#i seriously hope that changes

[curatedspacefiller]

I'm so horny for the fact they wrote the whole 'once you put it out there, they decide what it is. It can get away from you' scene into a show based on work of an author who is famous for threatening fanfic writers with legal action

And that's on top of the horniness I already had for them treating the source material as a light suggestion at best

[reasonsforhope]

By the way, I would literally bet money that we're going to successfully keep global warming below 2 degrees celsius.

Would I bet my whole savings on it? No, not yet. But the way the data is trending, in two or three years, I very well might.

[anxioussailorsoldier]

zelda: “no, but...I would also like this notarised”

the totk situation is a textbook case of royal marriage for appearances so that the gay zoras can be with their blonde hylians, and you can't tell me otherwise

the blond barbarian man is leeroy, a beefier and more himbo reincarnation of link. still waiting to see him in-game

[juicedaloe]

me and my gf :3 (she is made of water)

[lizaisdrawing]

Good morning neighbors! ☀️

A little AU I’ve been cooking up a few days, following Wallace, the co-creator of welcome home! He’s very much creative and kind, but you can’t help but worry about him…

Especially with that weird puppet he’s always carrying around, it always seems to be observing… but anyways! It must be all in your head, don’t let fear alter you.

Wallace greets the viewers when the ep first starts, getting to the main learning subject for that day then introducing little Wally Darling! Who will be along side the him in both learning

and teaching! They’re a duo that you can’t help but be intrigued by! Is it the charismatic host that captures your attention, or the silly little puppet?

Or is it the heavy feeling in your chest whenever the puppet looks directly into the camera

[rainingcatsandjune]

haha heyy its been a while 😭😭 sorry for the lack of activity here,,, school has been kicking my butt + i've gotten SUPER hyperfixated on disco elysium,,,, BUT THE MOMENT I SAW THE ORIGINAL I KNEW I HAD TO DRAW SAM AS THIS RAHSBBFBDN i seriously need to catch up on the recent audios 😭😭😭 ANYWAY enjoy :)

vvvvv ORIGINAL BELOW vvvvv

shhhhghhshhshhsh youre telling me this ISNT sam??? like????

[dangerousherringjudgeoperator]

Now that we’re done with the main quest part of it… I wish they had fallen for like one trap. I get we were rushed for time but it was kinda annoying that they knew everything going in every time

[kacievvbbbb]

I think it’s interesting how as time goes on Zoro kind of becomes more and more like mihawk in some ways whether that’s just because if you spend time with someone for 2 years you’re bound to pick up their habits or a deliberate attempt to emulate him is a conversation for another time. And Mihawk and Zoro where already pretty similar at the start so it’s a little hard to notice now.

But yeah whether unconsciously or consciously Zoro is becoming a bit more like Mihawk and it’s interesting to think that while this means maturing in some ways (he’s swordsmanship for one but he’s also just quieter much more assured of himself) it also means deaging in some others.

Despite their significant age gap and general dispositions, when it comes down to it Zoro is just a lot more emotionally mature and developed than Mihawk is. And a big part of why is because he found something larger than himself to devote his life too, hell Mihawk himself even kind of acknowledges this when he agrees to take Zoro on as a student when Zoro begs for the sake of his captain and crew. He acknowledges that putting aside his own ego and dreams for the sake of someone else isn’t something he can do and sees it as a fault in himself and a strength in Zoro.

Mihawk may be outwardly mature and his skills defiently did not stagnant but I’d wager that Mentally Mihawk is still stuck at the same age he was when he took over the title of world’s strongest swordsman. Honestly maybe even younger. And it isn’t until training Zoro, letting Perona stay with him, for probably the first time in his life taking charge of lives outside his own did he finally unarrest his development.

If Zoro is purposely trying to emulate Hawkeyes, which it wouldn’t be a surprise if he was that’s who he’s trying to be Afterall, then it would honestly set him back emotionally because fundamentally as he is now Mihawk’s attitude doesn’t work in a crew. It’s too singular, too abrasive. And while that abrasiveness can be useful in Zoro’s role as Luffy’s first mate sometimes it makes him a little too callous a little too apathetic, like with his disregard for Luffy’s sadness over vegapunk.

But Zoro has his crew to temper that, they are honestly just too ridiculous to ever stay serious around. And try as he might to hide it Zoro is also just a silly dude who likes to be horrifically petty with his opponents. And zoro still has so much fire in him, so much he has too prove and so much he wants to protect to ever really fall into Mihawk’s apathy. Zoro has Luffy who even after they reach their dreams will probably still continue to turn the world upside down forever keeping Zoro in some kind of trouble and his life interesting.

Zoro can’t be Mihawk because even Mihawk can’t be Mihawk anymore. Being with crossguild and crossing with the Red hair pirates and the strawhats is going to change him, it has too. if Mihawk is going to live after losing his title he’s probably gonna have to become a little bit more like Zoro.

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[guinea-pig-enthusiast]

I will never be over Valerie's backstory.

It's not a "she's popular and bullies a less popular person" thing. It's not an "I'm going to hunt ghosts because they ruined my make-up one time" thing. It's a "this ghost ruined my life and now I have to fight for everything I want and I want him to be held accountable, no matter the cost"

They gave her such a compelling reason to be a ghost hunter! Obviously, we still root for Danny because he's trying his best, but it's refreshing to have a major antagonist who could have been just another mean girl be someone with real complexity, especially for a children's show

[eshithepetty]

So.

This is it, mobsters.... our final stand. When the poll starts on @autismswagsummit, go....... do your part.

[Short ID: a comic pertaining to the autism swag summit, featuring Mob and Tome. Mob reveals that he feels insecure about how seriously everyone's been taking this, and how he's not sure he likes all this attention on him for it, but Tome argues and encourages him, saying that his could help him get Tsubomi's attention, since she's autistic herself, and might appreciate Mob being more confident about that. In the end, Mob brightens up, and gets pumped to win the bracket, before it's revealed that Tsubomi actually hopes Papyrus wins. End short ID]

Extended ID under cut:

[ID: a comic pertaining to the autism swag summit, featuring Mob and Tome. It's done in pink and orange tones, except for the last panel, which is purple.

First page: Mob sits down at the table in the telepathy club room, sighing. Tome, who is playing a video game and eating fries, looks at him and asks: "? What's wrong, Mob?" Mob looks to the side, eyes downcast, and says: "It's nothing really... it's just- the autism contest thing. Everyone's taking it so seriously but- idk. It feels weird. Like Mezato-san's cult thing, kinda." Tome, meanwhile, slides him the fries, and he takes one, and continues, "I don't think I like all this attention on me. Not for this." and Tome looks at him, chin on hand, and asks: "But wasn't that like, one of your main goals? To be popular?"

Second page: at this, Mob startles, and in the next panel he shrinks in as he replies "um- yeah, but. To be honest, I only wanted that to-" and shrinks even further in the next, blushing, trailing off with "to..." Behind him, there is the tapping of footsteps as Tome, off screen, rounds the desk, and makes Mob jump with a loud SLAM, and yells "LISTEN, MOB!" Then, she is looking at him with a frown, gesturing with one hand, and continues: "You need to look at this from a different perspective. What if this is the contest that winning would aid you the most? After all, isn't Takane herself autistic?" Mob, eyes wide and blushing, loudly interrupts with "S-SHE IS??"

Third page: Mob asks, "How do you know??" Tome, her arms crossed, eyes closed and a smirk on her face, says "Look. I'm autistic. You're autistic. We're ALL autistic, I know my kin, alright?" Under her breath, (under the speech bubble) she also adds "Plus I kind of heard her say "Leave me alone, I'm autistic" once," before she interrupts herself, her arms spread wide and flapping, with "but that's beside the point!" She continues in the next panel, only one of her moving hands visible as Mob looks up at her, wide-eyed, "My point is, maybe this is your chance to show her what you're all about; that you know who you are; are secure in your identity, proud of it, even!"

Fourth page: Tome crosses her arms again, a confident smirk on her face as she looks down at Mob and asks, "So tell me. What are you gonna do?" Mob, hunched in, shyly responds, ".... I'm gonna win...?" Off screen, Tome replies: "Say it with more confidence!" And Mob does, back straightening and a blush creeping in: "I- I'm gonna win!" Tome yells "Louder!", and Mob stands up, leaning on the table, yelling in response "I'm gonna WIN!!" And Tome, a fist pumped in enthusiasm, yells back "YEAH!!"

Last panel: Tome's dialogue box is cut off, as we see Tsubomi, meanwhile, laying in her bed, sucking a lollipop and phone in hand, as she thinks: "I hope papyrus wins." End ID.]

[tanoraqui]

the real problem with The Silmarillion is that the creative sandbox is SO big, from the literal world map to the many-millennia timeline to the characters who are half historical figure constructed from 6 different half-contradictory drafts, half mythical archetype, and don’t even get me STARTED on the theological philosophy… that there is NO chance anyone else will remotely properly write the fic in your head. In other fandoms, I can be pretty sure that at least the people in the carefully chosen 12-person discord server I belong to all have the same fic in their heads that we jammed together at 2am, with the same interpretations of character and theme which we’ve debated and discussed at length. But The Silmarillion? You can spend 3 hours discussing a single character in like a 5-year period and walk away completely happy with shared headcanons BUT SIMULTANEOUSLY certain that their interpretation of the character is fundamentally different than yours, such that any fic they write would suffer from notable if not severe “he would not fucking say that” disorder…and that both your and their interpretations are completely reasonable reads of the text, so you can’t even be mad.

So you HAVE to write ALL your own fic or it’s AGONIZING.

[spoopdeedoop]

hi um. can I add my two cents about 11ponds. to me they are geocentric. 11 is the sun, Amy is earth and Rory is moon but they are inverted. the earth is the centre of the universe that the moon and sun both orbit. it's not ment to be like that, its supposed to be the earth and moon are just a pair orbiting the sun that has many other celestial bodies orbiting it. but. for them it's the other way round. Amy is the centre of Rory's universe, he is married to her, the closest anyone can get. but just past him, orbiting them both is a hunge firey ball of power so incomprehensible he looks small, the same size as them, from the earth's perspective. he orbits around the earth and therefore also the moon, but cannot truly get closer to them because he will burn them up. he can only shine his light and warmth on them, for better or worse. and the whole time, the sun and moon follow the earth across the universe all bound together, untill the sun gets so big and old it swallow them both up, and he has nothing but his memories of them. um.anyway sorry for being so insane I hope this makes sense<3

HELLO?/.????????????????///?????///

[junewongapologia]

The fact is tho that no matter how you look at it, no matter how insufferable she is, no matter how Out Of Touch, regardless of whether she’s doing herself no favours: Eloise is right about society and just about everyone else in the show is wrong.

Like, she’s not got the full picture, she’s blinkered and her political philosophy is not very in depth or well thought out. But she’s right, and I think that’s why a lot of people watching really don’t like her because she’s breaking the illusion. All in all, the 1810s were a shit time to be alive for most people, and you can “well actually” it all you like, but the Luddite movement existed for a reason, the Chartists existed for a reason, Porto-feminist writers like Wollstonecraft and de Gouges wrote what they did for a reason.

So when you keep being reminded that it was a terrible social order for women - in a show targeted mainly towards women for escapist purposes then that character is going to come across as irritating, because she’s ruining the immersion.

Really, her attitude isn’t more anachronistic than the dresses, or the hairdos, or the diamond necklaces (men and women had been advocating women’s right to vote since before Eloise was born, lads), but it’s a problem because people are watching the show for the sweeping romances and the general regency vibe, they don’t want to think about how the regency was for most people. Which inevitably leads to some incredible projection, when watchers of a show with the central conceit of only being interested in the love lives of the top one percent of the one percent of the British aristocracy acting as though Eloise is the only privileged person on the show.

And yeah, she is better off than most of the people who exist in all of Regency Britain (though if you were to take the show as read, Britain is made up of about 70% aristocracy, 1% gentry, 5% urban bourgeoisie and 24% urban workers), but she’s the only one whose privilege is harped on out of her whole family and social circle. 99% of the speaking characters in the show come from a posher background than Beau fucking Brummell.

And! Eloise is literally just about the only main character who ever has to question her privilege! And when she is in season 2 she doesn’t throw a shitfit, she’s willing to learn! She goes out of her way to hear perspectives that she wouldn’t have heard in her social circle! But the narrative punishes her for that, and that’s because for all the criticism she gets about needing her privilege checked, they don’t actually want her to learn, they just want her to shut up and enjoy the trappings of regency decadence as much as they do.

Also - I know it’s really fashionable to rag on “pick-mes” and “Not Like Other Girls” - but actually, no, “traditional femininity” has never been socially unacceptable for women the way being GNC is, and it is in fact ruthlessly socially enforced against GNC women, even more so in the 1810s. Eloise is a teenaged girl in a society that stigmatises her for her wish for more legal autonomy, the idea that she’s somehow the villain for not being able to enjoy “feminine” hobbies without seeing them as just another element of the way women’s education is trivialised as ornamental, is farcical. “Sewing is a valuable and useful skill” so is cooking, but there’s a reason my mam, and not my dad, had home economics lessons, and that reason is still misogyny, despite the fact that it set her up better for being able to operate independently as an adult.

Idk I’m just kind of uncomfortable that in a world of rising reactionary political sentiment towards women, and this seemingly increasingly re-normalised view that women need to be wives and homemakers, people feel that the person on the show who needs to do the most introspection regarding their politics is an eighteen-year-old who is vocal about the fact that she has limited legal rights, and not any of the adult men in the show (a lot of whom probably have seats in the Upper House!!!) who never mention politics at all.

And frankly, given the shower who were Having Political Opinions in the long eighteenth century, Eloise’s brand of semi-anachronistic protofeminism is infinitely preferable to Hannah “I refuse to teach the poor how to write in my schools” More, or Edmund “don’t read my big thesis on revolutions too closely it’s definitely not all lies and junk history” Burke, or even a load of prominent members of the Bluestocking Society.

[theshadowsingersraven]

I had this drafted around elaingate, and now that my fever has finally broken, I can piece together my thoughts on the absurdity that is this fandom and the rhys week tamlin and rhys' sister piece debacle. Because, of course, no one has learned anything from elaingate to now, and it's time to wake up and smell the coffee.

If there's one thing about this fanbase that I've noticed so far, it's that people will accidentally tell you exactly who they are in the most embarrassing way possible. What's the main takeaway in the overlap of the rhys week drama and elaingate?

Art, purity culture, and "victimhood." And people deciding who does and doesn't get to fall under the latter.

The thing that I appreciate about elaingate (and I guess Rhysgate??) happening is that it outs the people in this fanbase who don't see art that doesn't cater to them as having same rights as the art they do like/are comfortable with to be celebrated and appreciated in a community event about a character.

It outs people who only care about "protecting survivors" if their trauma conveniently matches what SJM believes to be abuse or trauma. It outs people as having the same performative inclinations of "protecting victims" as pro forced-birth/anti-choice pundits do. Rhysand’s sister, a nameless character, is the perfect "victim" to create an upheaval about because, like Elain, no one actually has to sacrifice anything or do any difficult self-reflection because fictional characters will never ask anything of you.

Remember this quote from Pastor David Barnhart? It's pretty relevant.

"The unborn are a convenient group of people to advocate for. They never make demands of you; they are morally uncomplicated, unlike the incarcerated, addicted, or the chronically poor; they don’t resent your condescension or complain that you are not politically correct; unlike widows, they don’t ask you to question patriarchy; unlike orphans, they don’t need money, education, or childcare; unlike aliens, they don’t bring all that racial, cultural, and religious baggage that you dislike; they allow you to feel good about yourself without any work at creating or maintaining relationships; and when they are born, you can forget about them, because they cease to be unborn. You can love the unborn and advocate for them without substantially challenging your own wealth, power, or privilege without re-imagining social structures, apologizing, or making reparations to anyone. They are, in short, the perfect people to love if you want to claim you love Jesus, but actually dislike people who breathe. Prisoners? Immigrants? The sick? The poor? Widows? Orphans? All the groups that are specifically mentioned in the Bible? They all get thrown under the bus for the unborn."

Rhys' sister and Elain are the perfect vehicle for people to feel like they're "morally just" for "protecting" from...Tamlin. And people creating specific dynamics between these fictional characters, too, I guess. Because they're evil or whatever, I suppose.

"But, Raven!" I'm sure some of you are already scrambling to say. "There are real people in this fandom triggered by Tamlin, and they were hurt! They were so upset/disgusted that they left the fandom because people cared more about fictional ships than their triggers/feelings!"

And I'm going to hold your hand while I say this as a fellow survivor of DV.

No one is responsible for my triggers and caring for my own mental health other than me. And that applies to everyone else in this fanbase, too.

It's my responsibility to curate my online experience as much as possible to my own needs. This space is voluntary to be a part of, and if I no longer feel as though it's conducive to my mental health overall, then yeah, it's probably best for me to leave. Same with everyone else who felt like they shouldn't be in this fandom space because of the elaingate upheaval.

If people rightfully pointing out that this fanbase is extremely conservative and aligned with purity culture and morality policing to the point where art is policed in relation to celebrating a character during their own week is too much for someone because of the narrative around one of the characters involved...then yeah, it sounds like this isn't a good environment for them anyhow.

There's no judgment to be passed on the side rightfully saying this fandom is fucked up, whether or not people are ready to hear that. People saying art that features Tamlin in relation to another character event still has a right to be celebrated so long as that character in the event is depicted has no bearing on whatever real person Tamlin represents to the people that were triggered.

There's only so many ways people can actually be realistically protected from content that triggers them, and tagging is the most consistent way to do so. If the protection of tagging triggering content somehow still isn't enough for people when they might happen upon art depicting a character for one day out of a one-week period maybe is also still too potentially triggering for them, then maybe being in a fandom space isn't the best for their overall mental health and stepping away from it isn't a bad thing.

(And that's all without getting into why its totally fair for peoppe to question how true that ""stance"" of "protecting survivors" actually is when the Elain Week event's tagging system is consistently ignored and not used to actually protect survivors from triggering content. It's interesting how people spent more time angry at people who were adamant about the right to celebrate art instead of the event itself for not having a remotely thorough tagging system. How are you "protecting survivors" from triggering content, including yourself as the event runner, without tagging anything from character names to triggering content/events someone might view? Let's not forget how wide-spread triggers are, too. People have trigger warnings for content involving eyes or spiders due to phobias, not just events that they might have personally experienced, like violence.)

Back to the main point, however.

Issues like these out people as not understanding that creativity means bending the rules of canon however you want, because these are characters, not real people. But real people are making this art, and its value and worthiness of being celebrated is not up to anyone's personal discretion (including event runners) even in situations of discomfort.

It's a shame that the first upheaval happened regarding Elain since she's rarely appreciated outside of her ships anyway, but this Hell-hole of a fandom has had this coming for a while now. This is an absurdly conservative, rigid-to-canon, puritannical fandom, and unfortunately, Elain Week was the match that started this fire.

As a writer, I'm always going to have a hard stance on this because appreciating and celebrating art does not end where my personal likes and comforts do. Appreciation does not look the same for everyone, and just because it's not how you would personally celebrate a character does not mean it stops being appreciation or celebration. Your preferences are not and never will be the end-all-be-all of artistic appreciation in a fandom space. If you don’t see that, the block button is right there, and I've been using it very liberally.

You either stand for all of fandom integrity and creative works, or you don't deserve to be in this space. And I will very happily remove you from my space here since, as far as I'm concerned, you don't deserve to be in mine, either.

[the-sussy-imposter2]

I thought Will would like messing with louise sometimes. Louise doesnt seem to like his sense of humor, though.

(Characters are will and louise from @peachnewt 's story, getting in deep !!)