The ship name switch actually comes from manga/anime fandoms! I haven't been in any recently, but back in ye old days people could get very intense about who tops and who bottoms and switches were practically unheard of, so the names were kinda necessary. NaruSasu vs SasuNaru for example. You won't believe how much people fought over positions, it even got parodied in some japanese media. On a slightly related note, are you okay with top al content where the characters are properly portrayed? Or none at all? No judgment, we all should enjoy the fandoms however we like ^^
Oh 👀 that makes sense I wouldn't have heard about it then. I watched a handful a anime, but the only one I dipped my toes into was My Hero Academia, and even then, I didn't go that deep. I read a few fics, but that was the extent of it.
Fighting over who tops, bottoms, and switches is so silly. An argument can be made for any character being a top, bottom, or switch, because sexual preference/positions isn't something that can determined by a handful of personality traits. There's no check-list a characters has follow to be "deemed" a top. Or a bottom. Or a switch.
At the end of the day, it's literally just what the fan prefers for that pairing. And I think the more people accept that they can like specific dynamics without having to argue for their right to like it, the better and less-toxic a fandom will be. You should never have to defend why you like a character, or a ship, or anything else, because sometimes you just like it. You vibe with it. No other reason required.
As for the top!Al content, it can be kind of tricky to deem something as "properly portrayed" when, technically, everyone's portrayal is going to be different, and every portrayal isn't going to be 100% in-line with the show.
I think considering something as properly portrayed is wholly dependent on the fan and how they relate to the show and the characters. No fanfiction or fanart is going to be completely true to the show or characters. I don't even think that's possible XD Fans inject so much of themselves and their experiences into fan-content, that every portrayal can be considered properly done given the right audience.
But, if top!Al and bottom!Luci were written in a different way--maybe something that didn't UwU-ify Lucifer so much or make Alastor out to be this big, domineering alpha-male--I think I could like it.
I'm very picky with characterization. There are some details I can easily overlook, but depending on how certain things are written, it can take me out of the story so badly I can't even force myself to finish reading. (Believe me, I've tried. I found a Spideypool fic once that was so well written it was love at first sight. The humor was on point, the plot was intriguing, the dynamic between them was fun, but there was a small, little, itty-bitty detail in their interactions that kept popping up and it took me out of the fic so bad, I couldn't keep going. I tried to finish the fic, multiple times, but I never got very far.)
Funnily enough, when I was first scouring the internet for content after the show ended, I actually bookmarked a handful of top!Al and bottom!Luci on Twitter. But with how it's currently being portrayed across the fandom, any enjoyment I had for it has soured. I just don't vibe with the majority of top!Al I see now.
I've always liked bottom!Al though, and I've been seeing a lot more content for it lately! I've been eating well 😋
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not 2 be dramatic but also it is my blog where i can ramble about what im feeling whenever i WANT!!! anyway i like. feel like something is fundamentally missing from my entire being or w/e lol. like. i mean there's a very high chance i have adhd which does explain a looooooooot of The Way That I Am and my struggle at doing and focusing on stuff and things and my rapid rotating around short interests in things. but like i also feel like [and maybe this is part of adhd idfk, i havent been Officially Diagnosed just a lot of therapists and friends with adhd all tell me i probs do lol] i just dont feel motivated to do things. and ive been this way i think a lot of my life. i realized a looooong time ago that i was not so motivated by passion but by fear!!!!! fear of failure or whatever!!!
fuckin adding a readmore bc i ended up talking forever lmao
like in school. i got good grades but i never really felt smart exactly. i was able to work really hard and spend a lot of time doing homework and whatever because i feared the consequence of failure. i didnt wanna get bad grades [not even from like a threat from home or anything, i just was afraid of the system lol like i didnt wanna fail and then snowball into ruining everything for my future or w/e. like i've always been kinda 0 to 100 in things like that lolol]
but like i remember going into college like "well i am interested in physics and compsci so i guess ill declare double major til i decide which one id rather do" but i didnt really have a clear goal. physics i dropped first because as much as i like the concept, the classes were still hard and i didnt have any idea of what i'd do with it if i did pursue it. comp sci i at least was like "well i like video games i could do something with that probably" but then i nearly flunked and dropped the class lol. my fault for skipping an intro class bc i was like "Well i learned a lot of the basics in high school" bitch u did not retain any of those basics. anyway i ended up swapping to digital arts under that same "well i like shows and games maybe i can do something with that" and that did ultimately lead me to grad school for game dev and learning what tech art is and all that. and i was employed as one for a lil while!
but then i got let go. and in the midst of a really Hard Time to be unemployd for gamedev bc of the mass layoffs ALSO happening over and over and over and over, so despite the fact that i have some industry experience, i have a significantly harder time even getting interviewed. but a lot of it is my portfolio - unfortunately the nature of the jobs i had didnt really net me much in the way of tangible portfolio work, and a quality / updated portfolio really is what matters in this field
and thats where i hit my problem. i really am not self motivated or like, creative. i dont really have ideas. a lot of my portfolio was school assignments <- stuff i had to do. stuff people told me to do. even now, i sometimes do vfx to help my partner with his solo game hes been making for years, and thats my main portfolio addition source because i need someone to tell me what they want. and then i also struggle to see the vision of that sometimes like ive been SO STUCK on a specific effect im making for the game bc im not understanding the vision and also im not really around other tech artists or vfx artists much anymore. not like in grad school lol. even at my prev job i was the main vfx person so i was kind of on my own floundering around to figure stuff out- and a lot of times i couldnt. there was no senior to guide me if i got stuck.
so when i'm just alone in a vacuum with nothing forcing me to do things i just dont. i LIKE vfx and shaders and even python, but if i dont have a thing where i have to follow specific tasks i just cant think of anything interesting or unique to do myself. even a lot of the python ive learned recently was from a udemy course, which helped a lot bc it was structured with little assignments, explanations i understood in small bursts, and specific projects with specific goals. one of those i did kinda expand on based on what i learned to make a portfolio thing, sort of. it's out of place on my artstation bc it's not really gamedev related at all but its python and it's SOMETHING. python is a tech art skill at least. i can replace it sometime if i have more relevant things but i just dont right now. i dont know what to make. i have no tool ideas, or even if i have a vague idea i just go "i dont really know how id do that" and dont feel motivated enough to figure things out or to make that vague idea even somewhat interesting. vfx i just go "i dont know how to make this look more interesting" and get stuck at unimpressive points if anything. i dont have the designer or passion part of the brain that i kinda need to survive this and it scares me. i like the structure and stability of being employed because someone tells me what they need. i dont know what i'm supposed to do on my own but im supposed to figure it out otherwise my portfolio stays stagnant forever!!!
so many times people will like. have a side project. they learn from those projects. they have a vision they want to see completed and they pick up skills for that thing. my partner is a big example with his game hes making - he could already program but hes learned a lot of the art needed to make it work, because he wanted to see the game made. people have like their comics or animations or games or whatever they do, hobbies, anything that they feel passionate about and i feel like i just lack that passion. scared that i like the idea of doing things more than doing them even if i do enjoy doing the things when i do them, but not enough to like, get myself motivated to lol. if that even makes sense.
like idk. i at least have martial arts - i did aikido in college and i do capoeira now- but it's stuff i can only do bc i have a regular group i pay and go participate in with other people. once i dont have those group settings i dont do it on my own.
ive tried to get myself to learn musical instruments so many times but once i stopped taking lessons for sax or piano bc i got busy with school, i mostly just dropped them. i cant motivate myself enough to practice on my own even tho i did learn enough fundamentals that i probably COULD if i just. cared enough i guess. i always had in the back of my mind that it would be cool, IN THEORY, to draw comics or make a dating sim/visual novel of any flavor, a virtual pet, a farm sim, whatever. but i dont actually have the vision for it. i dont have a story to tell. i'm not motivated enough. ive looked up several times ways i might be able to use python to make a lil tamagotchi project to practice but i just never do!!! maybe i know enough python from the udemy now that i could but would i?? idk!!!
people always say you learn best by just jumping into it. find something fun you want to make or do and then learn as you go. but i dont have passion. im in a vacuum. even with my fics, i still like writing my fics!!! but i slowed down so much on those. because before, i was writing them to share between my friend and me when we were first getting into twst and based off a lot of inside jokes and ideas bouncing off of each other lol. fics, aus, doodles, whatever. and we still talk twst but she isnt caught up to main story anymore and it's not as much of a thing we talk as often or deeply about. i think my doodles got a lot more boring as a result and ive had less ideas. but i do still love the characters so so so so much and i do have fics i want to write... but it slowed down and i dont WANT it to slow down. i get excited over characters and games, and it doesnt really help me in terms of trying to fuckin Get A Job or Learn A Skill or whatever but. like at least it's something. i feel like my doodles got more bland too like i just kinda redoodle the same stiff generic things over and over and over again forever
there are so many things i can just do a little bit of but not enough to be like. impressive. or hireable. or helpful or smart or knowledable or whatever. like i can crochet a little bit. i can sew a LITTLE bit to get some simpler cosplays but nothing fancy. im not motivated enough to push those further to like "make my own clothes" or a more ambitious cosplay even tho i like the base level stuff. i can program a LITTLE in python but cant motivate myself to figure out what to do with it. i used to know a little hlsl and i know some node based shader stuff but not enough to be super deep with it. like more than a non tech artist i guess but not enough to make things that really look all that good 😑 i used to do tech theater in high school, but only really knew the basics of the woodworking and lightbooth stuff, not enough/not kept up with where i could do anything with that now even though i enjoyed it then. i was in chorus in school for like five years in middle/high school and i took some basic piano and saxophone lessons but every time i try to go back to something like that im dusting off the cobwebs. i also have always had huge anxiety so i coudnt ever have considered a performance thing with it anyway. whenever i was in school chorus production musical things i was only in ensemble parts or at the very least singing with a small group of other people because i never had the ambition or desire or bravery to try and stand out lol. i liked being backstage. i started learning to rollerskate but i only ever really got to a point where i could move around without falling over and then as soon as i started capoeira i never touched the skates again. even though it was fun! i studied spanish for years and used to practice with my father but i barely ever do now, even thought i knew enough to go to spain on a school trip we still were in an english comfortable environment and i really could just fumble my way through simple conversations in spanish. i dont keep up with it enough to like, be able to smoothly translate more casual dialogue or whatever and as much as id really love to practice that more, i once again dont have the motivation or drive or even ideas for it. i have a few times thought learning portuguese for capoeira or japanese for just generic enjoyment of japanese games and anime and stuff would be cool but i do. not. stick. with. it.
i do notice lately that the other thing. next to the fear of failure motivation. it is the community thing. i do capoeira not out of fear but because there are other people i go and do it with. i pay for the classes, i enjoy the classes, i do the classes with other people. when i was in school i had other classmates doing the same things with me. when i was in tech theater or chorus clubs i had clubmates. music instrument classes i had the instructor / it was something my mother was paying for me to do / the instructor would give me homework to practice and i had to be able to report to that person the next week so i would have the incentive to do it [another failure thing i guess but still lol]. cosplay i do alone as i make it but then i see other people at cons. i hadnt done new ones in a long time tho because i wasnt going to cons, and the only one i made recently i also had the motivation and deadline of a con coming up that a friend and i were going to go to together and our cosplays connected. theres community. but right now i have no job to worry about failing at, and no coworkers to bounce ideas off of. personal projects are in such a vaccuum i just dont have the motivation or self discipline. even the udemy python thing, some lessons are more interesting than others, and it's general python stuff so rn the recent stuff is like, good dev stuff but not gamedev stuff; but i have learned enough where i probs could take it and run but i dont know how or why or what to do with it!!!
i dont know if im even making a point here i think ive just had these thoughts swirling around my mind and overwhelming me for. well kind of forever LOL
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Some other thoughts, because I cannot and will not shut up.
This is Hector and Isaac's very second scene in the show. Hector ends up staring at Dracula's fireplace: he reminisces of his abusive parents, and how he set his house on fire with them inside. This immediately tells us, along with Dracula's speeches, what kind of person Hector is: despite his apparent softness that we'll see later on, he can be ruthless enough to kill, or at the very least punish, those who have wronged him.
Much later, Hector has been brought to the lowest point of his life. He's listening as the woman he has given his heart to is gleefully humiliating him in front of her sisters, describing in detail how he's going to be treated as a tool, as a dildo, as a pet, and only because he trusted the wrong person. Multiple times, in fact. He has been hurt by one too many people.
And by the time Hector's fate is sealed, the fireplace acts as the framing.
Basic cinematic symbolism indicates that Hector's backstory would be become relevant in the next season. As a child, he killed his abusers. And now he's in the clutches of two other people who abused his trust and good nature and stripped him of all freedom and dignity.
So, was Hector meant to set the entire castle on fire, and kill Carmilla and Lenore for what they did to him? And then it was changed to make the season artificially happier? Would it have been the narratively more sensible course of action?
Well, not necessarily. As fun as it is to imagine Hector taking revenge on those two pieces of shit, subversion of expectations can still be done well. And, to be fair, while Hector did kill his parents and is certainly not above murder in general, he seems to not be inherently violent in nature, even against someone who hurt him:
Carmilla has lied to him, insulted him, and coerced him into indirectly killing his master. He still speaks to her very candidly.
From what was shown until S3, Hector needs to be pushed to his absolute limit before he starts considering violence, but once he does, he has no mercy. The most obvious proof is his disastrous attempt to threaten Lenore:
Yeah, as ill thought as this was, I don't blame him for being this desperate, after the torture he was recently put through. From a certain perspective, it would have been nice to see a recreation of this scene, but with a Hector acting smarter, having learned from his mistakes.
However, to be honest, I don't think that seeing such a gentle character being brought to horrific violence would have been cathartic. It would have been tragic. It would have been actually a bad thing, a reason to be scared and to pity him. And it still wouldn't have addressed his utter apathy when it comes to keeping humans in a cage: hell, that act would have made him as bad as Isaac in S3.
With that being said, I will never, ever, accept how he was written after that scene.
I'm going to use an excellently written show to talk about the difference between taking the high road, and forgiveness.
Our good horseman here has been abused since infancy by his utter monster of a mother, who delighted in making him feel guilty for daring to be alive. Long story short, she is now old, weak, and senile to the point where she can't recognize him anymore. Bojack is planning to finally vent all of his anger for all she did to him, as soon as she's lucid enough - and who could blame him? By this point, no one would shed a tear for a woman who did her very best to ruin her son's life. Hell, some might have cheered when he more or less bullied her by "killing" her doll. No mercy for an abuser, right?
However, in a brilliant display of foreshadowing, the audience is made to suspect that Bojack won't actually get to tell his mother off. He already wasted the seasonal F-bomb here! And there are no freebies. So what's going to happen? Will Bojack simply be prevented from finally facing the woman who ruined his life, deprived by outside circumstances of the catharsis he needs?
No. He does it himself.
Right when he has Beatrice where he wants, in a terrible retirement home and finally lucid enough to recognize her son... right after she has committed her last unforgivable act and secretly poisoned Hollyhock with appetite suppressants until she overdosed... Bojack chooses to not hurt her.
He could have. She would have listened to him. The viewers would have understood. But instead, the last moment Bojack could talk with his mother is used to soothe her confusion and fear, and give her a comforting vision where she can feel loved and like everything is alright.
Bojack is not one to do selfless acts without getting anything in return, and he doesn't know anything about her terrible past that we viewers have witnessed through the episode that explain why she was so bitter towards her son: so this act of pity towards the person he hates the most in his life speaks wonders of his character and growth.
But he did not forgive her. The entirety of Free Churro is dedicated to Bojack's painful eulogy of Beatrice, where he makes clear that he still resents her, and the only reason he's sorry for her death is that now he knows that he has lost the chance to have a good relationship with the one who was supposed to care about him.
Beatrice was shown wanting to reconnect with Bojack, almost as an apology. But even if her personality didn't got in the way of a proper reconcilement, nothing she could have done would have made up for the pain she caused Bojack, and he's right in still remembering her as a cruel person. But still, we remember that one moment of kindness he gave her as one of the most powerful scenes in a powerful story, for the build-up and for the significance it has for both characters.
Bojack Horseman did a wonderful job in exploring the complicated feelings that arise from being a victim of abuse. It's not just hatred and desire for revenge: there is a deeper connection, and care despite everything, and regret, and longing, and wishful thinking, and all sorts of uncomfortable feelings that are hard to explain to someone on the outside.
Needless to say that Netflixvania only wishes it could have reached the heights of Bojack Horseman, and Hector is not conflicted about Lenore. He's not anything. He shows no tension when he talks with her as if they were friends (it's the very first scene we see with them after Hector cried over being made a slave in S3); he shows no resentment when he talks about the ring that she forced on him to make him a useful tool, as he was a mere "problem to be solved"; his one attempt to address what Lenore did to him is brushed off as a sick joke that he takes in stride; he shows no confusion in his attempts to reconcile the Lenore who talks to him like someone worthy of respect with the Lenore who sadistically took advantage of his vulnerability to trap him. And needless to say, Lenore doesn't exactly get a good justification as to why she thought to resort to rape by deception to get her way, leaving fans to scramble to find one that still leaves her sympathetic enough.
It's only when Isaac storms the castle that Hector finally shows the slightest twinge of resignation when he cages Lenore to allow him to do his thing, but also to protect the woman who apparently protected him as well. Only now there is emotion in his voice, care and regret at the same time. Once more, much like Alucard killing Dracula, it's a big emotional payoff to nothing - worse than nothing, even.
Hector leaving Lenore alive, even protecting her from Isaac, could have been him taking the high road. Instead of going on a rampage like subtly implied by the framing, he could have shown her pity, for understanding that for all her cruelty and manipulation, she too was just a pawn in Carmilla's insane scheme (admittedly the parallel intended by the narrative, but not addressed enough). It would have fit with the general idea that revenge is for children (the development that was given to Isaac), and perhaps, in a way, we can consider it the fitting punishment for Lenore: being precisely being forced to live and see what exactly she has become. If written well, the subversion of the revenge ending could have been brilliant, and poignant.
But there's nothing there, except some shallow banter wasted on Carmilla and dick jokes and some flat voice acting. There is no inner turmoil. Hector just likes Lenore for no proper reason, which, if we pretend the writing was not a rushed mess, implies that he forgave her off screen and now everything is all peachy between them. As if what Lenore did was that easy to forgive. And if it was that easy, regardless of whether it was forgivable or not, then why should I be impressed?
It doesn't speak of Hector's supposed good nature. It's not an admirable act of strength. The choice to let go was not pondered, because it was apparently never a choice. We are eventually left with a nothing narrative, one that doesn't address the events of the previous season except in the form of a joke, one that doesn't allow the characters to grow but rather to regress (because remember, Hector's big badass moment of trapping Lenore and cutting his finger is in the context of him wanting to bring back Dracula and letting himself be killed by Isaac), one that doesn't explore the complicated relationship between a kind mistress and her well-treated pet that was deceived into imprisonment, and one that offers no catharsis whatsoever when it comes to the end, where Lenore kills herself out of nowhere and Hector lets her go after at most one second of hesitation (I have my idea on how that scene should have went - oh look, another comparison with BH :P). And we're left with accidental but vile apologism, instead of the nuanced tale about abuse that we could have had. It would have been so easy, even with the time restraints.
And it wasn't even intentional. It's just sloppy writing hailed as something deeper than it actually is.
(I keep reading in the comment people who gush about Hector showing compassion to Lenore, instead of comparing Carmilla lying to her to Lenore lying to him. I get the parallel and I get the superficial sweetness. This story should not have happened after petty rape by deception: remove that, and all the bonding suddenly makes sense. I want to fix it so badly.)
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