#i really like this one okay

[r-kaye]

Chapters: 1/1 Fandom: Hitman (Video Games) Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Agent 47/Diana Burnwood Characters: Agent 47 (Hitman), Diana Burnwood Additional Tags: New Year's Eve, Kissing at Midnight, Balcony Scene, Pre-World of Assassination (Hitman), before anything except the training missions, erich soders is an ass Summary:

There was one agent that people had been whispering about as they saw her pass by, his absence the apparent talk of the evening. Diana had wondered if 47 would show up, but he had seemed to lack any interest in the occasion when she had passed along the invitation. She really couldn’t imagine him there, drinking and mingling.

Of course, 47 wouldn't come to an Agency party.

It's time to party like it's 1999, but Diana feels like something is missing to ring in the new millennium right. or 47 shows up at an Agency party.

[crumb-crumblet-s-crumbington]

elita pep talk

[aluminumneedles]

I'm knitting in the corner at a party

and guys my age stop by to tell me I remind them of their aunt, of their grandmother. This is a compliment and I take it as such. They confess to having tried crochet once, and I smile. They get back in line for the bathroom.

I'm knitting in the corner at a party and a queer woman sits on the floor next to me, arranges her skirt, and smiles up at me. (I try not to blush.) She asks me all the questions on her mind about my craft and I answer them, hands still moving. We swap yarn sources. She doesn't stay, but she knows where to find me.

I'm knitting in the corner at a party and everyone knows where to find me when they need a minute, when socializing is too much and the music is too loud and they need to catch their breath. They pretend to be checking in on me, which is sweet, but I can see the relief in their eyes the moment they stop performing for a house full of people. They sit down and tell me things and all the while they never take their eyes off my hands.

The party has wound down and I'm still knitting and the hosts, two guys in their twenties, thank me for "helping to curate the vibe." I had no idea that's what I was doing. I leave the party having forgotten to drink anything and without that woman's number but with many rows added to my top-down raglan sweater. I call it a night, and a good one.

[orionfrommars]

Happy Holidays from the sillies!!

[Please do not steal, trace, repost or modify my work]

[catmask]

does anyone have like an anti aesthetic. like something you look at and can recognize as a complete fashion/interior design/artistic movement and understand it but it makes you shudder seeing it. i am not talking like “its morally bad” “its poorly structured” like just sheerly devoid of joy for you actually invites a repulse response.

[bacchuschucklefuck]

typical tavern scene

[notherpuppet]

@/coma_0423’s cursed cat alastor will bring you happiness ♥️

Lulu scolds the cat

[lyxchen]

His gentle hands are covered in blood

(Had some fun with the colors on procreate so more versions are under the cut also if you like my art then please reblog it, thank youu)

[forgettable-au]

CHAPTER TWO | The Scientific Method

FORGETTABLE-AU (page 73-77)

* His brother is annoying.

[BEGINNING] [PREVIOUS] [CONTINUE]

[stil-lindigo]

warmth.

a comic about not being alone.

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creative notes:

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all my other comics

store

[nothorses]

after having an entire hour long conversation with my coworkers about what "degendering" is, and the importance of using trans people's pronouns when you know them- rather than always defaulting to "they/them" no matter what- and still getting "they/them"ed by people I trusted not to fucking do that to me, I have decided that the name and pronouns circle of introductions for new additions to the group will now include the very clearly stated boundary that they do not use "they/them" pronouns for me.

your move, cowards!

[egophiliac]

(almost) four years in, and I finally had time to draw something for the anniversary! woo! 🎉🎉🎉

[gongyussy]

you think YOU had a bad day at work?

bonus: sid shrieking "no!!!! NO!!!!!" loud enough to be heard in the stands and on camera

[poorly-drawn-mdzs]

Thanks for listening to my sad backstory. Anyway, here's Wonderwall.

[First] Prev <–-> Next

[vaguely-concerned]

the more I play the more I think lucanis basically knows it's illario who betrayed him right from the beginning (he's had a year in the ossuary to think. not that many people knew where he was going. when you ask him 'did Illario know you'd be on that ship' his only answer is the hardest flattest 'yes' you ever heard). so it's not so much about figuring out who the traitor is (because that's ludicrous. we all know. immediately. they didn't really bother to hide it lmao) as about methodically closing off every single avenue of denial lucanis has clung to that whole time with as much or little gentleness as you might prefer until he has no choice but to admit it. because the moment he has to admit it, he'll have to do something -- feel something -- about it. and that's such a catastrophic event in lucanis' inner landscape (he has had TWO people in this whole entire world up until now and will do anything to hold on to them with a heartbreaking child-like desperation, even at and especially through the detriment of his own self) that he'd rather just. not. what if we quite simply. didn't. what if we just stayed here in the emptiness where we can both pretend you didn't hurt me in a way I should never forgive. I have so much practice in that with caterina already it's always worked out great for everyone so far. (press x to fucking doubt but that's trauma logic for you lol)

after everything illario did, so much of the storm of lucanis' emotions around it is 'what the FUCK did you get yourself tangled up in this time and how do I get you out of this mess safely'. what's worse: the fact that your brother murdered you, or that he put himself in horrible danger doing so and thus exposed you to the risk of losing him forever. lucanis' heart certainly has an opinion here and it's fucking unhinged (affectionate)

the themes of dissociation in lucanis' character in general makes me feel nuts. allllll these contradictory messy things he needs to cut off from each other because they can't coexist or be easily reconciled inside him. but all remain stubbornly true separately anyway and will have their due one day. love and resentment. tenderness and fear and rage. terror and longing. love and freedom don't coexist. the burned out golden child anthem is playing in the background. he was always caterina's favourite and he has to keep striving to deserve that dubious honour with every breath he takes and then, presumably, mercifully, some day he will die and be excused and can rest. and until now he's suppressed all the -- natural, healthy, protective! -- negative feelings that threaten the few attachment relationships he actually has, at the cost of ever actually having his needs for connection and safety met and leaving his core self imprisoned and compromised. and spite goes 'what. no. that's dumb fuck that' (*spite voice* I do not understand that and even if I did I would not respect it) and does not allow him to fall back into that, which I think is what saves his life, ultimately. it took being possessed by a demon for lucanis to even contemplate telling anyone he loves 'no' in any way, but hey. whatever gets you there right lol

lucanis is dealing with the freeze response allll the way down baby. and he was even before the ossuary, that just turbo powered it and brought it to a breaking point way before it could happen naturally. but something was going to break eventually no matter what, and I'm just glad that in the end, through the power of friendship and also pure spite, it doesn't have to be him

[shinynewmemories]

Listen to me Suzanne Collins did not have to give Katniss and Peeta a history before the games. She did NOT have to do that. She could have just had their story begin when Peeta's name was called. She could have had them be total strangers until the moment of the reaping.

Like: "And the boy tribute is... Peeta Mellark!" Katniss: Who's that? Or she could have made them vaguely familiar with each other! Peeta's name is called and Katniss just thinks, Oh, I know that name! He's in my class, actually. Poor boy... Anyway!

Either way, SC could have written the rest of the story exactly the same! I think many authors would have done that! Because if Peeta's purpose in the book was to be Gale's competition, to be one of the 3 corners of a love triangle, THAT WOULD HAVE BEEN THE WAY TO DO IT!! But that's NOT how she did it because that's NOT what Peeta is.

And what is he? To Katniss, Peeta's someone who saved her and her family and received nothing in return except a beating. Peeta's someone she has had her eye on but has never worked up the courage to talk to. Peeta's someone she associates with kindness and hope. And all this before the start of the events of the book! Just because WE, the READERS, met Gale before Peeta and immediately felt a connection with him does NOT mean that was Katniss's experience! And that's what SC is trying to tell us!

To dismiss Katniss and Peeta's past as unimportant or inconsequential compared to whatever Katniss and Gale have in the present is to fundamentally misunderstand Katniss as a character and, as a result, condemn oneself to never fully understand the choices she makes in the future.

Suzanne Collins wrote it that way on purpose because she had something to say. And no one will ever be able to convince me that something wasn't "It was always going to be Peeta".