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prettyoddfever · 2 years ago

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I have a few different questions in my inbox that revolve around my perspective on being a teen in the 2000s. A few points weren’t relevant for me, but I’ll try to cover some other aspects here in one rambling post since this might be faster...

TECHNOLOGY:

There were no apps, filters, or presets back then. If you wanted to edit a picture, you had to sit down & actually learn how to use photoshop (I think some kids with Microsoft computers used Paint too but idk). Knowing how to use photoshop gave you a huge advantage on myspace and most likely made you popular in online forums because you could actually make icons, wallpapers, & stuff like neopets userlookup profile banners. The kinds of things that kids can do to pictures today with a single tap of a button used to take like an hour + a lot of talent. Also, photoshop didn’t used to have the kind of recurring payment nonsense that Adobe does now. You’d just go to a store, buy the software cd, install it, and then it was on your computer for good.

Selfies weren’t really a big thing until myspace... and a lot of people called them “myspace pictures” for a while if you turned the camera to face yourself lol. Gifs also didn’t have a name... I just called them “animations" at first.

Modern cell phones can replace so much stuff that I used to have to haul around... like my heavy Nokia phone, disposable camera, giant chunky video camera + its gear, a giant binder of cds plus my cd player & headphones, a notepad with pens, and maps I printed out from the internet. My friends would also bring their GPS, a portable dvd player for longer trips, and ipods... except we didn’t have a way to get the ipod to play in a car yet (in 2008-ish I got one of those cords that you could set to the frequency of whichever radio station was pure static and then you’d get to hear part of your song... but you’d have to keep changing the radio station on the cord as you drove because pretty soon another song would start to cut into yours).

I didn’t even get the type of cell phone that could have internet or apps until like 2013. I was def late to that party, but my point is that the few kids who had sidekicks in 2006 weren’t the norm. I had a basic flip phone, but don’t remember texting much until 2007. Most of my friends and I just used our phones to call our parents, and then talked on MSN or AIM on our computers (if you were fortunate enough to have one in the first place... a ton of kids at my school didn’t have internet at home).

I know that videos on youtube from 2006 look like they're "filmed on a potato" and really bad quality or whatever, but part of that low quality wasn't the fault of our video cameras!! It was really distressing how I could have a relatively decent video, try my best to get all the settings right to export it for webstreaming, and then it would look like a garbled mess by the time it finished uploading through whatever hell portal it went through while getting online. Sometimes the process of sharing & downloading video files also lowered the quality. So the quality of the original videos we recorded wasn’t quite as horrid as the final uploaded versions (cell phone videos do not apply to this... those were just atrocious period).

Our tvs were not super blurry & pixelated like the bad quality youtube videos you might see of recordings from 2006 lol. Have you ever seen a movie from 2002? It’s fine. I do remember tvs suddenly becoming REALLY clear towards the end of college, though... maybe around 2010? I don’t remember exactly when. I only remember spending a few months continually pointing out how clear the details were onscreen and being shocked that we could literally see someone’s pores. So I suppose there was some minor improvement, sure.

My random opinion: there was something nice about having fewer choices in entertainment and needing to wait to access something (I’m not saying that having the freedom to do your own thing on your own schedule these days is bad or anything... it’s just different). My high school friends and I had like 5 tv channels to pick from so then everyone watched the same exact shows at the same time because we didn’t know when the next rerun would be (although weekly TV guides that got delivered in the newspaper would list the names of each episode coming up on the schedule and I would highlight the ones I wanted to see). Some kids with cable would leave the tv on for hours in the hope that they’d see their favorite music videos show up. Now people can instantly access an endless range of entertainment on their own time, so some of the excitement that came from anticipation is lost (like even waiting for someone to return the movie you wanted to rent felt like a bigger deal than just clicking on whatever’s next in your Netflix list). I spent a lot of hours of my life waiting in fun lines for midnight Harry Potter book releases, but now I suppose you could just download an e-book right when it’s released.

There weren’t verified social media accounts back then. YFly’s main selling point was the fact that celebrities were verified (that site didn’t really take off, but Brendon still had to sign up for an account in fall 2006). Without verified social media accounts, it was often really hard to tell if someone was real. There were SO many fake accounts for any & every celebrity. I legit believed that one account on Neopets was Emma Watson simply because so many other people were convinced too. There were a lot of fake myspace & facebook accounts for Ryan Ross & Brendon Urie by late 2006, but those always seemed very obviously fake to me (even if they actually managed to spell Brendon’s name right lol). Some newer fans who didn’t know as much about the guys were definitely fooled, though, so that’s yet another place where some harmful and/or inaccurate info came from.

FASHION:

movies from the 2000s aren’t a totally accurate picture of what teens dressed like… it’s more like an adult costume designer’s interpretation.

Most kids I knew in high school just wore a lot of American Eagle, Hollister, Abercrombie, and whatever PacSun sold (like Roxy). There weren’t so many aesthetics back then. The high schools that my friends and I were familiar with (in several different states) mostly had kids who were skater, scene, emo, goth, kind of punk, the generalized preppy look that made everyone into a Laguna Beach clone, or kids who didn’t care & just wore sneakers, flared jeans, and whatever graphic unisex tshirts came with their school activities.

Emo & scene were not the same thing. A lot of scene kids would get really upset if you called them emo. Some emo kids would be offended if you thought they’d ever be scene. Also: in my experience, emo kids were bullied waaaay more than scene kids.

I spent a lot of time at malls and was really into teen fashion magazines in high school like Teen Vogue, YM, Seventeen, Cosmogirl, Teen People, Elle Girl, etc. I just want to point out that styles changed SO much while I was in middle school & high school (2000–2007) and even more when I was in college. The popcorn shirts that I was obsessed with in 7th grade were only around for a short time. Flared sleeves were in towards the start of the decade, but that didn’t last long either. The 1960s came back briefly when I was in middle school, and then the neon 80s had a short comeback a few years later (but now I’m understanding why our teachers grumbled about how we were generalizing an entire decade with the looks of one moment lol). I can’t think of a single style that could possibly represent the whole decade of the 2000s. In 2004 I desperately wanted the flared jeans that Amanda Bynes wore in What A Girl Wants, but I wouldn’t have been caught dead in them in 2008. In 6th grade my favorite outfits were track pants that could snap off, flared jeans with flowers embroidered on them, butterfly clips in my hair, those clunky chunky brown sandals that looked like turtles, the spaghetti strap tank tops that were banned at school, a little triangle bandana thing on my head, foundation as some weird form of lipgloss, and body glitter. I fit in at that point, but I would’ve looked weird by 2002. Trends were super temporary & changed quickly. It’s not like the entire decade was into camo cargo pants, trucker hats, shirts/purses/hats/anything with your initial in rhinestones, madras shorts, platform sandals, jeans that laced up the sides, pants with flares as big as you could possibly get, colored skinny jeans, denim miniskirts with cropped leggings underneath, long camisoles with a lace bottom for layering, boleros, gauchos, striped polo & rugby shirts, that one style of adidas shoes, those velvet tracksuits, massively furry uggs, crocheted purses & shirts, jeans that looked like they were patched together, suede belts with the fringe that hung down to your knee, studded belts, etnies & vans, etc. Those things were from a range of different years. 2008/09 feels like it had way more in common with 2011 than with 2005. I thought the early 2000s had more in common with the late 90s than with 2006. I’m just saying... you can’t generalize the whole decade as a continuous look or sound.

TOXIC ASPECTS OF 2000s FASHION / TEEN CULTURE:

TW: eating disorders

Maybe movies didn’t show the actual types of tshirts that teens wore because those had a giant brand name plastered on them or were inappropriate? There was SO much sexual innuendo on shirts around like 2004. I just tried to google this and I’m shocked at how there are so few examples (I put some in this tag). I mean, it’s awesome that our culture has changed enough to recognize that those should be buried, but they were also so prevalent that it feels strange to see those shirts are just gone as though they barely existed. I’m able to find some examples of Abercrombie shirts still because the brand is popular, but those types of graphic tees were at almost every store in the mall for a season… even Kohls & Target were questionable. For a short time it was such a chore to find a tshirt that didn’t subtly say something sexual, which legit made me anxious as a high school freshman. A 14-year-old girl shouldn’t be walking around in a tshirt with colorful smiling flowers that say “guaranteed to get you up in seconds!” I hate that I was so naive that I wore that shirt to school for a long time, but I also hate that those types of shirts were created for the junior’s section of some stores. The graphics on those shirts were mostly designed to look like ads for things like tropical islands, travel, Asian restaurants, cleaning products, mountain resorts, etc… except it was usually sexual in some way if you stopped to actually read the small text. Other shirts were also surprisingly racist, sexist, and just generally weird for something that was obviously created for underage girls to wear.

Parts of the teen fashion industry basically fostered a bitchy culture where girls hated each other and were striving for male validation. Most stores at the mall (and even Walmart & Target) had those popular attitude tees that pitted girls against each other or reduced our worth to a few physical characteristics. The Abercrombie t-shirt that said “I make you look fat” stands out in my memory (but it’s just one drop in the bucket of all the similar tees they sold). And there were SO many shirts at various stores about blondes vs brunettes that I remember wondering whether my friends who dyed their hair felt like they were switching sides in a battle lol (there weren’t many shirts about redheads, but I remember seeing one at a store like JC Penny or Sears that had some kind of flames & implied something sexual because of course).

There was even a weird trend of graphic tees that made fun of rural populations... like Urban Outfitters had so many shirts mocking states that were stereotypically redneck. Abercrombie and other stores did too.

I still remember a teen magazine (maybe Cosmogirl?) had an article whose condescending tone was basically congratulating Rachel Bilson in The OC for eating cheeseburgers, being ok with her body/weight, and not trying to be skinny (she was probably a size 6 btw). She was legit considered “large” by several magazines back then, whereas Marissa on The OC was the standard of what was supposed to be “normal.” The media would create a culture where you needed to be super skinny to be acceptable, but then they’d blast those same celebrities for possibly being anorexic (and that shaming wasn’t done out of concern for their health… the tone was more like celebrating that a celebrity screwed up yet again). There really was no way to win.

I recently saw a current teen talking about that Senior Year movie on Netflix and how ridiculous it was that the main cheerleader girl claimed to be on an ice cube diet (as though that idea was absurd and Netflix was inventing it as a joke). That was an actual thing, though. I even remember reading the “helpful tip” in more than 1 magazine that the act of chewing on ice cubes would trick your brain/body into feeling a bit more full. I remember a couple girls who’d have cups of ice at lunch complaining about how their dentists told them that chewing on ice cubes was bad for their teeth.

The top & middle shelves of jeans at Hollister & Abercrombie were like sizes 00-5 and then the biggest sizes were at the bottom. You had to kneel on the floor to try to find a size 9 in their limited stock, which was the biggest size some stores sold (others went up to a size 11). Way too many of my friends viewed themselves as “disgustingly obese cows” for being a size 9/10. I was legit ashamed to be a size 5/6. Our world was created through a really narrow lens of magazines & tv & movies, and we mostly saw super skinny white girls.

Another aspect of the one-way dictation of culture was how “poor people” were very much looked down on in the early 2000s. The kiosks at the malls near me were full of counterfeit designer bags, sunglasses, shoes, etc. I’m mostly speaking for the preppy crowd here, but at a lot of high schools you were basically expected to have a small Coach bag and one of those chunky chain Tiffany & Co necklaces with the heart on it. That was just like the bare minimum (and it was embarrassing for the girls who were called out for clearly having knockoff ones… like I felt safer just not having those things than being caught looking like I wanted to, while clearly not being able to afford it). I was watching this youtube video last night (which is seriously funny btw) and the guy points out how Kate calls out Lizzie for being an outfit-repeater and then the characters in that movie look down on blue collar workers and people who might live in a trailer park. That is such a solid example of what our culture felt like back then. I’m glad that those comments seem noteworthy or abnormal now, but it’s hardly like the Disney channel invented that mindset. It was just everywhere. Like I cleaned hotel rooms throughout high school to be able to afford my clothes from American Eagle & Hollister, but that was a serious source of shame (even my mom looked down on me for that job). Sometime around 2009-2011 I started to notice a shift where it started to be more acceptable to admit that you shopped at Target or used coupons, and then shopping at thrift stores became mainstream cool and people were openly talking about their budgets, financial problems, etc. Maybe this shift was partially because of the recession in like 2008, but I really do think that a more connected society via the internet weakened the media’s ability to dictate such a narrow culture as we started to get inspiration & ideas from a wide range of perspectives.

You know how in the movie 21 Jump Street there’s that scene where Channing Tatum & Jonah Hill go back to high school in like 2012 and it’s totally different? That was one of the most relatable scenes I’ve ever seen in a movie lol. Suddenly it was cool for teens to care about things or actually try in school? Admitting that you like Lord of the Rings or anything “nerdy” was no longer an actual risk that might make you lose friends or expose you to ridicule? Wtf I felt so ripped off. You’re not asking to be bullied if you wear your backpack on both shoulders?! I had been willing to give myself back problems because I thought that was the price of survival. I spent a lot of the early 2010s being cranky that the teen culture I had worked so hard to conform myself to was vanishing and being replaced with something that I would have absolutely loved in the first place, thanks.

(I’m definitely not saying that everyone who went to high school in the early or mid-2000s had the same experience I did btw. This is just my perspective).

SOME PAGES FROM TEEN MAGAZINES

Teen magazines were full of “entertainment” in the form of attacking female celebrities. That mindset definitely wasn’t limited to just teen magazines or the audience of teen girls, but I’m more shocked in hindsight by how 12-year-old girls were basically taught to judge, sabotage, and compete against each other. It seemed normal at the time, too. It fostered a culture where a lot of us were super insecure & anxious that everyone was waiting to laugh at our smallest mistake or mock our flaws. Here are some random examples of the culture we were fed in the mid-2000s.

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rusticottage · 4 years ago

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Hi, guys! Before anything I just want to add here that this is how I do my gifs, I’m not a professional and there are a thousand ways to make gifs, this is just one of them. I really hope I made everything clear, but if you need any help or correct me in something, just send me an ask! I’m always open to learn and help <3

You’ll need:

FRAPS

Photoshop

The Sims Any game you want!

Step 1. After downloading FRAPS you will open it and go to the “Movies” page and check what your hotkey is (maybe when you click it a window will open saying that your video player is not compatible with the video type, ignore it), mine is F9 (I think is the default), but you can change to whatever you want, just don’t put any used hotkey like esc/tab/windows key, this kind of stuff.

Obs: for FRAPS to work you need to always have it open simultaneously with the game (you can open it while you are in game in case you forgot, that’s not a problem).

Step 2. Once you go in game (with FRAPS minimized) you will see some numbers on one of the corners of your screen, it shows that FRAPS is on baby (if nothing is showing try press F12 or F11).

Step 3. Ok, now you go where you want to make your gif, you can turn reshade on, off, tab, build mode, FRAPS works in game no matter what/where. You’re going to press your hotkey (mine is F9) and the numbers that once were yellow will turn into red, it shows that FRAPS is recording your screen, to stop the recording press your hotkey again, you will notice that now the numbers are back to yellow. Try not to wait too long to stop recording, we are doing a gif not a movie afterall ;).

Step 4. Nice! Now you can get out of your game, or minimize it, and go to Photoshop and open a new file, check on your FRAPS where your movies are located and open it in Photoshop!

Step 5. We are almost done. Check if when you opened your movie the timeline bar showed up in the bottom of your Photoshop, if it didn’t go to Window > Timeline, and choose Create Video Timeline

Step 6. The long purple/blue bar is your whole video.

Controls (play, pause, this kind of stuff)

Beginning of your gif

What part of your gif is showing up to you on your screen right now

End of your gif

Any edit you want to make

You can mess with 2 and 4 and choose where your gif will start and end and how long it will take, try not to do a long gif, long gifs are heavy, it’s harder to make it look good while have a size that can be uploaded on tumblr.

⚠ tip: edit after cropping and 400px is being a really good size to keep the quality 💛

Now just edit the way you want it to look! But know that this is not a photo so some tools might not work.

Step 7. Once you finish editing your gif you’ll resize it. FRAPS saves huge size videos, and again, they are heavy, we don’t want this. Go to Image > Image Size and resize the width to 600px (the new size is kind of optional, I use 600px because isn’t too small nor too large, but you can put any px you want here, just don’t make it huge!). Once you resize, a popup wil appear , just press ok (and now your long video bar is purple ;)).

Step 8. We are ready to save it! Go to File > Export > Save for Web (Legacy)

Step 9. Make sure the loop is set to “always” or “4ever” idk, you can press play to check the end result. Aaaand, keep an eye on the size of your gif, tumblr doesn’t accept gifs bigger than 10MB and recommends it lower than 5MB. Click on Save and we are done!

Here we go! You have your gif <3 This is the first tutorial I’ve ever done here so please correct me if I made any mistake and go into my inbox to ask anything at all, if I don’t know what to do we can search a resolution together. Hope this was usefull!!! Have a great day!

#can you belive this????#I did a tutorial #tf #hope it helps guys for real!#<3 #tutorial #the sims #ts4 tutorial #the sims tutorial #gif tutorial #ts4 gif #ts4 gif tutorial #sims 4 #the sims 4

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gr-ogu · 4 years ago

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Hello! As requested, here is a tutorial on how I make my gifs. I would like to preface this by saying there are many ways to make gifs, and there’s no right or wrong answer imo. This is just how I personally go about doing so!

I will be using PS CC 2017, but as long as you have the video timeline option, it shouldn’t matter too much; on any version of PS, you should be able to adapt anything I mention here! You will also need some kind of screen recording software. I’ll talk a little more about that under the cut.

To start, you need the source material you will be making the gifs from! I get mine from snahp(.)it (avoiding links so tumblr hopefully doesn’t banish this from the tags lmao) and I always opt for either 1080p or 2160p. Not all laptops will support 2160p as it’s 4K, but either works great! You just want your gifs to be the best quality possible.

Next is where the screen recording comes in. I don’t use the screencapping method to make my gifs (where you use a program to cap a clip and then load those caps into a stack in PS). This isn’t for any particular reason… it’s just how my friends, (who very kindly taught me to gif), had always done it, so it’s now how I do it too. Personally, I find the quality to be just as good as the screencapping method, and have never noticed a difference between the two.

As I have a PC, I use the software built into it for screen-recording. If you go here: theverge(.)com/2020/4/21/21222533/record-screen-pc-windows-laptop-xbox-game-bar-how-to – you can see how to use the XBOX screenrecorder to record from files you have d*wnloaded. This also works on some streaming sites, but I think it depends on what browser you use. Personally, I recommend Firefox, as that seems to bypass a lot of the blocking and ads that occur when trying to do this sort of thing.

For MAC users, I have been told handbrake works well, as it converts MKV files to MP4, which can then be used to make gifs. You only need to convert part of the file to MP4 depending on how much you want to gif, and this also bypasses the screenrecording stage, as you can edit MP4 clips on Quicktime. I am told you can split them into smaller clips by going to edit > trim and it saves the new clip!

I have also used anyvideoconverter for small clips, but I can’t say what it does to the quality of your video, or how big of a file it lets you put in! With the XBOX screenrecorder, it doesn’t matter what type of video files you get, as the recording will save to MP4 anyway.

LOADING YOUR FRAMES

Now, go ahead and record whatever clips you want to gif. Make sure you have the video timeline open, by going to window > timeline. Then, go to file > import > video frames to layers.

Next, select and open your clip from where it has saved (with the XBOX recorder, it saves in video > captures). You should see a little window pop up, where you can move the sliders back and forth to clip your recording to whichever part(s) you specifically want to gif. I recommend trying not to load a lot of frames into photoshop at once, but I would be a hypocrite to say that, since I do it a lot lmao. Just be patient if you do!

Once you have chosen the length, click okay. Never, EVER, I repeat NEVER click the button that says “limit to every __ frames”. This really ruins the flow and quality of your gif—it’s better to have shorter, but smoother gifs, I promise. And with tumblr’s new 10 MB limit, it shouldn’t be a problem anyway!

Then, your frames should open up. What we want to do is make them into a smart object, so we can edit all the layers at the same time. To do this, click the small button in the left-hand corner. ALWAYS click this first. If you don’t, it will only convert the first frame to a smart object and the gif won’t work.

Give it a second to sort itself out, then, on the right-hand side, select all your frames at once using the shift key.

Then, go to filter > convert for smart filters. This might take a minute. Don’t click anything else in case PS gets angry lmao, just leave it for a second and it’ll do its thing. The more frames you have, the longer it takes! Now we have our gif, but it needs to be cropped, sharpened and coloured!

CROPPING

You want to start by selecting the rectangular marquee tool on the left-hand side, then drag it across by clicking and highlighting the area you would like to crop your gif to, like so:

What I tend to do is select everything inside the black lines you sometimes get around your gif (this depends on what file you d*wnload), and also the tiniest bit inside the sides. This is because I’ve found if you crop it right up to the edge, you get a tiny bit of transparency on the sides of your gifs, which I’d rather avoid.

Once you have your desired selection, go to image > crop. Now, the dimensions for tumblr are 540px width, so all your gifs have to be that width. However, the length is up to you. I really like big gifs, so sometimes I even make a full square, or even longer. It’s entirely up to you, and what kind of set you want to make.

For the purposes of this gif, I will stick to what I usually go for, 540px by 350 px. This will mean you’ll have to crop some width off, but that’s okay, since Marisa isn’t central anyway. The cropping is always trial and error for me, as sometimes people move out of the frame within in the gif. The best thing to do is just try it, and then move the slider in the timeline window at the bottom to see if the person stays inside the gif, and if not, adjust accordingly.

Next, go to image > image size:

In this box, if I put the width as 540, the gif is a smaller height than I want, as it keeps to the dimensions of the gif when you load it into PS. That’s okay, just put the height you want instead, and we’ll crop off the excess.

Then click OK. Using the rectangular marquee tool again, we need to remove the excess width. Part of the reason I like this version of PS is that it tells you the width of your selection as you do it, but you can always use the ruler as a guide, and check the size of your image by going to image > image size again.

Again, use image > crop, and your gif should now be the correct size!

You can also use the crop tool in the timeline window to crop the length of your gif:

However, I tend to wait until later on to do this (which will be explained further down!)

SHARPENING

Next you want to go to filter > sharpen > smart sharpen.

These are my settings. However, 0.4px is very sharp, too much so, but that’s easily fixed.

Go to filter > blur > Gaussian blur and then set it to 1.0.

Now on the right-hand side, we need to reduce the blur, so double click the little adjustment button, and change the opacity of the blur. I usually go for 20-30%!

Then click OK, and that’s your sharpening done!

COLOURING

I picked this scene on purpose as it’s dark, so good for showing how to colour a gif. I have a base psd which consists of some very basic adjustments, but it mostly exists so I don’t forget what adjustment layers I like to use. I adjust them every time I make a gif, essentially colouring each gif from scratch.

In this case, the psd actually makes it darker. So, what I will do is turn each layer off, and adjust as I go. A lot of people say using lots of adjustment layers ruins the quality of your gif… I have never found this to be true, as long as you are gentle with them. If you whack the brightness right up to the top, it’s going to ruin your gif no matter if you use 1 adjustment layer or 100. I would just say use your common sense, and adjust a little at a time!

I start with a simple black to white gradient map set to soft light, because I think it helps you see depth once you add some brightness to it. I usually do this on about 10%, or more if needed. It’s probably unnecessary, I just like how it looks!

Then, I move onto using curves and levels. This is where things can diverge depending on who you’re colouring. If this person is white, it doesn’t matter too much. If they’re not white, you don’t want to white wash them. My best advice is to play around with it. By adding vibrance and other (usually the red) selective colour settings later, you can ensure you don’t change the person’s skin tone from what it originally was. You can also use layer masks at varying opacities (various shades of grey), on your curves and levels, to remove some brightening so that you’re not changing anyone’s skin colour. Just brighten slowly and check in with yourself honestly about how your gif looks.

Some people don’t like using levels, or curves. It’s completely up to you. I tend to use both because levels are good for bringing depth, even if not brightening (though I like to use them for that as well).

One thing you can do is use the white point of the gif to make PS adjust the curves itself, however I like to drag the sliders myself and see what it looks like. Just make sure it’s not too bright, as we will be using further layers to brighten more, after.

Next is levels. The slider on the left controls the black point, the one in the middle controls the midtones, and the one on the right controls the white points. The black brings depth, the midtones adjust the overall brightness, and the white points produce stronger highlights. Again, you’ll get a feel for how this works as you practice. Just don’t use the white point excessively, especially if your characters are not white.

Then I add vibrance (+20!), because we’ve removed a lot of it when lightening the gif. Next is exposure, which I find brings out the highlight and shadow areas more effectively:

Then colour balance! This helps with scenes that might be a certain colour, i.e. too blue, too green, too red, etc. Moving the sliders in the opposite direction of the colour your gif is will counteract it. The best thing to do when accounting for different colours, is to make a new layer every time you change colour, so that you don’t get confused. I always add a new layer for colour balance and selective colour if I want to change more than one thing. So one for red, one for yellow, one for pink, etc.

A layer of brightness just to make the gif pop, and because the scene is extra dark, I added a very gentle extra curves layer:

SAVING YOUR GIF

Time to save the gif. You can go ahead and file > export > save for web (legacy) now, but then you’ll have to reopen the gif to reset the frame rate from 0.07, to 0.05. Instead of doing that, I use a modified action. The original was made by the very talented @elenafisher! So I do not take credit for that at all. You can find the original here: elenafisher(.)tumblr(.)com/post/190817437374/gif-sharpening-action-2-preview-download and in my resources tag. Please reblog it if you’re going to use this!

To use an action, first make sure you have actions turned on in window > actions. To load in your action, go to the little lines circled, and then load the action from your downloads:

Obviously if you don’t want to sharpen your gifs yourself, you can use the action as it is, and it will give you a beautiful glowing effect. If you’d just like to use it to flatten your gif into frames like I do, make sure to take out all the items I have highlighted:

Until it looks like this!

Make sure you have the layer under the file name highlighted, and then click the play button at the bottom! (If you get a screen saying select all frames cannot be found, don’t worry, just click continue!) You can delete the layer that does that if you want, I just keep it in case I realise I’ve forgotten to do something, because you can click cancel and edit your gif before you flatten it. Of course you can undo the steps to get back to the smart object version of your gif, it just takes longer!

And now your gif is in frames and set to 0.05 already, so you don’t have to change the speed! All you need to do now before saving is change the gif cycle to “forever” in the bottom left-hand corner:

Then to save the gif go to file > export > save for web (legacy). Sometimes, the gif is bigger than the tumblr 10MB limit. You’ll be able to see this in the bottom left-hand corner of the gif save settings. If this is the case, I like to preview the gif, to see whether it would be best to cut frames off of the beginning or the end, or both. When you’ve decided, you can select the frames at the bottom, and in the right-hand side panel, and delete them both using the little bins/trash icons.

I keep checking and deleting frames until I get the gif under 10 MB! Just don’t delete frames from the middle, as then you’ll have the same issue as if you selected “every other frame” when making the gif: it won’t flow!

Lastly, these are my save settings:

So that’s it! That’s how I make all my gifs. Blending I do when the gifs are in the grouped, smart filter stage, whereas text I add on during the framing section above! Really hope this is helpful, please feel free to ask any questions you may have! 💖

#gif tutorial #tutorial*#completeresources #yeahps #chaoticresources #allresources #mikesmom #usergeo #userava #usertix #usersmile #usertom #if you'd like me to cover anything more advanced just shout #i wanted to show how i add text too but tumblr wouldn't let me add any more pics #but people can let me know if that's something you'd want!

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miiracleangel · 4 years ago

Text

Shake ass pt. 1

karasuno 2nd and 3rd year edition

❤︎ hey guys this is my first writing work and it’s basically full crack and who is more crack that the boys of Karasuno. I’m also taking requests and making this a mini series so if there’s a boy you want just send his ass my way❤︎

i reposted this from my old account and i might have changed the gifs around don’t kill my okay love u bye

~Karasuno 1st year edition~

hinata, kageyama, yamaguchi and tsukishima

- “If he doesn’t send you a video of him shaking his ass he’s cheating on you”

(gifs not mine)

❤︎❤︎❤︎❤︎❤︎❤︎❤︎❤︎❤︎❤︎❤︎❤︎❤︎❤︎❤︎❤︎❤︎❤︎❤︎❤︎❤︎❤︎❤︎❤︎❤︎❤︎

Hinata

you were bored scrolling on tiktok until you came across the challenge

you knew never in a million years that Shoyo would cheat on you but the thought of the orange haired cutie shaking ass for you was too good to pass up. So you texted him

“she wants you to what?!” “SHAKE SOME ASS IF IM NOT CHEATING CANT U READ KAGEYAMA?!”

he SPRINTS to the corner of the court keeping his phone up with a water bottle. Getting straight up weird looks.

“Hinata what are yo-“ “hold on daichi i need to do something it’s urgent”

stares.... everyone just stares totally confused. It was shown directly to kageyama but he’s still confused.

doesnt even bother to put on music he has no time he needs to prove his innocence

you get a notification from your phone 10 minutes later from Hinata and yes, it’s a video.

You see his team mates circle behind him with the most confused faces ever made. Hinata steps back from the camera and just...let’s it loose.

hands on his knees

his ass, his legs, his back everything wiggling

has no idea how to shake ass but baby is trying

You DIE laughing seeing whats unfolding before your eyes: Your boyfriend. terribly shaking ass with his teammates behind him, ALL sorts of confused with Tanaka and Nishinoya screaming of laugher in the corner. a sight to see

you shoot your boyfriend a text.

“Thank you i believe you but it was just a tiktok challenge”

“ANYTIME BABE” he texts back

hes just happy that your happy and you know he will never cheat. hes so precious oml

Kageyama

looks you dead in the eyes...”you want me to what?”

“shake ass if you’re not cheating on me”

“how does that prove i’m not cheating on you?” he looks at you with a eyebrow up.

“cheating men are physically unable to shake ass that’s how we always know when a man is cheating”

he just stares at you and ya know what

he believed you.

he really actually believed you bcs he nodded and said “okay that makes sense”

he gets up from his bed that you’re both currently sitting on.

“wait” you says and he stops to turn and look at you.

body by Meg thee stallion starts playing from your phone

“continue” you say with a cute smile on your face.

he just stands there, juts out his butt and just wiggles side to side. completely off the beat. After a couple seconds he stops

“Happy?” he asks. slightly annoyed

you look him up and down. “Your arch sucks but this will do”

he sits back down on his bed next to you, sighing, happy to know he can shake ass and he’s not a cheater.

“btw what i said about cheating men can’t shake ass is a lie”

“i hate you” he says quickly after you finish before kissing your forehead. You pout at him, earning him to kiss your pouty lips.

he would do anything to prove he will always love you. even if he looks stupid.

Yamaguchi

another soft babie 🥺

He was walking back home with tsukishima when he got a video call from you.

“hey babe what’s -

“that’s not important right now” you interrupt him.

he stops completely in his tracks. Tsukishima looks at him on his phone confused.

“what’s wrong y/n”

“i’m gonna need you to shake some ass if you’re not cheating on me”

“what?”

Tsukishima covers a laugh with a cough. You texted him minutes before you called your boyfriend to let him know your plan.

“do as she says if you’re not” his best friend tells him with a straight face.

“ ok ok ok” Yamaguchi frantically looks around for a place he can set his phone and decides on a brick fence ledge.

y’all know how squidward shaked his ass to boys who cry?

yeah

just like that

you and tsukishima DIE upon sight of your boyfriend trying to prove his innocence on something he didn’t even think about doing

“please stop my eyes are hurting oh my god” tsukishima says covering his eyes, walking away laughing. “dude it’s a challenge stop oh my god”

your boyfriend freezes. “it’s a challenge?” he asks you

“ yes i know you would never cheat on me i just wanted some ass” you tell him laughing. “i loved it tho and i love youuuu” you coo to him

he smiles. hearing your laugh melted at least half of him embarrassment. “i love you too, i’ll be by your place in a bit” he says kissing you through the phone.

Tsukishima

“not gonna happen”

“so you’re cheating on me”

“no”

“so prove it”

“i’m not shaking my ass infront of you to prove that i’m not cheating on you. it has no correlation”

you sit your head up from his chest in your cuddled position.

you give him puppy eyes. “pweeasee Keiiiiii”

“i might as well cheat” he says with a breathy laugh

you lightly hit his chest. “so you hate me”

“never said that out loud”

“soooo shake some ass” you beg. He shoots you a bored look “you better not record this if i’m gonna make a fool out of myself”

“you have my word my love” he smiles and kisses your forehead before jokingly pushing you off him. “fine” he mumbles

he gets up and as soon as he turns around to face you, you play juicy by doja cat.

“definitely no-“

“YOU SAID U WOULD” you yell over him.

he sighs.

turns so his butt faces you and does a lil dancy dance.

much to his luck mid booty shake...Akiteru walks in.

“Hey Kei mom said din- what are you doing?”

“GET OUT”

you’re rolling on the bed dying of laughter. Never in your life did you think the stars would align so well

“Next time i’m cheating on you” he says walking out leaving you to laugh at what you witnessed.

❤︎hope you guys enjoyed my mediocre writing! ❤︎

#haikyuu x reader #haikyuu x gender neutral reader #tsukishima x reader #tsukishima imagine #hinata x reader #hinata imagine #kageyama x reader #kageyama imagine #yamaguchi x reader #yamaguchi imagine

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haldi-archived · 4 years ago

Photo

Hey guys! I got an ask wondering how I make my gifs and some people have asked me how I color my gifs, so here you go!

We’re going to be making this:

You’ll need:

VLC Media Player

Photoshop with working Import Video Frames to Layers function and timeline. I use Photoshop 2020, but any older versions with these functions will work!

A high-quality video (preferably 1080p)

Tutorial under the cut!

PART ONE: MAKING YOUR GIFS

You’re going to want to open up your video in VLC Media Player and open it to around a few seconds before your scene appears. If you’re giffing from a small YouTube video you can ignore this step, but for movies and TV, you’ll want to use VLC to extract the tiny part of it you want.

Pause it before your scene and click View >> Advanced Controls.

Above the play button, you should see a bunch of new controls. Focus on the red button I circled below:

Click this button and press play. VLC records are a little bit off, so this is why you want to be a few seconds before your scene actually starts so you catch it all! When your scene has played, press the button again. You’ve now recorded your scene and you can record as many scenes as you like for a full gifset.

You can find your recorded videos in the Videos folder. It’ll be named something like vlc-record-a bunch of letters and numbers.

Now that you have your scenes, it’s time to open Photoshop! When Photoshop has loaded, go to File >> Import >> Video Frames to Layers, which is a bit down to the bottom. It’ll prompt you to select a video; click on the video you just recorded, and a screen like this will pop up:

Use the white sliders to select the parameters of your scene. I would recommend going a little bit more on both sides so you catch your whole scene.

TIP: Make sure you do NOT select the button that says “Limit to Every 2 Frames,” because that will make your gifs look choppy and ugly. Love yourself!

Once your frames have loaded, you might not see them on Photoshop the way mine looks. If that’s the case, make sure you go to Window >> Timeline so you can see the frames!

Delete the extra frames in your gif that you don’t need by selecting the frames you want to delete and pressing the trash can button, circled below:

Now that you’ve done that, it’s time to crop. For this particular gif, I’m going for a full-width one, so the width I chose is 540px and I chose a height of 290px. Click on the crop tool and make sure your crop settings are at W x H x Resolution, or you won’t be able to input specific dimensions the way I’ve done here:

Position the crop tool where you want your gif to be:

And now that your gif is all cropped and sized, it’s time to sharpen! I have a pretty specific sharpening process that I’ll outline in detail here, but I have an action for this purpose so as to save time. I’m just making this part of the tutorial so you know what you’re meant to do in Photoshop.

First, go ahead and click the three little bars at the right edge of the Timeline/Frames tab and hit Convert to Video Timeline.

Now, your timeline should look like this:

Go to Select >> All Layers, and right-click on one of the layers in the Layers tab once they’ve all been selected. Select Convert to Smart Object. This allows us to sharpen the entire gif at once as opposed to by frame! Your timeline should now look like this, with all the little purple parts condensed into one:

It’s time to sharpen! Go to Filter >> Sharpen >> Smart Sharpen. I do two passes with the Sharpening tool; here are my settings for both:

It’s not too apparent in the pictures, but it does make a difference. Don’t worry about your gifs looking too sharp; I use this action on every single one of my gifs and it always works like a charm.

Now that our gifs are nice and sharp, it’s time to take them back to frames. This is because of a glitch in Photoshop that makes gifs saved in Smart Object form much faster than they would be in frames. Click on the small bars on the right of the timeline again and select Convert Frames >> Flatten Frames into Clips.

Your gif should have all those little clips that we had before we converted it into a Smart Object.

Then, go to Convert Frames >> Convert to Frame Animation.

Your gif should be back in frames again, but it’s all one frame. Don’t worry; we’re going to fix that by clicking Make Frames from Layers from the menu with the three little bars again.

Now all your frames should be back! We’re going to set the speed of the gif now. Hit those three little bars again and click Select All Frames. Now click on the little triangle under any frame and click Other, and a little popup will appear. I always set my gifs to a speed of 0.05.

At this point, I save my gifs as a .PSD file. You can delete these PSDS after you’ve posted your gifset (I usually do to save space!), but it helps to have them so you can edit your gifs later if you want. Hit Ctrl+S, and now the screen to save it should pop up. Make sure you save it as a PSD file and not something else.

Now you have a gif that you can color! Which brings us to…

PART TWO: COLORING, ADDING SUBTITLES, AND SAVING YOUR GIFS

I do run a pale blog so this is going to be a pale coloring tutorial. You can check some popular resource blogs to see if they have any tutorials for colorful gifs!

I start out by making a group with the little folder below the layers tab; I title it “coloring.” (Not pictured: I added a layer mask and painted one black dot over it so I could reference the original!)

I always start out with a Curves layer; here are my settings:

The gif at this point:

Next, I decrease saturation using the Hue/Saturation adjustment:

After this, I add a black and white Gradient Map layer and set it to blend mode Exclusion at 10% Opacity.

Then, (not pictured), I add a Selective Color layer and reduce blacks in Whites and Neutrals while increasing them in Blacks.

To make the background pale, I added a Hue/Sat layer, applying 100% Lightness to the Cyan and Blue channels and adding color to Azula’s skin by saturating the Yellows.

Here’s the gif after those adjustments:

Now I’m going to restore color to Azula’s skin following my own tutorial, so I’m not going to go into those details here. However, here’s the gif after all this. It’s not totally the same as Azula’s skin, but going any pinker makes the gif look awkward and oversaturated, which isn’t a good look:

After some minor adjustments and removal of the layer mask:

Now for subtitles!

Use the Text tool and make a rectangle at the bottom of your gif where subtitles go. I use Arial Rounded MT Bold, with Regular style, at 3.36pt and Sharp anti-aliasing.

Create a rectangle at the bottom of the gif where subtitles go and type in your text; then right-click on the text layer and select Blending Options and check Stroke, and these are my settings:

Now your subtitles are all ready! I’d recommend duplicating one frame of the gif and then duplicating the text layer onto a new canvas and saving it as a PSD so your settings and placement are always consistent across your gifsets!

Time to save your gif. Here are my settings, circled ones important:

I’ve seen gifmakers use Adaptive+Pattern but I personally think that looks grainier and the pattern is really obvious; in my opinion Selective+Diffusion looks smoother, but it’s all up to you! Experiment with what you think looks best.

Make sure your gifs are set to loop Forever or they’ll only loop a limited amount.

Here’s your finished gif!

I hope this tutorial was helpful! Please reblog this if you learned something, and I hope you have a wonderful day. Happy gifmaking ❤

#allresources #chaoticresources #yeahps #biresources #resourcemarket #useradeela #usermaira #userdanisaur #userchelsea #tuserivy #*mine #resources #tutorial

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itsclydebitches · 4 years ago

Text

RWBY Recaps: Volume 8 “Divide”

Hello, everyone, and welcome back! It feels good to be doing some normal RWBY-ing in this strange world of ours. First, some supplementary materials.

Number One: In response to any (valid) questions along the lines of, “Hey Clyde, it’s now been a full year since Volume 7 was airing and you still haven’t answered my ask about it. Or the ones about Volume 6… what’s up with that?” I’ve created what I hope is an informative video detailing the problem:

vimeo

(I assure you, the Earth, Wind & Fire was a happy accident during the screen recording.)

Needless to say, there’s a lot and I’ve known for some time now that I will LITERALLY never get through all my asks. Which doesn’t mean I don’t want you to send future thoughts in! Just know that as we head into Volume 8 territory I’ll most likely prioritize those, as well as any Volume 7 asks that aren’t woefully out of date. But I do want everyone to know that I read all the asks I receive, appreciate them immensely, and think too much about hypothetical answers, even if I don’t have time to actually write them out 💜

Number Two: There’s a bingo board this year!

Jury’s out on whether I’ll remember to update it, but at the very least this serves as a decent glimpse into my — and others’ — expectations going into this volume.

Number Three: I’ve collected a list of things I’ve heard about Volume 8 from what seem to be reputable sources. I did this because RT is developing a tendency to talk up certain points and then fail to deliver, either because something was taken out of a volume/moved to another, or because RT apparently has radically different ideas about what including something means. So this might be handy to keep on file and ask ourselves two months from now, “Did RT actually deliver on what they promised?”

Emphasis on Ruby’s leadership and how Summer’s death has impacted her

Insight into Ren and Nora’s flaws

May Merigold will supposedly have a larger part

More information about The Long Memory (Ozpin’s cane)

Theme of the volume is that you can respect someone but that doesn’t necessarily mean you agree with them

Very short timeline (supposedly just two days)

Yang in particular is very suspicious and distrustful

I was also going to include a list of all the threads that need to be continued/wrapped up, but honestly that would have taken too large a chunk off my life. Let’s just throw out the highlights:

Are we really going to have Qrow gunning for Ironwood?

Clover is dead regardless. Press ‘F’ to pay respects

Oscar bb you got shot please acknowledge this

Ozpin bb you got done dirty please acknowledge this

Penny is a Maiden now. I feel like the fandom has been sleeping on this (myself included)

Queer baiting, queer baiting… you’re on thin ice at this point, RWBY. Just skate on over to the queer snack bar before you fall straight into the lake.

Ren spill your deep dark secret already and it had better be something more than just ‘Oh no Nora might someday die :( ’

Salem is here so how the actual fuck is the cast surviving this?

Will Ironwood likewise survive his descent into antagonism? Yes or please yes no?

I think that’s all the biggies. I strive to keep lists like this in mind while analyzing, but honestly RWBY has a hundred moving parts that are abandoned or changed or simply retconned at the drop of a hat. So an attempt will be made.

Number Four (last one I promise!): Normal disclaimers and reminders for Recaps apply:

Please don’t fill up the already full inbox with flames. It’s still 2020. No one has time for that nonsense.

There will absolutely be typos and wonky parts because I try to get these out the same day an episode premieres. I have now been working on this for ten hours, nearly straight, and have no more energy for edits. Apologies in advance and RIP to my Saturdays.

I reserve the right to use stupid GIFs and memes at my discretion.

I strive to keep my focus on recapping/analyzing but salt tends to worm its way in… If you’re a die-hard RWBY fan with little patience for criticism, let alone (at times) snarky criticism, please proceed with caution.

No wait I lied, this is the last thing:

Okay, got that out of my system LET’S DO THIS!

We start not with the episode itself but rather Rooster Teeth’s (RT’s) strange non-promotion of it. If you follow my blog you may have caught the post where I pointed out that there was nothing on RT’s website to suggest that one of their most popular shows—if not the most popular show—was premiering today. Nothing on the main page. Nothing on the RWBY page either, not unless you count the Volume 8 poster background (easily mistaken for the Volume 7 poster) and the trailer buried all the way down past Episodes, past Merch, in the Bonus Features section along with videos like Live From Remnant and the volume intros. RT… the promotion of your feature show is not a bonus. This should be front and center! Honest to god, five minutes before the episode dropped I was checking the website for a Volume 8 section, a countdown, anything that would tell me the episode was imminent without relying on fans on tumblr to keep me in the loop. We got nada, zilch. I’m not sure whether that speaks more to RT’s iffy management of the series or simply the website’s horrible design—RIP losing RWBY on Youtube—but I was surprised when I saw the episode a few minutes after 11:00am. At that point I honestly expected to hear about a dely.

So that’s the mood I entered the premiere in, but truly? We start off strong. Things take a pretty severe nosedive later on, we’ll get to that, but I was impressed with our beginning and that probably has a lot to do with the fact that we start with our villains.

We open on a Cinderella character, Cinder, and thus I’m immediately pleased that we’re getting something about her backstory after all this time. Seven years! She appeared in episode one, folks! To say we’re overdue is an understatement. There isn’t a whole lot to go on, just a younger Cinder sadly scrubbing the floor, poised under a spotlight. What we learn, or potentially learn, is based far more in cultural knowledge than this scene. We know Cinderella’s story, which includes the abusive family, the longing for more, the eventual escape, and thus we’re able to read all of that in this image, despite the image itself not telling us any of this overtly. That means we could be wrong in our interpretation, but if we’re not it’s an easy shorthand in an already packed story.

What I’m really impressed with is the sound bridge between the scrubbing and her nails on the back of Neo’s chair. Fantastic way to confirm that this is Cinder as well as showcasing just how far she’s come. The sound of her labor has been replaced with the sound of her power and given that Cinder’s power is stolen, tied to a grimm arm, the property of a genocidal maniac… that’s messed up. It’s a Cinderella story gone wrong.

So yeah, Cinder tells Neo to head straight into the creepy, grimm infested blood cloud to see Salem and Neo is like, ‘Uh… no thank you?’ lol.

RT does a good job this episode with her expressions, ensuring we know exactly what she’s thinking despite an unwillingness/inability to speak.

Poor Neo might be in too deep, but I quite like the overall atmosphere of this opening. Say what we will about Salem’s awful characterization, at least she has style. This woman knows how to make an entrance and, piggybacking off of the Apathy, RT knows how to infuse horror elements into their fantasy. The red and purple coloring of the clouds, spiked whale teeth peeking through, bright orange in the background looking like explosions… that’s all 👌 Including the intro card.

The only thing I want to gripe about is this:

I’m sorry, why does the whale grimm have landing pads? Or something like it?? The whale otherwise works because it’s poised between the natural and the fantasy synthetic. It looks like a real grimm whale on the outside, but is sporting a throne room, a control panel, and other unnatural elements on the inside. It’s a visual indicator of Salem’s ability to control and change grimm. Now though, the additions are wrong, infringing on the line between organic and tech, the line between what helps the grimm individually (giving monkeys wings) and what just helps Salem. Every other aspect of the whale straddles that line wonderfully, adding to the creep factor, like a grimm version of the Uncanny Valley: it’s not quite a whale anymore… but landing pads? That looks ridiculous. Why does Salem even have that? How many ships are her people feasibly using? Why are there five?

Take it away, please.

Cinder waltzes in like this is a normal home visit, but Neo has an appropriate ‘What the actual fuck?’ face going on.

They approach Salem on her throne where Cinder immediately kneels, greeting her with, “My queen.” I mentioned during my trailer breakdown that I think Cinder is lying her ass off here, and I still think that based on a line we’ll get in a minute, but now at least we have a sense of how she can pull this off. A woman who started out as a (presumed) servant is going to know how to mimic subservience, even if her heart isn’t in it. Salem is very good at playing the girl who will still kneel and scrub the floor for you. She will scrub the floor, she’ll do everything you want, she’ll just be plotting her own rise to power while she does it.

There’s quite a bit of interesting cinematography in this episode, not all of it good, and I think one of the mistakes is here when we get a closeup on Salem’s mouth as she greets Cinder. A closeup like that should be reserved for more significant dialogue—“Rosebud”—and yet we get this shot again when Cinder tells Emerald to be quiet. It’s awkward and coupled with the numerous eye closeups we got in the trailer, I think RT is playing a little fast and loose with the camera. Each shot should add something to the scene, not distract from it. If you don’t have a reason for including a technique like that then leave it be.

Back to the actual dialogue though. We knew that Salem knew Cinder was alive and now it seems that she just expected her to come back? I’m slightly lost. It feels like we’re missing something here. Cinder goes off to secure the lamp, fails, nearly dies, wanders on her own for months, and then randomly shows back up on Salem’s whale doorstep, yet Salem isn’t angry at all? Did she have faith that Cinder would return when she has something to offer? Did she just not care about Cinder, considering her return an unnecessary but otherwise welcome surprise? That would make the least sense given that she holds the key to accessing Beacon’s relic… but that circles right back around to why Salem is seemingly indifferent to Cinder’s comings and goings. Surely she can’t actually believe that Cinder is loyal?

“So I trust you wouldn’t return to me empty handed,” she says. Yeah, trust means nothing in this show, Salem, didn’t you watch Volumes 6 and 7? Again, I simply don’t know. I suppose I��ll just chalk it up to confidence, that if Cinder did bail Salem knew she could track her down again. Deciphering her motivations and beliefs is a lost cause when the show continually gives us so little.

The important thing now is that Cinder does indeed have an offering and you can see that Salem is somewhat surprised at being handed the relic.

Cinder, of course, takes credit for the victory and we’re given another wonderful shot of Neo. ‘YOU took it?’

Oh, Neo. Best get out while you still can.

Tyrian appears having obviously made his way to Salem’s ship sometime between her arrival and now. The exchange is pretty standard for this group. He insults Cinder for failing and needing this victory to make amends, talks about how any win against Ironwood says more about his lack of intelligence than her skill, and Cinder… doesn’t have a whole lot of comebacks, actually. I’d say Tyrian won that verbal spar, enhanced by a better use of the camera when we get his tail looming menacingly towards Cinder and Neo.

He goes on to say that Watts was a “necessary sacrifice” so, uh… I’m just going to toss out the ask I answered yesterday. Based on our intro I’d say Watts is still significant to the volume—hacking Penny is my guess—but by the end? He could be in trouble.

(As a side note: I plan to analyze the intro next week. It’s just easier when it comes first.)

Tyrian also calls Neo “little one” which I just found absolutely hilarious. In an on brand creepy manner, that is. Not that Neo couldn’t kick his ass, but there’s something wonderfully chilling about having the serial killer use an endearment towards a potential victim, one that comments on her size while he’s looming.

In contrast, Cinder refers to Neo as a “valuable asset” and we get our third mood of the episode.

Who’s going to start a Neo reaction image collection?

It’s true enough on the surface—who wouldn’t want an ally who can turn into anyone else?—but we’re still bumping up against question of why Salem needs this. She’s immortal! She has an endless army! Magic! This scene works well with a villain who needs a skillset like Neo’s to succeed, but Salem doesn’t. RT is doing a great job writing a story thus far, just not the story we’ve previously been given. This isn’t the story they set up.

This will come back up when we reach the RWBYJNOR group. Just wait.

Before that though, the gang’s all here as Emerald, Mercury, and Hazel show up, all in new outfits.

I think I like everything except for the weird Xs on Emerald’s jacket—it’s way too distracting and frankly makes an otherwise good look ugly—and the fact that she’s showing her midriff in Atlas. Hazel doesn’t have any sleeves! Oh my god, why doesn’t anyone dress for the weather in this show?

Frankly, I found their reunion to be kind of lackluster. I mean, there was nothing wrong with it. Emerald does sound briefly excited, she does run, and it’s in character for Cinder to cut her off… it just didn’t resonate with me emotionally. I thought after two volumes of thinking she’s dead, then working through the knowledge that she’s alive, that I would feel Emerald’s shock and relief more, but I didn’t. And I’m not entirely sure why. I don’t want to level any accusations at the voice acting because frankly I know next to nothing about that skill (and from what I’ve seen it’s usually praised in the fandom), but I will say that throughout the premiere I was noticing it more than I ever have before. The lack of emotion here and some awkward deliveries later, like when Yang goes, “Ruby, there is no way Ironwood will cooperate with us” and I immediately thought, “Wow, that came out stilted.” These observations stick with me because, as said, voice acting usually isn’t on my radar. It’s not something I’ve studied or had practice analyzing. If you’d never told me that Ren or Qrow’s VA changed then after a year hiatus I literally wouldn’t notice… but there’s something about this episode that didn’t sit right. Anyone else get that sense, or was it just me?

Regardless, the arrival of our other three villains really doesn’t amount to much, though I’m happy for all the Emerald and Mercury fans who get to see them in new outfits. The focus is still on Cinder as she delivers a line indicative of her true motivations: “That power will be mine.” Yeah, she’s not loyal to Salem, she’s just power hungry. Of course, Salem immediately takes note of this and raises her hand, in another nice use of the foreground, reminding her that she hasn’t given that order.

Cinder is shocked, angry even, but quickly covers it up with her “Without you I am nothing” line. If I caught it right I think she also calls Salem “Ma’am”? Hilarious. Again, skilled at playing the servant.

Also, before I forget, it’s worth noting that almost everything from our trailer appeared in this episode. Yeah, there are a few details like Nora attacking some tech and the group on their bikes, but on the whole we’ve already seen the majority of our promo material and will likely get most of the rest next week. It makes me both interested and nervous for what another twelve episodes are going to hold.

Salem opens her whale, or opens a portal type view in it, something that gives us a long-distance look at Atlas. I don’t know what exactly is going on here, but it’s pretty so I’ll take it.

She also delivers the frankly badass line, “Just because you’re more valuable to me than a pawn does not make you a player.”

She waves them all away with perfect ‘You mean nothing to me’ attitude and we sadly leave our villains.

Sad not because I don’t love my farm boy, but because things are about to get a whole lot messier.

Oscar has made his way to a camp of civilian survivors… all of whom are just hanging out in the supposedly deadly cold. Yeah, there’s a single fire, but at least four of them aren’t anywhere near it. Three of them also aren’t wearing gloves. What was that survival rate again?

A nice if gruff dude gives Oscar soup—water?—while showing off his… badger claws? I don’t know what kind of faunus he’s supposed to be, but he feels like the sort of two second, minor character who could easily become a meme lol.

Oscar thanks him (my polite son!) and hands the bowl back after a single sip. Which is impressive because I would have assumed the guy was giving me the whole bowl and just taken it. Hell, I’ve done that even when I didn’t assume it’s all for me. A Starbucks barista once approached me with a tray and a plate of samples, I knew I was supposed to take just one, yet for some reason my hand went to take the whole goddamn plate. He had to tell me off, then I was trying to explain that I didn’t actually want or think I should have eight shots of cappuccino all to myself, I don’t even like coffee, he clearly didn’t believe me… it was awkward. So good job, Oscar. You’re less awkward than me (though that’s not saying much).

Now a question, Oscar. Darling. Brilliant boy who has been through too much: why the fuck aren’t you talking to Ozpin? This will be A Thing later when he presents a lack of time to talk as justification for keeping more secrets (we’ll get to that too…) yet here is time! You’re just sitting there for who knows how long, with plenty of privacy to hide a supposedly one-sided conversation so the Mantle citizens don’t get weirded out or suspicious. Talk to Ozpin. Our headmaster gets two lines in this episode, utterly inconsequential lines like his airship scene, lines that feel like they exist to say, “See? He’s still included in the story!” even though he absolutely is not. Two volumes of mostly silence, a perfect setup to start the reconciliation process, but we’re going to put it off again?

Instead Ruby randomly and conveniently appears. I want to know how she found him. Oscar isn’t wearing a tracker. He clearly didn’t call them because he’s surprised when Ruby shows up. He fell alllllllll the way back down to Mantle and then wandered to a random part of the slums. You’re telling me they flew over the entire city—after beginning this search thinking he was in Atlas—and somehow managed to spot him from up in the air? C’mon. I would have rather had a beginning where Oscar makes his way back to the group himself, giving him and Ozpin time to hash things out.

“Need a lift?” Ruby says, eliminating that potential. Sigh.

Oscar immediately starts beating himself up when he gets onboard, saying that he “was stupid to think the General would listen.” Nah, you were stupid to buy into Ruby’s nonsensical confidence and for telling Ironwood he’s as bad as Salem. Sorry, Oscar, but everyone is written badly these days. I will, however, say that I am THRILLED at the group’s reaction to his return. Ruby says that she’s “just glad you’re alright.” Nora has a wonderfully tender moment where she hugs him gently rather than her usual glomp.

That? That added a year to my life. Everyone else seems relieved that he’s okay too, so kudos there. After four years of Oscar being an outsider in the group, this is one of the few moments that feel like he’s 100% accepted. Really glad to see it.

Now let’s see if it sticks after they learn Ozpin is back...

They fly to the Happy Huntresses’ base and I again feel like I’ve missed something crucial. When did they team up? I mean, RWBYJNOR was working directly under Ironwood up until the last hour and Robyn ran off to fight Tyrian/Clover in the last couple episodes. When did she have time to explain her (briefly) changed allegiance and why would the Happy Huntresses trust the group without that? Did Robyn share that Blake and Yang went behind Ironwood’s back for her? Do the Huntresses instinctively trust them because they’re now wanted by the military? How did they even run into each other?

Again, I think we would have been better served to have an episode before all this. Let Oscar make his way back and let the group struggle with the magnitude of their situation on the airship, before they find new allies. Transferring directly to, “They have help and a secret base and a plan in the works!” makes me feel like I missed the real premiere last week. You know, the one where Salem unexpectedly arrived and we left the group like this.

This is where we’ve ended up though. The group is cozy in this hideout, getting info from Joanna, and my only other thought is, “Why is she giving all this exposition?”

Shouldn’t it be May? I mean, we were told that she was going to play more of a role this volume, a promise that’s pretty important imo given her status as a (so far off screen) trans character, so why not put her in the role of mediator between the Happy Huntresses and RWBYJNR? Giving her that setup as a leader among her people as well as lots of lines would be meaningful. A trans character just existing and being a part of this fight! May could obviously still fill that role—I’m well aware that we’re only one episode in—but it just seems like a missed opportunity to me. Out of all the undeveloped Happy Huntresses, our premiere focuses on the one who has the least importance to the fandom.

As said, Joanna talks a fair bit but what it basically boils down to is trying to get everyone to the crater below Atlas. It’s apparently not safe, but it’s warm, which is what matters right now.

So… let me get this straight. You want to gather everyone into a not safe crater, by leading them through an army of grimm, so that they can wait there in case someone moves the Staff, thus dropping an entire city on top of their heads? That’s the plan? Which admittedly isn’t Joanna’s fault. This is another instance of RWBYJNOR having information that a leader does not and they should really consider speaking up about it. But of course they don’t.

Also, how long does everyone have in regards to the cold? Shouldn’t there be dead civilians by now? The time it would take to find the Happy Huntresses, team up with them, get settled in the base, and find Oscar says that things should be pretty grim right now (pardon the pun), yet every non-aura user in this city seems content to just hang out in the snow. Either the cold is deadly enough to justify moving everyone to the crater, or it’s mild enough to let everyone survive this long, not both.

After hugs are given everyone obviously wants to know what happened to Oscar. His response?

“It’s a… long story. I get the feeling there’s been a few of those tonight.”

That’s a check for the bingo card! We’re halfway through the first episode and we’ve already got another secret. Yes, this is a secret. Oscar actively chooses not to tell anyone that Ozpin is back—something Ozpin himself comments on—and then skillfully draws attention away from himself with “I get the feeling there’s been a few of those tonight.” Indeed, all eyes go to Penny. Oscar’s plight is forgotten, which is what he wanted. His justification?

Ozpin: “You’re not going to tell them?”

Oscar: “You and I aren’t done talking yet.”

Along with this look.

Oscar no. There’s so much wrong with this I don’t even know where to begin. Let’s create a list.

As said, you had plenty of time to talk to Ozpin and chose not to. Miss me with this excuse.

You are now doing to your friends exactly what you and your friends did to Ironwood, which in turn is what Ozpin did to you! I can’t believe we’ve got Oscar critically side-eyeing him when they are still—still—repeating the behavior they drove Ozpin away for.

What is there to even talk about now? Oscar didn’t punch himself/Ozpin (lol) but he did steal Jinn’s name from Ozpin in the first place. You got what you wanted, drove him away, and have been lying and keeping secrets ever since. The only thing they should be talking about involves apologizing. Any further criticism—which is what Oscar’s expression and curt reply suggests—is beyond hypocritical.

Seriously, what needs to be discussed? There’s no reason not to tell the group unless Oscar wants to talk about whether they should tell them. There’s no good ending here...

Don’t you think it would be nice to know that Ozpin is back and you’ve got super magic powers while making plans to save the entire world?

This is all especially stupid given Oscar’s “Salem wants to divide us” reminder to Ruby in a moment. Oscar, you are doing the most to divide the group right now. By not forgiving Ozpin. By refusing to work with him. By keeping him secret from everyone else.

This is bad, friends, I worry for what the rest of the volume will bring…

The story is done with Ozpin for now so I guess I will be too. The group continues filling Oscar in and we get some shots of the base, including a rather prominent poster of what I assume are two Happy Huntresses. Did they die in battle perhaps?

It’s a little strange.

Oscar: “Where’s Qrow?”

Me: “Likely still making bad decisions.”

No one knows so they just drop it. Which I kind of get, only so much you can do to find him if he’s not out on the streets like Oscar, but it still reads as kind of iffy that two nieces look down at the ground for a hot second and then move on with their plans, content to leave Qrow to whatever fate befell him. In a minute we’ll see Yang firmly take Ren’s side regarding helping the people they can in Mantle, which frankly comes out of nowhere for her. I think an easy motivation would have been Qrow. Ruby wants to save the world, Yang wants to find and save their uncle, and that just happens to align with Ren’s desire to save the civilians who need immediate grimm and cold help. Don’t get me wrong, I like that there’s finally some division between the sisters, I just wish it hadn’t come about so abruptly. Ren had setup for standing up to Ruby. Yang did not.

But I’m getting a little ahead of myself. Joanna lists the grimm horde and no heat as the major threats to everyone. The group agrees.

Me: What about Salem?

Joanna says that this is all doubly dangerous because there’s “no more military protection.”

Me: Oh, so now you want the military?

This is all so disjointed. Even more-so when Joanna mentions that Ironwood has stopped all evacuations to Atlas, likely due to the “hard light shields” that are the only thing standing between Salem and the city. Thing is, the show never makes this connection, I just did it myself based on this scene and the one that comes later. The show presents Joanna’s line as a pure condemnation. Ironwood won’t let more evacuees in because… he’s just evil, I guess. Yet there is a justification here, namely that continuing the evacuations even while he’s stuck without Penny leaves him wide open to a Salem attack, the death of everyone currently safe, but that argument is never presented to the viewer. I don’t need people to agree with Ironwood’s perspective, I just wish that perspective was offered as an option. The show is very good about acting like RWBYJNOR’s opinion is the only justified opinion, or simply the only opinion at all.

After everything is laid out Weiss goes, “We’re never going to sleep again, I just know it.”

I could make a crack about the lack of continuity and how the group should be collapsing right now… but that was a funny line. It can stay.

What is far more of a problem is the fact that no one is talking about Salem. Okay, that’s a lie. They do talk about her, but in a roundabout way like her presence isn’t impacting every decision they make. That’s the real issue. They’re acting as if Salem isn’t here right now, like she’s off far away, maybe approaching slowly, and they’re arguing over how best to prep the world for her eventual attack. There’s no emotion here—let alone action—to reflect that the series’ Big Bad has arrived and is poised to murder them all. Literally what is this? Ruby is yelling about warning the world and, ignoring the continued question of why that’s a good thing when the world can do nothing to stop Salem and knowledge of her continually drives people to horrible acts, she has yet to acknowledge that… she’s the world? Ruby is the world in this conflict. She, Mantle, and Atlas. Salem is here for you all. Right now. You are, this instant, in the situation you want to warn others about, so why don’t you try to do something about it? Or at least acknowledge it. Ruby wants to warn the neighborhood about a potential fire while her house is actively ablaze, and the fire could have totally killed her by now but decided not to for… reasons.

“Ruby’s right,” Nora says. They have to tell the world so “they can prepare.” How? How are they supposed to prepare for this? The story cannot continue ignoring Salem’s immortality.

“Ruby’s right,” is all Blake says and I’m starting to thinks that’s why her character exists now, to agree with Ruby. It’s great that she’s getting a little distance from Yang, but man.

As Ruby asks whether Pietro can get Amity up and running despite it not being finished (called it) we start an incredibly odd sequence of flashforwards to their individual missions. I’ve seen a lot of praise for this already and though I agree that, in theory, it’s a good way to save time, I found the actual execution to be jarring. Upon thinking back through our timeline, it became clear they were flashforwards, but while watching I thought they might be flashbacks (especially since that’s more common).

Some of the shots, like Nora’s, just look awkward when you’ve got the exact expression and pose transplanted from one scene to another, like she’s a cardboard cutout behind a green screen. To say nothing of how the flashforwards ruin any suspense (I use that word loosely) in the conversation itself. If the question is, “Will they decide to go to the military compound?” then that question is answered when we see Ruby scoping out the compound, not when the group actually decides on the course of action.

It just made an already muddled scene worse for me, so I hope this trend doesn’t continue.

And of course, Amity can be used despite all the info last volume claiming that it wasn’t finished. Pietro suddenly acts like it is finished and the only thing standing in their way is Ironwood providing access. If that were the case, he would have used Amity weeks or days ago like he wanted to! When was it finished? Not after Watts commented on how incomplete it was. When did they get back the resources they needed from Robyn? It’s as ridiculous and retcon-y as I thought it would be.

Yang points out that Ironwood will never listen to them and Ruby counters that “he doesn’t have to.” They’ll just take the access from him. Because why wouldn’t they in a series where they’ve already stolen two airships? Stealing from the super evil military that Joanna wishes were helping them right now is just the group’s go-to plan nowadays.

Pietro isn’t sold on this plan though. He lists at least three obstacles they’d need to get through “and then… oh boy, I might need to think about this some more.” “And just to clarify,” Oscar says, “This is the easy option?” Um...no it’s not? We also know there’s an access point in Ironwood’s office so… why not go there instead? They really think the Academy is less guarded than the military base? There’s a potential justification here along the lines of, “After Neo and Cinder broke into his office Ironwood will have the place on high alert,” but unless I missed it the group doesn’t assume anything like that. They just listen to Pietro point out all the ways they can’t get into the military base and jump straight to that being the best option. It feels like a transparent way to create conflict for the group. We’ll just have them taking the most dangerous route despite an easy route being offered alongside it. Why bother mentioning his office at all? Just have the access in the military base. Boom, done.

It’s that conflict and the fact that Ruby tends to hear “You can’t” and digs in her heels. You can’t go to Atlas. I’ll just steal a ship then. You can’t defeat Salem. Watch me. You can’t break into this base. Guess what I’m doing! She’s dangerous in her fairy tale, meta-driven insistence that everything will turn out her way because she wants it to.

Speaking of, we finally—FINALLY—get someone challenging Ruby. Sort of. Not actually but it’s the closest we’ve ever gotten:

Yang: “Ruby, when we came here we said we’d follow your lead… but things haven’t exactly worked out.”

Now, there are two things to take away from this moment. The first is how utterly shocked Ruby and the others are. I mean, take a look at these expressions.

Ruby straight up can’t believe what she’s hearing. Weiss put her hand to her mouth like this is the most dramatic thing to ever happen to her. Oscar looks down in a ‘Yeah, I agree but please don’t look at me and make me admit that’ way. And Nora looks indifferent in the screenshot but animated she goes sort of stern, likely pissed that Yang would dare say that given her own agreement with Ruby. This not only reiterates that Yang’s challenge came out of nowhere—seriously, how did we move from following Ruby no matter what to this? Last volume she asked a single question along the lines of, ‘You sure?’ and when Ruby said ‘Yes’ Yang was entirely on board—but also demonstrates that no one has EVER said no to her before. Ruby is amazed that someone would challenge her. The act of challenging Ruby is, in and of itself, shocking. This group has gotten so used to following Ruby blindly that the teensiest little pushback is greeted with this.

Because it is teensy. This is the second takeaway: Yang barely challenges her and that challenge leads nowhere. She doesn’t accuse Ruby of anything, she doesn’t question her continued authority, she just broadly implies that things could be better. We followed you, now things are bad, take from that what you will. It’s incredibly mild as far as criticism goes, making the shock all the more, well, shocking, but it also amounts to—wait for it—nothing! Because Yang didn’t truly challenge Ruby’s leadership. She’s still in charge, she’s still calling the shots, and they’re still listening to her. We might have gotten some change if this division had been allowed to play out, but instead Jaune comes in with a, “Let’s go for both!” solution. It let’s both groups get what they want which, in turn, releases them from the need to grapple with whether they’ll listen to Ruby when she’s advocating for something they don’t agree with. We have now lost the chance to see whether, when push comes to shove, Ren and Yang will cave to Ruby’s will or stick by their own beliefs.

Don’t get me wrong, it’s more conflict than we’ve gotten in years, but that doesn’t mean it’s particularly compelling conflict. It’s good by RWBY’s standards, which doesn’t necessarily make it good. The actual issues at hand—Ruby’s dangerous arrogance, the group’s loyalty, her choices up until now—are just swept under the rug. For all the visuals we get insisting that there’s this great divide in the group… there’s really not. Not in any way that matters.

Also, Ruby is an idiot. Okay, that was mean, but she really is in this scene. She’s actually not an idiot overall because she was written as wonderfully intelligent in the early volumes, but now? Lately? She makes me want to bang my head against a wall.

“But that’s how Salem got this far,” she cries. “By dividing us!”

Ruby… oh my god, Ruby. No one should have to explain to you that dividing people means turning them against each other, not literally dividing your team to complete separate tasks. This girl honestly thought that because there was this teensy disagreement and that half the team would complete Plan A while she and the other half completed Plan B, both of which notably work towards the goal of, “Protect people from Salem,” that this was somehow what Salem wanted. That is was dangerous. Honestly, it’s a scary look at her view of leadership too: If everyone doesn’t 100% agree with me and do what I say, that’s an objectively bad thing that the grimm queen wants, right? Does Ruby think that unification means following a single person (her) without question or variation? That would explain a lot...

The fact that Oscar needs to explain the difference to her is not good. It really doesn’t say great things about this version of Ruby. Though he was comparing Ironwood to Salem last volume, so really they should all be wearing dunce hats.

Penny offers to take the relic directly to Salem in exchange for her leaving the kingdom alone. I honestly didn’t expect that. If anyone took that risk I would have put my money on Ozpin (but of course, during all this talk of the women he knows best, he’s kept quiet). Oscar is again the voice of wisdom, pointing out that they have no reassurance that Salem will keep her word. At least Penny is thinking about Salem as a threat though, so kudos for that. When this plan is shot down she volunteers to get Ruby past the military security instead and, uh, she’s a little intense about it.

I’m not entirely sure what is going on with Penny. She disagreed with Winter but then seemed to come around to her point of view, enough to help anyway. They had another (stupid) disagreement about the value of individual lives, so that helps to explain why she’s teaming up with RWBYJNOR (if you ignore that Ironwood is also trying to save individual lives...). Did watching Fria die shake her up? Is it being the Winter Maiden that’s not sitting right? Does Penny have lingering feelings about the framing that haven’t shown up until now? Her status as a ‘real girl’? We’ve got a lot of reasons that could definitely explain this sudden need to fight, but we’re not told which—if any of these—is the driving force.

We’re then given a lot of little details. Someone points out that if Salem gets the staff and “create[s] anything else” then Atlas will fall (so yeah, let’s move the people underneath it). We still don’t know what exactly the Staff does because “creation” is kind of broad and “powering a city to float” doesn’t seem to sit within that category at all. Pietro gives Yang the keys to his lab so they can get the bikes. We see the group dividing in the flashforwards, something I do like, especially since the show has gone out of its way to break up most of the usual duos. Nora in particular is pissed at Ren for his choice.

“Oh, I’m saving Mantle because I actually believe we can do this.”

#yikes. Well, I did say I wanted a conflict other than ‘Oh no, one of us might die’ and it looks like I got it. But Nora, the only reason you can do this is because the plot is in your corner: none of you are collapsing from two major fights, you didn’t lose your aura so the cold isn’t a danger, the military is barely a threat all of a sudden, Salem is helpfully hanging out in her whale instead of killing you, and the story decided that Amity can function so long as you all are the ones who get to use it. That’s why you can do this. Ren, who follows in-world logic and doesn’t want to risk a whole kingdom’s worth of lives on a pipe dream, thinks differently, oddly enough.

As they leave though Penny gets a call from Ironwood. I know precisely what the fandom is going to say here: “This evil man is just trying to use Penny to open the vault!” Of course he is. He needs it open to save everyone he can, Penny included. Plus the concept of “using” her is a double-edged sword. What do we think the group is doing right now? Using her to get past the security. Penny’s power is a tool any way you slice it. Granted, Penny volunteers to help the group, but notably here Ruby speaks for her. Penny seems torn and Ruby takes the scroll away with, “She’s not going anywhere until you change your mind about Mantle.”

Sorry, Ruby, but coming from you that sounds less like a reassurance for Penny and more like just an order for Ironwood. Remember Harriet? We’ll stop attacking you provided you do what we want. Ruby has yet to learn about compromises, let alone acknowledge that she might be wrong. How about you let Penny decide where she goes, especially since by all logic she should have a lot of loyalty to Ironwood. She knew him before she ever met you. She’s worked with him since she was rebuild post-Volume 3. Despite what Penny has said, if the story would just let her think about his actions for a hot second—making her the protector of Mantle, sticking up for her after the framing, sending her to the party, teaming her up with Ruby, etc.—she might realize that the ‘He doesn’t want me to have friends’ and ‘He just treats me like a tool’ assumptions are just that, unfounded assumptions. But no, Ruby speaks for them both because Ironwood is evil now.

“If she makes it through our defenses,” Ironwood says, “everything that follows will be on your hands.”

That’s true! Kind of like how it’s own Qrow’s hands that Clover died. When you insist on making a bad situation worse you hold responsibility when the shit hits the fan. You know though that Salem won’t get through their defenses now, somehow, so that there’s no chance RWBYJNOR will be blamed for it. Or, by that point Ironwood will be so crazed that anything coming out of his mouth is dismissed, no matter how accurate it might be.

We then transfer to the Ace Ops who are, despite what the fandom theorized for many months, clearly upset about Clover. Also pissed. Which they have every right to be. Their friend and leader was killed. Imagine for a moment that Ruby had been murdered by Tyrian with an allies’ help. Exactly what do you think the group would do? Swallow it quietly and get over it? Ha.

I’ve already seen some speculation that Clover survived due to details like showing us the bandage and his room being listed as for a “Patient,” but he looks pretty dead to me.

He got gutted through the chest and left out in the snow for who knows how long. We saw him slip away. Qrow screamed over his dead body. He’s not breathing now. If RWBY suddenly claims he survived this, I’m calling BS.

Most of the other visuals we get here were already dropped in the trailer. Winter is pretty injured from her encounter with Cinder, likely permanently based on her new outfit. Ironwood had to replace his arm—and I am calling BS on that “Losing his arm is reflective of him losing his humanity” commentary from RT. Please go read up on a couple decades worth of ableism in media and then get back to me.

We get Ironwood’s line about the light shields and, notably, a whole lot of empathy. Regardless of what he might want Penny for, he still called her with compassion. He’s watching the Ace Ops mourn their friend. He’s talking about protecting his kingdom. The first thing he says to Winter is, “Thank you, Winter. I don’t know what I would do without you.” Ironwood has a heart! It’s always on display, which makes this scene utterly ridiculous.

I literally don’t know how to respond to this. The gunshot made me jump, both because it’s a gunshot and because, again, what the fuck? I know I said that next volume RT might just have Ironwood descend into full villainy, shooting whoever he pleases now that he’s shot Oscar, but I didn’t actually expect them to do it. Because he never should have shot Oscar in the first place! I wanted the story to let Oscar grapple with it a bit and then quietly backtrack, acknowledging it as the mistake it was. The concept that Ironwood, empathetic Ironwood, rational Ironwood, always thinks before he acts Ironwood, let’s kids yell at him Ironwood, tried to team up with Robyn Ironwood, did everything Ruby wanted Ironwood, won’t kill Watts after he destroyed his arm Ironwood would shoot this guy just to shut him up is absurd. It was absurd then, it’s absurd now.

That being said, there’s a possibility he didn’t actually shoot the council member, but rather just (“just”) gave a warning shot down the hallway. I say this because the reactions to this are pretty tame. Everyone looks startled, yeah, but after the initial shot there’s nothing that I would expect if there was now a guy bleeding out on the floor. The council woman doesn’t scream. Winter doesn’t seem overly shocked. No one is running to try and help him. Basically, if Ironwood had just killed a political figure in front of six witnesses, entirely unprovoked, I would expect a bit more of a reaction than this. This feels far more like a, “Damn he’s not joking around, letting off warning shots to get people to leave him alone” not “WOW, our general just killed someone in cold blood!”

What I really hate though—beyond just assassinating his character—is how many fans think my friends and I are delusional for calling it character assassination at all. I hopped onto the RWBY tag for five minutes this morning and was bombarded with posts about how Ironwood needs to be murdered horrifically, anyone who likes him is sick, the Ironwood stans are as bad as Adam stans, you’re an idiot if you want him redeemed… because apparently the concept of a story writing a character badly doesn’t compute. I’m not here to argue that Ironwood didn’t do these awful things (regardless of whether he actually killed the guy or not). I’m not here to argue that they’re not awful. I’m just here to say that we never should have gotten these scenes in the first place, or if we were going to get them, we deserved an actual descent into murder at the drop of a hat territory. I’ve already explained extensively on this blog how early Ironwood was not accurate foreshadowing for this, and Volume 7 certainly wasn’t setup, but it looks like the majority of fans aren’t interested in examining whether any of this adds up. Which makes my job, as someone trying to examine this series somewhat objectively—in as much as that’s possible for any single viewer—as well as simply enjoy it as a show, really hard. It’s bad enough when a story keeps taking the characters you love and villainizing them, and doing that badly, but then when you turn to the community and see them rallying around the idea that you’re awful for being dissatisfied—you’re the bootlicker, you’re the blind stan, you can’t see what’s ‘really’ going on here… that sucks. For those of you happy and satisfied with Ironwood’s arc, that’s great! I’ve also seen a lot of posts hyping up the complexity of his character now. There’s nothing wrong with enjoying what we’ve been given and I’d never want to imply that just because it’s not what I wanted it’s somehow wrong. I’m honestly thrilled that after a year of worry so many people have adored our premiere, including this scene. I just wish that I could say RWBY had given me something I didn’t want in a persuasive manner and that the fandom as a whole was a bit more welcoming of differing criticisms.

Not that I didn’t already know the RWBY fandom had its flaws, but still lol.

That’s basically it for our premiere. Nice note to end on, huh? Our final scene is of Salem using the lamp to set her bloodhound grimm on the city. Why doesn’t she just go herself? What was she planning to do here in Atlas in the first place, considering that getting the relic was a surprise? Who knows. Little about this holds together. But we do end with another awesome shot, so small favors.

It’s always strange concluding a recap, but even more-so when it’s a premiere, during a historical moment in the U.S., amidst all the nonsense that is 2020. So for now I’ll just conclude with three quick things:

The updated bingo board will be listed at the end of each recap, provided I don’t forget about it lol. Today I’m checking off tone (not nearly enough freaking out about Salem), the team keeping secrets (Oscar), and major plot point dropped (Amity is suddenly finished). I could also probably check off the cold not killing civilians and getting Amity up and running, but we’ll see if any changes with those.

I’m including my Ko-Fi link at the end of recaps now. Not with any expectations. Not with anything resembling pressure. I thought long and hard over whether to include it at all—let alone mention it here—because I love doing these and never want anyone to feel like it comes with strings attached. But life is a little harder and weirder than it was last year, so I figure it can’t hurt. Feel free to pass on by and I won’t be bringing it up past this note.

Far more importantly: thank you for reading! :D

(Bonus 4. Editing this was an absolute nightmare — damn you, tumblr! — so I apologize if anything is super wonky when I finally post.)

See you next week! 💜

[Ko-Fi]

#rwby #rwby spoilers #rwby volume 8 #mymetas #rwby recaps

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dawnsprout · 4 years ago

Text

Here’s an updated version of my old gif guide! I’ll be editing this every now and then for anything I missed / clarity / etc., but I think it’s pretty good to go for now.

This guide will cover modding, recording, and editing. More under the cut.

Everyone has their own way of doing this, but this is mine, in case it helps anyone! It might be a bit outdated since I tend to stick to what I know, but might still be helpful.

Requirements

This guide is written with the assumption that you can run GW2 fairly well in circumstances where you’d be recording. We will also be using Open Broadcaster (OBS) to record and Photoshop CC to edit, though you’re welcome to use whatever makes the most sense to you.

Modding

First and optionally, using something like GShade or NVIDIA Freestyle. These are real-time post-processing filters that modify how your game looks to you and your recording software. While not always the flashiest visual changes, they can make a difference when wanting vivid recordings.

They have their pros and cons: they can cause extra strain when recording, but some effects, such as depth of field blur and greenscreening, can be hard to replicate without them. If you have a lot of trouble getting good recordings, consider dropping this step.

Recording

In OBS, first you’ll want to set up for gif recording. Under the Video and Output settings, you’ll want to record videos of the highest quality you can. Loss of quality that may not be casually noticeable in a longer video become very apparent in short, looping gifs.

Record in windowed mode, and the fewer players around the better, generally. Anything to help your FPS.

Try recording a few things to get a sense for what you can record without stutter. You may be able to record idles without stutter, but may not be able to get fast movement like griffon dives without some tweaking. If you’re having a lot of stutter in your recordings, try one or more of the following:

Lower your recording quality.

Reduce the size of the GW2 window.

Record in an area with few players (like guild halls or other instances) and/or few assets to load (like the edges of maps).

Lower your graphics quality in GW2 (especially player model limit).

A little stutter can be worked through, but large frame drops are a problem. I suggest finding your sweet spot early so you can get to the fun parts: actually finding things to record.

Mess with animations! Find pretty areas! Grab your friends! Have fun!

Editing

Unfortunately this part will assume you’re using Photoshop, but other editors may have similar functions. I can only talk about what I know, and this is it!

Once you have your video, you’re ready to actually turn it into a gif. If you have a larger video, you’ll want to trim it down to the second or two that you want to comprise the gif. This can be done quickly on Windows by opening the video, clicking the pencil icon in the bottom right, and selecting “trim.”

Once you have your video clip, in Photoshop go to File > Import > Video Frames to Layers.

In this window you’ll likely want to leave most of it alone, unless you want to further trim the video. You may also want to check “Limit to Every # Frames” if you’re having a lot of stutter, the gif seems too slow, you have too many frames to begin with, etc. Play with it.

Notice that my video only records my GW2 window and that that window is really tiny in the recording. I was recording something with a lot of in-game movement, which my computer has trouble doing without a ton of stutter. An itty bitty window solves that for me without having to sacrifice in-game graphics quality. I don’t change the output size from my monitor resolution since I don’t want anything scaling funny. Personal preference.

Once it’s done importing, open the timeline window and you’ll see every frame of your video is now a frame in Photoshop, as well as it’s own layer. Play the animation in the timeline window to make sure it’s not too choppy and that you’ve got the frames you want. Once you’re sure of that, you can get to editing.

The first things I usually do are crop and resize. When resizing, you may want to change the resampling method, if you prefer crisp gifs. I usually prefer bicubic sharper.

Note that I’m downsizing to 540px in width. This is the width of a tumblr post on a desktop dashboard: if you don’t want tumblr making your gif fuzzy, this is the width you want. Two gifs side by side need to be 268px wide, three side by side need to be 177px (for the sides) or 178px (for the middle).

You may also want to go through your frames one-by-one and make sure none of them have doubled (or tripled) up; smallish hangs like this can usually be smoothed over simply by deleting the duplicate frames.

Once that’s settled, you can play with things like color and luminosity. You can toss adjustment layers (Layer > New Adjustment Layer) on top of all the other layers to easily effect every frame in the animation with one adjustment. I like using curves to lightly deepen shadows and brighten highlights.

You’ll also want to change the frame delay, which is done in the timeline window. I generally pick something between 0.05 and 0.07 for my gifs, but this is personal preference.

Once you’re happy with how it’s looking, you can move to saving it as a gif. Open the Save for Web window (this is getting deprecated I think, but it’s still handy for me, so use ctrl+shift+alt+s to get there).

Here you’ll be able to adjust Photoshop’s output, as well as what your gif is actually going to look like. Here’s my settings, I tend to try my best to be able to use the full 256 colors, and use pattern dithering. Color reduction algorithm (here it is listed as Selective) I tend to change more often between gifs. You need to keep your gif under 5M (lower left corner) for posting to Tumblr: you can adjust your settings here to try and get it under that if you’re marginally over.

If you’re a large amount over, you can try trimming frames or decreasing color count. Anything to get file size down!

Congrats, you made a gif! Keep trying new things and have fun!

If you have any questions feel free to hit me up.

#mine #tutorial

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snowonthebeachmp3 · 4 years ago

Text

July 2016

Jul 3rd - Taylor's 4th of July festivities kick off at her Rhode Island house. Guests include Tom Hiddleston, Abigail Anderson, Matt Lucier, Claire Winter, Ryan Reynolds, Blake Lively, Karlie Kloss, Josh Kushner, Austin Swift, Ruby Rose, Harley Gusman, Halston Sage, Gigi Hadid, Cara Delevingne, Britany Maack, Ben LaManna, Martha Hunt, Jason McDonald, Uzo Aduba, Chioma Aduba, Jordan Masterson, Kesha, St Vincent, Ed Sheeran, Cherry Seaborn, Rachel Platten, Kennedy Rayé and the Haim sisters. (x) (x) (x) (x)

This is the day Tom wears the infamous 'I <3 TS' tank top while they're all at the beach. (x)

Jul 4th - The online mockery for the 'I <3 TS' shirt is quick to pour in. Daily Mail commenters are yet to shut up about it in 2021.

The party continues with a giant inflatable waterslide, body painting, karaoke, charades and fireworks. (x) And also Kesha and Haim getting tricked by Cara, Uzo and Ruby into thinking they heard scary noises in the night, and trying to call the police but not knowing their own location. (x) (x)

Jul 5th - The day after the party, when all the guests post their photos online.

Britany posts a photo of her & Ben, Blake & Ryan, and Taylor & Tom. (x) The internet has a field day with Ryan's unimpressed facial expression. (x) (Ryan later says that it's just his resting bitch face as he wasn't aware a photo was being taken. (x))

Taylor posts several photos to Instagram of her celebrating the 4th July with friends, but doesn't post any pictures with Tom. (x)

Claire Winter posts a bunch of Polaroids, including one of Taylor and Tom kissing. (x)

Abigail posts a photo to Instagram showing the banners Taylor put up to celebrate her engagement to Matt and the anniversaries of Cara & St Vincent (real name Annie Clark) and Ed & Cherry. (x)

Jul 6th - Taylor and Tom fly out of Rhode Island (x) and arrive at LAX that evening. (x) They then get on a plane to Australia.

Joe attends the Warner Music Group summer party in London. (x)

Rumours are swirling that Tom is no longer in consideration to be the next Bond, due to his relationship with Taylor. (x) (x) (x) (x) (x)

Jul 8th - Taylor and Tom are flying on a commercial Quantas flight so someone is able to take a pic of them on the plane. (x)

According to another passenger on the plane, Taylor plays Scrabble during the flight (presumably on her phone because nobody takes big physical board games on commercial flights and the creepshot of Hiddleswift on the plane suggests she wouldn't have had anywhere to put the board anyway). In hindsight, knowing how Taylor and Joe play lots of Scrabble together including online Scrabble aka Words With Friends, and how they stayed in touch largely via texting that summer, it’s very possible she was playing against Joe.

Taylor and Tom arrive in Sydney, where Tom is about to start filming for Thor: Ragnarok. (x) Aussie media, including daytime TV, goes nuts over Hiddleswift's arrival in the country. (x)

Flying from LA to Australia involves crossing the international dateline, so they would have left the US on the 6th July local time and arrived in Sydney approx 15 hours later on the 8th July local time.

Calvin's new song Olé, written for John Newman, is released. There is speculation that it's a Hiddleswift song, written from Tom's perspective and containing lyrics implying that Taylor cheated on Calvin with Tom. However, sources also told multiple outlets that the song was written and recorded months earlier, and its supposed links to Hiddleswift were just for publicity. (x) (x)

Jul 9th - Tom goes out for a run (x) and avoids answering questions about Taylor. (x)

Jul 10th - Taylor and Tom go out for dinner to Gemelli Italian restaurant in Broadbeach on Australia's Gold Coast. (x)

Jul 11th - Taylor is named as the highest earning celebrity on the 2016 Forbes Celebrity 100 list, with earnings of $170m mostly due to the 1989 World Tour. If she and Calvin had not split up, they would have been the top-earning celebrity couple. (x)

Jul 12th - Taylor visits Lady Cilento Children’s Hospital in South Brisbane. (x)

Jul 13th - Us Weekly makes a wild claim that Tom is planning to propose soon, and Taylor is going to say yes. The magazine cover also claims they're already talking about babies. (x)

TMZ claims that Taylor wrote TIWYCF, and that Calvin disrespecting Taylor following its release was the reason for their breakup. (x)

Taylor Swift really is the creative brains behind Calvin Harris' monster hit "This is What You Came For," and their relationship fell apart because he disrespected her when the song was released ... this according to sources connected with Taylor.

It's a fascinating story. We've learned an early fan rumor about the song is true, but to a deeper extent than anyone suspected. During their relationship, Taylor wrote the song, sat down at a piano and did a demo into her iPhone. She sent it to Calvin, who loved it. They both went into a studio and did a full demo with Taylor on vocals and Calvin doing the beat.

They both knew the song would be a hit, but Taylor wrote it for Calvin and both agreed it was a bad idea to let the world know they collaborated as a couple ... it would overshadow the song.

So Taylor, who kept the publishing rights, used the pseudonym Nils Sjoberg on the credits.

The problem in the relationship came the day the song was released. Calvin appeared on Ryan Seacrest's radio show and Ryan asked, "Will you do a collaboration with your girlfriend?" Calvin responded, "You know we haven't even spoken about it. I can't see it happening though."

We're told Taylor was hurt and felt Calvin took it too far.

It was a quick downward spiral from that point. One source called it "the breaking point in the relationship." The Met Gala was several days later, when Taylor danced with Tom Hiddleston.

Tree confirms to People magazine that Taylor did write TIWYCF under the pseudonym Nils Sjöberg. (x)

Calvin also confirms that Taylor wrote TIWYCF and goes on a Twitter rant:

Katy Perry tweets a gif of Hillary Clinton with a smug/'told you so' expression. (x) She also retweets an older tweet from May 2015 which reads, 'Time, the ultimate truth teller.' (x)

#TaylorSwiftIsOverParty trends on Twitter (x) (x) and Taylor's Instagram comments are spammed with the snake emoji. (x)

Following Calvin's tweets, TMZ publishes another article claiming he is downplaying Taylor's involvement in the song as she wrote the melody in addition to the lyrics. (x)

Jul 14th - Taylor goes out shopping in Gold Coast. (x)

Tom mentions Taylor in an interview with the Hollywood Reporter: (x)

You're in the middle of a cultural frenzy right now because you're dating Taylor Swift. How would you respond to people who claim that you're involved in some sort of publicity stunt?

(Laughs.) Well, um. How best to put this? That notion is — look, the truth is that Taylor Swift and I are together, and we're very happy. Thanks for asking. That's the truth. It's not a publicity stunt.

Martha says at a Pepsi/World Emoji Day event that Taylor and Tom are 'both happy and free together. It's amazing, I'm all about people being happy in love.' (x)

Kim talks about Taylor and the Famous controversy in a clip from an upcoming episode of Keeping Up With The Kardashians. (x)

“I never talk shit about anyone publicly, especially in interviews. But I was just like I had so had it,” Kim says in the clip to her sister Kourtney. “I wanted to defend him in it. She legitimately quote says, ‘As soon as I get on that Grammy red carpet I’m gonna tell all the press. Like I was in on it.’”

“And then she just didn’t like the reaction?” Kourtney says in response.

“Yeah, and you know just another way to play the victim,” Kim replies. She then brings the infamous VMAs moment from 2009 by saying, “It definitely got her a lot of attention the first time… I just don’t think he should be punished for it still to this day.”

Jul 17th - Kim posts an edited recording of Kanye and Taylor's phone call. In it, they discuss the 'I feel like me and Taylor might still have sex' line and Taylor says, 'Go with whatever line you think is better. It’s obviously very tongue in cheek either way. And I really appreciate you telling me about it. That’s really nice.' However, nowhere in the Snapchat video does Kanye consult her about the line, 'I made that bitch famous,' which is the line Taylor insisted she had never approved. (x) The other Kardashian sisters retweet and support Kim. (x)

(The full recording of the call, leaked in 2020, confirms that Kanye never told Taylor he was going to call her a bitch. It also shows her reminding him that she sold 7 million albums before he had even heard of her, in response to him suggesting the lyric, 'I made her famous.')

Kim takes to Twitter to call Taylor a snake.

Taylor posts a statement on Instagram responding to Kim's Snapchat video. (x)

Selena tweets, 'There are more important things to talk about… Why can’t people use their voice for something that fucking matters? This industry is so disappointing yet the most influential smh' (x)

Katy Perry tweets, '#RISE above it all' and links to her new single. People interpret it as a dig at Taylor. (x)

Martha Hunt tweets, 'It's pathetic how quick our culture is to sensationalize a fabricated story...' (x)

Jul 18th - #KimExposedTaylorParty spends the day trending at number one worldwide on Twitter. (x) To the point where 0.8% of all tweets posted in the entire week from the 18th-24th use the hashtag. (x) (Assuming that 1/7th of the week's total tweets were posted on each day, that means more than 1 in every 20 tweets on the 18th used the hashtag.) #TaylorSwiftIsOverParty also returns.

TMZ claims to have a copy of a letter from Taylor's lawyer, dating back to February, demanding that Kanye destroy the recording of their phone conversation and reminding him that it is a felony to secretly record a phone conversation in California. (x)

Taylor changes the name on her writing credits for TIWYCF on the BMI songwriters database. She is now listed as Taylor Swift instead of Nils Sjöberg. (x)

Camilla Belle, the subject of Taylor's 2010 song Better Than Revenge, posts a quote to Instagram which reads, 'No need for revenge. Just sit back & wait. Those who hurt you will eventually screw up themselves & if you’re lucky, God will let you watch.' (x)

Abigail tweets against Kim and Kanye, saying, 'May God forgive you & your wife for doing to others the very things you pray are NEVER done to your daughter.' She deletes the tweets after receiving death threats but leaves a tweet which reads, 'Guys…I will always stand by my best friend. There's no point in fighting over that.' (x)

Joseph Kahn (director of many of Taylor's music videos) defends Taylor on Twitter. (x)

The aunt of Dinah Jane from Fifth Harmony tweets, 'I always knew @/taylorswift13 was a SNAKE! Trying 2 break up my girls & use @/camilacabello97 as her protégé bitch bye you’ve been exposed!’ (x) The tweet is soon deleted and she claims her account was hacked. (x) (Camila quit the band at the end of 2016 and has since said that Taylor had nothing to do with her decision to leave.) (x)

Paula Erickson, Taylor’s former publicist from 2007 until 2014, likes a two-and-a-half-week-old tweet dragging Hiddleswift for being a badly executed bit of PR by Taylor and Tree. (x)

James Corden spoofs the recorded phone call on the Late Late Show. (x)

Calvin is rumoured to be dating Tinashe. (x)

Jul 20th - Todrick Hall defends Taylor, saying, 'She's one of the most genuine people I've ever met in my entire life.' (x)

Uzo Aduba says Taylor is 'a beautiful person and strong' and that she will overcome the Kimye drama. (x)

Paula likes another tweet shading Taylor and Tree. (x)

A graffiti artist creates a mural in Melbourne 'in loving memory of Taylor Swift' (misspelled as Smith). According to the artist, they are then contacted by Taylor's lawyers and threatened with legal action. (x)

Jul 21st - Taylor's Wikipedia page is vandalised with insults. (x)

Taylor and Tom fly back from Australia into a private airport in LA, and are seen out and about. (x) (x)

Jul 22nd - Fergie, who had Kim appear in her M.I.L.F. $ music video, says she thinks the Kimye-Taylor feud was planned and 'they’ll probably all come together at the MTV Awards or something.' (x)

Taylor goes to the gym in LA. It is the first time she has appeared in public since Kim posted the edited video, and her phone screen is now shattered. (x)

She also returns to Instagram to wish Selena a happy birthday. (x)

Jul 23rd - Taylor goes to the gym in LA. (x)

Tom is at Comic Con in San Diego. (x)

Calvin lip-syncs to Kanye's song That Part in a video posted on his Snapchat. (x) He also attends J-Lo's birthday party and is photographed with Kim. Apparently they have a friendly chat. (x) A source claims to E!, 'When Kim walked in Calvin saw her and stood up. He was clearly excited to see her and said 'hi' to Kim backstage.' (x)

Jul 24th - Taylor blocks the snake emoji from her Instagram comments section using a new Instagram feature. (x)

Tom is seen at the Four Seasons Hotel in Beverly Hills with members of Taylor's security team. (x)

Jul 26th - Tom flies back to LA from NYC, where he has just spent a couple of days. On the same day, Taylor's plane arrives back in LA from Nashville, where she has spent a couple of days. (x)

VMA nominations are announced. Taylor is not nominated in any category, despite Out Of The Woods and Wildest Dreams being eligible, leading some people to think she has been snubbed. Gossip Cop, an outlet widely used by celebrity publicists to quietly squash rumours, says that Taylor did not submit any videos for consideration this year. (x)

Jul 27th - Taylor goes to the gym in LA. (x)

John Newman, singer of Calvin's song Olé, jokes, 'Supposedly we had a holiday where he was movin’ on from his ex-missus,' referring to the trip to Mexico to film the music video, which involved girls and a yacht. He also says he doesn't think it's his place to say what inspired Calvin to write the song. (x)

Taylor and Tom go for dinner at Hillstone restaurant in Santa Monica. One source claims they 'seemed to really be enjoying each others’ company.' (x) It is the last time they are papped together.

Kanye makes a surprise appearance at Drake's concert in Chicago where he responds to Kim's Snapchat video for the first time, saying, 'All I gotta say is, I am so glad my wife has Snapchat. Because now y’all can know the truth. And can’t nobody talk shit about ‘Ye no more.' (x)

Cara appears on James Corden's show and talks about how she, Uzo and Ruby pranked Kesha and Haim at Taylor's 4th of July party. She mentions consulting Taylor and Tom first so that security knew what they were up to. She also says that Taylor and Tom got woken up at one point by all the noise they were making, and came upstairs together to find Cara and Uzo still making ghost noises. (x)

Jul 28th - Taylor goes to the gym in LA. (x)

Jul 29th - Sources close to Calvin deny rumours that he is planning to collaborate on music with Kanye. (x)

Abigail likes E! News' Instagram photo of Tom and Taylor going out for dinner on the 27th, which has a gushing caption about them. (x)

Jul 31st - Taylor is seen entering her gym in LA through the back door. (x)

A fan sees Tom and Taylor at The Church Key restaurant in LA. (x) The outing is not papped.

Intro // February // March // April // May // June // July // August // September // October // November

#taylor swift #hiddleswift #tayvin #swiftwyn #jaylor #toe #taylor swift in 2016 #timeline

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