#i think that maybe we need to think critically

[yukioos]

APOCALYPSE

SUMMARY: jayce talis x reader // after dealing with much criticism from heimerdinger and complaints from viktor about hextech, he finally walks home and ends his day peacefully lying on your chest.

AUTHORS NOTE: hi guys! i’m working on a viktor x vampire reader fic so that’ll probably come out this or next week. happy holidays, have a good day! this is 1.6k words

WARNINGS: not proofread, angst, jayce is going through a lot, depression, stress, anxiety, reader n jayce are married, pet names, reader is referred to as ‘mrs.’ and ‘wife’

jayce had to sit in a room and listen to heimerdinger criticize and critique his work for three hours. three whole hours were spent listening to him complain about hextech, and the professor wouldn’t let the scientist utter a single word. eventually, he just tuned out the sounds and words from the elder, and instead tried to think about you, his wife.

most of his days were spent thinking about you anyway. but sometimes your relationship would go through rough patches because of how little time jayce was at home. you understood he couldn’t be home all the time, he was a scientist, after all. the city of piltover heavily depended on him, and you knew this put major stress on the man.

sometimes he would become distant, and you would become worried for him and his health. days without hearing a word from your husband were common, you became accustomed to it. because of this, you cherished your days with him, and continue to do so whenever you encounter him.

jayce didn’t know how much of an impact he had on you by not being in your life as often as he wanted to. you were everything to him. you were the reason he did everything for piltover, it was all to protect you.

but he didn’t know how unhealthy it was for him to skip meals and hardly get any sleep just to keep the city safe. he knew the city wouldn’t be as developed without him, but he always felt the need to do better. when heimerdinger critiqued his work constantly, he began to feel overwhelmed and anxious with every step he took, in fear of not pleasing someone.

he once snapped at viktor for incorrectly solving a formula used for the hextech. unfortunately, he hadn’t noticed how agitated he had become because he was too focused. he began to hate himself more and more with every mistake he made and overworked himself past his limits.

as the days passed, you hardly heard from jayce. worry clouded your mind, and your heart raced quickly once your phone rang. you picked it up and glanced around your bedroom.

“um, hello?” you stuttered, seeing professor heimerdinger’s contact on the screen. you tilted your head and thought to yourself why the professor would be calling you at this time, at eleven at night.

“ah, mrs. talis! i wish we could speak on better terms, it is nice to speak to you again. however, eh, your husband has… collapsed. i was wondering if you could bring him back to your residence once we wake him up?” his chirpy voice seemed duller than usual, with a hint of dissatisfaction. he glanced at viktor, who gave him a halfhearted smile as he continued pacing around the room.

“wh— huh? i’ll pick him up but why has he passed out? i’m confused, professor, is he—”you began to ramble, overthinking all the scenarios that could have happened to your loved one. he hasn’t come home in days, you should’ve been at the academy with him. you should’ve been by his side, maybe this wouldn’t have happened if you were.

“please, mrs. talis, do not worry. i believe he hasn’t slept for a healthy amount of time, so he just passed out. no biggie, do not feel frightened for him. he is okay, he may just be… taking a power nap.” another voice is heard on the other end of the line, and the professor pauses, “ah, i apologize. i must leave now, as i have more work to do. please head over to the academy and pick him up. thank you, goodbye!” he replies, speeding up his words near the end of the call. he hangs up, leaving you with unanswered questions.

you slowly take the phone away from your ear and stare at the frame on your nightstand. it’s a photo of you and jayce getting married, and he looked as handsome as ever. tears were visible on both of your faces, mascara ran down your cheeks. it was the happiest day of both of your lives.

you really hoped he was okay.

when you arrived at the academy, you walked up to the professor’s lab, as you had studied there years ago. your heels clacked against the tiled floor, having to use a flashlight to see through the dark hallways. you gently knocked on the professor’s door and were met face-to-face with jayce’s lab partner, viktor.

“hello, mrs. talis. it is nice to meet you. as the professor also said, i wish it were under different circumstances.” he smiled and turned his head toward jayce, who ashamedly looked down at the ground. heimerdinger was gently speaking to him, but it seemed as if jayce wasn’t listening, like he was in his own headspace.

he had dark eyebags and had lost weight, his skin became more pale and ghostly. it was clear he wasn’t taking care of himself.

your eyebrows turned upwards, and you slowly approached your husband with worried eyes. heimerdinger cleared the path to him and nodded, permitting you to speak to him.

“jayce, sweetheart,” you mumbled, looking up at his form as he sat on the stool, you bent down so his eyes would look at yours. you brought your manicured hand up to his face and rubbed his cheek.

“we’re gonna go home, okay? you gotta take a break,” you persuaded, continuing to comfortingly rub his pale cheek. it was always one of the things that made him feel warm and cared for.

he nodded and mumbled an, “okay,” before slowly standing up and waiting for you to lead him outside. you gently placed your hand in his, and he weakly curled his larger hand around yours. you mouthed a ‘thank you’ to viktor and heimerdinger, then walked the path toward your shared house.

once the two of you arrived, jayce slipped his shoes off, and you did as well. you lead him up to your bedroom, where you suggested he’d properly sleep for at least eight hours.

the both of you slipped off your clothes and changed into comfortable ones, but what bothered you was that jayce hadn’t said a word since you brought him to the house. so when you dimmed the lights and laid on your side of the bed, you were surprised to see jayce hadn’t curled up into your side yet. he was normally a cuddle bug, but maybe he’s changed.

his eyes looked sullen as he stared at the ceiling. he sighed and turned his head towards you without a smile or word, staring deep into your soul, as if he was trying to tell you something.

you could guess what he was thinking, so you opened your arms up to him. he slowly moved to your side of the bed, and laid his body on yours. he let out a large sigh and perfectly laid his head on your chest. his breathing suddenly became more relaxed once you began to scratch his scalp, a gesture he loved ever since you two settled into a romantic relationship.

you began to feel cold drops of liquid on your chest, ones that you could only guess were tears. when you glanced down, you saw him biting his trembling lip. his body was shaking and holding onto you for dear life, and your heart broke at the sight. you would never want your husband to feel whatever he must’ve been feeling at that moment.

“jayce, baby, what’s wrong? i’m getting worried about you,” you mumbled, tilting his head up with your free hand. he began to let out sobs and whimpers, trying to hold them back but failing miserably. his walls broke down just at the caring words from his wife.

“‘m sorry ‘m not good enough,” he gasped, trying to take in more air. you and his mother always told him he was perfect, that he didn’t need fixing. hell, he even started telling others that, but he never would’ve believed he would’ve stopped thinking he was good enough for himself. his world came crashing down, all the stress plummeted to his heart, and in his lover’s arms.

“jayce, you’re perfect. you’re good enough for me, you’re good enough for the city, you should be good enough for yourself. you’re amazing, do you even know how much you’ve done for this city? you should be proud of yourself, honey!” you praised, causing his whimpers and sobs to become quieter, as he felt loved by your words.

“do you have an idea on how to not… dive into the headspace you’re in again?” you asked, wanting him to have control over the situation. maybe he would feel a bit better that way.

“can you make that decision for me?” he mumbled, not wanting to think too much. he just wanted to rest on your plush chest, with your warm arms trapping him in your hold.

you giggled, “mhm. how does a couple of days or a week off work sound? i’m sure the professor would let you have a break, baby. you need it.” you felt a smile and nod against your chest, and glanced down to see his almost asleep figure. his grip on your body became loose, even as his hand lingered on your thigh.

you were glad he was back home and safe. hopefully he would feel better and take it easy by the time he got back to working on the hextech.

even though he was almost asleep, you murmured soft praises to the man, including quiet ‘i love you’s,’ hoping it eased his mind. he fell asleep happy and peacefully in your arms, knowing he was loved and perfect in your eyes.

[theneworder]

BEST WORK YET

Here she is: my best work yet. I feel a little bad in all honesty, because my intentions were never good. I only chose her because she was my ex's best friend, not because I saw any real potential.. but then, I suppose you can always surprise yourself.

Look at her, preening herself, arching her back, shoulders pushed together, reaching for every drop of attention the room can give her.

"Come here darling, come sit in my lap, good girl, princess. Yes, be a good girl, let daddy rest his hands there.."

When I started dosing her, she was actually something special.. She read Tolstoy, embroidered in free time, she was poised for scholarships and research grants for her work in the environmental humanities. I'm not sure what she does now to be honest..

"What do you do, baby?"

She doesn't know apparently... she does 'stuff'...

See I took advantage of her good nature, told her I needed to speak to her, to someone who knew my ex, that I just needed help getting closure. That was enough proximity; after two meetings and two dosings, she wasn't really thinking too critically anyway.

Then, as her mind dulled, I started to have my way with her. I remember that dumb look in her eyes when I kissed her in the doorway, I dressed it up all romantic for her, just to tie her in even deeper. Told her I was sorry, that I couldn't hold back anymore - she was all giddy and breathless, confusing the chemicals raging inside her for storybook feelings. Perhaps she was confusing her cunt with her heart. She was dumb enough by then. She didn't even notice the line of drool dripping down her chin.

She didn't resist either when I reached from behind and grabbed her growing tits the next day, she just mewed, pushed in closer. It was a lucky guess really, she was still wearing oversized tshirts, still had that frizzy mop of hair, I'm pretty sure she still thought she was nonbinary then. Thinking with your cunt first tends to change silly thoughts like that - she knows what she is now.

"What are you, sweetie?"

Yeah, she's daddy's girl.

That's when I had a pretty good idea that her mind was mush, I could see books were starting to get a little dusty, apartment a little less tidy. I could start the real fun then: little gifts, outfits, trips to expensive bars. With each one she fell deeper and deeper into me, but with each one she changed as well: a skirt that showed a little more leg, wearing that tight new top to the bar for me, learning to feel like a trophy on my arm. I told her that I could fix everything for her and she started to believe me. She started to hang on my every word. Look what I can make her do now:

"Rub your cunt for me, sweetie... I don't care that there are people looking, you know how good it will feel."

"Let me get you started.. Oh that feels good doesn't it princess.. Yeah, that's it, don't you stop now.. good girl.."

That girl used to go on political marches. Can you believe it?

Anyway, I'm going to take her for dinner next week to my ex's restaurant. She's a server there. I might put the reservation in her friend's name, see if she recognises her when we turn up. And when we fuck in the bathroom, I'll make sure she knows. Maybe she'll work out what she was missing...

[my-debauchery]

Visit.

idol!jaemin × gn!reader

g`fluff

cw`kissing, some happy tears

A/N:jaemin got 3 votes so i hope no one is upset. i know it's not extremely festive and for that i apologies. i hope you like it anyway and have happy and peaceful christmas, if you celebrate. as always, constructive criticism is more than welcome. if you see mistakes in cw tagging, please, let me know.

you could feel it in the air. be it the festive spirit or 6 shots of espresso, that you had an hour ago, you can not decide.

somehow this christmas morning feels different, as you sit and watch the morning news in your pajamas. eating leftovers from the yesterday's celebratory dinner at your parents house.

you feelt slightly sad that your boyfriend couldn't join, but then again you knew what it's gonna be like dating an idol. you talked on the phone for a bit and he had to go back to the rehearsal for sbs's gayodaejeon. you probably won't be able to see each other till after the new years celebration.

as you get up to clean up your plate, there is a chime of the lock from the front door. you think it must be your sister's coming to pick you up for your walk, so you continue on to the kitchen.

'i just finished breakfast. let me change and we can go' you call out to them and load the dishes in the dishwasher.

suddenly you are engulfed by something cold and rustling.

'where i are you going?' you can hear a smile in jaemin's voice, even though he is speaking in to your neck 'can you delay your plans for a bit?' there is a playful intonation in his question.

you turn around in his arms and look up astonished 'what are you doing here? aren't you supposed to be practicing or doing million other things in preparation for your performance? or resting?' you say worriedly, noticing slight dark circles and a sleepy gaze.

'maybe' he says and lowers his head on your left shoulder, mumbling 'or i can snuggle with you for an hour' you don't need to be told twice, so you move back to the couch and drop down with him.

you settle down and wrap yourself around jaemin. he takes a deep breath in 'you smell like ch-' you look up with a mischievous smile 'home?' he gives a quiet laugh and pinches your nose lightly 'no, love. you smell like christmas'

you pout and look away 'i bought a new body wash and i smell delicious' you say triumphantly and poke his chest 'i know. i can just bite your hands of for breakfast' he says and try to catch your hands and do just that.

jaemin tackles you on the ground and traps your underneath him. you try to break free, but he is stronger 'maybe you shouldn't have used it, you know i already can gobbel you up on any given day' he grins down on you.

you puff out your chest and lift your chin up 'first you should take your jacket off, show some manners. this is an establishment of fine dining and a certain class. not just anyone can eat here' you finish off with a lifted brow.

he takes off his jacket and tosses it to the side 'not anyone you say?' you nod and cross your arms 'of course not, only the most special people, in the most dignified positions' you say with an air of self-imposed importance.

he smiles an almost manic smile 'what about fiancé's? and futer husband's? are they special and dignified enough?' jaemin reaches in to his pocket and you feel you heart skip a couple beats. he outstretches his hand with an open palm on which lays a ring.

you skoot out from underneath him and sit on your knees in front of jaemin. you take the ring with shaky hands and look at it. it a simple silver band with sprinkling of small crystals and ingraving of yours and jaemin's initials on the inside. you feel dumbfounded and lost for words, so you just look at it.

you don't know for how long you sit like that 'will you take it? it's a promise ring. i know we can't marry right now, but one day. when things quite down a little we can' you feel tears drip down your face and your vision gets a little bit blurry.

jaemin nudges you lightly 'are you okay? is it a no and you just thinking how to tell me? you know i can always book a table later. i know your fine establishment is very popular' you snort and launch yourself forward to bear hug him.

'i love you so much. you don't need no booking. i'm afraid our establishment is closing for private service for the foreseeable future. you are our most honorable guest after all' you whisper in to his ear.

jaemin hugs you back 'the honor is all mine' you feel the sobs shake his body and run your hands along his back and sides.

you peel away from each other and he takes the ring from your hands. jaemin gently holds your hand and puts the ring on 'please, never leave me. i will do anything and everything to make you happy. i will learn and grow with you till tax collectors and fire department close you down'

you laugh and give him a short kiss. you both turn towards his discarded jacket, from which his phone is ringing and buzzing 'i'm afraid you need to go' you tell him and move to your feet.

jaemin follows suit and gets up. he holds your face, slightly squishing your cheeks 'i love you. i'll call you later, then i get to the show and before we go up. i love you. please don't forget to dress warmly if you go out. i love you. i'll try to get couple hours free to celebrate with our families and friends, before the new year. i love you. please watch our performance, but look only at me. i love you'

you squish his face back 'i love you. i'll be waiting for you here, if you can, stay the night today. i love you. i'll stay warm and won't get sick, i promise. i love you. i would love to celebrate with everyone, but don't stress about it. i love you. i'll watch it and you know i only have eyes for you. i love you' you pinch his cheeks 'you should go or the others will chew you out'

he lets go of you and picks up his jacket. jaemin fishes out his phone and answers it 'yes, hyung i'm going down. sorry for not answering. i'll be out in a minute' he moves towards the front door and you follow him.

jaemin puts his jacket and shoes on and looks at you. you move to stand in front of him and kiss him again. he turns to exit and you hold on to his right hand. just as he is about to step out of your apartment, you cheerily say 'thank you for your visit. please, come again!'

the last thing you hear is jaemin's bright laugh echoing in the corridor.

[artemisprince006]

Just going to preface this by saying this is me going on a rant. I just saw something that bothered me and I need to get my thoughts out on the matter.

I recently saw a post criticizing fanfic writers for writing Christmas fics about ancient Chinese characters. Basically saying that instead of learning about the culture and writing something true to the characters culture we are spreading our Christian infested thoughts (my words not theirs, but the crux of the post).

First off, it is not a novel concept that fic writers like to combine two things they enjoy. So if someone wants to combine these two topics, what is the big deal? No it’s not a Chinese holiday, but I think we all need to remember that fic writers are doing this in their spare time - we don’t have hours to research all the nuances of certain cultures or maybe some just aren’t comfortable writing about another culture that isn’t their own.

Furthermore, if you are upset about Christmas fics with ancient Chinese characters, what about Halloween fics? What about Hanukkah fics? Shouldn’t these also be deemed unacceptable? Or if it’s the Christianity aspect that’s the problem, what about Lord of the Rings AUs (Tolkien incorporated his faith into his novels)? Or Twilight AUs (with morman views)? Are all of these also unacceptable?? It just boggles my mind why people can’t let others enjoy themselves. This is a hobby. We do it for fun. If writing a Christmas fic makes someone happy, let them do it! Don’t read it if you don’t like it. Why is it so wrong for someone to combine two things they love?

Also, just because people celebrate Christmas does not mean they are Christians. I am an atheist and because of religious trauma in my past I despise Christianity (I am aware not all of it is bad and it is something I need to work on but it has left a permanent sourness inside me). To me, Christmas isn’t about religion. It’s about being with family and friends and simply enjoying time with each other and the traditions we share. If I want to spread that Christmas cheer by writing a fic with my two gay idiots, so what? If you want a more accurate interpretation of Chinese themes, then write that fic!! I’d love to read it and learn more about Chinese traditions.

With that being said, in no way am I trying to demean other holidays or cultures that don’t celebrate Christmas. As a writer, one of the biggest tips is to write what you know. I know Christmas and maybe I wanted to share those cozy Christmas vibes with others. If it’s not for you, don’t read it. Block me. Do what you got to do, but don’t rain on someone’s parade for simply writing about two things they enjoy. Again, I have nothing against other cultures or holidays. In fact, if you celebrate a different holiday, tell me about it in the comments! I’d love to hear about it.

Regardless of what you celebrate, I hope everyone has a wonderful holiday season!

And fic writers! Keep writing~

[yestoeverything]

Adding to this cyberformed human supremacy remember, our brain/biology LIMITS our bodies from using our full strength otherwise we'd be ripping our muscles off our bones so hard they'd break. So imagine, Autobots with their cyberformed humans fighting the Decepticons when suddenly one of the Bots gets seriously hurt. Then the human is suddenly on the attacker like a pissed off honey badger with the one they were fighting suddenly has half their face caved in.

I would imagine miko doing this for bulkhead in tfp.

I would imagine Bulkhead made the wrong move and got himself critically damaged. As research has shown, when humans feel that their pack or themselves is in danger, they push past their limits. Even a normal human might lift a car in some real-life situations, so imagining hyper-enhanced cyberformed humans, they could maybe lift a cargo ship or spacecraft that carries maybe four people, max. Heck i heard of a human fighting with a bear and fighting to the death and bears are crazy strong.

So, putting this in that situation, I would imagine the bot that hurt Bulkhead is in for a rude awakening. They have a punch that rattles their entire being, plus an almost animalistic protective mode. Every bot can feel and hear the screams of a human; their goal is to protect her friends and family, and she will do anything to accomplish that goal.

That bot that hurt Bulkhead is absolutely bodied by Miko, and everyone suddenly remembers that humans are now on an equal battlefield with them. They have no idea if our limits can be surpassed beyond what they initially believed; now no one is sure how to think about that.

Our limits can be surpassed when we need it to be

Can theirs?

[cute-little-fly]

This is what I think about the tumblr critical communities. I have seen good comments that come from good places, and is good to be critical about things you like so creators can put attention to it and improve. Criticism has a good side but also a bad one.

But criticism needs to be more objective. Try to understand what was meant, consider all the elements in the scenes and dialogues with the overarching story and at the end see what could have being done better and what was done good. List what did it fail? What did it worked? Why? This is the usual kind of criticism I have seen from movie analists, and how I think those should be. We will always disagree at some points, but at least try to see more.

But most criticisms here and in other webs are like: this is bad because it should be this way or this other way. Because it should have ended like this or that. Then, you will see somebody else comment the entire opposite. There is no real objectivity or deep analysis most of the times. Or they villanize characters.

Like, you are seeing Jynx arc bad because you don’t detach to how you think should have been. So, no wonder why you don’t understand the one being shown in the series. Is true that some themes in the series were left out and even softened, but we need to accept it. Is true Zaun and Piltover could have had a better resolution, and is kinda bad that they were in the focus in season 1 and that season 2 couldn’t make much place for them. Is true some arcs that the one of Mel could have been shorter. Some other scenes or desitions are also less thought. But even with all of that Arcane is still GOOD. For me this is what they fail to see. Arcane ending was anticlimactic and rushed in some parts, but if you consider the series overall and what it says and happened, is clearly good and super worth the watch.

We can’t do nothing about the fact that the writers room went from 13 people to 3 people. I don’t think the 3 people left are bad writers, but, the work of 13 people cannot be replaced by 3 people. The level of details and everything of course will be different because each person contributes with their best skill. Season 1 had a lot more details and things to analyze because of how many good writers they had.

I also hoped we were going to see a revolution Jynx and that she may redeem herself that way when Do you wanna come play was released. But it ended being a bummer and not happening that, and I am actually… fine? Amanda said that ending for the sisters was intended since the very beginning. Also, for me it makes sense to what we have seen of them. They were never revolutionaries but because of who they are they were always in the middle of the conflict.

So yeah… I think is a combination of all the headcanons people had after season 1 not really being intended by the show runners, that rubbing people the wrong way, and also some things being teased to misdirect made the series look bad because how few time there is for everything and those things teased keep the people hoping for certain things to happened.

Of course, I think some of those things people headcanoned really appeared to be what the series was going to be, and is a possibility that they changed those plans, or the writers in charge of that were the ones fired and the ones left didn’t knew how to do that properly with that short time…

Buuut, at the end, my point is… we should cherish what we have, the good, talk about what we could have had in a constructive way (not saying how the show was ruined and super bad, because you are shoving the amazing things under a rug) and how they should try to balance better the thematic elements for the next shows (and maybe plan better the level of production and see that having more writers is important and have a better team communication); without falling into only seeing the negative and ignore All the amazing things this series has. Even with its imperfections…

I saw a lot the critique of a writer that saw both the good and bad things this season had. He actually criticized mostly act III and how the sisters lost relevance being the ones more important at the beginning. Which is a very valid one. Arcane seen overall as one single thing is an amazing series. Is one of my highlights of 2024.

Yes I am very emotionally invested in Arcane, yes I do draw real life inspiration from it, yes my favorite character is based on who I relate to the most, but you know what I DON'T do? I don't equate the story as a complete mirror to reality. I don't think it's bad to tell stories with unhappy endings. I don't think it's bad to have problematic characters. I don't think it's bad to LIKE problematic characters. I can still separate fiction from reality. And I think it's great practice to have morally ambiguous stories so that we can have actual conversations about moral ambiguity outside of the sphere of real life.

Art is a great conduit to talk about real life issues. AND it's a great way to look closer at dark topics without drawing from real life situations. It is BOTH.

True critique knows the distinction and when to bounce between the two.

[snappysprinkledog]

.

[bookwyrminspiration]

this isn't a fully formed thought, but some of the ways people "critique" kotlc is starting to bother me a little. there's genuine critique and criticism, but some of them feel like...condescending almost? talking down on the series to show they're better/more mature than to like it. or that they're better than Shannon--I feel I see a lot of condescending to Shannon (WHAT is she doing, why would she do that, we can tell you don't plan, does she even know her own series?)

and i've definitely been guilty of it before and have my share of criticisms, but it does make me want to go like. okay but you do also like the series though, right? that's why we're all here--we're here by choice, much as I joke about being held hostage. there is an appreciation for the good parts and the community and everything else under all that, right? right??

[doctorcanon]

It's still important to remember that Metaphor isnt ALL about Western politics. And that it's more about what happens when there's a complete and utter lack of mindfulness and critical thinking in social discourse as a whole. Because literally every candidate falls apart when the least bit of nuance is introduced to their ideals.

[bibibbon]

Characters with wasted potential: Mina Ashido

This ask inspired me to make a longer post on mina and the wasted potential of her arc.

Mina was first introduced as a light hearted and fun character that added an extra pop to the series whenever she appeared. Mina is loud, funny and relatable. All of mina's moments before the war arc are to add a light hearted tone to the story and she is usually seen through the lenses of others who also view her as this confident and outgoing student.

we never see her deeply upset (not to the point that it effects her character on a long term effect) and from other characters prespectives like ejiro we see that he views her as an incredibly heroic person who can somehow solve situations with a breeze (horikoshi makes mina the idealised image that kirishima wants to be) and the other parts of 1A and the teachers view her in a similar fashion thinking that she is outgoing and a confident character who has potential to be a great hero.

Mina's relationship with kirishma and the way hori uses their characters is really interesting (I would of definitely loved a lot more of it) and I want to focus a bit more on how kirishima viewed ashido and how that is the image that we also naturally establish for Mina's character which all shatters during and after the war arc.

The image that kirishima sets for mina is an image of a perfect girl, with a perfect quirk for heroics and a perfect teenager that does well socially and school wise. Mina fits exactly what UA looks for and she is exactly what kirishima wants to be. I think what's even more interesting is that kirishima focuses and chooses to highlight the part of mina that is courageous, passionate and the one that stands for others without even thinking. Kirishima doesn't focus at all on the aftermath of the situation, he doesn't acknowledge the scared mina who completely collapses and starts sobbing after such an encounter. No, kirishima is too focused on himself and his own self hating to recognise the true mina, the other half of her and the more real not perfect image of her.

Mina is in a way kirishima's catalyst. The perfect image that he has of her is what influences him to change and in the end even as he becomes "more like her" (outgoing, loud, energetic,optimistic) he still doesn't end up becoming her because he doesn't acknowledge the other sides of her (well he will in this rewrite/post and it can be argued that he does in canon)

However, during and after the war arc that definitely changes and I would like to argue that we see mina lose a bit of her spark that she once had before. (Or she will in this post)

Mina during the war arc starts to show her insecurities and we start to see her own fear. This is the first arc where we see mina from Mina's prespective. This is the first arc where we see just how effected mina was by her encounter with gigomachia and we see how it haunts her.

During the war arc we see mina cling to her optimistim and positivity. This is specifically seen when it comes to the midnight situation and we see her denying the mere possibility thay midnight is dead. Midnight can't possibly be dead because she is a hero, their teacher who still has tons to teach them so she can't be dead. Midnight can't be dead, they have went through things like this before and everyone was alright so midnight will make it right? These were the thoughts that went through mina's head, a mental battle one where she pitifully clawed and held her innocence and naivety for as long as she could until she saw midnight's dead and mutilated body thats when it was forcefully taken from her. That's when mina had to come to terms with reality at full force.

Seeing midnight's dead body was Mina's last straw in mha. Mina had to come face to face with the mangled corpse of her favourite teacher infront of her after all of that denial, wishing and praying however,reality of her situation hit her hard. We see Mina hold midnight's hand maybe in an effort to check if midnight is alive just for her skin to meet the cold dead skin of her teachers or maybe in a sombrely failed attempt to comfort both herself and midnight whose already dead.

Even though midnight's death was the last straw for mina in the mva arc, gigomachia and his reappearance also played a huge role to Mina's character. As I have mentioned before the mva arc is the first arc that we see mina through mina's own respective perspective and lense meaning that her first encounter with gigomachia was through kirishima's lense. Kirishima (as mentioned before) only saw the courage and strength that mina had and that he lacked. While mina broke down crying in fear kirishima doesn't truly register that and is too busy internalising his own self hatred for being incompetent and unable to help his school mates.

So what happens when mina meets gigomachia again for a second time? And how is this significant to her character? Mina doesn't recognise gigomachia the 2nd time she meets him not at first that is. However, even when she doesn't recognise him she is still cautious and afraid yet tries her best to push through it and get the job done as so many people are depending on her. We see Mina try and fail to cling to her optimisitc, happy go personality. We see the slow and dark reality catch up to her as she questions if midnight is alive or if she can even do what she needs to do. Ultimately, these dark thoughts catch up to Mina and when she hears Gigomachia up close she instinctively freezes her body going back to that moment in middle school where she was overcome with so much fear that all she could do was cry.

We then see the transition between high school hero costumes Mina and middle school Mina. It's a beautifully drawn page by horikoshi that cements the point and shows us including kirishima that Mina isn't just optimistic against all odds but she is a scared teenager trying to survive a war that the HPSC sent her to fight, a war that she should of never been apart of. Mina just like the rest of her classmates is scared, young, naive and a vulnerable student that is treated as a solider within a broken system.

The page also shows us just how much the past haunts mina, it completely destroys all of our previous thoughts of mina and the impressions she has given us as we get to see the truth that Mina was trying to hide from everyone and herself : Mina is scared and she never moved on.

All of that pressure and hope that everyone put on Mina so she could put Gigomachia to sleep failed. Mina couldn't do it and instead of berating her there's a moment of tension and sympathy that we collectively share for mina as readers and even the heroes within the story have that feeling. It's exactly that moment that kirishima also comes to a full circle understanding of Mina and how she like him was also scared, that she moved because she put the fear behind her and she feuled herself with that fear.

Mina and kirishima's positions in this arc switch its mina's turn to come face to face and tackle her fears, deconstruct the happy go personality and show us the duality of her character while it's kirishima's turn to step up and fully understand Mina helping him become a better hero and a character.

Kirishima takes the brute force of that hit while delivering the sleeping substance into gigomachia's mouth. All of this while helping save mina. This moment shows kirishima as a character reaching his supposed peak while Mina reaches her one of her lowest points. Overwhelming anxiety and fear can be seen throughout the page as mina expresses verbal distress over what happend to kirishima. She is scared for her friend and she blames herself for it. She blames not being fast enough, strong enough, brave enough to do what she was tasked to do. She blames herself for crumbling under the pressure and memories of the past. In a rush of pure adrenaline and determination she shouts and tries to reach for kirishima praying that he is okay. Her list of worries growing, this isn't just about survival but also about the life she had the life that might be changed so drastically today. Another person Mina has to think and beg that they can't be dead, it simply isn't their time it can't be their time not yet right?

The war arc passes and Mina is incredibly effected by the tragedy. Her life is no longer the same and she still blames herself. Mina is tired, she is angry and she is scared.

The next time we see Mina there is no smile on her face, a strange image that is. We see that she is angry, she is also scared and she is planning something. A mixture of emotions all that lead to the brewing ideas of revenge. Revenge or a sliver of it was in Mina's mind the moment she woke up in the hospital and remembered her loss, desire for revenge grew as she hears of her teacher and classmates condition, it then grows after attending funereals. Little by little the desire for revenge grows bigger and bigger. Upon this mess Mina is spiralling and well who can see it if the whole of Japan is plunged into a post apocalyptic doom? It takes a while but iida sees it then kirishima sees it.

For iida and kirishima they start of as little hints things that can go unnoticed like mina asking iida and shoto for their training routine to get stronger, or mina writing something in a notebook, then whenever Mina would just be outside of the dorms at night training and with that same book. All of these little things add to the suspicion little by little until the vigilante arc. For iida it finally clicks when he sees mina pouring her heart our saying that she doesn't want to lose anyone else and then his theory is further cemented when he sees her reaction to yuuga being the ua traitor.

The revelation of yuuga being the ua traitor sends mina eveb furher into her spiral a mixture of emotions is she is feelings with a stronger desire for revenge now more than ever. Iida confronts her about it and she tries to feign ignorance but knows that it's pointless and tells him everything. Iida disapproves and shares his own experience and while mina does contemplate and think about it she still wants revenge she still wants justice and her decision doesn't change.

In the end, when it came to the fight mina grows both mentally and physically realising that she is afraid and accepting that. She learns and understands the other party to an extent they're all humans at the end of the day all of them with emotions and connections. Yes mina wants revenge, yes she wants justice but when given the chance she is more willing to sacrifice those actions and ideals to protect her classmates and friends because at the end her desires of revenge all stemmed from loss, fear and the failure to protect what was once so close to her.

In the second war arc, mina expresses her thoughts of revenge she expresses her anger and her understanding to both midnight's killer, gigomachia and redestro. Kirishima also hears her and a further layer of understanding deepens their bond with both of them sharing what they think about the other. Kirishima views mina as his hero, she is his catalyst and she is who he wants to be where for mina she is glad to have a friend as courageous as kirishima, someone who can laugh with her, someone who can cry with her, who can understand her.

All of these emotions and interactions are what make mina who she is. Her grief, her power, her love, her laughter, her friends all of these little intracies that were once attachments and burdens are what feul mina to be better, do better and ultimately turn all of that into hard raw determination and power so she can fight to protect instead of harm.

This idea is reflected in the improvements of minas capabilities in the second war arc where she is successfully is able to form acidman a creature designed to protect and used to protect.

In conclusion, Mina is a character who could of been very complex since the story wanted to put a huge emphasis on her interactions with characters around her and how the changes in society effectively effect her making her feel various emotions. Mina is a teenage girl who is a hero, exposed to things at too young of an age and a character that matures with an intere understanding and tackling of her own views about heroes and villains. She in the end realises that the villains she is fighting are also humans the same as her and that gives her a better understanding of the hero world and society as a whole as she learns the duality of man.

[danwhobrowses]

5 Underrated Things or Tactics That May Aid Bell's Hells to Victory

Spoilers up to Campaign 3 Episode 116 below

Well Critters, it all comes down to this.

Vox Machina dismantled the Malleus Keep, killed Ozo (the Bozo) Kruft, and freed the Champion of Ravens which removed the tidal lock on Ruidus, and now the Mighty Nein have disintegrated the Weave Mind, completing essentially a full dismantling of the Kreviris Imperium, all of which quicker than I anticipated. All that's left is the Hallowed Cage, where Ludinus Da'leth and his inner circle are using his harness to try and fully destroy Liliana Temult. Bell's Hells begin a race against time to save her, but also a race to defeat Ludinus before he unleashes his intentions unto Exandria and its Pantheon with Predathos, and then decide for themselves what they do with the God Eater.

Suffice to say, and I dunno about everyone else but, I am terrified. I believe they can win but Ludinus is not to be underestimated, this second harness means he may be stronger - and he was already the strongest wizard alive - and have access to more powers compared to his simulacra, plus Predathos may come during or after this battle, which can put the Hells in a weakened state. Matt has likely prepared his best and worst for this final battle too, but the Hells aren't Lv. 20 combatants like the other groups; there's no 9th level spells, no Divine Intervention, and the group lost their cleric ~20 episodes back, so even though VM and the Nein were ultimately successful within 1-2 episodes having to use both of their auto-succeed Divine Interventions from their two clerics in the process, this is the battle. And with that is a ridiculous amount of tension for Ludinus and for what comes after. For all we know, the cast may've already recorded ahead enough to have finished the final fight, maybe even finished the campaign (though I hope not, partly because I don't want it to end yet but also I feel like the dawn of the new era should be explored regardless of what choice the Hells make, plus some characters could use a bit more resolution after the big fight and the pressure of stakes and time sensitivity have been alleviated) but for us it's a nervous wait, and a wonder of what can be done to win and what choice will be made to determine the future of Exandria, Ruidus, their faith and their people. So, this is my indulging into that first part, 5 lower-key things or tactics that might not have been initially thought of that could make things easier to defeat Ludinus.

Liliana, the Inner Circle, and the Arcane Battery Provided that the Hells make it in time to stop Liliana from being totally destroyed by the harness (which is very possible since Laudna does have that tracking spell on him since Aeor, it's all about speed and not running into enemies) she will still be without her magic to fight. Ludinus' inner circle holding her down is comprised of Reilorans but also other Ruidusborns, and that's something the Hells can expose. Liliana cannot fight, but Ruidusborns can take spell slots from each other, so Liliana and any KO'd Ruidusborns from the inner circle can be used as spell slot fuel for Imogen and Fearne. Ludinus also gave a 9-slot fully-charged Arcane Battery to the Hells in order to trigger Delilah within Laudna for his escape, the battery can help recharge Laudna's slots too which makes this tactic handy for the witches of the group.

Dunamancy One of Ludinus' most important tools for his plan has been Luxon Beacons, a device able to unravel even divine magic, but much like the Harness it can prove his undoing. Dunamancy hasn't been touched upon as much as early C3 hinted it could have, but for lack of a better phrase, the possibilities are still endless. The Hells have multiple Potions of Possibility at their disposal to aid with rolls, but they also were given a Sphere of Dunamantic Restoration by the Kryn, which will trigger the effects of a Short Rest and a health and spell slot recharge - which can be handy in a pinch and to reuse some once per short rest abilities. Ashton is the key factor though, I've mentioned it a few times already but we don't know if these items will behave differently with them, via their own internal dunamancy abilities. Given the unknown factor, that's why it's not deemed as much of a tactic as it is a Hail Mary, but it is one that could lead to Ludinus' own magic unraveling, and maybe even Predathos' too

The Whirling Dervish & Conditional Advantages In Vassalheim, Dorian received his family sword: Gambolcleft, the Vortex Blade. One of its yet to be used abilities involves a once a day repetitive use of striking an enemy, similar to how Ozo killed Vex, provided that they attack with Disadvantage. Dorian is already looking at a high attack roll given Gambolcleft's +3 to attack and hit rolls, and Master's Flourish means he doesn't have to use a Bardic Inspiration to stack a Blade Flourish (Defensive Flourish is probably best, the damage is also doubled by Gambolcleft), the only quibble is the disadvantage. Fortunately, most of the Hells have skills that can force Ludinus into conditions where attacks would do advantage on him: stunning and rendering him prone being most likely, but paralysis is possible if a Hold Person is successful. It would of course require his Legendary Resistances to be used up first, but if Ludinus gets stunned or knocked prone within Dorian's range, Gambolcleft could easily carve its way through him with continual hits, stacked potentially by Bless and Mark of the Messy End, for perpetual damage and make Dorian himself impossible to hit on his next turn. Stunning or Proning Ludinus also leaves Ludinus at the vicious mercy of the martial players, especially for conditions that auto-crit when hit.

The Hole (or the Bag of Holding) Occam's Razor. An old but gold tactic of the Hells could very easily be used against Ludinus too. The portable hole or the bag of holding are devoid of air, left in one long enough with it sealed would mean suffocation as have been the fate of many of the Hells' past opponents that they didn't have time to deal with. The Hole's downside is that a Strength check can lead to a creature forcing their way out, but the Hells do have plenty of skills that can impose disadvantage on Strength rolls and the aforementioned conditions could help that, Ashton's Hammer may also make it more difficult to unfold the Hole if its Immovable Rod is propped atop of it - but that'd be down to Matt's discretion. The Bag of Holding doesn't have the strength save, but it is smaller so it may not be able to fit him in it. I'm not sure if Ludinus can use Gate to escape either, dunno if that leads to the whole extradimensional rip thing that happens if you open one while in the other, but if he does it's a concentration spell so the Hells could just keep knocking him back from the other side, a bigger group of enemies in either also reduces the time needed before they suffocate.

The Harness and the One-Chance Polymorph Right now Ludinus is using a harness to destroy Liliana, comparing it to the one in Moleasmyr it'll potentially take about an hour to finish the process providing that this factor wasn't improved upon. However, removing magic within a being for a whole day only required a minute of contact in the Hells' one and maybe Ludinus', thus his creation and reason for long life and power can also be the key to his downfall. Holding Ludinus down for a minute is of course not as easy as it sounds but that's where Polymorph can come in. Polymorph lasts at most an hour, so as long as Ludinus is changed into a creature that can easily be restrained they can use the harness on it and remove Ludinus of his entire arsenal in order to finish him off without the risk of his high level spells. The tricky part is getting Polymorph to succeed; Wisdom is after all a Wizard's bread and butter, but there is a single gambit that could make it work. It requires all Legendary Resistances to be gone of course, and for Laudna and Braius to be conscious; Braius has a once per long rest ability to change a Wisdom saving throw to a Charisma one, which he used to allow Dorian to succeed in making the Dominox dance in the live show, Laudna's Void Puppet can force disadvantage on saves to those within 5ft of it, which will negate his magical resistance to just a clean roll. Orym can also use Hex to impose a disadvantage, which may be able to stack, but this would also hinge on Ludinus' charisma not being super high and if the Polymorph fails once it will likely not be able to be tried again.

The fight won't be easy, but there are avenues that can make it less dangerous, a strategy is very much required for such a foe. All the while my strategy remains keeping up the prayer circle. Deep breaths everyone.

[words-writ-in-starlight]

You could say that I have strong feelings about this ongoing debate

[queenaeducan]

anyway, when all is said and done i still think the the veil coming down could've done more for veilguard's themes than the actual end if handled a certain way

[evocatiio]

if chibnall was the one writing this season you lot would be talking VERY differently

[jamiethebee]

You know what irks me the most about the mha ending. (Sorry I'm still on it.)

Like the early parts of the manga, there were so many grown up hero AUs in fandom (like storylines that took place when they're adults and heroes) and they're fun! A little silly!

And then we had the war arc and cities are being destroyed and everything's torn up and for over a hundred chapters, it's been oh huh I guess every AU like that will just be canon divergence lmao

And then Horikoshi basically wipes the slate clean so I guess all those AUs could technically canon compliant. There's not even much in the way of lasting physical damage! Because it's dealt with???? Immediately???? Within months?????

Which is fine! Nothing wrong with it! The AUs are fun! But, it just irks me that you could throw out half the manga because it didn't matter. Nothing majorly changed. Silly adult hero AUs for everyone I guess because the League may as well have been 2 bit villains for all the effect they had at large was. Idk. Maybe I'm bitter? Maybe my brain still trying to process the ending and the change in how AUs relate to canon? I guess - what was all the constant sprinkling in of "society has let people down" that we see from chapter 1? It meant nothing? I guess????? I mean A WAR HAPPENED. But whatever I guess heehee wasn't that soooooo silly???? That people's take on early story can be the same as post story?????

[black-queen-rising]

Me desperately trying to find this so-called "bias" it often feels like a solid two thirds of this fandom claim that the HotD producers/writers have towards Rhaenyra when literally every single change to other characters has fundamentally come from minimizing/obfuscating/or otherwise reducing her narrative and overall characterization and character.

Yes, I'm sure this woman who they have invented continual bad decisions, internalized misogyny, blatant disregard for the people closest to her, ineptitude, blindspots, and blatant, borderline unbelievable public disdain for in their adaptation of her character; who's background as a victim of child abuse, of continual misogynistic psychological and eventual physical violence, who's love of both other women and her own womanhood, infamy in her charm and popularity and continual attempts (and yes, often failures) to rise above the positions she was forced into they have also ERASED...is actually someone they're going out of their way to portray sympathetically?

Oh, but they favor her because...idk they haven't shown her being violently raped or repeatedly physically abused? Because you believe they actually think that making her seem like an idiot who never knows or thinks about what she's doing is somehow favorable?? Because it seems like ANY of these changes have actually endeared her to the fandom much less the show's general audience??? I literally cannot explain it most of the time, it baffles me.

I know I shouldn't be because why should any of us ever be shocked by misogyny in media anymore? By the portrayal of a woman for a mass-media (and heavily desired male) audience that's reductive and hollow?? But it's simply unreal to see how so many people somehow believe that this was done out of some sort of benevolence or favoritism. That so many people believe any of the changes made in the opposite direction of, and often active opposition to Rhaenyra's portrayal in Fire and Blood, were made out of some sort of desire to make her a tangibly more sympathetic or broadly understandable character, is something I'm not sure I'll ever be able to fully understand.

Except, of course, in the view that I really hope not everyone who says this sort of thing actually believes; that a self-confident woman who exercises her own agency is such an affront that even an unsympathetic, inconsistent, reductive, and idiotic cardboard cutout of a character is still a more respectable alternative.