#i relate to his character. a lot.

[asparklerwhowrites]

ohhh shima sousuke makes me so sick. what do you mean he distances himself from the world and goes with the flow and does whatever he thinks will please others because he's so out of touch with his own emotions?

manga spoilers

him and mitsumi breaking up was so sad and simple and the fact that when you're almost permanently disassociated from yourself and feel almost nothing it is impossible to be in a loving healthy relationship. a relationship cant fix you. and sometimes, you can love a person with all your heart and soul and still feel nothing and be tricked by your own mind that you don't really love them. because when smiling and crying and being angry are just. things. they aren't emotions. they arent really what you feel. neither is love.

and if youve neglected your needs and yourself like shima has for years and years youve created a trap for yourself which you cant escape because loving someone means confronting yourself and your trauma and baggage. it means you need to get better and you start to realise that. it means feeling things and thats the worst.

manga spoilers end

skip and loafer is not just a sweet high school drama it depicts extremely unhealthy behvaiour in the way it exists irl. your best friend might be someone who smiles because its the same as not-smiling. things are just routine, its easier to smile and be approachable and make small talk than hole and shut yourself up. this series makes me so sick.

[bastardlybonkers]

i feel like not enough ppl are factoring in the cultural clash between laios and shuro and the many micro agressions shuro faced while being in their group. literally the name 'shuro' in itself is one

his name is toshiro 😭 lets also not forget that he has his own communication issues, in the opposite way that laios does- thats literally a factor in their argument, that his envy for laios's ability to express himself sincerely manifested as part of his distaste for him.

ig all this to say like, was their fight heart wrenching, especially when reading laios as autistic? absolutely. anybody whos ever been in laios's position knows how much it hurts to realize someone you thought was your friend doesnt actually like having you around, especially when they didnt tell you and you had no way of knowing due to not understanding their cues. but im begging yall to step back and see the nuance of this situation cause im gonna be real a lot of you are kinda just brushing over it acting like everything is toshiros fault and that hes a terrible person when in reality hes an average guy who really, really clashed with laios and it led to a very long misunderstanding due to their supremely opposite methods of communication. even laios and toshiro, after letting everything out in their fight, were able to come to an understanding and start a foundation for an actual friendship built on better communication

ok yknow what Edit: i shouldve made it even more explicit at the end of this post, i hadnt thought i would need to since i started the post with this, but i think a few too many people are missing my point so i just wanna clarify. i shouldnt have said 'really clashed' and left it at that because yeah they did, but it wasnt just their opposite methods of communication, it is also very much that toshiro was experiencing microaggressions via laios. it may have been unintentional on laios's part, but it still happened and wore him down, made it harder for him to communicate on top of both the more subtle social cues that he was raised with and his own communication difficulties. i also want to say that the fandom reaction to toshiro and the complete ignorance of this point is also racist tbh or at the very least ignorant. i understand that the anime did not cover this panel, and neither did the manga, as this was an omake, but im gonna be real with you guys. there are enough context clues within the story to clue you into this. if you didnt pick up on it thats ok, but i think this is a good lesson in picking up subtext in the stories that youre watching and/or reading. kui shouldnt have to explicitly say 'by the way laios was racist to toshiro' for this point to be understood, and at the very least, when the author portrays a character in a sympathetic light (as kui clearly does) it should make you question Why they are doing so and what makes them sympathetic, rather than youre immediate and only reaction to be 'well i hated what this guy did/said so i hate them and they suck'. idk exactly how to finish this, just. idk. question your biases and gut reactions to things you see in media and stories, and think about whether or not theres subtext that youre missing.

[egophiliac]

You can’t pick Lilia for this. But who is your other favorite short character in Twst?

I like the angry little king boy 🌹

[poorly-drawn-mdzs]

In the world of heavy metals, love is denser than hate!

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[renatapatata]

as soon as i added a very vague letterbox review for this film some guy from work texted me and it took me .5 seconds to realize he had no idea what the plot was actually about… certified ‘bruh’ moment lads

[bluastro-yellow]

Kurvitz stresses that Kim doesn't actually have a character sheet hidden in Disco Elysium's code. Imagining that Lieutenant Kitsuragi has only one natural attribute point in Motorics helps the ZA/UM team to understand the depth of his character beyond what's referenced in the game's dialogue. "We just came up with this stuff for coherency," says Kurvitz. "And because we're nerds."

"I like to think Kim has a Thought Cabinet project called Revolutionary Aerostatic Brigades that he's worked on since he was a teenager," Kurvitz says. "This raises the learning caps for his Reaction Speed and Interfacing."

Kim's high Volition skill makes him impervious to prying, Kurvitz says, as the detective can find out on occasions being met with Kim's brick-wall resolve. Kim often chastises these whims of the detective's, but will occasionally play along. The Lieutenant finds his new partner funny, says Kurvitz.

Kim is naturally shit at Motorics and thinks Harry is funny source

[jimbodyson]

I went into these finale episodes thinking that I'd be so disappointed if they didn't do the Bard's Lament... but I'm not. Scanlan's story is so personal to me because I relate to him a lot. He feels very insecure, like his friends hate him and I feel that a lot, it's why he's my favourite.

I know we all love the Bard's Lament because it's amazing roleplay and a build up of finely hinted at small character details within the RP, but speaking as a person... If Scanlan feels the way he said, lashing out at his friends isn't how he deals with it. That's not a healthy thing to do, and isn't really fair on his friends either.

Scanlan feels similarly to how he does in the campaign. He says that now he finally feels like he matters (with Kaylie), and he says he likes himself better with her. This is what Campaign Scanlan felt as well, the difference is now he's not angry, humiliated in front of his daughter because he's covered in pudding, or only just came back from being dead. In other words, this is essentially just the Bard's Lament if he handled it healthily, and I love that. He's telling them how he feels without accusing them of hating him-- which is the better way of dealing with it.

On another note, I still feel like I can write this One-Shot about Scanlan, Kaylie and Marion. I'll just have to tweak a few things to line up, because ultimately, those feelings of insecurity aren't just going to go away now. Part of him feels like they hate him, but another part of him knows that they love him.

And, obviously, if you're disappointed then that's valid. But I don't think that this is objectively bad or anything. It's just different and that's okay.

And you know what the best part is? This might not even be the proper adaptation for it! Given that a season 4 has been greenlit, and in my opinion it's still clear that Scanlan has some insecurities regarding his friends, they could still pull it off at some point!

[jessmalia]

MAL'S TOP SEVEN VILLAINS: #2. Kai Parker (The Vampire Diaries) "You’re right. I am a liar, alright? I’m the black sheep. You know, the defective twin that nobody wanted. Must feel real nice for you to stand here judging me surrounded by all the things that you got out of life, while I spent eighteen years in isolation as the family reject. Let me tell you, every inch of me wants to kill you for that. EVERY PART! But I can’t. Because the only way that I can survive is if you help me. And I’d like to live, frankly. Because I didn’t get to do a whole lot of that before everyone decided… that I wasn’t worth it."

[0yorixu]

i will never feel lonely ever again

happy birthday rui kamishiro from the hit game project sekai colorful stage featuring hatsune miku, you are my number 1 fav and kin and I will treasure you for a long time. Your ending will be a happy one.

[buggachat]

can't stop thinking about how Félix was seen as "a cold, calculating, intelligent character. yes, he made some weird decisions (how did shoving cheese under adrien's pillow fit into his plan? why did he bully adrien's friends when all he was there to do was shake gabriel's hand? etc) but, ignoring that, he definitely carefully considers all his actions" and then Emotion dropped on us "uh yeah so Félix is actually deeply emotionally unstable" which is both counter to how everyone saw him and actually perfectly explains his character in ways the fanon version of him couldn't

[skrunksthatwunk]

thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.

[sun-marie]

LRB but I'm replaying BG3 and Gale being on the knife's edge of Wholesome/"Dirty" is what makes him soo interesting to me. Like this is a man who, in two different versions of the same scene, can either sweetly and gently make love to your tav in a typical setting which transitions to a tasteful fade-to-black, or brings your tav's spirit along for a transcendent experience where he literally duplicates part of himself so he can have more parts to touch their parts in some crazy astral-soup sky world. And both are treated like valid expressions of his love!! Like the range they allowed him to express, he's not one or the other, he's both

[poorly-drawn-mdzs]

In the world of heavy metals, love is denser than hate!

[seasonofprophecy]

It shouldn't be that serious but I haaate people summarizing Simon and his struggles in Fionna and Cake as the symptoms of one mental illness or another. Like, his struggle with being content now that he's Simon again echo depression and he very well may have it. The way I've seen some people examine his character and conflict through a pathological lens, though, just picks out what words and actions they can diagnose as some documented and studied condition. They divorce his character and conflict from his setting, his time as the Ice King, and how he fits in the extended narrative of Adventure Time.

Simon is a pre-mushroom bomb era human in a post-mushroom bomb world. The people he knew, the surroundings he's come to understand, and the life trajectory he had going are all long gone. He's come to in a new society where things function in much more fantastical, irrational, and advanced ways. He's been a part of this society- even shaping it- as the Ice King, and now he must continue playing into the happenings of Ooo as Simon Petrikov. The new civilizations are alien, the new Earth functions by new social and natural laws, and he has the remains of new life that disgusts, horrifies, and humiliates him.

Simon spent almost a thousand years as a man stripped of his former values, dignity, and cognisance. As the Ice King, he lost his ability to control himself, and inflicted what would accumulate to be significant harm unto others. He learned how to get along with others by the end of his time as the Ice King, but those years were a blip in the span of a near millennium, and the degree of self-control he learned was basic decency. Simon spent his life before the mushroom bomb developing to be a composed and academic man, and endured having his antecedent personal growth and his own autonomy regarding his identity nullified by the ice crown.

Adventure time is a fantasy show that explores the consequences of the endless possibilities inherent to a fantastical setting. Powerful magic and magical existences destroy and ruin lives, abundances of mystical organisms amount to exhausting effort to defend oneself from danger, and the lack of predictability of what the world has to offer someone next spells out a compromised sense of security and stability.

Simon/the Ice King's story is one example of the show's exploration of the undesirable side of fantasy, and one story that's been built on for over eight years now. It's a story with circumstances unique to the show, with numerous writers informing its contents, with some parts planned and some spontaneous. It's a charged story, and it's narratively reductive to effectively whittle Simon's character and conflict as the showing of a real world mental illness

[inkmaze]

rewatching big eden w my head in my hands. wheres more media where the surrounding background is so devoid of homophobia/etc that its so chill to just have this quiet gay story w/o a single scene incl them having to justify or explain themselves, or any degree of hatred at them or other gays. n the town is not only chill they're actively trying to help them get together I'm. this aired in 2000 how do we not have. idk. more shit like this truly pretty casual chill regular relationship issues gay media