#i think i can write about them and make them feel real and understandable

[phantomrose96]

(A Breach of Trust)

[I am putting the rest of the ask under a ReadMore because it IS long [and now super-long with my responses added] but I am biting and chewing this ask I am biting everything it has to say I love this ask I have things to say]

But yes responding to this first chunk! First THANK YOU second I loved writing just the inherent comedy of each chapter being like "[Scene 1] Ritsu spitting blood: I have to save my brother. He's dying. [Scene 2] *Happy domestic montage of Mob petting a kitten and maybe drinking some hot chocolate*" It was a great way to keep some emotional balance in each chapter and also. Funny.

I was crawling the wallllls getting to the makeshift reveal. I think it was about 5 years between coming up with it and getting to the reveal. So I just had to bite my tongue and dodge any suspicion in Makeshift's direction leveraged in the ABoT discord (ABoT discord! BTW! If you want)

I ended up making this to channel the energy somewhere

[Rest of ask under the cut!]

i was nervous for a hot second early on (around when reigen first takes mob in) that it was gonna be the kind of story that would get frustrating because "oh if the characters literally just told each other anything it would all be fine" but i didn't end up feeling that way at all? like yeah a lot of the plot relies on characters not knowing things and technically a lot could have been solved if idk all the characters decided to meet up and sit in a circle to politely explain everything to each other but it never feels like that should happen. even besides them all generally having reasons for lying or not explaining things or not talking to each other it's like. all their decisions feel very natural even when they're bad or unreasonable, and also crucially when the characters do learn things or w/e it usually doesn't fix things (ie when reigen learns mob's real identity and tells mob the truth and it kind of fixes some problems but also adds a host of new ones). in general despite it being a story that hinges on all the characters making bad decisions it rarely gets aggravating bc all the choices they make are understandable and make sense for them -- it doesn't feel like anything is happening simply because the plot demands it. everything is constantly getting worse but that's because the characters are making it worse it's not just Happening. and then the characters have to confront and deal with the consequences of all their actions and learn from them and it's very satisfying

YEAH!!! YEAH YOU GET IT!!!!!!

It is VERY important to me that the story in ABoT is character-driven. There should virtually be no "it happened because the plot demanded it." If it happened, it happened because a character's choice caused it. And if a character made a choice, it was due to their own motivations and not because the plot demanded it.

So, YES, there is this scenario where so much of what is happening comes as the result of each character having, at most, a 20% understanding of what's going on. But the withholding of information, CRITICALLY, cannot be because of Idiot Plot reasons.

Reigen "could" just ring up the Kageyama's and send Mob home, cutting short the first like 2/3 of his and Mob's arc. But he doesn't. And not because he's an idiot. He tried. Mob freaked out. And that was a good enough reason to just delay this until tomorrow, surely. But we watch as Reigen gets to experience was feels like genuine accomplishment, genuine joy, genuine meaning, by helping this kid experience life again. From the very start that's what Reigen wanted--to feel like he mattered. At the beginning this is what drives him to take up the Tetsugami case, despite knowing it can get him killed. (Because maybe Reigen can do something, this time. It's not just another doomed marriage or unsolvable missing person. Maybe he can make a difference. Maybe he can matter.)

And it manifests in what looks like heroics, but in the case with Mob, it drives Reigen to stall... more and more. He knows on some fundamental level it's wrong to be keeping Mob this long, but he can justify it in how this IS what Mob wanted.

And the same extends to the other characters... Tetsuo doesn't tell Reigen about Shigeo Kageyama's link to the Mogami case because he can't bear to admit HE was probably Shigeo's captor. Mob keeps secrets about Mogami because Mob knows he "killed" Reigen's "friend." Ritsu withholds information because it's the only power he has, and giving up information allows other people to stop him. Gimcrack and Slipshod keep quiet about Mob's location because their free lunch would end if they told.

And when these characters make bad decisions instead, it is CRITICALLY important to me that those decisions were the organic result of that character's complexes, goals, misunderstandings, and absent information. It's a train wreck and God Dammit I do everything in my power to ensure each character is their own conductor.

and the Themes. okay first of all i am a huge fan of stories that are like "no, heroic sacrifices are Not the answer, please stay alive so you can actually get better and fix your mistakes and be there for the people you care about", so obviously i adored that. i loved reigen confronting ritsu about this and urging him to stay alive, and i'm also obsessed with how reigen immediately Does Not Take His Own Advice. reigen's self-sacrifice plan makes a lot of sense with his character and given the circumstances it's definitely understandable why he and teru would be willing, however reluctantly, to resort to that, but of course it's not that actual solution because that's the whole point. (shout out to mogami being the one to save him. congrats on accidentally doing one (1) good thing.) reigen, ritsu, mob irt to being imprisoned rather than death -- none of them can just sacrifice themselves and expect that to fix everything and everyone to be fine without them, because that's not how this works. (also i can't wait to see ritsu inevitably be pissed at reigen about him trying to do exactly what he talked ritsu out of and reigen having no excuse except "yes i know, i am a hypocrite, please do as i say not as i do.") the story is dark but it's also so full of hope -- you can live, you can heal, you can move forward from all of this, no matter what you've done or what's happened to you.

YES!!! ANOTHER RESOUNDING YES!!!!

I've talked in the ABoT discord about how Reigen's sacrifice didn't work because it couldn't work. Because, if Reigen intentionally killed himself in order to end Mogami too, and Mob was saved and went home, then that means you DO save what you care about by sacrificing yourself. Which would be fine in other stories, but not this one.

ABoT's message has pretty loudly been "you don't save things by sacrificing yourself. you save them by living long enough to fix what you've broken." And even when Reigen is the one SAYING this to Ritsu... he doesn't believe it for himself. And he does not get to get away with not believing it for himself.

In earlier planning stages of the Reigen sacrifice scene, my plan was to have Reigen's knife slip before he could slice his throat (palms sweaty, grip slipped, parallel to what happened in the struggle-for-the-knife in the original chapter 8 Reigen-vs-Tetsugami scene).

But I thought about that and I said "No, actually." If Reigen fails because his palm slips, that suggests this COULD have succeeded, and Reigen just botched it is all.

So instead, the scorching fire around them (the blaze Reigen set) has dehydrated him to the point that his sweating has stopped. He is salty dusty skin and dry lips and his grip on the knife handle is perfect (anti-parallel to the first struggle for the knife scene). His execution is perfect. Reigen sacrifices himself perfectly.

...And then it's Mogami, who is well-practiced at controlling a maimed possessed body, who snatches back control and cauterizes the wound shut. Mogami (the antagonist of this story) cannot be defeated by self-sacrifice.

There is no "if only Reigen did it right" ambiguity. There is an absolute statement about where the themes stand.

(And yes, I'm sure Ritsu will have only positive emotions about what Reigen tried to do once this is made clear to him. :))

one of the other themes i found most interesting was the theme of lies and people trying to act like something they're not, and how that factors in to all the characters' stories. of course mogami is right there (and the parallels between him and reigen in how they both lie to mob for different reasons are super interesting) but i was particularly thinking a lot about reigen, teru, and ritsu and the different sorts of false lives they live -- reigen the con man playing the part of the confident, powerful psychic, constantly lying about his abilities and his accomplishments; teru keeping up the appearance of being totally in control and untouchable, surrounding himself with friends he can't stand and a girlfriend he doesn't care about; ritsu trying to maintain his reputation as the perfect, model student and constructing increasingly elaborate lies to convince his parents that he's doing fine.

i was thinking especially abt the parallels between reigen and teru -- their identities as liars are both emphasized, literally having teru saying "i was lying. i lied to you. i'm a liar" and reigen saying "i lied to you. i've been lying the whole time. i'm a liar" in the same chapter. both of them have grown accustomed to being alone and having a life that's more an expertly crafted facade than anything with substance, but both find in their respective kageyama brothers someone who they genuinely care about -- and they both doom these relationships from the beginning because they can't let go of the facade they're used to keeping up and their desire to feel important/superior. teru continues to be the same smug, uncaring asshole he's designed himself to be even after he starts to see ritsu as a friend, and because of this ritsu remains antagonistic towards and distrusting of him; reigen pretends to be the "21st century's greatest psychic" with mob even when he's starting to care about mob and want him as a permanent fixture in his life, causing things to fall apart when he reveals the truth. they both say the right things to point mob/ritsu in the right direction, but the way they act does the opposite: teru tells ritsu the dangers of what he's doing and reigen tells mob that they should call his family or the police, but at the end of the day, no matter their good intentions, teru likes feeling superior to ritsu and reigen likes having mob depend on him, and so they're not actually going to do anything that would upset that balance. (and, of course, they reassure themselves with the knowledge that it's not their fault, ritsu and mob just won't listen to them! which isn't technically untrue, but nonetheless frames the situation in a way that ignores their own role in it.)

Aaaaaaaaaaaa honestly I don't even think I have anything to add here because your analysis is already so 🤌🤌🤌. They are Liars they are Liars living through a Mask they are Liars who Say one thing and Do another they are Liars who convince themselves this Lie is fine.

all the characters are so good but my favorite has to be ritsu his whole storyline is fantastic. from the start i was enjoying the fic a lot but it was when it started to really get into ritsu's story and his whole deal that i started being like "oh yeah this is the good shit." seeing him go further and further down his self-destructive spiral, constantly digging himself deeper as he hurts himself and the people around him more and more, is so fascinating and painful. and then seeing him get better and start actually wanting to live as he talks to reigen and later teru! and then in the confrontation with mogami when he decides once and for all that he wants to live and remember and try to find a way to fix his mistakes rather than forgetting them or giving in to them! just. he is thirteen years old and he just has all this rage and grief that he's been holding onto and repressing for so long and he finally gets the chance to do something with it, something he can do to find his brother at the low low price of bleeding himself dry, and so he throws himself into that, tearing himself to pieces and not caring who else gets hurt in the process, until he reaches rock bottom, what should be the point of no return -- but it isn't, because teru saves him, because reigen convinces him to try to stay alive, because mob is waiting for him, because he has people who care about him and he's just a desperate, hurting kid and no matter how badly he's fucked up he can still come back from it. just Such a compelling and painful and beautiful character arc

Thank you for stating exactly the reason I loved writing Ritsu's arc so much 😭😭😭😭😭😭😭🥺❤️

When I was about 13, I got really into Naruto and I really liked Sasuke's character. Even seeing him now makes some inner part of me point and go "It's Sasuke!" Brooding, stoic, over-achieving, entrenched in family trauma, is swayed over to the darkside because of the rage and grief he's been sitting on.

And because it's Ninja Fantasy World, Sasuke gets to do this and be really cool the whole time.

Ritsu is... actually just a 13-year-old, with psychic powers which he didn't even want after his brother vanished. He IS smart and he IS a model student and he IS powerful but... he's scared. He's scared, and he's 13. He NEEDS to be smarter than everyone (he's not, and he knows this, and it's scary) and more powerful than everyone (he's not, he knows, he's scared), because he knows that anyone with power over him can control him. And he's at his wit's end being controlled.

So he needs to be COMPLETELY in control and have COMPLETE power. And every instance that proves to him he's actually weak, actually clueless, actually being taken advantage of drives him to panic.

And he finds antagonism on all sides... Teru who loves to pick apart and mock Ritsu for every weakness he has. The spirit horde who eat him within an inch of his life. Isa trying to shut him down. His parents trying to control him.

No one is helping him with his grief... No one is finding his brother... No one is saving him... He does not want to keep living like this. And "no longer living" isn't even an option with how heavily his parents rely on him.

So what does he do. He's so alone. He doesn't have a single soul on his side. Every day is torment. ...And then he has this opportunity that shows up like "if you hurt yourself real bad, kill yourself doing it maybe, you can solve the very thing that ruined your life"

So of course he does it. He grabs onto it like a hot stove or a live wire because he's been wanting to hurt himself, and now he can do it in pursuit of the very thing which will save his brother and fix everything. The risk of dying isn't even a risk. It's an escape. He can do this and he can BECOME more powerful and he can GAIN control and he can USE and MANIPULATE whoever he wants (namely the people who've proven again and again they'll hold him down and force obedience out of him).

Of course he spirals. Of course he hurts people...

And then he finds rock-bottom. Teru chews him out and abandons him. Ritsu flips on Gimcrack and exorcises him out of paranoia (Teru turned on him, Gimcrack probably betrayed him too.) He NEARLY kills Reigen under that same absolute fit of paranoia and fear. ...And then he finds his brother. His brother. Alive.

And grabbing his brother shreds his hand. It does not fix him. It does not save him. It maims him.

And now Ritsu is nothing. Not powerful. Not in control. Not certain. He's someone who just hurts people. He's someone who destroys. He drives everyone away and they're RIGHT to leave him because of how horrible he's been. He can't save his brother, and his brother won't save him. ...So Ritsu wanders back to Reigen. The only person who seems to have a semblance of direction in this whole thing. Broken and beaten, Ritsu joins Reigen because he does not know what else to do.

But there is an up from rock-bottom. As much as Reigen and Ritsu are just The Worst to each other, it's actually that childishness in Reigen that starts to work on Ritsu... This is not a typical adult, using adult-speak and adult-authority to make Ritsu comply. Ritsu can't even fall into his typical masked-up behavior against an adult because Reigen is a fucking nuisance and an irritant and Ritsu, for all his "maturity", riles easily.

This is... really just Some Fucking Guy. A loser, at best. But it's someone Ritsu's brother cared about, and who Ritsu knows gave kindness to Mob where Ritsu couldn't. And it's someone who isn't forcing Ritsu to do anything. Reigen is, in fact, letting Ritsu make these decisions to change on his own. Teru comes back with an apology. Ritsu is staring at the chance to do better, and the chance for some future that doesn't involve killing himself.

And he gets to make that decision against Mogami.

And--here's the thing--Mogami was WITH Ritsu for so much of Ritsu's spiral. He knows what sort of kid Ritsu is. So he "knows" Ritsu will accept what Mogami has to offer...

But when "makeshift" vanished was exactly when Mogami got Mob back, aka exactly when Ritsu went to Reigen. Mogami did not get to see Ritsu's healing. So he got to be blindsided by Ritsu's ultimate decision.

and ritsu's dynamic with teru is just. so good i adored every single scene they had together. first of all they are so fucking funny. they're just these two psychic middle schoolers who both suck so bad and just cannot stop trying to murder each other on the soccer field and i love that for them. ritsu's terrible decision-making reaches new heights every day and teru's just standing there watching him and being right about everything in the most annoying way possible. literally the worsties ever <3

I have, consistently, referred to them as "the two worst middle schoolers ever". Like "you're a horde ghost and you're stuck doing the bidding of the two worst middle schoolers ever."

With huge consistency, the scenes I find funniest end up being Ritsu Teru scenes. Because they are, in fact, The Worst.

but more importantly on a serious note i am obsessed with the complicated mess that is their relationship and the way it and the reader's perception of it change as the story goes on. when they first meet things are seemingly pretty straightforward (mostly. i have thoughts which i will talk abt in a second): teru is the one causing the conflict between them by being shitty, and ritsu's just responding to it relatively reasonably. ritsu's the protagonist, the good guy, whereas teru is a morally gray asshole. them working together is a matter of necessity, with ritsu only going along with it because he needs teru's skill and power on his side and teru presumably having his own secret, self-serving motivations. standard stuff; we all know how this goes.

except then the story keeps going, and it gradually becomes apparent that things are far from this simple. it slowly becomes clear that despite teru's arrogance and callousness, he does have ethical standards and lines he won't cross -- whereas ritsu gets more and more unfettered as time goes on. it also gradually becomes obvious that teru does genuinely care about ritsu and see him as a friend (probably the closest thing to a genuine friend teru has), even if teru himself is pretty shitty at being a friend -- leading to the incredibly striking moment when ritsu himself realizes this, and his main takeaway is just that he has power over teru. by the time they have their second soccer field fight, teru has proven himself the more morally upstanding one, which is pretty wild considering the first thing we ever see him do is beat the shit out of a near-defenseless thirteen-year-old for annoying him. of course, he still isn't supposed to be fully in the right -- one thing i really appreciated about the story in general was that the conflicts between characters are rarely as simple as "this character was Right and this one was Wrong," but rather a matter of all the characters making mistakes at one time or another and then having to deal with the consequences and make amends. ritsu and teru's relationship is a prime example of that with how "ritsu made his own decisions and those decisions were Very Bad" and "teru treated ritsu poorly and never actually did the work to make himself someone ritsu could actually trust or would want to listen to" are facts that coexist and both get addressed. the second fight is a masterpiece of a scene in basically every way, but one of my favorite aspects is how teru is desperately trying to reach out to ritsu but is hit with the truth that it's too late for that, that he should have been doing this the whole time, that all this is partially his fault. and in this scene, he fully accepts that, gives in and decides that ritsu is right: it's too late to make amends, it's too late to save ritsu. but it doesn't end there, because this is not a story in which things are simply unfixable, and so instead teru comes back, decides to make the hard choice and try to fix things instead of turning his back on ritsu for good. during the fight, teru says he wants to help ritsu, to sacrifice for him, and ritsu scoffs at him and rejects the idea -- but then teru actually does it. he puts his money where his mouth is and reaches out to ritsu and offers his own psychic energy to save ritsu's life, along with apologizing to him and offering his help to find mob. like i dunno what else to say that's not just summarizing every scene they have together but god i love their dynamic and its arc. i really hope they manage to become actual friends now because god knows they could both use more (read: any) of those. the text exchange they have at the end of the most recent chapter is delightful i love that they bond by insulting reigen i think that's great for them.

Yes yes yes yesssss. It definitely felt like the most ambitious thing early on in ABoT, where I had early-story Ritsu and early-story Teru, and I wanted, somehow, to pull off "they basically swap moral grounds by their second fight."

It's easy enough to just SAY "Ritsu spirals and does progressively worse things. Teru starts to take objection to these more and more until he's the one who thinks this whole thing has gone too far."

And, harkening back to earlier, this kind of plotline has to be deeply rooted in their characters. There is no "Ritsu becomes evil just because" and there is no "Teru becomes good just because."

So they needed to be consistent in their own characters, but evolving under the pressures of the story. Ritsu I talked a lot about early up, how deeply he fears not having control, how much repressed frustration he has over the ways everyone in his life has failed him. And he's never allowed to speak up, or god forbid lash out, because it is his JOB to be the surviving child. Perfect, mature, composed.

Ritsu takes this WILD leap into something insanely dangerous which he has no understanding of, nor power in. Teru IS his first big painful wake-up call with how summarily Teru curbstomps him. Ritsu goes home desperately wanting to quit.

He pushes through it, afraid and knowing he has so little power and control. Then there's Teru, exacerbating this. Because he loves to point out how weak, clueless, and not in control Ritsu is. He jabs and he teases and he chews Ritsu out and he knocks Ritsu down because Teru cannot pass up the chance to prove he's better.

So... of course Ritsu eats up the first opportunity he's given to improve his power over Teru. Gimcrack offers to train him--Gimcrack who's far more supportive of Ritsu than Teru ever is--so of course Ritsu accepts. Every single tick of power in Ritsu's direction is security. And Ritsu is consistently rewarded. He learns to manipulate, and it rewards him with control. He pushes Teru away and it rewards him with independence. He lets the whole horde possess him and it rewards him with power.

And then there's Mezato in all this, threatening to rip away his control. But he can beat that out easily with possession. And if he possesses people, why should he care? Possession feels nice, to him. That's not even a fraction of a fraction of the pain he's been through. He can do this to other people, because possession is POWER.

And, ahhh, possession was such a great thematic vehicle to spin the Ritsu-Teru face-heel-heel-face turn around.

The first cracks we see in Teru's demeanor are all, subtly or not, around possession. When Ritsu almost blasts the possessed woman (Ritsu, panicked, uncertain how to handle things) Teru tackles him and screams at him. (Killing a possessed woman? Teru oh Teru why might that terrify you?)

So Teru DOES have morals. He does have limits. But of course, his first exercise of this is tackling and SCREAMING at Ritsu for fucking up. Just another tick mark in Ritsu's check list of feeling powerless and antagonized.

And the next time, when Ritsu offhandedly mentions he's had his parents possessed for the night while he and Teru were at the meat warehouse... well it's out of focus, since Ritsu is our POV character and he doesn't notice, but Teru freezes. Teru questions this. Teru, instead of letting Gimcrack phase him through the wall (and he was resistant to letting Gimcrack touch him to phase him in in the first place) Teru instead blasts a hole through the warehouse wall.

But... Teru has a plan. When Isa catches Ritsu in the call center, Teru confiscates Ritsu's spirits and (behind his back) blackmails them into never accepting a command from Ritsu to possess someone. (Teru is also a control-freak, and rather than try to talk to Ritsu directly about not possessing people, he just uses manipulation and threats to make it happen).

So now, Teru can relax, surely :). He invites Ritsu along for the movie. He's mocking and insufferable and cruel to Ritsu but, hey :), that's just Teru proving his place in the hierarchy. He... actually does want Ritsu there. He actually does help Ritsu (cauterizes his wound without asking). (It's still power-plays. Still power-plays all the way down which Ritsu hates.)

And Teru... incorrectly... starts to entertain this idea that Ritsu also thinks what they have is friendship. And after the ice cream thing, is when Ritsu leans into Gimcrack's offer to learn how to start being manipulative like Teru is.

So Teru notices NOTHING is wrong for a long time, because now Ritsu is faking it. He doesn't notice until it is much too late. And, frankly, it was ALWAYS too late for Teru to take the moral high road. And some part of Teru realizes this because what he sees in Ritsu, he realizes, is what it looked like to watch Teru from the outside. Teru was ALLOWED to be manipulative and horrible because Teru, himself, always knew he would stop before crossing a real moral line. (Not that Ritsu knew this.) And now he's staring at Ritsu, a true threat who won't listen to reason and who CANNOT reliably be expected to back down before a line is crossed.

And... to THROW this in Teru's face in the FORM of Ritsu letting every spirit from his own horde possess Ritsu during the fight, giving Ritsu the upper hand.

I always knew, for this second fight, the tables would need to be a lot more evenly matched, with Ritsu coming out ahead more often than not. But I also don't like "some character is morally questionable now, and for some reason that's made them stronger than the master character who pulverized them earlier."

But POSSESSION. The motif that all this conflict is hanging upon, used as a boon on Ritsu's side to smash Teru into the ground, to physically and MENTALLY rattle him to the point that he's lagging on Ritsu's attacks and incapable of subduing Ritsu until Teru puts aside his psychic powers all together...

AND JUST... Teru all the while being forced to realize he IS not blameless in this. That every horrible, callous remark he made to Ritsu was not directing Ritsu to the right path or proving himself cool and powerful. They were all instead only cementing Ritsu's hatred of him.

And Teru does not want to accept this at first. He wants to think he did the right thing, ultimately, and it was RITSU who rejected him. And this is where the scene with Slipshod comes into play. Slipshod, who is shown again and again being good at pressing people's buttons. Slipshod is the one bully bigger than Teru in all this, and behind his dumb demeanor is he really really good at knowing how to get a rise out of people. He does it to Reigen while possessing Mezato. He does it to Ritsu while possessing his mother. And he does it to Teru, for fun, because he loves to rub Teru's face in the mess he created.

Which, on the plus side, was the wake up call Teru needed to recognize how consistently horrible HE had been. How much of Ritsu's spiral (and now, imminent death) happened because Teru gleefully pushed him toward it.

Teru's one and only friend.

After Teru swore off friends and loved ones, because they can be used to hurt him.

So it is a big moment, and a big decision Teru makes, when he chooses Ritsu. chooses apologizing. chooses making himself vulnerable (VERY LITERALLY, with how the power transfusion drains Teru to nothing). Teru chooses to care.

And ultimately, it's not even that Teru went from the bad moralless one, to the moral one. He always had these morals. He had these uncrossable lines since day one. But he hid it behind his horrible antagonistic demeanor and the cracks did not come through until he realized he lost control of Ritsu. Teru's ACTUAL heel-face turn comes in him realizing how awful his demeanor was and making amends for that.

i'm actually not done talking about them though because it's finally time for that tangent about teru and ritsu's first fight on the soccer field now because i just reread it while writing that last section and it's so interesting actually. like okay, like i said before it does set teru up as the problem -- in that scene teru is very much the aggressor; he's being a complete asshole for no goddamn reason, with absolutely no compunctions about beating the crap out of some random kid, and ritsu is the scrappy underdog determined to fight back despite not really having the means to. but then there are the moments hinting at more complexity to teru -- him literally stopping the fight to teach ritsu to use his barrier, giving ritsu the makeup after the fight, and of course his decision to spare ritsu in the end. and then on ritsu's side, he almost actually kills teru -- the only reason he doesn't is that teru manages to break free. (awful awful au idea: ritsu actually does kill teru here. would that be fucked up or what) something that stood out to me when rereading it is that despite teru repeatedly saying he'll kill ritsu, and ritsu's internal monologue being very convinced that he's in mortal danger, teru's reaction to ritsu actually almost killing him -- "you really are trying to kill me. we're done", etc -- seems to imply that his threats were more him just talking a big game, expecting ritsu to give in and surrender eventually, and he didn't actually intend to kill him until ritsu gave him an actual reason to. especially interesting to me is the bit where teru asks ritsu if he really meant to kill him, because ritsu's narration and teru's actual actions are kind of at odds -- ritsu tells teru he meant to do it because he thinks him scaring teru is what's making teru hesitate, and that he needs to make teru think he's dangerous in order to get him to leave ritsu alone, but teru's actual response is the opposite, attacking ritsu more fiercely because "there's no reason for [him] to hold back". in general the scene very cleverly sets up the core difference between them: teru is pretty awful but does have firm moral standards, whereas ritsu is desperate and willing to do just about anything if he thinks it's the only option. also the parallels and contrasts with the second soccer field scene are excellent -- the role reversal with the strangling but also how when ritsu does it both the initial act of starting to strangle teru and the fact that he doesn't end up killing teru are both unintentional on ritsu's part, but when teru does it it's a very intentional choice both to do it and to not go through with it; "we're done" said by teru the first time when he's preparing to kill ritsu and then the second time after he's decided not to. have i mentioned that this fic is good because this fic is good. i'm running out of ways to say that

YES!!!!!! ANOTHER RESOUNDING YESYES YES.

I have slightly pre-emptively answered this question by mentioning it above but Teru demonstrates this hypocritical "rules for thee but not for me" because, internally, Teru knows HE will always stop before the line is crossed.

BUT RITSU DOES NOT KNOW THIS. THERE IS NO REASONABLE EXPECTATION FOR RITSU TO KNOW THIS.

So Ritsu, and we the audience, do NOT know this during the first soccer fight. Teru is going to kill Ritsu is a very reasonable conclusion to draw from the way Teru goes all out on Ritsu. Ritsu is terrified. Out of his depth. He's panicking. This kid is going to kill me and he has every reason to believe it.

We don't know, unless (like you) you look at the smaller details, that Teru is not intending to kill Ritsu. He's talking big. He's trying to force submission in Ritsu. He's not trying to kill.

But Ritsu does go for the kill. Because it is the single break he gets and it's perhaps his only chance to survive (he thinks), and he does, IN FACT go for the kill.

Teru breaks free and he does... even give Ritsu the chance to clarify if that was an intended kill-shot. Teru is giving the chance for Ritsu to essentially say "Sorry, accident, don't escalate to trying to kill me." But Ritsu misreads the room, like you point out, and this is when Teru gets serious.

Strangulation, in the first fight and in the last fight. Exactly as you say. Accidental, by Ritsu, the first time, and accidental in letting Teru live. Intentional, by Teru, the second time, and intentional in letting Ritsu live.

"WE'RE DONE" ECHOED. TWICE. In their first fight and their last. With entirely different meanings.

okay those were my big points but i also had a bunch of smaller thoughts so here's just. a list: - i just think it's really funny that teru saves ritsu by punching him in the chest with psychic power on not one but two occasions. literally their dynamic in a nutshell. (also. the way during the time at the mall ritsu responds by being like "did you cauterize me" really gets to me for some reason. he sounds so offended. like you can't just cauterize someone's wound maybe he liked bleeding all over the place you don't know!) (actually wait that thought is also very funny considering what happens with mogami and reigen later. you really can't just cauterize someone's wounds that's very rude. they worked hard to be that grievously injured) - okay so the burger scene. first of all generally a great scene second of all obviously it's a parallel to the scene with mob and the milk (reigen saying "have mine too" and all that) but also i love the parallels to the scene with isa in the coffee shop (also a great scene btw. have i mentioned this fic is good). they're both scenes in which ritsu has a loud emotional breakdown in a public restaurant (love that that happens twice. ritsu honey can you maybe not) with a major focus on ritsu's insistence on letting himself suffer and refusing any kindness he's shown, but they show ritsu at very different points in his story and have very different outcomes -- isa can't manage to get through to ritsu, but reigen can. ritsu refuses the croissant till the end, but he eats the burger. (sorry to add another side note but i love that that was a very serious sentence i just typed about a very emotional character arc.) also the symbolism in the fact that in the coffee shop scene, ritsu's explosion of psychic powers freezes and then spills his hot chocolate, rendering it undrinkable, but then in the burger scene when he blows up the ceiling the dust explicitly doesn't get on the food, so he can still eat it. good shit - i'm trying to avoid going through every single line or joke i liked one by one but i will say. the "this--" "reigen." "reigen" jokes were both incredibly funny on their own but the fact that they're like 30 chapters apart is what really kills me. the dedication. i saw the second one and was thinking "didn't that joke happen before. when was that. wait was that literally all the way back with tetsuo". countless plot events and several irl years may pass but reigen will never catch a break - the "FUCK OFF" tag reigen made being the one that they exorcise mogami with. perfect - love that ritsu is indirectly responsible for teru's girlfriend breaking up with him (good for mei honestly. sure teru wasn't actually cheating but his ass deserved to get dumped) and i like to imagine that teru never lets this fact go. he's not particularly upset about the breakup but he WILL bring up that ritsu ruined his relationship at every possible opportunity purely to annoy him

I THINK YOU MAY PERHAPS BE THE FIRST PERSON TO RECOGNIZE THE DOUBLE-CAUTERIZATION, and the intentional joke in Ritsu, the first time, declaring "Don’t… perform psychic medical procedures on me without my permission, okay?!" Like sorry bud, this is not the last unauthorized psychic medical cauterization Teru's gonna perform on you.

But not every unauthorized medical cauterization can be a win. Turns out when Mogami does it it's kinda mean >:(. But also necessary, for a not-dead Reigen, so actually thanks Mogami.

ABSOLUTELY THE "HAVE MINE TOO" INTENTIONAL PARALLEL BETWEEN THE MILK SCENE AND THE BURGER SCENE. I'm always glad when someone notices the repeat phrasing that ends both those scenes.

And aaghhhhh I could write a whole other essay about the symbolism that food plays with Ritsu's plotline, but in the smallest nutshell how it tends to represent someone reaching out with care and how often Ritsu rejects it. One public restaurant psychic outburst rendered the offered food unconsumable and the other one intentionally points out the way the food (burger) avoided the destruction :')

THANK YOU YES. "This--" "Reigen." "Reigen." as a repeat joke tickles me so much. Just Some Guy energy. Could've played the most pivotal role all night but he'll still end up somewhere next day where someone needs to figure out who he is. Reigen is here too, btw. His name is Reigen, btw.

Fuck Off tag was delightful... It started as an inside joke for a very early comic that @sandflakedraws drew (and then later redrew), of the (chapter 5 or 6) Reigen Tetsugami confrontation. The ineffective tag Reigen sticks to Tetsugami's cheek has, in katakana, "fuck off" written on it. Hilarious enough joke for me, years later, to incorporate it into the story.

Re: the girlfriend thing. I've joked before "if I had a nickel every time evil spirit possession was mistaken for an affair in ABoT I'd have 2 nickels. Which isn't a lot but it's weird it happened twice." But yeah, Ritsu, you asshole. You cost your bro his girlfriend.

i could just keep going but at this rate i'm going to be going back through the entire fic and just talking about every single scene so i should probably stop before this gets any longer. basically what i wanna say though is that the fic was very good, thank you for writing it, it has given me brainworms. once again i am so sorry for the length of this ask

THANK YOU!!! I think I just spent like 2 hours writing this response because, as you can see, I REALLY LIKE talking about this stuff haha!!

[revelboo]

You really write really good stories ✨👌.although I'm already quite addicted to it lol, I literally go offline for 3 days for work and when I come back to read in 10 minutes I've already read everything🫠. btw the "everything will be okay" plot is really good and I'm WILD with Earthspark stories (it became my favorite series and there are almost no Earthspark stories🤧)

I’m just having fun writing my nonsense

Give Up/Give In Pt 13

TF Earthspark Megatron x Reader

• They’re trying to help. He knows it. Appreciates it. Even if he wants to growl. Just wanting a peaceful meal with you, a chance to sit and talk alone. Not realizing Dorothy and the kids would try to help. Alex had cooked for him, and Hashtag and Twitch had found an enormous plaid blanket to spread out under the tree in the yard. Jawbreaker and the others had found old holiday decorations and bit of broken glass and strung them up in the branches so the sun dapples the grass and blanket in a kaleidoscope of blues and greens. As much as he appreciates the effort, none of it was by his hand for you and it bothers him. You, though? You’re smiling as you tip your head back to look at the tree. “Is this alright?” He asks.

• “It’s gorgeous.” And it is, the kids working to help Megatron spreading warm through you. Even if you’d heard Hashtag whisper something about ‘Team Romance’ to Twitch. The two seeming to not understand that you’re a human and Megatron is, well, Megatron. Completely incompatible, but it is sweet. “I love it.” Easing down on the blanket, you watch Megatron lower himself across from you, still towering over you as he leans his arms on his knees.

• Nudging the tiny basket of food closer to you, he reaches for an energon cube while you make a plate. Wishes he could mass shift, but it’s too risky with Starscream and the other Seekers at large. Can’t leave himself and you vulnerable. “What else do you love?” Your little face tips up, expressive face surprised by the question and he likes that you’re so easy to read, that he doesn’t have to wonder about your motives. “Tell me,” he adds gently, trying to not demand, but he wants to know everything about you. Who you are. What you like.

• Shoulders lifting in a shrug, you push your food around on your plate. “Not much to tell. Honestly, I just work and go home. Pretty boring.” And sad now that you think about it. No real personal life. A job you don’t care for, but can’t quit because there’s so few prospects in a small town. Too scared to try for a bigger city, so you’d gotten stuck. Still are.

• Venting, he reaches to tip your chin up. Making you meet his optics. “What do you like to do? What dreams keep you going?” He asks, voice taking on a wistful edge. Because dreams seldom go the way planned. His dreams of a better world, of freedom had led to a war that had ravaged his home. Reaching up to touch his servo, you offer him a smile.

• “I played violin as a kid. Wasn’t great at it, but I had fun,” you admit, eyes closing. “I used to dream I could be great. That I could play and people would care.” It sounds so silly. You hadn’t wanted to be rich or famous, just wanted to play well enough the music would make people feel something real. “I doubt i even remember how to play anymore.” Laughing softly, you gently push his servo away.

• “You’ll play for me.” It’s not a request, it’s a demand, but you still smile for him. Wants to hear you play, to lose yourself in something that makes you happy. Desperately wants to see you happy and relaxed. Spark warming when you tell him okay. And you take turns sharing things. He sketches out the war and his mistakes in the broadest strokes he can, not wanting you to know just how awful he is. But needing you to know that side of him is there. Listens to you talk about your family in return, offering him little glimpses of who you are. It’s dark by the time he remembers his deal. That he’d promised to take you home. That home isn’t with him.

• “Are you ready to go?” Heart speeding as he plants a palm on the ground and stands, you want to say no. To ask to stay. To take up even more of his time, all of it he’ll allow. You like talking to him, listening to that rumbling voice. Like the warmth of his big servos when he touches your arm or cheek. Like him. But know this can’t go anywhere, that eventually he’ll get tired of your clinging, so you make yourself nod and smile like you’re okay when you’re not.

• Transforming and dropping his ramp, he can feel you walk inside his alt mode. A little hand brushing a wall as you look around his cargo hold and he feels when you hesitate. Making him remember that he’s not had time to clean up, that your blood is still there. “It’s alright,” he says softly, closing his ramp. “You’re safe here.” And you move through him lingering just inside the cockpit while he waits on you to find somewhere to settle. “Sit anywhere.”

• “Sorry,” you murmur, slipping into one of the pilot seats. Because it’s still weird that he’s this giant aircraft now and that you can just walk around inside him. Can he see you or is he just feeling you moving around? Isn’t that weird to him? Sinking into the seat, you look at all the dials and controls and feel a momentary twist of the surreal. Because this is still Megatron. Different, but still him. When the rotors start up, you touch the harness wondering if you need to strap in.

• “You’re shaking, little one.” He can feel you trembling as your little fingers ghost over his harness, touching the yoke when he shifts it. Nervous and wide eyed. “Are you sure this is what you want?” To go home instead of staying with him? Safe where he can watch over you? And your fingers grip his harness. Hates that you’re so frightened right now, because this isn’t a threat he can destroy or attack.

• No. It’s not what you want at all. Frozen, you want to be greedy. To not go back to the real world. To steal a little more time. Listen to him and ask him questions, because what you’ve seen so far doesn’t mesh up with the stories you’ve heard. He’s not a monster, not cruel or vicious. He’s gentler than you’d expected. “I want to stay,” you whisper, the words so soft there’s no way he can hear them over the sound of his rotors, but they slow and stop. Hear him rumble around you. “I want to stay with you.”

Previous

Constructicons: Some assembly required. Can I just ride around in Scavenger’s scoop?

[defire]

As an abuse survivor, you are just fetishizing child abuse. Plain and simple. Call it a coping mechanism or a power take-back all you want, but it's just an excuse to write porn about child abuse. I pity people like you, truly, I do. I can only pray that you eventually see a therapist about your internalized pedo behavior.

Cw: RANCID ask ⬆️

I'm so glad you brought this up because I don't like to speak for people like you--I'd rather combat these opinions directly.

Since you're praying, I'll feel free to make biblical allusions. (Tw)

First, the word "fetish". My opinion: I don't find fetishes or porn too helpful for processing trauma--it's more like exposure therapy. At some point you do need to actually grieve and process what happened. I don't judge those who do that (you're not hurting anybody♥️), but that's not what Survivor Fiction is for.

When you're judging whether something is bad or good, you can use the "tree by its fruits" concept. Basically, if a tree produces good fruit, it's a good tree. If it produces bad fruit, it's a diseased/bad tree.

So let's look at what Survivor Fiction does for survivors specifically.

It brings healing. I (a new author!) have already received five testimonies that have said how much my writing helped them move through some of their trauma and see things in a different, calmer way.

Survivor Fiction brings peace. A surprising amount of the community--90.5% in a poll involving 1,543 voters--use whump stories to go to sleep at night. (Many trauma survivors have difficulty sleeping from flashbacks. Fiction along the same lines can offer an appropriate sense of distance from the fear.)

It helps disabled people. It appears that a strong majority of our community is autistic. Part of the diagnosis is emotional dysregulation. We need to be walked through how to do things in great detail. Survivor Fiction often walks the reader through the process of trauma, reaction, ptsd, and recovery.

It spreads awareness. Survivor fiction is often more accurate to real-life abusive situations instead of glossing it over--in other words, LYING--about what goes on. This can bring a 3rd party perspective to a current victim too, giving them the understanding that they are being abused and need to escape if possible.

For a more thorough explanation of why fiction about survivors is good and necessary, see this post.

Okay, so would "bad fruit" look like? Do you see any of the following from our community? ↙️

Doing these things in real life

Being generally hurtful of others

Hurting children in real life

Harming emotions by pushing unwanted content to people who would be triggered by it? (Quite the opposite, we tend to post exhaustive content warnings before the content.)

Something else that's actually wrong and not just a thought crime?

And here's the fruit of your words, which I'm sure we all heard the jist of many times before:

You encourage covering up evil. Trying to hide fiction that more accurately describes pain, abuse, and PTSD means hiding the truth. Stifling the exposure of just how evil it is to abuse someone like this. The righteous walk in the light, but the wicked hide their deeds in the darkness.

Your words are shaming. Shame causes pain to fester and act out in harmful ways, such as repeating abuse cycles, self-harm, and dangerous overreactions. Christian ideology here--shame is what caused Adam and Eve to hide from God.

You are lying. You implied that we harm people in real life without any reason to think so. And also implied that we want to be in the aggressor's position. Generally speaking we identify most with the victim.

Referencing Christianity here, if you're christian--Your words condemn the Bible. The bible is full of stories much darker than most of what is written here. You'll read about rape, and the cannibalism of one's own children in Lamentations, among other things.

You're hurting yourself. You will be judged with the measure you judge others with. This is because if you judge others harshly for their thoughts, you'll instinctively judge yourself just as harshly. You end up hurting yourself and others over something that wasn't even doing any harm in the first place.

Causing confusion. What you said was illogical. If it's fiction where the damage occurs, we should be blaming the fictional aggressor--not the writer reporting it. If it's reality where the damage occurs, we should be blaming real criminals--not the journalist. The truth is that writing about survivors isn't generally harmful.

In short, you're creating a lot of problems and not helping. Did this ask come from a loving place?

This answer I'm giving, does.

[howlsofbloodhounds]

If killer had the chance do you think he'd kill nightmare / torture or would he just leave? Though it would probaly depend on the stage right

I think he fantasizes about revenge, about all the things he wants to do to Nightmare. He may even act out these fantasies on others instead, back when he was trapped under Nightmare. I think he ruminates over it a lot under Nightmare. I think he’d enjoy seeing Nightmare in pain and suffering, especially if it was because of something he did or said. Possibly even if it’s only on his behalf even.

But I also think he’s too scared of Nightmare. He sweats when Nightmare even touches him. He sweats when talking about or thinking about him. He doesn’t like when his attention is on him. He doesn’t seriously consider the possibility he could ever do anything to escape or win or fight back against Nightmare physically.

He doesn’t even try to resist when Nightmare chokes him unconscious. He just focuses on trying to heal Nightmare’s bruised ego, and explain what he meant. He doesn’t even bother trying to say that his words of advice wasn’t him trying to insult Nightmare, or imply that he thought nm was weak.

He’s not aware of his fear or able to completely understand or process his fear in Stage 2, which is also in large part why he finds it difficult to understand why he says or does certain things in relation to Nightmare.

In Stage 2 he doesn’t much believe he feels anything at all—detached from the emotions behind his revenge fantasies, detached from the emotions of his kidnapping (if he’s even completely 100% sure that it was real), detached from the emotions of his torture and punishments and the pain inflicted on him as soon as it’s passed—often back to the state of derealization towards his own memories, emotions, and experiences if there’s no evidence left behind.

(Probably one reason he may be apprehensive about the idea of healing physical wounds and scars or trying to ease any of the body’s pain. He sees the benefits and can’t afford to be disabled physically and deemed useless and discarded of, but the pain and injuries and scars are the only things his mind has to reliably latch on to. Something that was real.)

I think his fear of Nightmare would only heighten after his escape. He misses the familiarity Nightmare brings, but he also fears him. Even if he’s not aware of it in Stage 2, he’s likely to do and say things now that he’s free as a result of his fears and be unable to fully comprehend or understand why.

(For example, bringing back the idea of Killer being interested in the possibility of Color absorbing his soul.

He may reason this away as scientific curiosity, or a desire to understand Color more and try to connect, or even a desire to control. All can be correct, but what can also be correct is that he’s scared—that when he’s in Stage 1, he’s scared and terrified. And he’s looking for something that makes him feel safe from the person who makes him feel safe, even if he’s not able to process that given the Stage he’s in.

If killer associates power and strength and control with safety, that’s color. He just wields his power differently than the human and nightmare did, differently than killer has or would.

Color wields with kindness and integrity and justice and patience, something that still appeals to a part of killer. Even if he often has a hard time understanding or trusting it in the beginning, and likely still from others.)

I think Killer would love to have revenge. Likely ruminates and thinks about it often, possibly even draws or writes or talks about it with Color sometimes. But i think he’s far too afraid to do anything about that—and that fact also holds him back.

He doesn’t think he’s truly free from Nightmare, not really. He doesn’t think he’s strong enough deep down, he doesn’t think he’s “won” the game between them, doesn’t think he’s earned his freedom—not until he wins.

He probably thinks his escape with Color is a new game or a test, maybe a dream at some points, even if a lovely one—for a long while. Often just waiting for the facade to fall around him, or the shoe to drop, or some new entity stepping in to seize control over him if he starts to believe that it’s finally, truly over. Most days he just clings to the idea that Color is at least real, and that has to be enough.

It has to.

[woolieshubris]

So, you've been sent bait: A Guide for Internet Posters and Readers

Disclaimer: I am simply an autistic internet poster with a special interest in human interaction, abuse patterns, and internet culture. I am not a scholar and I do not have a degree in these things. While I have done research into the topics of cancellation, online abuse, and harassment, I am far from an expert.

Introduction:

I've seen this happen dozens of times before. A semi popular blogger will suddenly seem embroiled in a controversial topic, receiving harassment and accusations of some pretty terrible things. It goes on for about 24-72 hours, and then poof, it seems to be completely over, (however, of course, it can be brought up again without warning.) This can be emotionally damaging for the blogger, for the supporters of that blogger, and for the shock waves it will undoubtedly send into the greater community. This also further spreads discourse and popularizes harmful ideologies to people who might have previously never heard of them. The targets are almost always trans women, (with transmisogyny doing most of the cancellation legwork) and it seems to always have the goal of turning fellow trans people against the target. (Though, of course, I've seen this done with autistic creators, nonbinary creators, ect. Trans women are just the most popular target.)

Now, the goal of this guide is to help people understand how this happens, be able to recognize the patterns of a targeted harassment campaign, and be able to try and prevent it in the future. I'll be writing this as a guide to the target, however, I think it's important for lurkers/readers to also be able to recognize these patterns so they too can avoid being manipulated into falling into these pitfalls. A large portion of this harassment initiative is to use "useful idiots" in order to do most of the legwork. As a reader, you must avoid becoming a useful idiot, (which I'll be referring to as fools from now on) and you must be able to tell when other people are being used in this manner as well. This is the most effective way to protect people from unwarranted harassment campaigns.

Section 1: Bait

Types of Bait:

You've been sent bait, but you aren't sure if it is actually bait, or a genuine question from a fan. You don't want to ignore someone's valid concern, so you answer it even though you might not be sure. This is your first mistake! If you think it might be bait, it's best to treat it as such. Think of bait asks as toxic waste. If you aren't sure, it's much better to be safe than sorry. If you receive a bait ask, your best bet is to delete it and not respond at all. Yes, it will probably rattle you, and you'll probably feel bad about deleting the question, but you need to understand that it doesn't matter. If this person was asking a genuine question, they would understand if you don't want to answer. If they get annoyed or angry at your lack of answer- they were likely asking it with the intent to hurt you.

The first type of bait is bringing up a controversial topic.

While certain topics (like queer rights, abortion, Palestinian freedom) do actually matter in the real world and I would believe are worth responding to or making your position clear (as long as it is something you do have an opinion on) this does not mean all controversial topics are equal. Many topics that are "hot debates" online do not matter in the real world. (for example, proship vs antiship). Regardless of the validity of the debate, if it doesn't matter in the real world, it likely isn't worth publicly stating your opinion on those things. That is why people who are active in those movements try to make these things seem like they have real world consequences- to try and make their debate more valid and easier to pull more people into. The real goal with many of these topics is not to try and have a reasonable discussion. The goal is to try and pull as many people into them as possible. If they can successfully get ANY response out of you, then they win. Their debate is now broadcasted on your platform. Their thoughts, arguments, philosophies are now spread to thousands of people instantly. Even if you respond with an answer like "huh?" "what?" or "what does this mean???" they still win. Your acknowledgement of the debates existence at ALL is a win for them. They get to publicly platform their beliefs on your profile. If you respond at all and express even the slightest hint of an opinion, then they will have an entire section of fools that can now send you messages about this topic. Death by a thousand paper cuts. This is the most common type of bait, and the reason is simple. Internet debates can suck in people and can quickly rot peoples brains. Like sleeper agents, people will automatically start trying to chime in the moment they see the hints of any debate. If you fall for this debate, the best thing to do is delete everything, block main players and wait it out. With any luck, it will be completely forgotten by the end of the week.

The second type of bait is an accusation.

Again, while some allegations or accusations are worth responding to, if it is completely false, not responding will be your best bet. If you do respond at all, the allegation and your name will be linked in peoples minds. Even if you deny it, people will be confused as to why it was brought up at all. They might even think that you are lying or deflecting. Responding to the accusation at all is treated as a confession. If this accusation is something you've heard before, it would be worth looking into the source of the claim- someone might be spreading lies about you. However, if this accusation is something you've never received before, it is almost certainly bait. They are trying to make you look bad. Just delete them. If this is something you are receiving from a specific person, ask them about it privately. Never respond to false accusations on your public platform unless you know the source of the accusations. If you have to respond to them, you need to link to the accusation in full, not vaguely describe them. When you vaguely describe them, then you are putting the duty on the readers to find the accusation- they'll read it on the accusers terms- putting the ball directly into the accusers court. If your reader reads it directly from the accusers, then it will automatically make your refutation look dubious by comparison. Make it easy for the reader to see the full accusation and point out the absurdity of the claims. By laying out all of the information clearly, the readers will be able to easily figure out that the claims were bogus. In future confrontations, your supporters will likely even respond to the accusers for you, now that they fully understand the arguments against you. Supporters love to correct people, and this can help you significantly- just as much as it can hurt. It's a double edged sword, so if you point it in the right direction, it can help protect you against false accusations.

The third type of bait is confusion.

This type of bait is a bit harder to spot, and it's usually blended with the other two types. This type of bait is deliberately confusing. The confusing nature is what makes it such effective bait. A vague message can be read a thousand ways, and as long as one person can spin it in a way that makes you a "horrible person" then that can quickly become the narrative. If you receive a question that you do not understand, you have no reason to answer it. If you can't answer, simply not acknowledging it at all is the smartest thing to do.

How to deal with bait:

As I've stated in the previous sub-sections, the first time you receive any type of bait, you should ignore it. The intentions of the bait may differ, but they all need to be treated in the same way- with no respect at all. Anyone who tells you otherwise is someone who wishes for you to be hurt or a fool. If you receive it more than once, try blocking the person. If you continue to receive it, then that means that in all likelihood it's more than one person sending you the bait, and it might not be bait after all. However, you should proceed with extreme caution. You do not respond to the bait- you figure out the source of the questions and answer it on your own terms. Simply making a post like "Hey, for the record, I support dolphins." will go over a thousand times better than a post that goes like "'Why do you hate dolphins?' I don't." If you are receiving bait, another way to deal with it is by turning anonymous asks off and looking into the blogs of people sending you the bait. Search terms relating to the question they asked. If it's something they seem to get into a lot of internet fights over, block them. The approach you must always consider bait with is that all of the bait asks you receive are sent by one person trying to seem like a group of people. This is on purpose- they want to intimidate you into answering. This is why blocking and turning off anonymous asks can be useful tools. It forces them to unmask themselves.

Footnote 1: The response by these bait people is often "keeping on anonymous asks allow people to feel safe in asking these important questions." Your safety is more important. This is just trying to guilt trip you. Fools will also often respond similarly. After all, it can sound compelling. However you are not a publicly traded company. You do not need transparency. You do not have body guards or multiple employees. You are a singular person with a right to privacy and safety.

Summary

In this section, we discussed the main types of bait: controversial, accusatory, and confusing. We also talked about the best way to deal with each type, as well as the pitfalls of responding to each type, and how to deal with a larger harassment campaign.

If you personally have fallen victim to any of these techniques, either as a fool or a poster, I can understand how you might feel- however the important aspect of these types of bait is that they can and do trick people. If they didn't work, they wouldn't be used. It is not your fault for falling for it- it is completely on the perpetrators of this abuse. However, I hope this guide can help people to protect themselves or recognize when these things are happening to them.

[itsallmouthwashing]

Tulpar- Band AU, Character descriptions

I cannot draw- so have some written descriptions and tidbits about the members of Tulpar! I'm planning more bullet points tomorrow but contemplating how much I want to give away ;)

It's very late, I want to add more but I also want to get these OUT! I have much much more planned so don't worry all the details will come out

Bullet Points here

ANYA

Our goth bhaddie

Mid-short black hair, undyed (a NATURAL goth queen)

Usually with purple eyeshadow and black lipstick. Her makeup isnt too intricate, but sometimes she likes to do a classic goth look (white foundation, black EVERYWHERE, the works) when she’s feeling fancy. Later when their band goes much more hardcore, she rocks the look more often. It makes her feel powerful and confident on stage!

YES she has Doc Martens. NO she doesn't wear them. They make her FEET HURT!!!

Still likes jogging! Is that jog to the nearest Burger King? Sometimes! 

Her first tattoo is the one she gets with the crew when Tulpar gets signed :)

Has her ears and her bottom lip pierced. She plays with her lip piercing when she’s studying

She picked up bass at 12 

Does Daisuke’s and Curly’s makeup sometimes :)

Perfer’s purple nail polish :)

DAISUKE

I put in my Ghost Adventure’s AU that Dai would have dyed his hair pink or purple, so this barbie has pink hair :) He’s got a purple fringe :) Probably short-- think about base game Sims 4 short emo hair-- that one!

Loves to paint his and the crews nails, especially for concerts! It happens so often that it becomes ritual and start times will go over if they aren't finished in time. Daisuke WILL get this hand right and the fans WILL understand (they always do!)

Loves to pair undershirts with his collection of Hawaiian shirts. Of course, his pink hibiscus is a staple, but so is the mesh/fishnet unders he puts on when he starts to transition to an alternative style. 

picked up drums around 15, but got really focused on it and mastered them fairly quickly before they went pro

Prefers his nail polish to match with his shirt that day!

JIMMY

Does not have dyed hair either, but he likes to keep it long-ish. It hides his face better but also gets in the way when he doesn't want it to. 

Had a battle jacket, but the sleeves got damaged when he hosted a bonfire and he did not pay attention to the fucking bonfire. That's alright though, he turned into a battle vest!

Overall more of a grunge aesthetic/style

YES his crust pants are REAL stop ASKING HIM !! 

Songwriting has been a part of him since he was little. it was his way to vent, a way to cope, a way to be in control of the narrative

Didn't know when he was younger, but Jimmy has perfect pitch. When he figures this out, he boasts about it in his guitar classes

Buuuuuut it just means the other kids asked him to turn their guitars. That stopped very quickly after he smashed someone's guitar.

Picked up guitar when he was 8. His dad was going to throw it out, but little Jimmy insisted he keep it and that he would find someone who would buy it off of him. Maybe a teacher at school or something.

But instead go buying it from him, a teacher sits him down and teaches him how to play. He gets so lost in it, he begs the teacher to keep it here and teach him more after school. That teacher also teaches him how to write music!

Learns how to do makeup because he’s jealous of Anya- always touching his face so gently to fix his makeup. Quickly learns that all he can really do is his own eyeliner, and even then it’s mid

He’s trying though! (when Jimmy clams the fuck down he eventually goes to Anya and asks her to teach him. They have a nice bonding moment. (the worms demand more, so more there will be- here when I post)

Prefers black nail polish, demands he does it himself (Curly convinces him to let Dai do with Jimmy can't get his hands to stop shaking before a concert. Dai continues to do them after)

Bracelets and chains out the waazoo. When he warms up enough, he lets the band borrow some for shows. (Dai does attempt to actually steal one at some point. Jimmy breaks his nose over it (The worms have plans, you’ll find out why!)

Will! It! Boof! Welcome to Jimmy’s favorite game show! Can it be smoked? He’s fucking got it baybeeee!!

That is to say, he smokes cigarettes, vapes, weed, carts, dabs- yeah man. At least the things that wont get him in serious trouble with the law (at least… not for a little bit…) 

CURLY

The oldest of the group, beside Swansea when he makes his appearance. 

Mid-short blond hair, also undyed. He does get a perm sometimes. When Jimmy does missing, he has a full breakdown and dyes his hair black, but that's later that's later thatslaterthatdlater

Has snakebites and an eyebrow piercing 

Nipple piercings WHO SAID THAT 

When the band goes pro, Pony Express records demands the front man have a certain image because thats what’s hot with audiences and they need to bring in as much revenue as possible with their first album or they get dropped 

Picked up guitar freshman year of high school when he was accidentally enrolled in a guitar class. Some kid said he had perfect pitch, and Curly thought he would be the perfect person to ask about turning his guitar

Only he misunderstood. Though he asked him to tune it for him- Maybe he heard someone ask him about that earlier? He took the guitar with a smile, then smashed It to the ground like he was killing a bug.

The end of freshman year, just before the final for the class, some kid came up to him to tell him his instrument was out of tune. and that he could show him if he'd like. So he doesn't get bumped a letter grade, ya know?

The kid tunes it- just in time, because Grant's name was just called from the now empty class room.

Sophomore year, Curly is enrolled in a choir class, where he discovers his love and talent for singing. Sometimes when he does solos in the classroom, he feels someone watching him from the window in the door.

Prefers yellow nail polish! He loves the contrast of his nails against his outfit since he’s usually in all back 

Wears mostly suits. It's what his parents put him in growing up, so he has a ton and they just feel natural. Does it hurt when Jimmy convinces him to rip them up for a concert? Only a little ;-; Does it make the audience go wild? Only a lot :) 

Wears Jimmy’s chains way before the rest of Tulpar have access to them 

SWANSEA

Tulapr’s manager before and after they get signed with Pony Express Records. 

Usually wears a track suit or something, very casual around the crew. After they get signed though, hes always dressing in P.E records merch, ad later Tulpar merch when PER authorizes it!

Keeping his backstory mostly the same, his struggle with addiction does come into play with the story I have in mind 

Used to be really into the punk scene. If you loook really close, you can see the holes from his snakebites and brow bars. No one can see it, but he also used to have a septum piercing. 

He has a stash of his old clothes on the bus when Tulpar is tour-ready! He also becomes the resident seamstress if a costume rips or malfunctions :)

[intimidating-fettuccine]

Slenderman with a creative writing s/o who leaves little drabbles for him. Very dramatic ones. When they're upset they write about the world ending, when they're happy they write a lot of fluffy nonsense... Better when they're in a gossiping mood they'll write about the drama and make him guess who it's about before telling him the real deal. Just something cute where they'll even leave little notes around for him to find, including slipping some into his work when he's too busy to see them 🙏🙏

He loves it. This man fully adores you so much, and this truly just really adds to that on so many levels. Slender has always been a reader, so even if your stories could be incredibly short, or unusually long, he's always looking forward to finding the next one to read. He can't always be by your side due to the mountains of work he has to do on a regular basis, so it brings him very great joy to know you have a hobby you can keep up with, especially when it allows you to express yourself and vent your emotions in such a healthy way. I will say though, he did NOT get it at first, that you were leaving them specifically for him.

No, this poor man, he thought you were forgetting or losing your pieces of writing, and so he was just collecting and storing them for a little bit whenever he found them, before handing them back to you. "My dearest, it seems you've been improperly storing your writing. I have found them and cared for them for you, and so I'd like to return them to you." Cut to you standing there in confusion, an amused smile spreading on your face, before explaining to him that you had been leaving them out for him, and were wondering why he never mentioned his thoughts on them to you. He's a little flustered by the understanding, but then he proceeds to excitedly sit down and read through every single one, giving you his thoughts on all of them to make up for lost time. Following that moment, he starts collecting them again when he finds them, but he keeps them for himself (including the originals he tried to return to you), and he stores them in a folder so he can always look back on them and read them again. It really warms his heart, having a way to remember you and think of you when you're apart, and he fondly looks forward to the next ones. He does think it's a little silly where you end up hiding them sometimes.

He goes to make his morning coffee before the sun has even risen, and he finds a neatly folded story in his favorite mug. He goes to get dressed some mornings and finds them tucked away in shirt, jacket, or pants pockets, crinkling as he moves, chuckles leaving him as he already knows what they are before he removes them from his pockets. He adores everything you write, but he does also check in with you regularly depending on the contents. If he finds a particularly dark, depressing one on your sadder days he's quick to set aside his work and check in on you, visiting you and making sure you're alright, always reminding you that you can rely on him for everything. He cares so much for you, and he's learned to pick out little things in your writing that, even if not obvious to those who wouldn't know you as well, point to how you're feeling when writing. Although, much as he is loathe to admit it, he does love your gossipy ones. Especially when he's been having a rough day at work, and after signing another document he moves it to the side to find a piece of paper on it with a particularly juicy story scrawled across it. He's always down for tea, and you provide it so willingly for him, even if he'll never admit to being a gossiper. He also loves finding soft, fluffy stories the same way, though. If you notice he's the one having a rough time, leaving him little loving stories, filled with how much you love him, or reminding him of your favorite memories with him, slipped between his papers for the day. It does a lot to boost his mental health, and he appreciates it more than he can express. Eventually, he'll take after you, in turn leaving you his own stories and little notes hidden around for you to find. You'll both sit side by side with a warm drink at the end of the day, discussing your thoughts about the writings (and gossiping excitedly), and it makes him so unbelievably joyous to be able to have a lover who he can bond with like this.

[doodler16]

3 things to say:

1- "being gay is when a married man cheat on wife with another man"- vivziepop's logic (her lgbtq representation is very conservative if you think about it)

2- I feel like fans know that vivziepop's writing is bullshit and full of pilot holes but they Don't care about it as long there's characters to fuck *cough* loona *cough*,people underestimate the power of horny lol and to this day I still don't understand the hype and praise for loona but this is how Internet works I guess

3- I usually don't care about ships and strange kinks as long it stays fictional and no real person is involved in it BUT i hate it when a creator push it in their "morality teaching shows" it's where I draw the line like you either make serious show about taking abuse seriously to spread awareness or a weird fever dream kink show made for gooners to enjoy, you can't have it both,vivziepop made hypersexuals look like bunch of freaks and stigmatised them even more. "Please guys have sympathy for this character for getting sexually harassed but please don't blame him for sexually harassing others cause trauma made him hypersexual and you have to deal with it, he's just coping!" Like wtf are you serious? There's different ways to coping with trauma including drawing fetishes and kinks and i see no problem with it but harassing others is not coping you are just being peirce of shit, her morality is so flawed what is she even trying to tell audience? Victims of SA become assholes and have free card to harassing others? Wtf? And Yes I am a proshipper and I hate HH/HB because I hate it when a show tell you it's ok to cheat and it's ok to sexually harassing others why? because you said that this show is meant to represent victims but you only made victims feel embarrassed even more about themselves and you backstabbed them like don't you realise when you say your shows is about victims your victims watch the show to feel comfortable and feel being understood only for them seeing angel dust being asshole and sir.pentious getting SA'd as a joke? where's the SA awareness? Like yes we know victims who read SA fanfic as coping exist but not all of them cope the same way and we thought you would tell us how terrible SA can be and how it effects victims horribly ,not using trauma to excuse their shitty behaviours? I hate seeing people getting hurt and I don't want to be near someone telling me that them being asshole is ok because "HB is like bojack horseman and told me it's ok because X And Y" like stfu if you truly know anything about bojack horseman you wouldn't even think of comparing the two also you're an adult and if a dumb cartoon made you harassing others then you weren't good person in the first place you bastard maybe talk to therapy instead because creating trauma to others will never help you also not to mention half of fanbase of HH/HB are minors thanks to lazyass parents and society gaslighting everyone with "if it's cartoon then it's for kids" but the audience is out of vivziepop's control do i am not gonna blame her for this one but all i know is that unlike adults who are aware and responsible for their actions minors brain is not fully developed and they can be misguided most of times so i am worried about them growing up with vivziepop's 'morality' so i don't know the solution of who is watching cartoon and i think we should normalizing shaming lazy parents like don't be a parent if you would just let internet babysitting your child instead of you doing it yourself parenting is called parenting for a reason you're called "parent" not "birth giver", why am I proshipper? Because I don't care about others ships but I don't like the She-ra's "lesbians can't be abusive! You must feel bad for your abuser and you owe them everything and you should forgive them" Message and vivziepop's "if you're in straight marriage and you find out you're gay just cheat oh and if you have trauma it's ok to be asshole" Message (I hope you understand what I am trying to say and I hope you understand we have same goals before you tell me I am terrible as abusers just because i don't care about others ships and believing that fictional things doesn't matter as long it's fictional)

Alright I am done,scream at me I guess

The fans would also fill in the holes regarding Helluva Boss and doesn’t help that Vivziepop would like tweets about it. Don’t like tweets of your fans defending your show. Put and write it into your dialogue not on Twitter 😭

Yeah, Vivziepop has a huge problem of wanting her cake and eating it. Like what you mentioned Anon, the sexual assault jokes then another moment taking it seriously. Rinse and repeat. The moral compass in Hazbin Hotel and Helluva Boss is so wish-washy.

Successfully killed straight married couple. Cool. Oh no, Blitzø doesn’t have the guts to kill a gay couple. Woahh apparently it’s character development (despite Blitzø fighting over a parking lot like an Anon in my last ask mentioned, happily participating in a Wrath competition in Millie’s hometown, killing lumberjacks, happily will screw over the cherubs, etc etc).

Most of the characters especially if a character is Vivziepop’s favorite, don’t get held accountable and when they do have a chance to be called out, it’s usually downgraded in some way or there is some excuse in said action.

Its funny you bring up the children in Hazbin Hotel/Helluva Boss because there was literally a situation where like what a 9-10 year old was at a Hazbin convention asking Blake Roman an inappropriate question regarding Angel Dust. It is so mind boggling to watch. Hazbin and Helluva are supposed to be for adults (+18) but the both shows don’t seem adult despite covering big topics like rape, kinks, etc. It feels like 2 kids in a trench coat attempting to sneak into a R rated movie.

At the day it’s the parent’s responsibility and they should be called out. It also doesn’t help that a few voice actors like Amir encourage kids and parents to watch Hazbin Hotel, despite Vivziepop expressing multiple times it’s for adults. I don’t know if he changed his mind about kids accessing Hazbin Hotel but I hope he does.

Vivziepop could potentially age gate Helluva Boss (I’m not talking about the warning sequence from Helluva Boss that flashes for 5-10 seconds every episode). But like manually do this:

But Vivziepop would lose some more views if that happened. Otherwise there isn’t much she can do.

[bonnibellexox]

Writing: Things I Learnt The Hard Way #10

~Side Quests~

Establishing character motivation can be tricky. Sometimes you’ll overdo it and sometimes your readers will have no idea what’s going on, but sometimes, you have the opportunity to set everything up in just a few sentences. You can do this by giving your character a side quest.

Let me explain...

Caught Red-Handed: Chapter 1 Fascinating

After we’ve caught our breath, the stunning girl gets dressed and slips out the door, back into the pulsing music and wandering hands. I can’t remember her name… Oh well, she probably didn’t even tell me. It would have been a fake name anyway. So why do I still feel guilty?

Here we have my main character (Jaune from RWBY) out for a night on the town having multiple meaningless hookups in one night. This concept, detached anonymity, is only briefly mentioned, but it’s one of the first things he thinks about in the entire story.

So, the next night, he makes a point to ask a girl’s name as they strip each other. He repeats in back to her and remembers it when they are introduced later. It’s mixed in with the wider plot and a lot of dialogue which is important for keeping this quest subtle and almost subconscious to the reader.

Why is this important?

This little storyline takes up no more than 50 words. It could have been dragged out, I suppose. He could have learnt his love interest’s name first instead, if they didn’t already know each other. Doesn't it undercut the concept to have it start and finish in the same chapter? Well, that comes down to one very important point.

It was never about names.

What does Jaune want? To be able to call out to strangers? Have something to put as their contact in his phone? Maybe brag about girls he’s hooked up with by name?

NO!

Jaune wants to connect with people. He doesn't realise it for a long time, but what he’s feeling is a discomfort with how disposable he and every girl he meets seems to be. This sets the stage for the entire story. From this point on, every decision he makes can be traced back to his need for intimacy. The point of his quest for names isn’t to identify someone, it’s to highlight this entire facet of his mentality. Those 50 words light the fuse of the entire story.

And I bet you didn’t even notice...

So, here’s the formula:

1) Understand what your character wants and where they're headed

2) Give them a taste of success, one tiny goal in the background

3) Let them have it

4) Show how they react to achieving the goal to pinpoint how important it is to them

5) Leave the success open-ended. It’s not enough and we all know it, but now we understand the direction they’ll take as the story progresses. If a name is important to Jaune, imagine a real relationship with someone he’s already known for years. What would that do to him? What might he do to keep it?

Good luck and thanks for reading, XOX.

If you liked this, click My Writing Tips in the tags for more!

[ylangelegy]

LOVE&LETTER REPACKAGE ୨ৎ my favorite SVT work from 2024!

i'm a firm believer that some of the most creative writers on the internet are on svtblr. couldn't let the year end without showing love for the fics that have set the bar impossibly high when it comes to writing for SEVENTEEN. thank you to all writers for making this corner of the internet such a great place to be! ❤︎

footnotes: some of these work may contain explicit content. please heed the warnings when checking them out.

hush by @sailorrhansol

You can’t seem to sleep, but the strange man in the bar that you can’t visiting promises he can help.

hali's entire body of work is awe-inspiring, and i personally believe hush is something of a magnum opus. there's just so much density in all of her verses but hush does something that's never-before-seen when you think of this genre. it's so easy to lose yourself in the liminality of this work— throw in the premise and the dynamics, and you've got a breathtaking example of creative writing at its finest.

achilles’ heel by @pochaccoups

after a knee surgery, your boyfriend feels off about his body. you’re determined to show him just how much you love it.

sometimes, you can just tell when a writer cares about the character/member they're writing about. that's 100% the case with achilles' heel. it's one thing to nail seungcheol's personality; it's another thing to treat him with such well-deserved consideration. the smut is terrific, yes, but so is the love. you know that any version of seungcheol is in good hands when char is writing him.

full throttle (part one & two) by @diamonddaze01

jeonghan's not used to someone who pushes his buttons as easily as you do, and you're not used to someone who challenges you as quickly as he does. maybe it's time to go full throttle, both on and off the track.

i like to think that even if i didn't know tara, i would be absolutely insane over full throttle. there's a mix of everything here— fast-paced races for formula one fans, killer lines that read like poetry, and a full spectrum of human emotion. you're on the edge of your seat from start to finish. journalist!reader may be the best writer in the paddock, but tara is the best writer on this site.

the first snow by @junkissed

you think of joshua every time it snows. but does he think of you, too?

i feel like june has mastered the art of hook, line, and sinker. the first line of this draws you in— come for the opener, stay for the writing. this is a brilliant play on a known trope, and i was particularly endeared by how snow was used both in the literal and figurative/metaphorical sense. in love with how descriptive it was, too.

chemistry read by @chanranghaeys

in which junhui’s casting director gets a little bit too jealous during a chemistry read.

chemistry read is the probably the most recent work in this list. as of posting, i am still thinking of just how well haneul nailed jun's personality. there's something to be said about the relatively unconventional pairing— actor x actor fics are to be expected, so a casting director!reader is a rare treat— but the dynamics of their relationship is the real clincher. haneul has a way of writing things that leaves you wanting more, and this is a prime example.

araneae by @haologram

when you realize your friend (with benefits) actually has feelings for you, a tangled web of lies and avoidance ensues.

altair's treatment of soonyoung in this fic should set a precedent for how to write him across the board. the push and pull in araneae is superb, and the reader has the perfect amount of bite. i'm obsessed with the conflict and how it's eventually resolved, though what gets me the most is just how hoshi-like soonyoung is in this au. 10/10, no notes.

in front of me (part one & two) by @wonustars

jeon wonwoo has spent most of his adolescence and early adulthood unable to understand why he can't seem to stay in a relationship for more than a few months. as his best friend, you allowed him to vent about his worries without judgment. so what if you're in love with him? your friendship with wonwoo meant more to you than having your feelings reciprocated. that is until you hit your breaking point, while wonwoo finally realizes what has been in front of him this whole time.

in front of me is a study into the human condition. not a single word in this 40k+ word fic goes to waste. it's an emotional rollercoaster from start to finish, particularly because there's a rawness to the conflicts and relationships that it presents. anna deserves all the flowers for putting out such a real piece of work; in front of me is her heart on a platter, and it just goes to show that her heart is a good one.

wonwoo + ramen by @fxstpace

“i want ramen,” you say in response to his question. “i’m really hungry.”

i've told aspen this, but this drabble is one of the first things i read when i made this blog! i adore how soft this piece is, and how she managed to encapsulate an entire relationship in a handful of words. the dialogue and rapport is riveting; the image put on your mind is a comfort. we may not always have a jeon wonwoo to cook for us, but at least we have aspen's writing to get us by.

first snow by @cxffecoupx

lee jihoon + sharing a warm kiss during the first snow of the season.

drabble-writing is a monster in its own right, but ris coasts through it with ease. sometimes, a fic can fall under the 'healing' category, and that's what first snow is. four hundred something-words of the kindness that jihoon deserves, wrapped up prettily in a story brimming with affectionate and domesticity. doesn't matter that it's a winter fic; the love here is for all seasons.

dressing as winx—musa for jihoon's birthday & god of the music!woozi x fairy of the music!reader by @hoshifighting

after a moment of lost creativity, the god of music accidentally evokes a beautiful music fairy who is willing to help him.

i've said it once, and i'll say it again, and again, and again: lyla is a cornerstone when it comes to svtblr. her work is astounding and this is one of my favorites from this year. the writing for the ask is terrific in itself, but the au where jihoon is god of the music? cherry on top. i'm always awed by how she can take a prompt and run with it; these two pieces are just proof of why she's an absolute paragon for writing, smut or not.

boyfriend shaped by @seokminfilm

Dinner with your boyfriend was something you looked forward to.

something about kindergarten teacher!seokmin just bowls me over. this is a lovely ode to the absolute sweetheart that is seokmin, and it scratches the itch of his influx of boyfriend material photos. his personality is characterized so well in this; overall, it's the type of fic that has you swooning.

stuff to talk about by @kkaetnipjeon

The sight in front of you is pitiful, honestly. Makes you wish you'd just sent Hansol straight to voicemail, like you usually do. Makes you wish you hadn't responded to that anonymous post on the student forum four years ago. Physical therapy grad student, male, 23, looking for roommate in Yeonnam area, open to all.

i fear that i've spent the past weeks screaming in my tags about how MJ is one of my favorite writers as of late, and this is the fic that started it all. i've sent this out to at least three different people, which should say just how much i adore it. the world-building is intricate. the pacing is exquisite. the dialogue is a living, breathing thing, and the characters are well-rounded from start to finish. MJ's entire masterlist is worth running through; stuff to talk about is the best place to begin.

late night talking by @junkissed

the best and worst conversations always happen at 1am.

a masterclass in writing xu minghao. late night talking is rich in emotion and dialogue, but the heart of it is in how it soothes aches that can be universal to anyone who has loved/lost/tried/failed. there's a certain vulnerability to writing angst that can be terrifying, and june put it best when i first expressed how much i love this fic: "if everybody has the same insecurities, then maybe the world is a kinder place than we all think." how lucky are we to exist in a time where someone like june can put these feelings into words.

an ode to hands and voice by @ddeonghwa-s

a moment of seungkwan fucking you, inspired by his hands and voice.

there's a lot to love in an ode to hands and voice. it's descriptive and evocative, and just overall stellar in how it handles seungkwan. what makes this so special is the intimacy which bleeds through all 1.3k words. there's some parts where you feel like you're intruding, like you're interrupting something, because the entire scene is executed beautifully.

reverb by @gyuhao5

In his clumsy attempts at trying to befriend you, Vernon slowly discovers that the pull he feels toward you might be more than purely friendly.

one of my favorite things is when writers take on vernon and you can hear his voice in the dialogue. reverb nails everything from his mannerisms to his tone, and the eventual smut is also just painfully accurate for what you might expect from him. overall: this is as vernon as vernon will get, if we're talking fanfiction.

untitled drabble by @seungcheorry

dino will be damned if he doesn't spend some time with you.

cherry's drabbles are as good as required readings if we're talking about svtblr greats. this piece in particular is short and sweet, but it packs all the right punches. the narrative choices in this— paired with the imagery and the tenderness— can truly steal the air out of your lungs. dinonaras beware; this one will do a number on you.

MORE & MORE & MORE!

seungcheol with a s/o that enjoys thrifting by cxffecoupx

seventeen as greek demigods (hyung + maknae) by chugging-antiseptic-dye

redemption (mingyu x reader) by gyubakeries

hockey player cheol x reader by thepixelelf

run (minghao x reader) by diamonddaze01

a regular korean citizen (jeonghan x reader) by chanranghaeys

childhoodbestie!chan x reader by gotta-winwin

green eyes and confessions (wonwoo x reader x mingyu) by svtiddiess

inside job (seokmin x reader) by seokgyuu

the alchemy (seungcheol x reader) by babyleostuff

staff!jeonghan x reader by hoshifighting

dove (minghao x reader) by cherryredcheol

[sylviareviar]

Sylvia, how do you look at all the friends who care so much about you and still think you don't deserve it?

She took some time to formulate her thoughts. "...the thing about anxiety is... no matter how good of a person one might be, there's always a niggling doubt in the back of your mind-- and it can vary in volume. Doubts such as 'what if I'm faking being a good person,' 'what if I really am selfish and undeserving of love,' 'what if I've tricked people into thinking I'm a good person,' et cetera. These emotions cloud judgment and distort your way of thinking. I'm only saying this because I've seen it in other people, and it's very possible I'm going through that exact same thing. I don't know what the world is 'supposed' to look like, because to me, everything is bleak and terrifying. If someone blames me for something that happened, I take responsibility no questions asked. Not because I actually think I did it, or that it's my fault, but because I deserve to, so I blame myself, too. Other people are much smarter than I am."

"If I blame others for my own shortcomings, that negates my own responsibility, and I will hurt them. Even if they hurt me first, I should never ever cause pain to anyone. If that means I put myself down and shove knives down my own throat, I'll gladly do it. Besides, no one wants to be friends with someone as ugly and scarred as me. The people I interact with either do it out of pity, or they don't know who I really am. You know how the Phantom Thieves have the power to see into people's hearts-- or at least, so they claim? I'll bet if the Phantom Thieves looked into my heart, they would see a horrific monster, bleeding and dying, being torn apart at the seams, crumbling into dust and tearing its own heart out. Who would want to be friends with something so disgusting and cruel? I certainly wouldn't know how to handle someone like that. Friendships don't last, anyway. I may have friends now, but I won't for long. Either I'll die or I'll leave and go back home. Either way, our bond will not last, because I'm not worth it."

"I guess the best way I'd describe it is... I think I might be lying to my friends. Once they find out, they'll either hate me or we'll naturally drift apart. And that's okay. It happens every time, so I don't expect this to be any different. I'm lucky I can even say hello to them at school, honestly. If I can't even recognize who 'myself' really is, then how can I expect my friends, who have known me less than a few months, to do so? I doubt even my siblings and Papa know who I'm really supposed to be. I could put up a request for a change of heart on the Phan-Site, but I'm also worried. If they change my heart and I become more selfish, my personality will change. I will come to terms with the idea of hurting people, and I'll start to heal. And... I don't think I want that. Maybe that in itself is a bad sign, but I'd rather die. I don't know why, but I get the feeling I might not wake up soon..."

[silverwhittlingknife]

So you're a go to source for all things Dick&Tim bros and you tend to write primarily from Dick's POV. So, odd question, but if you were to summarize their relationship from his POV in FIVE panels which panels would you pick? Keeping in mind that one specific aspect of their relationship that you love needs to be clearly represented by each panel (loyalty, trust etc). I hope this is a fun challenge and not an annoying question so if you don't want to answer that's cool! Have a wonderful day!

No more talk. The same thoughts run through two minds... (SotB 29) / You're my equal. My closest ally. (RR 1) / I can't stop thinking how much I rely on him. (GoG 3)

25 Feelings Dick Has About Tim

This was such a kind ask & a cool challenge which I totally failed; here are TWENTY-five panels of Dick's POV on Tim sdfdsfds Look, I got carried away! Marcia and Cindy! The boys!!

OKAY SO BEFORE I GET TO THE PANELS A FEW NOTES:

WARNING THAT THERE ARE SOME NEGATIVE EMOTIONS IN HERE because I love conflict but but but you gotta remember those are not the final word!! They are complicated people and sometimes they get mad at each other BUT ultimately their relationship is so hugely important in both their lives & they love each other and rely on each other so much -!!! <3

Also I have CONCLUDING THOUGHTS at the end about what Dick's POV leaves out (mostly: a lot of Dick defending & protecting & supporting Tim, which Dick does instinctively but isn't very self-aware about most of the time)

I have loosely organized my list into 5^5 format (5 categories with 5 examples each!), so if you want to skip to a relevant one, here are the categories!!

Below the cut:

I hate him and find him infuriating (#1-5)

On second thought, he's endearing & fun (#6-10)

Grief is complicated & he's all tangled up in mine (#11-15)

I love him & think highly of him (#16-20)

I rely on him & though it's hard for me, I trust him (#21-25)

I hate him and find him infuriating (#1 - 5)

1) He thinks he’s so smart and can psychoanalyze me and Bruce, but he doesn’t know me at all, he should get lost (New Titans 61)

2) He thinks he’s so smart and can psychoanalyze Bruce but he doesn’t know Bruce at all, he should get lost (Gotham Knights 26)

3) He is so nosy about stuff that is MY business (Robin 0)

4) He sounds like an insincere suck-up half the time... but okay, fine, if you push him he's got a sense of humor about it (New Titans 65)

5) I'm sure he's a better vigilante than me. It's my fault for being a failure, but I resent him anyway. (Nightwing 9 - Dick's having a nightmare)

On second thought, he's kinda endearing (#6-10)

6) He worries too much and gets anxious so easily, but it makes him fun to tease (Robin 67)

7) I'm not that competitive - okay, so maybe I'm a little competitive, I gotta make sure he doesn't get a swelled head (Prodigal)

8) I'm supposed to be his favorite! It is not cool for him to be fanboying over my not-girlfriend's not-boyfriend!! (Birds of Prey 19)

9) We have fun together. I can kick back and relax when it's just the two of us. Plus I get to boss him around a bit. (Prodigal)

10) He’s always trying to reassure me, and I guess it's a little comforting, but also he doesn’t really get it. Or me. He makes excuses that he shouldn't, because he doesn't understand that I suck. (Nightwing 64)

Grief is complicated and he's all tangled up in mine (#11 - 15)

11) He reminds me of everything I try not to think about. Sometimes the memories are so strong it hurts to look at him. (Batman 441)

12) WHY IS HE BEING IMPOSSIBLE ALL OF A SUDDEN??? THIS IS SO FRUSTRATING (Nightwing 139)

13) We're the same. He says all the things I don't let myself think about. It's like arguing with myself. (Nightwing 139)

14) He thinks he gets to tell me what to do but he doesn’t, fuck him (Battle for the Cowl)

15) Life sucks, so what. I sucked it up so he should too (RR 1)

I love him and think highly of him (#16 - 20)

16) He’s the closest thing to a brother I’ll ever have.  If someone hurts him I will hurt them harder. (Nightwing 6)

17) I can't handle the idea of losing him. (Nightwing 97)

17) He’s so good and I’m not. I'm afraid I’m bad for him. (Nightwing 110)

18) He’s better than me, and it’s kind of a relief because I know no matter what he’ll be okay. (Gates of Gotham 3)

19) In my head he’s the responsible one.  (Gotham Knights 10)

I rely on him, and though it's hard for me, I trust him (#20-25)

20) I know I have to trust him but I'm afraid he'll make the wrong choices and get hurt (Nightwing 139)

21) I'm sure I know what he should do because I see myself in him - not that I can take my own advice, but he should (Blackest Night 3)

22) I trust him.  When I’m losing my grip on things, he pulls me back. (Gotham Knights 10)

23) I want him to trust me (Red Robin 12)

24) He can tell when I'm lying. Sometimes he sees my weaknesses better than I wish he did. (Detective Comics 874)

25) He’s always there when I need him. (Teen Titans / Outsiders Secret Files)

Final rambling thoughts:

TIM: Uhh, okay, so I'm just skimming this list - do you really trust me? you're not just saying that? - but anyway, I'm confused because you left some stuff out? Like some stuff that's kinda important? DICK: No? I think I got everything? TIM (starts counting on his fingers): The time I was having a bad day but then I called you. The time I got captured by Two-Face but then you saved me. The time I fell off a train but then you saved me. The time I fell off a building but then you saved me. The time I fell off a different building - DICK: I feel like you're trying to make some kind of point but I'm not sure what it could be.

SO THE THING IS, I put 25 panels in here and not a single one has Dick catching Tim when he’s falling!!! But I think that's a central motif of their relationship from Tim’s POV, not Dick’s. I love Dick, but in some ways I think he is spectacularly un-self-aware.

And I think he especially has a lot of blind spots about Tim. He kinda intermittently gets that Tim admires him, and he enjoys it in a playful I-get-to-boss-you-around way. But Dick tends to consistently underestimate all of his own good qualities & skills, and he meets Tim at a point in his life when he's especially down on himself & his abilities. And so he's unable to see his own influence on Tim, & therefore unable to fully understand a lot of Tim's priorities and loyalties and motivations, because you can't actually understand Tim without understanding Dick's impact on him. There's a fascinating moment in Bruce Wayne: Murderer when Dick's completely blindsided & upset to discover that Tim doesn't entirely trust Bruce, even though this has been a definitive fact of Tim's whole thing ever since he showed up with his Batman needs Robin theory, and Barbara has to actively remind Dick of the obvious-to-everyone-except-Dick fact that a lot of Tim's loyalty is to Dick, and Tim loves Bruce but feels free to be more wary of him. (And to give Bruce credit: this is not something he ever begrudges.) But anyway Babs points this out, and Dick manages to sorta process it for about five seconds, but he cannot actually accept it into his worldview so instead he discards it at the speed of light and goes off and has an argument with Tim instead sdfsfdsf

All of Dick's virtues - Dick's kindness at the circus and Dick's determination to fight through grief and Dick's rigid sense of morals and Dick's vigilante skills and every time Dick has ever backed Tim up or listened to him or protected him or saved him from something or just been casually kind to a stranger in Tim's presence etc etc etc - all these things loom really large in Tim's mental story of Who Dick Is, and What Dick And Tim's Relationship Is. Tim meets Dick before he meets Bruce, trusts Dick more than Bruce, aspires to be Robin instead of Batman. And so in Tim's default version of the story, Dick is the super-special and admirable hero and Tim is... nobody in particular, a tagalong outsider who's barely managing to be a hero, not part of Dick and Bruce's family and not part of their story, who, if he's VERY LUCKY and tries REALLY HARD, might be able to fight his way to proving himself and offering something to Dick that Dick will value, if Dick doesn't get fed up with him first.

But that's not Dick's version of the story!!!

Dick's version of the story is almost the exact opposite, a story where Dick's an outcast failure black sheep who's screwing up everything he tries, and meanwhile Tim is The Sudden New Perfect Robin Who's Better Than Me And Probably Bruce Loves Him More And Probably They Gossip About What A Loser I Am, mixed with a complicated edge of Tim Thinks He's So Smart But He Doesn't Know Me/Us At All. Dick gets much more attached to Tim over time, and Tim gets unnervingly better at the know-it-all psychoanalysis so then Dick gets to have complicated feelings about him being right instead of just annoyance at him for being wrong, plus Dick's relationship with Bruce improves a lot, so Tim stops feeling so threatening. But Dick never fundamentally changes his basic theory of their relationship in which Tim is highly impressive and capable, and Dick is not so much.

And so asking Dick about Tim is kinda like if you asked George Bailey to tell you about Harry Bailey in It's A Wonderful Life; like, you'll be there for five hours while he tells you how great Harry is, and how accomplished Harry is, and how he doesn't really get how or why Harry does the things he does, and maybe George does feel a little resentful or jealous sometimes, but that pales in comparison to all his admiration and trust for Harry who he loves so much, who's better than him in so many ways, and he's not gonna openly gripe but secretly he can't help but feel sometimes like he's such a failure in comparison to Harry, a perfect person who emerged fully formed from Zeus's head with all the virtues and also all the accomplishments, etc. etc. etc. --

-- and he will not actually remember the part where he changed and saved Harry's whole entire life unless you literally send him to an alternate timeline in order to force him to remember it. <3

[sunsetsandsunshine]

Hey!! For your next fic could you do Leo and Mikey angst

It came be 2012, MM or rise

~ 𝚈𝚘𝚞’𝚛𝚎 𝚓𝚞𝚜𝚝 𝚋𝚎𝚒𝚗𝚐 𝚢𝚘𝚞 ~

💙🐢🧡 𝙵𝚒𝚌 𝚛𝚎𝚚𝚞𝚎𝚜𝚝𝚎𝚍 𝚋𝚢: @tmntalways 💙🐢🧡

·̩̩̥͙＊*•̩̩͙✩•̩̩͙*˚𝙷𝚒, 𝚃𝚞𝚛𝚝𝚕𝚎𝚑𝚎𝚊𝚍!!! 𝙸 𝚖𝚒𝚜𝚜 𝚢𝚘𝚞 𝚜𝚘 𝚖𝚞𝚌𝚑 𝚋𝚛𝚘 ☹️💔…𝙸 𝚏𝚎𝚎𝚕 𝚛𝚎𝚊𝚕𝚕𝚢 𝚋𝚊𝚍 𝙸 𝚠𝚊𝚜𝚗’𝚝 𝚊𝚋𝚕𝚎 𝚝𝚘 𝚌𝚘𝚖𝚙𝚕𝚎𝚝𝚎 𝚢𝚘𝚞𝚛 𝚛𝚎𝚚𝚞𝚎𝚜𝚝 𝚠𝚑𝚎𝚗 𝚢𝚘𝚞 𝚠𝚎𝚛𝚎 𝚘𝚗 𝚃𝚞𝚖𝚋𝚕𝚛 𝚋𝚞𝚝 𝙸 𝚑𝚘𝚙𝚎 𝚘𝚗𝚎 𝚍𝚊𝚢 𝚢𝚘𝚞 𝚌𝚊𝚗 𝚌𝚘𝚖𝚎 𝚋𝚊𝚌𝚔 𝚊𝚗𝚍 𝚜𝚎𝚎 𝚝𝚑𝚒𝚜 💖💕💘💞🩷!!! 𝙰𝚕𝚝𝚑𝚘𝚞𝚐𝚑, 𝙸 𝚍𝚘 𝚊𝚍𝚖𝚒𝚝 𝙸’𝚖 𝚗𝚘𝚝 𝚝𝚑𝚎 𝚋𝚎𝚜𝚝 𝚠𝚑𝚎𝚗 𝚒𝚝 𝚌𝚘𝚖𝚎𝚜 𝚝𝚘 𝚝𝚠𝚘 𝚌𝚑𝚊𝚛𝚊𝚌𝚝𝚎𝚛’𝚜 𝚊𝚗𝚐𝚜𝚝 𝚒𝚗 𝚊 𝚜𝚝𝚘𝚛𝚢 😅👍🏾! 𝙸 𝚍𝚒𝚍 𝚘𝚗𝚎 𝚌𝚑𝚊𝚛𝚊𝚌𝚝𝚎𝚛 𝚝𝚑𝚊𝚝 𝚠𝚊𝚜 𝚝𝚑𝚎 𝚖𝚊𝚒𝚗 𝚊𝚗𝚐𝚜𝚝 𝚜𝚘𝚞𝚛𝚌𝚎 𝚊𝚗𝚍 𝚝𝚑𝚎 𝚘𝚝𝚑𝚎𝚛 𝚌𝚑𝚊𝚛𝚊𝚌𝚝𝚎𝚛’𝚜 𝚊𝚗𝚐𝚜𝚝 𝚠𝚊𝚜 𝚒𝚖𝚙𝚕𝚒𝚎𝚍— 𝙸 𝚑𝚘𝚙𝚎 𝚝𝚑𝚊𝚝’𝚜 𝚊𝚕𝚛𝚒𝚐𝚑𝚝 🫠…˚*• ̩̩͙✩•̩̩͙*＊·̩̩̥͙

𝙶𝚎𝚗𝚛𝚎: 𝙷𝚞𝚛𝚝/𝚌𝚘𝚖𝚏𝚘𝚛𝚝

𝚆𝚘𝚛𝚍𝚜: 𝟹,𝟸𝟾𝟾

𝙻𝚎𝚎: 𝙼𝚒𝚔𝚎𝚢 🐢🧡

𝙻𝚎𝚛: 𝙻𝚎𝚘 🐢💙

𝚂𝚞𝚖𝚖𝚊𝚛𝚢: 𝙼𝚒𝚔𝚎𝚢’𝚜 𝚋𝚎𝚎𝚗 𝚏𝚎𝚎𝚕𝚒𝚗𝚐…𝚞𝚗𝚏𝚘𝚌𝚞𝚜𝚎𝚍…𝚞𝚗𝚘𝚛𝚐𝚊𝚗𝚒𝚣𝚎𝚍, 𝚞𝚗𝚌𝚛𝚎𝚊𝚝𝚒𝚟𝚎…𝚊𝚗𝚍 𝚊 𝚠𝚑𝚘𝚕𝚎 𝚋𝚞𝚗𝚌𝚑 𝚘𝚏 𝚘𝚝𝚑𝚎𝚛 𝚝𝚑𝚒𝚗𝚐𝚜 𝚝𝚑𝚊𝚝 𝚜𝚝𝚊𝚛𝚝 𝚠𝚒𝚝𝚑 '𝚞𝚗'. 𝙰𝚗𝚍 𝚝𝚑𝚎 𝚠𝚘𝚛𝚜𝚝 𝚙𝚊𝚛𝚝 𝚘𝚏 𝚒𝚝 𝚊𝚕𝚕? 𝙷𝚎 𝚍𝚘𝚎𝚜𝚗’𝚝 𝚔𝚗𝚘𝚠 𝚑𝚘𝚠 𝚝𝚑𝚎 𝚑𝚎𝚕𝚕 𝚝𝚘 𝚖𝚊𝚔𝚎 𝚝𝚑𝚎𝚜𝚎 𝚏𝚎𝚎𝚕𝚒𝚗𝚐𝚜 𝚐𝚘 𝚊𝚠𝚊𝚢…

𝚃𝚊𝚐𝚜: @shut-up-jo @someone1348 @saturnzskyzz

@savemeafruitjuice @rice-cake-teen10 @mistyandsnow

@skyloladoodles @itzsana-kiddingmenow @titters-and-tingles

(𝙰/𝙽: 𝚂𝚠𝚒𝚖𝚜 𝚒𝚗 𝚖𝚢 𝚜𝚎𝚗𝚜𝚊𝚝𝚒𝚘𝚗𝚊𝚕 𝚜𝚎𝚊 𝚘𝚏 𝚊𝚗𝚐𝚜𝚝…𝚋𝚞𝚝 *𝙰𝙷𝙴𝙼* 𝚖𝚘𝚜𝚝 𝚒𝚖𝚙𝚘𝚛𝚝𝚊𝚗𝚝𝚕𝚢: 𝙳𝚘𝚗’𝚝 𝚋𝚎 𝚝𝚑𝚊𝚝 𝚐𝚞𝚢! 𝚃*𝚌𝚎𝚜𝚝 𝚊𝚗𝚍 𝙺𝚒𝚗𝚔/𝙽𝚂𝙵𝚆 𝚋𝚕𝚘𝚐𝚜 𝙳𝙽𝙸!!!)

𝚆𝚊𝚛𝚗𝚒𝚗𝚐𝚜: 𝚂𝚎𝚕𝚏 𝚍𝚎𝚙𝚛𝚎𝚌𝚊𝚝𝚒𝚗𝚐 𝚌𝚘𝚖𝚖𝚎𝚗𝚝𝚜, 𝚊𝚌𝚌𝚒𝚍𝚎𝚗𝚝𝚊𝚕 𝚜𝚎𝚕𝚏-𝚑𝚊𝚛𝚖 𝚜𝚝𝚒𝚖𝚖𝚒𝚗𝚐, 𝚏𝚎𝚎𝚕𝚒𝚗𝚐𝚜 𝚘𝚏 𝚠𝚘𝚛𝚝𝚑𝚕𝚎𝚜𝚜𝚗𝚎𝚜𝚜, 𝚊𝚗𝚐𝚜𝚝 𝚊𝚗𝚍 𝚝𝚒𝚌𝚔𝚕𝚒𝚗𝚐. 𝙿𝚕𝚎𝚊𝚜𝚎 𝙿𝚕𝚎𝚊𝚜𝚎 𝙿𝙻𝙴𝙰𝚂𝙴 𝚛𝚎𝚊𝚍 𝚊𝚝 𝚢𝚘𝚞𝚛 𝚘𝚠𝚗 𝚛𝚒𝚜𝚔!!!

𝚁𝙴𝙼𝙸𝙽𝙳𝙴𝚁: 𝚈𝚘𝚞 𝚍𝚘𝚗’𝚝 𝚑𝚊𝚟𝚎 𝚝𝚘 𝚑𝚊𝚟𝚎 𝙰𝙳𝙷𝙳 𝚊𝚗𝚍/𝚘𝚛 𝚊 𝚖𝚎𝚗𝚝𝚊𝚕 𝚍𝚒𝚜𝚘𝚛𝚍𝚎𝚛 𝚝𝚘 𝚛𝚎𝚕𝚊𝚝𝚎 𝚝𝚘 𝚝𝚑𝚒𝚜 𝚏𝚒𝚌!!! 𝚃𝚑𝚒𝚜 𝚜𝚝𝚘𝚛𝚢 𝚒𝚜 𝚋𝚊𝚜𝚎𝚍 𝚘𝚗 𝚖𝚢 𝚘𝚠𝚗 𝚙𝚎𝚛𝚜𝚘𝚗𝚊𝚕 𝚎𝚡𝚙𝚎𝚛𝚒𝚎𝚗𝚌𝚎𝚜 𝚠𝚒𝚝𝚑 𝚒𝚝 𝚋𝚞𝚝 𝚒𝚝 𝚒𝚜 𝚖𝚊𝚍𝚎 𝚏𝚘𝚛 𝚎𝚟𝚎𝚛𝚢𝚘𝚗𝚎 𝚝𝚘 𝚎𝚗𝚓𝚘𝚢 ☺️💞💗💓💕

＊*•̩̩͙✩•̩̩͙*˚𝙰𝚗𝚐𝚜𝚝 𝚖𝚢 𝚋𝚎𝚕𝚘𝚟𝚎𝚍 🕺🏾✨💞🎶˚*•̩̩͙✩•̩̩͙*˚＊·̩̩̥͙

Mikey couldn’t do anything right now. Like…anything.

Well…perhaps he was being a bit too dramatic. He was breathing. And he was fidgeting with his squishy cube. So saying he wasn’t doing 'anything' wasn’t entirely true.

Right now he just…couldn’t do anything…productive. 

For example, the box turtle tried making his favorite dishes and deserts! But that endeavor just ended up being a huge mess in the kitchen…and leaving the youngest turtle with a bunch of unappetizing food. 

Which he fed all to Raph by the way. 

Some would call that choice of action cruel but Mikey would just call it 'using his resources'. 

Besides, it’s not like the eldest minded at all. He said, and I quote: 'It has a nice…crunchy feeling to it. Did you put some of Don’s inventions in this?'

Which honestly got a couple of chuckles out of the smallest turtle teen of the bunch.

Then, Mikey tried skateboarding! But for once in all his 14 years of living…it was just utterly boring. 

And after all of that nonsense, Mikey then finally tried reading a comic…but he was too unfocused to even get to the second page…

But what was really new? Mikey could never focus on jackshit even if said jackshit hit him right in the shell. 

His brothers and sister would always have to remind him to stay focused or 'not do this' or 'not do that'.

For example, a couple days ago Donnie had to kindly remind the box turtle (well…as kindly as Donnie could be anyway…) to brush his teeth.

To. Brush. His. Fucking. Teeth. 

And honestly? Having to be reminded to do that was really embarrassing. And the orange banded teen knew his brother didn’t mean to humiliate him internally…but…yeah.

And it’s not like the softshell was wrong either! The youngest turtle just couldn’t freaking accept that he himself couldn’t do such a simple task in the morning. 

But literally every task he completely fails to do is just utterly simple ones!

Like cleaning his room or not forgetting things or even keeping track of time! 

…And the sad part about all of it was Mikey just honestly could not understand how his family haven’t gotten sick of his annoying tendencies…

And let’s be for real here…that was basically all of his tendencies. 

The box turtle groaned loudly in his room, slamming his whole body on his bed as he screamed into his pillow. 

There had to be something he could do instead of just wallowing in his own self pity…

And one of those options could not consist of bothering his family with his random bad mood. They had to put up with him 24/7…the least he could do was give them some space.

The youngest then glanced at his drawing notebook hopefully…

…One little sketch of something random wouldn’t hurt, right?

The amber eyed teen reached for his notebook, grabbing a pen from his drawer as he started to sketch his desk because why the absolute fuck not? Based on the objects he’s drawn in the past…sketching a simple desk should and will be easy, right? Right. 

That was until the orange banded teen’s pencil tip broke. But it was fine! He could just re-sharpen it, right? Right.

That was until the youngest realized he had absolutely no clue where his sharpener was due to the fact his room looked like a pig stie. And there was no way he was looking for it in…that whole situation. 

…The situation he created in the first place. 

Michelangelo layed on his bed with his face staring at the ceiling in frustration, he ran his fingernails along his arms, not making really deep cuts with them but going deep enough for it to hurt a bit.

Like a reasonable turtle would, Mikey should probably get one of his stress toys…or better yet, another pencil!

But let’s be for real here…he’d most likely find a way to fuck that up too.

Suddenly, there was a small, quiet knock on Mikey’s door but…in all honesty? He just wanted to crawl into his shell and sob for the next hour and a half. Letting out a niiiiice and quick 'come in' would take way too much energy. 

The box turtle let out a soft grunt, letting whoever was on the other side know it was a-okay to come in.

Abruptly, Leo peeked in the room, a wide smile plastered on his face as he closed the door, “Damn, Mikester…it looks like every single natural disaster went through your room…”

“I’m cleaning it.” The youngest grumbled to his brother.

“Really? You sure about that, little bro? Because if my memory serves me correct (which it in-fact does), you said that last week. And the week before that…and the week before—“

“I SAID I’M FUCKING CLEANING IT!!!” The orange banded turtle snapped, sitting up on the bed to glare at his immediate older brother before slowly realizing what he just did. 

The youngest’s heart dropped as he looked away from his brother. The orange banded mutant’s eyed widened as silent and small tears ran down his face. He covered his mouth as his other hand turned to a fist, his nails unforgivingly digging into his palm.

“I-I’m sorry…I’m s-sorry…I-I’m so s-sorry…!” He started, rocking himself back and forth before stopping as he was met with a warm embrace. Leonardo hugged him gently but firmly, rubbing the other’s shell in a comforting hold. “Woah woah…! Bud, you have nothing to apologize for…” The slightly older teen said as he rested his chin on the top of his baby brother’s head.

“L-Like h-hell I don’t. I-I just screamed a-at y-you for no reason…” Michelangelo wobbly said. “You were just trying to lighten the mood but I just had to make everything harder like I-I always do…!” 

“Mikey—”

“I-I always do this. I-I’m so f-fucking s-sorry Leo…”

“Mikester…I-I appreciate the apology but it seriously isn’t necessary—”

“You’re probably so sick of me and so angry at me. I-I’m sorry I just—”

“Mikey!” Leo gently yelled to get the other’s attention, squeezing the smaller turtle’s hands as he stared straight at him with pleading eyes. “Do I look mad?”

“…N-No.”

“Do I sound mad?”

“…No.” 

The second youngest sadly smiled, “So what are you apologizing for, hm?”

“…I-I…dunno…I-I just…I just felt I needed to apologize…” The box turtle mumbled as he looked at his hands. The blue banded turtle sighed, slowly getting out of the hug so him and his little brother faced each other. The slider rubbed the other turtle’s palm with his thumb comfortingly, “…Do you wanna talk about it, baby bro?”

The leader in blue was just met with silence…which he could honestly work with.

“Angelo…you know you can tell me…anything, right? Like…anything. Although, it doesn’t have to be me you talk to about it. It could be Raph or Don or April or even Dad or Draxum! I just…don’t want you sitting here and bottling up the way you feel…” 

Silence. Leo continued.

“You’re always there when we need you, Angel. Whether it’s to vent or to just ramble about shit, you’re just…always there. We don’t tell you this enough but we appreciate you always being someone we can lean on…”

Silence. Leo continued.

“But…you do know you can lean on us too, right? Comfort goes both ways and I can see you’re hurting, buddy. So please…if you need to talk to me…I’m right here.”

Mikey sniffled, squeezing Leo’s hand, “I-I d-dunno. Today is just…weird. This whole week has just been…weird.” Leo nodded, giving his brother his full undivided attention, “How so?”

“I just…haven’t been able to do anything…” The smaller teen admitted.

“What do you mean?” The taller teen inquired. 

“I haven’t been able to do…anything. Like, I can’t draw, cook or even skateboard! Me!!! Not being able to skateboard— isn’t that crazy?!” The amber eyed turtle laughed bitterly.

“And it’s not like I can’t do it. I’m perfectly freaking capable of doing it in the right amount of time I want but my brain just. won’t. let. me!” 

“I keep procrastinating and not doing the stuff I want to do and I have no idea why! I’m tired of just putting things off and being this way! I want to do things without having to ask you guys for help or to remind me or to relate it with a hyperfixation that I have!” Mikey hiccuped, a new wave of tears rolling down his face as his hands shook. 

The amber eyed teen sniffled, refusing to look at his immediate older brother at all right now because…holy shit he just overshared a whole lot…

Like…a whoooooooooole freaking lot.

“…That sounds like you.” Leonardo shrugged. 

In a state of just shock and confusion, the box turtle pulled his hands away from his brother, looking up at him as lime green eyes met amber ones. “I…what…?” Michelangelo murmured.

“I said that sounds like you.” Leo said again casually as Mikey glared at him, “Yeah. I heard what you said but that isn’t helpful.”

“I’m just being honest with you, Mikester.” Leo said, “Just…let me explain, okay?”

“…You have five minutes before I kick you out of my room.” 

“Deal.” The lime green eyed mutant commented, “You can’t draw, cook or skateboard right now. You’re procrastinating and not doing the stuff you want to do in the time you planned…is that correct?” 

Michelangelo sent deathly daggers to his brother— which the other wasn’t phased by at all. This time was probably the best time to crawl in his own shell and just sob his eyes out because what kind of dumbass question was his dumbass brother asking him?!

“…Yes.” The orange banded teen mumbled. 

“And…why are those bad things?” 

“WHY?!” The box turtle huffed out a laugh of annoyance, “Pfft— you’re asking me why. Maybe it’s because it’s annoying?! Maybe because it’s frustrating to deal with and I don’t want to burden you guys with my problems?! Maybe because I don’t want to fucking feel or be this way?!” The youngest shouted, breathing heavily as he finished his rant. 

The box turtle looked away again, silently cursing at himself for getting annoyed so easily. “Mikey.” Leo started again, “Your being too hard on yourself, okay? No one is expecting you to be at your 100% all the time.” 

“What you just described to me; you being able to not focus or you getting bored easily or procrastinating with stuff is…literally you. You’re just being you.” The slider explained as he held his baby brother’s hand in his. “And I get it. It’s hard to deal with it sometimes and it’s going to be hella frustrating. Like…super borderline frustrating. But you can’t shun them away and just…try to ignore them, bubs…”

“Let’s take moi for example. I’m impulsive, I talk loud and lose things daily. Those three things don’t make up my whole personality but it would be super weird and off-putting if I just…didn’t do or have those three things, right?” 

The youngest giggled wetly, “Yeah…it would. A-And by the way, I’m still waiting for you to find that glittery pen kit I gave you…”

Leonardo groaned loudly and dramatically, causing the other teen to giggle louder, “I’m looking for it, okay?! It’s in my room…somewhere.” The taller mutant mused, “But anyways…back to you. You procrastinate, you relate things to your hyperfixations and you can’t do some of your favorite tasks from time to time…those are some traits that make up you, is it not?” 

Mikey sniffled, rolling his eyes playfully due to the fact he knew damn well where this was going, “Yeah…” 

Leo smiled softly, seeing his younger brother was starting to get his point, “I wouldn’t change a single thing about you, okay? I know sometimes it’s hard to deal with the things you described but you have us for that.” He said as his smile turned to a grin. 

“You can come to me— to us— anytime. We love you for who you are…your flaws and all and we just…I-I need you to know that we love you so so much—!” The slider was cut off by a sudden abrupt embrace from the box turtle. The orange banded teen sobbed into the other’s shoulder, clutching the taller turtle like a lifeline. 

“T-Thank you…” The box turtle wobbly said through tears.  

“Of course, Angel.” Leo said as he hugged his baby brother back, “I love you.” He said as he kissed the other teen on the head.

“I-I l-love you too…”

.

.

.

.

.

.

“Tell your thoughts to shut up.” Leo said as he lightly poked Mikey in the forehead numerous times. The two were sitting on the box turtle’s bed just simply…relaxing and enjoying each other’s company. Michelangelo was sitting in between his older brother’s legs as he had his shell to his brother’s plastron.

Leonardo hugged his brother protectively, resting his chin on the top of the box turtle’s head. “What do you mean?” The youngest giggled out. “I can hear your thoughts, man. You’re not bothering me or disturbing me in any way, shape or form, alright…?” 

The amber eyed turtle nodded, squeezing Leo’s hand, “Y-Yeah…I know...” 

“I’m choosing to be here because I love you. I don’t feel obligated to be here, okay? You’re not annoying and you, neither your problems are a burden…okay?” The slider said reassuringly, “It’s okay to ask us for help…and we don’t mind reminding you to do things…okay?” 

“You’ve said ‘okay’ like, fifty times…”

“Mikey.” 

“Mhm…yeah yeah…I gotcha…”

The elder looked at his brother skeptically, resting his chin on his little brother’s shoulder so they made solid eye contact, “I want you to say it.” 

“…Say what exactly?”

“I want you to say that you are an amazing person and you don’t need to change a single thing about yourself.” 

“You are an amazing person and you don’t need to change a single thing about yourself.” Michelangelo grinned smugly. Leonardo glared at the youngest’s interpretation to his statement, “Mikey, you know exactly what I meant.” 

“I said what you wanted me to say…so…” The amber eyed teen trailed off.

“Michelangelo.” The slider said in a warning tone as he poked the other’s side. The box turtle squeaked at the unexpected touch, trying to stop his immediate older brother from doing it again but his brother had a strong but gentle grip on him…

Then the smallest turtle came to recognition that he was stuck in a potential tickle hug with no way out…

…How wonderful. 

“L-Leeheeo…doohoo nahat.” The orange banded mutant warned through his giggles, said warning not seeming too threatening due to the fact he was already laughing up a storm. The leader in blue raised a brow, poking the other’s side repeatedly, “I just want you to repeat what I said…in the first person.” The taller teen specified.

The smaller turtle squirmed in the hug, small frantic giggles pouring out of his mouth. This…really wasn’t how he was expecting his day to go. Just about an hour ago, he was wallowing in sadness about the stuff he hated about himself, to talking about it with his brother, to now getting tickled by his brother.

…So could he really complain about how things turned out?

…Yes. Yes, he absolutely could.  

“Leeheeon! Plehease dohon’t!” The youngest squealed as one of his brother’s hands hovered over his stomach. Mikey held onto the other’s wrists, trying to stop his elder brother from tickling him but his small attempts ending up to be all for nothing as Leo effortlessly tickled his stomach with one hand.

“LEEHEEHAHAHA!!” Michelangelo laughed wholeheartedly, swatting at his brother’s arms. The lime green eyed turtle cooed at the gesture, now using both of his hands to attack the youngest’s plastron, “D'aww…look at you giggling your head off~! You’re my adorable little bundle of amazingness, aren’t you~?”

The smaller teen shook his head, a faint blush appearing on his face, “STAHA— squeal N-NAHAHA!”

“What~? What was that?” The blue banded mutant asked as he kneaded the box turtle’s hips. “GYAHAH— squeal SHIHIHIT! COHOME OHAHAN!!!” The amber eyed turtle cried frantically as he kicked his legs on the mattress slightly. 

The youngest squealed with laughter, curling in on himself as he slumped in his big brother’s hold. Leonardo just sighed fondly at the action, wrapping the other in another hug as he raspberried his neck. “LEEHEEHEE!! PLAHAH— squeak NAHAHAT THEHERE squeak PLEHEASE PLEHEASE— squeak!!!”

“Not there~?” The elder lightly mocked, “What about…here~?” He mused as he used his hands to scribble all over the younger turtle’s ribs. Mikey cackled, shaking his head to try and at least subside the tickly feelings.

“NAHAHA— squeal AHAHAHA!! NAHAHAT THEHEHERE EHE— squeal EHEHEITHER!!! LEEHEEO!!” The orange banded turtle squeaked as Leo stopped for a second, “I’ve tried sooooo many spots, buddy! How many times are you gonna say not there, hm?”

Mikey genuinely squawked louder than a firefighter siren, squirming so much it looked like he was actually being electrocuted. “PLEHEHAHA LEEHEEO NAHAHAT THEHEHE RIHIHIBS!!!” He cackled. 

“Not the riiiibs~? Why~? Is it because it’s your tickle spot~? Your tickletickletickle spot~? Because you’re ticklish~?” Leonardo asked as he lightly nibbled the crook of Mikey’s neck. 

Michelangelo screamed in laughter, scrunching up his shoulders as he dug his heels on the bed, a couple of his plushies sadly falling on the floor (R.I.P. man…) “EEEHEEHEEP!!! S-STAHAP BEEHEEING MEEHEAN!” Mikey said as he thrashed on the bed. 

The slider said nothing, his hands sneaking up to the box turtle’s underarms. “AAAAHAHAHA! OHO NOHOHO— squeak SHIT! SHIHIHAHAT!”

Happy tears slowly begin to appear in the smallest teen’s eyes, he weakly hit Leo’s arms as a last attempt to be set free, “LEHEHEMME squeal GOHOHOHO!” 

“Ohonly if you sahay it, bubs.” 

“IHIHI— SQUEAK!! LEEHEEHEEON!!!” 

“Yeeeees, baby brother~?” The elder dragged out as he kneaded the other’s hips.

“IHI’LL SAHAY IHIHAT I-IHIHI’LL SAHAHAY IHIT!!” The amber eyed teen squealed. 

“And you promise not to be a sassy little shit about it~?” The older teen asked.

“SQUEAK YEHAHAHA— SQUEAK YEHES YEHES I-I PROHOHOMISE!” 

Leo stopped tickling his little brother, hugging him protectively as the youngest caught his breath slowly but surely. “W-Wahait…whahat squeak wahas ihihat yohou eeheeven wahanted me squeak to sahay again?” 

The taller turtle pondered for a bit, thinking to himself before loudly groaning, “That’s…a good damn question. I don’t really remember exactly what I wanted you to say in the first place…” The lime green eyed turtle sighed, “Forgetfulness at its finest...” 

The red eared slider adjusted himself, making sure the other was comfortable before starting to speak again, “Well…based on what we talked about…could you maybe just…y'know…” Leo gestured with his hands before groaning, “Do you get what I’m trying to say, man?” 

“…I thihink I have ahan idea…” Mikey giggled as he fiddled with his hands, “I shouldn’t beat myself up so much because of some of my traits or quirks. And I’m allowed to feel frustrated and/or upset because things don’t go my way because of them. But…I shouldn’t allow those things to put me down...”

Michelangelo smiled softly, rubbing his palm with his thumb, “They don’t define me as a person but they make me a person. I don’t need to be at my best 100% and I’m allowed to have bad days. And if things get too overwhelming or difficult I can just go to you guys.” 

Mikey hugged himself, letting out a small laugh as his happy tears welled up in his eyes, “I’m just…being me. And there’s nothing wrong with that.” Leonardo teared up at his brother’s words, hugging him tighter than he ever had before and burying his face at the back of the youngest’s head.

“Never forget that, Miguelito…never forget that.” 

·̩̩̥͙＊*•̩̩͙✩•̩̩͙*˚𝙵𝙸𝙽˚*•̩̩͙✩•̩̩͙*˚＊·̩̩̥͙ 

(𝙿.𝚂.: 𝙸𝚏 𝚢𝚘𝚞 𝚎𝚗𝚓𝚘𝚢𝚎𝚍 𝚝𝚑𝚒𝚜 𝚏𝚒𝚌, 𝚙𝚕𝚎𝚊𝚜𝚎 𝚛𝚎𝚋𝚕𝚘𝚐!!!)

[enhanced-operatives-division]

Junicrane/Starstruck Ramble

I will not be brief, all under the cut

To clear some things right off the bat:

No corpse, no proof with Juniper. Obligatory this is set in a canon where he's alive and adjacent to the agency in some way.

Reggie & Juniper are just gay to me, but I don't mind any interpretation of their sexuality

The games are set in 1967/68 to me (based on a couple bits in game) which is before it was legal to be gay in America at least (1971), which is relevant to how I interpret canon as being somewhat grounded in reality, despite unrealistic elements.

This is just an insane amount of headcanons/elements of and AU all culminated into one post. I will talk about some headcanons like they're just facts because they are established in my head, and it saves me over explaining literally everything, however I will explain some parts a little bit for clarity.

Alright. Actual beginning of the ramble:

Juniper is a character to me who had gotten so lost in his job as an actor and a social presence that in the end his whole life revolved around that 'role'. Because of this, by the time he's put into the situation where he's around the Agency, he basically knows nothing about himself, though he doesn't realise at first. Furthermore, what little identity he had has changed in so many ways. He's no longer a beloved famous actor in the prominence of public light, he's legally dead and he tarnished his career just before he was supposed to die, with the bonus of that making him lose the majority of his estate. From that, he also has horrific facial scarring from the electrical burns from literally having his face fried. I believe a friend of mine made a post about this a while ago (I also think they were the first to think it up also), but, to me, Juniper has a permanent trimmer in his right arm (aka his dominant hand) from the electrical current and it is messing with his nervous system.

All in all, he's not doing great, but he's too proud to admit that he's not doing great, because if anything, what's left of his ego is all he has as a defense since he's deep in unfamiliar water.

Before ending up around the agency (I have multiple interpretations of this, so I'm just going to bring it up generally), he'd never actually seen Reggie, and his only impression of him is a single voicemail, which was his only reference he had to later impersonate him. Juniper probably has very little feelings other than the ones he projects onto him because of Phoenix and that, at the very least, he's physically attracted to Reggie to some degree (that's like the beginning of how everything else would tumble into place in this sort of interpretation at least).

And on Crane's side? His feelings towards Juniper are probably very intense and muddled. On the one hand, he adores musical theatre, and that's his now ex-favourite actor. The thought of just casually being around him blows the bit of fanboy in him away at first because THAT'S the GUY, plus the inklings of a celebrity crush which still poke at him. And then there's the rational side of him, which knows Juniper has committed absolute atrocities on the side of Zoraxis, and hates him for that. Then there's how much Juniper comes off as an asshole at first because he refuses to cooperate with anything the Agency tried to put in place. He finds Juniper endlessly frustrating, and yet he's stuck working with him since, afterall, he's the one who knows the Agency's history with Juniper the best. I imagine him acting a lot like how he does IEYTD 1 around Juniper.

At this point, I'm just describing the pitch for a romcom.

I think the start of their relationship with one another largely started with Juniper trying to wind Crane up. It was a way of getting his attention, and I don't think Juniper knows why he's so dead set on that at first, because I don't think he realises he has a crush on 'this grump' at first. (I think that's actually the fun part about these two, because it's almost like a role reversal of the celebrity crush dynamic. This ex-big name actor has a TERRIBLE crush on an average joe and it is KILLING HIM.) But of course the Agency keeps them together because Juniper is at least conversing with Crane, so it's a start.

Through one way or another, they actually get talking casually, at least mildly at first. It takes Juniper a long time to fully deconstruct the wall he's built, and the thing is, Crane isn't the one trying to deconstruct it, at least at first, because yeah, Juniper realises if he wants Reggie to actually like him in any way, he can't keep winding him up. So they talk. Small talk at first, something rhythmic and almost easy to keep to a script. And over time that turns into actual conversations. Genuine ones in which Reggie rips out the occasional one of his jokes which Juniper is endlessly endeared about. The way he smiles just before he makes them, like he wants to chuckle at what he's about to say before he says it. That's probably when Juniper realised that he does have some vague crush on him, and that it wasn't going away.

This is what kickstarts John I can't-buy-you-things-to-impress-you-so-acts-of-service-it-is Juniper to do little things for him. It mostly starts off as him trying to make Reggie his tea how he likes it. However, the nerve damage in his arm makes that hard, as the weight of the kettle and trying to pour is hard all of a sudden. And he refuses to accept that, so he tries for a very long while. Long enough that Crane would go to investigate what was going on. And when he does see Juniper leaning over a cup with the kettle as he uneasily tries to pour it, and when Crane asks Juniper responds so matter-of-fact that his intention is nothing but genuine. And it catches Reggie off guard because Juniper hadn't done anything like that up to that point, and his very apparent vulnerability is so clearly on show.

It shifts something between them.

From that point on, conversations are longer, more familiar. Both of their attitudes soften, and Reggie makes more jokes. Juniper learns how to better use his left hand while strengthening his right back to a point where it could be used again. Slowly, they're both spending time with one another not because they have to, but just because they can. Little bits at first, not too far outside what they already were doing, but those little bits turned into long bits to a point where the other person's company was genuinely desirable.

As time passes, Juniper probably realises that he doesn't genuinely know much about himself or what hobbies he's into, because he never really had the time when he got big, and his home life in his youth wasn't bad, but it wasn't picturesque. I think Reggie would pick up on it, and absolutely try to introduce him to some things he's into. Some things stick, other things don't (corn husking very much stays Reggie's passion, and John will go with him sometimes because it's him, but it's not something he strongly cares for). Crane introduces him to a lot of music, and it's something that becomes a staple between them, with tracks they listen to more than others (tragically, I know relatively little about 60s music so I couldn't really say what). Occasionally they dance, never anything intense, think slow dancing, but the closeness is nice.

Through all of it, Juniper is battling the worst crush of his life, and he can't stand it, because I think he struggles to read people since he doesn't have anything like a script or a director to refer back to, so he has no idea if Reggie likes him back or if he's just desperate for that to be true. I think because of that any sort of confession between them would be incredibly raw, not only because of the time they live in making it hard for them to be truthful about how they love, but because it's a complete show of Juniper who's worked to be this better person. I don't exactly know how that would go, mainly because I don't have one set version of their dynamic, this post is just a generalisation of main consistent points.

Reggie does like him back, because he's gotten used to Juniper being just this guy, not a figure in the public eye, not a Zoraxis lackey, and not any sort of Agency operative (despite being under their care to some degree). He's someone he genuinely cares for, because they've given one another the time of day to learn one another, and I think because Reggie was a field agent, he was a lot better at reading Juniper than Juniper was at reading him. Eventually Juniper's company becomes something he could see around him for the rest of his life, and I think he accepts that he likes Juniper a lot more gracefully.

I think any affection directed at Juniper would at first be met with him feeling a little muddled. Reggie was a very physically affectionate person when he could be, and sure the initial flirting with one another came with the occasional little touches, but everything now was so deeply intentional. I also don't think Juniper would almost ever get over the novelty of being able to kiss him, or many other gestures, because it made the fact that they were together so very real, and it was great. I do think it comes easier to Reggie, and it's a big way of showing how much he cares, so it's important for Juniper to try and show it back because he knows how much it means to the other.

I like the idea of them eventually living with one another, too. I think Juniper would have always had a quiet little daydream of sorts where he does just live a domestic quiet life, and he can with Reggie (well, as close as they can get between the Agency and Zoraxis always being at odds), and he loves that, and he loves him, and it's immense.

I think they cook for one another a lot, it helps Juniper work on his dexterity in a controlled environment, which means a lot because it's a huge point of insecurity (that and his scars). He does improve, and Crane is proud of that and shows it and it's great. I also think they'd probably cook together too, because they can deal with being in the kitchen together and they work well with one another. It's probably a good way for them to unwind because over time they can do it in relative silence.

As I said before, I also think music is a staple in their household, and that Reggie listens to things on vinyl almost all of the time because he likes the background noise. Sometimes Juniper will catch him chuntering along to the music which he finds endlessly endearing. I wouldn't put it past his dramatic ass to also join in to fluster Reggie, but I also don't think Reggie would mind that terribly because Juniper has listened to the music enough to know the lyrics, and that's huge to him.

I don't think they are without rough patches, no relationship is, but I think the good part about them is that they're willing to talk about it (... eventually). They're used to long conversations, and while they're often less fun conversations, they're needed and they know that, and it works out.

Alright. I think I'm done for now. I haven't mentioned everything, but this definitely got the worst of it out of my system. If you ever want to hear any specific thoughts my ask box is open but other than that, behold my general dynamic for these two which has been festering in my head for years. I think they're great

[dukeofthomas]

"He hurts you because he loves you" classic excuse for abuse, not an interesting angle to go at a story with, boring, annoying, makes me hate anyone who says this shit. "He loves you but he still hurt you" beautiful, amazing, empowering. Love is not a pure, good, flawless emotion, actions matter more than intent, and caring for someone doesn't mean you can't or won't hurt them, and in my opinion, it makes hurting them worse.

[longagoitwastuesday]

Kusakabe, dear, you're too beautiful to be saying that kind of stuff