of caution after hearing faint footsteps coming your way. You turn your head in that direction, noticing a certain bi-haired man of your age with a sweet smile on his face and a waving hand.

"Hello, dearest customer! You must be the anonymous fella who asked for my services, I assume?" He approached you with his signature, charming smile. Which made you look up to him in response .

"Huh? You must've gotten the wrong person, buddy. Never called anyone for some services. Sorry..." You responded, albeit a bit confused about the salesman's arrival.

Just by your tone and expression alone, he could confirm that you were telling him the truth. Yet, he's not done with you yet. It's simple, he wants to lure you into becoming his customer too. He wants to make a profit in every corner. It's in his natural 'salesman' instincts, after all. But... there's just something about you that scratches his mind. Oh well, he can deal with it later.

"Sorry about that! The name's Sampo Koski. If you ever need someone to take care of things for you... Sampo Koski is the man for the job, who's at your service." He winks at you 'innocently'.

Though, you weren't oblivious to these types of people.

"Ah... so you're that type of businessman, arent you?" You raise an eyebrow, to which the man responded with a chuckle.

"As I said, All sorts of business are welcomed — as long as you've got the cash." He gives you a sly grin.

He saw you opening your mouth to respond to him in a brief second. Yet, before you could mutter something out, familiar marching noises filled the area from both sides of the alleyway.

...Damn Vagrants. They were surrounding the area with their weapons raised at you two. In the middle of the ambush, a masked man turned out to be the leader of said Vagrants.

By their similar physique and posture, Sampo could easily confirm that the leader is the same man who anonymously asked for his services in the first place.

Sampo himself knew that there was a possibility of this happening, but eh. He's a man who'll take any opportunity at any given moment. But he needs some entertainment too. He'd be lying if he told himself that he wasn't amused by this capture or murder attempt.

The masked man began to blabber as unprofessionally as one could blabber. Openly explaining their plans to the two while thinking that they'll be able to kill you two easily while also thinking that you play a part in the 'businesses' yourself.

By the leader's naivety, Sampo would listen intently and imagine a better scenario of said plan. But he chose to ignore the leader and decided to look in your direction.

Ah, you were trembling from head to toe. Fear and confusion wash your face as you try to get into a defensive state.

Living in the underworld for years, of course, you've learned basic self-defense to protect yourself from danger. But against more than one vagrant who has their weapons up and ready to knock the daylights over you at any moment? You cant- you won't stand a chance against them. Not without a weapon. Not without wielding an element.

'What the... hell's happening...?' You thought, panicking over the situation you accidentally got yourself into.

Sampo Koski is a man who'd rather flee before things get rougher than it already is. Unless he had no other choice. When people who targeted him managed to find or corner him, he'd usually try to charm them with his presence. Then using their confusion as the opening of his escape to flee the scene and leave the problems to the nearest bystanders. If there were any.

But this time, it was different. He didn't instantly come up with a plan to flee. Instead, he was focused on you. But why?

Because of your innocent look that was quickly washed away by your fear? No, that's not it... He thinks.

Because of your pitiful state? It could be? But... was that really the problem? Because...

He doesn't understand.

He can't wrap his head around this unfamiliar feeling.

Fleeing was always the best option for him. But for some reason, everything inside himself was telling him to not leave the poor bystander alone.

Why? He never had second thoughts before fleeing the scene before.

...

Maybe... Sampo Koski himself... had taken an interest in you. Yes, that must be it.

And helping you would certainly lead you to his debt. And Sampo wouldn't mind that. He'd be delighted.

"Hey- Were you even listening to me...!?" The leader shouted in an offended tone due to Sampo ignoring all his speech. But Sampo didn't seem to care this time around.

Instead, he wrapped an arm around your shoulder in a swift motion. Pulling you close as he whispers to your ear.

"Close your eyes and hold your breath. Trust me, okay?" He whispers in a soft tone.

Maybe because you were desperate to survive in this current situation that you did what he told you to do. Your body slowly tenses up as you close your eyes and hold your breath. He slowly removed his hold on you and pulls away as he pulls out some tricks up his sleeve.

Even if your vision was currently replaced by a dark void, it didn't stop you from hearing the chaos around you.

You could feel movements from Sampo's side as you could hear him throwing a few items into the ground.

"What the...? Is this... a bomb...!?"

"N-no... Its... they're smoke bombs...!"

"Gah-...! Everyone, stand... down...!"

You hear your attackers panic as they one by one lose their consciousness and fall to the ground.

Sampo approached the powerless leader who had lost his balance and gave him a shit-eating grin as he looked down at him.

"Wow, you really surprised the Sampo Koski with that ambush. As for the return, I decided to give you a surprise of my own~ How'dya like it?" He chuckles.

The leader gritted his teeth. "Y-You bastard... You'll pay... for this..." he threatens Sampo before losing consciousness completely.

Sampo then hurriedly rushed to your side and grabbed your trembling arm. "Let's go now, friend. You better keep up if you don't want to be left behind~"

Before you could even respond, he runs off from the alleyway with you.

Finally residing in a safe spot, Sampo carefully lets go of your arm. "Are you hurt, friend?" He asked as he sees you calm down.

"Sampo, was it? I... can't thank you enough for helping me escape from that. Even though I was just a passerby who got into your situation." You sigh.

"But... Is there anything I can repay you with...? I don't have a lot of cash on me, but when I do... I'll definitely pay you back though... I-I'm sorry..." You looked away. Hoping that the man in front of you won't be disappointed and decides to kill you after knowing you can't pay him back right at this moment.

Sampo chuckles as he looks at you in amusement. "Don't worry, you could still pay me back, ya'know?"

You set your eyes on him again, raising an eyebrow. "What...? But I told you I don't have much cash on me... Unless... gh...! You're not gonna do something to me, are you...!?" You point at the man in accusation. Sweating over the fact that he might do unimaginable things to you.

He quickly places a finger in front of your lips. "Ah, shushushushush... Don't paint me as a greedy and disrespectful businessman, friend. I, Sampo Koski, am still a gentleman with a heart. I was wondering if you could take up an offer instead." He pulled his gloved finger away from your lips.

"That is...?" You await his words as you see him extend his hand.

"Why don't we become business partners, hmm? You look like an interesting fella. I can't help but think that there's more to you than what meets the eye." He started to say.

"I'll deal with most of the things out there while you deal with other crucial things while hidden in the background. Ah, don't worry. We'll split the payment to our agreement. So how about it? Do you accept this offer?"

Any sane person in the underworld wouldn't trust his offer unless they were desperate. But usually, they'd harshly reject his offers. That's why... he was really surprised when you instantly placed your hands in his with no hesitation at all.

"Alright. You look like a fun guy to be with, and I bet you got a lot of surprises huh? I guess it won't hurt to become business partners with you." You smirk as if you weren't terrified a few minutes ago.

"You bet. I won't let you down, so you better do your best, partner." He smiles as you two shake hands in agreement.

That was the day you and the infamous Sampo Koski meet. Ever since that day, you did different kinds of jobs with him.

At first, the two of you were nothing but business partners. He informs you of a mission, and you help him from the shadows, split the pay, and part ways.

But the more you two started working together, the closer you two became. And now, even after the business itself was settled, you'll kill your boring ol' time to spend your day with him.

Like watching a fierce boxing match in the fight club while cheering for your favorite fighters.

"Huh... both of them are so tough! I'm still wondering how robots are qualified for a boxing match, but whatever. Beat him up, Mechanical Master!" You cheer for your favorite fighter.

You could hear Sampo laughing next to you. "In your dreams, partner. Greyback Whale's the much stronger one between them!"

"Buuut we gotta be real now, don't we? I'm a much better fighter than anyone from the fight club~ You've witnessed it yourself, yeah?" He winks with a sense of pride as you snorted in response.

"Yeah, yeah... I guess I gotta admit you're way faster and stronger than them, huh? How fierce and mighty of you, Mr. Sampo~ I might need an autograph from you one day." You playfully stick your tongue out as you tease him. Sampo responds with a playful smirk.

Or you'd spend the day with him by taking a stroll in the mines. Well... a little bit annoying when the two of you have a 50% chance of getting attacked by vagrants, fragmentum creatures, or even robots. But it's nice to back him up on a fight once in a while.

"Hey, partner! Wanna see how fast I could knock them out with these babies alone?" He cockily twirls his daggers as he focuses his eyes on the surrounding enemies.

"Hmm... sure. Knock them out in under 10 seconds, and ill fight alongside you if we have any business for the day." You challenged the man.

In a blink of an eye, you see his daggers getting thrown at the enemies. It was almost a blur. You looked in awe as you witness daggers flying as swiftly as the wind, knocking out enemies with their single touch.

The group of enemies didn't even last 5 seconds as those daggers finally return to the hands of their master. "3.5 seconds. Now, you were saying?"

"Hah, you never fail to surprise me... do you?"

You and Sampo became inseparable. You two were like puzzle pieces who complete each other.

Sampo is the strength and the brain. The active mercenary in his business who deals with all the fights and the talk.

Meanwhile you, you were the heart. The vigilant partner who usually tends to Sampo's wounds if he was unlucky enough to get them.

For a doctor, Natasha's treatments are of a much better quality. But Sampo couldn't help it. No matter how light or brutal the wounds were, he always ends up wanting to get treated in your care.

"Gah... good thing I patched you up just in time... You were on the blink of collapsing, you know...? Don't be so reckless with yourself!" You scold the man as you try to patch the smaller cuts on his arm.

"Should I just call Dr. Natasha to treat you...? I don't think I'm doing a good job on this..."

"No, no. You don't need to. You're doing a great job, okay? And sorry... I was a bit unlucky this time. But I promise I'll be more careful next time, haha." He reassured you with a weak smile.

It was a nice feeling though, Sampo thought. Even if you were scolding him plenty of times, he always notices your careful hands as you patched him up. Him knowing that you hoped your touch won't hurt Sampo more than he already is.

Even if Sampo has a quite friendly demeanor on him, he never lets his guard down. Even to the people he trusts. But there's one thing he noticed...

He started to let his guard down over the time when you two were alone. Relaxing his body to the fullest.

It felt weird at first, Sampo admits. But he quickly came to an acceptable conclusion.

Sampo Koski had developed a soft spot for you.

Now finally, the present. As of today, the blockade between the underworld and the overworld had been lifted by the help of the trailblazers from beneath the sky. It was a miracle, really. You almost couldn't believe it.

Due to Sampo's part in helping them as well, he gets a temporary pass to walk on the overworld's ground freely without any guards arresting him.

He would've used this opportunity to sneakily gain some extra cash, but he decided to go against that idea.

Not when you looked at him with those sparkling eyes. Telling him that you wanted to explore the place and the sceneries with him. And so he did.

But he never expected this one particular day.

The day you asked him to meet up with you somewhere in the overworld's administrative district.

You, holding out a cheap, single-flower bouquet for him only. Muttering multiple things he can't seem to catch. But from where this is going, he knew. By his body language that told you that he was caught off-guard, he knew what's gonna happen next.

You, looking deep into his eyes, as you successfully have the courage to tell him how you feel towards him

"I love you, Sampo Koski. I really do."

There you stood, red-faced as you closed your eyes shut. Getting ready to return some comebacks of your own when he gives you a flurry of his teases.

...

What you expected didn't come.

You slowly opened your eyes to a sight you never thought you would see one day.

The Sampo Koski you know... was also standing there red-faced. But... his eyes widened, and tears slowly fall to his cheeks.

Sampo Koski is a man who knows what love is, but had yet to experience it. Well, maybe he did. But after years of getting disliked or even despised by many people in the country he resides in, even if he were to blame for that, he began to gradually forget what 'love' or 'warmth' means to him.

But today, you had easily told him the specific word and answer to his own conflicted feelings about you.

'I love you, Sampo Koski.'

'Love.'

...

"H-Hey... not that I doubt it or anything, but... Do I... even deserve this kinda thing...?" He tries to maintain his playful tone, but his cracked voice quickly ruined it in an instant.

Sampo Koski is a man who usually denies his negative feelings. Every time he gets sad, hurt, angry, or many other things, he always brushes it away and laughs it off as if it was a laughing matter, to begin with. Unconsciously straying him from his understanding of his own emotions.

No, his usual playful, cunning, charismatic attitude isn't a facade or some sort. It's just Sampo being Sampo. It's just that his mindset of joy diluting all sorrow was making him unconsciously bottle up all that pain.

He always knew that the universe is merciless, but he prefers choosing the path of laughing it off. It was the guidance he got, after all. But was it because of amusement or denial? Who knows...

He is a masked fool, after all.

But your sudden confession had shattered that bottle of his. Many of his mixed emotions were scattered in his mind. Starting to swirl around his surroundings. He was getting overwhelmed.

'Why? Im an awful man. I don't deserve your love. Your kindness.'

'You deserve better.'

'So why me?'

'Why me?'

...

"Of course, you deserve this. You deserve everything, honestly. Thanks to you, I've never been so happy in my entire life. And... I know we spend our days together, but I want to share a much closer bond with you. Because... I've never loved someone this much before. You deserve my love, Sampo. And you'll always do." Your lips curved up into a sweet smile as Sampo looks at you in shock.

Sampo Koski is jealous of you. Envious that you had managed to tell or identify your feelings he's been struggling with so easily.

But you looked so beautiful at that moment. Your genuine, kind smile and your flowing hair matching the rhythm of the wind. The sun's warm light favors you and your beautiful presence alone.

You then lowered the arm that was holding the bouquet. "But, it's okay. I get it if you're not ready yet. Whatever the outcome, ill accept it. Just don't let it ruin our friendship, okay? I'll be waiting for your answer. Once you're ready, okay?" You turn around, getting ready to leave so you could give him some space.

...

"Don't you fucking dare..."

"Huh?" Before you could turn around to see him again, you felt arms wrapping around your waist from behind you. Holding you tight as if you were about to disappear from his very life.

"Don't you dare leave me here... especially after saying that..." he begs in a soft tone.

...

Sampo rests his head on your shoulder. "...I love you too. Even if things were hell down there, hoping to see you every time I woke up in the morning... gave me a reason to keep going. No matter how hard things became, you never left my side... And... I'm so grateful for all that... You're so... precious... to me..."

Sampo finally gets it. The differences in his feelings before you came into his life, and after.

Once, the man wandered the world on his own. With both worlds having a distaste in him while laughing in a sense he used to call 'joy'. Never letting his guard down on every corner, even on his own 'home'.

But when you came into his pitiful life, he started laughing with you. Not in a sense of that so-called joy he once believed could wash away all pain and suffering, but in a sense of comfort and warmth. You had sneaked your way into his heart and made it your home. His home.

He twirled your body around to face him. Tears were still in his eyes as he sniffles on his snot. But still, a big smile was present on his face.

"Hah... Thank you, my dear... Thank you for everything... Mhm... So, are we officially together now...?" He looks at you with that usual goofy grin.

"Of course! Ah... I love you so much...!" You were also trembling with joy as you wrapped your arms around his neck. Looking up to him with the same sense of affection.

"Too bad." He smirks as he leans closer to your ear. "You might say that you love me. But I love you more, my love." He whispers.

Sampo Koski is a man who wants to be loved, and to love back. And with the opportunity you gave him, he'll never waste his chance. He hasn't told it directly to your face, but he vows to protect your life, your heart, everything.

"*sniff* You know... I would kiss you right now, but... I'd rather have our first kiss at a more... romantic moment." He gently presses his lips to your forehead as you giggle in response.

"Saving that for our first date, huh... Pretty boy?" Your cheeks started to warm up more.

"Maybe, maybe not... Who knows?" He coos as he carefully strokes your hair. Kissing your cheek as you hum softly.

Maybe... he could send his final regards to the guys and girls at the tavern to run away with you, one day. He hopes.

_________________________________________

[certifiablyinsanez]

My boomer mother told me once, “we thought we would change the world too”. And she isn’t wrong. Boomers were forefront of the hippie counterculture, the anti-war front for the slaughter in Vietnam, were home to the Gay Liberation Front, Stonewall, the Civil Rights Era, and the entire second wave of feminism that fought for our right for abortion, contraception and the right to self determination. They were the people that perished in the AIDS Epidemic and the ones who took care of those afflicted. When you look at the historic track record, boomers would seem to be our natural allies rather than those we are in constant conflict with.

This is something Gen Z needs to keep in mind, not for the future, but right now. Gen Z is often convinced that we are the generation who is gonna save the world. But I can say with confidence that this is not the case. Not only would that sentiment disregard historical precedent, it also allows us to disregard the ugly truth of what we are rapidly becoming. Gen Z is reactionary as hell. You’ll tell someone “we should have love for our fellow people” and some fucking keyboard warrior will say something stupid like “eVEn pEdO’s???”.

I never thought I would complain about cancel culture, but here I am. Because people can’t seem to differentiate between holding people accountable for reprehensible behavior versus having a whole “guilty before proven innocent” mentality. We all grew up in an imperialist, colonial society. White supremacy has not left a single inch of the earth untouched. Every single person has done something wrong in their lives; it’s a feature of the times we live in. It’s a feature of being a human person period. I’ve seen people harass an artist who has been extremely vocal about Palestine and has used their platform for donations and attention and people were in arms about something distasteful he did in like 2002. Be so ffr guys.

I see European Gen Zers saying the most abhorrent things about Romani people. They still actively call them a slur, and when called out they always reply “that’s just what they are”. Some brag about how desensitized they are to gore or sexual content because they were so young when they were exposed. I still remember kids at lunch trying to convince me to watch an ISIS beheading video and couldn’t conceive why I refused to watch it. I’m gonna say it.

So many of yall are just as apathetic and narcissistic as boomers, if not more so. Because boomers pretend, but yall are brutally honest about it. Sure a whole bunch of us believe in liberation and see how shitty capitalism is, but a good chunk are also so extremely far right that even my boomer republican father would balk at the things they readily say. I actually have had conversations with my dad as his queer communist child and I think we had more agreements than these right-wingers in my own generation.

This trend is enormously widespread with Gen Alpha but Gen Z isn’t clear of it either. The inability to fortify their own mental understanding using concise, accurate, and vetted information. In the 14 years I’ve interacted in fandom spaces (where this happens all the time), I’ve never seen such a trend as now where a singular person will just pull something out of their ass and people all over the internet just readily agree. People believe photoshopped photos every day. We make fun of old people for believing everything on the internet, but we’re equally guilty.

Listen I can go on for ages, but let me make my point clear here. We are quickly becoming the very thing we all hated most, and I’m sick of the mass facade that we aren’t.

End of rant.

[baileythebean]

Analysis post about: Ako! 🦋

⚠️WARNING⚠️ Trigger Warnings: brief mentions of kidnapping, threats, death threats, human experimentation, violence, blood/gore?? (Not heavy), trauma, transphobia

General Warning: Ako is an OC for Jujutsu Kaisen. He is also a relatively new OC and I have the ability to alter him as I consume more of the plot to make him more plot-accurate. I have only seen the 2 animated seasons of JJK as well as the movie and have only read a limited amount of the manga after that. That being said, this OC’s WHOLE EXISTENCE does not revolve around being plot-accurate OR what YOU think would be plot-accurate. I do take suggestions and ideas for lore and design since he is still under development, but keep in mind that he is MY OC and that gives ME the right to alter him as I see fit. Thanks for reading, OC analysis below the cut! ⬇️

BASIC FACTS: Name: Ako Komaniya

Birthday: October 12th (Libra)

Age: 13 - 23 throughout his appearances in the plot

Gender: Male - Transmasc - FtM

Pronouns: He/Him/His

Sexuality: Demisexual - Abrosexual

Romantic Orientation: Demiromantic

Height: 5’5 - 165 cm

Conditions/Illnesses?: Vitiligo

Favorite food: Strawberry Shortcake

Favorite animal: Raccoons - Cats

AFFILIATIONS / RELATIONSHIPS TO CANON (what they are to him)

Mahito - Captor (negative)

Choso Kamo - Lover/Crush (positive)

Satoru Gojo - Acquaintance (positive)

Hanami / Kenjaku / Dagon - Friends (?) (neutral)

Jogo - acquaintance (negative)

Eso / Kechizu / Yuji Itadori - Little brothers (positive)

He isn’t familiar with the rest of the cast, or just doesn’t know them personally!

DESCRIPTION

A young man of average height, with fluffy black and white hair. He has brown skin which is pale-splotched by vitiligo, and thick black and white streaked lashes. His eyes are pale blue-grey and pupil-less. He has his ears pierced in numerous places, and his nails are painted black most of the time. He has a trad goth/soft goth aesthetic. His clothing varies. He has undergone top surgery, and is on testosterone, but no bottom surgery.

DRAWING REFS (so far)

Clothes are very plain in these refs but I promise you he’s more interesting than this

LORE SUMMARY (by timeline of actual time, not in order the episodes/seasons are in.)

Ako first appears briefly in the choir practice room, in the arc where Gojo and Geto are trying to rescue the Star Plasma Vessel, Riko. They are in an all-girls school when Gojo barges in and everyone starts to fawn over him (except Riko and Ako.) Ako still presents as female and is 12 at this time.

The next time he appears, he presents as male and is 19 years old. This is when Mahito is about to use him as an experiment, but refrains from killing him because he’d ’make better as an art piece than a corpse.’ Because of his skin and his inumanly high pain tolerance. Mahito spares him in exchange for his silent compliance to his every command, his looks on display, and basic chores done around the place all the curses are staying. He still ends up hurt, like a LOT, but never dead. Mahito pretty much just sees what works and disfigures him before rearranging him again. His ‘art’ qualities are his only reassurance when Mahito places a hand on his body and he tells himself that he wouldn’t end up a disfigured, bloody mess like all Mahito’s other toys.

He eventually learns how to live alongside curses and avoid conflict with the wrong one. He quite likes making conversation with Kenjaku and Hanami, who makes him little flowers occasionally. He gets away with being passive-aggressive towards Jogo because Mahito thinks it’s funny. Dagon is on the receiving end of pats from him all the time because he finds the little octopus-blob cute. He’s still terrified of Mahito, but learns to live with that.

Enter, Choso. Choso stays with the curses for a bit, being one to thank Ako for his work. Ako admires how fiercely he cares for his brothers and was hurt to hear when Eso and Kechizu had died. To Ako, Choso was the most human contact (even if only half-human) he’d had in years, and he somehow felt safer to be around than everyone else. Ako was under his protection at Shibuya until his fight with Yuji. Ako found him breaking down after the fight, and immediately got Choso back on his feet and towards the battlefield. He ultimately made his loyalty clear to Choso over Kenjaku in the end, and just tried not to die. (He has no cursed techniques.)

AFTER THAT I’M JUST PRETENDING THEY LIVED A NORMAL HAPPY LIFE TOGETHER LALALALA IDK WHAT UR TALKING ABOUT, EVERYONE IS ALIVE AND HAPPY WHAT JJK ARE YALL READING???

I’m kidding, Ako never got to tell Choso he loved him. And he regretted it. BADLY. (Angst whoop-dee-doo)

CHOSOAKO FLUFF / SILLY ART TO MAKE UP FOR THE ANGSTY BIT

(The pen drawings were done by @ask-sora-aguilar! My internet dad, check his blog out!)

I would also like to note, for artistic purposes, that Ako has like, no muscles. Choso is like huge and angular and muscular, but Ako is just kinda all soft curves and smooth edges and I’m here for that

[quitealotofsodapop]

Part 3 of: @justweirddino sending in funny and accurate asks.

As always I have put transcripts in the alt image descriptions.

The Gold and Silver twins probs have a massive list of enemies and vengances they want resolve, but they're so absent-minded that they frequently forget just why they dont like that person/what they did. They def find their own names among their "black book" of enemies and are just puzzled.

They haven't unlocked his friendship events yet. Gotta feed and talk to Macaque everyday like a Stardew Valley npc before he unloads his trauma.

MK is willing to use the Staff if it means conflict resolution. He will use it to threaten others to be nice.

Oh gosh, I love the idea of Huntsman having legit rizz, but it completely flies over Sandy's head. FIshman is sweet but damn he bad at responding to obvious romantic signs. X3

Wukong saw glowsticks become a thing and would spend ages trying to figure out How. Why stick glow when cracked/bended? Why no heat? Why did people scream when he tried drinking the yucky liquid inside at the discotech? He did't have his Staff handy for their introduction, so the second the Staff is no longer sealing DBK, Wukong tries cracking the Staff to see if it glows. He breaks his knee instead. Macaque laughed while MK was just puzzled Why.

The second Macaque is gone; Wukong turns into a mega-bachelor again. Hyper impulsive, binge-watching Monkey Cop, eating nothing but peaches and takeout. The second Mac gets back from the moon, its like walking into a house after a frat party. He def yells at Wukong to clean up his mess.

Nudity is canon. Wukong busted out the furnace naked cus it burned his clothes off.

DEFINETELY. Wukong is gotdang short already (apparently less than 1.3m/4.26 ft in the book), and Macaque being just a little taller would get so on his nerves! XD Even if both monkeys (unglamoured) reach about the height of a teenager, Wukong is def wearing lifted shoes. Macaque taunts him about it endlessly.

Oh gosh, I have an idea for TMKATI-au in Chapter 3; where Pigsy and Tang are "whisper-arguing" in the kitchen while Shadowpeach are in the restaurant sheltering from the rain.

Pigsy: "I'm not about to harbor a pair of shady demons just cus they look pathetic in the rain!" Tang, the one who brought them there: "Aww, c'mon Piggy!" *whispers* "They're having a kid and it looks like they got kicked out or something..." Pigsy: *annoyed snort* Macaque, hearing the convo cus ears: "...Wukong do you honestly believe this place is safe?" Wukong: "Uh yeah - I order from here all the time!" Macaque: *judgemental glare* Wukong, laughes nervously: "Haha...Ok. I'm not 100% sure. Honestly I was thinking about how we're gonna get some food... You're in a... vunerable condition and I want to make sure we're at atleast fed and warm before deciding anything major. You know... future-wise." Macaque: *sighs tiredly* Pigsy & Tang, eavesdropping via kitchen counter: *looks at one another* Tang: *gives puppy-dog eyes* Pigsy, conflicted growling: "Grr... OK FINE! They can stay for some dinner and maybe crash on the futon for a bit. But once the rain clears off, I'm kicking them out!"

(Pigsy procedes to not kick them out, and instead over the course of the late-evening meal decides to hire Wukong/let the two monkeys stay in the empty top floor of the building. He's bad at saying no to Tang and bad at turning away sad-looking rain-soaked monkeys.)

I always love these ask-ins, even if I ramble a little off-topic with the ideas they gave me! As always ty @justweirddino !

I put the slightly rauchier ones under read more.

This one is 100% a line Tang has said aloud and in front of polite company without batting an eye. He has no shame.

Macaque and Wukong too. Gotta make sure anyone within striking distance knows that you're both taken. By eachother. Macaque says it to tease, Wukong says it as a warning.

And finally, an ask @justweirddino actually messaged me about ahead of time due to it being about a rather... spicy topic revovling around the immortal monkeys not understanding modern slang terms. Had to put it in two screenshot to fit.

XD

Nezha has most modern slang downloaded into his brain by the time he gets to earth. Not to use, but to decipher.

Wukong is def the person to remember a random detail from a movie trailer from years ago and take what the trailer says at face value. Also the thought of him randomly declaring that a movie mom is a MILF, serious-faced as the others look at him like he grew three heads (again), is sending me XD

[ineffable-endearments]

The Crow Road and Good Omens: Further-Out Thoughts

Here are a few more thoughts; they're more interpretive yet than the ones in my original post about The Crow Road.

I see some similarities between Prentice and both Aziraphale and Crowley.

Prentice feels this need to believe there's something beyond this life, in large part because this life can be ended so quickly and so easily, and it isn't fair. Throughout the novel, he is never very interested in organized religion; his interest in spirituality is truly about the feeling that there has to be a deeper meaning to existence than this one life.

Likewise, I tend to interpret Aziraphale as willing to consider that the people who make up his institution are fallible, but still stuck on the idea that Heaven is performing an essential role: someone should be up there Doing Good, or, more accurately, encouraging people to Do Good. He has reservations about the existing spiritual establishment and how reflective of truth it is, but he still has this feeling that there has to be a greater power and a greater meaning that can be given to people, himself included, because otherwise, what would be the point?

Then again, there is a nonzero amount of Crowley in Prentice, too (and I know the point is that everyone has a little of each). Prentice is a college-aged young man trying to figure himself out in a world that can be profoundly unfair, and he wants to be allowed to experiment with the idea of life after death. Considering perspectives different from one's parents is part of growing up, after all. Kenneth is determined to steer his sons toward a specific worldview, and as much as Kenneth's perspective on spirituality is supported by the narrative, his stubbornness is also ultimately the thing that gets him killed. Prentice observes his mother's hands-off approach to ideology may have ultimately been more effective.

Doesn't this sound a little familiar? Prentice wants to be allowed to question, and he isn't willing to just shrug and accept unfairness without an argument. When he can't find satisfactory answers, he also tends to drown his anxiety and depression in alcohol and other substances.

All in all, I feel we may have seen the conflict between Crowley and Aziraphale playing out in Prentice's character development; they are the angel and demon on his shoulder, as usual. But the conflict was resolved in the way that I think and hope Crowley and Aziraphale's will be on a grander scale. Prentice ended up having to surrender his philosophy, especially the life-after-death stuff, but then his deep need for a sense of meaning was satisfied much better by finding that meaning here on Earth.

There's also an interesting interaction between the two stories in relation to the afterlife. Namely, The Crow Road takes place in a universe that presumably works just like ours, while we know for sure that in Good Omens, there is an afterlife of one kind or another. We can't be sure how it works, but we've seen human characters in both Season 1 and Season 2 maintain their consciousness after death. I wonder if maybe in the world of Good Omens, human mortality is somehow being exploited by the higher-ups?

Anyway, as a result of this difference, Good Omens also has a special opportunity with the "death doesn't give life meaning - life gives itself meaning!" message. Its main characters are immortal. The book already subverts the whole "oh, being immortal sucks, everyone eventually wants to die" trope by portraying Crowley and Aziraphale's motivation to maintain their Earthly lives instead of starting Armageddon. Season 2 added depth to that, and Season 3 has an opportunity to fully flesh out why exactly life on Earth is where meaning is created even when there is no time limit, even if people don't have the inevitability of death looming over their heads.

Another thought: something a little ironic in The Crow Road is that the incident that led to Kenneth's death "should," theoretically, have made Prentice believe in higher powers, if it was really about that. It certainly convinced Hamish. However, the whole conflict between himself and his father was more about the meaning Prentice sought, so instead, it pushed Prentice toward Kenneth's ideology.

I am wondering if this points toward an event that Aziraphale "should," theoretically, take to mean that Heaven is right or all-powerful or otherwise can't possibly be defied, but which will be the very thing that convinces him the entire system is wrong.

Finally, @loverdosis brought up the great point that memory and history are also major conceptual themes in The Crow Road. In The Crow Road, memory and history give the characters their sense of identity. Prentice also mentions it as one way people can achieve a kind of continuity that doesn't infringe on the importance of life itself. And all of that meshes with Good Omens. So far, Gabriel's plot has involved a very strong focus on memory issues, and through that, we've seen that there is something going on with Crowley's memory as well, although exactly what it is - how much of his memory is missing, who took it, whether he can or wants to get it back - is uncertain. Beelzebub described Gabriel's memories as "All your...you," implying that memories are the majority of what gives Gabriel his identity. The memory wipe punishment is very much a death sentence.

After consideration, I would not be surprised to see memory make a roaring comeback as a theme in Season 3. It could even bring themes of identity and purpose with it.

[celestie0]

i've always wondered have you ever given the y/n in your fics a personality description? like everything about her just ties the whole story together yet the reader can actually, embody her in some way?? that's one of the things that makes your writing so enjoyable to read and i've always wondered if you see yourself in her when u write ;

IDK HOW TO EXPLAIN IT BUT i hope u know what i mean 💔💔

love u loads btw you're like my comfort writer as we speak

GASP i have neverrr actually, i dont think i’ve formally sat down n really given any of my characters personality descriptions i just kinda have a vibe of them in my head haha but this has intrigued me 🤔 I KINDA WANNA MAKE EM NOW!!! (i hope this is what u mean by character descriptions btw hahah)

kickoff reader.

i think she is a little self conscious at times, easily affected by things going on in her life, definitely tries to bite off more than she can chew, and she’s an anxious avoidant until she can’t take it anymore and becomes overtly confrontational instead alskdjdh i think this can be seen in the way she confesses to gojo, in her interactions w kai, and then also her turning down the newsletter job before she realized it was actually a good opportunity, etc etc. when i write for her, i kinda wanna give the vibe of tired college student that has a lot going on in her head n in her heart, but she’s slowly starting to learn to live again and is looking forward to life after college (aka me all of my senior year loool) i think she has a pretty neutral personality overall :0

in holy matriphony reader.

omg i haven’t written much for ihm reader yet but i already ADORE her so so so much based on what i’ve got planned for the series, and i think i understand her the most of the oc’s i’ve made. she is someone that gets crazy tunnel vision, can only really focus on one thing at a time, often neglects her other responsibilities if it means getting The Main One done, she is hella jaded because of all the financial stress, work stress and caretaking stress which means she doesn’t have much of a filter anymore, she’s very cynical and pessimistic and easily irritated and prideful BUT…..deep down she’s a huge softie and is actually very self aware of her flaws n just really wants to get better but she just can’t find a moment to breathe…im gonna enjoy writing for her bc i think she’ll come off irrational and a bit over the top at times, but in those soft moments, she’ll be very down to earth :)

in another life reader.

aww i haven’t had too much written for ial reader yet, but in my head i picture her as a veeeery soft spoken, sweet natured woman in her older age (she’s engaged to nanami, who i imagine has mellowed her out in comparison to when she dated bad boy choso lol), idk i think she’s kind of basic 😭 not that that’s a bad thing at all, i kinda wanted that dynamic of crazy rock star lifestyle choso mixed w simple lifestyle reader (for when they meet again later in life). when she was younger, she was highly impressionable, often thought she was more mature than she actually was, n loves veeeerryy deeply, so much so to where old scars hurt even after years and years. i think she always tries to do the right thing, but bc of her conflicting emotions, she has the capacity to cause a lot of hurt

AHH idk this is just the vibe i get from them or try to encapsulate while i write them, and i also totally think readers can have diff interpretations of them than me and still be accurate about it (idk as the author i don’t feel like i even know everything ab my own stories sldkdjdh at times i feel some of my readers know more than me haha)

i think kickoff reader is the most confusing in my head, but i like it that way because i suppose she’s the youngest and she’s in college and it makes sense for her since she’s figuring herself out

i definitely do see myself in all of them!! i have certain attributes i share n some that i don’t. for example i don’t think i’m as brave as kickoff reader (to pursue passions or confess to a boy so brazenly or slap tf outta someone at a bar LOL) and i don’t think i’m as crass or no-filter as ihm reader for example, but i definitely relate to certain aspects like the tunnel vision, anxious avoidance, and stuff like that!! but i still try to make them their own characters i suppose, but it really depends on how i want their personalities to mesh w the love interest as well

GOSH THIS IS A LONG FUCKIN ANSWER MY BAD i was just so intrigued by this ask xD i’m soooo sososoossooo happy to be your comfort writer and that you enjoy my works 🥺💕you guys keep my passion alive n i’m always so grateful for you all <33 have a wonderful day/night!! 🧚‍♀️✨ilyy