#i want to start posting my art more its very rare that i post it but i draw CONSTANTLY

[justanotherflemethstan]

this is not a drill, this is a thread on the creation of Flemeth from David Gaider!! as kind of the self professed Flemeth stan blog around here, I had to reshare

(alt text and full text transcript of the images included)

Link to the original post

Full text from the images below the cut:

CHARACTERS - DAY THREE: Flemeth

I have a type. I admit it. There are certain wells I can return to repeatedly and always find something new to explore.

One of them is older female characters. Mike used to rib me about it. Consider Wynne. Meredith. Genevieve. And, of course, the biggie: Flemeth.

Why are they a type? I... don't know, honestly.

I guess I have a feeling that older men fade, they strive to regain their youth or establish a legacy and we've seen that story a thousand times, but older women? They become free to become something new. I guess I see so many possibilities in that.

I had a conception of who Flemeth was, and why, right from the very start. Her creation went hand in hand with Morrigan, as a being whose thirst for retribution hundreds of years ago attracted an entity (slight confession: I didn't know Mythal specifically, at the time, "an elven god" was enough).

I also knew where Morrigan was right and very wrong about her. Misconceptions of the truth are built into DA's foundation, and they were fundamental to this mother-daughter relationship I was building.

Like many seeds I'd put in the world, however, I had no idea whether I'd ever get to explore it.

Knowing that she was a character of possible future importance, if not a major player in DAO, I wasn't much surprised when she was one of the first cuts the art team made in terms of getting a unique appearance. Thus the "batty old woman" players met in DAO. Not as hard a cut as the Qunari, though.

Going into DA2, I wanted both Morrigan and Flemeth, but we could only have one. So I picked Flemeth. This was the game where she really got to come into her own.

I remember the art team coming and asking if it was OK if she got a new model, as it'd be a retcon of sorts. I didn't care. I wanted it.

I honestly don't remember whether Kate Mulgrew was cast before or after Claudia. After, I think? All I recall is that Cab came into my office one day and asked if Kate might be a good fit

The squeal I made was un-manly. Cab took that as a "yes". 😅

I didn't get to talk to Kate until DA2, however. Schedules being what they were, we had a tight window to record Flemeth... so I had to write all her scenes before almost anything else in DA2 was written, before I even had a team! Ack!

It was OK, though, for the most part. I knew where I wanted to take her, and a big part of it was going to explain her transition - to set her up for the future. So I whipped up a script in, like, two days and off we went. Kate was a marvel in the booth. She adored Flemeth and you could really tell.

I didn't get to meet Kate in person, however, until DAI. This came pretty late in its development, compared to when we recorded her for DA2, and we flew down to Virginia (to accommodate her schedule - she was writing her memoir at the time, I think) for a single session. It was going to be *tight*.

I was a mess. I was finally going to meet Captain Janeway... and yes yes, I know she's also more than that. But come ON.

When we sat down, I figured I'd have to talk her through the character all over again. It'd been years since that one session at the start of DA2, right? And even more since DAO.

But, no. Kate remembered Flemeth perfectly.

I remember sitting there as she told me how much she loved the character, how rare it was to get one with so much texture and possibility. She called out my writing - my writing! - and waxed poetic about how she viewed Flemeth's arc. I... I was floored. 🫠

Then we began recording. One issue that quickly reared its head was how Caroline had to speed through the lines if we hoped to finish. Kate was a trooper, and most takes she'd get it in one (which is rare), but I was alarmed because we weren't giving Kate time to read the VO comments on each line.

I brought it up, as there were some lines (so much sarcasm) that required nuance - Kate was getting them, oddly, but I was worried.

"Oh, it's fine," Kate said. "I read the comments as we go."

"How could you? We're going so fast!"

"I'm a speed reader."

Oh. OK, then. That certainly explained it. 😁

We got to the confrontation scene with Morrigan and she nailed it. Over and over. More than once, Caroline would make a call and, before I could even interject and say "no, Kate had it right, actually" Kate would explain exactly why she did it that way and why it worked for Flemeth. I was in love.

She did the "I will see her avenged!" section all in one go. I got chills. Then we got to the final scene.

You know the one. With Solas.

It was this beautiful moment. She took it somewhere quiet and sad... and when she got to that last line, we all felt it: Flemeth was dead. Everyone was in tears.

I suppose I could talk more about the process. How she started off aligned with Morrigan's original Delirium inspiration, but I didn't pull back her loopy way of talking as much (bet you wondered).

I still don't know why it was so easy to slip into her voice, but I'm grateful I got the chance. ❤️

[yellowflowerzzz]

2018 vs 2024

[soularsss]

Drawing Likeness: with Tem!

okaay since a few people actually showed interest in me sharing a bit of what I've been doing to figure out how to really capture likeness, specifically Temuera Morrison, I figured id do my best to write it out

I am also going to entice you with some of my recent clone art! (oooh some of it is unreleaaasedd)

I am putting the whole thing under the cut because I have a feeling its going to be long:

Read more!!!

a couple disclaimers before we start

-This is not some definite post about how everyone should be drawing clones, nor is it in any way claiming that this is the right way. This is just my musings as I stare at a mans face for way too long and try to replicate it

-I am inexperienced. As kind as you all are to me, drawing real people is relatively new to me, capturing a persons identity through their features is difficult for anybody, and I am no different. I have watched many a video on likeness and had my share of classes, but If im being honest, i rarely put it into practice successfully. So there'll probably be errors in this post or things i will come back to in a few months and wish I had said/done differently

ANYWAYs you guys get my vibe im just here to ramble and today we are rambling about mr copy paste. I am doing this for Law, my clone boy, because I plan on delving further into oc fanart and I want to put effort into representing him correctly!

SO LETS BEGIN

Before even deciding what specific pose of a person I want to draw, I tend to grab a bunch of references and compile them like so

(all of these can be found on my pinterest)

Why so many? Well, we are about to delve into facial features, so when we are dealing with photos we have to take into account that there are an abundance of circumstances that will influence how a persons face will appear, some of these include:

focal length: All of these are taken on different devices, and focal length can play a big part in distorting faces

age will play a part, your face changes a bunch throughout your life!

lighting, while not as major, can muddy the waters and make it difficult to interpret facial planes and features

SO, to make sure we get a proper grasp of what's really going on, I like to make sure we have lots of options to compare and contrast with.

Next up! What I like to do is block out the main facial features with colour on different layers, the features I block out usually are the general face shape, eyebrows, eyes, nose and lips. But what you are looking for is the defining features of a person, so that could include other things! Maybe a scar, or some particularly prominent cheekbones.

I dont have any rhyme or reason when it comes to picking my colours, all that matters is you can see all the shapes clearly.

Now I may be biased, because Ive been staring at these for 4 hours, but notice how it still looks like Tem? :D

Anyways, now we can break these parts down, and you'll see what I mean about compare and contrast:

We'll start with isolating the facial shape, putting all these next to eachother you'll notice they arent exactly the same (partly because of my shoddy work) But the distinguishing features run through each shape! Namely the very soft rectangular shape I sketched out in the bottom right there. Along with his soft, wide jaw structure.

I did the same for the rest of his features!

You'll notice I highlight the prominent shapes and ratios,

When drawing anything, it is important to start from the very base shapes and build up.

When drawing something you want to look like someone, those shapes relative to other shapes is what makes it look like them.

I didnt use the same technique with his eyes and lips, but I wrote out some helpful info for them! More importantly for his eyes.

When drawing eyes, I find the most important part is where exactly I draw the creases, (along with the overall shape of the eye itself) it is important to understand where those will present themselves with hooded eyes.

NOW, with an understanding of his facial features in place, lets take a detour to colours:

before I start, a couple things to note:

-Temuera morrison versus the clone troopers in the animated shows:

While I love the animated shows they don't exactly stay close to their source material. Im going to link here to an excellent post discussing whitewashing specifically in relation to the clones.

Temuera is Māori, of Te Arawa (Ngāti Whakaue) and Tainui (Ngāti Maniapoto, Ngāti Rarua) whakapapa, and also has Scottish and Irish ancestry.

The Māori people are the indigenous Polynesian people of mainland New Zealand (Aotearoa). Māori originated with settlers from East Polynesia. Māori people often vary in skin tone, Skin colour doesn't determine ethnicity. There's often a correlation but it's not a requirement.

But that is a tangent! What we are aiming for is to stay true to Temuera.

Bringing back my reference photos from before, Ive colour picked a buncha values and theyre all over the place. Why doesnt this work?

Similarly to earlier, you have to take into account the photos themselves. Many things like lighting, colour grading (when it comes to filmography) and makeup, can alter how a skin colour presents in photo.

You can attempt to get true to life by swatching from certain places on the face. Here I've tried to pick some photos with good lighting, and I've also tried to avoid overly lit/shaded areas.

Tem has a very warm, tan skin tone, Instead of colour picking I tend to try and replicate it myself, but I do often bring in references to make sure Im staying true to the source!

a brief intermission to talk about colour theory, something I myself struggle with alot. Often, when putting in flat colours without a background, I will forget to make sure the colours i intend to use will work with the skin tone i have picked! (something that is apparent in older works of mine, not just in relation to clones, but in general, the colours I end up with stray largely from their original sources and it is something I am doing my best to keep in mind and improve in! Although I don't think i am nearly experienced enough in the topic to say I have succeeded yet lol.)

anyways back to Tem :))

Now we can put all of that into practice! Things to keep in mind when drawing out a piece next to a reference like this:

the distance between the eyebrows? how far down his face does his nose go? Basically just, in relation to eachother, where do all those shapes we found earlier, sit?

The screenshot above is from before I did it myself, but instead of directly tracing from the reference, a handy trick I use it to complete your sketch first, and then overlay a traced version to see where your inconsistencies are! Alternatively, you could move your sketch over the image, but I didnt do it that way so!! uh!! im sure it works exactly the same!!!!

When it comes to a final illustration, or any sketch that isnt a direct study, of course you can push and pull and stylise! You'll see below that I'm not exactly 1:1 to my reference photo either.

The important thing with stylisation, or at least my own personal understanding of stylisation is that you need to thoroughly understand the thing you are stylizing! "You need to know the rules to break them" and all that. While shapes, lines and rendering can change, when it comes to drawing someone, and making it look like them, you have to make sure to keep their core features true to source. Caricature can capture a persons vibe whilst drastically exaggerating features, but it will only look like them if you KEEP THOSE FEATURES!!!! SHAPES!!! AHHH!!

But that is just my perspective on the discussion of style versus realism, please dont take is as Law, I dont know what Im on about half the time!!

anyways, after fixing your sketch, add local colours!

I rexified him because why tf not! But this is where you can go crazy with that clone personalization!

And then here is a very very barely rendered version (if you guys want me to explain how i RENDER that would need to be a completely different post, and I havent had anyone ask about it yet so who knows! maybe one day) But I digress, hopefully you learnt something new through my ramblings! It has certainly helped me organize my thoughts and I have also found some areas I would like to focus more on in the future to improve my own art!

TLDR: In order to understand an object, be it a face or a building or literally anything, you have to break it down to its simplest forms, understanding LARGER shapes will help you immensely in the long run

If you guys like this sorta content do let me know! I'd be down to do similar things for armor/anything really, I am very anti gatekeep so really anything at all you want to know! Send me an ask :))

also if you see a spelling mistake.. i don’t know how that got there

[astercontrol]

If KOSA passes

Or if any other form of censorship (there are many in the works!) ever succeeds at stepping in to impede our ability to communicate online:

We have to make plans.

Now, I dunno who'll even see this post. The few followers I have are TRON fans (who despite the fantasy we live in, tend to have realistically dismal views IRL about Disney and the various corporate uses of software).

And this fandom, on average, is pretty tech-savvy. It's where I've encountered the most people under 20 years old who actually know how to use a desktop or laptop computer.

So, if there's any hope for what I'm thinking about, this is prolly a good place to start with it.

(As with all my posts, I encourage reblogging and containment-breaching.)

(Gifs are clips from TRON 1982, mainly the "deleted love scene," from the DVD extras.)

Anyway.

Current society has moved online communication much too far onto major social media sites for my comfort. Whoever you communicate with over the internet, chances are you do it through a service owned by a big company: Tumblr, Twitter, Discord, Telegram, Facebook, whatever. Even TikTok (shudder).

These sites, despite their many flaws, can provide experiences that are valuable and hard to get otherwise. And once all your friends are on one site, you can't just leave and stay in touch with them all, not unless they all go the same place. It's easy to see why it's hard to abandon any social media platform.

But a backup plan is important. Because, as we've seen over and over, social media sites can't be relied on. They change their policies suddenly, without good reason-- and are inconsistent, even discriminatory, about enforcing those policies.

If they're funded by ads, the advertisers are their main customers, and your posts are the product. Their goal is that the posts most valuable to the advertisers get seen by people the advertisers consider desirable customers.

Helping you communicate-- making your posts get seen by the people you want to communicate with-- is optional to them.

Not to mention that the whole business model of an ad-funded website is generally unsustainable. Many of these sites are operating at a loss, relying on shareholders in a fragile bubble, doomed to fail soon just from lack of real profit.

And the more restrictions --like KOSA-- that the law puts on freedom of online speech, the likelier they are to go down or just become unusable. Every rule a site is required to follow is another strain on its resources, and most of them are already failing badly at even enforcing their own self-imposed rules.

If we want any control over our continued ability to stay in touch with our online friends-- we need to have a backup plan. Maybe it'll be simple at first, a bare-bones system we cobble together-- but it's gotta be something that will work. For a while at least.

There are lots of really good posts about ways to build your own website, using a service like Neocities. I VERY MUCH recommend learning this skill-- learning to make websites of the very simplest, most stable, glitch-resistant type, made of html pages-- which you can upload to a host while you store backups on your home computer. If you value the writing and art that you put online, this is probably the safest you can keep it.

But that's for making your own creative work public.

As for communicating with others-- for example, receiving and answering other people's comments on your work-- that gets more complex. I personally haven't found it worthwhile to troubleshoot the problems that come with having a system that allows visitors to comment publicly on my website.

But what we do still have-- and likely will for a long time-- is email.

Those of us who came of age before social media's current hold... well, we might take this for granted. Email was the first form of online contact we ever encountered… and thus it can seem to us like the most ordinary, the most boring.

But in the current world, it is a rare and precious thing to find a method of communicating that doesn't require everyone in the chat to be signed on with the same corporation.

Email is, as of now, still perfectly legal-- as much as social media companies have been trying to herd the populace away from it. I'm sure there are other ways to share thoughts online that are not bound by laws. But I am not going to go into that here.

Email service is provided by law-abiding companies, which will comply with subpoenas if law enforcement thinks you are emailing about doing illegal things. So, email is not a surefire way to be safe, if laws become dystopian enough to threaten your freedom to talk about your own life and identity.

But it's safer than posting on a public social media page.

For now.

Email is beautifully decentralized. You can get an email address many different ways-- some reliant on a company like Gmail, others hosted on your own domain. And different people, with all different types of email addresses, hosted in all different ways-- can all communicate together by the same method.

Of course any of these people, individually, can lose their email address for some reason or other, and have to get a new one. But as long as they still know the email addresses of their contacts, they can reconnect and recover from that loss. The structure of a group linked by email is reliant not on a single company-- but on the group itself, the friends you can actually count on.

This is why I am trying to promote the idea of forming email lists, as a backup plan to give people a way to stay in touch as mainstream social media sites prove to be unsustainable.

I'm envisioning a simple system of sending emails to several addresses at once, and making each reply visible to everyone in the chat by using "reply all" (or, if desired, editing the To field to reply to only some).

If enough people get used to using email in this way, it could fill most of the needs met by any other group chat or forum …without depending on a centralized social media company that's taking dystopian measures to try and make the business profitable.

So here are some thoughts about how I personally imagine it could work.

(Feel free to comment and bring up any thoughts I haven't addressed, or suggestions to customize how specific groups could set it up. This is meant as more of a starting point for brainstorming than a catch-all solution.)

As I see it, here are the basics of what you and your friends would each need to start out:

An email address. Any kind, hosted anywhere. You should use a dedicated email account just for this group, one that you do NOT use for other communication. Being in this group will result in things you don't want happening to your main email address-- like getting a TON of email, one for every post and reply. Or someone could get your email address that you really don't want any contact with. Use a burner email account (one that you can easily replace) and change it if needed.

The knowledge of how to "REPLY ALL" in your email. This will be necessary in order to add a comment that everyone in the group can see.

The knowledge of how to EDIT THE "TO" FIELD in your email, and remove addresses from the list of all recipients. This will be necessary if you want to CHANGE WHICH PEOPLE in the group can see your comment.

The knowledge of how to FILTER WORDS in your email. This will be necessary if a topic comes up that you don't want to see any mentions of.

The knowledge of how to BLOCK PEOPLE in your email. This will be very important. If someone joins this email group who you do not want to interact with, it will be up to you to BLOCK them so that you do NOT see their messages. (If they are bad enough to evade the block with multiple burner accounts, that's what you have a burner account for. Change it, and share the new one only with those you trust not to give it to them.)

Every person in the group will be effectively a "moderator" of the group, able to remove people from it by cutting their email addresses out of the "To" field. Members will all have equal "moderator" privileges, each able to tailor the group to their own needs.

This means the group may naturally split, over time, into other groups, each one removing some people and adding others. Some will overlap, some won't. This is good! This is, in my opinion, what online interaction SHOULD be like! There should be MANY groups like this!

In this way, we can keep online discussion alive, no matter WHAT happens to any of the social media websites.

If the dystopia got bad enough to shut down email, we could even continue with postal mail and photocopies, like they did in the days of print-zine fanfiction.

If it looks like the dystopia is gonna come for postal mail too, we'll use the connection we have to preserve whatever contacts we can with people who live near us.

Not saying it's GONNA get that bad. But these steps of preparation are good no matter exactly what kind of bad stuff happens.

As long as some organized form of communication still exists, we'll have a place where it's at least a little safer to be your true self…

to plan events and meetups…

and maybe even activities a little too risque to make the final cut of a 1982 Disney movie.

They're trying to censor us. We want a Free System. So we're gonna fight back.

For the Users. Not the corporations.

Peace out, programs. <3

[factual-fantasy]

Here is your reminder that the Octonauts fandom is going to be PATIENT, will RESPECT your boundaries, will WAIT for your possible return to the fandom, and will NOT pressure you into anything. Any Octonauts fan that does otherwise should not count, because they clearly do not know what it means to be an Octonaut.

An Octonaut is patient, kind, helpful, and respectful, even if things don't go the way they want it specifically. They will care for the creatures(in this case, people) that come to them regardless of how they want their day to go.

Octonauts are selfless; they do not let what they WANT get in the way of what others NEED. They do not prioritize themselves over others. If you never return to the fandom again, THAT IS PERFECTLY FINE. Because that is what I'd best for YOU. It may disappoint some, but as long as you are safe, happy, and healthy, it should not matter what people WANT out of YOU and YOUR art.

If you do decide to come back to us, then we welcome you with open arms. There aren't enough of us to form an overall opinion about the fandom, and sadly bad experiences can taint the entire look of our community.

Trust me, I've had PLENTY of bad experiences myself(probably TMI, but I once had someone DM me to roleplay something where them as Captain Barnacles had insomnia, anxiety, depression, PTSD, and a crap ton of other things and I as Shellington had to comfort him and whatnot. And then Captain Barnacles got his arm ripped off and they never messaged me again. This was on WATTPAD. They have since removed DMs, and I can see why. So bad experiences can definitely ruin one's image of the fandom.)

But if you enjoy the Octonauts and that's what you want to draw, don't let idiots stop you!! Octonauts do not discriminate and any hateful person who calls themself an Octonaut never truly learned what it means to explore, rescue, and protect.

An Octonaut is meant to protect and care for their communities, and unnecessary aggression or rude comments should not be tolerated!!! Not by you or by us! Guilt tripping is not good either!

AND: Remember to drink water, eat food, get some rest, and take time for yourself! Have a lovely day/night factual :3

<XD The Octonauts fandom is a tough subject for me for a lot of reasons.. I guess now would be a decent time to finally open up about some of it..

To start, I have had more art theft/reposters, art tracers, copying/heavily adopting all my headcannon/design choices.. in the Octonauts fandom, more than every other fandom combined. Including FNAF. 70% of the time when someone shows me an account that has reposted my art? Its one of my Octonauts comics.

I'm pretty protective of my work and I like to keep things to myself, so having all of these happen so frequently in this fandom has kind'a spooked me away..

And I get it, the fandom is not that big. Chances are when someone has a different/unique/good idea, everyone is going to adopt it into their Octonauts universe. I get it.. but that doesn't stop me from feeling really uncomfortable about posting Octonauts artwork. And I also get that a lot of the people in the Octonauts fandom are really young and don't realize that reposting is theft, or that blatant tracing is theft. That doesn't stop it from being really frustrating to see and very discouraging.. especially when you say "hey, you traced my artwork, please don't do that.." they just straight up don't listen 💀

What's frustrating is that despite not having posted anything Octonauts related in a long time, I STILL deal with constant theft and art tracers. I had to block a few recently after they denied clearly tracing my art and refused to take anything down.

Not even to mention the people who have bashed me for not head cannoning Kwazii or Calico jack as trans.. I totally understand that its a widely accepted headcannon, but my Jack is just a rare male calico and Kwazii is a regular male tabby/calico mix. The constant "why dont you draw kwazii with top scars?? are you a transphobe?? stop misgendering kwazii he's trans!!" is really annoying..

Another thing that really bothers me is the constant crab comic asks. Despite explaining multiple times that I do not want to continue drawing that comic, I still get constant asks like this,👇

This was sent after a simple eye study of the Octonauts. And it said that I'm still on the fence about Octonauts. What part of that post makes you think I'm gonna go back to the crab comic?

I understand that a lot of these people are young and just don't understand that all this stuff is wrong or could be making me uncomfortable. But currently I just don't have the patience to deal with all this junk.. So until I can get my patience back or find a work around for this, Octonauts is officially back on the shelf. 😔

[starry-bi-sky]

miscellaneous danyal al ghul things

specifically about the danyal al ghul from my post/prompt here and i wanna get my misc. headcanons/thoughts on him (especially in his early stay with the fentons) out here before i make any other danyal al ghul aus

list under the cut because whoops this got longer than i expected. which really i should have expected

the Fentons are unaffiliated with the League, which was perfect for Danny faking his death.

he struggles with empathy. Empathy was not taught nor encouraged while he was with the League, so it's a skill that's been pretty stunted. At 15 he's better at empathizing with people, but he still struggles with it. He's pretty bad at reassuring/comforting people and usually acts as an emotional rubber duck for Sam and Tucker to vent to if need be. He sometimes offers blunt and sometimes mean opinions, especially if its about another person.

Sam and Tucker do not know he's an ex-assassin, they are however, pretty positive that he used to be part of an eco-fascist cult with a focus on martial arts?? They've been helping him tone down some of his more,,, extreme views on humanity ever since they caught wind of his more extreme ideologies.

He and Sam are still avid environmentalists and feed into each other quite a bit. They spend plenty of time at protests and pestering the school into more eco-friendly options.

Dash is not dead on the sole fact that Danny knew he had to lay low in Amity Park and killing someone was not, in fact, 'laying low'.

he did, however, traumatize him when Dash first tried to bully him. Safe to say, Danny is not bullied at school and neither are Sam and Tucker.

Danny didn't make any friends in his first year at Amity Park. He was surly, grumpy, standoffish, more stubborn than Sam, and pretty self-important about himself. Jazz was trying to teach him against these things, but she is a 12 year old unaffiliated with the League. Danny did not respect her nor listen to a word she said. It wasn't until like, year two that he finally started paying to mind what she was saying and slowly started to improve on himself

Sam approached him first, he rebuffed her quite harshly, and then Danny approached her sometime afterward when he overheard her talking about environmental rights. Sam completely ignored him though when he agreed with her, and Danny had to later learn that he needed to apologize for being rude to her when they first met. He did so eventually, and they started to talk more with Tucker and Sam.

Danny's a bit more reserved than he is in canon, although he steadily learns how to act as a regular teenager when he's out in public. He's a bit more friendlier at least, although when he's around Sam and Tucker he drops the act. He still has a somewhat formal way of talking, it's just become more casual after a lot of ribbing from Sam and Tucker. When he's angry or annoyed he starts talking poshly though.

His humor is relatively the same as in canon, if somehow dryer and more insulting at some points

Those rare moments where he gets really pissed usually ends up with him insulting someone in arabic or any of the other languages he picked up from the league. He is the go-to for Tucker's Spanish homework. (Tucker makes that mistake and learns that Danny is a very strict teacher)

while Danny doesn't view the Fentons as his parents, even five years after living with them, he does respect them to some amount. He respects them enough at least that when Vlad Masters comes sniffing around, he is suitably offended on both Maddie and Jack's behalf. And when he finds out Vlad was the one who tried to kill Jack and tried to tell him to renounce him as his father/parental guardian, danny threw a suitably sharp object at him and insulted him quite horrendously

Vlad still wants him as his kid. In fact perhaps even moreso after this.

Danny trains with Maddie to keep up with his training. It's not quite the same but it prevents him from getting completely rusty

Sam and Tucker know that Danny has a little brother, but nothing else beyond that other than Danny cares about him quite a lot and that he got his facial scar from keeping him safe.

Danny cares about Sam, Tucker, and Jazz quite a bit, but he struggles to convey it. Especially early on when he realized he cared about them and like instinct started being harsher to them and more critical of their actions. This resulted in quite a few arguments with Sam and Tucker and Jazz until he got sat down and told outright that the way he was treating them wasn't okay. It's a process he's still trying to unlearn even at 15. He has become kinder towards them as a result, and has begun looking for what they did right rather than what they did wrong.

He harbors a lot of guilt over how he treated Damian in the League, and its a pretty big conflict he has with himself since he's torn between telling himself it was for the best to make sure Damian survived the League, and feeling like crap over how harsh/critical of Damian he was and realizing that he probably could have come up with a better way of training him despite being a child himself at the time. Danny comes to the realization that more than anything, that he just wants to apologize.

His ghost form, specifically is outfit, is a combination of his hazmat suit and his uniform from the league, and he carries a sword with him. He also doesn't know how to react to Dani, honestly. Although it is fair to say that he figures out she's a clone instantly because of her whole 'I'm your third cousin once removed' thing and he freaks out. She spills the beans pretty quickly after that. And Danny is pretty skittish around her - or the equivalent of skittish. Her being younger than him kinda reminds him of Damian, so he's uncomfortable by her presence but learns to warm up to her.

[umahumahumah]

How do you recreate the Hetalia artstyle so well

ok so.. .uhhhhhhhhhh honestly i dont even know how. which is why i am obviously qualified to make YOU, yes you, the person reading this, a tutorial

i psoted an incomplete tutorial on the hetalia art style some few months back and when i look back at it now, some things are just straight up wrong or need clarification (also its the same post where i accidentally sent multiple death threats to a random sex worker thinking they were just a porn bot oopsies) so if you guys still remember that, forget about it! all of it!!! this is a brand new, more accurate guide on how to draw himas style!

(quick warning though im just a weeb not a professional teacher by any means so dont take this as gospel and dont get mad if i got something wrong or something is confusing)

himastyle tutorial! (the better one) part 1

(link to part 2 here)

ok lets start off with the

HEADS

this is just the way i start drawing my heads personally. if i had to describe it, its basically a simplified stylized version of the loomis head method. proko has a good video on it! just give that a quick watch then take a look at my step by step guide

but besides this, there are some important things about the head that you should remember

the shape of the head is generally rectangular

compared to more typical ikemen styles, hetalia characters have a more rectangular head. HOWEVER their chins taper off to a very triangular shape. rarely do the chins flatten out like the guy on the left.

2. shorter face = younger/more feminine appearance

well... self explanatory. you can see in the diagram how changing the length of the face gives a character a more feminine/childish look.

if you feel that something looks kind of off, feel free to change it, but if it looks okay then lets move onto facial features!!!

NOSES:

ok so this might seem a little weird but i like drawing the nose first. its right in the middle of the face and is generally the easiest to get right. it also kind of acts as a divider between the eyes, especially useful when you're drawing in a 3/4 angle

which kind of look something like that i guess.....

or that if you want something less extreme

anyways while hetalia noses are kind of inconsistent they generally have the shape of these three lines. feminine/childlike characters have a smaller and subtler nose though

noses also never face fully straight ahead, so when drawing a front view, the nose slightly faces right or left (tbh himas characters rarely face the camera head on, so id refrain from drawing frontal views altogether but thats just me)

anyways lets move on to my second favorite part of the hetalia art style

EYES:

the eyes are the most important part of himas style. if all else fails, you can always recognize the style by the eyes. luckily for you, the eyes really arent complicated compared to other anime styles :D here is how i do it:

(feminine and childlike characters have bigger eyes)

you have probably noticed this but the pupils hima draws now has a more squiggly teary-eyed look compared to the pupils he drew then...

i subcounciously do a mixture of the two because i got used to drawing the old type, but if you wanna draw the new type of pupils just take note of their squigly shape and that they have one dominant highlight in the upper-middle area. uhhh.. or if youre like me just draw the old eyes as if you have parkinson's

anyways heres a step by step guide

and some fun eye variations!!! you can try using variants if youd like to give an oc a more unique look (you can also try making your own variants too but be careful of straying too far from the style)

so now about the eyebrow and the eyelid.... uhhh the eyelid doesnt really have a consistent length so just draw it however. feminine and childlike characters have thinner eyebrows but even then eyebrows should never be drawn as just a single line

we are close to finishing the face!!! now we can move onto

MOUTHS:

if you know how to draw a typical anime mouth, then hima mouths is easy peasy!

for closed mouths just draw a curved line with two dark blots for the corners of the mouth

i think that giving them a shaky look makes them look more expressive

open mouths are just random blobs, dont close off the bottom though, and theys till have those dark blots at the corner of the mouth

now then i'll move onto the

EARS + CHEEKS:

i decided to combine these two since these are probably the easiest parts of the face

hima's ears are pretty round and don't really vary in shape. inside the ears though....

it isnt very consistent, so don't think too hard about "getting them right". above are some ear variations i drew from one of the latest chapters of the manga

the cheeks are just a bunch of lines that can appear fully, or only on one cheek, or don't appear at all. i think it depends on level of detail, angle, or the character's emotion

these lines do not appear on rendered pieces

also if a character feels especially displeased they will gain heavy eyebags

so yay! we're pretty much done with the face!! look forward next time to where i cover hair, the body, and other stuff idk... i'll link the other parts to each other when i complete them

[coltishcaterpillar]

Unmasked / Platonic!Father Alastor x Teen!Daughter Reader

Chapter I: Introduction

Summary:

Two days after the Extermination, a bored Emily reads through private records of Heavenly residents and sinners alike.

During her mindless scrolling, she comes across a vintage diary smelling of old paper, from the late 20s-early 30s. It details the life of the teenage adopted daughter of the Radio Demon; up until her death at aged 16 on January 11th, 1934.

WARNINGS: Mentions of Racism

April 4th, 1932

Have you ever seen a top hat, what one really looks like on a person?

Neither have I, until today. At the end of Merritt Street, there’s a small accessories store that sells jewellery and clothing alike.

I used to frequent there, but I’ve never been a fashionable girl. I’m a larger fan of browsing; just admiring the beauty of art from afar, rather than acquiring it.

I never realized how much I missed the little establishment until I saw my favourite businessperson; Anne Brewster. A short, tout woman she was. Her skin had a grey tinge to it, a pointy nose that popped out her features; bright brown eyes and hair as white as pearls, short and thin as straw.

I greeted her with my usual demeanour. Quiet and curt, a straight wave and a superficial smile. The woman has a tendency to chatter; most of the time I don’t have time to interject, so I just listen.

I went in the shop with Elbert Graves; a fellow classmate of mine in mathematics. He’s not my ideal source of company, I’ll admit. I get along much better with other girls, but this helpless boy is always on my tail, and I can’t bare to tell him to get lost.

We came across a jet-black top hat with a golden ribbon wrapped around its rim. It was on display, but there was no glass so we assumed we could sample it. Elbert looked utterly ridiculous in it; far too flashy, and way too gigantic for his pea-sized head.

I managed a small laugh, as that’s the reaction he would’ve wanted from me. Ever the jokester…

I took a seat on the cushioned chair in front of the store’s entrance. Whilst Elbert was fooling around with other gadgets, Anne took to speaking with me.

She spoke a great deal about her grandchildren, and then inquired me about Papa.

Pa doesn’t usually wander about these places, but he knows Anne from university; they attended the same one in Shreveport, in September of 1908. Pa wanted to become a broadcaster post-secondary (to which he achieved) and Anne wanted to edit the local newspaper part-time; she was getting old, but didn’t want to stop working. She didn’t end up pursuing it, however, she dropped out her third year to take care of Rachel (her eldest grandchild who was 5 at the time.) Then, she inherited this business when Mr. Brewster, her father, died. He owned the shop.

She asked about his job was working out for him. Pa never speaks about work when he arrives home; usually he’s more interested in my daily activities. I don’t listen to Pa’s radio channel anyways, because the subjects he covers doesn’t appeal to me.

I just told her he was thriving; because in a way, he was. Pa was rarely in a sour mood. Of course, he gets moody when I do something out of line from time to time, but his attitude is always uplifting.

Elbert excused himself to the restroom at the back of the desk; that’s when she started talking about adolescent things. Boys…..

“Elbert is a such a handsome boy, don’t you agree?”

“Not particularly.”

“Oh? Why do you say that?”

“His chin is too long, and his head is too small for his broad shoulders. Not to mention his personality isn’t to my tastes. He’s far too extroverted and cheeky.”

“Oh, come now, my lovely. Surely, we can’t all be picky! What ever will you do when you grow into a young woman? Who will be around to take care of you?”

“Pa will, no doubt.”

“Oh, don’t be silly. Your father will be far too senile to care for you when you’re in your prime! You need a strong man!”

“Too senile?! Surely, you jest. Pa may be lanky, but he’s very capable. He was only twenty-five when he adopted me, he’ll only be middle-aged by the time I’m an adult.”

“You say Elbert is cheeky, but I see a lot more cockiness coming from you than I ever have with him.”

“Only an outside observer can properly assess my personality. Perhaps you just see my persona differently than I.”

“Is that so?”

The bell hanging from the door rang; in came a man, dressed in a business suit, a large briefcase held in his right hand. He had been more wrinkly than I had last seen him: Anne’s partner, Mr. Devereaux.

He has a very thick Yorkshire accent; Anne and him met while she was on vacation in London; Mr. Devereaux was studying photography. When they first met in late 1864, they weren’t sure whether or not they could ever be together. Anne is a very brown woman, you see. Very. Mr. Devereaux is about as white as a sheet. People often look down on….colourful couples…? More harshly. They aren’t allowed to be married, so they had to improvise.

Forgive me for not mentioning this sooner, but Anne is actually good friends with my Grandma. Pa is half-Creole, you see, and my Grandma’s roots come from there. So, the Brewsters are actually well-acquainted with my family.

Mr. Devereaux sat his briefcase beside the door, across from where I was seated. He flashed me a toothless smile; quite literally, since they all rotted out of his mouth due to age.

I gave him a curious look back.

“Back from business, old man?” I tease.

He chuckled; giving me an affectionate pat on the head.

“Oh, well, look at you! Already at it with the nosy interrogation, I see! I’ve missed you, sweet girl.” He smiled.

I narrowed my eyes. He didn’t answer the question….

He turned his attention to Anne quite quickly. Leaning over the desk, he planted a kiss on her forehead.

“The trip went smoothly,” He told Anne, “Janice sent you a letter. It should be in the mail soon, my darling.”

Janice was their daughter.

“Lovely.”

He turned his entire body so it faced me, with an inquisitive look on his face. He then turned and whispered to Anne,

“Al is out late again?”

“I don’t know, my sweet. I’ve seen her out and about all day with Elbert, he must be. It’s nearly nine.”

“I thought his radio shows were done by four?”

“Perhaps the schedule’s changed, dearest. Let’s not be nosy, it’s not our business.”

I let out a deep breath through my nose, standing up. Pa likes to hang around a few stores after work, so I tried my best not to let their observations get to me. Perhaps he was already home!

Anne leaned over from behind Mr. Devereaux.

“Could you go check on Elbert, hun? He’s been in the restroom for quite a while.”

I sigh. Without a response, I head toward the back desk, into the small hallway that had the restrooms.

I knocked on the door, firmly.

“El?” I addressed him by nickname.

“Mhm?” His hun echoed off the door.

I raised an eyebrow. “What have you been doing in there these past fifteen minutes? It was eight-forty when you went in, it’s five to nine already!”

Within seconds, he came out of the door, an awkward smile plastered on his face. A blush dusted his cheeks as well; I narrowed my eyes at him. Did he have the runs?

“Finished?” I asked him without judgment.

“Yes.” He said, curt.

I lead him back to the entrance of the store, passing Anne a smile. I turn my gaze back to Elbert.

“I’m going to be leaving now. I hadn’t realize how late it was. Will you be alright on your own?” I asked, a tint of concern in my voice.

“Of course. See you later?” His tone was hopeful.

Without a pause, I said, “Yes, I’ll see you later.”

I said my goodbyes to Anne and Mr. Devereaux, and sent my regards to Janice.

When I exited the store, it wasn’t as dark and drab as I thought it would be; I still heard birds chirping, and I could see my way almost perfectly. Just another perk of springtime, I suppose.

When I arrived home, Pa was indeed on the couch, his legs crossed, with a newspaper in hand; black coffee was situated on the side table.

“Home at long last, my dear!” He put his newspaper down; and I ran over, kissing him on the cheek.

“Sorry, Papa. How long did you have to wait?”

“Oh, not long at all!” He chuckled heartily.

I turn over to the rounded wooden table in the dining room; a large cloth bag sat on it; my eyes lit up in curiosity.

“Now, now,” Pa waved his finger, “I know that dangerous gaze. Don’t go peeking around my things, dear.”

I put on a thinned-lipped smile, leaning on the armrest.

“What, do you have something to hide, Papa~?” I leaned in, teasingly.

It was meant to be a joke. A rhetorical question. Yet, I couldn’t help but notice his fist clench up, if only for a moment. His body language was saying something different than what his mouth was.

“Is it really too much to ask to keep yourself out of my business?” He bit his lower lip.

When Pa took that tone with me, I knew it was time to pipe down. I decided to change the subject, sitting next to him on the couch.

“Elbert and I took a stroll around the avenue.” I said, tracing along the armrest.

I could FEEL Pa’s eye roll without even looking.

“Out with that wretched boy again, are we?” He took a casual tone as he sipped his coffee, but I knew the mere thought of Elbert irked him.

Pa has never interacted much with my friends, so I thought El would be another drop in the ocean. I think his hatred of him has something to do with that one time he came over here.

Everything was alright until dinner time.

The few hours earlier, Grandma treated us with a generous amount of Jambalaya. She always makes the best, after all.

Elbert made an….observation? While we were eating and it made Pa freeze.

“This is some slave food! Who made it, a peasant?”

All I remember was Pa’s grip tightening so much on the fork. I leaned over to where he was sitting and rubbed his arm a little.

I disliked the comment too. That was my Grandma he was speaking about….

After El left, I noticed Pa staring at the wooden spoon on the shelf. I know that blasted piece of cutlery all too well….

Pa is good at discipline. Even when my other friends came over, he’d always make an effort to chastise them if they didn’t say please or thank you.

Long story short, I think Pa wanted to beat El. That’s probably why he was showing such immaculate restraint at the table. I can’t imagine another person disciplining somebody else’s child would go…smoothly, anyway.

He had valid reason to hate him, I suppose. I’m not fond of Elbert either, but…how do you find it in your heart to say no? I suppose I’ve never really had a backbone, but…it seems that he’s really fond of me.

“How was work?” I asked with a smile.

“It held all of its classic theatrics! You should find it in your soul to listen to my shows, my dear.” He beamed.

I was deep in thought.

“Don’t I hear enough of your voice already?”

Pa chuckled his little chuckle that always made my chest warm.

“You can never have too much of your father!”

Time went on as usual; a few moments later I decided to pack up for bed; Pa went upstairs to get his radio ready to listen to. He always does before he sleeps.

I took that as an opportunity to ponder; I turned my gaze back to the bag on the table. Pa notoriously hunts, but it was far too late for food, so it made me wonder.

I slid toward it with my socks against the hardwood. I breathed in deeply; perhaps there was a certain scent? All I could smell was the dusty fabric; nothing more.

With a sigh, I decided to leave it for now. Maybe it’s….best that I don’t.

Y/N

——————

Emily blinked once. She recognized the background; that this child of one of the hotel staff in Hell.

Taking the historical piece of literature to St. Peter, she inquired,

“St. Peter, hi! I was just wondering if there is a girl here in Heaven named Y/N L/N?”

St. Peter smiled in delight, getting out his holy book, scanning through all the people with your name; going roughly by last name. His face fell as they came to an end.

“Unfortunately not, Em! It’s…strange, considering the circumstances. Sixteen is very young for a person to end up in Hell…but she isn’t in Heaven.”

Emily frowned, eyeing the diary in her hands. Perhaps she’d find the answer in there….

[jesncin]

The Potential of Asian Lois Lane. Pt 1: Girl Taking Over and American Alien, a comparative analysis

Lois Lane has had many iterations over the years. But specifically in the last decade, Lois has been reimagined as an Asian American woman in both the comics and recently in the animated show My Adventures with Superman.

I believe making Lois Asian is a very inspired choice for the Superman mythos! I would like to take a moment to analyze these versions of Lois from an Asian perspective, seeing what works, what doesn't, and what I'd like to see more of. We'll start with the comics first, as MAWS is going to need its own post.

Usual disclaimers: I'm just one Asian perspective, I do not and never will claim to cover every Asian person's opinion on a thing ever. We're not a monolith, we come from a variety of backgrounds and experiences. I'm simply a fan who enjoys media analysis and believes it's valuable to have my perspective in this topic. Secondly, this discussion covers the comic run American Alien, which is written by Max Landis. He's an ultra creep and while I think the comic is worth a read for what it is, I leave it up to you whether you'd like to buy the comic. You can always arg-arg-ahoy otherwise.

I'd like to start with Girl Taking Over: A Lois Lane Story written by Sarah Kuhn with art by Arielle Jovellanos. This is a self contained YA graphic novel about a young Japanese American Lois dealing with the ups and downs of breaking into journalism as a career in National City. When her dream internship at Catco gets a corporate take over, Lois seizes an opportunity to write an exposé on a shady art director. But when her story is turned down, Lois does some out of the box things to get the story of marginalized performers shared with the world.

Girl Taking Over is a fantastic story and I happily recommend it to anyone looking for how an Asian American Lois could be reimagined (with fabulous art by Arielle! The fashion especially is on-point). This story isn't just a diverse coat of paint on a Lois Lane story, being Asian informs Lois' experiences and choices. Both she and her frenemy roommate Miki, are ambitious Asian women yet have hidden insecurities where they still made themselves small to their respective white male bosses. They played into model minority in different ways, and it's only by working together that they're able to foster a community for their stories to be told.

Lois and Miki don't just "have a diverse friend group", that friend group is actively being taken advantage of and suppressed by white gatekeepers. By extension, Lois' friends from work find solidarity in each other. Lois looks up to Cat Grant, a Filipina-American journalist, because seeing Cat succeed made Lois feel like her dream as a journalist is possible. I love how Lois' mom (a character so rarely expanded on in DC canon) acts as a voice of comfort for Lois in the story. All these characters feel holistic and whole, going through their own unique struggles.

It's clear from interviews with both the writer and artist that they care for the history of Lois, and saw an opportunity to reimagine her in a way that aligns with her character but also revitalizes her for new readers of color who aren't used to seeing themselves reflected in media. It's taking Lois' ambition and fearlessness and channeling them into the need to be a model minority, and the insecurities that can come from the desire to succeed constantly. It's taking a character historically frustrated by sexism and disrespected by her male peers- including Clark Kent (who got better treatment than her as a man), and expanding her to be a Lois that has to deal with both sexism and racism in the workplace. It's humanizing Lois' excellence into something painfully specific and relatable for many Asian women.

The only thing I feel I want from this version of Lois is... honestly more of her! I want to see what Japanese Lois does when she moves to Metropolis and works at the Daily Planet. I want to see how her experiences in National City informs her adulthood. Girl Taking Over sets up an incredible groundwork for stories to be told in the Superman mythos. How would Lois react to Superman, a fellow immigrant? Would Superman see himself in Lois? Since she's someone who, in the American context, is perceived as the perpetual foreigner? What would their relationship be like? Out of all the Asian Lois' in media we have so far, this Asian Lois' story has the most rich potential in my opinion.

Up next, we have American Alien written by Max Landis. This 7 issue series swaps artists for each issue, as a means of reflecting different milestones in Clark's life. I will be focusing on issues #4, 5, and 7 since those have the most prominent Lois appearances. With that, I'd like to celebrate the artists for those issues: Jae Lee (issue 4), Francis Manapul (issue 5), and Jock (issue 7). All these artists did a fantastic job, their art styles are energetic and fun to look at. Lee and Manapul are both Asian artists (Korean and Filipino respectively) and I love how they draw Lois- who looks undeniably Asian in their art styles.

American Alien is a modern take on the Superman tale. It expands Clark's story to be connected to Batman, Green Lanterns, Green Arrow, and more. We see Clark grow from his days in Smallville to a city boy in Metropolis, coming into his own as Superman. It's a bold and pretty divisive take with some standout story moments. From what I know, this is likely the first time Lois has been reimagined as Asian- and continues to influence Superman media like MAWS (the producer specifically calls out this comic as inspiration).

In issue #4, Clark moves in to his Metropolis apartment and talks on the phone to his mom about "some bigshot guy named Louis Lane". The reader, likely familiar with the Superman mythos, knows Clark is coming in with biases and a preconceived notion of who he considers a promising student reporter. Once we meet Lois Lane however, the comic turns the reader's expectations on their head:

Lois Lane is an Asian American woman (it's not specified what her exact ethnicity is)! This is a fun moment where the comic metatextually challenged the reader's own biases, showing it's not just Clark who had a different idea of who Lois Lane could be.

Lois' introductory panel is my personal favorite part of her characterization in American Alien. Lois proudly stands as a wall of text behind her recounts how she was considered as a winner for the Daily Planet's Charlton Memorial Laureate Program. When asked why she deserves a place on the program, Lois snaps back that the very question itself is loaded. She's listed her credentials and looks professional- so she's either already been rejected and is just being made to "at least had my say" or she's been accepted and is "meant to garnish my success with eloquent affirmation" to which Lois refuses to do either.

This is a great defiant introduction to Lois, showcasing how jaded she is with the way the world perceives her- but is very confident in her self worth as a journalist. By the end of the issue she reaches out to Clark to combine their exclusive interviews into one story to make a big impression on the news. Her words inspire Clark to seize an opportunity to make a big change in the world as Superman.

Afterwards, the comic plays the classic Superman and Lois dynamic straight. Lois is initially suspicious of Superman, but eventually comes around and is inspired to hope through him. There's a great back and forth between the two where Lois' words initially inspire Clark to be Superman, then Clark assures Lois that Superman is probably just a good guy, and when Clark loses hope from a bad day of heroism, Lois gives him hope again. In the end, Lois realizes her love for Clark Kent over Superman and they share a passionate ending kiss.

Overall American Alien nails the Clark and Lois dynamic and understands their relationship. I consider this Asian Lois "just okay". I like that we get to see an adult jaded Asian Lois meet Clark Kent and Superman, and see them get together. Similarly to Girl Taking Over, I'd like to see how this Lois and Clark would play out. My only issue with American Alien's Lois is a sense of missed opportunities.

The writing overall leaves room for plausible deniability over Lois' Asian identity. The artists (particularly Lee and Manapul) are doing the heavy lifting delivering Asian Lois. If she was drawn as a white woman, none of the writing would need adjustment. Sure her introductory panel implies that people judge her based on her appearance- but that could be just sexism instead of the intersectional experience of Asian Lois going through racism and sexism. Clark did assume she was a man after all- it's never specified if he assumed she was a white man. The only thing you'd lose is the metatextual shock value of Lois Being Asian This Time. That's really what this Lois boils down to, initial shock value with no specific writing to follow through. Her marginalization and identity is written broadly enough that it could be attributed to general sexism and womanhood. It's not specific to being an Asian American woman.

However, because of its broadness, there's room for Lois' Asian identity to be built on in the world of American Alien. The story centers Clark's experiences, but I can easily imagine a continuation of the story expanding on Lois'. The basic groundwork is there. I think it's telling that in a comic called American Alien, we get a more diverse Superman cast system. Jimmy Olsen is Black, Lois Lane is Asian- when Clark moves to the city it feels expansive compared to Smallville. It's a world that feels ready to tackle themes of racism if it was ever to continue (and probably in the hands of a writer with that kind of life experience!). In the end, there's room for this Asian Lois to be something special. Clark isn't the only American Alien in American Alien, if you catch my drift.

You can see how Girl Taking Over has a huge piece of what American Alien is missing. The characters aren't just diverse for shock value, they're not an aesthetic change over historically white characters. They have a story to tell that is inseparable from their identities. Whereas in American Alien, the art is doing the heavy lifting with the reimagined diverse characters- Girl Taking Over has both the writing and art carry the representation. Lois can't be changed into being white in Girl Taking Over.

Both of these stories have potential- but if I had the choice to pick which story should continue, it would easily be Girl Taking Over. This graphic novel works for what it is: it makes sense that this is a younger and idealistic Lois that hasn't met Clark or Superman yet. It's a YA book and Lois can absolutely carry a story on her own. What I want as an Asian fan, is for the potential of Asian Lois Lane to be seen through to the point it's considered the definitive version. As of right now, Girl Taking Over is a fun twist on the Lois Lane story. Not something that is seen as inseparable from the Superman mythos. However! If those themes of marginalization and immigrant identity are tapped into for both Superman and Lois Lane? I feel that has the potential to radically strengthen the overall themes of Superman. It's certainly been touched on before.

(TW/CW: racial slur mention in below image)

Superman Smashes the Klan by Gene Yang with art by Gurihiru is a retelling of the Clan of the Fiery Cross arc in the classic radio show The Adventures of Superman where Superman faces off with the Klan who had been terrorizing a Chinese American family. The graphic novel adapts the story to center the Chinese American characters, and makes it a point to show that Superman relates to them. If that dynamic was applied to Asian Lois, that feels like a definitive love story waiting to happen.

The classic two person love triangle with Clark and Lois is that Lois loves Superman and is indifferent to Clark Kent. She thinks Superman is this ideal macho man and Clark is a cowardly fumbling guy at work who rivals her. What happens when you take that dynamic and made it so Lois identified with Superman- the more othering identity? How complicated would that make Clark Kent feel? How would he navigate that when his marginalization isn't always visible? That's a whole new depth to the love triangle we're not used to seeing. I feel so far, none of these versions of Lois have touched upon this potential dynamic. The perpetual foreigner, Lois Lane and the ultimate alien foreigner that is Superman. The jaded city girl meets the alien farm boy who gives her hope. They inspire each other to be more of themselves in a world not ready to accept either of them.

Up next, we'll be discussing My Adventures with Superman's Korean Lois Lane in pt 2. It's well. You can probably guess how I feel about it from what I wrote here but welp. We'll talk about it.

[fasolabean]

warninggg this is a long one ,,,

(Okay so I started writing this uhhh vent before more posts on the n//fts appeared later so plz keep that in mind hah)

So I haven’t been too active on here for the past month – a bit personal start, but I’ve moved to a different country whooo!!!! (its terrifying) (my brains been involved in fandom stuff as usual but physically I wasn’t lmao).

But I wanted to talk ab the n//ft (censoring bc idk ab bots here) thing bc while some people on here provided some great context and threads, most of the talk has happened on twitter. So like. Since it was first confirmed what the raffle thing was I was veryyyy disappointed, especially bc K has made fun of this very thing on stage previously. And like yea, the nature of what hes doing is different than the n//ft crypt0 scams, since the cost of the paywalled content is set and not fluid and the raffle thing was free to enter, and I know there have been threads about the website not being the worst on twitter (link) (edit: now here on tumblr too). But still man. Both of these could’ve been done on either an independent website or through stuff like youtube members or patreon. Or hell, even just on the merch store? Like buy a promo code that buys you access to the material?

Also like I get that this was probably a contract that would be rly hard if not impossible to terminate. STILL though, I wish we just got an even short thing like “hi sorry I wasn’t aware this is gonna be a one time thing we’re not doing it again”. I don’t mind extra content being paywalled personally, I know some people do, but I just really wish it wasn’t don’t with that technology. And yes, I also now know it’s a safer way to handle shit like that but I just cant see this excuse being used for commercial use? Like maybe I can see why I could be made to use it for like idk an important document, but a raffle ticket? Nah

I also, ugh. Felt weird about mikke in the team since the winter. This whole thing seems to be – at least to a large extent – either done or influenced by him, judging by even the fact that the europass thingy webpage has oy photomikke marked (no im not buying it but i did look around curiosity was stronger). Also the previous thing that had made me go hmmm about käärijä as a brand was the bnb, which now seems to be ran entirely by mikke and his wife. Like stick to your photos man? That being said tho, Jere IS an adult and he IS the face of this brand. If he doesn’t think hes qualified to make business decisions all by himself (which I get, this shit is hard), nothing is stopping him really from getting a professional to help him with those things. And if there IS something stopping him then hey man I think you should go to the press with that lol. From any interviews ive seen or read, you can feel he feels this responsibility to keep his friends and family that initially helped him afloat. But I wish he understood that not letting people who in the end are not professional about business and PR and having them stick to their own thing does not have to mean cutting them off.

But now I just wanna share a thought that to some might seem like me defending him – which, in case you didn’t get I am very much not lmao. The thing is, im really glad the fandom is able to call him out on a shitty thing – like a bad baaad business decision. You can like somebody’s art, hell you can even like the public person they are, while not agreeing with everything what they do. What annoys me though, is that apart of the kä fandom, he is also often talked about (usually negatively) in the wider esc fandom. Over the past week I’ve seen multiple threads on twitter from people that rarely ever mention him about this. That would’ve been like, not that much of a deal (though sometimes it really got… engagement bait-y) but the amount of bodyshaming and shaming of his fans that comes up with every valid criticism is making me wanna pull my hair out.

Especially cause he’s neither the first finnish esc-related artist to do that (Robin and Cyan Kicks are mentioned on the kollekt website) nor is he the first esc artist of his influence to do it either. Last year Loreen and Alessandra have released n//fts last year, and Loreen did a very similar raffle a couple months ago. Now I wanna be very clear: I don’t want this to be like. Cancelling these people, that would be so hypocritical of me. I also don’t want this to be like a fandom war like oh youre mad he did xyz?? Well THIS and THIS person did THAT!!1! I’m just merely annoyed that these people doing essentially the same thing went with no echo at all, but now I’ve seen us (the fandom) be literally called the r slur and the most vile things being said about jere and, for some reason, his appearance???

Idk man. I really try to  make it clear im not trying to excuse his decisions and I think being angry and/or disappointed at him is absolutely understandable. Im just angry that every single time he fucks up, every single time he makes a mistake, my timeline is filled with a wave of people rejoicing in it. I know he’s a controversial figure, he’s been one since day one, but I just wish he’s gotten the same amount of shit his peers do for the same actions? And this happens every time, and each time im like “well ig I can see why hes so bad when it comes to criticism”. Because imagine doing a thing that your peers have done with no/minimal criticism and then the moment you try it out you get people calling your fans slurs and commenting how stupid you are. Like ngl id also think any criticism was hate lmao.

Again I wanna be very VERY clear im very critical ab what he chose to do. I wish he took some responsibility – and hope he maybe does, at some point in the future. This year has been a whole lot of bad business decisions for the käärijä brand in my eyes, and I hope he can actually see where its gone wrong and do something about it, both for his and our sake. I am also happy to see fellow fans who are able to call out their fave. But man I am TIRED of him just getting all the shit (from people who very visibly fans are not)?? And now I have the proof that it is comparably more than other people and not just my bias towards him because wdym there’s been at least 4 esc artists, 2 of which more famous than him, and 2 umk artists doing exactly the same thing with almost no echo??

TLDR (thishasover1kwordsfuckshit); I wish he did better, simply. I kinda cling to some hope that maybe hey finally this time he will see that criticism can be constructive. I think this is still a level of fucking up that you can like, come back from. Pity it’s connected to the eurotour since kinda souring my excitement ab my first concert in a new country a bit :(

[nardo-headcanons]

Hi, I never get tired of saying how creative and talented you are ♡♡♡ I wanted to know if you would write about the Senju Clan. I know it's strange, since I haven't seen you writing anything like that and usually I don't see anything like that. I like the way you write, you're the best

Sigh. I have let this sit in my inbox way too long. I am so sorry. Thank you so much for your kind words, nonnie. I have some thoughts about the Hyuga as well, let me know if you would be interested in hearing that.

Also please note that I will change around some canon things and all of this is fanfiction/headcanon.

tagging some people i think will like reading this post: @narutobrainrotstuff , @the-real-sasuke-uchiha , @spookyphilosophertaco , @danceofthexdragons

cw for mention of genetics, racism, religion, genocide and human experiments

The Senju Clan

People

Compared to the Uchiha clan, who are phenotypically rather monotonous, the Senju clan had a very diverse population with a wider range of skin tones, eye and hair colors. There were generally very little restrictions when it came to marrying into the clan and becoming a part of it. The only traits most of the Senju shared were that of fine, straight hair whilst the Uchiha had thick and dark hair with curls not being uncommon.

The reason the Senju died out were two sides of the same coin - with many of the clan's members birthing less and less children, and those who did marrying outside of the clan to the point where there are many Konoha ninjas nowadays who are part Senju but may not even know it.

Traits and Abilities

The Senju were rather unspecified, wanting to hone their skills in all three fighting styles, though I like to think that Taijutsu was one they particularly excelled in. Once one's movements were fast enough to be evaded by the base sharingan (Mangekyou sharingan was, depending on the source material, either extremely rare or nonexistent), the Senju had an easier time fighting the Uchiha. Many of them became weapons and taijutsu specialists, making me think that Tenten might be part Senju and her idolization of Tsunade was a way to connect with her roots and get to know a fellow Senju.

Another skill of the Senju was wood style, which was a skill many Senju before Hashirama posessed, but they rarely ever utilized it in battle. Said ability was caused by a point mutation in the exome, prompting Orochimaru to later carry out experiment's on embryonic DNA to artificially induce said point mutation, killing dozens of newborns in the process.

Religion

While the Uchiha followed the way of Shintōism, most of the Senju were buddhists, like their distant relatives, the Uzumaki. Initially, the people living in the country of fire were engaging in both buddhist and shintōist practices, but with the continued rise of war between the shintō-believing Uchiha and the buddhist Senju, these two religions were more or less divided.

The Senju and the Uzumaki

The establishment of Uzushiogakure in the whirlpool country was received with mixed feelings from its inhabitants. Most Uzumaki, although practiced in the arts of combat, preferred their pacifistic lifestyle of teaching their ways on paper, and not on the battlefield. This instability made it easier for the hidden mist village to send colonialist forces, killing most of the Uzumaki in fear of their congenital abilities. And with the Senju living more and more decentralized and being too occupied with themselves, Uzushiogakure lacked the manpower compared to Kiri's extermination force.

The Senju's Legacy

Nowadays, after Konoha was founded, the Senju started living more and more decentralized, therefore there wasn't such a thing as the "Senju compound". The language of the Senju was adapted as Konoha's official language, causing the other hidden villages to adapt it as well. (You can read more about my thoughts on language in the Shinobi world here.)

There were shrines for both buddhist and shintō believers in the village, but once Hashirama became the first hokage, more and more citizens adapted the Senju's religion of buddhism, with the shintō believers dwindling in numbers. Tobirama's segregation policy did not help in the slightest; although the Uchiha, who believed in family unity and support, lived closely together, being redlined and pushed into the same profession felt patronizing. But even though the Senju as a clan is no more, their legacy continues on, in good ways, and in bad.

[the-s1lly-corner]

can we get some Caine x reader where Caine is like head over heels for reader? Like down bad lol

love your work so much! ❤️❤️

Down bad for his partner (caine x reader) !

youre in luck! i already view caine as the head over heels type! so !! last post of the night, will answer more requests/new ones in the morning, its now midnight and my head is starting to feel a lil.. sdpmkflvmdlfm!!! i still have art stuff to finish SOBS

i mentioned it in the post i just made for a ena type!reader but like. he would have your face on a shirt and wear it over his suit

opens his jaw head, eyes bulging, and panting like a dog when he sees you try on a new outfit (it could literally be the most mundane clothing and he will still EAT THAT UP!!!)

imagine you blow a kiss at him and he dramatically clutches his chest before flipping over in the air

ive said it a few times before but he would spoil you with gifts. please let him shower you in them, please please reader hes on his knees let him treat you right

openly flirts with you, unless you express that public flirting/PDA makes you uncomfortable, the last thing he wants to do is hurt you and risk pushing you away

will do anything for you at the drop of a hat, if he can do it, then hes gonna do it

probably carries you around while hes floating around

or

better yet, he actually stands on the ground (very rare) to hold your hand and walk around with you

he knows every single nook and cranny of the grounds, but exploring them with you offers a new freshness that he cant quite pin down. its like looking through a new lens when he sees you making note of where everything is

he is the type to grab your hand and kiss the back of your hand before trailing the kisses up your arm before peppering your faces in them

well, kissing is a loose term for it; hes just playfully and gently pressing his teeth against you

you literally have him wrapped around your finger, hes by your side before you can finish calling his name

i will say it again!! this man goes on cheesy monologues talking about how much he cherishes you

names of endearment! "my dear" "my darling" "my sweet" "honey" things like that

[blazescompendium]

Blaze's Compendium Entry #9:Explaining the Origin of ShikiOuji

Note: This post was originally published in April 2024. However, since it is a complete research and dive into this monster, I figured out i could just repost it as a Compendium entry.

As always:

Warning: Faith and religion are important real life topics, that tackles the culture and way of life of millions of real life people. It is a cultural expression, and must be respected by all means. Here, we use a video-game ( some times) and other media series only to ignite the flame of learning about the matter, using its art when well depicted, but we do this with all due respect to the cultures we talk here, grounded by real life sources, cultures and people. And i mean this with respect. Hope you all enjoy.

I am sure that, if you played any Megaten game in the last 20 years or so, you ended up seeing this paper dude. His name is always stated as Shiki-Ouji, and he once shared the same design with the Demon called Shikigami.

The weird thing is that when researching Shikigami on my studies, I never found anything about this one so i put some detective work to find out about the origins of Shikiouji, the (yet another) dude who often repels physical damage in Megaten.

The creature is described in many of the series compendium as a powerful Shikigami, that only the most powerful Onmyoji could summon, and they have a vicious temperament.

When we talk about Shikigami, the first thing that comes to mind are paper dolls. This is no surprise, since Shikigami are summons Onmyoji binds to paper dolls or talismans, so they could interact with the physical world. This is also because paper is a very easy material to destroy, if things go south. Onmyoji are the equivalent of western sorcerer, that followed the Onmyōdō, a esoteric cosmology. It started in the 6th century in Japan as a divination practice, and evolved from there. I won't go into detail, because this is meant to be a short post. But materials about this practice are abundant on the internet.

The main concept concerning us here is the Shikigami. These are basically some kind of familiar, a spirit or demon if you want, the sorcerer could conjure to protect him or do his biding. The Cultural Alliance Brazil- Japan, which i already mentioned in other posts, states that:

''Shikigami can be Oni or demons, that should serve and protect an Onmyoji. Your abilities would be determined by the abilities of his master.

A Shikigami could assume the form of small animals, birds, etc... One Shikigami from a powerful Onmyoji could possess and control one animal. But only a real powerful Shikigami could possess a person.

When an Onmyoji is fighting another Onmyoji, they employ the use of their Shikigami. Some Onmyoji could spot the enemy Shikigami beforehand, and try to convert it to his side with magical powers. In this game, the converted Shikigami would come back to the old master, and attack with double the force. This pratice was called Shikigami Gaeshi.

Abe no Seimei is said to be the most powerful Onmyoji to ever exist. Some rumors say he had twelve Shikigami, while regular Onmyoji would rarely have more than one Shikigami at the same time.''

So, that is a rough definition of what a Shikigami is.

But, when researching this creature you would not be able to regularly find Shiki-ouji. The fastest method for him to appear, was the English Wikipedia article about Shikigami, which weirdly had this part about Shiki-ouji, but offered no source to it:

Having the kanji to Shikiouji, and some keywords, i found someone at Tumblr who asked the same question 6 years ago, in Eirikr's blog.

From there, Eirikr offered a link to a blog post writing about Izanagi Ryu Shikoku. Ryu Shikoku is an ancient folk religion and pratices from the Kochi prefecture. It is still practiced in the area to this day!

In this belief system there is the tradition of the Shiki-kui masks. Which.. bear a very uncanny resemblance to our paper guy, subject to this post:

These masks would be hang above the place the ceremonies of the Izanagi Ryu take place. They would have magical powers that could repel evil spirits, and non believers from coming to the ceremony and disturbing it. They would also serve as talismans, or paper dolls, in a simmilar vein the regular Shikigami pop image you have in mind.

Since they are used to summon spirits, bind them, and as talismans, these creatures can be, technically called a Shikigami.

With this knowledge in hands, i went to the Japanese web. And sure enough, i found this site: The Nippon Foundation Library. It has an article detailing the paper talismans used by Izanagi No Ryu Onmyoji, and their meanings, powers, and also explained a bit about Shiki-Ouji!

Here is what they have to say: (Please be warned that i do not speak Japanese, and used machine translation. Any corrections are Welcome!)

Shikē Ōji is a spiritual entity invoked by the taisa during prayers for the sick and the "toriwake" ritual to expel evil spirits causing illness or calamity. Its birth is described as abnormal, and due to its excessively violent power, it has no place to reside. Usually, it is sunk in the pond of Tendō-nanta, and summoned only when needed to guard ceremonies, to pray as the guardian deity of ceremonies, or as a prayer deity of Jumon no hakase. There seem to be several types of Shikē Ōji depending on their purpose, such as Takata no Ōji for toriwake, Gotai no Ōji for prayers for the sick, and Ōtaka-shiki for insect prayers. Additionally, talismans such as Sangoku Arashiki, Chimura San Ōji, and Sakago no Ōji are handed down, and it is inferred that they were used according to the content of the prayers, although many details of their usage are unknown.

Using the powerful Shikē Ōji against humans becomes a curse. In Kochi Prefecture, "hitting a ceremony" is widely used to curse people. Many people use this term without understanding its original meaning. "Hitting a ceremony" refers to attacking someone using Shikē Ōji. While Shikē Ōji can benefit people if used for good, it can harm them if used for evil. Talismans of Shikē Ōji, possessing such terrifying power, often have several incisions on them, each containing twelve notches, giving them a rough impression. However, unlike talismans found in mountains and rivers, they do not seem to have incisions for eyes or mouths. In this regard, they are closer to the cutting style of talismans for house gods and sacred gods. Here, one can sense the emphasis on the powerful nature of Shikē Ōji's talismans while also distinguishing them from strange monsters.

So, as you can see there is some key information about the creature here. But the most important ones:

1- It is bind to a talisman, just like other Shikigami. The text here explains it is a paper talisman with notches, just like regular ones used in religious ceremonies.

2-It has a powerful and violent nature, just like the compendium often indicates in Megaten games. It seems hard to tame and use properly without getting hurt.

3-Shiki-Ouji can be powerful and violent, but it seems they dislike being used to hurt people. Instead, they are better employed to use their magic to other deeds. However if you still use them in that regard, they will most likely curse you.

4-Their talismans have twelve notches, no incision for eyes and mouth due to their aggressive nature. This would help to control their interaction with the material world.

I am sure that, if we follow this trail we will find many more sources. Going by key words i found in this text, i found many other sites and books, but since i have no time now to fall a rabbit hole, nor do i speak Japanese... That is it, i think this is a satisfactory answer to where this Megaten Demon came from!

The real forms of Shiki-Ouji

The last thing in want to talk about, is Shiki-Ouji real appearance. Since we have a seemingly wrong impression of they in Megaten, since Kaneko took some artistic freedoms.

First and foremost: From the few things i studies about Shikigami, we know they do not have a real physical form. The paper talismans are just a way to give them physical form. But it was incredibly hard to find a Shiki-Ouji talisman, which was weird because it was so distinguishable. The main reason being that: Shiki-Ouji seems not to be believed to be easy or safe to summon, and also their talismans would be destroyed asap after use.

But with the description i got, it would be this one that matches it the most:

No eyes, or mouth. Twelve Notches, six from each side, and some incisions. Very similar to a regular talisman found in other types of ceremony. Just as the text suggested.

I got this picture from this book:

Tosa, Monobe Village: Shapes of the Gods

Monoba being the village where most of these rituals came from. The book is from 1999, and contains many pictures of actual talismans.

You can see that, aside from the head shape, Kaneko took some freedom with this design. The sources state that Shikiouji talismans should not have a face, nor limbs, since it was too powerful, and should have 12 notches. For some reason, Kaneko drew it in a human-like form, but the face still resembled the Shiki-kui masks. The earlier design of the demon was even more closely resembling the masks:

Shiki-ouji earlier design from Devil Summoner (1996). It was later repurposed as the demon Shikigami. It is almost an exact match to this talisman. I can not however identify the original source.

Shiki-Ouji current design by itself could have been based on this one talisman in specific, at least some parts of it like the head with horned-shaped appendages:

By the looks of it, its face could turn inside out, just like the Megaten Demon can do.

It was sourced by the National Museum of Japanese History, but the post went down. The low quality image of the talisman can still be seen on google, but the link is dead, unfortunately. It seems that this item is still in possession of the Museum in Japan. Kaneko could have seen it in pictures, or in person. This one seems NOT to be displaying a Shiki-Ouji thought.

Maybe the Kaneko take is that Shiki-Ouji was summoned with limbs, and facial features and became much more stronger as a result? We may never know...

And finally there is also an occult book that i found in Amazon Japan that is called: Exploring Izanagi No Ryu: ShikiOuji.

It is supposedly a manual on how to practice Izanagi no Ryu, and magics. I could not find the book online, just the summary. But it mentioned nothing about Shiki-Ouji. Probably has some sort of tutorial to summon it, in fact i was able to find many of those tutorials on the Japanese web.

Now, that is it. I think this puts to rest a little bit of mystery involving the origins of this specific demon. Kaneko sure took some freedoms, but it is still one of the more popular and recognizable characters in the series.

Final considerations:

This most likely is the answer to its origin, but i am not some sort of owner of all truths, so feel free to correct me in anything i said wrong. I am still an amateur scholar, and even if i do know a lot about mythology and ancient religions because i read many books and study a lot of hours of my days, i am by no means a specialist in Japanese Mythology specifically, specially Shikigami practices. The reason is that, i find it very difficult and time consuming to research Japanese sources, since i do not speak Japanese. I will one day, try my best since there are a lot of good Yokai to cover in future Scientific Papers.

I can, however, guarantee that i did my best possible effort in a deep search!

And i have spent a lot of time looking through pictures of Shikigami talismans, and i found some really cute. Like this one. What a whimsical little fella...

[jewishcissiekj]

Since Asajj Ventress appeared in recent media and is set to appear in future shows and Star Wars content, I've seen a lot of people starting to read Dark Disciple. but besides that book, there are so many stories featuring Asajj over her 22 years of existence. So if you are looking for some recommendations and entry points to Asajj outside of the TV shows, here are some recommendations to get to know her a bit better, in both the Canon and Legends timelines:

(for anyone looking for a definitive list of everything she's ever been in, I also have that)

for anyone looking for just the list of recommendations without all my babbling, scroll down to the bottom, it'll be there.

Canon

Dooku: Jedi Lost Audiodrama - Script by Cavan Scott, preformed by full cast (also available in Script format) Starting off, this masterpiece. Telling the dual story of Asajj and Dooku, Jedi Lost is genuinely some of the best Star Wars content out there, in my opinion. Taking place early in The Clone Wars, it tells Asajj's journey battling her ghosts and uncovering her Master's history. It requires only the context of the prequels and The Clone Wars, and I wholeheartedly recommend it to anyone who likes the Prequels, Dooku, or Asajj.

Brotherhood - by Mike Chen Continuing with the book that serves as an introduction to Asajj in canon (chronologically), Brotherhood presents an interesting take on her first meetings with Anakin and Obi-Wan. She's far from the main character here, only supporting the book's plot as the villain and the initiator behind some of the troubles Obi-Wan faces on Cato Neimodia. This Asajj is more calculated, working behind the scenes while still facing off face to face against Obi-Wan and Anakin, and it uniquely handles her character. The book is a Clone Wars adventure taking place before and it requires only the movies' and TCW's context, once again. *While technically taking place after Hyperspace Stories #5, it contradicts that issue's events and makes more sense if it takes place before, so I listed it first (for more info on the contradictions you can go here)*

Star Wars: Hyperspace Stories #5 - Written by Amanda Deibert, with art by Riccardo Faccini (Variant cover by Cary Nord) Taking place shortly after Anakin's knighting, before The Clone Wars show, this is a short and interesting comic story for Asajj. While tying into an over-arching plot of the series, this issue stands alone well. Simply put, Asajj is sent to retrieve a mysterious item by Count Dooku and encounters Anakin and Obi-Wan in the process. It has fun art, fun dynamics, and it's really good.

Worthless - a short story from Stories of Jedi and Sith - written by Delilah S. Dawson with an illustration by Jake Bartok This one is not as set on the timeline, but we do know it takes place while Asajj is still working for Dooku. In short, without too many spoilers, Asajj falls into a pit and has to trust on a Clone Trooper's help to get out. The story is a part of an anthology, but it completely stand-alone on its own. If you can read it on its own, I recommend it, but the rest of the book is also very much worth it if you want to buy it for the story. Dawson captures a version of Asajj that rarely gets attention, before the Nightsisters, and manages to show her identity and tell a wonderful story without that tool that's often overly used (in my opinion).

Star Wars Adventures: Return to Vader's Castle #3 - Written by Cavan Scott with art by Francesco Francavilla & Nick Brokenshire Jumping forward in the Timeline, we have another Asajj story by Cavan Scott! It has Bounty Hunting, A baby Sarlacc, pretty art, fun coloring, and Asajj. So what's not to love? Like Hyperspace Stories, Return to Vader's Castle also has an over-arching plot, but that's 4 framing pages of Vaneé being a bitch and has no effect on the rest of it. Solid stuff. (it is also the source of the first picture in this post)

Sisters - a short comic story from the Age of Republic Special - written by Jody Houser with art by Carlos Gómez Next, we have a wonderful short story taking place just before The Clone Wars episode "To Catch a Jedi". In just a few pages, Jody Houser brings conflict and personality to Asajj's time on Coruscant. And there's gorgeous art.

Legends

While Legends, and especially the comics, have some of my favorite stories with Asajj, it's hard to recommend individual issues. They can be stand-alone but still connected and ingrained in the ongoing story of the comics. But I tried to hand-pick the best for introduction and knowledge of who Asajj is a character there. So I won't recommend the 12 issues she's in, I set myself the limit of sticking with the same number of recommendations I had for canon.

Star Wars: Republic: The New Face of War - 2-issue Comic arc - written by W. Haden Blackman with art by Tomás Giorello Although I'm assuming you all have at least a passing familiarity with Asajj's character, introductions are still important. And, yes, Asajj first appeared in a different comic and after a month or so in Clone Wars (2003), but chronologically, in-universe, this is her first appearance. The Face of War is comprised of issues #51 and #52 of the Star Wars: Republic comic series, and although Asajj is only in the last page of #51, it's necessary context. This one isn't a must for me, but it sets the ground for her. And it's good. Giorello's art brings a unique perspective to Asajj's character, and by that I mean it may not be to some people's taste. So take your pick with this one.

Star Wars: Republic #53 - written by W. Haden Blackman, with art by Brian Ching If the last one isn't a must, this one is. It is a stand-alone adventure, almost feeling like a (better) TCW episode. Obi-Wan is off to infiltrate a Techno Union base with a team of all-star legendary Jedi that are introduced, and everything goes wrong when they run into the Confederacy's best, Durge and Asajj Ventress. I say it's a must because it establishes the nature of the rivalry between Obi-Wan and Asajj, and gives us such a sense of who those people are. It also lays the foundations to my next comic recommendation.

Dark Heart - short story by August and Cynthia Hahn This one, a 1784-word story, originally published on Wizards.com as a part of The Living Force roleplaying campaign, is definitely not a must, but it's barely 2k words, just read it. In all seriousness though, it captures Asajj's essence and I just. love it. You can read it right now, that's the link in the name, it's up online for free legally. While it is a part of the RPG campaign, I read it individually and had no trouble at all.

The Cestus Deception - by Steven Barnes (The Japanese cover is prettier and has Asajj, ok?) Obi-Wan Kenobi and Kit Fisto head to the planet Ord Cestus to try and convince Ord Cestus's government to ally with The Republic. But under the surface, a mysterious scheme had developed and it gets messy. Never ask me to write a publisher's summary. Asajj is the villain of this one, and I don't have much to say about it, but it is good. Fair warning: it hasn't aged the best in my opinion, and not even in a politically correct sense, some of the descriptions and relationships were questionable at best. If you like Kit Fisto and political adventuring and Clone Wars fights and a mascarade ball, if I remember correctly, this one's for you. It's not much of a story for Asajj but it is a fun read.

Star Wars: Republic #60 - written by W. Haden Blackman with art by Tomás Giorello I have never ever not once said it but this right here is my favorite Asajj story of all time ever. It does require context, though, so here's it: after the battle of Jabiim, Alpha-17 (Legends Arc Trooper, you may have heard of him) and Obi-Wan (a staple in Asajj's stories, he needs to gtfo women's business) are blown up and declared dead. Turns out Asajj Ventress has been holding them in her castle on the planet Rattatak and this is the daring story of their escape. In this issue, Asajj's origin story is revealed, before the Nightsisters had anything to do with her. More than any other Legends issue, it differentiates greatly from anything you know about Asajj in TCW/Canon. She's a warlord, with armies at her beck and call, a military commander, And it's fun. Her origin story is told in this issue, and it's such a great story that shifted my understanding of her a lot. The art, once again, is by Giorello, keep it in mind.

Yoda: Dark Rendezvous - by Sean Stewart (Japanese cover, once again) Last but certainly not least, the Legends Clone Wars book I've heard the most positive reviews of, and was not disappointed in the slightest. It is as good as they say. The story doesn't focus on Asajj, and she isn't even the main antagonist, but she gets a meaningful role in it and has her place and her arc in the story. It's also my favorite approach to how Asajj would act when she has to deal with children. Worth the hype and an excellent book to read unrelated to Asajj.

Alright, that's all! I hope you check out at least one of these, they're all great. As said before, I also have a complete list of everything Asajj in chronological order. Feel free to ask me anything about the list and the things in it. I can also give a complete comic reading list for her, since it's a bit more than just the issues she appeared in. For anyone struggling with the accessibility of these recommendations, I have a hopefully comprehensive guide in the complete appearances post. And now just this list because I promised that:

Canon 1) Dooku: Jedi Lost Audiodrama - Script by Cavan Scott, preformed by full cast (also available in Script format) 2) Brotherhood - by Mike Chen 3) Star Wars: Hyperspace Stories #5 - Written by Amanda Deibert, with art by Riccardo Faccini (Variant cover by Cary Nord) 4) Worthless - a short story from Stories of Jedi and Sith - written by Delilah S. Dawson with an illustration by Jake Bartok 5) Star Wars Adventures: Return to Vader's Castle #3 - Written by Cavan Scott with art by Francesco Francavilla & Nick Brokenshire 6) Sisters - a short comic story from the Age of Republic Special - written by Jody Houser with art by Carlos Gómez

Legends 1) Star Wars: Republic: The New Face of War - 2-issue Comic arc (Star Wars: Republic #51-52) - written by W. Haden Blackman with art by Tomás Giorello 2) Star Wars: Republic #53 - written by W. Haden Blackman, with art by Brian Ching 3) Dark Heart - short story by August and Cynthia Hahn 4) The Cestus Deception - by Steven Barnes 5) Star Wars: Republic #60 - written by W. Haden Blackman with art by Tomás Giorello 6) Yoda: Dark Rendezvous - by Sean Stewart

tag list: @thechaoticfanartist @charmwasjess @metalatl @redsandspirit @slutshartsstuff @housepartyfortwo @karma-malfoy @thelivingforce

[whitebookposts]

*skitters towards your ask box autistically* do you have any teth headcanons :3

OH MY GOD I JUST REALIZED ITS BEEN A FEW WEEKS AND I STILL HAVEN'T ANSWERED THIS. I AM SO SORRY I LIVE IN SHAME EVERY SINGLE DAY.

Anyway, Teth! Our deeply beloved forest cryptid. I have to be honest, I don't have as many headcanons about her as I do about some of my other fave elders, which is a thing I should work to change because Teth is awesome. But here are some I do have for now:

CAAAAT I think my good buddy @krillking has already spoken about Teth having cat traits in his animal elder post, but yeah. While in my headcanons, the animal traits are less defined, Teth still very much has cat behavior, like her irises widening or narrowing like a cat's, and she likes to sleep in the sun (which is trouble because. Forest is 90 percent clouds and rain. Thankfully she has the yard behind her temple and the sunny forest segment, though due to the whole thing happening in the kingdom, she could visit those comfort places less and less :<) and most importantly - purring. Which she is a bit shy about, so she rarely does it. If you get to catch her purr, it means that she trusts you enough to do it next to you, though she will still be embarrassed if you mention it out loud. (Also do not leave her anywhere near fancy furniture she will try to rip it with her claws. Yes, lamed learned it the hard way.)

TRANSGENDAAAAAAAAA Idk how to explain it but Teth is just so transfem coded. Goes by both she\her and they\them. It just makes so much sense that I don't even need any proof to know that, she has told me this herself. Gotta give @dogedepan for this one though since I stole this idea from her (like many others. Can't help it Chi your headcanons are awesome)

BEEFCAKE Let's be real, TGC is a bunch of cowards for making her slim. How can you look at this woman, who is a blacksmith, and can catch a giant flying hammer with one arm like it's no big deal, and not think that they have some impressive muscle? If you draw Teth buff I am forever in your debt. PLEASE I WANT TO SEE MORE BUFF TETH ART PLEA-

BESTIE Teth and Ayin are literally fated besties, be they platonic or romantic. Even in early concept art, Ayin was described as "Teth's friend" and held the key to her realm, just showing the level of trust between them. Their realms also work with each other really well, with Ayin being the main supply for Teth's factories which is what allowed her realm to grow. I like to think of them being childhood best friends, and that they have been by each other's side through the good and the bad. Remember that headcanon about Teth enjoying sleeping in sunny places? Prairie is perfect for that, and if she decides to take a nap while visiting it is no rarity for her to choose Ayin as a bed for that (soft). I don't really see em as romantic because I already ship Teth with someone else, but as an aromantic person, it's important for me to show intimacy like that even between friendships. Ayin is always there to lend an ear to Teth, being there for her through her worst, and Teth is Ayin's "EXCUSE ME THEY ASKED FOR NO PICKLES". Although, if we go to the sadder territory, their friendship did suffer a falling out during the turbulent era of the kingdom, with Teth closing off from everyone, including Ayin, too caught in her work and darkstone production to meet the ever-growing demands, and that led to Ayin also drowning in work to keep up the light supply. That is not to mention the different world views about light creatures and how worthy they are of preservation.

CRYBABY I just like to think that despite appearing cold and serious, Teth is a very gentle soul underneath the hard facade she forced herself to create due to her position. But if you get to know her you will find a very soft, shy, and caring heart that makes it easy for her eyes to water, be it a happy or sad occasion, even if she is trying to hide it. She is also a pretty big introvert and starts getting nervous during events with big crowds, esp if they have to do a speech as an elder or something. This gentleness and softness hidden behind a cold surface is one of the things that attracted Priestess to her, which leads me to the next point:

LESBIANNNNNN You may know this already but I'm a big PriesTeth truther, which is the ship between Priestess (the original elder of the Valley from concept art, never made it to the final game but there is a pretty popular fanon that she is the mother of the twins) and Teth. Again, I was enlightened about this ship thanks to @dogedepan she is literally the CEO of this ship god bless. I know it's a bit silly to ship her with an elder who never even made it to canon, but I fell in love with the dynamic of the "serious and cold at first glance but soft and gentle on the inside x extroverted, energetic and mischievous but deeply caring and kind" that exists between them. Priestess was Teth's firework, the bright and colorful in the grey and cold of her life. Never had the elder of the Forest loved someone like she did this bright, giggly, and open girl who managed to always make Teth smile. And it hurt all the more when Priestess was lost. After the death of her partner, Teth closed off completely, lost in her work, just to not feel the pain because the grief was overwhelming. She couldn't make herself go to her backyard anymore, because it was the connection between Valley and her forest and where the two met most of the time, being there was just too painful. Some ancestors say that the rain became much more frequent after this loss.

Milf As I ship priesteth, I also headcanon that Teth is the other parent of Sah and Mekh. Unfortunately, their relationship is very rocky. Priestess died when the two were very young, and due to Teth being too lost in her grief, she simply couldn't care for them, causing the two to be raised by other elders (mainly Tsadi, who is their uncle) and kicked around from temple to temple until they were old enough to live on their own. This caused feelings of betrayal and neglect in the two, and it came to the point that they rarely acknowledged Teth as their other parent anymore. And she feels too guilty before them to try and get them back because she believes she deserves this for her mistakes. But perhaps not everything is lost, and some of this relationship can be salvaged if she finally gets brave enough to reach out.

WORSTIE She and Tsadi have a beef. That's it that's the headcanon. It's not anything serious, it's literally a "cat and dog" type of beef, the two can't even tell when it started, it's just that both will use any opportunity to roast each other. Why do I have this headcanon? Because it's funny.

INSANE SITUATIONSHIP Let's just say that the situationship between Teth and Nesting guide still left the latter one staring at her pictures every day for hours.

Hobbies Other than being a blacksmith, Teth enjoys all types of crafts, like sculpting from clay or woodworking. Girlie doesn't need any IKEA, she can make all the furniture herself (I mean, the Nesting guide had to learn this from someone)

Anddddd.... That's all for now! There's probably more headcanons but I can't remember them all rn. I hope these were written good enough and sorry for any grammar mistakes! AND SORRY FOR MAKING YOU WAIT SO LONG I PROMISE I DIDN'T IGNORE YOU DJHGDJGDJ Teth is best forest mama, and I really should put more thought into her, thank you for sending me this ask so i can brainstorm about this gal.

[notmyprey]

Hi! Uhm I’m new, I love your blog! But I’m just nervous I’ll be judged by others that I like this stuff

Hey I am so so sorry about how long it took me to get to this. I have been thinking this over quite a bit, since this is in fact a very serious thing. (I also have been really busy, which hasn't helped in the speed at which I answer asks)

Firstly, thank you! I am always so happy when people find my art/content as entertaining as I do!

Secondly, in regards to the judgment.

Unfortunately, no matter what you do, someone will judge you. But when you want something enough, when you care about something enough, you will find places and groups where that judgment lessens. I have found my place here, a place where, although no one knows my irl name, they know me by a name I answer to. Although no one knows my face, they do know a truer face of myself than many do in real life. People here know me and often know a more freeing part of me.

I think being here, on Tumbler, has been so freeing and overall rewarding. I know you may be scared of the judgment, but there are ways to lessen it. (I will give tips on how to do this later on)

Although our community has its faults, it is kind at heart and truely is trying to do what they think is best to keep others safe. Although many disagree with the methods, it always comes back to the fact that we want to have a safe place to express ourselves. This, our community, in reality, is a decently safe place.

That being said, I know the fear of harassment is very real. So if you guys want my tips on how to avoid harassment, here are some things I've found:

Dont post political views (outside of DNI lists) on your sfw vore blog. This often can lead to people who dont agree with your view on said matter to seek you out for hate. I have seen this time and time again, I whole heartedly recommend a dedicated blog to that stuff, or even creating a new/separate account for it.

Dont spam tags. This is basic, but often overlooked. Make sure you tag your posts right, or people may block you because you did post something triggering and they saw it.

Dont reblog Willy nilly. This can lead to mishaps, such as accidentally rebloging a post from an nsfw blog. Try to make sure you are rebloging from people you know are safe.

Dont threaten, even jokingly, anyone unless you make it 100% clear it is a joke. This goes for your friend, others, and even people who are mean to you. This is often overlooked, but can easily come to bite you in the ass when your words are used to make you look violent and sporadic.

If people criticize you, even unjustly, try to at least think about where those words may be coming from. I have someone call me a pedo in the past, and although I am very ace, I understand it was probably coming from a place of hurt. Whether it was their hurt or someone they knew, it was probably a subject that was important, and if they see any of the same trends as when they/another was hurt, they will point it out. Dont get angry and aggressive, no matter how much you want to. If you need to, step away.

If troll annons start invading your ask box, either turn off annon or stop answering. Answering annons like that too often only fuels the fire, trolls, not haters, but trolls specifically feed off of your reaction. There is nothing for you to often grasp onto in those moments since the face you are talking to is faceless. So, either scarcely answer trolls, or dont answer them at all.

Dont get involved in community discourse when possible. Unless your hand is forced or it is an unavoidable matter, it is best to stay out of discourse. If you still want to know what others thing/help in a muxg safer way, often, I will message others I trust about their views on the matter (or if they are involved asking if they are doing ok), but rarely anything beyond that. Its difficult, seeing people you know be in the rough situations, but often stepping in when not necessary leads to more problems than it does help.

Please note that these are just some of the things I do that help me. Other people may have their own way of keeping harassment away from their blog, but this is mine.