#i say this with episode 7 being my favorite of the series. i think. as i eagerly wait for the finale

[oatmealaddiction]

Okay but the weirdest thing about the whole "Brotherhood is better you should skip 03" discourse that's become commonplace now, it sort of forgets the world Brotherhood came out in and why you should watch the original Fullmetal Alchemist. When Brotherhood came out, the original Fullmetal Alchemist was one of the most beloved and most watched animes of all time. Brotherhood assumes you the audience have already seen it because of course you have, everyone has seen it, so it skips important information and speeds the story up because it doesn't want to bore you with things you already know. Have you ever wondered "hey why does the first episode of Brotherhood kind of suck, and why am I being introduced to like 50 new characters, and why are they acting like I know what the hell an alchemist is?" It's because Brotherhood thinks you've seen 03.

The first 7 or so episodes of Brotherhood constitute dozens of chapters in the manga, and the first 25 or so episodes of the original Fullmetal Alchemist. The Nina Tucker episode in Brotherhood, in FMA 03 takes up nearly three episodes. Yoki gets a backstory in 03 and it's genuinely one of the best episodes and taken directly from the manga and Brotherhood glosses over it because: duh, you've already seen it. And so if you skip the original you miss out on dozens of really great character building episodes like Ed and Al meeting Hughes for the first time and getting to spend a whole episode helping him free a train from terrorists, or Ed and Roy having a duel that expands on the relationship they have, or episodes where the brothers just help out random people in towns before the major story gets going.

The original also paces itself quite a bit better than Brotherhood and is more in line with the mangas storytelling. In the manga we don't find out about The Gate until nearly two dozen chapters in, and the same goes for the original anime. Like, that's a twist reveal in those stories, and it's weird that the most watched series is the one where they tell you all about The Gate in the first two episodes because they assume you've already seen the original show.

What's more, people don't know that Hiromu Arakawa helped write for the anime while she was still in the middle of writing the manga, and as a result was inspired to write scenes in Brotherhood that the anime did first. That scene of Edward getting impaled by a falling beam? Directly inspired by a similar scene in the original anime. There's a lot of little instances of that and they're great when you can recognize parallels and things in Brotherhood that are direct references to the original anime, but people don't notice any of that anymore. Because the original anime is just an automatic skip these days, and it's a bummer because people don't realize what a giant it was back before Brotherhood was released. They treat it as *bad,* not realizing it was one of the most beloved anime of its time and the problems people take issue with have a lot more to do with personal taste than any kind of actual flaw in the writing. Brotherhood was never meant to dethrone it, and the original anime was always supposed to be part of the viewing experience which is why those first few episodes of Brotherhood are so fast paced. So like, please stop telling people Fullmetal Alchemist 2003 is a skip, or it's bad, or you don't need it because Brotherhood is better. Regardless if you think Brotherhood is better or not, the original wrote Brotherhood's check. It was huge, it was beloved, and Brotherhood is *banking* on the knowledge you've seen all of it and loved it. And trust me when I say there is so much to love about the original series. It's still my favorite branch of the FMA franchise, and it's worth your time, I promise you.

[oveliagirlhaditright]

One thing I don't like about the PJO adaptation (don't kill me) is how in this version, the kids are, like, knowing right away that a lot of things are a trap, that they most definitely did not in the source material.

I agree with Dominic Noble: that it feels like a second playthrough of a video game, where you already know all the twists.

And I liked them falling into the traps, because it fit with them being twelve-year-old children.

And as Dominic Noble also said, yes them continuing to fall into traps can feel a bit random... But that actually falls into lie with the ancient Greek and Roman myths, like the Odyssey, where that always happened to the heroes. It felt like the original story was trying to reference that and do a modern take on it. So having plot reasons for the trio to do certain things, like going to the Lotus Hotel to meet Hermes instead of just randomly ending up there, sort of hurts that feeling.

But this is just a minor complaint.

[salmalin]

My sincerest apologies and warmest welcome to my rant about FF7: Crisis Core. Or, as I like to call it,

Propaganda: The Video Game

I say this with the utmost affection. Crisis Core ranks really high up there in my favorite Final Fantasy 7 installments. I played it when it first came out, borrowing it from a friend to play on a borrowed PSP. And, the more I learn about the game and the more I replay it, the more everything lines up.

This game is not about Zack Fair.

This game is about how Capitalistic Propaganda can sink into every aspect of life to the point where it is entirely indistinguishable from reality. And it’s very overt about it. So…

Here we go.

My treatise on Propaganda’s starring role in Crisis Core.

Part One: The Timeline

Something that a lot of people gloss over due to decades of Child Heroes in media—Japanese Shonen and Shoujo series in particular—is how young these protagonists are. We’ll hand-wave a lot of stuff in non-live-action series with just a little bit of suspension of disbelief. And that’s honestly just accepted these days. But here’s the thing about those hand-waves.

Final Fantasy 7 doesn’t do that.

Now, FF7 hand-waves a lot of stuff. For example, how far you can travel in a day by foot, the distance a man weighing approximately 165lbs can jump after being genetically fused with what might as well be a cocaine demon (Jenova), and how much hairspray one can reasonably carry on a cross-country journey while on the run from the feds.

Age is not one of them.

Exhibit A: Yuffie Kisaragi.

Do I really need to say more? She acts her age. So does Zack. And Aerith, even. Most of the characters in the original lineup were over twenty for a good reason. We see several kids in the series, and they all act their age, too—both the OG and the remake. Age is not a thing that FF7 really grapples with. It’s something they take relatively seriously.

Now, to the point.

Zack is 16 when Crisis Core starts…

… and he was 13 when he ran away from home without his parents’ knowledge to join the military.

Which accepted him.

At 13.

Without a parental permission slip.

Think about that for a second.

… Or for the next several parts of this breakdown.

Part Two: The Main Character

As I mentioned in the introduction, Zack is not the main character of the events of Crisis Core. Instead, he is the focal point of the second person POV. This is not the first time Square has done this. It was done most notably with FF9, FF10, and FF12. (I’m not going to go on an Akira Kurosawa rant right now, but please check out his film “The Hidden Fortress”. FF12 and Star Wars episodes 4-6 borrow heavily from this film.) The purpose and position of this character is such that they might best witness the effects the other characters make on the world as their stories unfold, usually in the role of a love interest. For Akira Kurosawa, it may have been told this way because these people are most effected by the decisions being made.

“Well, then, Sal,” you may be asking, “who would you say is the main character? Would that be Aerith, since she’s the love interest, like in the other games?”

No, actually.

It’s the antagonist.

And by that, I mean Genesis.

Hear me out. I used to hate Genesis, for I was once young, full of judgement for flamboyancy (thanks, internalized homophobia), and was led by the narrative to believe he was mean to his friends. Then I met my Lovely beta who loved him, so I wrote a fic for her as a gift. So for that I kinda just… read stuff. Because that’s the thing about Propaganda—you gotta read stuff to navigate it. I read the in-game emails. I re-watched all the scenes I could get my hands on with him. I read his wiki and tried to track down more information about him. Then I watched the scenes in Japanese and gained a better understanding of not just Genesis, but Sephiroth’s character. And I realized that Genesis was put on this road from the start. In fact, a big part of the fact that he’s seen the way he is in Canon—only at his most hostile and lowest points—is because the story is told through Zack’s point of view.

So before we get into the breakdown, here’s the hard facts about Genesis.

1. He was a test tube baby who may or may not technically be Angeal’s fraternal twin brother, which we are not going to unpack right now.

2. He was adopted by a relatively rich family.

3. He was a child genius (which requires not only resources, but drive to achieve), and at a tender young age of like… ten or something? He decided to mess around and literally invented pasteurization. Which is incredible, and really speaks to his knowledge of the world and ability to grasp complex concepts even at a young age. But, again, this is not the time or place to unpack that.

4. He was best friends with Angeal, who might as well have been the sweetest, kindest boy to ever walk the Planet. (I’m biased. I love him.)

5. As a teenager, he became fixated on Sephiroth, who had gained national acclaim as a SOLDIER despite them being the same age. (Please see part 1 and think about that for a second.) He then goes to join SOLDIER and brings Angeal with him. And Angeal brings his step-father’s puritanical “hard work is honorable” mindset with him. (On that note, Angeal and his father’s arc really are a wonderfully scathing letter to companies that overwork their employees and how toxic/unhealthy that line of thinking is. But. Again. We are not unpacking that right now.)

6. At one point he became consumed with LOVELESS, a series of poems with heavy prose and symbolism thicker than syrup. It got to the point where he was so well known for it that there was an entire fanclub dedicated to both him and analyzing the text.

7. While he was in SOLDIER, he repeatedly had his achievements publicly accredited… to Sephiroth.

Over and over and over again.

Everyone did, really. They mention it in the beginning of the game. Sephiroth even got public credit for Zack’s raid on the castle when he wasn’t even there. How much of his legacy is real? How much of it is made up? How much of it was faked? We don’t know. No one knows. But he keeps getting credit, anyways. And when Genesis confronts him about it, Sephiroth doesn’t care. In the Japanese version of their fight scene, you could even say he indirectly implies that he wants Genesis to take his place as the “hero”. In the English, Sephiroth’s line is, “Come and try.” But in the Japanese the line is closer to, “Wouldn’t that be nice?” Which, depending on how you take his tone, can mean wildly different things—from mocking, to earnest, or even admiration—which is especially to tell because he might be annoyed with Genesis at the moment.

Fun Fact: In Ever Crisis, Sephiroth explicitly says they are making up his achievements in the press to target boys his age for recruitment. (Thus why they accepted Zack at age 13.)

My theory on this line is that he is being cynical; that Genesis doesn't understand just how harrowing and even humiliating his experience has been. This only enforces my theory that the "come and try" translation in the English not only does a disservice to a line as wonderfully heavy as, "Wouldn't that be nice?", but fundamentally misunderstands Sephiroth as a character.

8. Genesis then took the fight to Shin-Ra. Inspiring a good chunk of their staff to leave the company, he then staged multiple attacks on facilities, staff, and the main building—which also spilled out into the city of Midgar. He murdered his parents, buried them, killed everyone in town, and… Yeah. It wasn’t pretty. A lot of innocent people died simply because they were vaguely associated with Shin-Ra. These are the actions of a villain. What’s more, this is clearly a sign that he has been acclimatized to death and violence by Shin-Ra to the point where he doesn’t even consider taking hostages.

Except.

Except the entire town was a Shin-Ra town.

Banora, canonically, was a Shin-Ra built town, which means everyone there was basically an employee of the company. No one was safe. Everyone was a threat. And that…

That was how he was raised. And he finally knew the truth—that every moment of his life was touched, controlled by Shin-Ra, all the way down to his very conception. He has never known freedom. He has never known his own identity. And now that very cage was killing him, slowly and painfully, and turning him into something that couldn’t even be recognized as human. He was watching himself rot in the mirror, and it was all because of Shin-Ra’s greed. And as he searched for salvation, he sunk into LOVELESS as he always had, hinging his entire life on Minerva’s Gift because he knew he was dying and that was all he had.

9. And then he died…

10. … but then it turned out LOVELESS was actually kind of a blueprint, and he did meet the Goddess, and he did get reborn without his degradation so he was rewarded for his journey in the end.

So why wasn’t Genesis the main character of the game?

Simple.

His actions challenge the status quo without being about the status quo. It’s a story about revenge. It’s a story about retribution. It’s a story about answering mass violence with mass violence and ultimately being rewarded by it. And while, yes, the series is an action-based violence simulator, the violence in the original FF7 was a guided, tactical effort. (For all that the characters aren’t the brightest bulbs in the sun lamps.) But the biggest, most obvious shift in the narrative happened when they realized their role as terrorists—bringing mass violence to the company via bombing and open aggression—was just resulting in increasing levels of retaliation against uninvolved people. They might as well have been a child beating the ankles of a giant. The goals and themes of the game fundamentally change when they realize that answering mass-scale societal violence with mass-scale physical violence was not only unsustainable, but also wasn’t going to solve their problem.

FF7 is about change and learning when violence—and what kind of violence—is appropriate in the face of different threats.

Genesis’ arc undermines all of that, and making him the main character would contradict the very heart of the OG game.

So, instead, we are positioned as Zack, connected to him through a mutual friend. From there we see all the damage and horror this vengeance brings to those living under the status quo.

But also, that plotline’s a major downer in a lot of ways, so they needed to lighten things up a bit to keep audience involved. And that’s why Zack is, well…

Part Three: Zack is a Himbo

Please, for the love of all that is holy, keep in mind that everything I say here is with the utmost affection.

Zack is dumb as a rock.

He is a charismatic, enthusiastic sixteen year old jock who ran away from home at thirteen years old to join the military. Which, please know, why I say “military” I mean “private security guard force with a standard-issue Death Baton and a license to kill”. The first scene in the game is him being excited that he gets to murder a bunch of people in a simulation, which he is immediately scolded for by his mentor. He is a glorified, souped up private security guard who is canonically only in it for the glory at first. He wants to be a “hero”, but doesn’t seem to fundamentally know what that means. And, over the course of the story, the definition of that clearly changes for him.

Which tracks, because the story takes place over a period of time with high stress.

Occasionally I see people saying they wish that Zack had more complexity to him, and honestly? The game. Would be. SO. BAD.

Full Disclosure: I am not the biggest fan of Zack specifically because he lacks a lot of nuance. I wish he was a bit more complex, too. But I also know that would break the game. What’s worse, if he was still on Shin-Ra’s side because he understood Shin-Ra’s mission… Well… That would make him a villain, or a cog at best. That’s not main character material. It would make the ending more messed up, though.

Anywho, Zack was thirteen when he left home. He had no formal education. He didn’t tell anyone what he was doing. He even joined without a permission slip from his parents. This means that Shin-Ra was accepting thirteen, possibly fourteen year olds into the military. (Some people will say this tracks because you can get a job at fourteen in many parts of Japan. But, and this is important, you aren’t allowed to be a security guard until you’re quite a bit older, and you need a specific license for it, much like in the US.) Clearly they didn’t teach this boy critical thinking skills. Not because he’s a himbo, but because having their Super-Powered Private Security Force With A License To Kill think independently would explicitly go against their interests. (EX: Genesis.)

Shin-Ra needs SOLDIERs to follow orders or the company would no longer be able to function. Seconds and Thirds aren’t even allowed to reject missions. (One could argue that sending certain someone on back-to-back missions would be a good way for them to eliminate undesirables within the ranks by sending them to their deaths, which… would make an incredible fic idea, actually.) We already know that First, Second, and Third Class rank assignments do not actually reflect the power of the SOLDIER. This is canon. I would instead argue that those who make the rank of First Class aren’t necessarily the most powerful, but are instead the most visible in the media, thus the easiest to market, and/or the easiest to manipulate and control. (For a great example of this, see The Umbrella Academy.)

The point is, Zack may have been elevated to his position as a first specifically because he is malleable and single-minded. Even after all he saw with Genesis, he stuck by the company to the very end, with the exception of the time Sephiroth was literally guiding him to fail a mission. Zack allowed himself to take Shin-Ra’s side every time, taking down their enemies and following their orders, preserving his “honor as SOLDIER” as he had been taught. The only thing that made him stop…

… was literally getting put in a jar.

It was when he was no longer a SOLDIER.

Part Four: Honor

There is no such thing as SOLDIER Honor.

I repeat: There is no such thing as SOLDIER Honor.

It is a fictional thing that is borne of an ideology based around hard work. It only has power because it is believed in. It is an intangible social construct similar to the law, mathematical order of operations, and gender roles. So why are Angeal and Zack obsessed with it?

Pretty simple.

Angeal’s step-father followed it.

Now, we know three things about Angeal’s step-father.

1. He was chill with the fact that Gillian was already pregnant when they started dating.

2. He was a very good father.

3. He worked himself to death trying to pay off the sword he bought Angeal.

This, of course, says a lot about Angeal considering he rarely uses the sword. He essentially sees that sword as the symbol of his step-father’s life. Everything he uses it for, he sees as more important than his step-father’s life. That thing is usually Zack.

Zack, who is the child who joined the military based on stories of heroes.

Zack, who rises against Angeal in the name of his own step-father’s ideology and tries to talk him down, even at the very end. But Zack fails because he fundamentally doesn’t understand what’s going on, partially because “Soldier Honor” is just one more aspect of this narrative he was given. It is a narrative that Angeal has had to step away from, even though he doesn’t want to leave the memory of his step-father behind. He was a good man. He was a good, hardworking man.

And that is why he died.

Corporations will use you up until there is nothing left, then honor your memory/sacrifice. Shin-Ra was doing the exact same thing the company his step-father worked for did; using up SOLDIERs until they outlived their usefulness. And Angeal was horrified to realize that his “SOLDIER Honor” wasn’t honor at all.

It was willingly submitting to control.

But, unlike Angeal, over time, this meaning changed for Zack. Partially because he didn't understand it fully in the first place. It became about acting with integrity. It became about helping people. It became about not lying down and watching the abuse Shin-Ra handed out in exchange for literal money; for maintaining the status quo.

At the very end, Zack understood what it meant to be a hero.

Part Five: The Conclusion

To sum up, Zack believed in and idolized the propaganda spread by Shin-Ra at such a young age, and was so convinced by it, that he ran away from home at thirteen to join the military.

He was their target demographic, so they happily took him into their ranks. What’s more, people think this is normal enough that we see no one opposing this, because the only people who oppose Shin-Ra are “extremists” or “violent terrorists”.

Zack then became their loyal puppy, groomed to fill his role as super-powered attack dog to sick on anyone they deemed appropriate, and he filled the role. He believed he was doing good. He didn’t think they were invading another country, because that’s not what he was told.

He went after Genesis, because that’s what he was told, and he wouldn’t let Genesis’ actions shake his faith in the company.

Then he went after Angeal, hoping to get answers, only to become more confused. Angeal taught him about SOLDIER honor. He taught him about a higher calling. He was the one who made Zack truly loyal to the company. This challenged everything Zack knew.

He went with Sephiroth, planning a small rebellion of their own (a white lie on paperwork) to get answers, only to find things he wasn’t ready for and couldn’t fully understand.

Zack is shaken by each of these events. Horribly. At times, we even watch him grieve. But time and time again, he doesn’t leave the company. He sees the damage they do first hand, and he doesn’t leave the company. The company isn’t the problem, to him. He reads their emails, does their dirty work, and “maintains his SOLDIER honor”.

Zack swallows what they give him right up until what they give him is torture.

Zack swallows what they give him until he becomes their victim.

Every step of the way, Zack is fed a story of how the world is. He was raised on it. He lived it. He became part of it. He was paid peanuts to enforce the status quo Shin-Ra installed in the world by force, and he was proud of it because it was, to him, something to be proud of.

Zack believes the propaganda whole-sale, and we get to watch, from the point of view of an outsider, as it slowly destroys his life before killing him.

Propaganda has the power to make suffering normal. Propaganda has the power to make murder righteous. Propaganda has the power to take a thirteen year old boy out of his home so they can give him a sword, and when they point him in the direction of their enemies he charges of his own volition, because they made him believe in their cause. And he believes in their cause because he believes that it makes life better for everyone.

But that’s not what’s actually happening.

That’s just what he was told.

Crisis Core is about propaganda, and the depths to which it can affect our lives. It changes our belief systems. It changes our perceptions of reality. And when it’s torn down around our eyes, it can make us go insane. It can make us violent and unreasonable as we realize just how much violence is being forced upon us—violence other people just plain do not see. It's just a a piece of paper. It's just a law. It's just a job.

It's just a war.

Final Fantasy 7 was about Fascism.

Crisis Core is about the propaganda that built it. It is told from the point of view of a boy, then a man, steeped in it. He watches until the people suffering around him—Sephiroth, Genesis, and Angeal—are twisted into villains by the truths and lies around them. Genesis and Angeal are tortured by truths, Sephiroth is transformed by lies, and Zack is subsequently hunted down to conceal them.

Crisis Core is Propaganda: The Video Game.

[barblaz-arts]

Fellow Chaggie shipper, here and I wanted to ask you a question. Could you please do an analysis post on the Chaggie argument from Hello Rosie. I know this will sound weird but I can't get over the level of icy anger Charlie had towards Vaggie or how despite everything going on, Charlie is more hurt from Vaggie not being honest with her. Just angst all around.

Oh yeah sure I'd love to!

I'm not sure there's a lot I can say about that argument that isn't already super obvious, so I wanna talk about Charlie's anger because of something my brother said as we watched episode 7. He loved that episode apparently because "When they're separated, it's even more obvious that Charlie is the one who's more quick to lose her cool." Which, looking back, is actually true!(To an extent)

Vaggie and Charlie are both quite quick to anger. Charlie is just better at hiding it because she's a chronic people pleaser. Although Charlie wouldn't immediately show her anger at a person being a jerk to her specifically, she's immediately summoning fire and brimstone over anyone who hurts/insults her friends or the cause she's fighting for.

Love this lil bit in "You Didn't Know". How Vaggie is the one telling Charlie to calm down, as if she knows what's about to happen. She knows that if she doesn't at least try to reel in her girl Charlie would be spitting literal fire at a goddamn seraphim.

It would seem like such a surprising role reversal, but if you look at all the times Charlie would lose it whenever Vaggie's not there to tell her "babe, chill", then it makes sense.

But then when their fallout happens, Charlie's short temper is even more apparent. She calls Alastor an asshole to his face even though she considered choosing his support over her father's. She openly glares and rolls her eyes at Rosie when she jokes that her and Alastor look like an item even though she still kept things cordial with Valentino after he licked her arm. She flips the bird at some old lady even though she didn't take visible offense at all the demons that inserted their crude and rude selves in "Happy Day in Hell." While she was cold and subdued even when upset with Vaggie, she was explosive and in ur face when she was pissed at everyone else.

Vaggie reigned in both the girl in Charlie who dreams a little too big and the demon who's waiting to lash out in flames. It really makes me wonder if there's a difference in the kind of person Charlie used to be before Vaggie. Before she had friends to be angry on behalf of and a person to calm her down. And then, in the wake of their argument, Charlie is left with a lot of anger that is easy to ignite.

But I love love love that despite all that anger, Charlie can't bring herself to deny that she loves Vaggie with all of her hurt heart.

This little moment is one of my favorite parts in the series. My brother mentioned that this episode and episode three were his favorites because he liked the beats the dialogues followed. So he looked back--

(the man literally paused the episode to check the opening credits of ep 7 and 3. I was a little annoyed because I just wanted my Chaggie dammit! We'd make terrible youtube reactors with all the pausing and discussing mid-episode that we do...)

--and was satisfied to see that it was written by the same person, Ariel Ladensohn. Apparently she's in a sapphic relationship too and projected her own experiences whenever she wrote Vaggie and Charlie, and it must have paid off because the moments she wrote with them felt so real.

Charlie expressing her fear that even Vaggie's support and love could also be part of the lies she told was understandable considering the betrayal she felt. But immediately following that she goes "Oh that's a horrible to thing to think!" which I love even more. Even when she's understandably mad she thinks about how Vaggie would feel over Charlie thinking that of her. Because although Vaggie lied about who she is, Vaggie was always sincere about how she felt for Charlie. Vaggie's past may have been a lie, but the things she did for, to, and on behalf of Charlie were very real and held dear in Charlie's heart.

I dont have anything smart to say to conclude this. Sorry, I'm not even sure where I went here. Let's all just appreciate the smile Charlie has on her face when she thinks about Vaggie even when she's under a lot of stress I guess.

[httpsserene]

𝖍𝖙𝖙𝖕𝖘𝖘𝖊𝖗𝖊𝖓𝖊'𝖘 2𝖐 𝖘𝖕𝖊𝖈𝖎𝖆𝖑

welcome to the table of contents for my two-thousand followers special !

i am actually shocked that i reached this milestone, considering my writing managed to convince people to follow me even though i have not been active on this account. you all bolstered me to 2k through two hiatus' that i did not announce, and that i do sincerely apologize for. the next time i plan to disappear off the face of tumblr, i'll give you guys a heads up: no more ghosting :) but seriously, thank you guys for the never ending support, and i will make sure i return the gratitude by being more present on tumblr, and writing more often!

as previously requested and mentioned, this special event is the daniel ricciardo edition. i believe a majority of you wanted a part-two of the overstimulation with daniel ricciardo / max verstappen x black!reader from my f1 kinktober series, which will be included in this special. i also promised a few dr3 fics to some of you that requested--so all in all, all of the daniel ricciardo thirst that YOU ALL requested is listed below the cut. i hope this is enough of a peace offering, and i hope you all enjoy xxx

if you would like to be added to this special's taglist, send me an ask or leave a reply. all episode upload times are at 12 PM EST on their release date. posts tagged as # httpss :// 2k special. all works can be found in my table of contents (m.list).

𝐭𝐡𝐞 𝐝𝐚𝐧𝐢𝐞𝐥 𝐫𝐢𝐜𝐜𝐢𝐚𝐫𝐝𝐨 𝐞𝐝𝐢𝐭𝐢𝐨𝐧

𝘀𝘂𝗺𝗺𝗮𝗿𝘆: it's his one-man show. you ask for danny ric, and he will always over-deliver. 𝗽𝗮𝗶𝗿𝗶𝗻𝗴: daniel ricciardo x fem!black!reader 𝗴𝗲𝗻𝗿𝗲: assorted oneshots.

view playlist? ↴

Pilot: Over-Stimulation Kink w/ Daniel Ricciardo & Max Verstappen

You can't remember the last time you've gotten to spend more than three days at a time with both of your boyfriends. You understand how demanding their job is but, you just can't remember the last time they really exhausted you...pleasurably. And then winter break comes around, and they have all the time they need to make you lose your mind.

Episode Two: Say, "Cheese!" | facial | 5/31/24

The day she gets her braces off will be the best day of her life. Maybe all the years she dealt with insults, underhanded compliments, and men who wouldn’t date her because of them, would be worth it when she sees her perfectly straight teeth. Of course, it sucks that she has insecurities stemming from her braces; her boyfriend, Daniel, says that they “add to her beauty.” If she believed him, she probably wouldn’t hide her mouth behind her hand when she grins or laughs. Don’t worry—Daniel has an idea of how to make that smile of hers…shine.

requested! insecure!reader. soft!dom daniel. oral sex (male receiving). serene's fave.

Episode Three: Gaslight, Gatekeep, Girlboss | fake orgasm | 6/5/24

When Daniel isn’t feeling well, it’s no hardship for her to take of him. Except this time, he broke his hand and is proceeding to be an absolute nightmare to take care of. They haven’t had sex since before the accident in Zandvoort because she’s afraid that somehow she’ll end up aggravating his injury. Daniel, however, has convinced himself that he only exists to bring her pleasure. So, she comes up with a plan to soothe his service dom tendencies. Enter, Operation Fake Orgasm. How hard can it be? Spoiler alert: she’s a terrible actress.

requested! servicedom!daniel. vaginal sex. hurt/comfort. attempt at humor.

Episode Four: Tomorrow 2 | body worship | 6/7/24

She’s the least favorite Formula One WAG. At first, she was optimistic, the fans would eventually start liking her—but that was a pretty naive thought. She’s constantly compared to Daniel’s ex-girlfriend—she’s not as pretty as her, she’s not as supportive as her, etc. Unfortunately, in a moment of low self-esteem—she breaks and thinks maybe the fans are right. Daniel comes home and sees you gathering every belonging of yours that’s migrated to his apartment like you’re breaking up with him. He tries to change your mind with his words, but that doesn’t quite reassure you completely; so he has no choice but to do it with his actions, too.

requested! insecure!reader. light angst. multiple orgasms. manhandling.

Episode Five: TSA | soft yandere | 6/13/24

She’s too pure for him. She hasn’t been damaged by life like he has and he hopes she never will be. So, that’s why Daniel can never allow himself to be with her. He knows she’s convinced herself that she can fix him, but he knows the longer he sticks around, the more he’s ruining her. He finds it cynical: their relationship (or lack of one) reads like one of the books she’s obsessed with: right person wrong time or forbidden love. Daniel learns that it might be a little darker of a trope—like one of her books that she never allows him to see a page of.

requested! possessive!reader. mild angst. happy ending. morally grey.

Finale: K.O. ! | over-stimulation | 6/25/24

Okay, Daniel may have won the first round. He cleared her dry spell with no problem and used Max to do it, too. That’s completely fine, she will never complain about experiencing some of the best orgasms of her life. But, Max (the man unable to not have the last word) coerces her into giving Daniel a taste of his own medicine.  As soon as they can manage to walk on two feet, without a wobble. Mark their fucking words. 

requested! part-two of the pilot fic. multiple orgasms. polyamory. bondage.

current taglist:  @saintslewis @cherry2stems @lorarri @inloveallthetime @mindless-rock @biancathecool @barnestatic @my-ylenia @katekipshidze @darleneslane @lovingaphroditesworld @smoothopz @vetteltea @tallrock35 @iloveyou3000morgan @smartstupyd @spideybv28 @lh383 @loomiscorpse @hiireadstuff @namgification @gg-trini @whatamidoingwithmylife-ramdom @multi-fandom-rando @dreamingofautopia @jayswifee @megatrilss1885 @nanamilkbread @sophia12345678 @benstormy @userlandonorris @xxniallxxsworld @starfusionsworld @hangmandruigandmav @spicybagel14 @itsmiamalfoy @ineedafictionalman @everythingabby101 @valent1na-ferrari @vetteltea @dark-night-sky-99 @svinzlec @angelfreckless

© httpsserene2024

[incorrectly-quoting-murderdrones]

EPISODE 8 SPOILERS UNDER CUT!!!!!

V IS ALIVE LETS FUCKING GOOOOOO! I ACTUALLY SCREAMED SEEING HER.

NUZI. IS. CANON. WOOOOOOOOOOOOOOOOOOOOOO

HOLY SHIT THE ANIMATION? I thought episode 7 was off the charts but holy shit did they step it up!

N and Uzi both had their hearts ripped out

Nuzi forehead touches!!!!

Also Nuzi holding hands at every opportunity

Khan’s doors finally came in handy! God I love him.

I also love Khan watching Uzi’s presentation and FINALLY being a part of his daughter’s life.

Uzi gets her angsty tsundere personality from her mom lol

V SAYING “BITE ME”!!!!!!

The drone that V was riding was the one that bit Tessa in episode 6 and it was wearing Beau’s hat

I also love the finale to N’s arc. He went from killing aimlessly just to be useful (despite not enjoying it) to straight up rejecting Cyn’s puppy dog eyes and beating the shit out of her.

Also? Lizzy and V? My favorite lesbians?

UZI IS BISEXUAL CONFIRMED!!!!

I think Teacher is one of the funniest parts of the series

His “Best Teacher Ever” mug that was clearly a gift from Lizzy, and the book on his table titled “A How-To Guide of Overcoming the Existential Dread Evoked by Murdering Innocent Sentient Robots Capable of Emotion and Independent Thought”

He’s so tired and yet so completely unfazed by everything that’s happening. The Solver straight up slapped him and he didn’t even flinch.

Younger drones have a parental advisory filter (that Uzi seems to ignore)

Michael and Elsie’s voice acting was absolutely top notch this episode

Aj Dispirito continues to knock it out of the park with his soundtracks. The music was incredible!

[absolutebl]

This Week in BL - Getting hot under the collar and in the kitchen and on the pool table and...

Organized, in each category, with ones I'm enjoying most at the top.

Aug 2024 Week 3

Ongoing Series - Thai

Monster Next Door (Thai Thurs Gaga ) eps 3-4 of 12 - one of the things I'm enjoying about this show is the fact that the introverted super shy uke is having hot fantasies, and the extroverted seme is having the sweet fantasies. It's another way this show is highlighting God being the world's greenest flagged seme BL has ever produced. (And he's being given stiff competition this year - trend alert.)

Anygay: God is so cute and so not cool and so in love and all the consent asking word salad coming out of this boy. I LOVE him. 

Diew: It’s ep 4 so I’ve decided we can talk face-to-face.  God: So how many children do you want? 

The teaching him to play basketball bit, where God politely asks to hold his hand, is so freaking adorable I can’t.

I'm thinking of calling this show the anti-Mame pill.

Blue pill? Red pill? GREEN pill!

My Love Mix-Up Th (Fri YT) ep 11 of 12 - We gotta talk. I do like this version, but it’s starting to feel lackluster. Perhaps it always was by comparison to the bright sparkle uniqueness of the original. Perhaps I didn't notice because I was distracted by G4. But now I gotta say it's become a bit disappointing and even my love for G4 can’t seem to bind me to this. Frankly, this show is making me want to watch either the Japanese version, or My School President. It’s never a good sign when a currently airing BL makes me want to stop that and go rewatch an old one I’ve already seen.

NO SINGING.

Meanwhile, the "locked on the rooftop" trope! I haven’t seen that one in years. Cool. Also cute kisses. They learning. 

This Love Doesn't Have Long Beans (Fri iQIYI) ep 7 of 8 - I can’t believe this is ending next week. But also I can. And I have thoughts.

I really love SailubPon. They might be one of my favorite newer pairs on the scene right now. But I just don’t believe in these characters or this couple. I don’t feel like they are going to have a lasting relationship. It feels like they’re just using each other for sex and distraction, and that’s how the script to set it up, and as a result they’re never gonna make it as a couple. As soon as the sexual fire between them burns out, what do they have to build a relationship on? Frankly? That would be fine if this were a modern love drama, and not a BL. But this IS a BL.

Putting the health code violators aside, I really do believe in the secondary pair, but they haven’t been given enough bandwidth to develop as a couple. There’s no way they’re going to adequately resolve Methas and JJ in the final episode.

At this juncture, I’m mostly finding this show annoying. Which in itself is annoying, because I wanted to love it.

Why is it that Thailand, the land of the best food in the world, king of BLs, struggles so hard to produce the restaurant set BL of my dreams? I’m really pissed about this.

That said, the Methas & JJ stuff is killer. Loved JJ running away. So good. Plus the age old decision - love or money? 

Battle of the Writers (Sun YT) ep 2-3 of 12 - The issue was me and I've managed to get hold of this show again. The story within the story is so ridiculously badly written I'm going spare. I’m not sure if the outside show is not ALSO badly written. That said, I do love how the 3 writer friends are all shipping our leads. It’s VERY silly. Meanwhile, cohabitation trope is a go. 

I like the side couple too. Stern Daddy + lost puppy is a very cute dynamic, I hope we get more than just crumbs. I actually am enjoying this show now. Ep 3 kinda derailed into this weird chimera novel that they’re all writing together and I’m finding that bit the least interesting, but I adore the domestic components which I think may turn out to be TutorYim's strength (if they're allowed to lean into it). 

Addicted Heroin (Thai Tues WeTV) ep 1 of 10 - Man I hope this gets some kind of distribution at some point. It was a pain to find and watch. But I enjoyed it. The focus is more on the seme in Thailand’s version. Which I don’t mind since that's rare in BL, and it’s more August on my screen. It’s all round softer than China’s version but still feels very familiar. I know some fans are struggling with it, but not me.

Sunset X Vibes (Sat iQIYI) ep 10 of 12 - I like that Sam’s crafty business espionage has paid off. Them teasing Sam & Yo really had me belly laughing. It was so funny.

Legitimate question. Would one put perfume on one’s cheeks in Thailand, as one does on wrist or sternum? Because of the sniff cheek thing? Scented face powders?

I do feel like with MosBank & SailubPon scorching up our screens, we’re being spoiled by some of Thailand‘s best high heat pairs at the moment.

I Saw You in My Dream (Weds Gaga) ep 5 of 12 - It remains kind of sweet and cute. It's also calm and slow moving. Oddly it reminds me of La Cuisine in its style and execution (if not content). I’m enjoying it more than I thought I would.

The Trainee (Sun YouTube) ep 7 of 12 - I don’t know. I’m getting bored.

Love Sea (Sun iQIYI) ep 10fin - Fort’s acting during the break-up was truly great. But I feel for Rak. It’s rough to learn that someone else is playing a long game with feelings while you were playing a short game with d**k.

Ultimately this is probably a solid 8/10 show but I’m mad I wasn’t madder at it, and I'm mad I was so bored throughout. So it gets a 7/10 and let us not speak of this again. I’d like to simply forget about it. Trash watch.

Ongoing Series - Not Thai

Sugar Dog Life (Japan Sun grey) ep 1-2 of 10 - OMG a uni student who looks young and a... COP! GAH. The subversion and kink of it all. I had to go grey to get it and I hate everything about what I had to do. But ya know what? Fucking worth every single repeated crash-causing advertisement.

I love it. The grumpy lonely little student cook and the cheerful mature police officer. What a fabulous dynamic. Is the cook looking for a boyfriend or a Daddy, and do we care if it has the same result? It is filmed VERY manga style camp. I’m a little nervous about that, but this means it’s also very fluffy and so damn sweet. It made me squeak with the cute. I’m gutted this didn’t get distribution.

Ironic that Tawada Hideya is in a new BL while Sunspot is re-airing.

Cosmetic Playlover (Japan Tues Gaga) eps 3-4 of 8 - Ah, the gays are doubting the bisexual again. How familiar. I like how this one is paced and moving through time, even if the relationship seems to be going comparatively slowly by contrast. I love the way Sahashi is always looking at Natsume, even when they’re in conversation with someone else. Ah yearning. I think the conflict was kind of inevitable, given the two personalities of the protagonists, and I like that. (No manufactured angst here.) But I still hope they can repair the breach and I’m still interested. Frankly this is so classically Japan - I don’t know what story beats it’s following and I’m not entirely sure where it’s going, but I kinda like that unpredictability. Makes me think it could go into "must you, Japan?" territory but fingers crossed.

I Hear the Sunspot AKA Hidamari ga Kikoeru (Japan Weds Gaga) ep 9 of 10 - I'm enjoying it very much. I could do without the girl character. I know she’s more interesting than most (this is Japan after all), but she’s not really for me. It’s the complexity of the connection between the leads (and why they like each other) that’s being executed so brilliantly in this show (and in the manga, FYI). Both actors are so on point with their roles and the nuanced emotions required of these characters that every time it’s only them interacting I'm riveted. I could do without the rest of the cast tho.

Seoul Blues (Korea Fri? YouTube) ep 1 of 8 - I have a confession to make, I’ve been watching this whole series as it goes along. But this is the pair I absolutely like the most. I’m not sure I would necessarily recommend any of the installments, and I’m not sure how this one is going to go, but I’m VERY invested in this particular couple. They are so pretty!!!! This is a true friends-to-lovers struggle. I like that a lot. (Reminds me of I Cannot Reach You but a different dynamic.) Did I mention how pretty they are? And we already know they gonna kiss well. I bet the uncut version is stellar.

Meet You at the Blossom (China) - It's no one's funeral, turns out! Reports are in - not only are there kisses but it ends happily with wedding plans. So I'm eating crow, binging the fucker, and live blogging. I'm enjoying it. Ya'll know I adored Chinese BL before censorship. It has a certain unhinged quality I very much apreciate (and is the reason I'm so tolerant of the Thai pulps) that I think will marry well with Wuxia's effervescent and ever-present tropes. Watch me suffer here.

First Note Of Love (Taiwan Mon Gaga) eps 1-2 of 12 - About a singer with stage fright and his timid fan starring Charles (H4 the puppy one) and Michael Chang (the youngster in My Tooth Your Love), plus side couple featuring a Thai actor Jame (Koh in Gen Y) and Liu Min Ting (of Guardian fame). What a damn team. With their powers combined they are...

fine.

This is a fine BL. The fight scene was fun and I like the meet cute. I’m not sure about the chemistry of the leads, but I think they’ll probably do okay. I admit I’m struggling a bit with a singing and the music. Are you surprised? I think I like it enough, but I’m not wowed.

Takara's Treasure AKA Takara No Vidro (Japan Mon Gaga) ep 7 of 10 - Oh! Out of the blue attack kiss. What IS this show? I don’t get it at all. Bah. I guess they’re dating now. It’s… so odd...

It's airing but...

4 Minutes (Thai Netflix/Grey) - A rich boy at uni suddenly gains the supernatural power to see four minutes into the future. I have a source, but I've decided to hold off and binge if it ends okay, since it's only 8 eps. I depend upon y'all to tell me if it's safe.

8/16 The Last Time (Thai Fri YT) ? eps - Convoluted story of loss and possible reincarnation or something. Again delayed? Not sure what's going on with this one but the continued push-backs do not bode well.

In case you missed it

The Time of Fever AKA Unintentional Love Story 2 (Korea movie) trailer IS COMING IN SEPTEMBER!!!! (Yeah this is gonna sit here until then).

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

Still Coming This Month!

8/22 The On1y One (Taiwan Thurs Gaga) 12 eps - announced in 2023 this one has a high school set stepbrothers trope and is reputed to be high heat. From Taiwan! It's made for me. Based on a novel Mou Mou from the Your Name Engraved Herein folks, so it could go dark. Still, I'm very excited.

8/22 The Paradise of Thorns (Thai movie) theater release - Jeff Satur is back but this does not look like a BL (the gay lover's death is the inciting event). More in Goodbye Mother vein. Looks dark and dramatic. He opposite and extremely well known actor Toey Pongsakorn who has never done gay before.

THIS WEEK’S BEST MOMENTS

WHY IS HE SO FINE?

I truly belly laughed. Sam & Yo did not go in the direction I expected, but this scene alone made me not mind that they curtailed the suffering Sam was rightfully due. (SunsetXVibes)

Tall boyfriend armpit, anyone? (Monster Next Door)

The two extremes of BL in one show (Long Beans indeed).

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in its infinite wisdom doesn't like too many tags.

[mikeysagereblog]

⊗ superhero cartoons to watch when little!!! (or big, they're that good imo!!) ⊗

✧.* i've been wanting to make this list for a while now, mainly because i wanna talk about my fav cartoons/open up opportunities for other littles to find something awesome to watch!!! there's gonna be a lot of ranges in age ratings to add some variety for older/younger littles :)

✧.* also, i'd like to put a disclaimer here and say that a lot of these are on streaming services that i own, but other littles may not. i would also like to say that there are ways to get around a paywall if you can't afford certain streaming services!!! you can find full episodes on youtube/other sites for free!!! (just use an adblocker if you're on a site other than youtube if u can!!)

✧.* another disclaimer: any regressor of any age can watch any of these shows!! i just wanted to put the age ratings for those who want to stick to media that's more in their age range!! so, don't feel like you have to limit yourself from watching certain shows just because of how old you regress to!!

✧.* spectacular spider-man (2008-2009, 2 seasons): suitable for 7-8+, but i'd say it'd be okay for littles who regress younger to watch, too!! honestly, my all-time favorite spider-man cartoon!!! not only is it fun to watch while little, you can truly appreciate the show when you're big, too!!! josh keaton's voicework as spider-man is just- ahhhh it's so amazing imo!! the story is really good, the animation/style is just so iconic, and the colors are very easy on the eyes!!! (especially if you're sensitive to bright colors when little/in general) absolute banger of a theme song, too!!!

✧.* x-men: the animated series (1992-1997, 5 seasons): rated for around 7-8+, but i do admit that there can be some scary scenes for especially younger/more sensitive littles. honestly, this show is great!!! i loved all the different story arcs, how colorful the show is, the characters themselves- a lot of cool stuff about this show!!! be warned, there's a sudden drop in quality during season 5... i think they switched animation studios/va's or something because season 5 is NOT the best season of the show, i'll tell you that... 0_0

✧.* x-men '97 (2024-present, 1 season so far): rated for 14+, so this show is more suitable for teen regressors. it's a continuation of x-men:tas, and oh man... this is it. my favorite cartoon of all time!!! the animation is just oh so beautiful!!! the fight scenes are awesome!!! the soundtrack- oh golly the soundtrack!!! the remastered x-men:tas opening is just- wow!!! but, there's definitely reasons why it's rated 14+... not gonna spoil anything, but there's a lot of scenes in the show that can be upsetting for younger littles. trust me, watching some scenes when you're little is just- too much sometimes... (speaking from experience) it's an amazing show, but watch at ur own risk if you're a younger regressor!!!

✧.* batman: the animated series (1992-1995, 4 seasons): i'd say it's for around ages 9-10+, since it can be fairly dark at times. (same goes for a lot of batman related media!!) honestly, this show's pretty good!!! the style of the show is very dark visually, so it's easy on the eyes for those with bright color sensitivities!!! the artstyle itself is also very nice to look at!!! the voicework is amazing as well, especially kevin conroy's (rip) performance as batman himself!!! from what i can remember, the plotpoints were also pretty on-par!! i remember liking the show a lot when i was a kid!! :)

✧.* hulk vs. wolverine (not a show but an animated movie, 2009): this one's rated pg-13, since there's depictions of violence. but, i gotta say- this movie had me hyped up when i watched it as a kid!!! this was part of a straight to video two-movie collection, (the other being "hulk vs. thor") and i gotta say... this movie was awesome!!! the fight scenes were rad as heck, the animation was amazing, even deadpool was in the movie!!! (which, fun fact, was his first appearance in animation!!! other than the 2 second cameo in x-men:tas) very fun movie!!!

✧.* these are just some recommendations!!! i really liked these when i was a kid, and i hope you'll like them too, if you decide to watch them!!!

✧.* (also yay!! finally have a new banner!!! + i updated my blog's theme because nightcrawler is so awesome and he's literally my cg guys!!! he said it himself :3)

[ryanguzmansource]

Full Audio Transcript (5.21.24)

Hey guys, welcome to I've Never Said This Before with me, Tommy Didario.

If you are not watching 9-1-1 on ABC, you are seriously missing out. The show is so phenomenal that it has been renewed for an eighth season and, my guest today—well, he is phenomenal as well. In fact, he is on my show because of you. I saw all of the tweets, the DMs, the emails—all of it so, like a genie in a bottle, your wish has been granted.

The talented actor Ryan Guzman stars in the smash hit firefighter drama series 9-1-1 and audiences fell in love with his character, Eddie, the moment he debuted in Episode 1 of Season 2. Man, he has become a staple on the show and fans have been rooting for Eddie throughout the years, and Ryan plays each moment of Eddie's journey with such care and vulnerability and truth.

We have a lot to cover today and I have a feeling you're going to really enjoy this fun but also personal and deep conversation. We do dive into some very serious mental health conversations, so after the interview, I will be providing resources for anyone struggling with their own mental health. This is one of the most powerful interviews I have ever done, and I really thank Ryan for opening up in the ways that he did today because I know that he is going to help so many people out there feel less alone.

So, let's see if we can get Ryan to say something he has never said before.

[INTRO MUSIC]

Ryan, my friend, how are you doing today?

I'm good, brother. How are you?

I'm good. I know you have been working your butt off. You were just saying you were filming all night. Are you exhausted or are you on adrenaline right now?

A little mixture of both. I got a little coffee pumped through my system. But yeah, I think I worked six out of seven days this last week. We've been doing around 14, 15 hour days. And I just got off last night around 1.30 in the morning. So got home around 2.30. But we're here. We're here.

Well, you were putting in the work. Congratulations to you on all of the success with this show. It's of course now on ABC. People are loving it. The numbers are going insane. And you've always been a fan favorite from day one. When you had that first scene of you putting that shirt on in slow motion and your body was glistening and Whatta Man was playing, people just fell in love with your character. But that's not just why they love your character. I mean, over the seasons, people have found you so relatable and and really, really are truly invested in the role that you play. Why do you think that is?

I like to say that, I mean, I try to play as grounded as I can, but I think the story itself is just the way Tim Minear writes the character. And I think he's always had a special connection with this kind of character. So, just indebted to how he writes and the connectivity between Eddie and his son. I mean, it's just like it pulls at the heartstrings, you know, and that's always been a fan favorite as well. So, you know, I'm living in gratitude for everything that's been written for that character and I try to do as much justice as I can.

Well, you're nearing the end of Season 7 and past seasons for you have been a bit heavier, a bit more intense. You've really gone through quite a lot of things that we'll touch on a bit later, which I know is also part of the reason why so many people relate to you. Are you enjoying this journey this season?

Yeah, you know what? I haven't really been able to kind of flex my humorous side and just kind of lightheartedness, kind of a vibe about Eddie, and I love that aspect of him. So while everybody else is kind of going through chaos, while Cap is going through chaos, Eddie is kind of, you know, trying to keep everybody together while, you know, Chimney and Hen be going at it during the tsunami and The Poseidon Adventure, Eddie is just, you know, being there for everybody as much as he can. So not to say that he's always going to be happy because Tim always has this thing about saying, you know, if I just let you guys be happy, then there'd be no story. You got to have some kind of drama. Nobody wants to show up just for people smiling all the time. But yeah, we've got some things in store for the rest of the season. And from what we've already shot, I've been super pleased about, you know, this new way of life for Eddie.

Like I said, the things you've gone through are intense throughout the years. Do you have any fear stepping into this role or any anxiety before you had to film some of those more intense scenes? Because it's a lot.

Yeah, you know what? Prior to 9-1-1, I might have had some fears about the depth of a lot of the things that we shot. I honestly didn't really call myself an actor until like maybe three and a half years ago.

No.

Yeah. I thought I was just fooling everybody, trying to get jobs and land the movies that I was getting. And then I think somewhere around the third season, a co-star of mine kind of, like, metaphorically slapped me in the face and said, you know, let's really get into this, man. You got some really good opportunity here. So that's when I started calling myself an actor. But to be honest, the depth of Eddie in the past three, four seasons has been amazing as just a class. It's been class for me. It's been an opportunity to flex these emotions that I don't get to flex in my day-to-day life and to access certain things and see how far can I push Eddie, how, you know, in the scene where Eddie is just losing his stuff and he's breaking everything in his house. Obviously, I've never done it in my house, but how do I get there? How can I allow the audience to feel what I'm feeling? And that task itself becomes a challenge. And I really [like] that type of challenge. So again, living in gratitude for all the little things that Eddie presents that, you know, I haven't really been presenting my own life.

So with that being said, is there a storyline that's particularly special to you for any given reason?

I kind of lean automatically towards the military/PTSD just because I have a cousin who served six tours and, you know, he shared with me—and I actually, oddly enough, during the episode of Eddie Begins, I brought him on as a military tech and he helped out everybody in the production. His name is Randy Hudson. I, you know, I love that guy to death—but, yeah, he's shared with me a lot of his issues that he's gone through and a lot of the obstacles he's gone through in his day to day life and what it's like to be a military vet coming back and kind of assimilating back into civilian lifestyle. So that storyline always kind of held a special place in my heart just because it was very close connected with me and my own family. And I always hope that, you know, I did it justice enough for everybody that has that story ingrained in them.

I think you definitely did. I saw a lot of comments when I announced you as my guest saying that that was a very meaningful part of your journey on this show. I'm so curious, you know, quite often in television it moves so fast, there's always rewrites or so much going on. Was there ever a story that you wanted to come to fruition that never did?

I hated the fact that we killed off Shannon so quick. I know she wasn't a very likable character for so many different reasons, but I always loved working with Devin. So I would love to explore a little bit more with that. But yeah, there's always beauty and chaos a little bit. So I would have loved the relationship, mother, father, parenting style aspect of Eddie's life to be a more explored, but unfortunately that can't happen anymore.

There's always so many things going on. I'm sure it's hard to fit them into each episode, and I'm sure things do have to get cut because major things keep happening episode after episode, one of them being recently, of course, Buck realized he's Bi and that's a storyline everyone's going crazy over. Did you see that coming? Were you like, I think one day this is going to happen for him?

Well, I mean, it's always kind of been in the ether. Everybody, you know, all the fans, you know, have their speculations about Eddie and Buck and, you know, for the longest time, I think Oliver and I again had lightheartedness to it. We always kind of like saw it as like, oh, at least they're so interested in our characters. Thank God they're interested in our characters. They're not ignoring us, and I don't know if either of us had a pinpoint, you know, idea on which character or if any character would actually lead in that way.

But again, all credit to Tim Minear. He's the one that knows the way. So he chose Buck's character to explore that route. And now seeing it happen in front of our eyes, it makes so much sense. And it just the way him, Buck and Tommy are getting together and the way they're exploring their own individuality and personality. It's beautiful to watch. I was very excited to see, you know, that episode specifically, just for the fact that it was such a moment between, you know, a friend and another friend who had held this huge secret. And how do you come out to your friend?

I had a friend, you know—because I know I've had this actually in my own personal life. I've said this in prior interviews—I had a friend who was deadly scared of coming out to me. And I realized that that moment itself wasn't so much the journey for me, you know, it was this hard journey for himself. And all I had to do was catch. I just had to be there for him, and I was like, that moment itself is so beautiful. I can't wait to do that scene. I can't wait to, you know, show the world like this is how you be there for your brother.

Wow, how cool that you could pull from your real life experience and make that scene even more special, which is why I think it came off so incredibly powerful. It really was so cool to see. And the reception has been absolutely incredible in terms of people feeling like, you know, they're seen through that character and it's on prime-time TV. And you don't see a ton of that, which is still kind of crazy. But, you know, and of course, there were some negative comments, which blows my mind. I mean, I'm sure that blew your mind, too, to see that because who cares, right?

Honestly, I've got this now filter for negative comments. They just kind of seep right through and I don't even hold on to anything. So all I've seen is really, really good comments.

And one of the best parts is actually I've gone to work and Oliver himself has been like telling me these stories of people saying, man, I did not have the strength to come out until way later on in my life. So I'm like, oh man, could you imagine 20, 30 years of holding on to this repressed thing and then it just eating away at you and not being able to say anything, even to the closest people and then seeing something on television to inspire you. That kind of thing is just like, whoa, okay, we're doing something much greater, much bigger than us.

He's not the only one inspiring its characters like you because you're showing, you know, what an ally means, and I think that's really cool to see this like macho, cool guy that's just like, cool, like who cares? And that's also equally as powerful and as important. Before we put a pin on this, you know, part of the conversation, you mentioned you never know what the writers are going to do, and I think there were talks at one point of possibly Eddie being the one to come out in some sort of way. Do you laugh and have fun with all of the fandom's obsession with you as Eddie and Buck getting together? Like, is that something you guys always are seeing and hearing? And I know everyone brings it up to you and it's something that's always looming. Like, how do you react to that? Does it ever get tiring for you?

Again, if the fans are interested, we're doing our job. So I love the love. And I mean, unfortunately, I'm not the one that writes it. So it's all up to Tim. But me and Oliver have a really good time with the fact that, you know, people are so invested into these storylines. And in fact, they're so invested, they're creating their own storylines. They're sending us clips and edits and videos. And, you know, every now and then, Oliver will show me something, I'll show Oliver something. Like, did we actually do this in a scene? Because they cut it so well together.

Yeah.

So, yeah, I think at the end of the day, you know, we just love the love. We're here to entertain and tell the truth. If it's true to the character, then yeah.”

[COMMERCIAL BREAK]

You can't predict the future. Nobody can on this show. But if the opportunity one day happened to come your way where they were like, this storyline might be explored between Buck and Eddie, would you be open to that storyline in the future? I see you smiling. I see Oliver had the same reaction, a big ass grin on his face when I asked this.

Yeah, you know, like I said, it's got to live in the truth and I think right now we live in a moment—or me, I live moment to moment—so I love the fact that the biggest plot point between these two characters is one happens to be Bi, one happens to be Hetero, and they have this vulnerability towards each other. And that is the truth to me is it's the fact that you have such a safe space and it doesn't matter your sexuality, that you have a safe space to talk to this individual and he can fully accept you. If we can stay with that, then whatever happens, happens.

But I don't necessarily want to push the fact that because you're vulnerable, you have to be one way or the other in your sexuality. Then I would hate to have a lot of other men who are struggling mentally and not sure about, oh, do I even open up? Because will that make me something that I'm not? I would hate to push that narrative. So if we live in the truth, whatever happens, happens. And again, I'm here for it all.

Whatever happens, happens. That's a nice way to put it. And I agree with you. I think there's power in both. I think there's power in showing a strong friendship that you don't always get to see. And then there's power if something eventually does happen. So whatever happens, happens. I like that, man. What can we expect for the rest of the season with your characters? Anything you can tease? The finale is coming up. We have a couple more weeks. What can we expect?

What can we expect? Well, we can expect that Eddie's smiles might turn to frowns.

Oh no.

Or at least confusion, maybe. We'll start to see, you know, has he gotten past certain traumas? Or is he just kind of pushed them to the side and acting like they're not there?

You know, I have to say a lot of people are still holding on to hope that we're going to get that karaoke scene.

I mean, yeah, we had such a good time playing that karaoke scene, and it was kind of a let down a little bit to know that it wasn't going to be in there. But now, again, looking at the episode itself, as fun as it would be, the main story was Chimney. And the way Kenneth Choi played Chimney, and that episode specifically—I mean, I think he got, you know, performance of the week for that—it would have been a disservice to add, you know, a three-minute scene of us laughing and having a great time and being drunks and karaoke and take away from that performance. So I'm glad that Tim made that decision, and I don't know if he has any plans on showing that later on or whatnot or having some extended clip version, but I can tell you this much, everybody from the cast to the crew to the background had a wild and crazy time doing that scene.

And I think what I just heard you say is you might accidentally drop it on your Instagram very soon.

I might get fired if I do that.

All right. Well, we'll see. I'll talk to ABC PR. No problem. What do you want to see for season eight? Like, are you thinking about the future? Is there like, OK, if I can have my way, I absolutely want to explore blank.

To be honest, there's so much going at us so rapid, so fast paced at this moment. The scripts are getting handed in like quick as can be. So we have a moment's notice to kind of know what we're doing and where we're going with our character. From what I know, from what I've shot thus far, I think next season will literally be a refresh button to Eddie. And starting over in so many different ways, so many new ways in which Eddie has never explored and we've never seen Eddie explore. He'll be on his own in a lot of areas.

Speaking of that, I have to bring up season five, the mental health breakdown, man. That was intense. And a lot of people felt very connected to that. How was it stepping into that scene for you and that storyline? Because it's pretty powerful.

Thank you. Man, that was cathartic, to be honest. It was I've gone through my own mental health issues as far as like, you know, my own depression and anxiety, and, you know, I was raised in an age where men aren't vulnerable and aren't allowed to show feelings. So that kind of repression is like a ticking time bomb, you know, especially for a person in Eddie's life, or his lifestyle. So to kind of relinquish this boundary of who Ryan is and step into Eddie and just kind of just full-on dive deep into these this well of emotion, it was, it was almost like therapy. It was crazy because, you know, from the second they started to say rolling, it's like my—I started to, you know, start bawling and crying, and when Buck comes in and, you know, he's trying to check in on me and the whole room is just all scattered around and I'm losing it—it's just like there was no semblance of Ryan anymore. It was just all Eddie and he was just lost, and that's what it is.

It's like if I were to look at my son, you know, five year old son, that's kind of what we revert back to is just this child that is just so scared and not having any sense of direction and—or hope that anybody will ever love him or ever see him. And it's just these like, you know, existential fears that come out within those tears, and that was my goal to portray that whole scene and then the scene following it. So to get there was just let go, just let go.

Well, the work you did was clearly honest and raw and vulnerable. You can't fake the work that you did in that. And it was really a powerful man for many people to kind of go through that with you and for people who have had their own experiences. And you're right, like, I'm from an old school Italian family. And, you know, you grow up thinking men don't go through that and men don't show those emotions. So to have that on prime-time TV is huge.

Yeah, I hope that helped out a lot of people. I hope that people were actually able to see that and at least, you know, go to their best guy friend, and, you know, I think that's what really needs to happen. As far as men, we need to lean on each other. You know, women have their own issues and they have their certain way of connecting with each other, but there's a special connection that you can have with your brother. And I give so much credit to quite a few of my personal brothers—including my actual brother—for allowing me to run to them in my moments of need, in my moments of feeling lost. And them, you know, being men themselves, not having to say one thing to me.

Or they can just, you know, if they see me in a moment of, you know, deep into a problem, they have the ability to say, well, here's a solution. And since I'm, you know, of like mind, I can be like, okay, you know what? Thank you for giving me some kind of direction. So yeah, I implore all men out there to kind of at least have one or two in your corner, you know, because we can't get anywhere without community.

Absolutely. What have you most learned about yourself through playing this character for so many years? You know, you joined in season two. It's been a lot of years now under your belt. Have you thought about that? Have you learned anything through playing, Eddie?

I've learned a lot through Eddie. I've learned patience. He's a—you know, he has a sense of patience that I didn't have in the beginning even prior to being a father, you know, and then kids itself, they teach you how to be patient. So, yeah, I've learned how to be there as a father. Kind of oddly enough, it was just living as one onscreen prior to actually being one in real life, it gave me, say, practice. I get to practice on television what I get to implore with my own children. And, you know, even if it's the worst thing for Eddie, you know, and I see him doing something horrible, at least I come back home, like, well, that can't happen. I can't do that with my kids. So, yeah, and in so many ways, it's helped me grow as a man, let alone a father.

That's pretty awesome when you can take things away from your job like that and become a better person. I love that so much. Can you believe you've been on the show for so long now? Do you ever think like, damn, that's not normal. That's the rarity in the business. So is that a cool feeling for you?

Yeah, I literally just had that moment yesterday. We were filming a scene, all of us, the whole cast, and I'm sitting outside—I can't tell you the location, that's going to blow something—I'm sitting outside one of the sets and I just had that moment to myself. I'm like, oh my God, I'm actually here. How did I get so lucky to be on not only just a television show, the number one television show out there, where we're in our seventh season and we're creating numbers that people don't even get in their first season? So again, if there's a moment to tap into, let's get into that gratitude again and just be super thankful that I was lucky enough to land this.

[COMMERCIAL BREAK]

That is so cool, and that's why I have no doubt you'll continue having so much success in your career and in your personal life because you keep bringing up gratitude, and it's very evident that's something you lead your life with. And in fact, I saw a recent Instagram post where you give a beautiful tribute to Twitch, and you credit him with being able to form connection with people in your life now and to different things and places, and I thought that was such a beautiful way to show people that you're working on yourself and you're a work in progress and that he helps you kind of open your eyes. So that was a really cool moment for you to also reveal.

Thank you, yeah. Yeah, I believe so much of the world right now is showcasing a polished version of themselves. And to be honest, I did it myself for so long that I've become tired of it, and I would much rather get to the raw—the raw, the unfiltered, the, you know, the mess ups, the, you know—I've stuck my foot in my mouth too many times. I've done, you know, stupid things in my life, and I never want to present myself as a person that does everything great because there's so many things I suck at.

So I think there's an opportunity within that rawness to invite others to become raw themselves, and for us to see that, you know, we're not competing with each other, we're competing with ourself and our own image of ourself and friends like, you know, a brother like, like Twitch, you know, and—not understanding what he was going through and that lack of connectivity that I always, you know, felt but never acted on, which again, I felt imposter syndrome for so long of calling him my brother. It really struck a chord in me and now I can't go backwards. Now I'm propelled forward to be like, is this conversation authentic between us or are we just kind of saying what we have to say just so we can pass on to the next person and create whatever that is? And I'm not here for that. I would much rather have that depth and I'd much rather have that rawness.

Beautifully said and a perfect segue into what I want to finish this conversation with, which is based off the title of the show: I've Never Said This Before. So I'm wondering, is there anything that comes to mind that you want to share today that you've never shared before?

Uh. Huh. Yeah, you know what? I've been thinking about this for so long and there's so many things, you know, that come to mind. One specifically, and I've been hesitant to actually say any of this for so long because, you know, it's been years upon years.

About six and a half, seven years ago—and I've really never said this out loud, especially onto a public platform—I had my own mental health crisis and I tried at one point in time to take my own life. And luckily, it didn't work. Luckily, I got a second chance by the grace of God. And from that moment forward, I've taken each step as an opportunity to erase what got me there and build on what allowed me to live forward. So I would say that that moment itself, in addition to what happened to my brother Twitch, are probably the two biggest fundamental moments of my entire life and have allowed me to have a deeper sense of mercy and empathy towards every individual.

So I would implore that all men renounce this fact of, you know, you're a tough man, you have to hold all this in, but lean on your brother, really lean on your brother. And if your brothers aren't being there in the way they need to be, find some new ones. Because that's another thing, if you don't have the people that are conducive to a healthy lifestyle and you're keeping on to them because of loyalty, let them go. There's plenty of other people. There's people that have been through your situation before that are willing and more than willing, you know, to help. So yeah, that was a big one.

Man, first of all, thank you for sharing something so personal and close to your heart with me today. I feel honored that you did open up and share that. And I'm truly—God, this could be another half hour conversation, so I'll keep it short—but I'm truly grateful that you are spreading that message today for anybody listening because, you know, mental health is a crisis and I think people sometimes look at you, they look at me, they think everything's perfect. We are, you know, in this public space and what can be wrong?

And when you humanize real shit like that, it makes people feel less alone. And you got through it, you realize that wasn't the right way to go about it and your life forever changed for the better, and I'm truly grateful that you put that message out today because you have no idea how many people you're going to be helping with that. And I truly know that that's something that's not easy to get off your chest. And for that, I thank you and I know so many people will be thanking you, and I hope you feel kind of like a little bit of a weight lifted that you share that hopefully.

Yeah, it's kind of hard to understand what I'm feeling at the moment. But I hope in what you said is true. And I hope that, again, I would love to do more for mental health, especially for men, I mean, just in general, to be honest. But yes, I hope that there is a new wave out there that's kind of taking over that we can actually have some cohesiveness and connection, a true understanding of what connection is. Let's revisit that. So this issue isn't a common issue anymore. If we can take that down, then let's do it. I'm here for it.

Beautifully said, and thank you again for sharing that. I could talk to you for hours, especially leaving with that. I think you're such a cool person. And you watch people, I get to talk to people all the time. But this to me was a real conversation, and that's what I value. That's why I have a show called I've Never Said This Before, and I want to talk about the projects that the fans love, but also leave room to talk about things that matter. I don't think there's enough of that. So I truly thank you for hanging out, for coming on, for talking about the fun of 911, which we all love, and it's killing it in every way, but also sharing a little piece of you. I hope you enjoyed the conversation as much as I have.

Thanks for having me, my man. Yeah, I had a great time.

Thank you, and remind everyone where, how, when, all the things about your show.

Yes, please watch Thursdays at 8 on ABC.

All right, and stay tuned for the karaoke scene that you just promised you will be dropping.

Yeah, maybe when I'm fired again.

All right, man, until we meet again, take care.

All right, brother.

[dragonfly0808]

About the Dragon Prince Finale

I just finished s7 of the Dragon Prince and i have so many thoughts but there is one thing specifically I want to say about the finale that I feel was just such a perfect way to end the battle, before I hop on and check out what everyone thought-

SPOILERS AHEAD

I’ll be honest, I was so stressed out at the end of ep8 and watching the final battle in ep9 was epic but-

My very first thoughts watching that were initially along the lines of- so… none of our main characters had the final say/final move? What the fuck?

But then I watched the rest of the episode and sat on it for a bit and… it makes perfect sense and wraps up the themes of the show in a beautiful way

The whole theme of the show and one of the most important ongoing things is that of breaking cycles of violence and choosing love, choosing kindness.

During that final battle, all our main characters were ready and willing to give it all to save the world, which is technically speaking the ‘right thing’ to do, the thing we’ve all been waiting for

however; this involved for all three of them, giving up an essential part of themselves. An essential part of ‘breaking the cycles’

Callum would’ve given up on ‘breaking the cycle’ in using dark magic and in sacrificing himself for the greater good. Yeah sure, he’s writing his own destiny, but is he really when it was his only real choice if he wanted to save those he loved?

Rayla would’ve given up on ‘breaking the cycle’ in following in the footsteps of past moonshadow assassins, choosing duty over love in being willing to kill her heart ‘my heart for Xadia’ when she just said episodes before ‘no one should have to shed blood for justice’

And my personal favorite, Ezran. The entire show, from the moment he became king, that kid has given himself wholly to the path of love and kindness, trying to not fall into the mistakes of the past. And yet- he was willing to kill for his brother, to do something that goes against everything he represents, everything he stands for.

^ All of that, in the name of peace, to save the world.

No matter what, each of them would’ve lost an essential part of themselves in choosing to save the world…

But they didn’t have to.

Because the arch dragons- some of the very creatures that BEGAN these cycles of violence and mistakes and hatred… the creatures that had a role in CREATING the world our main characters are trying to make a better place- they are the ones that chose to step in, to sacrifice themselves to make sure these kids with bright hearts and so much love and determination to choose a path of kindness don’t have to sacrifice those parts of themselves.

Like Ezran says, it’s a great gift that the arch-dragons give them. The opportunity to stay true to themselves and still get to stop Aaravos… even if it’s temporary.

So yeah, the moment I watched it for a moment I was like- that was a little anticlimactic but it makes so much fucking sense and it is such a beautiful way to end the series when you stop to think about it.

and I’m choosing to believe that we will get the other 3 seasons NETFLIX GIVE US THE FUCKING SAGA (I haven’t actually checked if anything has been announced yet cause I’m scared) and that that’s when- after 7 years of growth, our main characters get to step in and find a different way to stop Aaravos for good THEIR WAY, without compromising who they are and what they stand for

So yeah, I just had to get that out of my chest cause it took me a minute of silence to realize why it’s so perfect for the show and the genius in this move and i really wanted to share that little brain worm

I LOVED season 7 and I can’t wait to rewatch the whole thing and I truly hope we get the rest of the saga!

[mirai-e-jump]

Animage December 2024 Issue Kamen Rider Gavv ft. Hino Yusuke Interview (translation below)

Publication: November 9, 2024

Letting his fighting spirit "melt" into his bullets

Even within the Kamen Rider series, which has enjoyed a history spanning over half a century, there are only a few who have been chosen to become a Kamen Rider with as much tragic resolve weighing on their shoulders as Karakida Hanto. Hanto's mother was kidnapped by a Granute when he was a child, and while investigating the Granutes, his mentor, Shioya Soji, loses his life. In order to avenge Shioya's death, he decided to accept the offer to undergo a life threatening remodification surgery from Suga Kenzo, someone who's researching a method to exterminate the Granutes. The result of his suffering is that he obtained the power to transform into Kamen Rider Valen.

Sometimes, he guesses a Granutes true identity based on the slightest bit of evidence, other times, he shows his kindness in order to support a girl who's chasing her dreams, and at other times, he shows his playful side by instinctively posing when the cameras are pointed at him……Being able to calmly consider the situation and remain open to one's emotions like that may be what's needed to confront the "monsters" that prey on people's happiness.

Although allies like Suga are currently present, Hanto's still pursuing information about the Granutes on his own. Will he be able to reach the enemy responsible for taking his mother from him? We hope you'll watch as Kamen Rider Valen's battle intensifies. _

-This also expands the range of Hanto's feeling-

"Since his first transformation in episode 6, Hanto's also been active as a Kamen Rider."

Hino: After the first transformation episode, I received heartfelt messages from tons of people, such as, "I'm looking forward to seeing what Valen will do going forward." I was also impressed by the response to the sequence of events leading up to the transformation, with comments like, "They're depicting a setting similar to a Showa Rider in a Reiwa Rider."

"It was a very unrefined first transformation scene."

Hino: It was my first transformation, and I was just trying to keep up with the flow of the performance, so I acted with conflicting feelings. I think it was because of the way Director Morota Satoshi said, "Let's make it this kind of taste," and created it on the spot that a sense of liveliness was born. This is one of my personal favorite scenes, as since I started this job, I've been working hard and doing my best, and I felt as though it connected me and Hanto.

"The avant garde exchange with Kamen Rider Gavv in episode 7 was also funny. He calls himself Valen, a name he associates with Valentine (laughs)."

Hino: That scene was fun to act out (laughs). I got into it as best as I could imagine, and the "In the end, the concept is still chocolate….." scene was given the OK with just one take. Still, I had a hard time at first deciding on which of the emotions from my previous performances to keep consistent. For everyone watching, a week has passed, but Hanto's just fought his mentor's enemy out of revenge, and he's still physically damaged. However, Sugi-san (Director Sugihara) told me to go all out, and since I myself like comedic scenes, I didn't hold back.

"Is there anything memorable from filming the transformation scene?"

Hino: For the fixed transformation pose from the second time onwards, I couldn't close the lever of the gun (Valen Buster) fully, or the Gochizou would pop out when I swung it downwards too aggressively, so I had to do alot of retakes until I got used to it (laughs). I remember having to work at it until I could make cool gestures and movements like a Kamen Rider. One of the Directors gave me some advice about the transformation, and it really struck me. It was, "It's a privilege for the chosen ones to be able to say "Henshin," and the word transformation must convey how the character is feeling as they fight." So, every time I transform, I'm conscious of how to convey my emotions in that moment.

"Once again, please tell us your impression of Hanto."

Hino: Hanto became lonely after losing his mother, met his mentor when he was acting like a delinquent, became his apprentice, and is looking for monsters in his work as a writer. He's someone who's had many experiences that I haven't had. I was conscious of this past before we started filming, and I thought that he was nothing like me. But as I talked with Screenwriter Komura Junko-san and Sugi-san, it was almost like Hanto came to me. While respecting what was different between me and him, I began to draw from my own clumsiness and roughness in order to become closer to Hanto.

"Considering he has a passionate side, and a serious backbone despite being silly, Hanto seems to have a wide range."

Hino: That's right. Shouma's pure and Sachika's a gyaru, but I think there are situations and relationships that are created by each and every one of Hanto's "faces." I'm challenging myself to widen my range, and not settle for, "This is just how Hanto is."

"You're thinking, "If this isn't Hanto, then this is," right?"

Hino: Yes. If I perform as Hanto, then I become Hanto, or to put it another way, it's my job to create Hanto, and I consider it rewarding.

"In episode 9, the most recent episode, we got a glimpse of Hanto's more mature side in a scene with Kirari."

Hino: I wanted to express Hanto's clumsy yet passionate attitude toward children in the scene where he consults with Kirari-chan in a friendly and helpful manner. In the scene before that, when the safety buzzer is set off, he's mistaken for a suspicious person even though he didn't mean it that way, which is typical of Hanto (laughs). I think it's a funny scene that shows off Hanto's cuteness.

-We hope that Hanto will be rewarded one day-

"What are your impressions of Kaji Kotaro-san, the Suit Actor who plays Valen?"

Hino: I feel that Kaji-san has a passionate kindness within him, and that he's pulling me along. Valen's actions are also broken down into a fighting style that's typical of Hanto, and I realized that we were creating one role together. We sometimes talk over a few drinks, and in a positive way, we have friendly competition, where we can say what we want to say to each other.

"What do you find important when doing post recording?"

Hino: Hanto has a wide range of expressions, but when he transforms into Valen, he's fighting a Granute, so I'm aware that he's in a state of hostility and wanting revenge. I try to avoid feeling strangely calm, I always act with the feeling that I'm risking my life.

"Maybe it's like you're switching over into battle mode."

Hino: That might be it. When I speak as Hanto, I go back to my natural self, so I think that this is fine.

"How's the atmosphere on set?"

Hino: Hide has a strong sense of responsibility as the main character, and thanks to his leadership, we were able to communicate with each other from the very beginning, and as filming progressed, the vibes between Shouma, Sachika, and Hanto were established. Hide and Miyabecchi tease me in a nice way, so I think we've established an equal relationship. In regards to Hide, I've always played younger brother characters, so I was alittle nervous that "the younger generation has appeared" (laughs), but he has a pure, brotherly cuteness to him that naturally makes me want to spoil him.

"Speaking of Hanto, we think the presence of his mentor, Shioya Soji, who was mentioned earlier, is significant."

Hino: Komatsu Toshimasa-san's performance gave me goosebumps…..! It's natural, subtle, convincing, yet very unconstrained. I feel a sense of respect for him and thought that I'd like to do a performance like that in the future. He's someone I truly want to call "mentor," and I think it was thanks to Komatsu-san that I was able to cry real tears in the scenes where Hanto cries thinking about his mentor.

"Now that Shioya's passed away, his interactions with Suga Kenzo at his lab are striking."

Hino: Suga's making a mess out of Hanto's life (laughs), but the scenes with Suga are also interesting to perform. The very beginning of the show is focused on Shouma and Sachika, and Hanto and Suga, but it was a valuable experience for me to be able to perform one on one with Asanuma Shintaro-san, as I learned alot from him. I'd seen some of the anime that Asanuma-san was in, but when I looked up his appearances, I was shocked and thought, "He was in this one too?!" I'm happy that we communicate with each other on set, talking about all sorts of things, from matters relating to personal life and acting.

"He's a reliable senior who's the complete opposite of Suga."

Hino: That's true (laughs). I think the gap between him and his role is interesting. I'm working together with him with alot of respect.

"Do you have a favorite anime?"

Hino: Most recently, I like "The Dangers in My Heart." Once I became an adult, I stopped watching romance series like that out of embarrassment, but when I watched The Dangers in My Heart for the first time in awhile, it made my heart skip a beat! I'd say that it gives off a sense of purity that only a middle school student can have, and injects you with emotions that we can't get in the real world….it's a really good series. I myself used to play soccer, so I watched alot of sports anime and manga such as "Haikyu!!," "Ace of Diamond," "SLAM DUNK," and "Major." Those are what got me addicted to watching real sports like the NBA.

"If you had to pick an anime that you especially like, what would it be?"

Hino: I love Kyoto Animation's "Beyond the Boundary," and not only have I seen the main TV series, but I've also watched the movie more than 10 times! I was in middle school at the time, and I used to imitate Kanbara Akihito, the main character who's obsessed with glasses, and say, "Pretty girls with glasses are nice, huh?" (laughs). I was so absorbed in it, that I even established a glasses research club at school using my authority as the student council president.

"Isn't that an abuse of power? (laughs)."

Hino: Of course, but it was an unofficial club, okay? (laughs). Now, I'll often watch live action movies and TV dramas in order to study acting, but before I became an actor, I was exposed to various works to the extent that I had a modest interest in them.

"In the future, are there any situations you'd like to perform as Hanto?"

Hino: Things like explosions are areas I haven't experienced yet. Falling into water……isn't a challenge I'm actively looking to take on (laughs). Personally, I'm interested in what would happen if Hanto were to experience something like love being directed toward him. Hanto lost his mother, and he's the type to have narrow, but deep relationships with people, so along with friendship and human affection, I think he's hungry for love. What I imagine is that in a peaceful world where he doesn't have to fight against the Granutes, Hanto will most likely develop a longing for family and a desire to overcome the trauma of losing his loved ones.

"Only painful things happen to him, so we hope it all works out for Hanto."

Hino: I really hope so. On the other hand though, there's something appealing about being unrewarded (laughs). While being the spice that enhances the excitement of Kamen Rider Gavv, I hope that Hanto will continue to be loved by everyone, and I too will continue to devote myself to Hanto with love and care every day!

[a34trgv2]

Top 10 Cartoons I Hate But Many Others Like

#10. The Amazing Digital Circus: Yes, I'm aware only 2 episodes have been made of this cartoon. I'm also aware that both episodes have been praised by viewers and critics alike. As much as I would love to join in on the fun, I cannot ignore how badly structured it is. From the unlikable characters, the poor world building, the unfocused narrative to the lackluster jokes, poor handling of themes and lack of stakes, this it the kind of unmitigated mess that more infamously bad cartoons are ripped to shreds over. I will say that the animation and voice acting is well done so it's not all bad.

#9. The Owl House: Many people were disappointed by my disappointment with this disappointing cartoon. But no one was more disappointed that I was left cold by the show than me. I love fantasy, magic, mystical creatures and enchanting worlds. The Owl House should've been up my ally, yet in practice I wouldn't even spit in it's direction. With an irritating cast of characters, bad world building, formulaic plots, the writing was already on the wall. Then Amity showed up and it made the show unbearable to sit through. I'm all for LGBTQ rep, but I draw the line at a bully and their victim becoming and item. I'm sure Amity has some sappy sob story about how her parents pressured her into being an entitled brat, but she's still and entitled brat that shouldn't even have friends, nevermind a girlfriend, because her attitude STINKS!

#8. The Loud House: I've made it no secret that despite the warm reception and continued popularity of The Loud House, I was never a fan. I never found it funny, well written, or relatable. All I got from The Loud House was this is one of the most annoying dysfunctional families I've ever seen. I do think it's well animated and I commend the crew for moving forward with the show despite the disgraced creator's termination.

#7. Moon Girl and Devil Dinosaur: I consider myself a big Marvel fan thanks to the MCU and Spider-Man franchises. I never heard of Moon Girl or Devil Dinosaur before this show was announced, so I was genuinely curious to see how this would play out. Needless to say, I was not impressed. Despite having dazzling visuals and really good voice acting, the show is just badly made with terrible writing, unfunny jokes, dull characters, and repetitive action scenes. This show clearly has its fans, but unfortunately I'm not one of them.

#6. Jurassic World: Camp Cretaceous: Those who know me know I love dinosaurs and am a huge Jurassic Park fan. You'd think a cartoon based on the series would be as exciting and interesting as the movies. Well like so many of the dinosaurs victims, you'd be DEAD WRONG! This show shoots itself in the foot by having 6 unlikable and annoying characters, and not one gets eaten by a dinosaur. Not to mention it's sluggishly paced, the animation is stiff, and the score only reminds me of the movies I'd rather be watching. Clearly I'm in the minority here as I had a blast watching ALL the Jurassic Park movies, even the ones critics didn't like at all, over this.

#5. We Bare Bears: I like bears as much as the next guy, with my favorite cartoon bear of all time being Winnie The Pooh. Despite my fascination with this big, furry creatures, We Bare Bears never made me like the main trio, much less love them. They're all varying degrees of unlikable and the show isn't funny or well written to keep me engaged. They also did San Francisco dirty by making the people so unlikable. The one element that I think would've made for a much more interesting show is Chloe Park. Her character was utterly wasted on this stupid show as she's a kid with a high IQ and is in college but still wants to be a kid. She deserves better.

#4. The Mitchells vs The Machines: As much as I like Sony pushing for more expiremental animated films lately, this expirement didn't succeed in my book. Sure, the animation is amazing and the voice acting's mostly good, but tells such a generic story, has such incompetent and unlikable characters, and I will never get over the fact that Aaron Mitchell sounds like a middle-aged man and not, you know, A CHILD! The worst part about this film is despite it's best efforts, it is just NOT funny. It relies so much on cringy, outdated memes, weak slapstick, and dull visual gags and I never once found it funny.

#3. El Deafo: I was confused as to what this show was supposed to be based on the trailer. Watching it for myself, I found that it was more frustrating than anything. Don't get me wrong, I commend author Cece Bell for turning her personal struggles with impaired hearing into a comic turned cartoon and I fully understand wanting to tell a story from a deaf person's perspective. That said, though, I just despised the execution from the awful writing, the unlikable characters to the terrible sound mixing. As pure as the intentions were, they were sorely lost in the execution in my opinion.

#2. Frog and Toad: When I was a kid, I loved reading the Frog and Toad books. They were simple, yes, but the characters were so interesting and the illustrations were well crafted. This show should've been exactly what I was looking for in an adaptation of the books. What I got instead was a prime example of how NOT to adapt a beloved children's series. Despite having spot on voice acting, the abysmal writing, the incompetent characters, and the lackluster animation really soured the experience. I know the author's children were involved in this, but I don't think they did the books justice. The show didn't take full advantage of the medium and played more like mediocre live reading of the books.

#1. Summer Camp Island: I clearly struck a nerve with fans of the show when I said I hated it. Well, y'all will be please to know that your efforts to change my mind were all in vain. I just couldn't get passed how badly written it was, how hatable the characters were, how grossly unfunny it was. The worst part is that this is a world where anthropomorphic animals and mystical creatures exist, yet they can't tell anyone about the magic on the island. To this very day, I CALL BOLONGA!

Conclusion: I'm not saying y'all are wrong for liking these show and you definitely won't see me call them "overrated." I just wanna offer a different perspective on these popular and well liked cartoons. Some honorable mentions include Miraculous Ladybug (many people love it, I can't stand it), The Ghost and Molly McGee (you all know how I feel about that chatterbox), and the "adult" cartoons that received critical acclaim such as Rick & Morty, Smiling Friends, Bob's Burgers and The Simpsons. Agree? Disagree? Let me know in the comments and I'll see you next time.

[skippingthroughfields]

these days a lot of romance in books, TV, and film leave me a bit cold, which sucks as a lover of romance. there has to be something ~interesting there for me. I've been watching the day of the jackal and it's pretty entertaining so far. but the one thing I haven't quite been able to wrap my head around is jackal's love for his wife, nuria. the show clearly wants us to believe he truly loves her, even if he can't shed his assassin skin and lies like crazy to her. he spies on her. he dreams about her. he thinks about her constantly. even more so than the baby which I (and the show apparently) regularly forget exists.

the chemistry between eddie redmayne and ursula corbero isn't necessarily the issue even though it is middling. ursula certainly does the best with what she's got, which isn't much. but I always struggle when shows place us in an established marriage or relationship and tells the audience how much the two characters love each other, without really being convincing of why they go to the lengths they do because of this love. the jackal is a sociopath with a hundred different faces (though we spend quite a bit of time with him in his true face). he has no qualms whatsoever about killing innocent people to accomplish his objectives. that's established within 20 minutes of the very first episode. so what does it take for this murderer-for-hire to fall in love? why should we be so convinced of this cold-blooded killer's love for his wife? what is it about her that made him fall in love? and vice versa? the show doesn't even try to make us second guess this love. on some level, I'd be obsessed with a suave killer brought to his knees by a woman to the point where he starts a family with her. the deception, the two separate lives, the cat and mouse of it all. but everything about them is spectacularly bland.

throughout the series nuria is constantly questioning who she fell in love with. but who did she fall in love with? in episode 7 we get flashbacks of their first meeting, at a restaurant where jackal is a regular and where nuria works as a waitress. she's hot and vivacious and effortlessly charming. he's a mysterious loner who seems sweet. jackal takes a shine to her and later asks her on a date, to which she immediately says yes. and that's it. that's pretty much all of the flavorless context we have for their relationship. we're simply supposed to believe they fell in love with each other. she doesn't even make him work for the date. there's no push and pull there. she's not even a calculating golddigger or anything, just completely guileless. our favorite sociopath fell in love because she's just that charming? our charming waitress falls for this boring and rich-looking foreigner and that's it? and then we're told that she's completely trusting of him up until the ~turning point. ok. I don't believe the show is trying to pull wool over our eyes. they very much want us to believe there's love there. but there's just nothing convincing me of why these two characters love each other. this failmarriage is of no interest to me.

otoh, the connection jackal has with zina is compelling and sexy. this mysterious corporate shark archetype of a woman who dared to meet an assassin in person. who went to bat for this assassin even when her bosses were not convinced he was the man for their goals. who broke into this assassin's temporary lodgings and withstood his menacing energy. who wasn't afraid to yell and put pressure on this scary assassin. I'd be more obsessed if the actress was better at acting and there was actual chemistry between her and eddie. alas.

otooh, there is ALSO serious messy romantic potential with bianca. also a sociopathic liar. also a married woman (who we're also supposed to believe loves her husband. lol.) with a child. a woman who will do anything to catch jackal. a woman who has no qualms about using innocent people who get killed in the process (even if she does feel some degree of guilt about it). like the parallels are allll there. but she's black and we all know how that goes. in another series jackal would be intrigued and also as obsessed with this mi6 agent who somehow always finds him. sigh.

[bcacstuff]

The clock may be ticking for Outlander on TV, but the story is everlasting for bestselling author Diana Gabaldon, who writes the historical fantasy books (nine and counting!) upon which the show is based. Debuting in 1991, the first Outlander novel has spawned several sequels, spinoff novellas, and ultimately the intense Starz drama that viewers have come to love. With the final episodes on the horizon and new prequel series Blood of My Blood forthcoming, Gabaldon reflects on the show’s end and offers a peek inside her notebook.

What have you been happy to see so far in Season 7?

Diana Gabaldon: One of the things the Outlander production as a whole does really well is battle scenes. We’ve had a certain amount of the [American Revolution’s] Battle of Ticonderoga, the first Battle of Saratoga, and a lot of the second Battle of Saratoga. And I absolutely loved the actor playing Benedict Arnold, Rod Hallett. The casting this season has been spectacular. Every character is just right.

Would you say that Benedict Arnold was the character you were most excited for fans to meet this season?

He is historically fascinating, and I did a lot of research work on him because he plays a large part in more than one of the books. And we’ll see him again in Book 10. His story is very interesting. Everybody knows how his story ends, or at least they think they do. But yes, I was just impressed that, between the script and the actor, they pretty much nailed him and captured his sense of reckless adventure and his charm. Luckily, they used a lot of the book dialogue for it, some of which was taken from things that Benedict Arnold himself said.

With the show set to conclude with Season 8, do you have an ending in mind for Claire and Jamie’s story on the page?

Yes, I have shared the ending scenes with [the creative team]. But as to the actual way the story comes to a conclusion? No, they don’t know that. [Laughs] But we’ll get there. I don’t write in a straight line, and I don’t work with an outline. This is why it takes me several years to write one book — not only the way that I write, which I describe as like playing Tetris in my head, but also just the sheer size and the fact that they are books of a continuing nature.

You’ve shared a few excerpts from your 10th novel in the series. Is there anything else you can tease about it?

Well, I’m still writing it. And I have a title, but I’m not revealing that until we’re a bit closer to publication. I don’t want to rub all the “new” off it. I can tell you that it’s got whales.

You’ve also written Season 2’s “Vengeance Is Mine,” “Journeycake” in Season 5, and the upcoming 14th installment in Season 7. Can we anticipate more scripts from you?

Yeah, it’s so much easier than writing novels. [Laughs] It takes me three weeks tops to write a scene. I will be writing a script for the prequel [Blood of My Blood] and one for Season 8 [of Outlander].

Though only one season has been given the green light, how long do you envision the prequel’s story to be onscreen?

Well, the television version isn’t up to me, but for what it’s worth, I have material for three —  relatively short, as compared to the main Outlander novels — prequel books concerning Jamie’s parents. Blood of My Blood is based on the synopsis of the first of those books.

Apart from the ones you’ve written, are there any episodes you love so much that you wish you had?

Oh, yeah. There’s always at least one per season where I’m thinking, “Oh, this is fabulous.” It would be [Episode 8, “Turning Points”] for Season 7.

Do you have a favorite memory from your times visiting the set?

It would probably be the first season where they invited me to do a cameo [as Iona MacTavish] in Episode 4. It was fascinating being part of the set rather than visiting it. I was a cast member for three days. It was just interesting to see how it all worked.

Were you able to make it to set for Season 8?

God willing, I will be on set for a week or so next month [September 2024]. They’ll be filming the final block, for which I wrote one of the scripts, so I’d like to see a bit of it live. The last time I was on set for a prolonged period — as opposed to drop-in visits — was for Season 2’s “Vengeance Is Mine.” The food from craft services was always excellent, so I’m hoping to have a toastie, and I’m looking forward to seeing good friends.

How have the main cast’s performances surpassed what you envisioned on the page?

Sam Heughan does a fantastic job with Jamie, and Caitríona [Balfe], while she doesn’t look like the Claire of the books, certainly acts like her and is totally immersive in her character. I’ve [never] seen a bad performance by anyone at any level.

What will you miss most about the show?

I’ll miss the entertainment value of seeing dailies five nights a week, but otherwise, I’m not troubled. The end of a great adventure is always a bit traumatic and nostalgic — but it does leave you with a feeling of specialness, accomplishment, of having been part of a great endeavor. And they do live in my head, you know…

Are there more stories in this universe that you still wish to explore?

There’s always more I could write. Making the optimistic assumption that I’m going to live long enough, I have notes for [time traveler] Master Ray-Mond’s book (no title on that one yet) and for another [about Claire’s first husband, Frank], titled What Frank Knew.

Will you feel sad saying goodbye to Jamie and Claire?

I really don’t think I will — the main books are written with a lot of lacunae — spaces where we move from one block of story to another, leaving a hiatus of months (or sometimes years) in someone’s life. I can, should I want to, always go back to one of those places and write what happened while everyone was looking somewhere else.

Outlander, Season 7B, Fridays, 8/7c, Starz (Midnight on the Starz App and On Demand)

This is an excerpt from TV Guide Magazine’s Outlander: Claire & Jamie’s Love Story For The Ages issue. For a deep-dive into the historical romance, scoop on the second half of Season 7, and details on the upcoming prequel, pick up a copy of the issue available on newsstands and for order online at Outlander2024.com.

Article posted 29 November 2024

[manwiththemagic]

The writers of s11 were cowards. If IIIIIIIIIII was in charge I'd made Lucifer's weird obsession with Sam show up more. Like the writers have very obviously included it and yet when Lucifer is processing the same vessel as cas, and therefore pretending to be cas, he just fucks off and tortures Crowley with fucked up bdsm pet play.

Like the few times casifer and Sam interacted were GOLD. because Sam sees it as his best friend cas, and Lucifer (who keeps talking about Sam like they're toxic ex's) is pretending to be him!! Although not to well. Like his freaky smirk when sending Dean into the past and coming back to harass Sam? Dude lives off of sadistic pleasure.

The way he full on LAUGHS when Sam says he trusts him bc Sam thinks it's cas?? Like gold!?!? Don't know why the writers didn't do more with that.

Also why not do more with the 'lucifer sent Sam visions to get him down to hell'. Like Lucifer is Obsessed w/ sam because that body/vessel is "supposed to be" his. And yet after revealing himself he doesn't try and convince Sam anymore?

He's just given up? Like nah man I don't believe that. I feel like he woulda fucked with Sam more in cas' body. And like it woulda been a way better not-romance-romance plot then whatever the fuck Dean and Amara were..

Like that came outta no where... I mean I get it.. but ew?? We saw her grow up, and maybe id argue "well there were two versions of her!! One physical on earth, the other her actual form and memories as a celestial being!!" BUT NO. SHE CALLS CROWLEY UNCLE CROWLEY.

cause he like raised her for a day or wtv..

Idk s11 is better than s10. Like the episode from baby's prospective?? PEAK CINEMAAAA!! also not that I dislike s11, no I quite love it, I just wish the dean plots were more fleshed out, and that it was more "Dean and Sam vs the world!!" Then Dean vs Sam yk??

Like where's my dynamic duo??

That's part of why I didn't like s10. Like no I loved the IDEA of Mark of Cain dean, and demon dean was hilarious (although I HATE him) but it was just Dean vs Sam, Dean vs cas, Dean vs the world. And idk I liked the idea, cause this time it was sam doing everything to save Dean, but man I just didn't like the fighting..

Also s11 had a mention of TMNT, S10 did not so... points!!

S1 and 2 of spn were peak ofc, and s3 was good but not really memorable for me?? Idk I'll go back and rewatch once I finish the series (just finished s11)

S4 and 5 were also really good, we got Castiel who is peak, blood junkie Sam, which was one of my favorite plots!! And of course a lot more bobby. Rest in peace king!

And unlike some I loveeeed s6-7 like.. the soulless plot, and death? Dean dealing with soulless sam?? Chefs kiss I mean mwah. Then Sam tweaking because of hallucinations. NOT TO MENTION GODSTIEL?? loved him sm stg.

8-9-10 is where it kinda fell off. I mean idk the leviathans?? Weak. Hated them ngl. Idk if they were s7 but either way.. mid. I didn't like purgatory bc no way Sam would do that?? But I did like how it developed deans character..

I don't remember what happened in what season but I lovedddd kevin, hated metatron (but in the "it's because he's well done" kinda way), the tablets were aight, Mark of Cain was uh... something.. (I hate demon dean but he was peak..)

So like idk.. show is peak though, I'm just at that point in the hyperfixtion where it's like "BUT I COULD DO IT BETTER!!" ykwim?? NVM I'm sick with a fever, supernatural is all I have going for me man.

[theravenandtheswallow]

I find it very disheartening to see articles coming out from Forbes and other outlets not only criticizing The Witcher but calling for its cancellation because of season 3. Season 3 has been not only the strongest season, but it’s also been the most book-accurate season to date. The writers have seemingly learned their lesson from season 2 but instead of being rewarded for it, they are being punished.

And these calls for cancellation are making me raise my eyebrows because the articles have been quoting the video games AND consistently mentioning that Henry is leaving the show therefore the show isn’t worth it anymore. The direct criticisms I have seen laid out are criticisms of actual book events (a Ciri-centered episode in the Korath desert, Geralt getting laid to waste by Vilgefortz, etc.)

Season 3 has also been review bombed, with episode 3x07 having the WORST RATINGS of ALL the Witcher episodes. Episode 7 is based entirely on a chapter in Time of Contempt and is the first episode to feature only Ciri and focus on her. The show runners have recently released a statement saying that Ciri is the main character, not Geralt nor Yennefer, and it sparked an outrage so bad that people review bombed Ciri’s episode. Which by the way, was the best episode of the season and my favorite episode since 1x01!

I feel very angry about the reaction to TWN because it is incredibly disengenuous and directly hateful against Freya/Ciri. The show is not an adaption of the video games. Geralt IS the main/most important character of the games, but not of the book series. Ciri is. This show was never about Henry and to think otherwise just proves a majority of the haters were only ever here FOR Henry, only having known about The Witcher from the games, and never actually cared about Andrzej’s story like they are pretending to now.

I hope my statement was eloquent and made sense. 😅