#i want to start posting my art more its very rare that i post it but i draw CONSTANTLY

[yellowflowerzzz]

2018 vs 2024

[soularsss]

Drawing Likeness: with Tem!

okaay since a few people actually showed interest in me sharing a bit of what I've been doing to figure out how to really capture likeness, specifically Temuera Morrison, I figured id do my best to write it out

I am also going to entice you with some of my recent clone art! (oooh some of it is unreleaaasedd)

I am putting the whole thing under the cut because I have a feeling its going to be long:

Read more!!!

a couple disclaimers before we start

-This is not some definite post about how everyone should be drawing clones, nor is it in any way claiming that this is the right way. This is just my musings as I stare at a mans face for way too long and try to replicate it

-I am inexperienced. As kind as you all are to me, drawing real people is relatively new to me, capturing a persons identity through their features is difficult for anybody, and I am no different. I have watched many a video on likeness and had my share of classes, but If im being honest, i rarely put it into practice successfully. So there'll probably be errors in this post or things i will come back to in a few months and wish I had said/done differently

ANYWAYs you guys get my vibe im just here to ramble and today we are rambling about mr copy paste. I am doing this for Law, my clone boy, because I plan on delving further into oc fanart and I want to put effort into representing him correctly!

SO LETS BEGIN

Before even deciding what specific pose of a person I want to draw, I tend to grab a bunch of references and compile them like so

(all of these can be found on my pinterest)

Why so many? Well, we are about to delve into facial features, so when we are dealing with photos we have to take into account that there are an abundance of circumstances that will influence how a persons face will appear, some of these include:

focal length: All of these are taken on different devices, and focal length can play a big part in distorting faces

age will play a part, your face changes a bunch throughout your life!

lighting, while not as major, can muddy the waters and make it difficult to interpret facial planes and features

SO, to make sure we get a proper grasp of what's really going on, I like to make sure we have lots of options to compare and contrast with.

Next up! What I like to do is block out the main facial features with colour on different layers, the features I block out usually are the general face shape, eyebrows, eyes, nose and lips. But what you are looking for is the defining features of a person, so that could include other things! Maybe a scar, or some particularly prominent cheekbones.

I dont have any rhyme or reason when it comes to picking my colours, all that matters is you can see all the shapes clearly.

Now I may be biased, because Ive been staring at these for 4 hours, but notice how it still looks like Tem? :D

Anyways, now we can break these parts down, and you'll see what I mean about compare and contrast:

We'll start with isolating the facial shape, putting all these next to eachother you'll notice they arent exactly the same (partly because of my shoddy work) But the distinguishing features run through each shape! Namely the very soft rectangular shape I sketched out in the bottom right there. Along with his soft, wide jaw structure.

I did the same for the rest of his features!

You'll notice I highlight the prominent shapes and ratios,

When drawing anything, it is important to start from the very base shapes and build up.

When drawing something you want to look like someone, those shapes relative to other shapes is what makes it look like them.

I didnt use the same technique with his eyes and lips, but I wrote out some helpful info for them! More importantly for his eyes.

When drawing eyes, I find the most important part is where exactly I draw the creases, (along with the overall shape of the eye itself) it is important to understand where those will present themselves with hooded eyes.

NOW, with an understanding of his facial features in place, lets take a detour to colours:

before I start, a couple things to note:

-Temuera morrison versus the clone troopers in the animated shows:

While I love the animated shows they don't exactly stay close to their source material. Im going to link here to an excellent post discussing whitewashing specifically in relation to the clones.

Temuera is Māori, of Te Arawa (Ngāti Whakaue) and Tainui (Ngāti Maniapoto, Ngāti Rarua) whakapapa, and also has Scottish and Irish ancestry.

The Māori people are the indigenous Polynesian people of mainland New Zealand (Aotearoa). Māori originated with settlers from East Polynesia. Māori people often vary in skin tone, Skin colour doesn't determine ethnicity. There's often a correlation but it's not a requirement.

But that is a tangent! What we are aiming for is to stay true to Temuera.

Bringing back my reference photos from before, Ive colour picked a buncha values and theyre all over the place. Why doesnt this work?

Similarly to earlier, you have to take into account the photos themselves. Many things like lighting, colour grading (when it comes to filmography) and makeup, can alter how a skin colour presents in photo.

You can attempt to get true to life by swatching from certain places on the face. Here I've tried to pick some photos with good lighting, and I've also tried to avoid overly lit/shaded areas.

Tem has a very warm, tan skin tone, Instead of colour picking I tend to try and replicate it myself, but I do often bring in references to make sure Im staying true to the source!

a brief intermission to talk about colour theory, something I myself struggle with alot. Often, when putting in flat colours without a background, I will forget to make sure the colours i intend to use will work with the skin tone i have picked! (something that is apparent in older works of mine, not just in relation to clones, but in general, the colours I end up with stray largely from their original sources and it is something I am doing my best to keep in mind and improve in! Although I don't think i am nearly experienced enough in the topic to say I have succeeded yet lol.)

anyways back to Tem :))

Now we can put all of that into practice! Things to keep in mind when drawing out a piece next to a reference like this:

the distance between the eyebrows? how far down his face does his nose go? Basically just, in relation to eachother, where do all those shapes we found earlier, sit?

The screenshot above is from before I did it myself, but instead of directly tracing from the reference, a handy trick I use it to complete your sketch first, and then overlay a traced version to see where your inconsistencies are! Alternatively, you could move your sketch over the image, but I didnt do it that way so!! uh!! im sure it works exactly the same!!!!

When it comes to a final illustration, or any sketch that isnt a direct study, of course you can push and pull and stylise! You'll see below that I'm not exactly 1:1 to my reference photo either.

The important thing with stylisation, or at least my own personal understanding of stylisation is that you need to thoroughly understand the thing you are stylizing! "You need to know the rules to break them" and all that. While shapes, lines and rendering can change, when it comes to drawing someone, and making it look like them, you have to make sure to keep their core features true to source. Caricature can capture a persons vibe whilst drastically exaggerating features, but it will only look like them if you KEEP THOSE FEATURES!!!! SHAPES!!! AHHH!!

But that is just my perspective on the discussion of style versus realism, please dont take is as Law, I dont know what Im on about half the time!!

anyways, after fixing your sketch, add local colours!

I rexified him because why tf not! But this is where you can go crazy with that clone personalization!

And then here is a very very barely rendered version (if you guys want me to explain how i RENDER that would need to be a completely different post, and I havent had anyone ask about it yet so who knows! maybe one day) But I digress, hopefully you learnt something new through my ramblings! It has certainly helped me organize my thoughts and I have also found some areas I would like to focus more on in the future to improve my own art!

TLDR: In order to understand an object, be it a face or a building or literally anything, you have to break it down to its simplest forms, understanding LARGER shapes will help you immensely in the long run

If you guys like this sorta content do let me know! I'd be down to do similar things for armor/anything really, I am very anti gatekeep so really anything at all you want to know! Send me an ask :))

also if you see a spelling mistake.. i don’t know how that got there

[starry-bi-sky]

miscellaneous danyal al ghul things

specifically about the danyal al ghul from my post/prompt here and i wanna get my misc. headcanons/thoughts on him (especially in his early stay with the fentons) out here before i make any other danyal al ghul aus

list under the cut because whoops this got longer than i expected. which really i should have expected

the Fentons are unaffiliated with the League, which was perfect for Danny faking his death.

he struggles with empathy. Empathy was not taught nor encouraged while he was with the League, so it's a skill that's been pretty stunted. At 15 he's better at empathizing with people, but he still struggles with it. He's pretty bad at reassuring/comforting people and usually acts as an emotional rubber duck for Sam and Tucker to vent to if need be. He sometimes offers blunt and sometimes mean opinions, especially if its about another person.

Sam and Tucker do not know he's an ex-assassin, they are however, pretty positive that he used to be part of an eco-fascist cult with a focus on martial arts?? They've been helping him tone down some of his more,,, extreme views on humanity ever since they caught wind of his more extreme ideologies.

He and Sam are still avid environmentalists and feed into each other quite a bit. They spend plenty of time at protests and pestering the school into more eco-friendly options.

Dash is not dead on the sole fact that Danny knew he had to lay low in Amity Park and killing someone was not, in fact, 'laying low'.

he did, however, traumatize him when Dash first tried to bully him. Safe to say, Danny is not bullied at school and neither are Sam and Tucker.

Danny didn't make any friends in his first year at Amity Park. He was surly, grumpy, standoffish, more stubborn than Sam, and pretty self-important about himself. Jazz was trying to teach him against these things, but she is a 12 year old unaffiliated with the League. Danny did not respect her nor listen to a word she said. It wasn't until like, year two that he finally started paying to mind what she was saying and slowly started to improve on himself

Sam approached him first, he rebuffed her quite harshly, and then Danny approached her sometime afterward when he overheard her talking about environmental rights. Sam completely ignored him though when he agreed with her, and Danny had to later learn that he needed to apologize for being rude to her when they first met. He did so eventually, and they started to talk more with Tucker and Sam.

Danny's a bit more reserved than he is in canon, although he steadily learns how to act as a regular teenager when he's out in public. He's a bit more friendlier at least, although when he's around Sam and Tucker he drops the act. He still has a somewhat formal way of talking, it's just become more casual after a lot of ribbing from Sam and Tucker. When he's angry or annoyed he starts talking poshly though.

His humor is relatively the same as in canon, if somehow dryer and more insulting at some points

Those rare moments where he gets really pissed usually ends up with him insulting someone in arabic or any of the other languages he picked up from the league. He is the go-to for Tucker's Spanish homework. (Tucker makes that mistake and learns that Danny is a very strict teacher)

while Danny doesn't view the Fentons as his parents, even five years after living with them, he does respect them to some amount. He respects them enough at least that when Vlad Masters comes sniffing around, he is suitably offended on both Maddie and Jack's behalf. And when he finds out Vlad was the one who tried to kill Jack and tried to tell him to renounce him as his father/parental guardian, danny threw a suitably sharp object at him and insulted him quite horrendously

Vlad still wants him as his kid. In fact perhaps even moreso after this.

Danny trains with Maddie to keep up with his training. It's not quite the same but it prevents him from getting completely rusty

Sam and Tucker know that Danny has a little brother, but nothing else beyond that other than Danny cares about him quite a lot and that he got his facial scar from keeping him safe.

Danny cares about Sam, Tucker, and Jazz quite a bit, but he struggles to convey it. Especially early on when he realized he cared about them and like instinct started being harsher to them and more critical of their actions. This resulted in quite a few arguments with Sam and Tucker and Jazz until he got sat down and told outright that the way he was treating them wasn't okay. It's a process he's still trying to unlearn even at 15. He has become kinder towards them as a result, and has begun looking for what they did right rather than what they did wrong.

He harbors a lot of guilt over how he treated Damian in the League, and its a pretty big conflict he has with himself since he's torn between telling himself it was for the best to make sure Damian survived the League, and feeling like crap over how harsh/critical of Damian he was and realizing that he probably could have come up with a better way of training him despite being a child himself at the time. Danny comes to the realization that more than anything, that he just wants to apologize.

His ghost form, specifically is outfit, is a combination of his hazmat suit and his uniform from the league, and he carries a sword with him. He also doesn't know how to react to Dani, honestly. Although it is fair to say that he figures out she's a clone instantly because of her whole 'I'm your third cousin once removed' thing and he freaks out. She spills the beans pretty quickly after that. And Danny is pretty skittish around her - or the equivalent of skittish. Her being younger than him kinda reminds him of Damian, so he's uncomfortable by her presence but learns to warm up to her.

[spuirrelwiththeletterp]

cutely slides in the yap post about their Sans AU that was previously accidently posted and jumps out of a window 😊

I've posted some art of my kid, but haven't given their name(I did) or any other info. I will eventually make a proper info post on them, but for now...

this booger right here is Error Print Sans, or just Print Error (or Error Print)

an absolute feck ton of words under the cut that's me just throwing up my thoughts ⇓

they originally started out as a passing thought that was just Error!Sans but CMYK colors, which evolved into a whole different character who didn't even have anything CMYK going on and I forgot about them for around two or three years until I re-entered my Undertale/UTMV phase recently. seriously disliked the character and the direction I took them in so I decided to start from scratch, took the original CMYK concept, and Print Error was born

am still working out their lore. I have ideas for some events that led to their current state, though how they got into the Anti-Void or why their attire changed after becoming an error is still beyond me

I called them Print Error because inkjet printers use CMYK ink and they're an error (very creative ik) they also feel weird being called just Print but they don't know why

even though I made its design with the CMYK color model in mind, its more CMY than CMYK due to actually not having any black, the way its body works just makes it look like it has black↴

Print Error's being is composed of 3 overlapping color layers (cyan, magenta, yellow) that each depict how much of that magic they have. less saturated colors means less magic left, and running out of all three colors will leave Print Error in a mindless "no color" or "all white" state where they can't use any magic unless they absorb color through physical contact

the alignment of Print Error's layers reflect their mental state. more misaligned layers means more mentally unstable or intense Print Error's emotions. more aligned layers means Print Error is more "there" in their own chaotically fragmented way, but layers rarely ever align too closely...

Their body is not affected by lighting, which means they stick out like a sore thumb with their bright colors and vantablack bones (it's already hard enough to just make the effect, shading them would just be an absolute nightmare 😭)

Print Error's strings are much thicker than a typical error's and come from both its eyes and mouth. Print Error can additionally absorb CMY colors from objects/beings with its strings

Print Error's attacks (bones, gaster/printing error blaster blasts) come in cyan, magenta, and yellow, which all have their own properties, but Print Error can't control what color their attack will be half of the time

Print Error is cold to the touch but has thermoanesthesia, so it doesn't know its a walking ice cube. its confused why others react so weird when coming in physical contact with it

Print Error does not understand social cues and personal space. they're often in a chaotically playful mood, though not always

Print Error is morally grey and can't tell the difference between good and bad, everything is neutral to it... apart from mistakes

Print Error's thoughts are inconsistent, usually jumping from one topic to another, having multiple thoughts at once, or not having any thoughts at all. it usually "lives in the moment", often going with the flow

Print Error's fragmented mind kind of leaves them absent minded most of the time, getting easily distracted and forgetting things like it's nobody's business. though they can often hold their focus if they're intrigued by something

even with a horrible memory, Print Error can remember things at random, though often it's something that it was previously intrigued by, or just something completely random. either way its gonna forget not even 2 seconds later

Print Error deeply believes that any mistake, no matter how small, can be catastrophic, causing them to have a sort of perfectionist mindset. they try to avoid making any mistakes, and punish themself over any mistakes they do make (leaving out details)

if Print Error witnesses someone else make a mistake, there's a chance their mind might not register it, but more often than not, will get seriously exasperated at the person for making a mistake and might even crash out of frustration. not because of the mistake itself, but more so out of fear for the person, though Print Error doesn't recognize the feeling nor reason behind it

though they do heal quicker than usual, it's a double-edged sword as it subconsciously encourages Print Error's more self-destructive behavior

I originally had Print Error have excellent depth perception, until I thought of Print Error seeing everything in the same layered effect others see them in. definitely gonna explore that idea!

there are many more ideas I have for Print Error but I don't know how to "coherently" include them so those are gonna be revealed over time 😉

If anyone wants to ask anything about Print Error, feel free to ask! I would love to answer any questions about them and I got nothing but time!

been stressing over this post for like two weeks and I just set a deadline so I wouldn't tweak things till the heat death of the universe

was heavily inspired by @ossiethegreat's Static Hue/Error!Color post to make my own rant on my own kid, so there might be some similarities cuz I am oh so ✨️creative✨️. link to the post because I absolutely loved reading its ideas and I love Hue

I AM SO SORRY OZ IF YOU DID GET A NOTIFICATION FOR THE UNFINISHED VERSION OF THIS POST THAT WAS NOT SUPPOSED TO HAPPEN I AM SO FRICKING SORRY 😭😭😭

I really tried to explain my thoughts and I feel like I failed in certain areas 😭 I struggle with explaining my ideas and especially the more in-depth ones, so some things might change if I find better ways to explain them

I definitely plan to share more of this gremlin, and especially if more than one person is interested in them!

also found some older drawings of Print Error I made previously but didn't share, so I'm sharing now because I don't think I would have shared these at any point in the future

also a lil lore one 👀 which I like but also don't like

[umahumahumah]

How do you recreate the Hetalia artstyle so well

ok so.. .uhhhhhhhhhh honestly i dont even know how. which is why i am obviously qualified to make YOU, yes you, the person reading this, a tutorial

i psoted an incomplete tutorial on the hetalia art style some few months back and when i look back at it now, some things are just straight up wrong or need clarification (also its the same post where i accidentally sent multiple death threats to a random sex worker thinking they were just a porn bot oopsies) so if you guys still remember that, forget about it! all of it!!! this is a brand new, more accurate guide on how to draw himas style!

(quick warning though im just a weeb not a professional teacher by any means so dont take this as gospel and dont get mad if i got something wrong or something is confusing)

himastyle tutorial! (the better one) part 1

(link to part 2 here)

ok lets start off with the

HEADS

this is just the way i start drawing my heads personally. if i had to describe it, its basically a simplified stylized version of the loomis head method. proko has a good video on it! just give that a quick watch then take a look at my step by step guide

but besides this, there are some important things about the head that you should remember

the shape of the head is generally rectangular

compared to more typical ikemen styles, hetalia characters have a more rectangular head. HOWEVER their chins taper off to a very triangular shape. rarely do the chins flatten out like the guy on the left.

2. shorter face = younger/more feminine appearance

well... self explanatory. you can see in the diagram how changing the length of the face gives a character a more feminine/childish look.

if you feel that something looks kind of off, feel free to change it, but if it looks okay then lets move onto facial features!!!

NOSES:

ok so this might seem a little weird but i like drawing the nose first. its right in the middle of the face and is generally the easiest to get right. it also kind of acts as a divider between the eyes, especially useful when you're drawing in a 3/4 angle

which kind of look something like that i guess.....

or that if you want something less extreme

anyways while hetalia noses are kind of inconsistent they generally have the shape of these three lines. feminine/childlike characters have a smaller and subtler nose though

noses also never face fully straight ahead, so when drawing a front view, the nose slightly faces right or left (tbh himas characters rarely face the camera head on, so id refrain from drawing frontal views altogether but thats just me)

anyways lets move on to my second favorite part of the hetalia art style

EYES:

the eyes are the most important part of himas style. if all else fails, you can always recognize the style by the eyes. luckily for you, the eyes really arent complicated compared to other anime styles :D here is how i do it:

(feminine and childlike characters have bigger eyes)

you have probably noticed this but the pupils hima draws now has a more squiggly teary-eyed look compared to the pupils he drew then...

i subcounciously do a mixture of the two because i got used to drawing the old type, but if you wanna draw the new type of pupils just take note of their squigly shape and that they have one dominant highlight in the upper-middle area. uhhh.. or if youre like me just draw the old eyes as if you have parkinson's

anyways heres a step by step guide

and some fun eye variations!!! you can try using variants if youd like to give an oc a more unique look (you can also try making your own variants too but be careful of straying too far from the style)

so now about the eyebrow and the eyelid.... uhhh the eyelid doesnt really have a consistent length so just draw it however. feminine and childlike characters have thinner eyebrows but even then eyebrows should never be drawn as just a single line

we are close to finishing the face!!! now we can move onto

MOUTHS:

if you know how to draw a typical anime mouth, then hima mouths is easy peasy!

for closed mouths just draw a curved line with two dark blots for the corners of the mouth

i think that giving them a shaky look makes them look more expressive

open mouths are just random blobs, dont close off the bottom though, and theys till have those dark blots at the corner of the mouth

now then i'll move onto the

EARS + CHEEKS:

i decided to combine these two since these are probably the easiest parts of the face

hima's ears are pretty round and don't really vary in shape. inside the ears though....

it isnt very consistent, so don't think too hard about "getting them right". above are some ear variations i drew from one of the latest chapters of the manga

the cheeks are just a bunch of lines that can appear fully, or only on one cheek, or don't appear at all. i think it depends on level of detail, angle, or the character's emotion

these lines do not appear on rendered pieces

also if a character feels especially displeased they will gain heavy eyebags

so yay! we're pretty much done with the face!! look forward next time to where i cover hair, the body, and other stuff idk... i'll link the other parts to each other when i complete them

[coltishcaterpillar]

Unmasked / Platonic!Father Alastor x Teen!Daughter Reader

Chapter I: Introduction

Summary:

Two days after the Extermination, a bored Emily reads through private records of Heavenly residents and sinners alike.

During her mindless scrolling, she comes across a vintage diary smelling of old paper, from the late 20s-early 30s. It details the life of the teenage adopted daughter of the Radio Demon; up until her death at aged 16 on January 11th, 1934.

WARNINGS: Mentions of Racism

April 4th, 1932

Have you ever seen a top hat, what one really looks like on a person?

Neither have I, until today. At the end of Merritt Street, there’s a small accessories store that sells jewellery and clothing alike.

I used to frequent there, but I’ve never been a fashionable girl. I’m a larger fan of browsing; just admiring the beauty of art from afar, rather than acquiring it.

I never realized how much I missed the little establishment until I saw my favourite businessperson; Anne Brewster. A short, tout woman she was. Her skin had a grey tinge to it, a pointy nose that popped out her features; bright brown eyes and hair as white as pearls, short and thin as straw.

I greeted her with my usual demeanour. Quiet and curt, a straight wave and a superficial smile. The woman has a tendency to chatter; most of the time I don’t have time to interject, so I just listen.

I went in the shop with Elbert Graves; a fellow classmate of mine in mathematics. He’s not my ideal source of company, I’ll admit. I get along much better with other girls, but this helpless boy is always on my tail, and I can’t bare to tell him to get lost.

We came across a jet-black top hat with a golden ribbon wrapped around its rim. It was on display, but there was no glass so we assumed we could sample it. Elbert looked utterly ridiculous in it; far too flashy, and way too gigantic for his pea-sized head.

I managed a small laugh, as that’s the reaction he would’ve wanted from me. Ever the jokester…

I took a seat on the cushioned chair in front of the store’s entrance. Whilst Elbert was fooling around with other gadgets, Anne took to speaking with me.

She spoke a great deal about her grandchildren, and then inquired me about Papa.

Pa doesn’t usually wander about these places, but he knows Anne from university; they attended the same one in Shreveport, in September of 1908. Pa wanted to become a broadcaster post-secondary (to which he achieved) and Anne wanted to edit the local newspaper part-time; she was getting old, but didn’t want to stop working. She didn’t end up pursuing it, however, she dropped out her third year to take care of Rachel (her eldest grandchild who was 5 at the time.) Then, she inherited this business when Mr. Brewster, her father, died. He owned the shop.

She asked about his job was working out for him. Pa never speaks about work when he arrives home; usually he’s more interested in my daily activities. I don’t listen to Pa’s radio channel anyways, because the subjects he covers doesn’t appeal to me.

I just told her he was thriving; because in a way, he was. Pa was rarely in a sour mood. Of course, he gets moody when I do something out of line from time to time, but his attitude is always uplifting.

Elbert excused himself to the restroom at the back of the desk; that’s when she started talking about adolescent things. Boys…..

“Elbert is a such a handsome boy, don’t you agree?”

“Not particularly.”

“Oh? Why do you say that?”

“His chin is too long, and his head is too small for his broad shoulders. Not to mention his personality isn’t to my tastes. He’s far too extroverted and cheeky.”

“Oh, come now, my lovely. Surely, we can’t all be picky! What ever will you do when you grow into a young woman? Who will be around to take care of you?”

“Pa will, no doubt.”

“Oh, don’t be silly. Your father will be far too senile to care for you when you’re in your prime! You need a strong man!”

“Too senile?! Surely, you jest. Pa may be lanky, but he’s very capable. He was only twenty-five when he adopted me, he’ll only be middle-aged by the time I’m an adult.”

“You say Elbert is cheeky, but I see a lot more cockiness coming from you than I ever have with him.”

“Only an outside observer can properly assess my personality. Perhaps you just see my persona differently than I.”

“Is that so?”

The bell hanging from the door rang; in came a man, dressed in a business suit, a large briefcase held in his right hand. He had been more wrinkly than I had last seen him: Anne’s partner, Mr. Devereaux.

He has a very thick Yorkshire accent; Anne and him met while she was on vacation in London; Mr. Devereaux was studying photography. When they first met in late 1864, they weren’t sure whether or not they could ever be together. Anne is a very brown woman, you see. Very. Mr. Devereaux is about as white as a sheet. People often look down on….colourful couples…? More harshly. They aren’t allowed to be married, so they had to improvise.

Forgive me for not mentioning this sooner, but Anne is actually good friends with my Grandma. Pa is half-Creole, you see, and my Grandma’s roots come from there. So, the Brewsters are actually well-acquainted with my family.

Mr. Devereaux sat his briefcase beside the door, across from where I was seated. He flashed me a toothless smile; quite literally, since they all rotted out of his mouth due to age.

I gave him a curious look back.

“Back from business, old man?” I tease.

He chuckled; giving me an affectionate pat on the head.

“Oh, well, look at you! Already at it with the nosy interrogation, I see! I’ve missed you, sweet girl.” He smiled.

I narrowed my eyes. He didn’t answer the question….

He turned his attention to Anne quite quickly. Leaning over the desk, he planted a kiss on her forehead.

“The trip went smoothly,” He told Anne, “Janice sent you a letter. It should be in the mail soon, my darling.”

Janice was their daughter.

“Lovely.”

He turned his entire body so it faced me, with an inquisitive look on his face. He then turned and whispered to Anne,

“Al is out late again?”

“I don’t know, my sweet. I’ve seen her out and about all day with Elbert, he must be. It’s nearly nine.”

“I thought his radio shows were done by four?”

“Perhaps the schedule’s changed, dearest. Let’s not be nosy, it’s not our business.”

I let out a deep breath through my nose, standing up. Pa likes to hang around a few stores after work, so I tried my best not to let their observations get to me. Perhaps he was already home!

Anne leaned over from behind Mr. Devereaux.

“Could you go check on Elbert, hun? He’s been in the restroom for quite a while.”

I sigh. Without a response, I head toward the back desk, into the small hallway that had the restrooms.

I knocked on the door, firmly.

“El?” I addressed him by nickname.

“Mhm?” His hun echoed off the door.

I raised an eyebrow. “What have you been doing in there these past fifteen minutes? It was eight-forty when you went in, it’s five to nine already!”

Within seconds, he came out of the door, an awkward smile plastered on his face. A blush dusted his cheeks as well; I narrowed my eyes at him. Did he have the runs?

“Finished?” I asked him without judgment.

“Yes.” He said, curt.

I lead him back to the entrance of the store, passing Anne a smile. I turn my gaze back to Elbert.

“I’m going to be leaving now. I hadn’t realize how late it was. Will you be alright on your own?” I asked, a tint of concern in my voice.

“Of course. See you later?” His tone was hopeful.

Without a pause, I said, “Yes, I’ll see you later.”

I said my goodbyes to Anne and Mr. Devereaux, and sent my regards to Janice.

When I exited the store, it wasn’t as dark and drab as I thought it would be; I still heard birds chirping, and I could see my way almost perfectly. Just another perk of springtime, I suppose.

When I arrived home, Pa was indeed on the couch, his legs crossed, with a newspaper in hand; black coffee was situated on the side table.

“Home at long last, my dear!” He put his newspaper down; and I ran over, kissing him on the cheek.

“Sorry, Papa. How long did you have to wait?”

“Oh, not long at all!” He chuckled heartily.

I turn over to the rounded wooden table in the dining room; a large cloth bag sat on it; my eyes lit up in curiosity.

“Now, now,” Pa waved his finger, “I know that dangerous gaze. Don’t go peeking around my things, dear.”

I put on a thinned-lipped smile, leaning on the armrest.

“What, do you have something to hide, Papa~?” I leaned in, teasingly.

It was meant to be a joke. A rhetorical question. Yet, I couldn’t help but notice his fist clench up, if only for a moment. His body language was saying something different than what his mouth was.

“Is it really too much to ask to keep yourself out of my business?” He bit his lower lip.

When Pa took that tone with me, I knew it was time to pipe down. I decided to change the subject, sitting next to him on the couch.

“Elbert and I took a stroll around the avenue.” I said, tracing along the armrest.

I could FEEL Pa’s eye roll without even looking.

“Out with that wretched boy again, are we?” He took a casual tone as he sipped his coffee, but I knew the mere thought of Elbert irked him.

Pa has never interacted much with my friends, so I thought El would be another drop in the ocean. I think his hatred of him has something to do with that one time he came over here.

Everything was alright until dinner time.

The few hours earlier, Grandma treated us with a generous amount of Jambalaya. She always makes the best, after all.

Elbert made an….observation? While we were eating and it made Pa freeze.

“This is some slave food! Who made it, a peasant?”

All I remember was Pa’s grip tightening so much on the fork. I leaned over to where he was sitting and rubbed his arm a little.

I disliked the comment too. That was my Grandma he was speaking about….

After El left, I noticed Pa staring at the wooden spoon on the shelf. I know that blasted piece of cutlery all too well….

Pa is good at discipline. Even when my other friends came over, he’d always make an effort to chastise them if they didn’t say please or thank you.

Long story short, I think Pa wanted to beat El. That’s probably why he was showing such immaculate restraint at the table. I can’t imagine another person disciplining somebody else’s child would go…smoothly, anyway.

He had valid reason to hate him, I suppose. I’m not fond of Elbert either, but…how do you find it in your heart to say no? I suppose I’ve never really had a backbone, but…it seems that he’s really fond of me.

“How was work?” I asked with a smile.

“It held all of its classic theatrics! You should find it in your soul to listen to my shows, my dear.” He beamed.

I was deep in thought.

“Don’t I hear enough of your voice already?”

Pa chuckled his little chuckle that always made my chest warm.

“You can never have too much of your father!”

Time went on as usual; a few moments later I decided to pack up for bed; Pa went upstairs to get his radio ready to listen to. He always does before he sleeps.

I took that as an opportunity to ponder; I turned my gaze back to the bag on the table. Pa notoriously hunts, but it was far too late for food, so it made me wonder.

I slid toward it with my socks against the hardwood. I breathed in deeply; perhaps there was a certain scent? All I could smell was the dusty fabric; nothing more.

With a sigh, I decided to leave it for now. Maybe it’s….best that I don’t.

Y/N

——————

Emily blinked once. She recognized the background; that this child of one of the hotel staff in Hell.

Taking the historical piece of literature to St. Peter, she inquired,

“St. Peter, hi! I was just wondering if there is a girl here in Heaven named Y/N L/N?”

St. Peter smiled in delight, getting out his holy book, scanning through all the people with your name; going roughly by last name. His face fell as they came to an end.

“Unfortunately not, Em! It’s…strange, considering the circumstances. Sixteen is very young for a person to end up in Hell…but she isn’t in Heaven.”

Emily frowned, eyeing the diary in her hands. Perhaps she’d find the answer in there….

[jesncin]

The Potential of Asian Lois Lane. Pt 1: Girl Taking Over and American Alien, a comparative analysis

Lois Lane has had many iterations over the years. But specifically in the last decade, Lois has been reimagined as an Asian American woman in both the comics and recently in the animated show My Adventures with Superman.

I believe making Lois Asian is a very inspired choice for the Superman mythos! I would like to take a moment to analyze these versions of Lois from an Asian perspective, seeing what works, what doesn't, and what I'd like to see more of. We'll start with the comics first, as MAWS is going to need its own post.

Usual disclaimers: I'm just one Asian perspective, I do not and never will claim to cover every Asian person's opinion on a thing ever. We're not a monolith, we come from a variety of backgrounds and experiences. I'm simply a fan who enjoys media analysis and believes it's valuable to have my perspective in this topic. Secondly, this discussion covers the comic run American Alien, which is written by Max Landis. He's an ultra creep and while I think the comic is worth a read for what it is, I leave it up to you whether you'd like to buy the comic. You can always arg-arg-ahoy otherwise.

I'd like to start with Girl Taking Over: A Lois Lane Story written by Sarah Kuhn with art by Arielle Jovellanos. This is a self contained YA graphic novel about a young Japanese American Lois dealing with the ups and downs of breaking into journalism as a career in National City. When her dream internship at Catco gets a corporate take over, Lois seizes an opportunity to write an exposé on a shady art director. But when her story is turned down, Lois does some out of the box things to get the story of marginalized performers shared with the world.

Girl Taking Over is a fantastic story and I happily recommend it to anyone looking for how an Asian American Lois could be reimagined (with fabulous art by Arielle! The fashion especially is on-point). This story isn't just a diverse coat of paint on a Lois Lane story, being Asian informs Lois' experiences and choices. Both she and her frenemy roommate Miki, are ambitious Asian women yet have hidden insecurities where they still made themselves small to their respective white male bosses. They played into model minority in different ways, and it's only by working together that they're able to foster a community for their stories to be told.

Lois and Miki don't just "have a diverse friend group", that friend group is actively being taken advantage of and suppressed by white gatekeepers. By extension, Lois' friends from work find solidarity in each other. Lois looks up to Cat Grant, a Filipina-American journalist, because seeing Cat succeed made Lois feel like her dream as a journalist is possible. I love how Lois' mom (a character so rarely expanded on in DC canon) acts as a voice of comfort for Lois in the story. All these characters feel holistic and whole, going through their own unique struggles.

It's clear from interviews with both the writer and artist that they care for the history of Lois, and saw an opportunity to reimagine her in a way that aligns with her character but also revitalizes her for new readers of color who aren't used to seeing themselves reflected in media. It's taking Lois' ambition and fearlessness and channeling them into the need to be a model minority, and the insecurities that can come from the desire to succeed constantly. It's taking a character historically frustrated by sexism and disrespected by her male peers- including Clark Kent (who got better treatment than her as a man), and expanding her to be a Lois that has to deal with both sexism and racism in the workplace. It's humanizing Lois' excellence into something painfully specific and relatable for many Asian women.

The only thing I feel I want from this version of Lois is... honestly more of her! I want to see what Japanese Lois does when she moves to Metropolis and works at the Daily Planet. I want to see how her experiences in National City informs her adulthood. Girl Taking Over sets up an incredible groundwork for stories to be told in the Superman mythos. How would Lois react to Superman, a fellow immigrant? Would Superman see himself in Lois? Since she's someone who, in the American context, is perceived as the perpetual foreigner? What would their relationship be like? Out of all the Asian Lois' in media we have so far, this Asian Lois' story has the most rich potential in my opinion.

Up next, we have American Alien written by Max Landis. This 7 issue series swaps artists for each issue, as a means of reflecting different milestones in Clark's life. I will be focusing on issues #4, 5, and 7 since those have the most prominent Lois appearances. With that, I'd like to celebrate the artists for those issues: Jae Lee (issue 4), Francis Manapul (issue 5), and Jock (issue 7). All these artists did a fantastic job, their art styles are energetic and fun to look at. Lee and Manapul are both Asian artists (Korean and Filipino respectively) and I love how they draw Lois- who looks undeniably Asian in their art styles.

American Alien is a modern take on the Superman tale. It expands Clark's story to be connected to Batman, Green Lanterns, Green Arrow, and more. We see Clark grow from his days in Smallville to a city boy in Metropolis, coming into his own as Superman. It's a bold and pretty divisive take with some standout story moments. From what I know, this is likely the first time Lois has been reimagined as Asian- and continues to influence Superman media like MAWS (the producer specifically calls out this comic as inspiration).

In issue #4, Clark moves in to his Metropolis apartment and talks on the phone to his mom about "some bigshot guy named Louis Lane". The reader, likely familiar with the Superman mythos, knows Clark is coming in with biases and a preconceived notion of who he considers a promising student reporter. Once we meet Lois Lane however, the comic turns the reader's expectations on their head:

Lois Lane is an Asian American woman (it's not specified what her exact ethnicity is)! This is a fun moment where the comic metatextually challenged the reader's own biases, showing it's not just Clark who had a different idea of who Lois Lane could be.

Lois' introductory panel is my personal favorite part of her characterization in American Alien. Lois proudly stands as a wall of text behind her recounts how she was considered as a winner for the Daily Planet's Charlton Memorial Laureate Program. When asked why she deserves a place on the program, Lois snaps back that the very question itself is loaded. She's listed her credentials and looks professional- so she's either already been rejected and is just being made to "at least had my say" or she's been accepted and is "meant to garnish my success with eloquent affirmation" to which Lois refuses to do either.

This is a great defiant introduction to Lois, showcasing how jaded she is with the way the world perceives her- but is very confident in her self worth as a journalist. By the end of the issue she reaches out to Clark to combine their exclusive interviews into one story to make a big impression on the news. Her words inspire Clark to seize an opportunity to make a big change in the world as Superman.

Afterwards, the comic plays the classic Superman and Lois dynamic straight. Lois is initially suspicious of Superman, but eventually comes around and is inspired to hope through him. There's a great back and forth between the two where Lois' words initially inspire Clark to be Superman, then Clark assures Lois that Superman is probably just a good guy, and when Clark loses hope from a bad day of heroism, Lois gives him hope again. In the end, Lois realizes her love for Clark Kent over Superman and they share a passionate ending kiss.

Overall American Alien nails the Clark and Lois dynamic and understands their relationship. I consider this Asian Lois "just okay". I like that we get to see an adult jaded Asian Lois meet Clark Kent and Superman, and see them get together. Similarly to Girl Taking Over, I'd like to see how this Lois and Clark would play out. My only issue with American Alien's Lois is a sense of missed opportunities.

The writing overall leaves room for plausible deniability over Lois' Asian identity. The artists (particularly Lee and Manapul) are doing the heavy lifting delivering Asian Lois. If she was drawn as a white woman, none of the writing would need adjustment. Sure her introductory panel implies that people judge her based on her appearance- but that could be just sexism instead of the intersectional experience of Asian Lois going through racism and sexism. Clark did assume she was a man after all- it's never specified if he assumed she was a white man. The only thing you'd lose is the metatextual shock value of Lois Being Asian This Time. That's really what this Lois boils down to, initial shock value with no specific writing to follow through. Her marginalization and identity is written broadly enough that it could be attributed to general sexism and womanhood. It's not specific to being an Asian American woman.

However, because of its broadness, there's room for Lois' Asian identity to be built on in the world of American Alien. The story centers Clark's experiences, but I can easily imagine a continuation of the story expanding on Lois'. The basic groundwork is there. I think it's telling that in a comic called American Alien, we get a more diverse Superman cast system. Jimmy Olsen is Black, Lois Lane is Asian- when Clark moves to the city it feels expansive compared to Smallville. It's a world that feels ready to tackle themes of racism if it was ever to continue (and probably in the hands of a writer with that kind of life experience!). In the end, there's room for this Asian Lois to be something special. Clark isn't the only American Alien in American Alien, if you catch my drift.

You can see how Girl Taking Over has a huge piece of what American Alien is missing. The characters aren't just diverse for shock value, they're not an aesthetic change over historically white characters. They have a story to tell that is inseparable from their identities. Whereas in American Alien, the art is doing the heavy lifting with the reimagined diverse characters- Girl Taking Over has both the writing and art carry the representation. Lois can't be changed into being white in Girl Taking Over.

Both of these stories have potential- but if I had the choice to pick which story should continue, it would easily be Girl Taking Over. This graphic novel works for what it is: it makes sense that this is a younger and idealistic Lois that hasn't met Clark or Superman yet. It's a YA book and Lois can absolutely carry a story on her own. What I want as an Asian fan, is for the potential of Asian Lois Lane to be seen through to the point it's considered the definitive version. As of right now, Girl Taking Over is a fun twist on the Lois Lane story. Not something that is seen as inseparable from the Superman mythos. However! If those themes of marginalization and immigrant identity are tapped into for both Superman and Lois Lane? I feel that has the potential to radically strengthen the overall themes of Superman. It's certainly been touched on before.

(TW/CW: racial slur mention in below image)

Superman Smashes the Klan by Gene Yang with art by Gurihiru is a retelling of the Clan of the Fiery Cross arc in the classic radio show The Adventures of Superman where Superman faces off with the Klan who had been terrorizing a Chinese American family. The graphic novel adapts the story to center the Chinese American characters, and makes it a point to show that Superman relates to them. If that dynamic was applied to Asian Lois, that feels like a definitive love story waiting to happen.

The classic two person love triangle with Clark and Lois is that Lois loves Superman and is indifferent to Clark Kent. She thinks Superman is this ideal macho man and Clark is a cowardly fumbling guy at work who rivals her. What happens when you take that dynamic and made it so Lois identified with Superman- the more othering identity? How complicated would that make Clark Kent feel? How would he navigate that when his marginalization isn't always visible? That's a whole new depth to the love triangle we're not used to seeing. I feel so far, none of these versions of Lois have touched upon this potential dynamic. The perpetual foreigner, Lois Lane and the ultimate alien foreigner that is Superman. The jaded city girl meets the alien farm boy who gives her hope. They inspire each other to be more of themselves in a world not ready to accept either of them.

Up next, we'll be discussing My Adventures with Superman's Korean Lois Lane in pt 2. It's well. You can probably guess how I feel about it from what I wrote here but welp. We'll talk about it.

[fasolabean]

warninggg this is a long one ,,,

(Okay so I started writing this uhhh vent before more posts on the n//fts appeared later so plz keep that in mind hah)

So I haven’t been too active on here for the past month – a bit personal start, but I’ve moved to a different country whooo!!!! (its terrifying) (my brains been involved in fandom stuff as usual but physically I wasn’t lmao).

But I wanted to talk ab the n//ft (censoring bc idk ab bots here) thing bc while some people on here provided some great context and threads, most of the talk has happened on twitter. So like. Since it was first confirmed what the raffle thing was I was veryyyy disappointed, especially bc K has made fun of this very thing on stage previously. And like yea, the nature of what hes doing is different than the n//ft crypt0 scams, since the cost of the paywalled content is set and not fluid and the raffle thing was free to enter, and I know there have been threads about the website not being the worst on twitter (link) (edit: now here on tumblr too). But still man. Both of these could’ve been done on either an independent website or through stuff like youtube members or patreon. Or hell, even just on the merch store? Like buy a promo code that buys you access to the material?

Also like I get that this was probably a contract that would be rly hard if not impossible to terminate. STILL though, I wish we just got an even short thing like “hi sorry I wasn’t aware this is gonna be a one time thing we’re not doing it again”. I don’t mind extra content being paywalled personally, I know some people do, but I just really wish it wasn’t don’t with that technology. And yes, I also now know it’s a safer way to handle shit like that but I just cant see this excuse being used for commercial use? Like maybe I can see why I could be made to use it for like idk an important document, but a raffle ticket? Nah

I also, ugh. Felt weird about mikke in the team since the winter. This whole thing seems to be – at least to a large extent – either done or influenced by him, judging by even the fact that the europass thingy webpage has oy photomikke marked (no im not buying it but i did look around curiosity was stronger). Also the previous thing that had made me go hmmm about käärijä as a brand was the bnb, which now seems to be ran entirely by mikke and his wife. Like stick to your photos man? That being said tho, Jere IS an adult and he IS the face of this brand. If he doesn’t think hes qualified to make business decisions all by himself (which I get, this shit is hard), nothing is stopping him really from getting a professional to help him with those things. And if there IS something stopping him then hey man I think you should go to the press with that lol. From any interviews ive seen or read, you can feel he feels this responsibility to keep his friends and family that initially helped him afloat. But I wish he understood that not letting people who in the end are not professional about business and PR and having them stick to their own thing does not have to mean cutting them off.

But now I just wanna share a thought that to some might seem like me defending him – which, in case you didn’t get I am very much not lmao. The thing is, im really glad the fandom is able to call him out on a shitty thing – like a bad baaad business decision. You can like somebody’s art, hell you can even like the public person they are, while not agreeing with everything what they do. What annoys me though, is that apart of the kä fandom, he is also often talked about (usually negatively) in the wider esc fandom. Over the past week I’ve seen multiple threads on twitter from people that rarely ever mention him about this. That would’ve been like, not that much of a deal (though sometimes it really got… engagement bait-y) but the amount of bodyshaming and shaming of his fans that comes up with every valid criticism is making me wanna pull my hair out.

Especially cause he’s neither the first finnish esc-related artist to do that (Robin and Cyan Kicks are mentioned on the kollekt website) nor is he the first esc artist of his influence to do it either. Last year Loreen and Alessandra have released n//fts last year, and Loreen did a very similar raffle a couple months ago. Now I wanna be very clear: I don’t want this to be like. Cancelling these people, that would be so hypocritical of me. I also don’t want this to be like a fandom war like oh youre mad he did xyz?? Well THIS and THIS person did THAT!!1! I’m just merely annoyed that these people doing essentially the same thing went with no echo at all, but now I’ve seen us (the fandom) be literally called the r slur and the most vile things being said about jere and, for some reason, his appearance???

Idk man. I really try to  make it clear im not trying to excuse his decisions and I think being angry and/or disappointed at him is absolutely understandable. Im just angry that every single time he fucks up, every single time he makes a mistake, my timeline is filled with a wave of people rejoicing in it. I know he’s a controversial figure, he’s been one since day one, but I just wish he’s gotten the same amount of shit his peers do for the same actions? And this happens every time, and each time im like “well ig I can see why hes so bad when it comes to criticism”. Because imagine doing a thing that your peers have done with no/minimal criticism and then the moment you try it out you get people calling your fans slurs and commenting how stupid you are. Like ngl id also think any criticism was hate lmao.

Again I wanna be very VERY clear im very critical ab what he chose to do. I wish he took some responsibility – and hope he maybe does, at some point in the future. This year has been a whole lot of bad business decisions for the käärijä brand in my eyes, and I hope he can actually see where its gone wrong and do something about it, both for his and our sake. I am also happy to see fellow fans who are able to call out their fave. But man I am TIRED of him just getting all the shit (from people who very visibly fans are not)?? And now I have the proof that it is comparably more than other people and not just my bias towards him because wdym there’s been at least 4 esc artists, 2 of which more famous than him, and 2 umk artists doing exactly the same thing with almost no echo??

TLDR (thishasover1kwordsfuckshit); I wish he did better, simply. I kinda cling to some hope that maybe hey finally this time he will see that criticism can be constructive. I think this is still a level of fucking up that you can like, come back from. Pity it’s connected to the eurotour since kinda souring my excitement ab my first concert in a new country a bit :(

[justanotherflemethstan]

this is not a drill, this is a thread on the creation of Flemeth from David Gaider!! as kind of the self professed Flemeth stan blog around here, I had to reshare

(alt text and full text transcript of the images included)

Link to the original post

Full text from the images below the cut:

CHARACTERS - DAY THREE: Flemeth

I have a type. I admit it. There are certain wells I can return to repeatedly and always find something new to explore.

One of them is older female characters. Mike used to rib me about it. Consider Wynne. Meredith. Genevieve. And, of course, the biggie: Flemeth.

Why are they a type? I... don't know, honestly.

I guess I have a feeling that older men fade, they strive to regain their youth or establish a legacy and we've seen that story a thousand times, but older women? They become free to become something new. I guess I see so many possibilities in that.

I had a conception of who Flemeth was, and why, right from the very start. Her creation went hand in hand with Morrigan, as a being whose thirst for retribution hundreds of years ago attracted an entity (slight confession: I didn't know Mythal specifically, at the time, "an elven god" was enough).

I also knew where Morrigan was right and very wrong about her. Misconceptions of the truth are built into DA's foundation, and they were fundamental to this mother-daughter relationship I was building.

Like many seeds I'd put in the world, however, I had no idea whether I'd ever get to explore it.

Knowing that she was a character of possible future importance, if not a major player in DAO, I wasn't much surprised when she was one of the first cuts the art team made in terms of getting a unique appearance. Thus the "batty old woman" players met in DAO. Not as hard a cut as the Qunari, though.

Going into DA2, I wanted both Morrigan and Flemeth, but we could only have one. So I picked Flemeth. This was the game where she really got to come into her own.

I remember the art team coming and asking if it was OK if she got a new model, as it'd be a retcon of sorts. I didn't care. I wanted it.

I honestly don't remember whether Kate Mulgrew was cast before or after Claudia. After, I think? All I recall is that Cab came into my office one day and asked if Kate might be a good fit

The squeal I made was un-manly. Cab took that as a "yes". 😅

I didn't get to talk to Kate until DA2, however. Schedules being what they were, we had a tight window to record Flemeth... so I had to write all her scenes before almost anything else in DA2 was written, before I even had a team! Ack!

It was OK, though, for the most part. I knew where I wanted to take her, and a big part of it was going to explain her transition - to set her up for the future. So I whipped up a script in, like, two days and off we went. Kate was a marvel in the booth. She adored Flemeth and you could really tell.

I didn't get to meet Kate in person, however, until DAI. This came pretty late in its development, compared to when we recorded her for DA2, and we flew down to Virginia (to accommodate her schedule - she was writing her memoir at the time, I think) for a single session. It was going to be *tight*.

I was a mess. I was finally going to meet Captain Janeway... and yes yes, I know she's also more than that. But come ON.

When we sat down, I figured I'd have to talk her through the character all over again. It'd been years since that one session at the start of DA2, right? And even more since DAO.

But, no. Kate remembered Flemeth perfectly.

I remember sitting there as she told me how much she loved the character, how rare it was to get one with so much texture and possibility. She called out my writing - my writing! - and waxed poetic about how she viewed Flemeth's arc. I... I was floored. 🫠

Then we began recording. One issue that quickly reared its head was how Caroline had to speed through the lines if we hoped to finish. Kate was a trooper, and most takes she'd get it in one (which is rare), but I was alarmed because we weren't giving Kate time to read the VO comments on each line.

I brought it up, as there were some lines (so much sarcasm) that required nuance - Kate was getting them, oddly, but I was worried.

"Oh, it's fine," Kate said. "I read the comments as we go."

"How could you? We're going so fast!"

"I'm a speed reader."

Oh. OK, then. That certainly explained it. 😁

We got to the confrontation scene with Morrigan and she nailed it. Over and over. More than once, Caroline would make a call and, before I could even interject and say "no, Kate had it right, actually" Kate would explain exactly why she did it that way and why it worked for Flemeth. I was in love.

She did the "I will see her avenged!" section all in one go. I got chills. Then we got to the final scene.

You know the one. With Solas.

It was this beautiful moment. She took it somewhere quiet and sad... and when she got to that last line, we all felt it: Flemeth was dead. Everyone was in tears.

I suppose I could talk more about the process. How she started off aligned with Morrigan's original Delirium inspiration, but I didn't pull back her loopy way of talking as much (bet you wondered).

I still don't know why it was so easy to slip into her voice, but I'm grateful I got the chance. ❤️

[nardo-headcanons]

Hi, I never get tired of saying how creative and talented you are ♡♡♡ I wanted to know if you would write about the Senju Clan. I know it's strange, since I haven't seen you writing anything like that and usually I don't see anything like that. I like the way you write, you're the best

Sigh. I have let this sit in my inbox way too long. I am so sorry. Thank you so much for your kind words, nonnie. I have some thoughts about the Hyuga as well, let me know if you would be interested in hearing that.

Also please note that I will change around some canon things and all of this is fanfiction/headcanon.

tagging some people i think will like reading this post: @narutobrainrotstuff , @the-real-sasuke-uchiha , @spookyphilosophertaco , @danceofthexdragons

cw for mention of genetics, racism, religion, genocide and human experiments

The Senju Clan

People

Compared to the Uchiha clan, who are phenotypically rather monotonous, the Senju clan had a very diverse population with a wider range of skin tones, eye and hair colors. There were generally very little restrictions when it came to marrying into the clan and becoming a part of it. The only traits most of the Senju shared were that of fine, straight hair whilst the Uchiha had thick and dark hair with curls not being uncommon.

The reason the Senju died out were two sides of the same coin - with many of the clan's members birthing less and less children, and those who did marrying outside of the clan to the point where there are many Konoha ninjas nowadays who are part Senju but may not even know it.

Traits and Abilities

The Senju were rather unspecified, wanting to hone their skills in all three fighting styles, though I like to think that Taijutsu was one they particularly excelled in. Once one's movements were fast enough to be evaded by the base sharingan (Mangekyou sharingan was, depending on the source material, either extremely rare or nonexistent), the Senju had an easier time fighting the Uchiha. Many of them became weapons and taijutsu specialists, making me think that Tenten might be part Senju and her idolization of Tsunade was a way to connect with her roots and get to know a fellow Senju.

Another skill of the Senju was wood style, which was a skill many Senju before Hashirama posessed, but they rarely ever utilized it in battle. Said ability was caused by a point mutation in the exome, prompting Orochimaru to later carry out experiment's on embryonic DNA to artificially induce said point mutation, killing dozens of newborns in the process.

Religion

While the Uchiha followed the way of Shintōism, most of the Senju were buddhists, like their distant relatives, the Uzumaki. Initially, the people living in the country of fire were engaging in both buddhist and shintōist practices, but with the continued rise of war between the shintō-believing Uchiha and the buddhist Senju, these two religions were more or less divided.

The Senju and the Uzumaki

The establishment of Uzushiogakure in the whirlpool country was received with mixed feelings from its inhabitants. Most Uzumaki, although practiced in the arts of combat, preferred their pacifistic lifestyle of teaching their ways on paper, and not on the battlefield. This instability made it easier for the hidden mist village to send colonialist forces, killing most of the Uzumaki in fear of their congenital abilities. And with the Senju living more and more decentralized and being too occupied with themselves, Uzushiogakure lacked the manpower compared to Kiri's extermination force.

The Senju's Legacy

Nowadays, after Konoha was founded, the Senju started living more and more decentralized, therefore there wasn't such a thing as the "Senju compound". The language of the Senju was adapted as Konoha's official language, causing the other hidden villages to adapt it as well. (You can read more about my thoughts on language in the Shinobi world here.)

There were shrines for both buddhist and shintō believers in the village, but once Hashirama became the first hokage, more and more citizens adapted the Senju's religion of buddhism, with the shintō believers dwindling in numbers. Tobirama's segregation policy did not help in the slightest; although the Uchiha, who believed in family unity and support, lived closely together, being redlined and pushed into the same profession felt patronizing. But even though the Senju as a clan is no more, their legacy continues on, in good ways, and in bad.

[the-s1lly-corner]

can we get some Caine x reader where Caine is like head over heels for reader? Like down bad lol

love your work so much! ❤️❤️

Down bad for his partner (caine x reader) !

youre in luck! i already view caine as the head over heels type! so !! last post of the night, will answer more requests/new ones in the morning, its now midnight and my head is starting to feel a lil.. sdpmkflvmdlfm!!! i still have art stuff to finish SOBS

i mentioned it in the post i just made for a ena type!reader but like. he would have your face on a shirt and wear it over his suit

opens his jaw head, eyes bulging, and panting like a dog when he sees you try on a new outfit (it could literally be the most mundane clothing and he will still EAT THAT UP!!!)

imagine you blow a kiss at him and he dramatically clutches his chest before flipping over in the air

ive said it a few times before but he would spoil you with gifts. please let him shower you in them, please please reader hes on his knees let him treat you right

openly flirts with you, unless you express that public flirting/PDA makes you uncomfortable, the last thing he wants to do is hurt you and risk pushing you away

will do anything for you at the drop of a hat, if he can do it, then hes gonna do it

probably carries you around while hes floating around

or

better yet, he actually stands on the ground (very rare) to hold your hand and walk around with you

he knows every single nook and cranny of the grounds, but exploring them with you offers a new freshness that he cant quite pin down. its like looking through a new lens when he sees you making note of where everything is

he is the type to grab your hand and kiss the back of your hand before trailing the kisses up your arm before peppering your faces in them

well, kissing is a loose term for it; hes just playfully and gently pressing his teeth against you

you literally have him wrapped around your finger, hes by your side before you can finish calling his name

i will say it again!! this man goes on cheesy monologues talking about how much he cherishes you

names of endearment! "my dear" "my darling" "my sweet" "honey" things like that

[blazescompendium]

Blaze's Compendium Entry #8:Explaining the Origin of ShikiOuji

Note: This post was originally published in April 2024. However, since it is a complete research and dive into this monster, I figured out i could just repost it as a Compendium entry.

As always:

Warning: Faith and religion are important real life topics, that tackles the culture and way of life of millions of real life people. It is a cultural expression, and must be respected by all means. Here, we use a video-game ( some times) and other media series only to ignite the flame of learning about the matter, using its art when well depicted, but we do this with all due respect to the cultures we talk here, grounded by real life sources, cultures and people. And i mean this with respect. Hope you all enjoy.

I am sure that, if you played any Megaten game in the last 20 years or so, you ended up seeing this paper dude. His name is always stated as Shiki-Ouji, and he once shared the same design with the Demon called Shikigami.

The weird thing is that when researching Shikigami on my studies, I never found anything about this one so i put some detective work to find out about the origins of Shikiouji, the (yet another) dude who often repels physical damage in Megaten.

The creature is described in many of the series compendium as a powerful Shikigami, that only the most powerful Onmyoji could summon, and they have a vicious temperament.

When we talk about Shikigami, the first thing that comes to mind are paper dolls. This is no surprise, since Shikigami are summons Onmyoji binds to paper dolls or talismans, so they could interact with the physical world. This is also because paper is a very easy material to destroy, if things go south. Onmyoji are the equivalent of western sorcerer, that followed the Onmyōdō, a esoteric cosmology. It started in the 6th century in Japan as a divination practice, and evolved from there. I won't go into detail, because this is meant to be a short post. But materials about this practice are abundant on the internet.

The main concept concerning us here is the Shikigami. These are basically some kind of familiar, a spirit or demon if you want, the sorcerer could conjure to protect him or do his biding. The Cultural Alliance Brazil- Japan, which i already mentioned in other posts, states that:

''Shikigami can be Oni or demons, that should serve and protect an Onmyoji. Your abilities would be determined by the abilities of his master.

A Shikigami could assume the form of small animals, birds, etc... One Shikigami from a powerful Onmyoji could possess and control one animal. But only a real powerful Shikigami could possess a person.

When an Onmyoji is fighting another Onmyoji, they employ the use of their Shikigami. Some Onmyoji could spot the enemy Shikigami beforehand, and try to convert it to his side with magical powers. In this game, the converted Shikigami would come back to the old master, and attack with double the force. This pratice was called Shikigami Gaeshi.

Abe no Seimei is said to be the most powerful Onmyoji to ever exist. Some rumors say he had twelve Shikigami, while regular Onmyoji would rarely have more than one Shikigami at the same time.''

So, that is a rough definition of what a Shikigami is.

But, when researching this creature you would not be able to regularly find Shiki-ouji. The fastest method for him to appear, was the English Wikipedia article about Shikigami, which weirdly had this part about Shiki-ouji, but offered no source to it:

Having the kanji to Shikiouji, and some keywords, i found someone at Tumblr who asked the same question 6 years ago, in Eirikr's blog.

From there, Eirikr offered a link to a blog post writing about Izanagi Ryu Shikoku. Ryu Shikoku is an ancient folk religion and pratices from the Kochi prefecture. It is still practiced in the area to this day!

In this belief system there is the tradition of the Shiki-kui masks. Which.. bear a very uncanny resemblance to our paper guy, subject to this post:

These masks would be hang above the place the ceremonies of the Izanagi Ryu take place. They would have magical powers that could repel evil spirits, and non believers from coming to the ceremony and disturbing it. They would also serve as talismans, or paper dolls, in a simmilar vein the regular Shikigami pop image you have in mind.

Since they are used to summon spirits, bind them, and as talismans, these creatures can be, technically called a Shikigami.

With this knowledge in hands, i went to the Japanese web. And sure enough, i found this site: The Nippon Foundation Library. It has an article detailing the paper talismans used by Izanagi No Ryu Onmyoji, and their meanings, powers, and also explained a bit about Shiki-Ouji!

Here is what they have to say: (Please be warned that i do not speak Japanese, and used machine translation. Any corrections are Welcome!)

Shikē Ōji is a spiritual entity invoked by the taisa during prayers for the sick and the "toriwake" ritual to expel evil spirits causing illness or calamity. Its birth is described as abnormal, and due to its excessively violent power, it has no place to reside. Usually, it is sunk in the pond of Tendō-nanta, and summoned only when needed to guard ceremonies, to pray as the guardian deity of ceremonies, or as a prayer deity of Jumon no hakase. There seem to be several types of Shikē Ōji depending on their purpose, such as Takata no Ōji for toriwake, Gotai no Ōji for prayers for the sick, and Ōtaka-shiki for insect prayers. Additionally, talismans such as Sangoku Arashiki, Chimura San Ōji, and Sakago no Ōji are handed down, and it is inferred that they were used according to the content of the prayers, although many details of their usage are unknown.

Using the powerful Shikē Ōji against humans becomes a curse. In Kochi Prefecture, "hitting a ceremony" is widely used to curse people. Many people use this term without understanding its original meaning. "Hitting a ceremony" refers to attacking someone using Shikē Ōji. While Shikē Ōji can benefit people if used for good, it can harm them if used for evil. Talismans of Shikē Ōji, possessing such terrifying power, often have several incisions on them, each containing twelve notches, giving them a rough impression. However, unlike talismans found in mountains and rivers, they do not seem to have incisions for eyes or mouths. In this regard, they are closer to the cutting style of talismans for house gods and sacred gods. Here, one can sense the emphasis on the powerful nature of Shikē Ōji's talismans while also distinguishing them from strange monsters.

So, as you can see there is some key information about the creature here. But the most important ones:

1- It is bind to a talisman, just like other Shikigami. The text here explains it is a paper talisman with notches, just like regular ones used in religious ceremonies.

2-It has a powerful and violent nature, just like the compendium often indicates in Megaten games. It seems hard to tame and use properly without getting hurt.

3-Shiki-Ouji can be powerful and violent, but it seems they dislike being used to hurt people. Instead, they are better employed to use their magic to other deeds. However if you still use them in that regard, they will most likely curse you.

4-Their talismans have twelve notches, no incision for eyes and mouth due to their aggressive nature. This would help to control their interaction with the material world.

I am sure that, if we follow this trail we will find many more sources. Going by key words i found in this text, i found many other sites and books, but since i have no time now to fall a rabbit hole, nor do i speak Japanese... That is it, i think this is a satisfactory answer to where this Megaten Demon came from!

The real forms of Shiki-Ouji

The last thing in want to talk about, is Shiki-Ouji real appearance. Since we have a seemingly wrong impression of they in Megaten, since Kaneko took some artistic freedoms.

First and foremost: From the few things i studies about Shikigami, we know they do not have a real physical form. The paper talismans are just a way to give them physical form. But it was incredibly hard to find a Shiki-Ouji talisman, which was weird because it was so distinguishable. The main reason being that: Shiki-Ouji seems not to be believed to be easy or safe to summon, and also their talismans would be destroyed asap after use.

But with the description i got, it would be this one that matches it the most:

No eyes, or mouth. Twelve Notches, six from each side, and some incisions. Very similar to a regular talisman found in other types of ceremony. Just as the text suggested.

I got this picture from this book:

Tosa, Monobe Village: Shapes of the Gods

Monoba being the village where most of these rituals came from. The book is from 1999, and contains many pictures of actual talismans.

You can see that, aside from the head shape, Kaneko took some freedom with this design. The sources state that Shikiouji talismans should not have a face, nor limbs, since it was too powerful, and should have 12 notches. For some reason, Kaneko drew it in a human-like form, but the face still resembled the Shiki-kui masks. The earlier design of the demon was even more closely resembling the masks:

Shiki-ouji earlier design from Devil Summoner (1996). It was later repurposed as the demon Shikigami. It is almost an exact match to this talisman. I can not however identify the original source.

Shiki-Ouji current design by itself could have been based on this one talisman in specific, at least some parts of it like the head with horned-shaped appendages:

By the looks of it, its face could turn inside out, just like the Megaten Demon can do.

It was sourced by the National Museum of Japanese History, but the post went down. The low quality image of the talisman can still be seen on google, but the link is dead, unfortunately. It seems that this item is still in possession of the Museum in Japan. Kaneko could have seen it in pictures, or in person. This one seems NOT to be displaying a Shiki-Ouji thought.

Maybe the Kaneko take is that Shiki-Ouji was summoned with limbs, and facial features and became much more stronger as a result? We may never know...

And finally there is also an occult book that i found in Amazon Japan that is called: Exploring Izanagi No Ryu: ShikiOuji.

It is supposedly a manual on how to practice Izanagi no Ryu, and magics. I could not find the book online, just the summary. But it mentioned nothing about Shiki-Ouji. Probably has some sort of tutorial to summon it, in fact i was able to find many of those tutorials on the Japanese web.

Now, that is it. I think this puts to rest a little bit of mystery involving the origins of this specific demon. Kaneko sure took some freedoms, but it is still one of the more popular and recognizable characters in the series.

Final considerations:

This most likely is the answer to its origin, but i am not some sort of owner of all truths, so feel free to correct me in anything i said wrong. I am still an amateur scholar, and even if i do know a lot about mythology and ancient religions because i read many books and study a lot of hours of my days, i am by no means a specialist in Japanese Mythology specifically, specially Shikigami practices. The reason is that, i find it very difficult and time consuming to research Japanese sources, since i do not speak Japanese. I will one day, try my best since there are a lot of good Yokai to cover in future Scientific Papers.

I can, however, guarantee that i did my best possible effort in a deep search!

And i have spent a lot of time looking through pictures of Shikigami talismans, and i found some really cute. Like this one. What a whimsical little fella...

[diamondwerewolf]

But what is it...?

on yet another pokemon related note, I have some questions about eternal floette's flower. why...is it described as terrifyingly powerful? Ominous??? Well, yes, that's a good word for it. Ominous, Mysterious, Unexplained. I'm sure she's very strong by herself, but what is going on with JUST this particular flower?

AZ [based on the ultimate weapon's leaked concept art] designed it to not only look like the flower she carries around, but to function exactly like it.

Floettes pour themselves into their 'sceptre', combining their energy with the power already contained in the flower of their choice. The ultimate weapon, made of organic material of mysterious origin, has thick roots instead of circuits that links it up to a power source. Xerneas', in the case of Pokemon X. It could be the roots of the tree that the pokemon sleeps in, but maybe not.

Xerneas [ and the energy of several other pokemon] replaces a 'floette' in this case. Channeling power through those roots, instead of a bright red stem to cast an exceedingly powerful fairy 'spell'.

My thoughts aren't as organized about this, I still have some details to chew on. But what I think I'm getting at, is that AZ designed his 'machine' after something that could use a hell of a lot more explanation. Bare bones exposition is not going to cut it for me.

A powerful floette, with a fearsome flower. It's like a relic of its own.

It's like, a regular sword, verses a rare sword of idk smite III or whatever... A powerful little wizard with a powerful wand. I hope I am making some kind of sense. What is that flower. Why is it so special that it's the blue print conduit for eternal life or mass destruction. Why does it look like shadow the hedge hog.

Why and Where did AZ's mother find it. Because she was Eternal Floette's trainer first.

i didn't make that up. that's real.

[ There's an entire sprinkling of subplot in the background of AZ's past that you can blink and miss if you don't take the time to read it and process it in game. It's a little bit of text with staggering implications I'm really going to have to talk about his Mother and Younger Brother later but I don't want to go completely off topic because what do you mean your brother was trying to usurp you in the middle of a war ]

returning to the point of this post

[these screen shots from the pokemon short animations on youtube always come in handy don't they...]

Look at the base of the ulimate weapon's 'control area'. Not exactly what you think of when you're told of a machine... Makes me question AZ's arboreal knowledge again. Makes me question how much Floette influenced his research or, clearly extensive knowledge of how to manipulate power to do what it is that he wants.

Here I was thinking AZ's 'technology' contributions to his kingdom may have been more ''traditionally mechanic'', but I'm starting to think his expertise may be in pokemon and organics. Hell...Alchemy??????? Is AZ an Alchemist?

what am i even talking about

this has been a post

[archie-sunshine]

ARCHIE-SUNSHINE'S FAQ!

Hi!! I'm putting this together as a quick helpful post to clear stuff up regarding my inbox, because I've been getting a lot of similar questions and I want to be able to tap a sign to let people know what they gotta know without putting in so much effort!

So, here's my FAQ for my inbox!

1: What drawing software/hardware do you use? Are you a traditional only artist? What Brushes do you use?

I use clip studio paint and an ancient wacom tablet that's been chugging since 2018 :]

For my brushes, here are all of the ids!

I very rarely do traditional art, and for them, i use a moleskine sketchbook and micron plastic nib pens!

2: Is your Inbox getting my message?

Yes it is! I just usually have around 100 other asks in my inbox that im also working through!! If your ask was super nonspecific as well, I might have deleted it because I didn't know where to start! Sometimes i just delete stuff because its sat around too long and i feel awkward answering it! i am a very busy person.

3. Are you taking commissions?

I open 2-4 slots for commissions every stream! I also open non stream commissions every now and then around the middle of the month typically!

4. What are your thoughts on [Insert TFP character here]/why don't you like tfp

I don't have any because I only watched half a season of that show and got bored to death! and i dislike the show because the pacing is weird, the writing is sub par, the characters bore me to death save for a few notable exceptions, the music is boring, the designs are weird and complicated, and every attempt at comedy falls flat. aka, its just not my cup of tea!

Additionally, over the year I've been posting on this blog, I have been asked at least once every single month for an answer to this question, and it hasn't changed and people still don't read my faq. and suspiciously after three of those times, my blog has been mysteriously pixelated.

... I'm not saying anyone reported me. But im not not saying that.

So thats another reason i don't like tfp.

5. Will you draw/What are your thoughts on MPREG/MECHPREG

I don't like pregnancy when it involves a fetus, though I do enjoy dirty talk and scenarios surrounding breeding! I do enjoy oviposition/egg laying, but I prefer it as part of a monster fucking scenario.

6. What would you think [insert character/pairing here]'s kids would look like/what would [insert character] look like as a kid/do you think [insert couple here] would be great parents?

I don't like talking about kids or children!! and I don't like talking about couples as parents in general!

7. Can i make fanworks of your ocs/AU/fics/art?

YES!! YESYESYES ABSOLUTELY PRETTY PLEASE YES ALWAYS AND FOREVER! All i ask is that you tag me or send me the link to wherever youve posted this, feel free to gift me stuff on ao3 if you like as well, genuinely nothing brings me more joy than inspiring other people so PLEASE PLEASE PLEASE feel free!!

8. What are your limits for commissions?

I drew up a helpful little chart for it! anything not on here, you can dm or ask me about!

[canmom]

canmom.art is well overdue getting updated with a lot of posts on here. it still doesn't even have the music theory series, for example. plenty of other posts, book crit and such, needs to go on there. rpg posts are woefully behind current thoughts on all that.

unfortunately this seems to be slipping into the 'bin of large imposing tasks', which i rarely open, instead apparently preferring to say something about AI or some shit, which is easy to start doing.

the habits need to change. my relationship with reading and posting on this site (and other social media feeds like youtube) is not healthy - projects I want to continue have been backburnered for months of years, new ones barely get started, my work is not doing great rn. and yet it seems to represent something I need, because I keep coming back here for many hours when I planned to do other things.

I have tried other approaches, like keeping a personal journal that nobody else will read, but somehow I come back here, maybe because I will get a number for my trouble. the exact number isn't that important, if it isn't zero - sometimes it's less than 20, sometimes it's like 60, these are about equally satisfying. the rare numbers above 100 can be pleasing, but also slightly worrying, since they are more likely to bring in someone who comes in hot with an angry disagreement.

I do however have a lot of admiration for (presumed to be) autistic people who define their own little web corner full of blog posts, fiction, art, comics, manifestos etc. etc. etc. on all of their projects and scattershot interests. Jennifer Diane Reitz is the prototypical example. Schuschinus and xrafstar are powerful examples in the artistic sphere; floraverse is a more community-shape one; qntm is a more normie-aligned one; todepond is a newer flavour; bogleech is borderline, hewing a bit close to a consistent listicle Content(TM) flavour. they might deliver fiction, essays, or some other stranger thing. sometimes the material is quite inaccessible to outsiders, or requiring immersion in an insular but devoted community, but these are not totally inaccessible - they aren't timecube style crank websites. other times it goes to great pains to lay it all out and be somewhere you can get lost, and yet can't help but have its own specific character. it must be at least a little intriguing. you should be saying 'what's the deal with this' - it must have its own deal, but the more inscrutable the deal, the better.

depending on the person, the look and feel of such sites can be aggressively saturated and high contrast blast, or at the extreme end of programmer-driven cleanness and readability. what you should not find is ads. the site is paid for by a day job, or perhaps a patreon. it is personal. it accumulates sporadically over the years, more varied than your average webcomic site, by the whims of its creator.

very often people who run such a site will have strange opinions that interject unexpectedly into their work. JDR infamously positioned herself as the expert on 'transexuality' in the early internet, presenting a very partisan medicalist account best represented in the 'scientific' are-you-trans test called the COGIATI. today I came across someone from the ratsphere called 'gwern', whose site was among the most impressively featured static sites I've encountered with some very clever hover-based interactions, but they will also randomly drop into some bizarre eugenic parenthetical about the effect of mental illness on evolutionary fitness or some other condescending shit. baffling person. this is part of the character of such websites, though. you don't get to be a weirdo on the internet without being, well, a weirdo.

if you vibe with their flavour of weirdness, finding such a site is like finding a treasure trove, and feels more like getting to know someone's soul or whatever than most other encounters on this dreadful internet. even if this is as illusory as all other parasocial relationships.

this is what I want canmom.art to be. perhaps it already approximates it. and if I can make it the main nucleus of activity, then I am less tied to one or another social network. such is the hope...

when I die, I hope my website will serve as some sort of time capsule record of what I was, a place for someone to discover what one life was animated by in the early 21st century, and ideally a trove of art to fascinate them. but it is perpetually incomplete; for all the pride I take in making it standards-compliant web engineering, it's never quite there. some known issues: the comment field breaks the responsive design causing a huge horizontal scroll on mobile. it is not loading as instantaneously as a static site should, largely due to the large web font, with a warning about layout being forced that I have not solved. most images in the animation night archives do not have alt text, and may never. there are no pages which collate tags.

[dark-type-appreciator]

Intro post! :3

Hello! Like my description says, I'm Liam! I'm 16 and I found this website a while back and decided to finally make an account!!! I really like dark type pokemon (bet you could guess that XD), and I'm always open to talk about them! I also really like other catmons ^w^ curse of being a warrior skitties fan I guess...

I also like drawing, warrior skitties, and roleplaying! I have other interests but those are my main ones! I play games sometimes, but I'm not very good at them x_x

I'm not really a pokemon trainer… I only have one pokemon haha! His name is Goldie, and he's a purrloin! He's kind of a cranky old man but he loves me!

umm, what else? I get confused sometimes, please be patient, I'm autistic (and other things). Same goes the other way around!! If u need me to rephrase something, please tell me! Also i misspell things a lot, auto correct is my best friend. Hopefully its not too bad!

Oh! Also I am a furry! :3 I almost forgot to mention that asjhdjahs

Here's my pokesona!

not the best reference, it's kinda old... Maybe I'll redo it someday!

Also- if we're friends, pls tag any bug types!… I have a really bad phobia of them, and I don't wanna see them at all. Thank you!!!

also- look look look!!

They're friends.. :3

[OOC under the cut]

Actias (@act11as) back at it again... Oh boy! OOC posts will be tagged as #ooc and #moth's yapping to avoid confusion.

All triggering content will be tagged as "#[word] tw" for better blacklisting. Please contact me if I miss something or you need something tagged.

‼ This blog will have heavy themes! including mental illness, gaslighting, (witnessed) domestic abuse, emotional abuse, child neglect, Past physical abuse, and generally dysfunctional and unhealthy family and friend dynamics ‼ [This blog is heavily connected to @sound-type-advocate, highly recommend following if you want the full story.]

Boundaries

Self-insert Fallers, do not interact. There is a certain level of unreality I can handle and self-insert fallers cross that threshold. I will block over this, be warned. Everyone else is fine to interact!

NSFW COMMENTS WILL NOT BE TOLERATED. Mod is a minor, even if muse is an adult!

IN CHARACTER anon hate is okay! I have the right to not answer anything, and if you're ever unsure, feel free to ask.

Extra:

Pelipper Mail, un-mail, and Malice are off currently! You may be able to convince him to turn it on!

Mystery Gifts are closed! Though if this and Pelipper mail were to open, this one is preferred!

Musharna mail, and Musharna malice are always on! Magic anons are off.

Organizational Tags!

Liam Chatters - General post tag! As long as he's saying something in the text portion, it'll be tagged. Reblog! ^w^ - Reblog tag. Pretty self explanatory Future Sight (queue) - Queued posts tag! Again pretty self explanatory. Liam used Doodle! - Art tag! Liam's art will be tagged as this, for those who want to see it. Foresight - Out of character tag. It marks posts that will potentially be important in the future. This can range from his opinions on things to heavy lore posts! Good tag to read through if you think you're missing something!

Friend Tags! (Tags for friends!)

#Tari mention - tag for Tari from @/pokemoncryptids #faith is friending - tag for Faith from @/faithispokemoning #rare sprig appearance - Tag for Sprig... Who does not have a public account! they're Liam's friend however.

ONGOING ARCS:

Nothing named!

PAST ARCS/EVENTS:

#Lucy Strikes! - One of Liam's friends stole his phone while they were supposed to be visiting. General warnings for bullying. #Mask Off Arc - Shorter arc involving the aftermath of the previous event. Liam started to open up a little more, and hey! Mask reveal! (subject to be renamed, could be used for something more important currently)

Blocklist:

These are blogs Liam has blocked in-character! usually for lore reasons! these are not blogs that have personally been blocked, feel free to interact on anon if you're on this list!

@/tinkatinktrain

@/sound-type-advocate