#i truly adore this show

[lesbiannieism]

one of my favorite things about dead boy detectives is that it doesn’t take its monsters too seriously because the monsters themselves aren’t the scary part - it’s the symbolism, the things they represent, that are truly scary. yeah, teeth face and the sprites and the demon that apologized for dragging edwin to hell are goofy because they’re not what we’re meant to be scared of. the real horrors are parental abuse, internalized homophobia, xenophobia, bullying, abusive relationships, stalking… i could go on and on. anyway this show is brilliant and i need 20 more seasons of it please and thank you

[satans-knitwear]

Ur hot witch wife is thanking you for her valentines gifts 💋🥰✨

Treat me ~ Tip Me ~ More of me

[screechingfromthevoid]

Orym is giving very "I have fallen in love again and that feels like a betrayal to my dead husband" energy.

He's also giving "I care so much about my friends and I have to protect them but the love I have for one is so strong that it's distracting me AND it's not fair to the others"

Like there is so much love contained in the Orym and also so much guilt.

[aprilblossomgirl]

You know, you’ve been with me since the day I had no one until now, when I see my Everest. I’m not climbing it alone. You’re climbing it with me.

Only Boo! (2024) Episode 9

[giantkillerjack]

Me: I don't like when shows queerbait me.

Other Fans: Well then just watch other shows, dummy!!!!

Me: 👍👍👍 wow what a tidy way to dismiss and invalidate a legitimate reaction to homophobic story tropes! 👍👍👍

The "just leave then" response to people wanting more inclusivity from the stories they love is not just emotionally invalidating - it is also one of the things that keeps storytellers from feeling that they need to improve in the future by making fans feel stupid for demanding better representation in the first place.

This kind of response doesn't just make you sound like a conservative (since this is a VERY popular response that conservatives have when confronted with leftist media criticism), it also fundamentally ignores the fact that there may not BE an equivalent story with good rep to go to after leaving the queerbait-y one behind.

Delicious in Dungeon is special and unique; that's why I genuinely love it. It is that love that makes me want it to do better.

When I see that Shuro is allowed to openly express romantic love for Falin, but Marcille/Falin is relegated to mere implication, it makes me really sad. It may not be a romance manga, but there ARE straight couples, and hetero desire IS on display - which makes the lack of open queerness all the more noticeable.

So when people say "just go watch something else" in response to my genuine sadness and irritation that a beloved story is excluding people like me..... Are you telling me there's a nearly identical queer show - with a similarly active fandom - all about found family learning to cook beautiful foods in a dungeon? Is my favorite-guy-ever Senshi going to be there? Is there actually a place for me to go to??

OR is there only one Delicious in Dungeon, and that's what makes it great?

I think actually folks who respond this way just want me to leave, and they don't really care where I go, so long as their favorite thing doesn't have to stand up to criticism.

Because I don't want lesbian media elsewhere. I want it here, with my friend Marcille. Here, where the seeds of queer romance were purposely planted to hook my attention. What's so wrong with being disappointed if those seeds never grow to bear fruit??

We can like good art and still demand it does better. And we can validate people who are sad it isn't doing better without getting defensive. Critical analysis is healthy and important. It's how good and bad stories are fully understood, and it's how better stories get made.

And while I will try to enjoy the plentiful delicious crumbs I am being served (since it is more than most shows give me), just because I CAN squish a bunch of crumbs together into the approximate shape of a muffin, that doesn't mean I've been served a meal.

More on this topic because I love a good analogy

My original post about queerbaiting in Dungeon Meshi (that inspired this one with the replies I got from it)

[starheirxero]

After revisiting your "came back wrong" comic, absolutely wonderful btw, I came to a rather haunting realization.

Because it became true. But instead of Bloodmoon, it's Eclipse. And that's both much worse(for the characters), and much better(for the narrative).

Because both him and Lunar went through the same, and in a way seem to parallel each other, though that's probably me overthinking.

Both of them died. Both of them were blown to smithereens. Both of them came back after several months. Both found themselves in a body not their own. We've seen what they look like in every other universe.

Both of them came back wrong.

Lunar came back numb, quieter than before, with all their energy being a play. He came back running from unknown danger. They died a normal animatronic, and came back being more.

Eclipse is the opposite. He came back louder, erratic, full of madness. Where Lunar is running from unknown danger, he is sprinting towards it, not realizing the consequences until it's to late. Not to forget the star. Eclipse died being somewhat of a god, and came back as nothing more than a plaything, a puppet on a string.

In a twist of fate, they can relate best to each other now, and that might be the worst part for both of them.

Because what is there to do? Even though they understand, even though, one day, they might glance at each other and wonder "Do you feel the same?", they will never be able to confide in each other. Their relationship is beyond repair, and for good reason. Eclipse hurt Lunar, used and ab*sed him, and then blew him up.

This also opens up so much emotional baggage. What will Lunar think? Will he wonder "Do you regret what you did now, knowing how it felt?" Will a part of him feel the smallest bit of satisfaction? Will they ever be able to look at him at all, or will they forever hide away?

What about Eclipse? Will he feel guilty? He seems aware of the damage he has caused the celestial twins, even telling Ruin that he deserves what's coming for him, but he still showed no remorse when he talked to them.

I'm sorry this got so long, I am incredibly emotional about this right now, and I can't even begin to describe, how this makes me feel-

ANON OH MY GHOD /POS

DID YOU KNOW YOU HAVE THE BIGGEST FUCJING BRAIN EVER. DID YOU KNOW YOU'VE CONNECTED THE MOST PERFECT DOTS KNOWN TO MAN. HOLY SHIT.

LUNAR CAME BACK AS MORE AND ECLIPSE CAME BACK AS LESS BUT BOTH CAME BACK WRONG AAIAUAUAYAGAGGGHHHHHH

[teddybeartoji]

i love stretch marks so fucking much they're so fucking pretty

[deerest-deer]

john bridgens and henry/harry peglar, the terror amc season 1 // birds of a feather by billie eilish

gifs credits to: @staud and @cinematicnomad you can go to their original posts by clicking their user that appears right under the gif♡

[bbqhooligan]

no words to describe the way i love ekko (ive written paragraphs on oaragraphs) all ill say is isnt it crazy how after aang ive collected only 2 characters who are as perfect and theyre Miles and Ekko

[itwoodbeprefect]

one thing that's good about every version of cherry magic is that by virtue of its core premise, and, indeed, the full title of the japanese series (Cherry Magic! Thirty Years of Virginity Can Make You a Wizard?!) you know that you will be getting at least one character who is at least thirty years old. and i can't tell you how much i love when characters are at least thirty years old. it's excellent, we should do more of that

[machineheraldbabe]

my arcane hot takes/predictions

i believe all of these things but! it's all in good fun. there isn't a character i genuinely dislike; every one serves their purpose, their motivations are fully realized, and every dilemma they endure/represent is morally complex and super fascinating!!

i love reading/talking about this show :)

If we had to nominate a single character as the show's villain in s1 (rather than the enforcers as a unit, or silco's shimmer operation, etc.), it would be marcus. if he hadn't taken silco's blood money, none of this would have happened.

jayce is "worse" than viktor in season 1 morally; "worse" comes with a lot of weight, ofc. i think season 1 follows jayce's story especially closely, from starry-eyed genius, to political initiate, to chess-master-in-training. the narrative indulges and displays his darkest traits and contrasts his narrative of moral emptiness with viktor's story of lonesome self-sacrifice. this is why i think it's VERY interesting that jayce allows viktor to break the news about his deal with silco for an independent undercity.

BUT! viktor will completely flip this dynamic next season, and viktor fans like myself will find ourselves in jayce's shoes! i can't wait for this!

relatedly, i am eager for a complete villain arc for viktor. it's mostly agreed upon that his story is incredibly sympathetic, but i'm hoping that the writers push him a few steps too far. i don't want to be comfortable - i want to watch a true degradation of morals to complicate what it means to redeem or condemn someone with such a tragic past. it'll blend very nicely with our initial impressions of vi's s2 story.

jinx is the main character of arcane and i love that for her.

vi's alleged enforcer arc makes Perfect sense, especially when contrasted with her dialogue with vander in act 1: "i grew up thinking that i am less than them." she can't be less than them if she's one of them.

mel hates viktor and was worried that jayce prioritized his relationship with viktor too highly. this comes from the scene where jayce confides in her that viktor is dying and her first remark is: "i didn't know you were so close." not long after, she silently belittles viktor when convincing jayce that the hextech weapons are a necessity by looking down upon him and refusing to consult him. i also want to be So Clear that i adore her character and that this is NOT a criticism; both scenes are phenomenal and are integral into their tripartite dynamic.

caitlyn was way out of pocket for her aggression in ep 9 and it definitely revealed her character's darkest tendencies that i think we'll see more of in s2.

viktor will be the sleeper-agent for s2. i know i'm projecting here but think about it - even visually, he has his own shade of purple amidst shimmer's fuchsia and hextech's blue. much like how powder's stealing was the initial conflict in s1, i think viktor has the same catalyst potential.

the worst things s2 could do are a) killing off a champion too early (save the deaths for ep8/9!) and b) giving viktor a love interest.

[landwriter]

watching dead boy detectives when you've lived in coastal bc

i love that they have a ship that services a metro area of 2.4 million people & all of southern vancouver island, to depict the ferry to (checks notes) port townsend, wa, pop. 10,388. cannot overstate how incredibly funny the scale is. on a regular day that route has more passengers than the entire population of port townsend. like a title card saying our beloved characters had to take three trains and a regional bus line and then smash cutting to a red london double-decker

that being said. bc ferries both as a crown corporation and as individual vessels is DEFINITELY haunted so this tracks actually

[arcturianview]

Narratively speaking, Viktor and Jayce switched places:

Jayce compromised on his principles to save someone else, and Viktor was angry. Now, Viktor compromised his principles because he sees he can save others, and Jayce (perhaps for the first time) refuses to compromise on what he believes is right.

Where once it was Viktor on the outside of society, stumbling around, while Jayce rose in power with a cult of personality behind him, now it is Jayce, emaciated, vision blurred, fighting through, while Viktor sits at the head of a literal cult.

Jayce brought Viktor back with hex-tech and Viktor was confused and angry, unable to integrate the new sensations he was experiencing, newly joined to hextech, leaning heavily on a staff transformed by the same magic. Viktor brought Jayce back from wherever he was with magic, and Jayce came out confused and angry, unable to integrate the sensations he is experiencing, newly joined to magic (the gem now embedded in his wrist), and leaning heavily on his hammer, now transformed by that magic.

Viktor leans on a shepherd-like staff, going to do healing (questionable though some of it may be), while Jayce leans on his hammer, and goes to commit violence (whether or not this is a "evil" act)

They even have matching leg braces.

[who-can-touch-my-boob]

<- Sanemi simp posts masterlist

As a firm Sanemi supporter and protector (he is very precious), I might admit he can occasionally be a tiny bit violent. Slightly angry at times and perhaps he’s guilty of saying a few bad things. However Sanemi is not only a smol little baby boy in need of protection, he is also too cute to be held accountable for his actions. (Kinda like when your pet is being bad, you can’t really blame them).

Look at this little bundle of mischief, a silly little goose who may or may not try to blind is brother as a terrible attempt at doing the right thing

[lully-jo]

I have a headcanon as to why Alisaie hates being mistaken for Alphinaud and also why Alphi doesn't flirt around like he did in the Studium anymore.

We all know Ali was the weird girl in school and Alphi was super popular and always showing off for girls in school. Thing is, Ali and Alphi are identical and so imagine poor little Alisaie always being a sort of awkward social outcast and someone comes up to talk to her which is exciting holy shit making friends until they realize it's Ali and not Alphi and they make the most disappointed expression. Can you imagine how fuckin' hurtful that would feel?

One day some girl comes up to Ali thinking she's Alphinaud trying to flirt it up with him and it's the final straw. Ali finds Alphinaud and tells him to stop fucking around because if she has to deal with one more of his little girlfriends she's going to kill him. And he sees the tears welled up in her eyes despite the rage on her face and he understands and never does it again not because he's afraid she'll fight him but because he genuinely feels bad for how it's impacted her.

[luck-of-the-drawings]

OOH YEAH BABY! PARTY TIME BABY! MUSIC! DRINKS! SOCIAL PRESSURE & A PSYCHEDELIC BREAK DOWN! WELCOME TO VAMPIRE SOCIETY MOTHERFUCKER! ARE YOU SCARED? DO YOU UNDERSTAND YET? ITS OKAY IF NOT. FIRE DISSOLVED IT! ITS ALL GONE NOW. HAVE FUN!