#i take whatever happiness I can

[veturdraugur]

I miss her. Every. Day.

Every day!!

‘Which one?’ You might ask, ‘Ko Mun Yeong or Seo Yea Ji?’

The answer to that is both!!! 😫😫😫

Queen material!!!

[egophiliac]

IT WAS ERIC AFTER ALL!!!! I'm so glad we got to meet him (before Vil snaps him away with those Infinity Gauntlets) (can't wait to see what happens when we get the matching Infinity Tiara to go with them, there will be no survivors)

(sorry to be so slow/rough lately, just got a lot of stuff on the ol' brain at the moment! alas, if only I could spend all my time drawing incredibly stupid characters I mean I do but)

[ghostorbz]

My September

yt link

[beetlethebug]

consider,,,a lucanis who is in love with emmrich, a spite who is in love with rook, a rook in love with emmrich, and emmrich who is in love with all three but wants lucanis, spite, and rook to get together because he feels he is not the type of man any of them deserve...

bonus points for spite being the one to realize just what sort of love quadrilateral is going on and is the one to get them all together.

[knockfell]

It’s literally them

[deoidesign]

Time and Time Again comes back tonight!

Thank you all for being so patient with me, I know it was a long hiatus.

My health was struggling, my arm was (is) hurting, and I decided it wasn't worth it. I'd rather be slow!

So thank you for giving me that grace, and I hope you'll be there with me for the rest of the series.

[findafight]

Robin chose Steve. Robin made the conscious and deliberate decision that she could and would trust Steve. She already liked him! She had fun working and bantering with him! They were already on their way to being weird little bffs and the torture just expedited the process. Steve chose Robin just the same! He thinks she's fun and cool and likes her so much! He chose to be honest and open with her too, putting himself out there.

Even though their interests on the surface level don't match why wouldn't they share them? Steve clearly caves when Robin wants to watch a movie he doesn't think he'll like, Robin can watch a March madness game or five.

Stop trying to take away their bond oh my god people can be close to more than one person!!! Their best friend doesn't have to be dismissive or mean or whatever in order for a romance to be special to them!

[capricioussun]

First word

[rawbin-hsr]

OMGGG Your latest smut fic is so amazing!!! The smut is absolutely delicious! but....the angst is breaking my heart so...could you please write a continuation or part two where the reader confronts Aventurine's dark internal thoughts and comforts them? A fic where they actually get him to believe that they love him for real, where they tell him that he's not a monster and that he wasn't ruining them.

You've got it ! (˵ •̀ ᴗ - ˵ ) ✧

Aventurine x Reader

You treat Aventurine with more respect than he deserves. (Part 2)

Read part 1 here !

CW: dehumanisation (internal, thoughts Aventurine has of himself, referring to himself as a “monster”), lots of mentions of death, passively suicidal Aventurine, violent imagery (through metaphors, nobody is actually physically harmed), intrusive thoughts, Aventurine thinks kind of vicious things about you (refers to you as "stupid", "brainless", "naive" etc), cursing.

Lmk if there’s anything else I should warn about !!

Small note: Spoiler alert sorry, but you will not completely fix Aventurine in this fic. Making any real progress would take YEARS. The trauma he's gone through and his beliefs about his own humanity are EXTREMELY deep-seated, just one conversation would not be enough to make him truly believe he was loved. Super sorry since I'm sure that's not what you wanted (you specifically requested they "truly get him to believe that they love him for real", but this does still end on a hopeful note so I hope you won't be too disappointed (•ᴗ•,, ) )

Sometimes Aventurine gains enough clarity to remember where he stands. More importantly, he gains enough clarity to remember where you should stand. That is to say, as far away from him as possible. Unfortunately, you are never keen on doing that. 

In these moments of clarity, he distances himself. If you won’t do it, he has to. He needs to. He needs to even when he can feel the little pieces of him that you’ve managed to haphazardly glue together splinter into tiny shards again, even when it feels like every step away is a step walked on shattered glass. He can hardly be called a ‘person’ anyways, what does his suffering matter? He has already lost so many good things, why not add another loss to the tally?

He reads your texts, but he doesn’t respond. He hangs up on you the moment you call. By doing this, he makes sure you know he is alive. Both because he knows it would devastate you if you thought he died, but even more so to make sure you know he is intentionally ignoring you. He hopes at least some part of you hates him. He thinks part of him hates you.

But he can never stay away for long. Like a werewolf called by the full moon; like a vampire to blood; like a siren to a sailor. Thoughts of you always cloud his mind too much to do what is right. He reminds himself he will destroy you. He comes back anyways. He is too selfish not to. 

And you welcome him with open arms every time. Sure, sometimes you yell. Sometimes you berate him. Sometimes you cry. But he never does something beyond the bounds of what you’ll forgive, even though he tries to. You’re patient to a fault. Though he feels bad, he never takes it fully seriously, because you always hold him with so much sweetness, even when your words are filled with righteous anger and justified hurt. You always end it by reminding him that you love him. Something clenches in his chest; something that is not his heart, because he has none. He claims he is sorry, but you both know he will do this again. He always does. You know he will hurt you over and over, even if you don’t know the extent. You know he will test you, that he will ignore you, that he will cling to you and that he will taunt you. You don’t know he will drag his claws through you and tear you to ribbons; you don’t know he will sink his teeth into your neck and drink all your blood; you don’t know he will lure you to sea and drown you. You are never aware of the true danger you are in. 

Maybe that’s why you one day feel comfortable enough to corner the creature that has taken on the appearance of a lover. You sit down next to him in bed one evening after one of his many attempts to push you away, your expression grim. You look straight ahead, right into his dead eyes, unaware that a monster is towering over you. 

“We can’t go on like this,” you say. For one moment, the crushing relief and devastation threatens to consume him, and he’s not sure which of the feelings is stronger. For one moment he can’t breathe. 

He hacks our a laugh, his skin straining. Something is shifting beneath his flesh, something ugly and dangerous. He needs to leave and he needs to do it quickly. 

“You’re right, we can’t,” he agrees, his voice a lot more steady than he feels. He feels the urge to grab you and shake you until you pass out. He feels the urge to suck out your life force until your body is an empty husk. He feels the urge to slam your head into the bathroom sink in the next room over. He feels the urge to shoot himself in the head, because he does not want to do any of that. 

“I love you,” you say, unexpectedly. Or maybe it’s not unexpected. You always say such stupid, brainless things. (You say it with sweetness. The only sweetness he can offer in return is the sweetness of bacteria digesting rotting meat. Is the flesh his, or will it be yours?) He laughs again. 

“I thought we were breaking up,” he says. Smirking, as if it’s funny. (It isn’t.)

“No, we’re really not,” you say firmly. He snorts. 

“Maybe we should.”

You don’t answer. Instead, you come closer. 

Get away, he thinks. Run, you fucking idiot. 

You don’t have many flaws, but the ones you do have are insurmountably big. You are too forgiving, you are too kind, you are too selfless, you are too naive. You will kill yourself doing this one day. You will let him kill you.

Your arms wrap around him. He can’t help but relax. The thing lurking under his human disguise grows more restless. 

“I don’t hate you,” you say, unexpectedly. And this one really is unexpected, because what made you say that? Your arms squeeze around him tighter. “I thought I was being obvious enough about that, but you’re so bad at understanding it.”

The feeling he has is the same as the feeling he gets when he realises a deal is going awry. You are the highest risk stakes he has ever made a bet on: will he ruin you, or will you ruin him? What you could do to him is so much more serious than death. He knows that he is holding a losing hand. He doesn’t even know what he stands to win.

You kiss his neck. He shudders. 

“Why are you so scared of me?” you ask. 

Scared? He is not scared. What an outright laughable concept. Neither of you are scared, but if one of you was, it should be you, but you aren’t, for some reason.

“What gives you that idea?” he chuckles, but his voice is not as steady this time, and he can feel his smile slipping. (What is wrong with him? He doesn’t want to think about it. The answer is always ‘everything’.)

“Your hand is shaking.”

It is, but that is not because he is afraid. Fear is a human response, borne from the desire to live. It is instinctual. It means kicking and screaming, it means clawing your way out of hell for the chance to see another day, it means fighting for the life you don’t want to end. He cannot die, you see. Death cannot occur twice. Just because his body reacts, that does not necessarily mean he can truly fear any longer.

(Then again, maybe his reaction does not come from the thought of his death.)

“I’m not scared,” he says, and his voice sounds a lot weaker than he had expected. You pull him closer, cradling his head against the crook of your neck. His blood is pulsing too quickly.

“It would be okay if you were,” you murmur. “I know you don’t know how to be loved. That’s okay. I’ll teach you. You just have to let me.”

Squash. Slice. Tear.

Maybe you are the monster. He can feel your claws prying his chest open; he can feel your teeth dig into his flesh; he can feel something that is not air fill his lungs. The biggest difference between you and him is that he devours, while you give. You painfully shove something back into the cavity meant to contain his soul, you pump blood back into his system, and you fill whatever gaps are left in him with something that is first cold but quickly warms. 

(He realises, belatedly, that something is pumping inside his chest again. But it can’t be a heart, can it? He lost that so long ago.)

“I’ll kill you,” he manages through gritted teeth, claws digging into your shirt. It is not a threat. It is not a warning. It is just the truth.

“You think too much,” you admonish him. Your tone is as gentle as your words are cutting. “I wish you would trust me more. You’re so determined to ruin your own life, and I don’t like it.”

“That’s just how I am. Deal with it or leave.”

“I’ll deal with it, then.”

Like a werewolf called by the full moon; like a vampire to blood; like a siren to a sailor. He will destroy you. But you accept it. 

He has tried time and time again to push you away, but he is weak. So incorrigibly weak, and though your flaws are insurmountable, his are all-consuming. He is a monster in all the ways that matter. But you stubbornly will not leave despite that. 

(Maybe that makes him a little more willing to try to change his nature. Just a little. Just for you. If you will not leave anyways, maybe he could try to make his presence a little less torturous.)

“Just… please stop ignoring me,” you sigh, nuzzling into his hair. Tenderly, tenderly, tenderly, so tenderly it makes his skin crawl. Your claws are softly piercing into him and he is helpless, unable (unwilling) to fight back. “I can deal with everything else. I just hate it when you do that. I can’t keep going weeks without speaking to you. I know you have some kind of… weird ideas that I’d be better off without you, but that’s not true. I love you, and I love being around you. I can’t help you when you cut me off at every corner.”

Cut, slice, slash.

Something in him breaks. Something he knows cannot be salvaged. Something he knows you would not want to salvage. Something he is not sure if he wants to salvage either, now that it is broken anyways.

He breathes a shaky breath, his fingers — his fingers, not claws, not this time — digging into your back. He buries his face into the crook of your neck, and he does not feel the urge to bite down. Though his eyes feel wet, it would not be enough water to drown you. 

He knows your line of logic is wrong. He knows the fact remains unchanged: he is a monster of a man. He will ruin you. But maybe your presence sparks enough electricity to keep his heart pumping, just for a little while, and maybe he can wait until things actually start going downhill before he lets you go. Maybe he can remember how to be a human for a bit, maybe he can pretend he is. 

“I just… don’t want to do something I can’t take back,” he whispers. “Not with you. You’re the… the only good thing I have left. I don’t know what I’d do if I…”

“That’s sweet, but I’m not as weak as you think I am,” you reply. “I’ve held out this long, haven’t I? Put more faith in me.”

He smiles.

“Yeah, I guess you’re right.”

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My inbox is open, feel free to send in asks or requests, I'd love to ramble about things <3 Also reblogs are EXTREMELY appreciated the final push I needed to finish this was from a very kind individual who reposted and analysed my writing I've been riding that high ever since they did that ily bro

[seaofdaydreams]

I lied. It was 7 pages. 🙃

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[antianakin]

Happy fix-it AU where Padme leaves Anakin anyway because she realizes how bad he is for her, and she ends up retiring because she REALLY doesn't want to be a Senator anymore (it was also maybe encouraged by her Queen after her secret marriage to a Jedi was discovered) and she goes back to Naboo to be with her family. She's left behind her responsibilities but she doesn't know what to do now, she's just... adrift, sort-of in limbo and mourning her relationship with Anakin. She has to keep convincing herself not to go back to him because she KNOWS she doesn't want that anymore, she KNOWS she doesn't want to be the person she was with him again, but the thrill of the secret marriage to someone who was so passionate about being with her is also sort-of like a drug.

Her parents both offer to let her come help them in their respective jobs, but she doesn't really have the energy for that right now. She DOES like helping Sola with her nieces because their energy and innocence seems to be a balm for her heart. One day, Sola asks if Padme can take the kids to a local festival in Theed one day while she and her husband go do something else, and Padme agrees. The girls are old enough and Theed is safe enough that they can wander off on their own away from Padme as long as they know not to go TOO far and come back to her after a little while. As she peruses the different artwork on her own, one artist's work stands to her more than anyone else's, it just hits at the core of her and she's not even sure why. She stands in front of a painting of a bird in flight for what seems like hours, though it can't be more than a minute or two, before the artist himself comes over to speak to her.

He addresses her as Senator Amidala, and she quickly tells him that she's not a Senator anymore and she doesn't really want to go by the name Amidala either, she prefers just Padme these days. He agrees, and something about him, maybe his eyes, seems familiar but she can't quite put her finger on it. They talk about his art for a while and everything he says about his inspiration feels like it's speaking directly to her. Eventually, Pooja and Ryoo come up to her and start pulling at her hands, demanding that she come see something with them. Before she leaves, she finally realizes she didn't even know his name and asks him.

It's Palo. The first boy she'd ever loved. The last time she'd seen him she'd been twelve in the Legislative Youth Program. She knew he'd left politics to become an artist instead, but she'd never actually seen any of his art before or ever tried to get back in contact with him. Now she wishes she had. Pooja and Ryoo are still pulling her away so she doesn't have time to really get over her shock at this revelation before she has to leave him behind and someone else comes up to ask him a question in her place.

He shows up at her parents' door the next day with the painting of the bird she'd so adored, and offers it to her as a gift. He refuses to accept any payment for it no matter how much she insists, but asks if she'd be willing to take a walk with him instead. She agrees. They end up spending the whole day together, just talking. For the first time, Padme doesn't feel like she's drowning in her own feelings or floating with no direction. She feels a lot like she's finally come home.

[xenomorphicdna]

On the string propaganda

Heeellll yeah

Bestie is an entire PLACE

I look at those guys and let me tell you the soul of that thing ain't just in the puppet, it's in all the neurons carrying the thoughts and emotions, it's in the power rails that serve as the heart. All the memories in the memory conflux and all the numbers we see flicker across displays, the flux condensers, the puppet; a little avatar.

No way these massive machines see life the same way we do. They have their own experiences and senses and things they hold dear. A world we can't imagine, a way of living we couldn't even comprehend.

I could never tear an iterator apart to be just a puppet. Who am I to decide how's life supposed to be enjoyed or perceived?

You treat your creechurs however you want- I ain't gonna dictate that. But damn, hearing the thrums and buzzes of the linear systems rail? They are alive with so much power, these mechanical beasts are exactly what they should be.

[mokutone]

i wanted to see what a piece would look like if i finished it in my three main mediums, pencil, ink, and watercolor (+colored pencils) >:*)

[aenslem]

my mortal enemies (not the ladies, the ladies are the loves of my life, I mean the filters in media)

[arsenicflame]

i Do Not Trust people who make Mary the bad guy in their stories when the show went out of its way to specifically show us how she was suffering just as much as stede was in their marriage and that shes, yknow, a good person