#i wanna make another one

[uc1wa]

if ur asking for kinktober requests... dick grayson or roy harper... maybe playing with some ropes... maybe a little hate... maybe overstimulation... maybe edging... idk just throwing out ideas im feening

-🎀

dick hated when he had to be the bad guy. he hated when you’d run your mouth and be a brat, because that was just proof that you couldn’t be the good girl he knew you could be. he’s seen you on your best behavior before, so why couldn’t you just stay that way?

maybe if you could hold the title of his good girl, you wouldn’t have a rope that’s tied your hands on either side of the bed posts. maybe if you didn’t run your mouth at dinner, you wouldn’t have your own cum dripping out of your swollen cunt from fingers alone. maybe if you apologized instead of being a brat, throwing around words you didn’t mean when you got home, dick wouldn’t be sat on his knees between your legs, nasty smirk pulling at his lips as he watched you squirm with flushed cheeks.

brat taming was something dick didn’t know he had the ability to do, that is, until he met you. the man was used to women falling under his every word without a complaint or say so. that’s how it always has been. he didn’t know women had the ability to have the mouth that you did.

"two words, princess," his voice was rough and mean. have you never heard of an apology before? apparently not by the way you shake your head and refuse to meet his eye, groaning out something instead.

dick’s cock was becoming excruciatingly hard, and his own strokes of his hand weren’t cutting it. he wasn’t going to fuck you until you apologized, half-promised that to himself when he’d opened the door to his home. but, he had his own needs too.

his hands sit on either side of your torso, knees underneath your thighs as he teasingly brings his length to rub against your folds and clit. never pushing inside, but pushing himself past your entrance with help of your wet slick.

overstimulated and fucked out, you whimper and whine underneath the man. unknowing if you want his cock to fill you up or if you want nothing to do with him at all. your body can’t decide when you attempt to writhe away from him, but your pussy flutters while doing so.

"two words, fucking slut," he reminds, hot breath fanning your face. he lowers his head, pressing a rough kiss to your cheek in which you attempt to move away from. "c’mon, be my good girl. y’know i don’t like being mean to you baby."

the sweetness of his words almost make your guard fall, wanting to turn and lock your lips with his. but you don’t. instead turning your head to scrunch your brows at him and pull your lips back. "’m a good girl, you’re just dumb," you say, words ending in a whine at the feeling of dick’s tip pushing against your clit.

dick’s teeth find their way into your neck, sucking a dark purple hickey and then pulling back with his cock in hand. his eyes never leave yours as he pumps himself a few more times.

and then his tip reaches you again, only this time he pushes only the beginning of his length inside of you as you squirm and moan below him. he thinks it’s cute, the way you’re helpless until you say the two words he wants you to say.

"wanna be a slut?" he questions, letting only his tip fill your entrance. his eyes move down to watch the way your cunt’s reacting, attempting to suck it inwards despite your nasty words.

with one fluid and fast motion, he bottoms out in you. the entirety of his length filling you up and kissing the sweet spot inside of you. dick doesn’t care for the moans or whines you give. doesn’t care that your hands are balled into fists and pulling on the rope he tied tight.

"i’ll fuck you like a slut then."

[tacomel420]

todays stoner hack brought to you by yours truly is to cut a rice crispy treat in half and fill it with peanut butter

[freunwol]

my son, frouge, as seen full of macroplastics

[zhouprodigy]

"Consequences", I hear Keanu Reaves say as I bite into the last piece of oreo cheesecake covered in chocolate ganache, with work in less than 12 hours.

[aroaceleovaldez]

i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:

You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.

You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.

You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.

You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.

You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.

You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.

You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.

[napping-sapphic]

Sure you could fall in love with me but would you put up glow in the dark stars all over our bedroom walls with me? Would you paint our mailbox fun colors with me? Would you make pancakes in silly shapes and buy knickknacks we’ll never use and pick up hobbies we won’t stick to with me? Would you live and be silly and be a little dumb and be a genius and be confident and lazy and kind and angry and everything? Would you give me absolutely every side of yourself that you can??

[puppyeared]

act 4 :(

@chipper-smol and i came to a realization

[bunnygirllover45]

"You'll never be satisfied with just normal 'love', won't you? then let me give you exactly the type of twisted affection you crave."

♡ another cg done for the vn. Naoya being the protagonist doesn't mean he's not going to get his own cgs ;]

[edwinisms]

george rexstrew deserves awards for many things but i have to say. edwin’s bloodcurdling scream as niko gets killed deserves a whole award unto itself. like. that scream did not feel at all like a tv show scream. to a somewhat jarring degree. and i can’t express how much I respect that

[oxygen-stealer]

Kinda messy Mirage doodle. I think she also deserves to be covered in blood from time to time

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[heartorbit]

i just wanted to draw the ave mujica outfits .

[kurikorso]

nostalgia slapped me upside the head a little while ago so i had to draw my favorite dudes ft. the gecko effect

[verathena14]

sorry i had to

[elodee]

*head in hands*

[gavramous]

gaz definitely regularly forgets he made tea and abandons it to get cold in the kitchen. it happens so often that the rest of the 141 know that if there's a cold cup of tea somewhere, it's gaz's, and he forgot he ever made it.