#i think about this scene an unhealthily amount

[culperscomet]

SIR. we did NOT have to be saying all that

[wulvert]

[summersmithlatinxgyatt]

"I choose Summer"

But why?

This'll be a very brief post for a scene we get very little context for

Beth does admit that Summer is, in some way, a burden that BY PROXY stagnated her potential. It didn't help that her explanation was delivered with little care and with bad wording

This goes over headcanon territory. I think Beth understands Summer in the same way that Rick understands Summer. They see Diane in her. It seems more obvious that a mother would gravitate towards a daughter, especially one that carries over traits from their own mother. It's even crazier when you think of it THIS way

If Diane was an anchor for Rick and Beth seemed to forget that Rick was the anchor for Beth's sociopathy, then she would also be the one keeping the family together. THE ONE THING I KEEP SAYING SUMMER DOES!!

Beth is not an idiot. With a mindset like Rick's, she'd understand the importance of Summer

...now, she should also understand that Morty matters too?? I may be a big fan of Summer and this blog is about her, but the entire shocking part is she went for Summer instantly

I think there's a few reasons to this that further show this

She manages fine with Summer and not having Morty in the picture, discarding them and seeking the support from Jerry and Summer instead. These are people she can also fall back on

There's also scenes of Beth trying to reach an understanding with Summer more as a mother to a daughter rather than any specific given situation (A Rickconvenient Mort shows that she DOES do this with Morty tho). This ties back to the Diane connection and mothers with daughters

Beth chose Summer because she was aware of her importance. It's also likely because she knows this is HER Summer and she's living with another Morty, which is a theory I saw that's a LITTLE plausible. Beth went with a daughter she can understand, not to mention it's a daughter she projects onto (unhealthily at times). The Whirly Dirly Conspiracy shows she doesn't know how to address Summer's issues but still wants to try and eventually DOES, which means even at her shitty moments, she admits there's just no way to get around it. But when she can, she'll love her daughter to an INDEFINITE amount or just not care, treating it as a rough situation or thinking Summer will let it pass over at times because of her being an anchor to the family that reminds her of her own mother.

Yeah I didn't say this was an exactly healthy or cute outlook, it's still the scene where Beth instantly chooses Summer over Morty 💀 but this is a pretty decent breakdown of it with some relevant examples

[cabeswaterdrowned]

I've never watched pretty little liars but tell me about your favourite pll femslash.

Hi I think I wrote half of a response to this a while ago but it got lost somewhere… starting over so I’m such a multi shipper between the pll women that I think it would be more appropriate to tell you my top 5 rn.

Vandermarin —- (Hanna Marin & Mona Vanderwaal)

I tried to choose pics from the pll wiki gallery for each of these dynamics I thought encapsulated the dynamic and its gayness as well as two random images can. In this case the image on the left is Mona lovingly visiting Hanna in the hospital after Mona herself drove a car over Hanna, because they fought/Mona is jealous that Hanna has affection for people who are not her and also Hanna was too close to uncovering her identity as A the nameless faceless entity that badly wants Hanna to break up with her boyfriend and leave her friends and only hang out with Mona but we’re meant to think Mona is straight…. and the right image is after Hanna has found out Mona’s identity at the evil mastermind to her troubles but she’s still visiting her ex wife in the mental asylum, and lying to her boyfriend about it and the show plays every beat of this like Hanna is cheating on her boyfriend. Insane. They’re the love story of pll because literally if Mona wasn’t obsessively unhealthily in love with Hanna the whole plot of the show would not have happened. An undersung toxic yuri queerbait for the history books I seriously think it’s deeply misogynistic they don’t get their due in this department. 

Spemily (Spencer Hastings & Emily Fields).

This is so funny to me because these two images perfectly encapsulate the dynamic. Either they are soo in sync getting coffee for each other and detecting murders together and stabilizing/calming each other, or they are having the Messiest fights and bickering/getting on each others nerves like a married couple going through their third divorce. I joke about them being adansey coded for this reason, also there’s a dynamic of a class difference and Emily/Adam call out Spencer/Gansey for it similarly and Spencer/Gansey being protective towards Emily/Adam in a way the latter doesn’t like or feels infringes on their autonomy. Great stuff, I have a type. And speaking of..

Monison (Mona Vanderwaal & Alison Dilaurentis)

There are other gay pictures of them interacting but I chose the left image as Mona cleaning the dirt off Alison, the girl who bullied her, after pulling her out of a grave (Alison was buried alive this night and it’s a whole thing but not really relevant to this post) and they’re in a motel in the lost woods. There’s another scene from this flashback that’s Mona kissing Alison’s forehead but I can’t find a cap anywhere (I also couldn’t find a cap of her kissing Hanna’s cheek the homophobia). The one on the right is Mona’s shrine to Alison that’s in her evil lair girl literally was so obsessed with and in love with girl who bullied her and wanted to wear her skin and also for her to stop existing and also to be loved by her and then she made the love of her life Hanna into her own personal Alison doll… wild stuff. They’re also a bit adansey coded imo (and Hanna/Alison didn’t make this list but they’re rather Jordanessy coded imo). They’re also really gay for each other on the spin off which is not a good show but did give me crumbs. 

Spona (Spencer Hastings & Mona Vanderwaal)

Sometimes / in the past this has been no.3 I’m just in a very Monison mood rn so it’s fourth rn. The left image is of their psychosexually charged debate scene and the right is Mona trying to get Spencer’s attention at a political rally. Will say no enough of their really gay scenes are appropriately represented in that wiki gallery but I did the best with what I had. Overachiever x Overachiever but one is an evil mirror of the other,  the actresses have a ridiculous amount of chemistry, there’s a whole arc where Mona wants to corrupt Spencer and is furious when Spencer “turns her down” and seeks to ruin her life so she has no choice to accept her… another toxic yuri of all time. They’re also my two favorite characters on the show individually (although I love all six of the main women) so that gives an extra something special to their scenes for me. 

Arison (Aria Montgomery & Alison Dilaurentis)

left image is a flashback to them eating frozen yogurt together while bullying Mona, right is Aria’s hallucination of Alison that she has when her father’s girlfriend who looks a bit like Alison and who Alison wanted Aria to tell her mother about Byron’s affair with poisons her, again sadly there were fewer images in the gallery for them but. This is a really fascinating relationship to me and one I wrote a fic about that Imran quite proud of when I first got into pll a couple years ago. Aria is the only one of Alison’s friends she treats kind of as an equal rather than a subject or a rival, she’s very fascinated by the way Aria lives freely rather than at the whims of other people and Alison develops an alter ego that looks a lot like Aria, Vivia Darkbloom. She also gets into a relationship with an older guy while acting a lot like Aria and then this same guy (who is a predator and groomer but the show never addresses these dynamics as such L) goes after Aria after Alison’s death. Also Alison secretly took pictures of Aria while she was sleeping and hid them places and when they were uncovered her brother makes a comment about how Alison always hid things and it was almost second nature to her don’t remember the exact quote but it reeks of internalized biphobia to me (Alison is canonically a bi character it’s just that the show defines her as only gay for one girl which is Emily and straight for everyone else which is insane but we won’t get into that). Anyway. They’re really underrated and interesting. 

some honorable mention ships that I also love a lot: Sparia (Spencer x Aria, if I had done this a few months ago do think they would have a shot at top 5 I really love them), Spanna (Spencer x Hanna), Hannily (Hanna x Emily), Spalison (Spencer x Alison), Monaria (Mona x Aria), Emison (Emily x Alison this one is canon), Emaya (Emily x Maya also canon), Emona (Emily x Mona), Halison (Hanna x Alison), Aria x Jenna, Emily x Jenna, Aria x Alex Drake.

[zeravmeta]

honestly replaying sdr2 i whole heartedly believe we were robbed of a pekoyama/souda comedy dynamic. souda accuses peko of murder 4 separate times up to ch2 and he was RIGHT and pekoyama doesn't even convincingly deny him in both chapters shes just like "well. ok what about it"

[bisluthq]

I don’t know that Ariana has gotten less insecure with him bc like she changed her entire race? again? Ik that’s not his fault at all lol but ~imo this is different from her blackfishing bc the latter just required copious amounts of spray tan while the former required a full irreversible surgery on her eyelids. Also some of the lyrics on positions talk about how jealous and possessive he is (‘You know you be on some bullshit / act so possessive and crazy / But I know it's just 'cause you love me / And you ain't scared to show me your ugly / And maybe that's just how it's supposed to be / I’m the release, you the dopamine’). I heard a rumor that she had to reshoot a scene in the voice bc she was scared dalton would get mad that she wasn’t wearing her ring, but someone else said that was just from enty so… yk

Oh yeah sorry if I was being confusing - I’m saying he’s exacerbated her insecurities or at least not helped with them. Like I don’t get good vibes from them.

I don’t think he’s as terrible as some of the antis claim but as I say I do think he’s preyed on her issues and he’s a social climber/gold digger and as a result I imagine he is probably a bit unhealthily possessive of her.

[you-are-crazy-beautiful]

S3 thoughts after complete rewatch

Please give me your thoughts and ideas. I’ll be blunt. Season 3 is bad. Really bad. There is absolutely no continuity between s2 and s3. I was joking that even though it’s meant to be set 6 months later, it could really be anytime after. I even would think I was watching an episode in the middle of a season if I was just shown 3x01 with no info. I feel that there is also a complete disregard to the tone of the show, despite Suzanne stating how it’s important to keep that. I do feel that Suzanne talks the talk more than she walks the walk. 

1.       When asked about the multiple POV Suzanne stated ‘those two women as the lynchpin relationship of the show. Their journeys are always at the spine of the story’. ‘all of them (new characters) have a really exciting energy, and really challenge the main characters’. I would argue completely against Eve and Villanelle and their relationship being the focus of this season. There are times and whole episodes when I feel there is almost a disconnect from each other. These two are absolutely, unhealthily addicted to each other. I think the amount of scenes they have together is perfect and almost the usual, but when they aren’t together, you know they are never normally far from each other’s mind. I would especially say I find it strange after V has finally got the kiss she has been waiting for 3 seasons, which would make her devotion go even more through the roof, she only has one Eve related moment (the cake) before phoning Eve after seeing each other at the train station in ep 7. They could have nearly sunk them!

·       Konstantin and Carolyn even overshadowed Eve and had more character development this season. Besides from Dasha, I would also say the new characters hardly gave anything to the plot such as Aubrey, Paul, and Geraldine. It even took me a while to remember these characters names. Paul you could take out of the season and nothing would change except that Carolyn wouldn’t have had another person to shoot in 3x08. I think Geraldine was a good character to have for Carolyn to show how she personally grieves, but why did they keep having the same scenes again and again? What the heck was that thing with Geraldine and Konstantin? I’m still unclear on how Dasha and Villanelle’s relationship came about and what happened. How old was Villanelle? How long was Dasha her mentor for? It seems like they forgot that they had Konstantin saying to V in 3x02 about Dasha doing something to her and the way Villanelle attacked Dasha upon seeing her again, that they just quickly wrote the hospital scene in 3x08. I was so confused what was happening. Did they mean Dasha shot at Villanelle because ‘she wasn’t ready’ as in emotionally or physically? Did Dasha actually manage to shoot her? Didn’t they allude to Konstantin being the one to recruit her from the prison in s1, so how did she not stay with him? How did she escape Dasha? It seemed random that Dasha just happened to die when Konstantin was there, when he said she was going to die in the hospital. I thought he had done something, but apparently not?

2. When asked what she was most excited about the audience seeing, Suzanne said Villanelle and Eve’s journey. This is her quote about Eve. ‘Similarly with Eve, we really get to see deeper layers of Eve, and her really coming to terms with the person she is now. She’s forever changed because of what happened to her and what she’s been through, and it’s really about seeing her now, this new version of herself, and her acceptance of herself, which is very exciting and really takes her into new places’. I really just have to laugh. Where is it? It is absolutely ridiculous how little Eve was developed and ignored this season. When you guys do a rewatch, I highly recommend to at least watch 2x08 before going into s3 because it really just highlights the difference and how nuts it is that they dropped Eve by so much! I really don’t understand how it’s even possible. Coming into the show there are many ways you could go wrong. However, it’s not like it’s an easy thing to cut out the lead of your show! Especially when that character had the most exciting things happen to them in the finale of s2. The things I was most excited about going into s3 was seeing how Eve was coping with knowing she has the ability to kill someone. I can’t believe they did not bring up that Eve had killed someone once in the whole of s3!!! Like @kassies​ stated, it’s like Suzanne just took one line and things she liked and disregarded everything else. Suzanne practically said in the BBC sounds podcast that she had this idea of mummy issues, which personally I don’t think there is any evidence of except the fact V is attracted to older women, like most wlw are. If anything there is more evidence she would have daddy issues with her history of castrations and the many times she comments that she finds it strange that Konstantin hasn’t tried to have sex with her. After the line ‘most of’ her family were dead she stated she could go down that route! She practically wrote the whole season just based on this. She hasn’t even taken the quote correctly, as like others have pointed out, most of her family were actually alive and it was only her dad who was dead. I loved episode 5 originally but on my rewatch with the whole season it really seemed strange. When I first watched it I thought the next episode was going to be largely devoted to Eve so I wasn’t so bothered that it was a whole V ep. However, considering Eve was hardly given anything in ep6, I really don’t see how a whole V episode was needed. The annoying thing was this season could have been the best yet. With Eve and Villanelle both discovering themselves and meeting at the end. It was that, but with hardly any Eve content and I feel they are so lucky they managed to pull it off in the last 2 eps, and that’s largely down to what s1+2 accomplished. Again, ep5 just seems like a way for Suzanne to explore her mummy issues story, as there is nothing really juicy or pivotal for the plot. Why not really show how the twelve have had their eye on V since she was little. Have the mum saying a man told her V was dead, as Konstantin did with Anna in s1? It would have added so much more to the twelve. Especially when the big thing about V this season is her wanting away from the control the twelve have on her. Why not show just how much?

I actually had no idea what Eve was thinking for most of the season and from what I do know and think is based on what I know of this character from the previous 2 seasons. Maybe this is just me not getting it, but I thought Eve was in the kitchen because she was in denial and I kept waiting for her to get a breakthrough and embrace her true self. It wasn’t until Sandra said Eve was actually showing strength by working in the kitchen, and by saying ‘no’ to working in the front, that I was like ‘oh’ that’s what it’s meant to mean. I actually feel so sad for Sandra because I can’t imagine what she must have been thinking with Eve’s treatment this season. I actually feel there are even moments in the season that delibrately stop Eve’s development. For example that lazy line of ‘lucky those tourists found you’. How? I know irl it’s a tourist attraction, but in the show they had to break into a tunnel to access it. I also don’t like the scene with Jamie. You could say it highlights the line in the finale ‘I think we all have monsters’ but I feel like it invalidates just how different Eve and Villanelle are from other people. Jamie taking his kids to the zoo when high is hardly the same as Eve hacking a man to death with an axe. 

 This is already so long, and I could go on and on, but I’m just going to point out  some issues and plot holes.

. Kenny’s death was meant to be the biggest storyline of the whole season and what got Eve back into the story. However, she only looked into his death in ep3 and never again. Carolyn didn’t even really look into his death and all we got was constant scenes with her and Geraldine. Why couldn’t we have gotten Eve and Carolyn doing real detective work like in s1 as was implied was going to happen in ep3? I don’t even feel like they actually thought through his death as it was ‘solved’ by Bear who despite apparently not thinking Kenny had commited suicide from the beginning and wanting access to his phone, apparently did not think to check a camera he had set up until weeks later?! I don’t think it’s possible Kenny fell off the roof as in ep4 when Eve chucks the cake, the wall comes up near to her chest. You could not fall off that. He also would have screamed when falling. I also don’t even know how the twelve knew Kenny was looking into the accounts. Especially if they knew Kenny was looking into it, and knew money was being taken, how did it take them so long to kill the accountant? Laura could develop this in s4, but I feel as though it was Suzanne’s job to follow through with this storyline. 

. How did Konstantin know what V looked like as a baby? Where did he see the photo? Why did they make a point to highlight that she was with someone in the photo and Konstantin really didn’t seem to want to tell her, yet the next episode he handed over her family right away? As much as I love Villanelle’s journey, on a rewatch, the family story seemed to almost come out of nowhere in ep3 and then the next episode she had the information and went home. Why not introduce the idea in ep 1?

. How would Puyter know that it was his sister? Upon immediately seeing her he knew it was Oksana. I don’t think it says how old they were, but he is younger than V, and we saw how old she was in the pics, I really don’t think he would recognise her, especially when he thinks she is dead. 

. Why is there not pictures of the dad? Even if the mum was saddened by his death as she really seemed to love him, why would she not have any photos? Also with how much she seems to be scared and despise V, why would she keep the photos of her? Did the dad die while Villanelle was still there or is she just taking he’s dead as he’s not there. I thought they were going to reveal that the dad was still alive and part of the twelve but nope.

. Why was Rhian so scared of V at the train station? I know she’s the demon with no face, but Rhian was ready to be moving into Villanelle’s shoes, and you can even see V is struggling to kill her, so why does Rhian act so scared and back herself onto the edge of the platform? That moment feels so disgenuous to me and at one point I though Rhian was acting. 

. How did Carolyn know Helene and that V was working for her? Is it a plot hole or something to be explored in s4?

. Why was Eve acting like she didn’t know Villanelle was responsible for the Catalan murder in ep4 when we know she can tell V’s kills after a sec (as seen in ep6) and even after Carolyn had shown her the photo and said it was V?

. They didn’t even seem to give much attention to Eve’s scar or wound. It was not where it was in 2x08. I know they said that they were going to move around where she had been shot, but when Suzanne was asked why the scar was different she said she wanted it to seem like Villanelle went for the kill shot, despite saying in other interviews that she doesn’t think Villanelle did try or want to kill Eve. The scar’s even so weird. I’m no expert, so that it maybe how they look, but it doesn’t even look like a bullet wound. Would the bullet not have left a round mark? 

. Why did they keep Niko around for so long? I personally loved where Emerald had taken it in 2x07 and was excited to see where Niko was. Maybe he was up for the murder of Gemma. It would have been another good opportunity to see Eve's skewed morals. A part of her being flattered that Villanelle killed Gemma as sort of revenge for stepping on Eve. Instead it got completely swept under the rug in 3x01 too by Niko saying mi6 said she killed herself. What happened? How did they find him? It doesn't even make sense now why V killed her. However, I would say there was also something symbolic about him ending up in a rehabilitation retreat because Eve and her actions has 'broken' him. It was quite powerful for his character to tell Eve he deserved better than her. Because he does. He basically told her to p*ss off there. Why make the little time Eve is being given to another ep where she chases him down, for him to get brutally attacked in a way that is so ridiculous that he would survive it borders on a soap opera. I thought the reason he survived was to give a big Eve moment of her saying her acceptance that she can't have a normal life. Instead they just had the same convo as 3x01 with him telling her to p*ss off. Then a scene with Eve looking at him and leaving. What is going on in her head? Why are you not giving her anything? We didn't even get to see her dealing with the act happening.

. This brings me onto the point of it. It could of had so much impact, yes it was cool because Eve knew it wasn't V, but there could have been so much more given to it. Such as Dasha saying to V in the lift in 3x07 about her having someone waiting for her back home, how Dasha has just destroyed the thread between the only person V cares about. It would have made V hitting her with the golf club so much more delicious.

. Villanelle saying to Konstantin that she didn't want him to die in 3x07 and looking upset. Yet in 3x08 she looks almost excited about the fact he's about to be shot?

. It also annoys me so much that Raymond was just discarded and we still know nothing about the twelve. I thought this season was really going to dive into them, but we don't know anymore about them than we did at the start of the season. After rewatching 2x08 I really wish they had explored the twelve thru Raymond. If you wanted to give Konstantin more why not have him in with the twelve and the consequences of 2x08? Raymond saying 'Some would say I'm a real somebody'. 'They will take you apart for this'. 'After today a lot of people are going to be angry'. How high was Raymond? The implications that V+E were in so much danger after killing Raymond. Then it's 6 months later and Dasha just says they've been watching V for months. Were they watching Eve? Who knows nobody cares about Eve this season😒 Why bring in new members of the twelve like Paul, make brand new stories such as Kenny's death and the money, to just kill Paul and not resolve them.

I really don't understand how the twelve haven't killed V yet. She screws up all the time from s1 onwards. I get she is amazing at her job but they have others such as Rhian. Why do they let her get away with it? It was confusing me so much this season. I thought they were going to make her dad a member of the twelve and that's how she's protected.

. The title cards and intro. By now you might all be thinking she's just tearing everything apart. Trust me, there are moments of s3 I love and that is why it's so frustrating. Laura's 3 eps are some of my fave of the show so fingers crossed that means good things for s4. I felt she grasped the original tone of the show. So speaking of staying true to the show, I don't understand why they were changing the format of the title cards. Sometimes it was funny 'p*ss off forever' and 'this is bullshit'. Yet, it also really threw me off because it's not what usually happens. I'm all for new things being tried, yet I actually find myself questioning what wasn't changed and what was kept original? The names coming up in 3x04...I can't even. This is more of a personal take as I know some people really liked them, but when it was coming up 'Eve' I was just sitting there thinking 'I know that's Eve. I've been watching her for 3 years'.

Why was there only a title sequence in 2 episodes? Suzanne got asked and said that it was only ep2 and ep7 that felt right. I mean...I'm pretty sure it could have worked in all of them. I loved the title sequences so much, and was so excited when that drop fell and they started in ep2. Then I was so confused when none of the next ones had it. Episode 7 is one of my favourite episodes of the whole show, and that title sequence is just *chef's kiss*. My point really is that it came across to me as an experiment as they only did certain things in one episode and never again, and it made me uncomfortable.

[corseque]

Hi corseque. A few months ago (don’t ask why this is coming back to me know haha) you had a tweet saying that all your ships involved the male insulting/ridiculing the female’s father. I think you linked some Beauty and the Beast book too that I can’t find, so the answer is probably in there, but what purpose do you think this serves? I’m leaning towards it ‘waking’ the female protag. up in some way but idk, I’m stuck.

The answer is actually in that book, but to sum it up (at least in the early versions of Beauty and the Beast) there’s this hint of an Electra complex with Beauty and her dad—it’s this kind of unhealthy relationship where she replaces her mother in her home by doing her mother’s work, and her father doesn’t see the need to remarry. Father and daughter both can’t move on to the next stage of life because they’re arguably unhealthily codependent. Her father can’t leave his bed in grief when Beauty leaves, and Beauty greets him in bed when she goes home (iirc this actually happens in the 1945 movie version too). There are other strange Electra details to the story that she goes into detail about—and it’s not actually sexual, it’s a metaphor for Beauty clinging unhealthily to the childhood by clinging to her father past when it’s appropriate, and the father clinging back. This is why there isn’t a mother in beauty and the beast, because the story is partially about this codependent tension that gets resolved.

So the Beast is a primal force, Campbell’s “heavenly suitor” that represents the heroine discomfort with growing up, who tears the unhealthy comfort of her father away from her in various ways so that she can grow up. This is also why the father remarries at the end of Beauty and the Beast, because they’ve both healthily moved on from depending on the father-daughter relationship. If you pay attention, this kind of vibe actually happens a lot in these kinds of beauty and the beast stories.

It’s in Sansan when Sandor tells Sansa about her father being a murderer just like him, and when he is the one who must force her to look at her father’s severed head.

It’s in Reylo when Ben tells Rey that Han would disappoint her as a father, that Luke would disappoint her (but Ben would not, she should reject these fathers and join with Ben as lovers). And when he attacks and tries to kill/supplant those figures.

It’s in Rumbelle when Rumple outsmarts and overpowers Belle’s father in their first scene, and she actively chooses to go with him rather than stay with her father, and it’s in the same episode when he kidnaps and beats the ever-living shit out of her father for failing to protect her.

I’m surprised, thinking back, that Jareth in Labyrinth didn’t talk shit about Sarah’s dad. I think he probably would have if there wasn’t a stepmother figure.

It’s in stories where Death falls in love, because Death is the natural enemy to all people, even her father.

I made a list one time of all my ships, and noted if they shared this detail, and since most of my ships are these monstrous/divine husband coming-of-age stories, a shocking amount of them had this detail.

The divine husband hates or rebels against or even actively murders the father. Once you start looking for it, it’s everywhere in these monster husband/miraculous suitor stories. In a lot of stories about girls clinging to childhood, there’s this metaphor of a male suitor overcoming or fighting her father or even stealing her away from childhood when the journey frightens her. Because otherwise she would just stay there as her father’s little girl. This is why the Rey’s ending in TROS was so endlessly, breathtakingly debilitating.

For some reason it’s also just really hot when the suitor just talks mad shit and hates her dad. I’ll try to find the part of the book where she was talking about this

[usernamesarebitches]

Anyone else think about that Oscar Isaac scene:

“let’s get married”

“we’ve been dating less than a year”

“I know, and I feel like I’ve shown incredible restraint waiting this long”

Cause I think about it an unhealthily amount. And I never even saw the movie. 

[mr-barrow]

since everyone is reliving the glory days of ATLA: which element do you think is best suited to Thomas’ personality? i feel like he would probably be a waterbender considering his desire to adapt to the current environment as it best suits him. but i also just love the image of him as a firebender with blue flames like Azula

I got this absolutely amazing ask, and I have to say also, that I have actually given this a good amount of thought, so I hope you’re ready everyone. @inkmagno1ia this is for you, friend, but I hope you don’t mind me sharing this with everyone. 

I’m of the opinion that Thomas would be a firebender. While you’re right, he does show signs of trying to adapt to the world around him, I think he more often holds his own council and exists almost apart from the world that disagrees with him. I hope that makes sense. Firebending, when used correctly, comes from a place of inner balance and control; it is the only element that is generated from the person bending it, not simply used and manipulated by the bender. It can also be generated, albeit unhealthily, by anger. Not to draw too much attention to the similarities between Thomas and Zuko (ahem) but Thomas’ character arc and development are very reminiscent of Zuko coming to learn the true artistry and history of firebending, and therefore finding his own inner peace and a balance of power and control in his own life.

I’ll say also that Richard Ellis is absolutely a waterbender :) I know you didn’t ask about him, but seeing as I’ve already decided, I’m going to share my opinion. Richard is demonstrably adaptable; able to interact with a person, read their personality, and react accordingly in a way seamless enough to go undetected. We see this most clearly, perhaps, in the scene in the jail when he’s talking to the Sergeant. That, and the whole moon aesthetic. 

Bonus, I’ll list the few other characters I’ve decided on in the comfort of my own mind. Feel free to ask about why/contest my opinion if you so wish. This is a fun conversation. 

Earthbenders: Robert Crawley, Mary Crawley, Violet Crawley, Mr. Carson, Tom Branson

Waterbenders: Cora Crawley, Phyllis Baxter, Bertie Pelham

Airbenders: Sybil Crawley, Sybbie Branson

Firebenders: Henry Talbot

Nonbenders: Matthew Crawley, George Crawley, Edith Crawley

[queerhannibal]

Supposedly liver damage can be reversed by losing weight, eating healthy, and consuming vitamin E (don't quote me on that though lol). Also, though we see Hannibal eating a lot of human on the show, he seems to also eat equal amounts of vegetables and not at all bothered about accommodating different dietary restrictions, implying that he has multiple food sources on hand. It's implied by Ms. Kommodore that he hasn't served "dinner" as of late and only really indulges in human as a treat (pt 1)

Also, once again, Hannibal's consumption of alcohol is prevalent on the show but it seems like it more of a social thing and something he engages in when other people are around or when it's time for dinner. It doesn't really seem like much more than an average wine mom drinks. Considering the fact that Hannibal was a doctor and goes to the lengths of exercising on a regular basis (enough that Mathew was able to find him) I think it's a bit bold to claim that Hannibal has cirrhosis. (pt 2)

Will on the other hand... well I think he's kind of risking it to be honest lol. Also, what would be the culinary term for human? like a word like beef or poultry? Just curious now that I've typed it out lol. (pt 3)

I mean I didn’t say he HAS cirrhosis, I said I thought it was believable that he might develop cirrhosis. It’s not specifically the consumption of human flesh (not sure what that would be called? People call it long pork ig??) that makes me think he eats unhealthily, it’s the fact that he definitely prioritizes the taste of the food over its healthiness. If he started to develop cirrhosis (which can happen to anyone who drinks at all, including wine moms, and sometimes happens to people who don’t drink at all), he wouldn’t consider extending his life by a few years to be worth sacrificing foods he enjoyed

Your average wine mom is also an alcoholic who is also doing a great deal of damage to their liver on a regular basis: it’s true that a small amount of red wine seems to have positive health effects for some people, but drinking wine as your beverage of choice with meals and also drinking socially is always detrimental, even if it doesn’t kill a person. And we do see a number of scenes of him drinking alone, and he’s going to be living with Will who as you say drinks quite a bit and is only going to be encouraging Hannibal to drink more than he already was

Can you imagine Hannibal sitting down with Will, who’s having a drink, and not drinking with him?? I sure can’t. And if he keeps that up for years, combined with having been fairly sedentary while he was in prison and eating rich foods, I really don’t think it’s ridiculous to suggest that he might have issues with his liver lmao.

I’m not saying he’s going to die of cirrhosis tomorrow I’m saying I think it might be what kills him when he’s like 75

[halorocks1214]

the law of relativity

AO3 Link

Word Count: 9963

Summary: The Law of Relativity states that each person will receive a series of problems (‘tests of initiation’) for the purpose of strengthening the ���light’ within. We must consider each of these tests to be a challenge and remain connected to our hearts when proceeding to solve the problems. This law also teaches us to compare our problems to others’ problems and put everything into its proper perspective. No matter how bad we perceive our situation to be, there is always someone who is in a worse position. It is all relative

Previous Parts (in order): Alan | Virgil | You are here! | Gordon

WHY 👏🏼 CANT 👏🏼 I 👏🏼 WRITE 👏🏼 FICS 👏🏼 IN 👏🏼 MO 👏🏼 DER 👏🏼 RATION 👏🏼👏🏼👏🏼 also just bluuuergh. dont ask about this fic. part of it was written in a dark auditorium, another was written in a different state, another was written on a frickin bus, this fic has been places ill tell you what. half the time i think this is hot garbage and the other half i think its actually decent so im posting this while my head is in a good headspace and then promptly yeeting myself off the internet for a few hours to wait and see what happens. this series is becoming less of a canon divergence AU and more of a straight-up AU because of certain details im trying to worm in there buT IM TRYING MY BEST

thanks once more to @gumnut-logic, because of the length, this time i used three prompts, them being "What do you mean?", crease, and dream (and they werent even used that much sksksksk)

Warnings for both graphic and non-graphic depictions of violence, as well as mentions of torture and other PTSD/panic attack related stuff. I went deep with this one fellas

Orphan.

The word tasted dirty in his mouth.

He can still see the footage in the backs of his eyelids from when he watched it exactly one year ago. He was the only other (living) adult at the time in the family outside of Grandma, so he was permitted to see it. He remembered they originally didn’t want to show him, mainly because of his age, but Grandma was fierce, and she put one hell of an argument on the table.

One Scott refused to let fall through the cracks by breaking down. If only Grandma knew how he cried his eyes out and screamed to high heaven that night in the hotel room after essentially watching his father be blown to bloody smithereens then she was a goddamn saint for keeping it a secret. It made sense, she was the mother to his father. She had quite the line up of stories from Jeff’s childhood. Scott sensed the early-greying of his hair came from her, heh.

The rest of his family eventually saw it, of course, they did. Scott couldn’t shield them forever. What he will protect, selfishly he might add, was how angry he was at how much better they took it than he did. They cried, yes they did, but they never fully broke down like Scott did. Later in life, he wondered if it was jealousy: jealousy at not truly being able to let go. Whatever it was, he made sure to swallow it along with whatever alcohol he chose for the weekend.

Just add it to the ever-growing pile of shit he had to deal with. Nothing new.

Suddenly he’s 20 again and seated in a plane to be taken to his first stint in the Air Force. He said his goodbyes to Virgil, Gordon, and Alan back at home while Grandma and John metaphorically held his hand all the way to the airport. John was… quiet, more so than usual, but Grandma was stuck right in the middle between being a sobbing mess and ecstatic at the fine young man he’s become.

You’re just like your father. He would be proud.

Scott was secretly glad she never physically said it. It gave him plausible deniability in thinking that those words weren’t laced behind her big, bright, prideful eyes.

The first time went well, maybe even great. He stayed for a couple of months, did some flight tests, and while the training was brutal, boy did he learn a lot. When he came back home it was to a family slowly stitching itself back together. Grandma was a full-time house member, Virgil had taken up painting, Gordon talked about potentially going back to his swim meets, and while Alan was still as silent as ever, he was perkier than when Scott last saw him.

It would be on and off for the next few years: a couple of months at home, slowly and painfully taking over the role their father had (he can’t remember when he essentially received joint custody of his younger siblings with Grandma, but hey, he’s not complaining), then a couple of months out at the Air Force base where he slowly climbed up the ranking platform. He became skillful, perhaps too skillful. When he got his rank of Captain he felt it was less of an honor and more of something they owed him.

He was getting cocky. Never enough to be a danger to his fellow men, but enough to be somewhat of an occasional annoyance. Charles smacked him upside the head more than once. It felt like the world was right-side-up for once. Scott made many-a-calls to John and Virgil, the former enjoying his first few rotations up in space and the latter squarely in the middle of college. Gordon was being offered sponsorships to hell and back, and Alan was quietly getting along with the other kids at his school. Grandma was on welcoming duty for Kayo, who was taking her slot in the Tracy family with grace, though, a warning that their family would take custody of her if something were to happen to her parents would have been nice, Dad.

Of course, nothing ever goes right for their family for too long.

Orphan.

Age 24, it was supposed to be a simple retrieval mission of civilians. Scott was put in charge of his squad and then some. At night, they rolled-- well, flew out to get the job done. Scott can’t even remember the country anymore when minding his own business. Australia? Finland? Perhaps Bangladesh? There was a place John was insistent Scott never do rescues in, Virgil tended to agree, and the eldest unhealthily let them banish him from ever stepping foot there without argument. He could never remember the name off the top of his head until John’s familiar International Rescue, we have a situation rung out in the living room followed by the name of the country.

He would immediately forget it later, trauma too strong, too volatile, but the way his heart stopped and his head shattered and the way he felt ice water rush down his back was a good enough reason to quietly leave the room and let John delegate the job to one of his brothers. Sometimes John found him retching in the toilet halfway through the mission. He made sure to always mute Scott’s wrist communicator, even if it was never turned on in the first place.

The plane touched down. Orders sent the ground team out. But then the ground team took longer than estimated. Scott tensely waited where he was told to. It wasn’t the first mission that took a little longer than predicted and knowing humans, it surely wouldn’t be the last. Then, words mixed with heavy static came over the radio. H--p. Co-- ---7--. --nd ba---p --me--at--y.

Scott sat tensely in his seat, remembering his orders and suddenly hating them. Radio back to home if the mission goes south. Well, it didn’t look like they had the radio anymore. Still didn’t hurt to try at least. Scott spoke the familiar protocol that was ingrained into him when trying to call base. Dammit. Nothing. Probably some kind of blocker of sorts. Sitting up straight as a board, Scott looked through his options.

… He was in charge here. If something happened to his team the fault would lie squarely on his shoulders. Going against everything but his gut, he went out to help his squad. He can’t really remember what he exactly did anymore, but he does remember that it made a noise. Like a Looney Tunes scene: he flinched, froze, waited to see if anything or one heard, breathed a sigh of relief, and continued.

He eventually stumbled across one of his closest comrades, Arnold Brigeets. Yes, the name was ironic and half the reason he joined the force in the first place. The guy was one of the people that actually trained Scott and also seemed to be one of the few that was genuinely proud when Scott became a higher rank. It’s why Scott was more appreciative of Arnold than others, that, and well… Scott thought his fatherly abilities were good. The guy did have three kids back home.

Orphan.

Ducking down behind the cover his older friend was semi-situated behind, Scott watched as Arnold jumped at the intrusion before sighing. Scott had run into some enemies that he swiftly took down-- nothing too serious, he didn’t have the time or weapons for such an act, but they definitely would be out of it for a while-- so Arnold must have too on his way to find cover as well, hence why he was so on edge.

“Thank God,” Arnold wiped his forehead, “Glad to see you join us, kid.”

Scott was breathing heavily, but the grin he attempted was still there, “Y-Yeah, so what happened? More threats than we thought?”

Arnold shook his head, “Yes and no. There were a lot more baddies than we thought, but that’s because the civilians weren’t civilians. It’s a tr--”

Boom. The familiar sound of a gunshot.

Arnold fell over. Never got back up. Dropped like a rock in a lake, never to come up to the surface again.

Scott was so caught off guard he couldn’t react to the gun that swiftly beat him over the head, knocking him out cold. The only thing on his mind was oh fuck oh fuck I messed up I shouldn’t have come I wouldn’t have made any noise that way why did I--

They had him for roughly two weeks. Scott always thought the plotline in movies where the villain vehemently denied knowing any important information was dumb as hell. We’re not stupid. We wouldn’t go after someone if they didn’t know something.

The things they did hurt and no amount of I don’t fucking know anything! would help. Those two weeks were lost to Scott in a sea of pain and torment. The only thing he remembered was being captured, then waking up in a hospital drugged up to his gills with his superiors staring at him like he cured cancer.

“You saved the rest of your squad from sharing the same fate as the first half.”

“I-I did?”

“You betcha, son. I only wish I was there to see it! People be saying you were like an animal in how you took ‘em all down.”

Scott’s never remembered, and he wanted to keep it that way.

He was given the highest honors, even the chance to skip a couple of ranks to be at the same level as the big boys, but the night they were going to share the news to the golden boy himself, they found him in one of the bathrooms with a bloody hand and a mirror shattered with no hope of fixing it.

He was honorably discharged to a family that was so thankful he was home. Words like missing in action and POA never stopped haunting their nightmares. Scott was too, God, of course, he was, but sitting around and doing nothing was the last thing his traumatized mind wanted or maybe even needed. After doing what he considered to be the biggest fuck-up of his life, he needed to feel important.

This isn’t the first time he’ll say this and it surely won’t be the last: thank Christ for Grandma.

“You want me to take over?...”

“Yep, it’s about time Tracy Industries received a new pair of eyes. The Board certainly thinks so.”

“But… they’d rather have a crazy, PTSD-infected veteran over you?”

A rough pinch to his ear, “Hey now, don’t call yourself that,” the gentle motherly tone was back as soon as it left, “Besides, that crazy might exactly be what they want. Half of their argument is that I “don’t take enough risks.” They’re getting tired of listening to an old fart like me.”

A moment of contemplation, followed by the cheeky raise of an eyebrow, “So you’re saying you want me to take so many risks they have no choice but to take you back?”

A bark of laughter, “Damn straight.”

He learned the ropes faster than normal (healthy, is probably the correct term), and he immediately won the hearts of both young and old in the company. Instead of flying planes every few months, he worked on business reports and vetoed new ideas every couple of weeks. It felt satisfying for the most part, and his family was just happy he was still alive to enjoy it.

However, there was a slight roadblock on his way to becoming a somewhat stable person.

He became prone to violent blackouts. It had to have started when he blacked out and saved himself from those two weeks of hell, which made the most sense. Something was always destroyed when he came back to life. John was the best at calming him down due to his own experience with panic attacks, however, John couldn’t always be there, and the next rotation for NASA was coming swiftly. Scott swore up and down he would be fine, he could figure something out. John went back into space with an eyebrow permanently raised.

It was just him and Virgil home (Grandma had taken Alan and Kayo to watch Gordon swim) when he, unfortunately, proved John right. Scott wasn’t sure what triggered it, but he vividly remembered coming back in Virgil’s extremely tight hold. The first thing Scott thought to say was damn, beanstalk, when did you get so strong? but then he laid his eyes upon the forming bruise on his younger bro’s face and hasn’t recovered since.

Virgil swore he never held it against Scott. Scott definitely thought he should have.

That night brought sudden clarity to Scott that he was doing this horribly wrong. He was a ticking time bomb, and it wouldn’t be long before something was damaged in a way that couldn’t be fixed. Scott needed an anchor. Something to ground him before he took it too far. John wasn’t going to be earthside forever, Grandma was busy with Kayo, Alan was just a kid, and Gordon was living the dream. None of them were viable.

Then, as he was thinking, he was suddenly aware of how calming Virgil’s arms were around him, how they were preventing the growing panic attack in his chest from getting even bigger.

It was easy.

For once in Scott’s life, his eyes were big and young as he asked Virgil, “Help me, please.”

After a few brief seconds, Virgil gulped, “Okay.”

From then on, Virgil was Stone Number One. Scott’s admiration for Virgil outweighed the guilt of putting the black-haired man in that position in the first place. Virgil was glad to follow his older brother’s leadership, but just as qualified to bring him the hell back when he went too far. From getting too sacrificial to preventing a good punching-out some of the idiots they dealt with, Virgil made sure Scott knocked that shit off.

Time went on, Scott was a top-notch CEO at Tracy Industries, John was having one hell of a time up in space, Virgil was graduated and had so many life opportunities to pick from, Alan was thriving at being a (mostly) stable kid, Kayo was 100% acclimated to the family, and Gordon--

Scott found himself gripping the wooden desk very abruptly. He was shocked he didn’t snap a chunk off in the process. Why was he thinking about this right after a giant business conference? Who knows at this point. If this giant origin story seemed jagged and jumpy, maybe even somewhat vague, good, that’s how it fucking felt.

Back to said story.

Scott always thought he and Gordon would have the least amount in common.

They do, but out of all the things they could have picked to be similar, why did it have to be the PTSD caused by military-related jobs? Scott was 24 when he got his, Gordon was just under 20. It may have been a few years since their respective accidents, but they’re never going to go another day without it feeling like it was just yesterday.

At this point, Gordon was up and walking again, mainly thanks to John and Alan while Virgil and Scott helped in their own ways. Grandma’s cooking was what probably motivated him the most though, ha, the need to get away from it… Scott smiled. Grandma was always a constant. Honestly, if it weren’t for her, the family might have fallen apart. Literally.

What has he been saying throughout this whole shindig? Thank Christ for Grandma.

One day out of the blue, Grandma reserved the entire family (yes, even Kayo and Alan) private plane tickets so they could spend some time on the mainland for a few days. Honestly, even if the island wasn’t getting major renovations, you hooligans need to get out more. Have some fun. Try not to kill anything, especially each other, she all told them while creepily grinning. John and Virgil smacked Gordon more than once on the plane for insisting that she finally snapped, dudes, she’s gonna kill us.

Most of the time during their little vacation, Scott heavily focused on his breathing. He was pretty sure he knew what she was doing. He would be lying if he said he wasn’t nervous, but the same went for his excitement.

Dad showed him these plans the day after his 18th birthday. You’re a man now, Scotty, I need your help making this big boy decision with me.

As soon as they reset foot down on the island, Scott took a deep breath and felt relaxed at the salty taste in the air. It was weird, nothing on the outside was changed, and yet… it still felt different.

“Guys!” Virgil yelled out, “Stop playing in the water! We just got back, aren’t you two tired?!”

Blinking back to reality, Scott looked over to see his two youngest brothers doing exactly what Virgil was yelling at them for. Poor Johnny was a little damp too, which is what probably caused Virgil to shout at them in the first place. The blondes didn’t care. They continued to prance around in the shallow waves with their pants legs rolled up, acting as if they didn’t hear anything outside of their laughter. Gordon shoved his hands down into the liquid and threw some directly at Alan, nailing him right in the face.

Scott exhaled slowly. He couldn’t imagine them doing this 8 years ago.

Regardless, the artist was right, and they couldn’t waste too much time. Kayo was swift in grabbing both gentlemen by the ears and dragging them onto dry land. They all painstakingly trekked their way up to the-- what would you call Tracy Island? Mansion? Over-blown cabin? Well, whatever it was, Scott would always be willing to call it home.

Stepping inside, each brother took in the view, which was underwhelmingly not that much different, except for one tiny thing. John suddenly noticed a figure already standing in the living room and blinked, “No way… it’s--”

Gordon jumped in, both with his body and his words, “Brains?! Dude, how’s it hanging?!”

The scientist in question jumped at the voices before clearing his throat and readjusting his glasses, “O-Oh, hello again, T-Tracys. It’s good to see you all once more.”

Virgil slung an arm around his shoulder, ignoring the blatant squawk, “Man, how long has it been?! What made you finally decide to crawl out of your hole?”

Snickers came from all corners of the house. Brains stood up straighter, “W-Well, I was contacted b-by Mrs. Tracy over here with an offer I c-couldn’t turn down.”

Eyebrows tilted in all shapes and sizes. Someone cleared their throat. Everyone turned to look at Grandma once again, “I think if you all follow me, you’ll swiftly understand what I’m talking about.”

I already do, Scott thought matter-of-factly. John seemed to be understanding it now, Virgil was on the cusp of remembering what his father was hinting at for him, and Gordon was just as lost as Alan. It made sense, Jeff talked to all of them about it, but the oldest had seniority. The two youngest not remembering just by words was expected, especially since that was going to be rectified very quickly.

The hangar under the island was beautiful. Point blank. It smelt of iron and steel and grease and engine and that was the first time since Scott had been in the Air Force that he didn’t gag or flinch at the thought of flying something again. Scott had seen the plans his father drew. He assumed Jeff finished building it, but he never got to physically see it since…

In some ways, he was glad he didn’t. Now he got to experience it with (most of) his family, and that made it ten times better.

After letting them absorb the scenery, Grandma slowly turned around to look at them all, “You remember that dream your father had?”

The four oldest blinked, Kayo simply raised her eyebrows, meanwhile, Alan, being the teenager he was, didn’t read the emotion in the room, “Oh, yeah! Aunt Casey always talked about how he was going to “change the world” and stuff. What did he call it again?”

Scott felt way more confident than he had in a while, “International Rescue.”

Grandma nodded, gleeful at the happy look on her oldest and youngest grandsons’ faces, “Well, I’ve been thinking about some things. I know we don’t exactly worry about money, but after everything your father put into these girls… I’d hate for them to go to waste.”

The Tracy family jumped at that. John’s mouth was wide open in shock, yes, shock, “That station is still up there?”

Grandma sighed, “You mean ‘Five? Not for long. Not if we don’t send someone up there within the next few days.”

John blushed at the grin Grandma gave him. Clearing his throat, his big brain came to a startling conclusion, “Wait… you brought Alan along?”

The other big brothers in the room jumped at that. Kayo was the only one with enough balls to say the truth out loud, “Mrs. Tracy, I mean no offense, but he’s--”

“Just a kid?” Grandma smirked, “A kid that’s topped the VR charts for Intergalactic Fury for weeks straight while simultaneously getting nothing but A’s in his classes?”

Scott nodded slowly in comprehension. He remembered Alan talking about that game for a while. It was some kind of online racing simulator of sorts. Scott caught the prettiest string of words from Alan when going to bed one night. Nearly made him shit his pants. He made the kid promise to keep it PG-13 if he wanted to keep playing.

Still, the elders in the family slowly turned to look at the freckled boy with both shock and pride. Alan blinked with wide-eyed innocence, “But my English class is only at a B--”

“Shh, kiddo, I’m making a point,” Grandma rolled her eyes. The other brothers snickered. Yep, still Alan. Grandma sighed, “Now before you point out that video games are different, I know, but the difference between them and this is that video games don’t have some of the most talented older brothers in the world to guide him.”

Said older brothers jumped at the idea. Before any objection could be made, Grandma continued, “Besides, the GDF seemed to be okay with it. The Colonel was willing to oversee some of his training too.”

John flinched at that, “But IR is supposed to be independent!”

Grandma slightly frowned. She didn’t exactly like it either, “It still is, but in the world of business, compromises have to be made.”

Virgil huffed and crossed his arms, “Well, that’s… rough. Here I thought only Scott would have to deal with the bullshit of business.”

Grandma chuckled at the somewhat un-Virgil-like behavior, “It really is, Virgil. But about that Scott part,” she slowly turned to look at him and him only, “I hate to give you more work to do, but if you want to work within their restrictions?”

Suddenly every pair of eyes in the room was on the head of the family. Gulping, Scott looked down at his feet to think. It was a tense few moments, nobody sure what he was going to decide, least of all him, before the brunette cleared his throat and brought his face back up with a grin.

“Well then,” Scott turned to look at the bright tip of ‘One, chest fluttering with a feeling that became unfamiliar to him over the past few years, “I guess now it’s time to state the obvious.”

From then on, every time he loaded into that cockpit of his girl, he felt lighter than air.

“Thunderbirds are GO!”

Everything was okay again.

Mostly.

Orphan.

Scott took another sip of his whiskey and refocused on his reports.

---

Scott was in some kind of dissociative state the whole way home.

Alan doesn’t deserve this. He’s still a kid, barely an adult, and he’s going to go through utter hell because you screwed up. You were 24, Gordon was just under 20, Alan was barely 18. Alan’s going to get fucked up like you and it’s all your fault.

His movements were robotic and rigid. Anyone with a working eye could tell he was deep in shock and running on autopilot. Mostly Jeff. Especially Jeff. The rest of the brothers all noticed too, but they were also running on their own empty fuel tanks, so the only thing they could do was guilty send their older brother the occasional glance of pity and concern.

Jeff was going to need to talk to them about that. Somehow. Maybe he shouldn’t be the one to point it out since he feels just as bad. His sons were too much like him, sometimes, and that made his guilt burn all the same. He should’ve been there to warn his sons about the dangers of unnecessary guilt. Having that kind of guilt was a parent’s job, dammit, and maybe grandparents only occasionally.

But then he remembered where he’s been for the past 8 years and… who really was Alan’s parents anymore? His gut was screaming it sure as hell isn’t you, but he knew his sons would want him to step back into the role as soon as he was physically fit to do so, not just for Alan, but for themselves as well. They would deny it, but they probably just wanted to be kids again too, even if it was only brief, fleeting moments.

Who was to tell the protective, fatherly side of Jeff no to that? No better time to fix things like the present after all.

He saw Scott go up the stairs when they first stepped into the living room, so that’s where Jeff was going to go too. Footsteps light, Jeff retraced his eldest’s pathway to his bedroom. Only, he stopped before said bedroom. Unfavorable noises were coming from the closed bathroom door, and Jeff could only swallow whatever emotion it made him feel. Taking a deep breath, he slowly opened the (unlocked) door to the bathroom and laid his eyes upon the incriminating scene.

Jeff was met with the sight of Scott retching his entire stomach into the toilet, hands aggressively grabbing his sticky, hair-gelled hair and trying to make himself bald from the strain.

Jeff’s reaction was always based on autopilot, and it will never stop being so.

Ignoring his protesting body, Jeff kneeled and placed a hand on his son’s back, only to abruptly pull back like he touched a hot stove when Scott only got more hysterical at the contact. The brunette clenched his eyes shut even more (and they were already shut as much as possible) while his head became a special kind of crease. Like he was in pain, “God, I wanna go home. Why won’t they listen I swear I’m telling the truth! Please, I just want Dad--”

Jeff was frozen on the spot, heart stopping in the process. His brain shut down while he watched his son continue to mindlessly ramble and panic. His freaked-out mind barely registered footsteps from behind in the hallway, followed by a voice going what’s going-- holy--

Something thundered past him. Blinking once, Jeff guiltily watched as Virgil kneeled behind the eldest and wrapped his arms around the thin man’s shoulders while taking Scott’s hands in his in a protective blanket, “Scott! Jesus-- we’re at home, you’re safe and it’s June 14th, 2--”

Scott only struggled more, panicking at the fact he could no longer yank his hair out. Dammit, it was the only way he could feel in control, don’t take that away too! “No! I swear I’ve said everything! Please--”

Virgil immediately knew that this was one of those attacks that Scott wasn’t coming back down from with pure human intervention. Add-on the sight of his father’s big eyes signifying the man was at a loss at what to do, Virgil had no choice. He snapped loudly, remembering the comms were still on and only feeling slightly bad at the way Scott flinched in his arms, “Shit-- John! It’s Scott! Get the stuff! We’re in the upstairs bathroom!”

Muffled footsteps through a few walls in the house could be heard. Jeff’s mind was only starting to catch up when the brother Virgil called for came rushing into the bathroom (Jeff never remembered it being big enough to hold four of them) and ignoring Jeff (practically shoving him out of the way too, man, this was bad) on his way to the main problem at hand. Landing on his knees in a way that made Jeff wince, John gently grabbed one of Scott’s arms from Virgil’s hold and subsequently pulled a needle from nowhere and injected something into Scott.

The response was instantaneous.

Scott’s breathing, while still labored, got slower. He stopped struggling as well, and the way he sagged reminded Jeff of ice melting into a puddle. The two other brothers’ shoulders also sagged, relieved at the crisis averted. John stood up, knees cracking as he rubbed the back of his neck. Then, he froze at the sight of something in the doorway, “G-Gordon…”

Virgil snapped his head up from where he was looking at Scott. Jeff did something similar. Yup, in the doorway was the strawberry blonde, eyes wide, making him younger by about 10 years. The ex-Olympian in question inhaled, closed his eyes, and soon speed-walked his way out of the entrance to the bathroom. Dammit, neither Gordon or Alan have seen something like that and it probably spooked him more than anything. He’d understand with his own PTSD-related issues, but still, seeing the “never weak” big brother freak out in such a scary way...

John combed a hand through his hair, shaking his head. As he started walking out of the room, he whispered to himself, probably hoping no one heard him, “Dammit, this is all so fucked…”

Unfortunately, Jeff did hear, and the dirty language made the father flinch. John was always the best about making sure Grandma didn’t wash his mouth out with soap, and the fact that he so willingly didn’t care meant that everyone was at the end of their rope. Still reeling at the sight, Jeff couldn’t react to the gentle arms that picked him up off the floor and slowly led him out of the suddenly stuffy room.

With the click of the door shutting, Jeff realized what Virgil did, “W-Wait, Scott--”

“Will be okay for a few seconds,” Virgil finished for his dad, “I know it’s nearly been a decade, but the one part of you I definitely know hasn’t changed is the need to comfort us, just like we hoped.” The small grin that fell over the middle child’s face put Jeff a little bit at ease, but Virgil wasn’t completely done, “So, I’m going to let you take care of this, but I just want to make sure you’ll handle it with grace. Take this slowly, okay? Scott might be doped up, but he’s still… volatile, in a sense.”

Jeff cleared his throat, suddenly choking on the unneeded tension, “Okay, Virgil, I promise, just… what happened? That was… bad, and really bad at that too. I know Scott would never let something that severe willingly come out in front of his family.”

Virgil rubbed the back of his neck, clearly not ready for this conversation, “Listen, Dad,” he inhaled sharply, cutting himself off before sighing in a way that said fuck it, might as well get this over with, “As much as it felt like it did, the world didn’t stop spinning because you… well, we had lives we somehow wanted to continue living. We all have lives and stories now, and this is Scott’s story to tell.”

Jeff was getting misty-eyed again. Back when he was just a kid, Virgil couldn’t keep a secret to save his life, mainly in part due to his insomnia-related issues (Jeff has to wonder if he still has them, more problems for the future) and general lack of filter because of sleep-deprivation. Now Jeff knew there was a starch difference between a kid who couldn’t keep his mouth shut and a man who genuinely knew how to respect another man’s privacy, but…

It just hammers home how much he’s missed with his boys. Gulping, Jeff made a mental note to talk with his mom about certain things he’s missed. She’ll know a lot more than he would, “Okay, Virge. Thank you, for stepping up there.”

Virgil’s shoulders relaxed at Jeff’s words, as well as his father’s hand patting him on the shoulder, “Thanks, Dad. Just… go easy on him. I know it’s a little late for this but none of us ever properly talked about things. It was very unhealthy, deep down we all knew that, but…”

“You just couldn’t get the proper emotions out?” Jeff finished for his son. At Virgil’s soft nod, Jeff exhaled, “I’m not going to say that it was a smart decision, but we’re all here now. We can move forward with this.” Jeff squeezed where his hand laid.

Virgil blinked before curtly going, “Yeah. Goodnight, Dad. Take care of Scott.”

Virgil stepped around his father and walked to where his bedroom most definitely was not, but Jeff could deal with that in a little bit. He had another son who he was pretty sure just had a violent PTSD attack of some kind, plus, Virgil seemed to sour at something Jeff said. The ex-astronaut wasn’t sure what it was, so he didn’t chase after him out of worry that--

Wait.

We’re all here now.

Dammit, Jeff. Out of all the sentences you could’ve picked...

Alrighty, just add that to the ever-growing pile of things that need to be talked about later. No biggie. Jeff found himself sighing and rubbing the back of his neck much like Virgil did a few minutes ago. Turning around, he was met with the bathroom door once more. Shaking his head, Jeff slowly crept into the room and saw that not much was different, especially with Scott.

His heart softly cracked, but, again, he can deal with it later.

Sitting down on the ground and grimacing at the way his body ached (was gravity always this rough?), Jeff leaned against the floor cabinets about 2-3 feet away from Scott, who made himself into a nice comfortable ball in the corner next to the toilet, his palm smushed against his forehead. Jeff waited a few seconds. Then minutes. Then he realized he would have to be the one to initiate the conversation. He probably should’ve realized that right when he came back in. He opened his mouth, but his wasn’t the one that words came out of.

“It was… Zambia.”

Jeff’s heart stopped and his mouth snapped shut. He couldn’t stop the way his eyes clearly showed his panic, but hopefully, he guiltily thought, Scott was a little too doped up to not realize it, “Scotty, what do you mean?”

Scott shrugged in a way that spoke he thought what he was admitting wasn’t a big deal. Yep, clearly not with it, “Mission went bad… caught for a couple of weeks.”

Jeff was hoping his first fuck back on Earth, spoken to himself like right now or otherwise, would have been a comedic thing, but the way nausea rose in his throat said this was anything but funny.

Scott wanted to be in the Air Force. Badly. Who was a father to deny his son’s want to be part of such a noble cause? He gave him tips, took him to meet friends in high places, sometimes even sparred with him when he turned 18, but then Jeff was suddenly thousands of miles away with no hope of ever having the chance of sparring with his eldest again. Despite it, Jeff hoped Scott went on to become the best pilot the world has ever seen.

Part of this looks like he did, but at what cost?

As much as it felt like it did, the world didn’t stop spinning because you… well, we had lives we somehow wanted to continue living.

Aw hell, “Jesus, Scott…” Jeff couldn’t tell if it was the brashness or the lack of a nickname that made Scott flinch and he hated it. He immediately softened his tone and brought his 27-year-old child into his arms, “Shh, shh, we’ll be okay. We’ll figure this out.”

Like father like son, old habits die hard, and as easy as it was to still be able to comfort his children, Scott seemed to just as easily take it as he used to 8 years ago, “Alan doesn’t deserve this kind of hell, God, he’s barely not a kid anymore! Why--”

Jeff tightened his hold to keep his son in reality, and because he didn’t like the tone behind those words, “Hey, you didn’t either--”

Scott somehow managed to fling himself out of the hug, focus incredibly on point for someone who was doped up to his eyelids five seconds ago, “But I fucked up! I made the wrong call and then suddenly Arnold was dead and he had a wife and kids-- shit, what the hell did I do?”

Okay.

First of all: way to put him back in that headspace when that’s the exact opposite you were going for, Jeff, father of the year. Second: dammit. Just… dammit. This was a big fat hand grenade in a giant handbasket that they didn’t have time to gently get out while simultaneously not yanking the pin clean off with the grace of a drunk elephant. Jeff was no stranger to Survivor’s Guilt, but there was a whole untapped pile of metaphorical C4 within his son’s head that was ready for someone to push the goddamn button.

He wanted it to be him, desperately, because it sounded like he already failed his family enough, it was all he could do at this point, but he absolutely hated that he couldn’t do it right now. This was going to take a lot of time, which they didn’t have, plus, Jeff thought he had a pretty good understanding of this new Scott and the rest of his kids. Jeff was aware that if he didn’t help his sons find their baby as fast as possible over everything else it’ll lead to a fate nobody wanted.

A shaky sigh, “Okay, Scotty, let’s get you to bed. We’ll talk strategy in the morning.”

Scott simply nodded as his father flung Scott’s arm around his broader shoulders and picked him up. Slowly and painfully but surely, father and son meandered their way to Scott’s room. With a thump a little harder than Jeff wanted, Scott flopped down on top of his sheets and immediately started snoring. Despite everything that just happened, the father couldn’t help but grin at the sight. Well, there was another thing Jeff gracefully passed onto his son.

Jeff only took Scott’s shoes off. He would’ve loved to pull the sheets up around him too, but the father didn’t want to take any chances at waking him up. Slowly tip-toeing out of the room, Jeff gave one last glance back at his son before finally letting him be and gently shutting the door. He had three other sons he needed to console, but his tired joints told him to selfishly take a moment for himself for right now unless he wanted to collapse and give his family more to deal with.

Jeff eventually made his way to his room-- which was sadly unkempt, he noticed-- and sat down on the edge of his unfamiliar bed to think.

He’ll figure something out. If he had to crawl through images of his son being brutally and bloodily tortured then by God he would with the fury of a thousand suns.

He was back and he wasn’t going to throw away any second or even third chance he was given.

---

“I got him.”

Virgil turned his comms back on, and with it, Scott’s heart restarted for the first time in a few weeks. Taking a moment for a breather, Scott leaned against the wall while practically wheezing. They have him back, holy shit, they have him back. Scott vaguely heard Gordon cry in pure relief and joy. He saw John’s side of the comms flutter for a bit before a bright flash happened. Blinking away the white spots, Scott looked at his wrist to see a fully detailed map of the compound.

Gordon spoke what they were all thinking, “Woohoo! First Allie comes back, then Johnny-boy gets us a free ticket out of here! We’re winning this race, baby!”

A very loud moment of silence. John cleared his throat, “Actually, I was going to say glad to see you in one piece, you little shit,” a playful gasp came from Virgil’s side. It was too high pitched to be from the pianist’s mouth. Scott chuckled, but the paranoid part of his brain said John wasn’t done. His brain was right, ‘“But guys… that wasn’t me. Or EOS. We still haven’t found a way to get past the metal they made these walls out of.”

That silence was even more deafening than the last, and before Virgil could utter out his typical what the fuck, a small logo appeared at the corner of their new map. One that was all too familiar. The Chaos Crew wasn’t the only one who could brand their awful deeds.

Son of a bitch.

Virgil’s order over the radio was meant for Alan, but Scott couldn’t help but listen to it too.

“Shit, Alan, you need to run.”

Making quick work of the compound once more, Scott, while booking it even quicker than last time, opened a private line between him and Gordon, “Hey, how would you feel if I said go help Virgil while I cover Alan?”

The first response was stuttering, which Scott expected, but then it was followed up by something completely out of left field for Gordon, “... Okay, just as long as you promise to bring Alan back in one piece.”

Part of Scott wanted to console Gordon, another was questioning why Gordon was so quick to give up, another wanted to say of course, I will, idiot, but the first part that made itself verbal was easy, “You know I will, buddy.”

Scott could physically picture Gordon’s tiny, little, somber nod clear as day, “Sounds good, captain. See you on the other side.”

With a click, Scott was back on the group comm. Suddenly remembering what exactly his job was, he pulled out the map so graciously given to them by The Hood. Looking at all the dots, one was heading towards a prone one (oh if that asshole did anything to Virgil…) while another one was heading right for Scott himself. Actually, in just a few seconds, right as Scott rounded the corner he would--

“Woah, look out there, Tigger!”

Yes, you heard that correctly: not tiger, Tigger. Tigger hadn’t been used since Alan was itty bitty. It always seemed like the kid had endless energy with the way he wouldn’t stop bounding off the walls and furniture. Even as a baby, Lucy had to sit with him for a few hours while he slept in his crib to make sure he would stay there. In fact, their mother gave Alan that nickname herself. She was quite the Winnie the Pooh fan, and the rest of the family figured it would be one of the ways they could keep her legacy alive for the tiny potato.

Wrapping his arms around said flailing potato, albeit much bigger than a baby, Scott thought he would collapse then and there. Alan was here, in his arms, and yeah, the sight of his dirty and somewhat ripped up IR uniform made him mad, but Scott, for once in his life, decided to focus on the here-and-now, aka his precious, alive little brother, who finally stopped struggling at the realization that hey, the person holding you is a good guy, time to turn off fight mode.

Smushing their foreheads together as much as possible, Scott desperately fought to keep the waterworks back, a smile from ear to ear hopefully taking whatever energy his tear ducts had, “You are getting such an ass beating when we get home, little bro.”

Alan jumped back with a look of What the hell?! What did I do now?!

Scott simply rolled his eyes, “Really? “Not important”? You graduated high school, tiny dude! That’s huge! You remember Gordon’s party, right?”

Alan’s mouth gaped before he closed it with slightly puffy cheeks. Those same cheeks tinged with a small blush. Alan wasn’t exactly expecting to be smothered so soon (well, he did cry his eyes out on Virgil’s shoulder, but that was different!). Shaking it off, Alan moved his hands rhythmically and rapidly, To be fair, we weren’t sure he was going to get one for a while.

Scott faltered a little bit at the ASL. Darn, he should’ve seen Alan’s lack of talking from a mile away. Scott carefully hid his disappointment from Alan. Lord knew what the kid would take it as, “Yeah, that’s what he got for barely making it. Imagine what you’re going to get!”

Scott assumed his semi-fake charm worked, as Alan seemed to play along without any kind of suspicion, Oh yeah. Fair enough.

This kid, man.

Then, slow clapping came from a dark corner, making Scott’s heart leap out of his throat as well as push Alan behind himself. Glaring as much as he could towards the invisible evil-doer, Scott didn’t have to think twice, “Alan, take my map and find Virgil and Gordon.”

The youngest looked like he was going to object.

“Go.”

He no longer did. Good.

Listening to the field commander’s orders, Scott felt his wristband slip off his wrist and a warm body leave his vicinity. An inhale. Also good. An exhale, followed by an even darker glare, “What more do you want?”

Short and straight-to-the-point and angry, two things Scott typically wasn’t. Regardless, like a cold gust of wind, footsteps started approaching him from the shadow. Once Scott saw the outline of a body, he tensed even more. Virgil would snap at him for clenching his jaw so much.

A dark chuckle reminded him of what was important. The voice that spoke reminded him of something completely different, “Now then, brother, let’s not be rude to each other!”

Scott’s pupils shrunk at the familiar sight of Gordon stepping towards him. Except it wasn’t Gordon, because Scott knew that Gordon knew better. He also knew Gordon didn’t cheekily smile like that, even after a prank, nor did he walk that straight. He always had a funny walk after WASP, and Gordon wore that fact like a badge of honor.

Oh no, Scott definitely knew who this was, “What the hell are you playing at?”

Fake-Gordon rolled his eyes, like it wasn’t obvious, “I mean if we want to go that route, why did kid insist you being in the military was the coolest thing he’d ever heard you do? Maybe I wouldn’t have been pressured into joining a branch myself in the end.”

Scott’s nostrils flared, and by God, his pupils might have actually slitted like a snake’s, or possibly even a dragon’s, “Excuse me?”

Scott blinked, and suddenly he was met by not-Virgil, “Plus, why was our conclusion after hearing a three-year-old wanting to see snow to go to a ski resort? It had to have been those big, selfish, beady eyes, right?”

“C’mon, Scotty, we gotta give you some kind of calming exercise. There’s going to come a time when neither me or John are going to be there.”

“Hmm… does yoga work?”

A snort, “Well, that’s not too bad of an idea. Maybe the person pissing you off will stop whatever they’re doing at the sight of you spontaneously doing downward dog.”

Laughter, an unfamiliar action, “Yeah, okay, but for real, those breathing exercises I’ve seen you do look okay. Let’s start there.”

Scott was not a liar by heart. He had to admit that those exercises were doing jack shit right about now.

Another blink, another brother. Familiar ginger hair was all Scott could see, “To continue that previous point, why did Dad start International Rescue again? And what led to his demise?”

“Sounds like a piece of work. Why do you keep dealing with these people again?”

“Someone has to pay the bills, Johnny. Grandma’s too focused on making the perfect poison for us.”

A roll of eyes, “Right, because the billions we have saved wouldn’t be enough to last a couple of families a few lifetimes. Glad to see your calming exercises are working at least. How’s that going for you, by the way?”

A pause. A flicker of vision around the room. Someone cleared their throat, probably himself, “It’s probably not as bad as whatever space is throwing at you. You handling it okay up there?”

Another pause, followed by a sigh, “Well, since you asked so nicely…”

Scott wanted to deflect the truth so badly right now more than anything else. Telling him he couldn’t pilot ‘One anymore would be a much more enticing option than what he was hearing.

Suddenly, Scott was looking in a mirror, “Besides, I know more than anybody that he wasn’t wanted. A mistake. I thought we Tracys hated being imperfect?”

The Hood must have known their backstories from internet articles, and being the mastermind he was, it probably took him all of three seconds to see Alan had some hidden self-worth issues. By playing the biggest Guess Who? game of all time, The Hood was most likely able to figure out some less-than-positive ideals Alan thought about himself throughout his childhood and danced circles around his already weakened mind to string together some spineless blame to put on the kid by sheer evilness alone.

Knowing his kid brother, it worked.

Scott wasn’t thinking straight-- maybe even at all when the first punch was thrown.

Just like that, Scott blacked out and was running on terminator mode. John would be disappointed. Virgil would be horrified. Gordon might find it funny. Alan wasn’t here, and thank God for that. Scott wasn’t entirely sure what he was doing. All his mind was telling him was make lots of pain hard and fast. His brain also blocked out any hit The Hood was giving him in return. Pain flared for a few seconds, then it was swept away in the puddle of rage his mind was currently being consumed in.

Soon, his out-of-it mind found its target and gripped his-- The Hood’s arm, no disguise would make him have an identity crisis, thank you very much-- nice and rough.

Scott heard the familiar snap of cartilage and felt only partially bad. If he was thinking more clearly, he would be disgusted with himself. Yes, even The Hood didn’t deserve this level of Scott’s fury. Oh, he definitely deserved to be hit by a truck, but not by Scott. It was mostly due to Scott’s sanity. If he could be this graphic and violent at all, even to the worse possible criminals, that meant he could be that way during other moments, and that was not a territory he wanted to cross into.

Welp, he was here now, and he’ll hate to admit it in the future, but the only thing that brought him out of it was a tiny gasp from a few feet away. Snapping his head up, Scott’s eyes landed squarely on a smaller-than-normal Alan, who was currently clutching his arm to his chest in an emotion Scott didn’t want to figure out at the moment. So much for going and finding Virgil and Gordon.

“Allie, help…” fake him grunted out, only making real Scott growl and tighten his hold (and probably making his case worse). Looking up from the person in his arms, Scott felt his heart split in two at the sight. There was fear and uncertainty in Alan’s blue eyes and boy did it hurt. Scott couldn’t tell if it was because even seeing a potentially-fake Scott being beaten up was bad or if it was because he’d never seen big brother be this brutal, even towards their enemies. Whatever the reason, it involved Scott being the main root of the problem.

Wait, that was The Hood’s plan. Shit… make Scott act past the point of no return in a way that was unfamiliar to Alan so the kid couldn’t be fully sure who was who, and Scott fell right into his trap, hook, line, and sinker.

Fuck.

Bloody well done, Scott, you absolute moron.

Scott faltered a little bit, “A-Alan, I--”

That falter was enough for The Hood to break an arm out of his grip and elbow him in the face. In the brief second of freedom he had, he tried dashing towards Alan, but Scott was too quick for everyone’s good and soon had the imposter back in his arms, both of them struggling in a way that made them look like they were tied into the weirdest knot in existence.

Then, an earthquake struck.

No, literally.

A big shake of the abandoned compound threw the look-a-likes about and subsequently off the platform they were on. The place was old; it didn’t take a lot of weight for that guard rail they made their way over towards while fighting to snap right off. With a yelp, the two of them gripped the edge as much as they could and held on. Crap, I know we talked with Fuse about potentially setting some stuff off, but--

Blinking, Scott saw a familiar mop of blonde hair come into view. Alan was rather panicked, clearly not sure which Scott was the real Scott. Not only that, he had little time to decide which one to save. Goodie, another reason to despise The Hood: not only has he put Alan through weeks of torment, now he’s forcing the kid to decide to either save his oldest brother and biggest hero or his personal torturer.

And Alan won’t know until he picks.

Holy hell, this was getting worse by the second. Hopefully, big brother charm can work its magic and get them the hell out of there.

“Alan, quickly, over here!”

“I can’t hold on for much longer, Alan, hurry!”

The two Scotts glared at one another in the exact same way, not making Alan’s job much easier. Another shake, another slip down the metal cliff, more screams, and Alan looked ready to tear his hair out. Scott watched as the kid looked around rapidly, probably praying for a miracle in the process. Suddenly, the kid jumped when he must have spotted something important. Within the blink of an eye, he was gone and out of their range of visions to retrieve it.

Whatever the hell he noticed better be important, because if just ended up wasting precious time then--

Another shake, probably the last one. Still, it was enough.

Both their grips gave away at the same time, screams identical (God, did he always sound that wimpy?) as they plummeted to their demises. Scott was briefly able to look up to see his brother pop his head over the cliff like a chipmunk again and grab the (albeit broken) arm of The Hood and save him. Dammit, Scott should have expected that, though, that display of anger was uncharacteristic to Alan. Probably terrified him even more than he already was. Fuck, Scott deser--

Suddenly, a rope wrapped itself around Scott’s left arm and stopped his descent. Hard. Hopefully, it was only torn stuff, they didn’t have time to deal with dislocation--

Wait.

Scott wasn’t dead if he could think about these kinds of things.

Blinking, he looked at his arm to see the familiar rope of his grappling hook around his forearm. Moving his eyesight to look past that, he saw the wide, blue eyes of his baby brother struggling to stay on top. The Hood was using his non-broken side to try and climb his way back up to safety. Huh, that’s weird. When did Alan get ahold of that? Scott must have dropped it during his scuffle with--

That’s when it hit Scott.

Alan saved them both.

Alan saved them both.

And it would be all for jack shit if Scott didn’t get his ass up there to help.

Panicking, Scott gripped the rope and started to ascend. He had two working arms and a smother complex to boot; it wasn’t long before he overtook a struggling Hood, who could only use one arm and a weakened brother (that bastard was so lucky Alan had a literal heart of gold).

Flinging his arms over the edge and pulling himself up-- and shrugging off the extra help Alan offered. Save your strength, baby bro-- Scott was in a much calmer search-and-destroy mode. He yanked his evil look-a-like up, turned him on his stomach, pinned him down, and before he could even watch Alan blink, “Sign something.”

There, now he watched Alan blink.

Scott pulled out one of his best ‘big brother’ smiles ever, “Tell me something in ASL. I don’t think The Hood learned that kind of etiquette.”

The body beneath him growled, making Alan jump and Scott tighten not only his hold but his glare. Further prove big brother’s point, why don’t cha? He lost the angry look immediately to grin at Alan once more, who seemed to be slowly getting the picture. With a gulp, the blonde slowly strung together a sentence that Scott had to laugh at, just a little bit.

Damn, could you teach me to fight like that, Scooter?

Nodding his head, Scott had to concede, “Sure. Consider it a graduation present.”

Alan blinked again, and the immense relief that washed over the boy’s shoulders would be enough to banish nightmares for at least a couple of days. Suddenly, The Hood’s disguise blinked out of existence, making both brothers jump that time. Scott didn’t falter in his grip, however. This man was going down right here and now, Scott thought darkly, staring at the prone body beneath his.

Scott saw Alan continue to sign out of the corner of his eye, You know you look like shit, right?

Scott chuckled. Alan was always able to put a smile on his face no matter the circumstances, “Yeah, well, kindred spirits, little bro.”

Scott was probably as pale as Alan was with such lack of sleep and food. Running on what was essentially a prolonged PTSD attack wasn’t healthy in the slightest, and no doubt whatever kind of bruises and scratches The Hood gave him didn’t help, however, seeing hope fill those deep-blue eyes when Alan learned he was truly being saved drowned everything out, including the way those freckles were getting lost in those eye bags.

Yeah, their entire family probably looked like shit, and the recovery process was going to be even shittier, but they were going to suffer through it together as a family would.

That made it all worth it.

Shuffling himself so one arm was free while the other kept The Hood pinned, Scott held it out towards Alan. The flinch the youngest made tore a hole in Scott’s heart that was only slightly patched when Alan leaned into the warmth and safety of his biggest bro. Long recovery process, remember? Regardless, Alan still took to the hug like a dehydrated zebra did a pond, and that was good enough for Scott.

The Hood groaned underneath them.

Yep, good enough.

[kinosternon]

CSCG behind-the-scenes 2

I...didn’t actually think I’d be writing another one of these so soon, but the theme this time is writing Ikuya’s POV as a huge Hiyori fan. (It also ends up including some Hiyori analysis, because...well, like I said, Hiyori fan.)

First of all...I want to say that this is a ship fic, with HiyoIku as (very eventual) endgame. That means that I want Ikuya to be a sympathetic character, but I also need both Ikuya and Hiyori to come to terms with the messed-up parts of their relationship so they can improve it together.

I try to write Ikuya as sympathetically as I can, but a lot of ugly emotions come up for him in the latest chapters, and he doesn’t react very well to what he finds. This isn’t meant to be a condemnation of him, though—he’s got a lot of challenges to overcome, on top of dealing with Hiyori making things much harder than they need to be (for reasons I’ll get into below).

First of all, I do genuinely think that realizing that your childhood friend is an heretofore-unexpected level of ridiculous dumbass would necessarily take a certain amount of time. Admittedly, I also think that part's actually a little funny—and someone needs to call Hiyori out on his bullshit already, seriously—but seeing more of the world and then looking back on your childhood relationships and experiences with new eyes is an absolutely vital part of growing up in general. It's often a jarring experience.

Second, Ikuya has a ton of learned helplessness when it comes to people walking out on him. His backstory explains this really well—the most important people in his life have repeatedly demonstrated to him that there's nothing he can do to keep them with him. This isn't an inaccurate understanding of the world, exactly—you can't make people stay in your life when they don't want to, or at the very least you shouldn't. But since his efforts have consistently failed, he has no incentive to even try. This is also helps to explain his desire for independence in canon—better to stand on his own as best he can than to be at the mercy of people who'll just leave him. 

Finally, and I think most importantly, Ikuya's never examined his own opinions about how hard people are supposed to work. He's looked up to people who were performing better than him his whole life (Natsuya and then Haruka), and his reasoning seems to be that if he hasn't achieved their level of success yet, it's a sign that he's not trying hard enough. Maybe there's a trick he's missing, or a way to optimize what his efforts, but he's not going to count on that. He just has to work harder; that's all that matters. 

This is a remarkably unkind mindset. It's dangerous to him, and it's potentially dangerous to others, too. Ikuya's attitude would cause some really big moral problems if he were, say, a parent or a mentor to someone else: it's incredibly easy for this kind of thinking to lead to harmful ableism at best, or outright abuse at worst. It causes pretty significant problems as a friend, too, but because friends are supposed to be on an even footing with each other, those problems are relatively easy to fix if both parties are willing to communicate and grow. 

But ironically, Ikuya's self-centeredness (which is where his desire for self-reliance/”heroism” has led him) is what saves him from doing much damage with this attitude. Until now, Ikuya has had no reason to accept responsibility for the impact of his unfairly high standards, because he usually only applies those standards to himself. He genuinely doesn't care what anybody but him and his role models are doing. He doesn't go around judging others, at least not outwardly, and up until this moment, he hasn't spent enough time caring enough about others to apply his own standards to them. 

(Do I think that both Kirishimas have similar tendencies towards eschewing responsibility, only Natsuya's situation makes it a lot more of a problem in his case? You bet I do!) 

Ikuya's had very little incentive to consider his responsibility to Hiyori as a friend, either, until very recently. The only reason Ikuya and Hiyori are close is because Hiyori pushed, which means Hiyori holds most of the responsibility for their relationship. (I actually think that if Hiyori hadn't pushed so much, Ikuya would have reciprocated more often, which would have increased his investment in Hiyori's friendship...but given Ikuya's mindset when he was younger, I can see why Hiyori didn't want to risk it.) 

Unfortunately, Hiyori has spent years both a) accepting responsibility for most of his and Ikuya's friendship, and b) internalizing Ikuya's unhealthily high standards. (That second one is tricky—on some level, he knows that Ikuya's expectations of himself are dangerous, but at the same time, he's spent long enough humoring them for Ikuya's sake that it's hard for him to believe that they're wrong. Besides, responsibility to Ikuya means having compassion when Ikuya falls short of his goals; as the responsible one, Hiyori's failures don't merit the same consideration.)  

That means Hiyori tries hold himself to Ikuya's standards, or at least tries to hide it when he can't. He doesn't see much point to making excuses or sharing his struggles, either. From Hiyori's perspective, if he falls far enough behind Ikuya's standards, regardless of the reason, he doesn't actually deserve his friendship. 

From Ikuya's perspective, Hiyori's shutting him randomly out of his life and refusing to communicate. From Hiyori's, he's obviously failed and is a waste of Ikuya's time. It's not Ikuya's fault that Hiyori is keeping so much of this locked up in his head, but it's also not like Hiyori has reason to expect Ikuya to accept his shortcomings. They both have a lot of relearning to do. 

[murasaki-murasame]

Thoughts on Fruits Basket 2019 2nd Season Ep16 [”Ask Him For Me”]:

This week on Fruits Basket, Momiji’s whole storyline continues being super sad, and Tohru basically spends 20 minutes having a prolonged emotional breakdown because she’s juggling like five different types of trauma at the moment, and most of them aren’t even directly related to her. Fun times! :)

Thoughts under the cut.

Like I said last week, this episode adapted chapters 74 and 75, so we’re back on track with following the manga’s pacing in a pretty 1:1 way for a while. The next two volumes or so of the manga are pretty neatly divided into two-chapter story arcs, and this episode is a good example of how neatly that translates to the anime’s pacing.

At first I thought that the scene at the start with Momiji and his dad was anime-original, but after double-checking it actually isn’t, lol. I think in general this episode was a super straightforward adaptation that didn’t really leave anything out or add anything, but it didn’t really need to.

Anyway, I think as a whole this was a really good episode that’s gonna make lots of people cry, and for the most part I liked it, but I think it ended up feeling a little too melodramatic, in a way. Like it was trying a bit too hard to make the viewer feel sad. But honestly a lot of that just has to do with how this episode focused on some of the plot points that I don’t care as much about, so I wasn’t really as invested in what was going on in the first place.

This whole episode’s pretty much focused on the two threads of Uo and Kureno’s whole deal, and Momiji’s family situation. I’ve already gone over why the Uo and Kureno stuff just doesn’t work for me, and how it just feels kinda over the top, but I also have kinda mixed feelings on these sorts of parts with Momiji. I like him a lot as a character, but in these sorts of dramatic moments he almost feels unrealistic in a way that’s kinda hard to describe.

I do appreciate that as a whole this episode served as a reminder of how shitty his whole situation is, and how much he’s been having to hold himself back from his true feelings and desires for basically his whole life.

Which is basically the whole theme of this episode. That for all sorts of complicated reasons, everyone ends up holding themselves back or being held back from pursuing their wishes. Which can be particularly painful when those things are perfectly achievable, and the reasons why they’re being held back are relatively flimsy and arbitrary.

But on the other hand you also have cases like Tohru where the wish that she’s unhealthily clinging to is one that fundamentally can’t be fulfilled because she wants to be with someone who’s already dead. And that’s a big part of why she’s so empathetic toward these people who want to be with others who are still alive.

In a lot of ways, I think Tohru’s basically projecting her own trauma onto everyone around her, and watching all of these other personal struggles is just reminding her of her mother. On top of her just being a fundamentally nice person, I think part of why she’s pushing herself so hard to help everyone deal with their issues is so she can indirectly fix her own problems, in a sense. Which she basically acknowledged to Momiji, about how she’s doing this because she wants to, even if it’s also about helping others.

Even though I already said that this episode felt a little too melodramatic for me, I think that it makes a lot of sense that Tohru is reacting so severely to all the stuff around her. I’ve seen a fair amount of other people being a bit confused about why she’s breaking down so much, but I think it’s just a mix of what I said about her projecting her own issues onto everyone else, and also her just slowly breaking down under the weight of all the different things she’s been dealing with in general. It’s less that Momiji and Momi’s situation in and of itself is enough to send her into this much of a spiral, but more that she’s already been getting more and more aware of the struggles everyone’s facing, and how the curse is binding them. Which has also been making her confront her own repressed trauma more, which has just made her more mentally unsteady. So it’s just a whole lot of things going on at once that are making her one giant emotional wreck, lol.

Anyway, aside from all that, we also got the scene that first properly teases at Ren, and I was curious to see how they’d handle it. It’s mostly the same as in the manga, but I think they changed it a bit so that instead of having Tohru straight up think it’s Akito at first, they were a bit more ambiguous about what her reaction to it was. I think they had to figure out a way to alter it because of how Ren has a notably female voice, so having Tohru assume it’s Akito would be kinda awkward. Whereas in the manga there’s no voice-acting so there’s more room for ambiguity.

It’s not a huge issue, but I think it really just highlights how awkward that whole scene is the more you think about it. And in a broader sense, it’s yet another example of how the story keeps awkwardly having to sidestep around the fact that Akito’s a woman. And because of that mix of ambiguous writing, and them giving Ren a notably different voice to Akito, I can already tell that it’s giving anime-only people the wrong idea, and making them think that Tohru knows who Ren is when she actually doesn’t.

But anyway, that’s about it for this episode. There’s more I could go over, but I already ended up saying more than I thought I would, lol.

I’m assuming that the next episode is going to cover the field trip arc, since that’s what happens next in the manga, but I don’t remember what scene the episode title is based on.

[commentaryvorg]

Danganronpa V3 Commentary: Bonus 4.2 - UTDP (Still Mostly Kaito Edition)

This is postgame content, so people shouldn’t be reading this without having already finished the main game anyway. But just to be safe: while this is non-canon character stuff, I will sometimes be mentioning events that happened in the main story, so there will be spoilers for the main game.

Last time in the first half of my Kaito-centric Ultimate Talent Development Plan coverage, it was all about Kaito helping people! Kaito encouraged Shuichi to use his detective skills to help out his schoolmates, and Shuichi passed some of Kaito’s advice about relying on people onto Kyoko. After some incredibly stubborn persistence to even get her to open up in the first place, Kaito nudged Maki into letting Kaede play piano at her orphanage, and Maki also bonded a little with Chihiro over keeping secrets and projecting their issues onto a dead bird. Then, after a brief sports festival interlude, Kaito helped Mondo be more positive about his future, and I lengthily compared Mondo and Chihiro’s relationship to Kaito and Shuichi’s one in canon, because both had similar issues and dynamics going on.

There’s still a bunch more Kaito-related stuff to cover in this mode, so let’s start off this second half on a high note, shall we?

Ryoma (featuring Kaito’s issues)

Another of Kaito’s friendly events is with Ryoma, so you can bet I’m interested in it. Remember, Kaito’s fondness for tennis meant he looked up to Ryoma as a hero, and as a result, all of Kaito’s unreasonably high standards for heroes that usually only apply to himself also apply to Ryoma. Ryoma therefore provides a delightful look into Kaito’s hero issues that can’t really be found anywhere else in this AU, since Kaito hasn’t been dying, and nor has Shuichi been saving everyone’s lives in class trials without seeming to need Kaito’s help.

This scene also features Usami – yes, she’s also here in this mode, as is Monomi, though never at the same time. I don’t even know, just go with it.

Usami:  “I just came to talk to Ryoma! I’m everyone’s teacher… so if you ever wanna talk to me about something, please feel free!”

Ryoma:  “Thanks, but there’s nothing to talk about. Don’t bother with me. Go back to your students. It feels… wrong for such a cheery mascot like you to be around someone like me.”

Kaito:  “Really? I think talking about stuff will help. Come on, just talk to her.”

Of course Ryoma talking about things will help! And it’s… actually rather surprising to see Kaito doing something that amounts to trying to help Ryoma get stronger, by encouraging him to do this. Kaito is usually so hung up on Ryoma being weak in the first place that he can’t even get as far as suggesting some kind of help for him. So I can only assume that the reason he manages to do so in this instance is because Usami was the one to suggest it first, which made Kaito actually briefly see Ryoma as someone in need of support for once, because she was treating him that way, and agree with her.

Ryoma:  “Hmph… is being nosy your talent or something?”

In my Kaito-isn’t-into-tennis AU, I wrote Ryoma’s POV describing Kaito as “nosy” for reasons I couldn’t quite place, but it seems I was subconsciously remembering that he does so here, even though I didn’t recall the details of this scene back then. Kind of like how Maki considers anyone worrying about her to be “gross”, “nosy” may well be Ryoma’s way to refer to people who are going out of their way to help him, as a way to try and brush off their help because he doesn’t consider himself worth it.

(In that sense, yes, being nosy practically is Kaito’s talent. Or at least it is with everyone except Ryoma.)

Kaito:  “What did you say?”

Usami:  “Hey! Fighting’s a no-no!”

Kaito:  “We’re not gonna fight. There’s no use butting heads with him anyway. Because this guy’s a total sad sack now. He used to be an amazing athlete before.”

Being called nosy probably wouldn’t normally rile Kaito up, not when he considers it a good thing to be invested in other people’s wellbeing. But apparently something about it coming from Ryoma in particular gets to him and causes him to snap right back to his Ryoma-specific mindset of “he’s not worth helping because he’s supposed to be a hero but he’s weak”. Specifically, I think it might be because the “nosy” comment was essentially Ryoma brushing off Kaito’s attempt to offer help. That refusal to even try and get stronger is another kind of weakness – and a more meaningful kind, one that it makes more sense to be upset at someone about, because it’s a choice.

Not that that’s a thing that usually stops Kaito from trying to help someone, of course! He openly called Maki a coward for running away from her issues at first, but that didn’t change the fact that he knew she had the potential to be brave enough to face them, if he just pestered her stubbornly enough to convince her. It usually takes a lot for Kaito to conclude that someone really is beyond help and isn’t ever going to decide to change, as we saw with Kokichi in canon. But not when it’s Ryoma, apparently. Even though Usami got Kaito to temporarily see past Ryoma’s initial weakness and try to help, refusing that help even once and not wanting to change is even more weak of Ryoma, and is therefore again disgraceful for a hero and sent Kaito’s opinion of him right back to square one.

Which seems quite relevant to how Kaito was in canon, considering how much he refused any help with his own weaknesses. Particularly in trial 4, where it was very apparent that he was struggling to face the truth and should have reached out for support, and he was only making himself look even more obviously weak by not doing that.

This moment here with Ryoma, thanks to Usami letting Kaito get as far as offering help at all, is essentially illustrating to Kaito that if a hero does do the unacceptable and be weak in the first place, then refusing help for it when people can already see that he needs it only looks even weaker and even less heroic of him, and he should at least cut his losses and accept help. I would say that if only a moment like this with Ryoma had happened in canon then it might have served as a lesson of How Not To Be A Worse Hero (When You’re Already A Bad One) and taught Kaito to actually accept the support he needed. Buuuut I still very much doubt that, because Kaito here definitely seems to have fallen too far back into his general frustration of “heroes shouldn’t be weak at all!!!” to be using this as any kind of example.

Ryoma:  “You knew about me?”

Kaito:  “A little, yeah…”

Ryoma:  “So you get it now. The Ultimate Tennis Pro… I’m not that guy anymore. That’s in the past.”

Kaito:  “Yeah, I guess not… The Ryoma I knew was invincible and would go up against any opponent.”

Oh, Kaito, why am I so right about you. Throughout all of the lengthy rambles I’ve written about Kaito’s unhealthily unrealistic standards for heroes, including the fact that he also applies these standards to Ryoma, I had basically forgotten about this scene and didn’t use it to help me figure any of that stuff out. And yet here Kaito is, describing the Ryoma that he looked up to as invincible. Of course he saw him that way. Kaito’s writers have always known exactly what they’re doing and I love it.

Usami:  “K-Kaito… Is everything okay!? Please calm down!”

Kaito:  “My bad… I’m gonna go cool off.”

[Kaito leaves the room]

I like how Usami managed to notice, even though it wasn’t showing that much in his face based on his sprites, that Kaito was beginning to get really worked up about this. And credit to Kaito for actually acknowledging this when it’s pointed out, apologising for it (a more worthwhile apology than like 90% of the ones he ever gives) and leaving to calm down. Kaito can often react to things that upset him with a cycle of getting more and more riled up until he snaps in some way. At least in this case, he realised that he doesn’t want to end up lashing out as that doesn’t help anyone, and that the best thing for him to do is to just step away from the situation before he reaches that point. This is Kaito actually showing decent self-care! That’s rare.

…It’s probably only because Usami pointed it out to him. I said it’s ridiculous that she’s even here in this AU, but… Usami actually subtly did a lot for Kaito in this scene. Maybe he ought to talk to her. (You know, because Kaito is so good at talking to people about his issues.)

Usami:  “The air feels so tense… It’s all my fault…  I shouldn’t have said anything at all…”

No, Usami, you did a good. If you hadn’t been here and it’d just been Kaito and Ryoma, Kaito wouldn’t have even vaguely acknowledged the possibility of helping Ryoma and might have actually lashed out at him. This is a scene about Kaito’s issues with Ryoma, but it seems the writers included Usami in it for a reason.

The scene ends with Ryoma acknowledging that Usami cares about him, but also saying that he’s still not planning on actually talking to her and accepting her support. Damn it, Ryoma, you aren’t helping yourself either. He needs someone a lot more stubborn than Usami to really get through to him, but… yeah, there’s an issue with that, isn’t there.

There’s also a final year seasonal event that somewhat follows up on this. Ryoma heads to the gym to help Himiko set up for her Christmas magic show and finds Kaito already there.

Kaito:  “Oh…”

This is Kaito’s evasive face. This particular kind of reaction rather reminds me of Kaito’s reactions to Shuichi’s presence in early chapter 5. Which is only appropriate, since this is a similar situation of him awkwardly not really wanting to talk to someone who sets off his issues, but not wanting to admit why either.

Ryoma:  “Did Himiko get you to help her out, too?”

Kaito:  “Well, something like that. You too?”

Ryoma:  “Yeah. I may not be as fit as I was back in my glory days, but it should be enough…”

Kaito:  “How pathetic… An athlete at your level should say stuff like, ‘I’ll take on any challenge!’”

Heroes like Ryoma are meant to be full throttle, larger than life, all the time, with no half measures. That’s what Kaito’s like when he’s setting an example for his sidekicks and anyone else he’s trying to inspire; Ryoma’s supposed be like that too!!

It’s not even acceptable that Ryoma is saying he’s still strong enough to get the job done and is going to do his best. Simply admitting to any kind of weakness in the first place isn’t allowed and will definitely prevent anything else he says from ever being inspiring. (Won’t it?)

Ryoma:  “Hmph… Don’t bring up such an old story now. Those days are long past.”

Kaito:  “I don’t care about your past!”

Kaito, you extremely care about his past. Not about the past of him being a murderer that led to all his self-loathing, because he doesn’t have to let that define him and can move on from it and do better in future. That’s a lot like Maki’s situation, and obviously Kaito doesn’t care about her past in that sense, so I can believe he also wouldn’t do so analogously with Ryoma. But here they were actually talking about Ryoma’s past before the murders, when he used to be a superstar athlete. Kaito very obviously still cares about that past, because that’s why he can’t deal with Ryoma properly. If Kaito was capable of seeing Ryoma as nothing but the person he is today, then he’d be able to help like can usually help anyone.

Kaito:  “There are plenty of tennis players that look up to you. They’re trying to surpass your memory. One of them might become the next Ultimate Tennis Pro! So quit it with that mopey face you’ve got on all the time! When you see a tennis fan, can’t you just smile at him and say, ‘Tennis is pretty great, huh?’”

Kaito is kind of giving some reasonable advice here, but only on the level on which he looks up to Ryoma as his tennis hero. He’s managing to encourage Ryoma to be a little better at being that hero to people who look up to him, even if he’s not necessarily ever going to pick up a racket again. That’s something, but it’s not remotely what Ryoma really needs; it’s really more just what Kaito wanted from him.

Kaito:  “That’s all… I just wanted to say that to you before we graduate.”

Apparently this really has been bothering Kaito on and off for the past three years such that he would have regretted not getting to say it in the end. But still, “you should be a better hero” is not remotely addressing the real problem here, Kaito. Three years and Kaito was still too hung up on Ryoma being a disappointment of a hero to actually be able to figure out how to help.

Ryoma:  “Were you… just waiting for a chance to talk to me about tennis?”

Ryoma, perceptive as he is, does seem to have picked up that this whole speech Kaito just gave him was really more for Kaito’s own benefit. He just did it because he wanted Ryoma to become someone willing to talk to him, or at least others like him, about tennis.

Ryoma:  “Well, even if I agreed to… do you really think you’re qualified to talk to me about tennis? Well… you’d probably say that something like that didn’t matter.”

Kaito:  “Heh, so you do get it after all!”

Kaito has a point here, though. Someone shouldn’t have to also be a superstar with ridiculous anime tennis superpowers to be able to have a conversation about tennis with Ryoma, and if Ryoma’s trying to claim that just to avoid talking to people genuinely interested in tennis, then he’s only making excuses. (And I like how Ryoma’s perceptiveness lets him realise Kaito would say that to him before he even said it.)

Apparently Ryoma and Kaito do then end up chatting about tennis with each other as they set up the stage, which is at least some level of progress for both of them. Ryoma would probably have refused to talk about tennis if this’d been earlier on, but by now it seems he’s mellowed out enough – for reasons that have nothing to do with Kaito, of course – to be up for it if pushed. On Kaito’s end, though, this is still only him interacting with Ryoma as a fan of his and a fellow tennis enthusiast. He hasn’t stopped being incapable of properly seeing and helping with Ryoma’s real problems because of his own messed-up standards for heroes.

But even though Kaito still wasn’t able or even really willing to help him, we don’t have to worry about Ryoma in this universe. We can see this most clearly in one of Mahiru’s third year winter scenes in which she’s giving him some photos that he asked her to take as keepsakes of his time here…

Ryoma:  “I won’t let it end so easily. During the three years we spent in this academy… I found something I don’t want to let go of. Something I thought I’d never find again… And your pictures… have captured their smiles so clearly. These pictures will always remind me that the time I spent here was worth every second.”

…so, Ryoma’s going to be okay. He’s found his new reason to live.

Year 2 seasonal events

Year 2’s seasonal event is the school festival in which a lot of the students are doing shows or exhibits displaying their talents. Kaito isn’t doing anything like that himself and only helped set up the stage, but then he can check out one of the shows afterwards.

-      Can’t miss Kaede’s recital

Kaito’s POV wording for this option is great. It’s not just that he’s checking out Kaede’s show because eh why not – he actively doesn’t want to miss it!

Kaede:  “Huh…? You came by yourself, Kaito?”

Kaito:  “Yeah, my bad. Shuichi’s not here yet, but he’s on his way.”

Kaito, why are you apologising just because you didn’t bring Shuichi when she didn’t even ask you to? The fact that Kaito apparently on some level feels like this counts as doing something wrong suggests that he assumes Kaede doesn’t think much of him on his own and only ever cares about seeing him if he has Shuichi with him.

(I’d be surprised that he doesn’t know Kaede better than that, but… maybe what other people think of him is another inherent blind spot in Kaito’s intuition. I never quite thought about it in that way before, but that really does make a lot of sense and is kind of heartbreaking to think about. Oh, Kaito, you idiot.)

Kaede:  “I-I didn’t mean it like that! It’s just… I’m a little surprised you came to listen to classical music.”

But of course Kaede didn’t mean her comment in the way Kaito assumed! Instead, however, it seems that she similarly assumes that Kaito doesn’t think much of her on her own and would only ever come to her recital if he was tagging along with Shuichi, rather than for his own enjoyment.

Kaito:  “Hey, of course I’d come. You’re the one playing, so there’s no way I’d miss it.”

Obviously, though! Kaito respects and admires Kaede a lot, so of course he’d want to see her doing the thing she’s best at and loves so much! Classical music may not be personally Kaito’s area of interest, but that doesn’t mean he can’t appreciate Kaede’s passion for it and get excited about it anyway!

Kaito:  “I know you’re gonna do great! As far as I’m concerned, you’re the best pianist out there!

Everyone is supposed to think Kaede is the best pianist out there; that’s literally the point of her being the Ultimate Pianist. So I love how Kaito doesn’t care about that, and instead he makes a point that her being so great at this is his opinion of her.

While it’s less prominent in this AU, Hope’s Peak tends to do the rather unhealthy thing of putting people’s talents first and acting like that’s the only thing about them that matters. If Kaede is the Ultimate Pianist, then that means that her being so great at the piano is just the baseline expectation for someone with that title and not really anything special at all. But Kaito doesn’t see her as an Ultimate who’s already destined to be good at her thing – he sees her as a fully-rounded person first and foremost who just happens to have an amazing talent that deserves to be praised and admired rather than expected of her. And he does this despite spending all day every day surrounded by Ultimates and being one himself to the point that someone being talented at a particular thing should be difficult to see as anything special any more. He’s so good.

Kaito:  “Be confident and knock their socks off. I’ll be watching from the seats!”

Kaede:  “Hahaha, thanks. That’s so Kaito of you.”

I love Kaede using “Kaito” as an adjective, much like I’ve done many times throughout this commentary. His personality is so impactful and distinctive that sometimes there’s no better way to encapsulate it than that. And the fact that Kaede does this goes to show that she also appreciates Kaito’s outlook a lot, because she wouldn’t describe it in this way that expresses just how uniquely him it is if she didn’t.

Both Kaede and Kaito assume that the other doesn’t think much of them or see them as anything more than another close friend of Shuichi’s, but they’re so wrong! You should be better friends with each other as well, you two! You have so much in common other than just being Shuichi’s friend!

Kaito’s other two options for the festival aren’t especially noteworthy. He can talk to Ibuki before her concert and see that she’s already plenty hyped up about it without his help, or he can check out a fashion show featuring the class 1 girls and have “Junko” (really Mukuro) accuse him of being a perv when he’s genuinely just interested in the show. (Why wouldn’t he be interested? There’s nothing unnecessary in this world!)

However, Kaito’s appearances in other people’s events for this school festival are all quite noteworthy in one way or another.

One of these festival events is with Byakuya. This is not someone you’d expect Kaito to go out of his way to talk to, because he’s empatically neither someone Kaito respects for being invested in helping others, nor someone who might benefit from Kaito’s support. But apparently there is one reason Kaito is interested in him, and therefore approaches him after a speech he was giving at the festival…

Kaito:  “I’ve got a question for you! The Togami Corporation funds all kinds of stuff, right? What about space exploration?”

…Which is, of course, SPACE.

Byakuya:  “That is within our power. The Togami group, and myself, can move mountains. We are obligated to spread our grasp into space. A loser like you wouldn’t understand.”

Byakuya, you asshole, you are talking to the Ultimate Astronaut; if you actually cared about a Togami space program then he’d be an incredible asset to that. Evidently Byakuya does not actually care about space travel itself and is only interested in doing this as a way to make his name seem even more big and important.

Kaito:  “I’m no loser! I’m Kaito Momota, Luminary of the Stars!”

…At one point in the main commentary I mentioned that Kaito never actually responds to being called useless (which “loser” is pretty analogous to) in this overblown way. But that was because that kind of overblown response would have sounded like an obviously-desperate defence during the times when he actually was afraid he was useless. Here in this AU, though, Kaito has no such issues going on, so all that’s happening here is his genuine overblown confidence. Being called a loser just bounced right off him; he knows he’s not.

(Also look at how Kaito would rather inform Byakuya that he’s the Luminary of the Stars, even though him being the Ultimate Astronaut is pretty relevant to this conversation. His luminary title is so much more important to him.)

Kaito:  “But I see you understand how great outer space is.”

I am kind of surprised though that Kaito didn’t pick up on the fact that Byakuya doesn’t understand how great space is, at least not in any meaningful way.

Kaito:  “Alright! I’ll make you my sidekick!”

…Kaito? Clearly Byakuya is not a potential sidekick, what are you doing.

Kaito then apparently spends a while following Byakuya around and pestering him about space despite his protests. Given this, I can only assume that in this instance Kaito means a somewhat different kind of sidekick, one that only applies in the context of space travel. Obviously Kaito is the foremost authority on space around here, so he wants to teach Byakuya all about space exploration and how he can make the Togami corporation the best at space. Maybe Kaito does realise that Byakuya only “understands” how great space is in the sense that he superficially recognises it’s big and important, and so Kaito wants to teach him exactly why it’s so great so that Byakuya will definitely decide to throw all of his money at it.

Kaito, cut your losses, dude. You could do so, so much better than him for a space sidekick.

On a similar but much more interesting note, Kaito can also interact with Izuru Kamukura. (Yes, he’s in this mode like it’s no big deal. Hajime is also in this mode. They’re never both seen or mentioned in the same scene, so I guess we’re just running with two alternate universes here?)

Kaito:  “How about it? You wanna become my sidekick, too?”

And Kaito just casually offers this out of nowhere after they’ve done nothing but help set up the stage together.

Izuru:  “It wouldn’t make sense to have a sidekick who is better than you at everything, right?”

Oh, Izuru, you don’t get it at all. Kaito absolutely can have sidekicks that are better and more capable than him. The only thing required for them to be his sidekick is that there’s something standing in the way of them reaching their full potential, something that Kaito’s support can help with.

Kaito:  “Heh, Ultimate Hope? That’s nothin’! I’m Kaito Momota, Luminary of the Stars!”

Heh, there’s another instance of him seeing his luminary title as far more meaningful than any of these Ultimate talents, even the most Ultimate one of them all.

Izuru:  “I can analyze everything about a future you would follow.”

Kaito:  “Analyze? You’re just talking about predictions. My destiny’s too big to be predicted! Plus… I’ve got Shuichi and Maki Roll as my sidekicks. If we include their strengths, the possibilities are endless.”

Silly Izuru, assuming Kaito has limits, that there are things that might just be impossible for him. That’s not how Kaito works! And I love that Kaito brings his sidekicks into it, too; he believes in their potential so much! More than that, he believes that when people work together, they have unlimited potential that could never be predicted!

Izuru:  “As I predicted, you are an idiot. How boring…”

Kaito:  “That’s a bad habit. If you keep saying that, you’ll start to think everything’s boring. Are you okay with that?”

…See, Kaito gets it. He knew exactly what he was doing in this instance when he asked Izuru to be his sidekick. It doesn’t matter that Izuru is infinitely more talented than him – he still has weakness that he needs help with. After nothing but a brief session of helping each other with some manual labour, Kaito managed to pick up on that. His intuition is incredible.

This weakness of Izuru’s – to see everything as boring because he’s such a super-genius that he can predict every possible outcome – is, as far as I understand it, ultimately the reason he ended up contributing to the apocalypse in his canon storyline, because Junko convinced him it was the least boring thing he could do. But it didn’t necessarily have to be that way. If he’d only had the right help, he could have ended up using his talents to do far more productive things than ending the world.

If anyone could teach Izuru how to have more passion for life, to see the value and excitement in things even if he already knows everything about them, surely it would be Kaito? If anyone could let him realise that people are inherently unpredictable and he’s never going to always know everything that will happen, surely it would also be a beautifully reckless doofus like Kaito?

Plus, Izuru was supposedly implanted with every single talent imaginable, but only insofar as he’s one person. He evidently doesn’t have Kaito’s talent, because that’s all about teamwork and co-operation. Izuru is already a super-genius, but he could be so much better than he is. If Kaito could convince him that this interpersonal kind of talent is worthwhile to have as well, then he could teach him that, and Izuru would learn to value other people’s strengths no matter how predictable they are! There’s just so much Kaito could do for him.

Unfortunately, Izuru brushes Kaito off as boring again and ignores continued attempts to sidekick him, so we can only assume that Kaito eventually backed down and decided it wasn’t worth it because Izuru wasn’t willing to try and change. Which I’m only begrudgingly accepting because if Kaito did succeed in making Izuru listen to him then that’d be the beginning of a whole storyline that this side mode just doesn’t have the capacity for. Otherwise, I really do believe Izuru had the potential to change, and that Kaito would believe that too and not give up so easily.

Just… man, imagine Kaito being a part of actual Hope’s Peak canon and just casually averting the apocalypse because he saw Izuru’s weakness and did his usual Kaito thing and it worked.

At some other point during the festival, Nagito approaches Kaito and is disappointed to hear that the Ultimate Astronaut isn’t putting on any kind of show about space today.

Kaito:  “Oh, are you interested in space, too?”

Nagito:  “Of course I am! The vastness of space… that’s the only stage suitable for your talent, right!? There’s no mistake that you’ll be able to bring hope to the world from outer space!”

Kaito:  “Hmm… something feels off.”

Nagito:  “Off? What do you mean?”

Kaito:  “You’re not interested in space… Or me. That’s how it feels. Like it’d be weird for you to cheer me on…”

Kaito’s intuition is so good. He barely knows Nagito, but he can sense well enough just from a few sentences that Nagito doesn’t actually care about Kaito himself or his interests at all and is only obsessed with the “hope” that he thinks Kaito represents. (Not that Nagito’s concept of it is anything close to the actual meaning of the word “hope”, but let’s not go into that again.) Kaito hasn’t seen enough of Nagito to know for sure that this is the kind of creep he is (like I imagine Nagito’s classmates are probably fully aware by now), but even without that, he can instinctively pick up on it straight away.

Kaito would probably have a lot of very interesting things to say to Nagito if he was exposed to him more and got to know his deal better, especially if it’d been in the context of an actual killing game. …But really, Kaito’s already had to do more than enough giving a piece of his mind to a selfish asshole who keeps making the killing game about himself and his own bullshit philosophy, and there’s so much more to Kaito’s character than just being stuck doing that all the time. Let’s give him a break.

Nagito:  “Hmm… did I get too excited? I’m sorry if my blabbering made you uncomfortable… But it’s true that I want to cheer you on, Kaito…”

Kaito:  “Well, I guess you’re not lying… My bad.”

No, Kaito, not your bad, because you were right! Just because he really isn’t lying about “wanting to cheer you on” doesn’t necessarily mean he cares about you.

This shows something neat about how Kaito treats his hunches that never really came up in the main storyline. If Kaito’s hunch about someone is negative, then he won’t act on it without further proof. Despite how much faith he puts in his intuition, he’ll give someone the benefit of the doubt if they deny whatever negative thing he suspects about them. (We saw this kind of thing very briefly in trial 2 when he picked up that Kirumi was trying to save an “everyone” who wasn’t here but then stopped pushing the subject when she denied it, even though she was lying and he probably still suspected that.) After all, it’s just a hunch. Kaito doesn’t want to form firm negative opinions of someone based only on that, because that’s not fair. That’s just being a dick to someone for what’s really no good reason, especially if it then turns out he was wrong about them and they didn’t deserve it.

Of course, Kaito is quite happy to act upon unfounded positive hunches about people, because why shouldn’t he? There’s nothing wrong with being nice to someone for no reason! Maybe it’ll turn out he was wrong about them and they didn’t really deserve his kindness, but then, still, no-one was hurt; he was just being a bit too reckless by believing in them is all. Kaito is so often recklessly kind like that – yet we can see here that he also tries not to be recklessly unkind. He’s so good.

Elsewhere in the school festival, Mikan is working as a receptionist for the haunted house exhibit. In an attempt to attract more guests, she tries inviting passers-by… one of whom happens to be Kaito. As you can imagine, this does not go down well.

After his initial freakout over the idea, which rather startles poor Mikan, Kaito tries to calm down and talk himself into it.

Kaito:  “Wait, wait… I’m not scared. Everything in there is just fake, right?”

Obviously he doesn’t want to be seen as a coward, but this could also be partly because he feels bad for freaking out at Mikan when she was genuinely just trying to be a good receptionist for the exhibit and doesn’t want to disappoint her.

Mikan:  “Yes… they’re all just props for the festival. So it’d make me happy if you tried it… sorta…”

Kaito:  [looking ill] “Sorry… I still can’t.”

But I’m glad he realises that he’s not going to be able to handle this and backs out before actually forcing himself through the exhibit and fucking up his health a lot more. Sometimes these things just can’t be helped, and that’s okay, Kaito. Looking after yourself is more important than saving face or preventing someone from being mildly disappointed. (And don’t apologise for it, you moron.)

Since Kaito already did make himself feel a little ill just thinking about it, at least he happens to be with Mikan, so she’s able to take care of him.

What interests me the most about this scene, though, is just the fact that it’s here at all. I went over at great length in the main commentary how I’m absolutely convinced that Kaito’s phobia only existed as something that Tsumugi deliberately wrote into him so that she could weaken him when she wanted to. It didn’t make sense for Kaito to have that phobia for any other reason – it was in-universe bad writing that was justified in an out-universe sense because Tsumugi was a lazy writer.

But in this AU, Kaito is not a fictional character written by Tsumugi and nobody is trying to nerf him.  There’s no in-story reason for Kaito to have the phobia in this AU – the only reason is that “he had it in canon”, but the reason he had it in canon does not apply here. Every other one of his character traits is here in this AU not only because he had them in canon, but because they’re all a part of what make him Kaito. But I think it could be argued that his phobia is not a part of what makes him Kaito – it sure as hell isn’t connected to anything else about his character at all – and therefore that it doesn’t need to be here.

So it honestly would have been entirely plausible to me to see Kaito not have the phobia in this AU. They could have instead had a scene of Kaito excitedly going into the haunted house exhibit with absolutely no explanation as to why he’s okay with this, because why should there be an explanation for something he’s never had a problem with in this universe? It would have been a delightful subtle hint as to the reason behind his phobia in canon. I’d have loved that. Alas.

Instead, it seems the writers just decided to take the in-universe bad writing that gave Kaito his phobia originally and make it a part of the out-universe writing for Kaito in this AU. Which I guess is acceptable if we consider that Gonta is also here at all.

Gonta had by far the most obviously-fictional backstory – raised by a race of creatures from a videogame? – and so that shouldn’t be a thing in this universe where he’s not made from fake memories. However, they also can’t just briefly edit it so that in this universe his forest family really were wolves, because wolves don’t have a proper language. Apparently, if a human child is isolated from any kind of language for a prolonged amount of time at the ages Gonta would have been at, it severely fucks up their ability to grasp language at all and they become basically non-functional. This is not an issue with fictional-Gonta, because Reptites are sapient and have a language that he’d have learned instead, so his backstory is perfectly consistent with the person he is. But if some kind of sapient non-human creature is not able to be part of his backstory… Gonta’s entire character falls apart and does not make sense. So Gonta existing as the Gonta we know in any non-fantasy universe in which he wasn’t made from fake memories is bad writing.

The writers had Gonta exist in this AU anyway, of course, because obviously they didn’t want to deprive us of our lovely gentleman friend in this mode, and if that means there’s technically some bad writing here, then so be it. So I guess with Kaito as well, they used that same philosophy of keeping him exactly as he is in canon, even including the parts that make a lot less sense when he’s not made out of Flashback Lights for Tsumugi’s story. Hence Kaito’s phobia still being a thing even when it kind of actually shouldn’t be.

A few more miscellaneous scenes

Kaito’s last friendly event isn’t nearly as interesting to me as the rest of them and I’m not covering it in full, especially because it features Leon and Teruteru and I refuse to quote a single word that comes out of Teruteru’s mouth. But it’s still at least a little worth talking about. The gist of it is that Leon and Teruteru begin to discuss going after girls and are shallow and gross, but they’re vague enough about it at first that it somehow spurs Kaito to start talking about “a man’s passion” and sound like he might be agreeing with them.

Kaito:  “I never said I wanted to peep! I’m talking about chasing after unknown worlds!”

But he was never agreeing with them; they were actually having two entirely different conversations at once without realising it. When Kaito said “a man’s passion”, he was talking about going to space, obviously, what the hell did they think he meant?

Kaito:  “Listen up! I’ll teach you what a man’s passion really is!”

Kaito’s concept of manliness does not and never did have anything to do with gross sexualising misogyny, and if anyone thinks that is what being a man is supposed to be about, then he’s going to set them straight, dammit!

…Okay, admittedly that is probably not what Kaito’s about to do – presumably he’s just going to try and tell them how great space is, incidentally sidestepping the actual problem with how they were behaving. Danganronpa’s occasionally-shitty writing is thankfully not so shitty as to directly include Kaito in it (except for the literally four single lines in the main story in which he is still nowhere near as bad as these idiots and which are out-of-character outliers that should be ignored). However, it’s unfortunately still bad enough to not go and actually have the dudes who are shitty be called out by another guy for being like this. But if Danganronpa’s writing wasn’t Danganronpa’s writing, I really feel like this is the kind of thing Kaito would absolutely do.

While the writing isn’t letting Kaito properly acknowledge how gross those two are being, it is otherwise at least having him be very Kaito about this. Even if the other two were being legit and non-gross about it, Kaito would still rather talk about going to space than getting a girlfriend, obviously; space is way more exciting! (…Which, actually, means that this scene is some actual evidence supporting that that one line in one of his Salmon Team hangouts about crushes on girls is likely to be out of character for Kaito. And the one about reading dirty books, for that matter. Ha! Take that, clueless intern!)

Anyway, thankfully this is the last piece of Danganronpa shittiness that goes anywhere near Kaito that I am ever going to have to defend him from being seen as a part of. Let’s move onto something better.

The final year’s seasonal event is less of a specific school event; it takes place in winter close to graduation (the Japanese school year ends in March) and generally involves characters reflecting on their time here over the past three years. I’ve already covered a bunch of the ones I find interesting in conjunction with friendly events they’re connected to, but here’s a few of interest that are a bit more standalone.

Shuichi happens to come across Maki and Himiko on the morning of the winter closing ceremony. This is an unusual trio to see together in this universe and definitely has no particular out-universe reason behind it at all.

Shuichi and Maki are both feeling rather sentimental about the fact that graduation is coming up soon, but Himiko is having none of it.

Himiko:  “Ugh, don’t make that face! It’s not like we’re graduating today!”

Shuichi:  “H-Himiko?”

Himiko:  “Besides, we can still see each other after we graduate! I’ll invite you all to my magic show! My magic can still improve. The next time I show it to you, it’ll be even more amazing! See? Why don’t you guys try to think of the future in a more fun way? Look forward to it!”

Look at her go! She’s been spending enough time with Tenko over the past three years to have reached basically the same point in her development that she reaches in canon in terms of how upbeat and optimistic she’s able to be. This is just the kind of thing that can help cheer Shuichi and Maki up when they’re feeling down, and also exactly the kind of role she’d be playing in this trio in canon as they’re trying to get by and deal with their trauma in the outside world. Since this scene rather pointedly has these three together (when they’re otherwise not seen together in any other scene in this mode), it’s got to be a deliberate nod to the canon ending, so it serves to show us that this is the kind of thing Himiko would have been doing for them there, too. In this universe she’s not been specifically inspired by trying to fill Kaito’s shoes or anything, but she’s doing this anyway simply because she’s a performer and this is what her magic is all about.

Shuichi:  “Hey… Kaede played a performance at Maki’s orphanage, right? Why not have Himiko do a show at the orphanage too?”

Himiko:  “A show for orphans, huh? Yeah, that’s a good idea.”

Aww, that would be adorable! Both Kaede and Himiko perform to make people smile, and those kids definitely deserve to smile. Also it’s lovely to see confirmation that Kaede really did end up going to Maki’s orphanage and it went off without a hitch.

Himiko:  “I might even get an apprentice. How about it, Maki?”

Maki:  “…I can’t imagine you as a master. I think you’re moving too fast.”

Nah, Maki, I think Himiko would be great at that. She ended up greater than her own master despite seeming to be the apprentice on the surface, so I think that makes her plenty qualified to be a master herself and train her own apprentices now.

(Since Himiko’s master actually exists in this universe, I am Very Invested in her reuniting with him one day. She needs to help him realise that having messed up in front of her one time doesn’t mean he’s failed her because she still looks up to him and cares about him even if she’s become greater than him, and he was being an Idiot to ever feel like she’d be better off without him because they are not just master and apprentice but also friends.)

Meanwhile, for Kaito’s final year event, one of his choices is obviously the most correct and worthwhile, but I’ll save the best for last. If he instead chooses to go for a walk on his own, Kaito bumps into Kokichi and has a predictably infuriating conversation with him, most of which I’m not going to bother covering, but there’s one part of it that I find interesting enough to talk about.

Kaito:  “You haven’t changed a bit in these last 3 years…”

This seems at a glance just like a general way to express exasperation, but it is very like Kaito to focus on Kokichi not having changed. After all, Kaito’s watched his sidekicks grow and change so much and is generally invested in the idea of people changing as they meet and form friendships with others. But of course none of that happened to Kokichi over these three years, because, as ever, he refused to let himself change.

Kaito:  “You’re still like this at your age? Doesn’t it make your parents cry? Do you even visit?”

Some very good questions! What is going on with regards to Kokichi’s parents? Did he live with them? Does he visit? Are they in the picture at all?

All questions that like hell we’re ever going to get the answers to, of course, and I don’t have nearly enough basis to bother speculating. But I do love that Kaito has thought about this. He’s trying to make some sense of why Kokichi is this way, but he’s also thinking about what Kokichi being this way must be doing to the people out there who actually unconditionally care about him.

(At least, Kaito is automatically assuming that Kokichi’s parents care about him, even though them being assholes could potentially begin to explain a few things. Apparently Kaito considers parents being decent to be the norm, which is another indication that his own parents being assholes is not the answer to why they’re not around.)

Kokichi:  “Hey now, you don’t really ask the supreme leader of evil such normie questions. Also, if you wanna know my origin story, you’re gonna have to bet two lives for it.”

Kaito:  “Idiot, everyone’s only got one life and there’s no way I’d waste mine on your story!”

Kokichi:  “Aw maaan, how boring. If you’re not gonna bother learning the truth about me…”

Kokichi, of course, responds with some evasive insincere bullshit rather than actually be honest about himself for a second, and then acts like it’s Kaito’s fault for not caring enough to want to learn. It couldn’t possibly be that Kaito really does want to understand him better and Kokichi is just refusing to open up because of his trust issues, nope, not at all, nothing is ever Kokichi’s fault.

For the other obviously-not-correct option for his winter event, Kaito goes to the dining hall and comes across Hifumi, who just finished submitting some fan comics of his before the end of the year.

Hifumi:  “The crunch time for them was difficult for even my golden hand… But as you can see, I overcame it and triumphed! I’ve raised the bar for fanfic yet again!”

Kaito:  “In other words, you wanted to show your manliness, huh? Good for you!”

While I’m not entirely sure why he decided to bring it up now out of nowhere, Kaito’s concept of manliness is still not inherently gendered. He’s just talking about Hifumi giving it his all and wanting to show how good he is at what he does. It’s about being true to yourself!

Kaito:  “Alright! Then next you can make a manga about me, Kaito Momota, Luminary of the Stars!”

Hifumi:  “Huh? A manga about you, Mr. Momota?”

Kaito:  “It’s gonna be a legendary manga! If you make it about me, it’s gonna be a global hit! Cuz it’s gonna be filled with manga-style adventure before it even gets to the space part!”

What an absolute dork. What I can only assume he means by this is that he’s going to have Hifumi manga-ify the ridiculous make-believe games he played as a kid. Obviously that’s the kind of story that everyone’s going to be able to appreciate, children and adults alike, right? And in his narration at the end of this scene, he calls this his biography, because it’s all definitely true. Oh, Kaito.

Hifumi:  “Well, that aside, if I’m gonna make it… It’ll definitely be a global hit! You’ve got a good eye for talent, Mr. Momota!”

Kaito:  “Of course! I’m a hero with many sidekicks!”

Kaito is citing his status as a hero with sidekicks not as part of why his story will obviously be a global hit, but as a separate thing, in terms of why he’s good at spotting talent. Because he is! His hero-and-sidekick thing is all about seeing the potential in people and bringing it out of them, and he’s so good at it!

Reflections with the sidekicks

But anyway, speaking of Kaito’s sidekicks, let’s get back to the obviously correct option for his final year event.

The stars are especially pretty tonight… What will you do?

-      Take a walk with my sidekicks

Kaito’s POV is again being wonderfully Kaito – of course he’d notice that the stars are pretty. He definitely goes for walks on clear nights all the time just so that he can look up at them. Space.

(How many times do you want to bet he’s tripped over something and made a doofus of himself because he was too busy looking up at the stars to watch where he was actually going? A lot. The answer is a lot, I will accept nothing lower.)

Kaito:  “You can see the stars pretty well tonight, yeah? Before long, I’ll be up there with ‘em!”

Maki:  “The stars are pretty, but… is this really the only reason why you called me out this late?”

Shuichi:  “He does this a lot…”

See, he does do this all the time! And what better way to enjoy the beauty of the night sky than by sharing it with his sidekicks? This isn’t even a training session; they’re just hanging out under the stars.

Shuichi:  “But isn’t it kind of fun?”

Maki:  “…I never said this wasn’t fun.”

And Shuichi and Maki have come to appreciate Kaito’s impromptu starlight walks too! They are friends.

Kaito:  “So many things happened in the last three years after I met you guys! We did some school stuff, went to Sonia’s country during the break and solved a case!”

This is indeed another thing that happened. One of Shuichi’s friendly events is with Sonia, in which she tells him about an unsolved conspiracy causing problems among the nobles of her country that ultimately boils down to a lot of missing pets. Since that’s his area of expertise, Shuichi offers to look into it for her, and Sonia takes him up on that. This is more of him trying to help people out using his detective skills, like Kaito was encouraging him to do near the beginning!

And while Shuichi didn’t mention his friends at all during that conversation with Sonia, apparently Kaito later heard about it and invited himself and Maki along. He probably just wanted the three of them to have an adventure together, didn’t he.

Maki:  “Hm, I still don’t know why I had to tag along, though.”

Kaito:  “You were great at wiping out all those assassins! That’s my sidekick for you!”

Maki:  “Correction. I protected us from danger and Shuichi solved the case…”

It sure sounds like they did have quite the adventure, too. Maki used her assassin skills to protect her friends! She even seems to realise this! (Kaito’s wording doeees kinda imply that, while he’s trying to gloss over it, she might have straight-up killed those enemy assassins, though. That’s a shame if so, but it was probably the only way to keep her friends safe.)

Maki:  “If anything, I don’t know why you’re tagging along, Kaito.”

Shuichi:  “If Kaito hadn’t invited you, Maki, then Sonia and I could have been in big trouble.”

Kaito:  “Issuing orders to sidekicks is the most important job a hero has!”

Maki:  “Then your job was over before we even left the country.”

Kaito was helping, you guys. His decision to bring Maki was a good call, but then he also came with them for, uh, you know, moral support! …Which probably genuinely did help them, at least a little, because Kaito is the actual best at moral support. If Maki did kill those enemy assassins, they could potentially have been the first people she’s killed since enrolling in Hope’s Peak, which might have caused a setback in her growth that Kaito would definitely have helped talk her through.

Kaito:  “After graduation, when I’m in space, I’ll look for you guys from up above!”

Maki:  “Huh? You’d never find us.”

Shuichi:  “Ah, well, he might be able to see the approximate area…”

It’s lovely how Kaito says this even though it’s extremely unrealistic to think he could actually see them from there. He wants his sidekicks to be able to feel, even while he’s gone, that he’s watching over them from space!

(This is also a sentiment that very much applies in canon when he really is gone. He died up there in space, which means he’s still up there and watching over them from among the stars, isn’t he?)

Kaito:  “And then I’ll take you guys into space one day. After all, I need my sidekicks to help me out.”

Kaito pulls this out of absolutely nowhere despite how clearly unfeasible it is. And the idea that it’s because he’d need them to help him is obviously an excuse, because that’s not what the word “sidekick” actually means to him.

Kaito just… doesn’t want to be without them for such a prolonged amount of time. He’s so positive-minded that he’d always have thought of only the good things about going to space, so his comment just a moment ago might have been the first time it’s properly occured to him that going to space does have its downsides, because he’s going to have to say goodbye to Shuichi and Maki and leave them behind for months at a time. There’ll be video chats and such, but it won’t be the same. Kaito wants to keep being with them all the time not just for their sake but for his sake, because even if he still isn’t calling them this in this AU either, they’re his best friends and he loves them to bits.

So obviously that just means that they’ve got to come to space with him too, yep, that’s definitely plausible and definitely something they’d both want, and Kaito’s not going to think about anything else.

Shuichi:  “You need us to save you, Kaito?”

Maki:  “Well, yeah… We’re the only ones who would do it.”

Kaito:  “Hey, Shuichi, what do you mean ‘save me’!? Maki Roll, what do you mean, ‘the only ones’!? Geez, what sassy sidekicks. I gotta teach you guys some manners.”

They are the best sassy sidekicks and I love the way they’re making such affectionate jabs at him like that. He’s an idiot in some ways, but he’s their idiot and they wouldn’t have it any other way. And they really would be there for him if he actually genuinely needed help, even though they’re making it sound like a joke on the surface and Kaito is bound to be assuming that they don’t mean it as anything more than that, goddammit Kaito.

Shuichi:  “…How did we end up agreeing to go into space with Kaito?”

Maki:  “There’s no way it would go that smoothly. You really are all talk, Kaito.”

Kaito:  “Shut it! The impossible is possible, all you gotta do is make it so! It’s already been decided!”

Bad sidekicks, stop telling Kaito it’s impossible! And, okay, technically it isn’t completely impossible for Shuichi and Maki to potentially become astronauts and go to space with Kaito if they both trained hard enough. But that’d require them to put in far more effort than they’d be willing to do just to be able to keep Kaito company in space, considering that space isn’t their passion and they have their own lives they want to lead. Of course Kaito knows this – he just doesn’t want to think about leaving them behind, and so he’s trying to use his own line to tell himself that bringing them to space with him is something he’s totally allowed to imagine happening.

Kaito:  “Both of you gotta keep up your training!”

Shuichi:  “I don’t know if we’ll ever end up in space, but… I’ll keep on training.”

Maki:  “…If I feel like it.”

But regardless of how unrealistic the space part is, they will definitely be keeping up their training, even while Kaito’s up in space without them! Including Maki, despite that she’s acting all dismissive about it here. (She’s smiling when she says that.)

You made a promise for the future with your sidekicks…

Kaito, no, that is not what you did. They did not actually promise to come to space with you. (It’ll be okay, though! You’ll be friends with the other astronauts too, because that’s what astronauts do! And you’ll get plenty of time to see Shuichi and Maki in between missions when you’re back on Earth, and plenty of video chats from space!)

Since this scene is only available while you’re playing as Kaito, it has more of a focus on Kaito’s perspective. Of course Shuichi and Maki also each have a third year seasonal event with Kaito that I’m about to get to, and theirs focus more on their perspective, namely what Kaito’s done for them. Because that gets covered in their scenes, Kaito’s scene is free to be about what Shuichi and Maki mean to him, beyond the purely selfless sense of him being proud of how much they’ve grown – and they’re his best friends that he wants to keep hanging out with and having adventures with forever! This scene isn’t really about them as his sidekicks. They’re more to Kaito than just that, even if he still won’t actually use the word “friend”, the big doofus.

Let’s move onto Maki’s scene, then, and talk about what he’s done for her. (Both Maki and Shuichi’s scenes with Kaito are only one-on-one, so Shuichi’s not here for this.)

Kaito:  “It was a lot of work taking care of you guys these past three years. You didn’t even try to talk to people in the beginning.”

Maki:  “Yeah. If you hadn’t annoyed me so much with your constant pestering… I probably would have never been able to talk to Shuichi and the others so casually.”

Kaito helped her relearn how to be friends! Here is confirmation that he very much did employ copious amounts of stubborn pestering to get through to her, not that that aspect of how it happened was ever in question. Kaito is even actually more or less admitting that it was pretty hard work getting through to her – he refers to both her and Shuichi when he says that, but let’s face it, he definitely had to put in a lot more effort in Maki’s case at first.

Kaito:  “You’re being pretty frank today. It seems you finally understand how great I am!”

It is unusual for Maki to be openly admitting things like this – which is also a big sign of her progress! And it’s very like Kaito to respond to her genuine expression of how much he’s done for her by being over the top about it rather than just directly, earnestly accepting it. In this instance it’s definitely not that he’s having any issues that make him not truly believe he deserves such thanks. So I guess it’s instead just due to him feeling kind of awkward when it comes to heartfelt, down-to-earth things like this, and he’s more comfortable putting on the super-awesome-hero fiction for it. (More on this in Shuichi’s scene.)

Kaito:  “Or… are you sad because graduation is getting closer?”

Maki:  “…Yes.”

Kaito:  “…That’s a bit too frank.”

It does seem that Kaito’s also kind of awkward just thinking about generally sentimental things at all. After all, we saw in his scene that he doesn’t like thinking about the fact that he won’t be seeing his sidekicks every day any more once they graduate.

Maki:  “Well, there’s no point being sentimental. It’s not like we won’t ever see each other again.”

Looks like Maki could tell that Kaito’s also feeling more sentimental than he wants to be. At least Maki is capable of being pragmatic about it even while she’s feeling sad. (Kaito would of course be capable of being as optimistic about it as he can, but for his part he doesn’t even really like to think about the sad bits in the first place if he can avoid it.)

Kaito:  “Yeah… you’re right. It’ll be hard for me to see you on a daily basis after this, but… it’s not goodbye forever.”

Maki:  “What do you mean, it’ll be hard?”

Kaito:  “Hm? Well, because I’ll be up in space, obviously.”

Maki:  “Oh, yeah… You still want to go there.”

Obviously! Keep up, Maki Roll! Don’t tell me you ever thought for a second that he wasn’t serious about going there, or that he’d change his mind one day! I’m going to instead put this reaction down her just having not quite properly thought about what that means in terms of the future of their friendship, in that he’s not going to be able to be around as much. Kind of like how Kaito himself in his scene apparently hadn’t thought about it properly until now.

Maki’s looking distant and a little sad in her last line there, and it seems like Kaito picks up on that.

Kaito:  “But you’re my sidekick! If something happened to you, I’d fly back here, right away! I look out for my sidekicks! Cuz I’m a hero!”

Therefore obviously it’ll totally be possible for him to do this if Maki needed him to! Aborting a space mission on short notice in the middle of it and zooming back to Earth for personal reasons is definitely something an astronaut can do, right? This is adorably like the previous scene in which Kaito insisted they could totally come to space with him. He really does not want to think about the fact that going to space will unavoidably separate him from his sidekicks for months at a time.

While the last scene was more from Kaito’s perspective and was therefore about what he’d want – his sidekicks in space with him! – this one is reversed. This scene has been about what Kaito’s done for Maki, and her talking about that has made him focus on what she’d want. So of course he would selflessly abandon space and come right back to help her if something serious happened and she really did need him! …If only he could. His reluctance at the idea of being separated from his sidekicks is, just as you’d expect, also partly out of selflessness for their sake, in terms of him not being there to support them like the hero he’s supposed to be. Kaito can’t bear the thought of Maki needing him and him being uselessly stuck out in space, not able to help her.

(She’d be okay, though, Kaito! Maki’s got other friends too who’d be able to help her in person. And if she really did need Kaito in particular, video chats would be enough, because Kaito always helps the most with just words.)

Maki:  “Huh… that again? Well… I’ll be waiting, but I won’t be expecting much…”

Maki is of course fully aware of how unfeasible these claims of Kaito’s are, but it seems, based on her wistful smile at the end, that she at least understands and appreciates how much he genuinely wants to be able to do that for her if she ever needs it. He is a hero who looks out for his sidekicks, after all, and Maki knows this, no matter how ridiculous she might think that way of wording it is.

Last but not least, Shuichi’s scene begins with him waking up early on the day of the winter closing ceremony. (This is remarkable in and of itself, considering how emphatically not a morning person Shuichi was in canon. Perhaps that was partly for mental health reasons, though, and after three years of being friends with Kaito and Kaede and working on his issues, he’s got better at waking up in the mornings.)

Thinking about only having a short time left at this academy makes you sad… And from that comes restlessness. What will you do?

-      Exercise is perfect at a time like this

It’s lovely how Shuichi thinks of this entirely by himself as something that’ll improve his mood. Kaito really has taught him well!

So Shuichi heads to the school field and finds that Kaito had the same idea as him.

Kaito:  “Oh, hey there bro! Are you training too?”

Shuichi:  “Yeah! It’s good to sweat some things out!”

Kaito:  “Right on! That’s the spirit! It’s all thanks to your training with me!”

Of course it’s all thanks to his training with Kaito! Shuichi would never have even considered doing this kind of thing to help himself if Kaito hadn’t been his friend.

Shuichi:  “…You’re right. You befriended me, and encouraged me, and gave me advice… You’ve… helped me so much, Kaito…”

Kaito:  “Hey, hey. What’s all that about? Don’t dampen the mood, bro.”

…But Kaito still can’t quite just earnestly accept such heartfelt gratitude. This is kind of a reverse of last scene with Maki, in which he responded to her acknowledgement of how much he’d done by being kind of flippantly over-the-top about it. This time, he started with the over-the-top “well, it’s because I’m awesome!”, but Shuichi responding with an earnest “no, you really are, thank you so much,” still managed to wrong-foot him. And again, this isn’t the canon storyline where Kaito had heaps of issues and ended up with a gaping hole in his sense of self-worth, so it’s not because he doesn’t feel like he deserves any kind of thanks at all.

It seems bizarre to be using this word for Kaito, but… he might actually be kind of modest? Sure, he’ll act over-the-top about his achievements, but it’s like he only really thinks of that as a fiction for the sake of keeping up his usual luminary image, an image that people might buy into and play along with because it’s fun and it helps encourage them, but not because they really think he’s that ridiculously amazing. If someone takes his overblown words at face value and seems to genuinely feel that they’re true, then he’ll back up and try to brush it off, because nah, he’s all right, but there’s no way he could really be quite that awesome. (You are that awesome, Kaito. At least when it comes to supporting your sidekicks.)

Shuichi:  “Ah, sorry… I was just thinking about what we’ve built over the years…”

Friendship! You built the best adorablest friendship, is what you did. (Also what are you doing apologising for this, Shuichi; there is absolutely nothing wrong in telling Kaito how amazing he’s been even if he’s too much of an awkward dork to properly accept it.)

Shuichi:  “If I ever find myself in trouble, I can look back at my time with you for inspiration, Kaito.”

Just like he’s also able to do in canon even though Kaito’s not there any more!

Kaito:  “That’s true, but… Graduation won’t be the end for us!”

But thankfully, in this universe, Kaito is always going to be there. (Just maybe sometimes only over video chats, from space.) He doesn’t ever want their friendship to end!

Kaito:  “Listen up! Even if things get tough in the future…”

Shuichi:  “Don’t bear it all by yourself, right?”

Kaito:  “Oh… well if you get it, then it’s all good.”

Pfft, I like how Kaito seems almost miffed that Shuichi stole his line. But it definitely is okay so long as he understands that, and evidently Kaito has told him this enough times over the years that Shuichi has that well and truly ingrained in his mind by now and already knew exactly how Kaito was going to finish his sentence.

Kaito:  “When things are bad, me, Maki Roll, or Kaede will help you carry your burdens. As long as you understand that, you can get stronger.”

And it’s good to see that Kaito isn’t just focusing things on himself as the sole figure of support (after all, he wouldn’t have any reason to in this AU where he hasn’t been having massive issues). He’s happy to remind Shuichi that he has other friends as well who’ll be there to help him.

Shuichi:  “The same goes for you, Kaito. If there’s anything I can help you with, just say so.”

Shuichi is also so very good. Every time Kaito says something along those lines to Shuichi, I’m always burning with the desperate urge to tell him that goes for you too, Kaito, you selfless idiot, you deserve it – so it’s really lovely and cathartic to see Shuichi actually telling him that. He’s such a caring friend and really would be more than happy to do anything for Kaito if he ever needed it.

Kaito:  “Heh, now we’re talking. Of course you’d help me! I’m the hero and you’re my sidekick!”

…

*tilts head almost 180 degrees*

Who are you and what have you done with Kaito.

This is not how Kaito works. He seems to be actually acknowledging that helping the hero is one of the roles of a sidekick, but no it isn’t, not in Kaito’s definition!

Okay, so. When I was starting to think about writing these UTDP bonus posts, I had one hell of a hot take in mind for this line. That take was that the reason Kaito says this here is because in this AU, he’s not “fictional”.

As I explain in greater length in my post about Kaito’s entire character arc from my main blog, it seems reasonable to assume that Kaito’s childlike black-and-white view on heroes and sidekicks comes from the fact that he was in-universely written to be the perfect ideal hero to inspire Shuichi. It’s somewhat unrealistic to think that if Kaito had actually experienced growing up, he wouldn’t have gradually gained a more nuanced appreciation for fiction, as he started reading more complex stories containing more fallible heroes who were still capable of being inspiring not despite but because of that. So I was going to say that Kaito not being fictional in this AU and having actually grown up meant he’d been able to gain that greater understanding of what made a hero inspiring, which’d mean that Kaito’s usual double-standard about heroes simply doesn’t exist in this version of him, and therefore that he genuinely means it here when he says of course Shuichi can and should help him out too.

…Except that clearly doesn’t track with some of the other scenes in this AU, now, does it. Mostly I’m talking about the scenes with Ryoma, in which Kaito’s issues about heroes clearly still apply to Ryoma in the same way they did in canon. There’s also that one scene with Hifumi in which Kaito is quite happy to have his ridiculous childhood games made into a manga and doesn’t seem to be aware of the fact that mayyyybe a lot of people wouldn’t actually find them to be particularly compelling narratives.

And while the scene with Kaito’s phobia isn’t about the hero issue, the point I was trying to get at there is related to this. It doesn’t quite make sense that Kaito has his phobia if he’s not “fictional”, just like it maybe doesn’t quite make sense that he has this view of heroes either. But ultimately, when writing this AU, the writers just decided to keep the characters entirely as they were in V3 canon, even including the parts of them that don’t actually quite make sense if they’re not made out of Flashback Lights for Tsumugi’s story.

So never mind, scratch all that. I only brought it up because I found it an interesting concept to think about, but it’s definitely not what’s going on here. Kaito not being “fictional” in this AU is not actually why he’s willing to admit that of course Shuichi would help him out as his sidekick.

Instead, presumably the reason Kaito is saying this here is that… he doesn’t really mean it, the idiot. It is at least not quite as bad as in canon where he knows full well he already has problems and is consciously lying when he insists that he’d totally ask for help if he needed it. Here, it’s more just that he’s never expecting he will need help and so he’ll never have to actually think about whether or not this claim is really true. Ultimately, it’s easier for him to just casually claim this here, because the alternative is being all “oh but I won’t need your help!”, which’d just make him sound like he doesn’t even appreciate Shuichi’s willingness to be there for him.

I do like to believe, though, that whenever Kaito does run into some kind of trouble in future in this AU (and I say “when” not “if” because nobody can ever go through life without having at least some problems here and there), he’ll actually be able, with Shuichi and Maki’s prodding and reassurance, to admit it and ask for help. Without the stress of the killing game making Kaito tunnel-vision into the fact that he needs to keep supporting his sidekicks and that the only thing that matters is how much of a difference he can make to everyone’s survival, I think he’d be a lot less completely and utterly averse to acknowledging weakness. Plus, hopefully his astronaut training will drill it into him that part of good communication is telling your teammates when there’s something wrong with you, because holy crap is it only going to make things way worse not just for you but for everyone involved if you don’t, you moron. And the more Shuichi and Maki grow and the less obviously they need his help and support most of the time, the more Kaito will come to consciously see them not just as his sidekicks but as his friends, and friends can open up to each other about anything.

One way or another, Kaito is bound to eventually realise what an idiot he’s being and overcome these issues of his. He just needs to live for long enough to get that far.

Kaito:  “Alright then… wanna run for a while? Better hurry, or you’ll be eating my dust!”

Shuichi:  “Ah, hey! No fair, Kaito!”

Working up a good sweat, you chased Kaito all the way to homeroom.

Aaaaa look at them racing each other off into the sunrise. They are friends and they are going to live happily ever after. Kaito is going to go to space multiple times under normal circumstances and come back alive each time, and also one day learn not to be a hypocrite about asking people for support. Shuichi is going to start his own detective agency where he exclusively takes on jobs that involve helping people and continue to have confidence in his talent in between relying on his friends for help when he needs to.

And Maki… I refuse to accept that she’s just going to have to go back to killing people in this universe when she’s come so far; that is Not Okay. Either Hope’s Peak really is going to somehow absolve her of being an assassin as part of its “set for life” policy, or Kaito and Shuichi are going to do something about it. Maki may still try to claim that assassins are necessary and therefore that totally justifies her being an assassin – there’s no real evidence in this AU that she quite got over that part of her issues – but Kaito would be having none of that. So Shuichi’s first job as a full-fledged detective may have to be to find evidence of her assassin cult’s awful deeds and report it to some kind of authorities that can take it down and take custody of all the kids from the orphanages and give all the other child-slave assassins some goddamn therapy because the rest of them don’t have a Kaito. Then Maki can rid herself of her awful past forever and get a normal job, maybe as an actual child caregiver, where she never has to think about killing anyone ever again and can live a relatively happy life after everything she’s been through, because I say so.

I just love these three so so so much and want them to get to be happy and keep being adorable friends for the rest of their lives, because they’re the best and they deserve it. So I’m glad we have this AU where nothing particularly drastic goes wrong at all, everyone is fully real, and their adorable friendships are still there like in canon, so that there’s at least one world in which we can imagine that they really are going to be okay.

[missfinefeather]

Wakraya

I absolutely forgot the Calisthenic pun X3

GhastlyGhifin

I wonder if people have made Calisthenic cherub art after that

One side's a feminine Cherub who likes yoga and jogging, and the other side's a gym rat who's surprisingly supportive and willing to spot anyone

Exploring the duality of Jumba and Crossfit...

Wait is it Jumba or Zumba

I'm pretty sure it's Zumba, actually, crap

GhastlyGhifin

Seriously, why the hell do people think Terezi is rail-thin?

Wakraya

Shrug, it's a rather common headcanon.

the Fae

"rail-thin"? does that mean "skinny af" or smth else?

GhastlyGhifin

YesAnd sure, a few of the original 12 trolls could be headcanoned as thin (Gamzee being tall and lanky is a common one) but Terezi "Omnivore" Pyrope should not be one of them

Nefronis

Chalk is very low-calorie, what are you talking about

the Fae

tbch Nep shouldn't be hc'd as skinny either bc she Buff but this enby self-projects

and honestly we have about 0 idea what Rezi actually eats aside from chalk

Solarn

I think skinny Terezi is because early on a lot of people associated her with a particular character archetype of a bitchy, skinny girl with a shrill voice.

the Fae

& it's not always about food, either

Solarn

I've only ever seen skinny Nep in art that was clearly meant to appeal to the artist's personal tastes. Otherwise I've mostly seen buff Nep and chubby Nep.

the Fae

(yeah, that was me being a little off topic bc sometimes headcanons have to do with smth personal-ish)

Solarn

Or occasionally I've seen lean but still obviously muscular Nep, when someone imagines her physique as being optimized for hunting.

GhastlyGhifin

Considering Nepeta lives an active lifestyle with a mostly carnivorous diet, I wouldn't be surprised is she was lean-and-mean buff

Solarn

Yeah, but at the same time, it also wouldn't surprise me if she was a bit chubby, if she eats the way carnivores usually do where they fill up on a kill until it lasts, and then starve until they can bring down the next one.And since she's a great hunter, that would mean no actual starvation period.

Scourge Dad

Terezi eats a lot, but she doesn't eat a lot of nutrition. I don't see her packing on the pounds from snacking on chalk.

Scourge Dad

(Plus, ya know, she is literally on the brink of starving to death in this scene, so if there was ever a time to imagine the "sharp girl with sharp words and sharp elbows" as unhealthily thin, it'd be now)

GhastlyGhifin

Oh, right, she's been drifting through PS for a literally unknowable amount of non-linear time