#the crow road

[fuckyeahgoodomens]

Muriel is holding The Crow Road by Iain Banks book which has been spotted several times in the promos 👀

From wiki: The novel describes Prentice McHoan's preoccupation with death, sex, his relationship with his father, unrequited love, sibling rivalry, a missing uncle, cars, alcohol and other intoxicants, and God, against the background of the Scottish landscape.

The novel combines menace (it contains an account of a "perfect murder") and dark humour (note the opening sentence: "It was the day my grandmother exploded.") with an interesting treatment of love. Banks uses multiple voices and points of view, jumping freely in both time and character. Even minor characters like Prentice's grandmother, the fictional town of Gallanach, and his family's home in Lochgair receive careful description, giving Prentice's life depth and context.

The book follows Prentice's journey of discovery about himself, those he loves, and the ways of the world.

"The Crow Road" is the name of a street in the west of Glasgow, but serves as well as a metaphor for death, as in "He's away the Crow Road". The appropriateness of this title becomes apparent as the novel progresses.

[m-a-salter]

Peter Capaldi as Rory McHoan in The Crow Road (1996)

[books-and-omens]

Oh. Oh WAIT. 

The Crow Road. You know, that book where the protagonist is searching for an answer to a conspicuous thing that happened. An answer that finally comes together through notes and omissions and bits of narrative and off-hand remarks.

And we were thinking that the book might be a clue for Muriel, or something to do with Aziraphale’s journals, or setup for the third season, or…

But the thing is. The thing is. 

What we are doing right now. What we are all doing right now.

We are the protagonist of The Crow Road.

The Crow Road was given to us.

[ineffable-endearments]

The Crow Road by Iain Banks

I finished The Crow Road and had a little time to think about it. I'll put my thoughts under a Keep Reading in case anyone is trying to avoid spoilers.

As I speculated before, I think it's likely that The Crow Road is more related to Good Omens in philosophy than in plot. I mean, it's not that the plots necessarily have nothing in common, and we could be very surprised in the end of course, but now that I've read the whole book, its philosophical commonalities with GO are both apparent and kind of inspiring. Also, if I were a writer, I'd be more interested in dropping hints about what themes are important than telegraphing my whole plot ahead of time.

So here, I will describe the book and point out themes that I believe may reappear in Good Omens 3.

This is a long post. If you read it, make a cup of [beverage of choice].

Update on 4/20/2024: I made a second post: The Crow Road and Good Omens: Further-Out Thoughts

Below are mentions of suicide, death/murder, and sexual acts.

The Crow Road centers around a character named Prentice McHoan, a university student in Scotland who starts to sort out his complicated relationship with his complicated family as he explores the mystery of his uncle Rory's disappearance. Although the book is mostly from Prentice's perspective, the narration jumps around in time with the McHoan family. There are quite a lot of important characters to keep track of; the bare-bones summary I put below doesn't even include some of the important ones. I wanted to make the summary even shorter and simpler than this, but the truth is that this book is not short or simple, and if I made the summary any simpler, it might be downright misleading.

There are at least three major cultural aspects of The Crow Road that I am inexperienced with: the overall culture in the 1950s-1980s (I was born in 1988, so of course wasn't here for the relevant decades), the international experience of the Gulf War (again, born in 1988), and the history and culture of Scotland itself (I'm USAmerican with only reading as a source). As a result, I'm sure there are important dimensions to the book that I've missed. If someone has a different perspective taking some of these things into account, I'd love to know about it.

Also, keep in mind, there is a great deal of descriptive writing in this book. There are a lot of pages about the geography of Scotland, and about Prentice as a kid, and about Prentice's father and uncles hanging out together in their youth, and about various family incidents, and about Prentice spending time with his brothers and friends. At first, these passages seem to just make things more confusing, and in my head, I accused them of being "filler." But they definitely serve a purpose. They're a way of showing and not telling the characters' attitudes and relationships to each other. More importantly, because we get to actually live these experiences with the characters, they are what give all the plot points below their deeper emotional impacts. In other words, the everyday experiences give the plot its deeper meaning. They resonate with one of the core themes in the novel: that our experiences in life, rather than any supposed existence after death, are what matters.

The Crow Road's story is like this:

Prentice is rather directionless in life, and he seems to have trouble investing any energy in his own future as he moons over his unrequited feelings for an idealized young woman named Verity. Soon, Verity ends up in a romance with Prentice's brother, Lewis, and Prentice feels that Lewis "stole" her from him. Prentice has also become estranged from his father, Kenneth, over spirituality. Prentice believes there has to be something more after death because he feels it would be incredibly unfair if people didn't get anything other than this one life; Kenneth is not only a passionate atheist, but is offended by the notion of an afterlife.

Prentice's uncle Hamish, Kenneth's brother, has always been religious, although his religion involves a number of bizarre and offbeat ideas of his own, with inspiration from more traditional Christian notions. Prentice is not really sure about this ideology, but he's willing to talk to Hamish about it and even participates during Hamish's prayers, whereas Kenneth is openly scornful of Hamish's beliefs. Hamish interprets this as Prentice being on "his side."

Prentice has a few opportunities to go back and talk to his father, and is begged to do so by his mom, Mary, with whom his relationship is still good. Mary doesn't want either of the men to give up their inner ideas about the universe; she just wants them to agree to disagree and move on as a family. Prentice says he will visit, but he just keeps putting it off and off and off.

Prentice acquires a folder containing some of his missing uncle Rory's notes in the process of hooking up with Rory's former girlfriend, Janice Rae, who seems to have taken a shine to Prentice because he reminds her of Rory. Using the contents of the folder, Prentice wants to piece together the great literary work that Rory left unfinished, which Rory titled Crow Road; however, it becomes apparent that Rory didn't turn his concepts into anything substantial and only had a bunch of disconnected notes and ideas. He hadn't even decided whether Crow Road would be a novel, a play, or something else. The few bits of Rory's poetry for Crow Road read are bleak and depressing.

Prentice also spends a lot of time with a young woman named Ash. They've been good friends since childhood and seem to have a somewhat flirtatious dynamic now, but they aren't in a romantic relationship; mostly, they drink and hang out together. Ash tells Prentice bluntly to get his life back on track when she finds out he's failing at school, avoiding his family, and engaging in shoplifting. She is a voice of reason, and when Prentice insists to her that he's just a failure, she reminds him that actually, he's just a kid.

Prentice's efforts to figure out Rory's story or location stagnate, and he continues to fail at school and avoid his father. He then receives word that Kenneth was killed while debating faith with Hamish. In fact, Kenneth dies after a fall from a church lightning rod, which he was climbing in an act of defiance against Hamish's philosophy when it was struck by lightning; Hamish is convinced that Kenneth had incurred God's wrath. Ash is there for support when Prentice finds out about the death.

With Ash's help, Prentice returns to his hometown again to help manage Kenneth's affairs. Prentice speaks with a very shaken Hamish, who is handling Kenneth's death with extreme drama and making it all about his own feelings. Hamish tells Prentice that Kenneth was jealous that Prentice shared more in common with Hamish's faith than with Kenneth's lack of faith. However, this isn't really true, and as he contemplates his father's death, Prentice begins to internalize one of the last things Hamish reported that Kenneth had argued: "All the gods are false. Faith itself is idolatry."

As the chapters go on, Prentice is compelled by some of the meaningful items related to Rory that he discovers in his father's belongings. He gains a renewed sense of purpose trying to solve the mystery of where Rory went and what happened to him. Among the interesting items are an ancient computer disk of Rory's that Prentice can't access with any equipment he can find; Ash uses her connections in the US and Canada to find a computer expert who can finally open the files on it. This takes quite a while, since the disk has to be mailed and Ash's connection is investigating the disk only in his free time.

Prentice also discovers that his feelings for Verity have changed. He no longer feels angry with Lewis for "stealing her." At first, Prentice's narration describes this as his feelings "cooling" as a result of the trauma of losing his father, but interestingly, this soon means Prentice gets to know Verity as a sister-in-law without getting caught up in jealous romantic feelings. Verity gets along well with the family, and Prentice is actually happy to discover that she and Lewis have a baby on the way. Prentice's relationship with Lewis improves greatly as well, partly because he is no longer jealous and partly because he realizes he does not want to lose Lewis, too.

Ash's connection who was looking at Rory's computer disk comes through and sends the printed contents of the files to Prentice. The files reveal to him that Rory likely knew Prentice's uncle, Fergus, murdered his wife by unbuckling her seat belt and crashing their car. Rory had written out a fictional version of events and considered using it in Crow Road. I'm not clear on exactly how certain Rory was about Fergus's crime, or whether Rory would have intentionally reported Ferg, or whether Rory even had enough proof to publicly accuse Ferg of murder, but people would likely have connected the dots in Rory's work and become suspicious of Ferg. For this reason, Prentice believes Ferg murdered Rory as well.

Prentice confronts Ferg. He doesn't get a confession and leaves Ferg's home with no concrete proof of anything; Ferg denies it all. But Prentice is soon physically assaulted in the night, and it seems Ferg was almost certainly the culprit, because he hadn't been home that same night, and he had injuries (probably from being fought off) the next day. A day or two later, Ferg's body is found unconscious in the cockpit of a plane, which crashes into the ocean. It's uncertain whether this was a suicide, but Prentice suspects it was. Rory's body is then soon recovered from the bottom of a waterway near Prentice's home, where Ferg had sunk it years ago.

As the mysteries are solved, Prentice realizes his feelings for Ash are romantic love. However, it's too late, he thinks, because Ash is about to take a job in Canada, where she may or may not stay. Prentice also hesitates to approach her because he's embarrassed about his previous behavior, venting all his angst about Verity and his father. He isn't sure she would even want to be in a relationship with him after that. But the very night before Ash leaves, she kisses Prentice on the cheek, which leads to a deeper kiss. They finally connect, have sex, and confess their mutual feelings. Ash still goes to her job in Canada, but says she'll come back when Prentice is done with his studies that summer.

The relationship's future is somewhat uncertain because something could come up while Ash is in Canada, but Prentice is hopeful. The book ends with Prentice getting ready to graduate with his grades on track as a history scholar, fully renouncing his belief in an afterlife while he acknowledges the inherent importance of our experiences in our lives now, and enjoying his time with Lewis and Verity and his other family members.

What's the point of all these hundreds of pages?

Well, look at all of the above; there's definitely more than one point. But the main point I took away is that we get this one life, with our loved ones in this world here and now, and this is where we make our meanings. There is no other meaning, but that doesn't mean there's no meaning at all. It means the meaning is here.

It's not death that gives life its meaning. It's the things we do while alive that give life its deeper meaning.

The Crow Road is described (on Wikipedia) as a Bildungsroman, a story focusing on the moral and philosophical growth and change of its main character as they transition from childhood to adulthood ("coming-of-age novel" is a similar term that is interchangeable, but more vague and not necessarily focused on morality/philosophy). And, indeed, all of the plots ultimately tie into Prentice's changed philosophy.

After his argument with Kenneth, Prentice feels childish and humiliated, and as a result, he refuses to go back home, which leads to a spiral of shame and depression. Kenneth dies and Prentice realizes it's too late to repair the relationship, which also leads him to realize it's what we do in life that matters, and that therefore, his father's argument was correct after all.

At the end of the novel, Prentice outright describes his new philosophy. However, I can't recall one specific passage where Prentice describes the process of how he changed his mind (if anyone else can remember something I missed, do let me know). There is, however, a moment when his narration indicates that Hamish seems less disturbed by his own part in the incident that led to Kenneth's death and more disturbed by the notion that his beliefs might actually be true: there might actually be an angry, vengeful God. In other words, Hamish's philosophy is selfish at its core.

My interpretation is that when his father died, Prentice realized three things: how utterly self-serving Hamish's devout faith is, how Kenneth's untimely death proves the importance of working things out now rather than in an imaginary afterlife, and how much profound meaning Kenneth had left behind despite having no faith at all. After these realizations, a determined belief in an afterlife no longer makes our lives here more profound like Prentice once thought it did.

Also, it's worth noting that this incident changes Prentice's idea of partnership, too. He loses interest in this distant, idealized woman he's been after. In love as in the rest of life, Prentice lets go of his ideals, and in doing so, he makes room for true meaning, both in a sincere familial, platonic connection with Verity and a sincere intimate, romantic connection with Ash.

But what about the sex scene?!

Yes, indeed, at the tail end of the story, Prentice and Ash have sex and admit they want to be in a relationship together. Prentice's narration describes them sleeping together and having intercourse not just once, but many times, including some slow and relaxed couplings during which they flex the muscles in their private parts to spell out "I.L.Y." and "I.L.Y.T." to each other in Morse code. This is relevant because earlier, they had been surprised and delighted to discover that they both knew Morse code; it isn't a detail that came from nowhere.

I didn't get the impression that this scene was trying to be especially titillating to the reader. It was mostly just a list of stuff the characters did together. I felt the point was that they were still anxious about being emotionally honest, a little desperate to convey their feelings without having to speak them out loud, and awkward in a way that made it obvious that their primary concern was the feelings, not the sexual performance. They cared about each other, but they weren't trying to be impressive or put on a show; contrast this with previous scenes where Prentice would act like a clown in front of Ash to diffuse his own anxiety. I've always thought that being able to have awkward sex and still enjoy it is a good sign.

Okay, so what does this all have to do with Good Omens?

Here's where I have to get especially interpretive. I'm doing my best, but of course, not everyone reading this will have the same perspective on Good Omens, the Final Fifteen especially. I believe similar themes are going to resonate between The Crow Road and Good Omens regardless of our particular interpretations of the characters' behavior and motivations, but I suppose it could hit differently for some people.

The TL;DR: I see similar themes between The Crow Road and Good Omens in:

The importance of mortal life on Earth

Meaning (or purpose) as something that we create as we live, not something that is handed to us by a supreme being

Sincere connection and love/passion (for people, causes, arts, life's work, etc) as a type of meaning/purpose

Relationships as reflections of philosophy

The dual nature of humanity

Life on Earth as the important part of existence is a core theme in Good Omens, and has been since the very beginning. We all already know Adam chose to preserve the world as it already is because he figured this out, and we all already know Aziraphale and Crowley have been shaped for the better by their experiences on Earth. But Good Omens isn't done with this theme by a long shot. I think this is the most important thematic commonality Good Omens will have with The Crow Road. Closely related is the notion that we create our meanings as we live, rather than having them handed to us. Isn't this, in a way, what Aziraphale struggles with in A Companion to Owls? He's been given this meaning, this identity, that doesn't fit him. But does he have anything else to be? Not yet.

Partnerships as a parallel to the characters' philosophical development also resonates as a commonality that The Crow Road may have with Good Omens. Prentice's obsession with Verity goes away when he starts to embrace the importance of life on Earth and makes room for his sincere relationship with Ash. Note their names: "Verity" is truth, an ideal Prentice's father instills in him; "Ashley" means "dweller in the ash tree meadow" in Anglo-Saxon, according to Wikipedia, and "ash" is one of the things people return to after death. Prentice literally trades his high ideals for life on Earth. We see in Aziraphale a similar tug-o'-war between Heaven's distant ideals and Crowley's Earthly pleasures, so I can see a similar process potentially playing out for him.

I don't particularly recall a ton of thematic exploration of free will in The Crow Road. However, there is a glimmer of something there: Prentice feels excessively controlled by Kenneth's desire to pass down his beliefs, and part of the reason Prentice is so resistant to change is simply his frustration with feeling censored and not being taken seriously. As the reader, I do get the feeling that while Prentice is immature, Kenneth made major mistakes in handling their conflict, too. And Kenneth's mistakes come from trying to dictate Prentice's thoughts. There is likely some crossover with Good Omens in the sense that I'm pretty sure both stories are going to take the position that people need to be allowed to make mistakes, and to do things that one perceives as mistakes, without getting written off as "stupid" or "bad" or otherwise "unworthy."

Suffice it to say that the human characters in Good Omens will also certainly play into these themes, but it's hard to write about them when we don't know much about them except that one of them is almost certainly the reincarnation of Jesus. This also makes me suspect perhaps the human cast will be 100% entirely all-new, or mostly new, symbolic of how Aziraphale and Crowley have immersed themselves in the ever-evolving, ever-changing world of life on Earth. Alternatively, if we encounter human characters again from Season 1 or 2, perhaps the ways they've grown and changed will be highlighted. For example, even in real-world time, Adam and Warlock have already, as of the time I'm writing this, gone through at least one entire life stage (from 11 in 2019 to 16 in 2024). They'll be legal adults in a couple of years, and if there's a significant time skip, they could be much older. If characters from Season 1 do reappear and themes from The Crow Road are prominent, I would expect either some key scenes highlighting contrasts and changes from their younger selves or for stagnation and growth to be a central part of their plot.

The more I write, the more I just interpret everything in circles. Hopefully this post has at least given you a decent idea of what The Crow Road is like and how it may relate to Good Omens.

I'll end this post with a quotation that feels relevant:

Telling us straight or through his stories, my father taught us that there was, generally, a fire at the core of things, and that change was the only constant, and that we – like everybody else – were both the most important people in the universe, and utterly without significance, depending, and that individuals mattered before their institutions, and that people were people, much the same everywhere, and when they appeared to do things that were stupid or evil, often you hadn’t been told the whole story, but that sometimes people did behave badly, usually because some idea had taken hold of them and given them an excuse to regard other people as expendable (or bad), and that was part of who we were too, as a species, and it wasn’t always possible to know that you were right and they were wrong, but the important thing was to keep trying to find out, and always to face the truth. Because truth mattered. Iain Banks, The Crow Road

[fenrislorsrai]

The Crow Road

I did in fact read The Crow Road because of Good Omens and it was very meandering with a lot of character study. For a thing summarized as "trying to solve a mystery from papers left behind" it was very uninterested in doing so. It didn't even introduce them for first 100 pages, then didn't refer to them for another 100, then LOST THEM ON THE TRAIN. The book itself is mostly a distraction from solving actual mystery. In no way would I classify this as being Mystery, as in the genre. This is a family saga/coming of age thing. I did enjoy it, but if you're expecting a genre fiction thing, you will hate it.

ANYWAY.

Then we get to the last 20 pages or so of the book and OH MY FUCKING GOD

the rest of this is going under a cut for anyone who actually wants to read The Crow Road themself, but for everyone else, this is directly relevant to the end of season 2, episode 6 AND is NSFW

Toward end of book, MC Prentice figures out "oh, maybe I am actually in love with my best friend, Ash, I should tell here". Oh shit, she's taking a job and moving to Canada! FUCK. Well telling her now is not gonna do anything good here, I blew it.

Ash meanwhile comes to stay with him in his rented place before having to fly out in the morning. The place is tied up in an estate dispute. It has an enormous four poster bed in a room covered in naked paintings of Venus. And mirrors. Pointed at the bed.

They go out for dinner and have a conversation of who owes who for dinner and decide its neither. They walk around a little bit reminiscing about when they were in school. Prentice had once broken her nose with a snowball and thought she didn't know. She says she forgave him right away. It also turns out she knew he was using morse code to tap out rude things at their French teacher.

They get back to the house and she says she's going to turn in early. Goes to give him a kiss on cheek. WHich then turns into kissing. and grabbing ass. They head to the bedroom of Fucking to do just that.

have a couple round and then while tangled up doing effectively some cockwarming, Ash does a little rhymic squeezing via morse code to spell out I-L-U and he does some cock moving to spell out I-L-U-T she still gets up in morning to leave, tehre's that brief, but what if I convince you to stay??? and they basically both agree "no, this is a breakup for work." Ash goes off to do her work contract, Prentice is going to finish his degree and sell the Bentley he just inherited. The split is not forever.

I did not have love confession via morse code while fucking on my bingo card AT ALL.

But good god, that ending there and the kiss there at the end of season2. OH RIGHT, THEY BOTH HAVE DONE SPY STUFF!!! What the fuck are Aziraphale's hands doing? are they frenching with morse code? IF THAT IS WHAT HAPPENED AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

[ticktockheartstop]

I know some people are sorta disappointed that Crowley gave away one of Aziraphale’s books to Muriel without hesitating, but I never was. And here’s why:

Here is The Crow Road on the shelf that Jim is organizing in his own special (and irritating) way

Here is The Crow Road that Crowley gives Muriel.

Now zoom in on the spine of both books, and you’ll realize that the illustration above the title and author is different in the 2 images, thus showing that Aziraphale had TWO COPIES of the book. I think the one on the shelf is a hardback? (It’s hard to tell for sure)

My personal thought is that Crowley gave Muriel the paperback copy of The Crow Road because he knew the bookshop well enough to know that Aziraphale had 2 copies of the book, and that the (probable) hardback was the owner’s preferred copy.

[dbacklot99]

Everything You Ever Wanted to Know About The Crow Road, But Couldn't Get Through it To Find Out

Co-written by dbacklot and cheeseplants

WARNING: SPOILERS EVERYWHERE!!

Overall Premise: Books are clearly important to Good Omens and Neil & team have left us Clues. In S2E2, the xray trivia highlights a list of books they would like the audience to read. But even more specifically, there are names of certain books on the back of the chairs in the theater in the opening credits. Those books are: The Tale of Two Cities, Pride & Prejudice, and The Crow Road - twice!

What might this mean? One theory is that the chairs represent the seasons. The body swap in S1 is similar to how Carton, in Tale of Two Cities, takes his doppleganger's place in jail, sacrificing his life so Darnay could go free and be with his family. Pride & Prejudice is clearly referenced in S2, with Crowley's proposal as a sort of mirror to Darcy's first proposal. (There's probably a whole lot more to unpack there - and if you like Austen, here are some thoughts about Aziraphale's favorite book, Persuasion, and how it may relate to the characters.)

BACK to The Crow Road. The title is shown on two chairs in the opening sequence, suggesting that it is related to both S2 and S3. Furthermore, we see the book multiple times in the show and it's the book Muriel reads at the end. As an aside, Neil Gaiman and Iain Banks were very good friends. Iain Banks died over a decade ago, so it is also likely a bit of a tribute to his friend.

So let's dig in and see why perhaps Neil keeps holding this book up and shouting Clue!

Side note: The book is long and most of the action happens in the final third, which can make it a hard read for folks. There's also a lot of characters and it can be tricky to remember how they are all related. There is a family tree BUT it has spoilers.

The Name: The Crow Road is a phrase used by the grandmother to indicate someone has died, ie - he's gone the crow road.

The Plot: This is the story of Prentice growing up with his immediate and extended family in Scotland. His Uncle Rory disappears in his early childhood. Some family members choose to believe Rory is still alive. After a hook-up with his Uncle Rory's former girlfriend as a young adult, Prentice starts gathering journals and writings from his missing Uncle Rory, who was (for a few years) a successful writer and traveler. Prentice eventually learns that 1) another Uncle, Fergus, had murdered his own wife and covered it up as a car accident and 2) Rory had figured this out and confronted him. Fergus then murdered Rory, hid all the evidence, and hired an acquaintance (who also traveled) to send matchboxes from bars across the world to Prentice's father, Kenneth. Kenneth, believed - as Fergus intended - that these were messages from Rory, indicating he was still alive. 

Stylistically, Prentice's childhood memories and fragments from Rory's journals are interspersed throughout the book, much like the minisodes are in S2. It can take the reader a while to figure out who is telling the story or where this information is coming from. It is also unclear how reliable Rory is as narrator - perhaps this also plays into S2.

What it Might Mean: 

Fergus could represent the Metatron. He is very powerful, rich, and conservative; he lives in a castle (Heaven?) and wants authority. Fergus also murders two relatives and hides those murders; the murder of his wife may have been inspired by jealousy over her sleeping with another man, an event which may or may not have happened.

Fergus also sets up fake messages!! The matchbooks are red herrings to make it look like Rory is still alive. As the Metatron relays messages from God, I can't get over the possibilities here. We have seen God speaking directly as recently as Job, but are the other messages real?

I can't help but wonder if the matchbooks and their use as messages inspired Neil to use the matchbook in S2. The matchbook in S2, incidentally, connects to all three minisodes - the quote from Job, 41:19 (reversed 1941), and the matchbox is from the Resurrectionists pub. So the matchbook contains not only Gabriel’s memories but refers to Azi’s as well?

Much of the book is about this missing uncle. Is a character (or their memory) missing in S3? I have theories, but its too soon to tell.

There's also an interesting theme of Prentice collecting his Uncle Rory's writings and records, including sending some corrupted computer discs to an expert in America to try to restore them. Given the emphasis on records ("It contains information in a tuneful way") and journals in S2, not to mention this trivia nugget ​​ - my brain is itching that there's a connection there.

Faith & Beliefs: The book talks about Faith a lot. Prentice believes in God and his father Kenneth doesn’t. And Kenneth doesn’t just reject religion, he wants his children to reject religion too. Prentice on the other hand desperately wants something to believe in - especially after a friend's death in an accident. This leads to a huge fall out - they end up not talking over it.

"'I mean, what's the big argument? Can't you just agree to disagree?' 'No; we disagree about that,' I shook my head. 'Seriously; it doesnt' work that way; neither of us can leave it alone. There's almost nothing either of us can say that can't be taken the wrong way, with a bit of imagination. It's like being married.'" (Ch 7)

Kennth seemingly taunts God - he climbs a church during a lightning storm and is struck dead. His uncle Hamish (one of Kenneth’s brothers) also represents the extreme version of Faith and ends up running a sort of cult, at least until Kenneth’s death.

What it Might Mean: The thread they pull through a lot is about meaning, and whether you can have meaning in life without God. Prentice gains Faith because his friend died senselessly; he wonders how can you have a world be so cruel. There must be a reason for it (this is sort of Az coded), and he turns to God to create the meaning for him. 

BUT Kenneth’s argument is that you don’t need Faith for the world to have meaning (or at least that is my reading). It is wonderful because it is inherently meaningless (this is very existentialist, but I do think that’s the point). That Faith doesn’t do that, and just means you are looking outwards without looking at what is right in front of you. Which again, could be a Crowley way of looking at it, or at least where he is headed. Life is good as life, and doesn’t need God to make it so. 

Hamish represents someone putting so much meaning into Faith that they lose all sense of Joy, he becomes distant.  (One of my favorite scenes is Hamish doing a jigsaw puzzle with the pieces upside down - and cutting the pieces with scissors if they don’t fit right!)

The Romantic Relationships: Prentice is infatuated with a cousin (second cousin?), Verity. She is described as beautiful, in white/light colors, pure, lives with Uncle Fergus in the castle. There are legends around her birth -  she was conceived under a tree during a storm. She is unattainable and eventually ends up with Prentice's older brother.

Ash, on the other hand, is almost literally the girl next door and Prentice’s long-term best friend. Her family is poorer and maybe has some domestic violence issues. She's always there for Prentice - literally a shoulder to cry on, sharing a bottle of whiskey, helping him sober up after said whiskey. There's obvious romantic tension from Ash’s side but she never pushes him and instead guides him along. And the book ends with a romantic resolution that feels very much like the final fifteen - except with a happier ending.

“- and I still didn’t feel I could tell her how I felt about her because she was going away now, and how could I suddenly say I love you when I’d never said it to anybody in my life before? How could I say it now especially, the night before she was due to leave? It would look like I was trying to make her stay, or just get her into bed. It would probably wreck this one precious evening that we did have, and upset her, confuse her, even hurt her, and I didn’t want to do any of that.” (Ch 13)

They finally kiss and spend the night together, both confessing their love. Ash has to leave the next morning to pursue a career opportunity in New York; Prentice is sad that she goes but re-dedicating himself to his studies and working towards a relationship together. 

What it Might Mean: To me, Verity is very Heaven-coded and Ash is very Hell-coded. A big part of Prentice's arc (Prentice may represent Azi here) is getting over his blind infatuation with Verity and realizing the value and love he has with Ash. However, they also need to be apart and grow a bit before they can be together.

Other thoughts? Connections? Would love to hear your theories!!

@cheeseplants

[millerdoc]

[theniceandaccurategoodomensblog]

Good Omens and The Crow Road

I read the novel The Crow Road by Iain Banks—the book Muriel is reading at the end of season two episode six and the book that hints at the events of season three.

My thoughts are under the cut. You can also read it on AO3 here. Obviously it includes spoilers for The Crow Road.

The Crow Road

The protagonist of The Crow Road is Prentice McHoan. He is a young man (early twenties) and, personally, I found him to be a bit of a dick though he does mature over the course of the book.

The book meanders and leaps about in time, telling the story in a non-linear way and with switches in point of view. This means that the relevance of events is often not clear as you read them, only becoming clear later on.

The title The Crow Road is a metaphor for death as the novel introduces early on that “he’s away the Crow Road” is a way of speaking of someone being dead.

There are three key story arcs:

(1) No one has spoken to or seen Prentice’s Uncle Rory for years. Rory is Prentice’s globetrotting Uncle who became famous because he wrote a bestselling travel diary as a young man. Rory’s ambition is to write a serious novel he called “The Crow Road”. No one knows where Rory is but Prentice’s father believes that he is still alive because he regularly receives match book covers from different locations all around the world. He believes that Rory is the one sending the match book covers because Rory once confessed to him that as a child he lit a fire that accidentally burned down a barn. Prentice becomes increasingly obsessed with what happened to Rory.

(2) Prentice is estranged from his father and he struggles with this. The estrangement is over belief in God. Prentice’s father is a communist and an atheist. When a friend of Prentice’s dies tragically, Prentice decides that there must be an afterlife and hence a God. The estrangement begins and he moves in with a religious Uncle.

(3) Prentice has an intense and unreciprocated infatuation with a young woman called Verity and does not handle it well when Verity becomes an item with his own brother Lewis. Seriously ridiculous childish drama here. Prentice complains about this all many times and at length to Ash, another young woman who is a more patient friend than Prentice deserves.

Here’s how each story arc lands (obviously this is the big spoiler bit for The Crow Road):

(1) Prentice eventually works out through reading a rough draft of Uncle Rory’s novel that Rory was murdered by another of Prentice’s Uncles for realising that that Uncle had previously murdered his own wife (and Prentice’s Aunt) in a car crash by undoing her seatbelt. The match book covers were being sent to Prentice’s father by a friend of the murderous Uncle to convince him that Rory was still alive. Rory’s body is found in a lake. It is all quite proven as far as Prentice is concerned but the murderous Uncle dies and hence there is no sense of justice, just a mystery solved.

(2) Prentice’s father dies while climbing a church spire by being struck by lightning and falling. At the point of his death Prentice and his father are still estranged. In the end, after solving the mystery of Uncle Rory, Prentice decides that there is no afterlife and no God. Prentice hopes that his father died knowing that he wouldn’t be a fool forever.

(3) Prentice’s brother Lewis marries and has a child with Verity. Prentice finds peace with this and realises that he actually loves Ash, the patient friend who has been listening to his nonsense for years.

Prentice and Ash sleep together and confess their love—I kid you not—in Morse code during sex with a series of squeezes and pushes. Yeah. Sometimes I think we come up with weird stuff in fanfiction and then I read a published novel and… but I digress. Point is, they are in love and they both know it. Prentice is finally growing up. But Ash planned to spend time in Canada and she goes anyway (good for her) saying that if Prentice does love her then they can still be together and simply continue when she returns. That’s where it ends which might sound sad but it actually feels mature and real after Prentice’s carry on with Verity. There’s a general feeling that Prentice has finally grown enough himself to make a relationship work and they are both starting that relationship right.

Implications for Good Omens seasons three:

(1) Good Omens has also been jumping about in time. The story is not being told in a linear manner. I suspect that there are scenes we’ve already seen where the meaning of those events won’t be clear until sometime in season three. I suspect that there are missing pieces to the overall story arc that will also be shown in season three. In short, we don’t have all the information and we don’t know what we truly have.

(2) Season three will involve working out, possibly using a diary or a book of some kind, what has happened to somebody. From simply hearing about the plot of The Crow Road I thought it would be Muriel working out what’s happened to Aziraphale by reading his diaries. Perhaps season three will open with a very different Aziraphale to the one we are used to and Muriel will work out what is really going on (memory wipe, manipulation, Aziraphale lying to enact a plan). This might still be true but after reading The Crow Road I was left with a different idea.

After reading The Crow Road the obvious parallel to Uncle Rory is not Aziraphale but God. God narrates season one but season two is strangely lacking in God’s narration. As Crowley says she’s “not talking to any of us”. Just like Uncle Rory. Yet everyone assumes that Heaven’s orders ultimately come from her. What if they aren’t coming from her? What if they are being sent by the person who murdered her? I think a big focus of season three will be what exactly is happening with God. It won’t necessarily be that she’s dead like Uncle Rory. Not everything is going to line up perfectly with The Crow Road. But finding out where she is and why she isn’t talking to anyone, just what this ineffable game is, will be important.

(3) It is worth noting that in The Crow Road Prentice’s father is sent match book covers to convince him that his brother, Rory, is still alive and in Good Omens we have Gabriel putting Beelezebub’s fly into a Resurrectionist match box. Does this mean anything beyond simply making a connection between Good Omens and The Crow Road? I don’t know. I can’t see any extra meaning to this yet.

(4) Aziraphale, like Prentice, won’t be a fool forever. We can depend on that. He is currently fooling himself because the truth (that Heaven is corrupt all the way down or rather up I suppose) is too painful to contemplate. But this won’t last. Aziraphale and Crowley are currently at odds, but they won’t remain so. Aziraphale’s viewpoint will shift and align more with Crowley’s.

Unlike Prentice’s father, Crowley has already fallen and will be ready when Aziraphale comes to his senses. Their estrangement will have a full resolution.

(5) Aziraphale will move on from his immature infatuation with Heaven to focus on his mature love relationship with Crowley.

Crowley will clearly state his love during passionate sex in Morse code by rhythmically contracting his effortfully formed vaginal muscles around Aziraphale’s hard cock. Wait. What? Crowley, if you are reading this please don’t do that. I know you struggle to put your love into words but that’s not the answer. But seriously, the physical expression of their love will be important. It will be important to Aziraphale. This is consistent with fanon conjecture that physical touch is Aziraphale’s love language and that physical (ie human) expressions of love are what is unique to Aziraphale and Crowley.

(6) This quote slapped me on the face: “Places have an effect on people. They alter your thoughts.” It is very like the Good Omens quote, “form shapes nature”. Aziraphale has been on Earth a long time. I wonder how he will be affected by being back in Heaven? Even if he has returned with a plan, Heaven might start seeping back in. Our angel has never been more vulnerable.

(7) This quote slapped me in the face too: “Faith itself is idolatry”. I wonder what Aziraphale would say about that? Is his faith in Heaven a form of idolatry? Aziraphale needs to shift in his stance regarding Heaven but I wonder where he will ultimately land on God. Will his faith in God be preserved or must that die too? Much depends on what exactly has happened to God and just what kind of ineffable game she is playing. So I suppose we will have to wait and see.

[leoreadss]

Today Muriel read a few pages of The Crow Road and had to stop to search what Star Wars was. They found out it was a series of movies and watched them all one after another.

They’re still watching them.

[artfulkindoforder]

Gabriel shelves a book with the first line "It was the day my Grandmother exploded"

That's The Crow Road by Iain Banks

It's the book Crowley gives to Muriel to read:

[fuckyeahgoodomens]

(it's The Crow Road by Iain Banks, it's no longer published in czech but I found a second hand one, wahoo! :D❤)

[inafever]

Five days into good omens season 2 and we are madly conspiracy theorizing like mad conspiracy theorists:

[rebeccasteventaylor]

Read The Crow Road

Where the protagonist - inherits a Bentley. Falls in love with his best friend and manages to tell her in one night of passion before she has to leave for work in Canada. And is full of longing and love and secrets and DISCOVERING THE TRUTH

And there’s a war in it (Gulf War)

And yes I can see why Crowley likes it. And I can also see why he gave to Muriel. Because maybe he is hinting to Muriel that they have to find out the truth about this secretive complicated family they are part of (heaven).

It’s not just about falling in love with your best friend (although it’s about that a lot).

It’s also about realising that perhaps that perfect being you loved for so long is not your true love.

And it’s about finding out that your family is full is secrets and lies and may even hurt you and others to keep that hidden.

And it’s about how war can change your perspective on everything.

Relevant to Crowley but also lessons for Muriel. And lessons I think she is beginning to understand by the end.

[theonevoice]

Are we assuming that Aziraphale did actually read all the books in his bookshop?

Because listen, I'm not suggesting that he had plans for after the dance, but this back seat here is the back seat of a vintage luxury car, and as many have noticed the Bentley has just recently acquired an extra set of previously non existent rear doors...

(I. Banks, The Crow Road, chapter 1)

[ineffable-endearments]

The Crow Road and Good Omens: Further-Out Thoughts

Here are a few more thoughts; they're more interpretive yet than the ones in my original post about The Crow Road.

I see some similarities between Prentice and both Aziraphale and Crowley.

Prentice feels this need to believe there's something beyond this life, in large part because this life can be ended so quickly and so easily, and it isn't fair. Throughout the novel, he is never very interested in organized religion; his interest in spirituality is truly about the feeling that there has to be a deeper meaning to existence than this one life.

Likewise, I tend to interpret Aziraphale as willing to consider that the people who make up his institution are fallible, but still stuck on the idea that Heaven is performing an essential role: someone should be up there Doing Good, or, more accurately, encouraging people to Do Good. He has reservations about the existing spiritual establishment and how reflective of truth it is, but he still has this feeling that there has to be a greater power and a greater meaning that can be given to people, himself included, because otherwise, what would be the point?

Then again, there is a nonzero amount of Crowley in Prentice, too (and I know the point is that everyone has a little of each). Prentice is a college-aged young man trying to figure himself out in a world that can be profoundly unfair, and he wants to be allowed to experiment with the idea of life after death. Considering perspectives different from one's parents is part of growing up, after all. Kenneth is determined to steer his sons toward a specific worldview, and as much as Kenneth's perspective on spirituality is supported by the narrative, his stubbornness is also ultimately the thing that gets him killed. Prentice observes his mother's hands-off approach to ideology may have ultimately been more effective.

Doesn't this sound a little familiar? Prentice wants to be allowed to question, and he isn't willing to just shrug and accept unfairness without an argument. When he can't find satisfactory answers, he also tends to drown his anxiety and depression in alcohol and other substances.

All in all, I feel we may have seen the conflict between Crowley and Aziraphale playing out in Prentice's character development; they are the angel and demon on his shoulder, as usual. But the conflict was resolved in the way that I think and hope Crowley and Aziraphale's will be on a grander scale. Prentice ended up having to surrender his philosophy, especially the life-after-death stuff, but then his deep need for a sense of meaning was satisfied much better by finding that meaning here on Earth.

There's also an interesting interaction between the two stories in relation to the afterlife. Namely, The Crow Road takes place in a universe that presumably works just like ours, while we know for sure that in Good Omens, there is an afterlife of one kind or another. We can't be sure how it works, but we've seen human characters in both Season 1 and Season 2 maintain their consciousness after death. I wonder if maybe in the world of Good Omens, human mortality is somehow being exploited by the higher-ups?

Anyway, as a result of this difference, Good Omens also has a special opportunity with the "death doesn't give life meaning - life gives itself meaning!" message. Its main characters are immortal. The book already subverts the whole "oh, being immortal sucks, everyone eventually wants to die" trope by portraying Crowley and Aziraphale's motivation to maintain their Earthly lives instead of starting Armageddon. Season 2 added depth to that, and Season 3 has an opportunity to fully flesh out why exactly life on Earth is where meaning is created even when there is no time limit, even if people don't have the inevitability of death looming over their heads.

Another thought: something a little ironic in The Crow Road is that the incident that led to Kenneth's death "should," theoretically, have made Prentice believe in higher powers, if it was really about that. It certainly convinced Hamish. However, the whole conflict between himself and his father was more about the meaning Prentice sought, so instead, it pushed Prentice toward Kenneth's ideology.

I am wondering if this points toward an event that Aziraphale "should," theoretically, take to mean that Heaven is right or all-powerful or otherwise can't possibly be defied, but which will be the very thing that convinces him the entire system is wrong.

Finally, @loverdosis brought up the great point that memory and history are also major conceptual themes in The Crow Road. In The Crow Road, memory and history give the characters their sense of identity. Prentice also mentions it as one way people can achieve a kind of continuity that doesn't infringe on the importance of life itself. And all of that meshes with Good Omens. So far, Gabriel's plot has involved a very strong focus on memory issues, and through that, we've seen that there is something going on with Crowley's memory as well, although exactly what it is - how much of his memory is missing, who took it, whether he can or wants to get it back - is uncertain. Beelzebub described Gabriel's memories as "All your...you," implying that memories are the majority of what gives Gabriel his identity. The memory wipe punishment is very much a death sentence.

After consideration, I would not be surprised to see memory make a roaring comeback as a theme in Season 3. It could even bring themes of identity and purpose with it.