#i love writing sarah!

[akajustmerry]

She cried for other reasons too — that the “Succession” chapter of her life has ended. “I’ll never have an opportunity to speak those lines, or get given new lines, new jokes, new worlds for Shiv and Roman to exist in together,” Snook says. “Just sadness for never getting a moment to play with these brilliant actors again.” (When I tell her that Culkin had said to me that perhaps Shiv and Roman might make up at some point, Snook brightens. “I feel like Shiv and Roman would reconcile in a way where he would be the shitty but great weird uncle for her kid, and there might be some sort of strange little family unit that gets splintered off.”) - Sarah Snook, Variety.

Kieran Culkin as Roman Roy and Sarah Snook as Shiv Roy | Succession (2018-2023)

[asoftepiloguemylove]

"IF ONLY SOME PEOPLE CAN HAVE IT, THAT'S NOT HAPPINESS. THAT'S JUST NONSENSE. HAPPINESS IS SOMETHING ANYONE CAN HAVE."

pinterest // 怪物 Monster (2023) dir. Hirokazu Kore-eda // Hozier Shrike // Samson Regina Spektor // 怪物 Monster (2023) dir. Hirokazu Kore-eda // @tordenvejr // pinterst // 怪物 Monster (2023) dir. Hirokazu Kore-eda // Louise Glück The Triumph of Achilles // Natalie Wee Our Bodies & Other Fine Machines // pinterest // 怪物 Monster (2023) dir. Hirokazu Kore-eda // Phoebe Bridgers Punisher // pinterest // Sarah Ruhl Eurydice // 怪物 Monster (2023) dir. Hirokazu Kore-eda // pinterest

[arson-09]

Tamlin is actually such an underrated character in acotar. Because of feyres very biased narrative she forces readers to ignore the complexity of his character and man. its sad

Tamlin is a character who is genuinely GOOD at his core. He changed so much of the spring court for good, eliminating slavery within the spring lands and mortals having more protection. Hes a morally good character that made a few mistakes and is boiled down to just those mistakes. Locking feyre in the house and the magical/emotional blow up, which are both pretty decent fuck ups (i dont think siding with hybern fully counts as he was a double agent all along and tamlin was decently justified in thinking feyre was being kept against her will. lets be fr here) and even after he’s extremely fucked over by the nightcourt, his lands and court burned to shit, he still saves rhysand. Saves rhysand and tells feyre to be happy, even when he has every reason to NOT do that!

Hes a character that clearly holds himself to a higher standard. throughout acotar he puts lucien and feyres safety above his own, even sending feyre away when she was the only one who could save him. Even though what he did to her wasnt great its not completely irredeemable, rhysand did much worse things to feyre and other people but hes living his best life while Tamlin seems to find himself unworthy of being a person (acosf wheres hes been in beast form for roughly over two years) hes a perfectionist who now doesnt even think he deserves anyone because he accidentally hurt the people he loves most.

Sjm accidentally created a beautifully rich and morally righteous character who is so extremely fucked by the narrative. Which doesnt even work half the time as sjm cant seemingly commit to making him a full villain (seemingly by accident again she gave him quite a reasonable explanation to everything he did ‘wrong’ but still chooses to make him a punching bag)

If Tamlin was genuinely a morally evil character he wouldnt have NEARLY the amount of fans as he does. Hes a character that requires the minimum amount of media literacy and comprehension to understand and i LOVE him.

[anishake]

Prayer circle that Lucien gets the best of treatment from SJM in all the upcoming ACOTAR books where he makes appearance

[spooksalotnoel]

The geek squad, and why MBAV had so much potential

For most of you this show hasn't been in your mind since you were 10-12. But for the ones who have rewatched this show recently, you will totally understand. I couldn't count on my fingers how many times I've seen this show. When I first watched this show I didn't even know there was a movie. Typically coming into shows like this, without context of the movie the show doesn't make sense. In this case, I watched the show 5 times before noticing the movie, yes, the added information of the movie really ties into the show, but it's still watchable without it. My Babysitter's a Vampire had so much potential it actually makes me sad. As far as rewatching it recently, that final episode is brutal without closure. I don't think I'd be able to watch a reboot if that was even a possibility. The original cast has such great chemistry and on top of that there's just the 2000's flare to it.

It sucks to see one of my favorite shows growing up lose everything. The fandom is also so extremely small due to its cancellation. But here's everything this show did right.

Casting, I think every actor incapsulates their characters greatly! They play their roles as 14–15-year-olds great and I think they display the awkward teen-age phase well. Every character is pretty likeable.

Soundtrack, the music directors/music compositors on this show put a lot of detail into their work. And mostly all of the songs were made exactly for this show.

Setting/environment, having the setting the way it is makes the show have such an amazing environment!

Overall, it's a bummer to see a show like this taken for granted. And it's also been taken off of Netflix, so I am especially hurt. I really hope there are still people who enjoy this show!

[mariatesstruther]

okay but sarah celebrating tommy every year for mother’s day

[rozzsum]

I need to stay on Twitter to keep up to date with all the news, but how much I sometimes hate this platform and the people who’s there... this hate towards Freya and Owen because of their "team ape/team people" comments is simply disgusting. People are such narcissists. Can't they have their own opinions? They didn’t say anything problematic, but everyone laughed at them, saying “that’s what happens when actors talk about something other than their work” GO AWAY FROM THEM, GET A JOB!!!

Don’t you hate people? I do. As Freya said: sometimes we get together that’s cool and seems optimistic, but in the end we ruin everything. The worsts living creatures on Earth I’m not kidding, LOOK AT THE OCEANS, WARS, FORESTS, ANIMAL TESTS, POACHERS, etc.

I stand with my children!!!

[firstkanaphans]

Episode 2 is now out! 🍻🏄🏻‍♂️🚿🪢

[knizuu]

Sigh [Dog Man Art Dump ONCE AGAINNNNNN]

Made some uh bookmarks at the library hehehahwah-

^ w o m e n

AFHJ the them ig

WHITEBOARD DOODLES !!!! SO FUN :3

Istg if I had a nickel for every time Blair was misgendered-/silly

BLAIR BLAST BAHAWHW I took like two days help-OH Ye her full name is there and shiz yipee dipee

[twogolddoubloons89]

I’m not at all an ACOTAR fan but I also adore Elucien and feel the urge to write a Howl’s Moving Castle inspired fanfic set during the first book where Lucien, instead of living in the Spring Court, moves around Prythian in a castle (hence the Howl’s Moving Castle bit) and one day Elain wanders upon him and somehow ends up hired as a cleaner in order to earn money and romantic shenanigans ensue

[rotteneldritchhorror]

They gave Topper a girlfriend— devastating actually, I hope he stays fucking insane and obsessive and possessive and a little bitch cause otherwise what’s the poooiiinntttt

I need my kooks PATHETIC and USELESS. She better blow up on him for ignoring her to do whatever Rafe’s asking of him this time, I need him to be the worst boyfriend ever cause there’s no way that man can Be Normal for a second lol

[discocandles]

I haven't talked about my babysitter's a vampire in a bit, but it's october, so i have no excuse(or every excuse. whatever). this show impacted me a lot.

In mbav, i feel like vampirism is treated a bit differently than in other supernatural media. and maybe that's because its for a younger audience that a lot of other vampire media, aiming for pre-teens rather than actual teenagers and young adults. From what i remember of buffy, vampires aren't people anymore. The person dies when they get turned and are left as like demons, i think? its been a while since i last saw btvs. When turned into a vampire in mbav, you still retain your personality for the most part. there's just also vampire quirks next to it. and don't ask about the vampire diaries, i've never wached it.

like we only see people get turned in the mbav movie, and while we never see what Sarah was like as a human, we get a few ideas from erica, and it's not like she's unrecognizable after being turned(into a fledgling, but beside the point), just acting kinda weird and distant. Rory also doesnt act super different when turned, but almost made this whole post about him, and i have a theory about why he barely changed that i'll get into later. Erica's change was pretty dramatic but given the fact that the main thing the movie told us about her personality before being turned was her obsession with the dusk franchise it was pretty easy for her to have a dramatic change, and she still has elements of the girl she was before that come through from time to time, especially in season 2.

I think people don't change a lot when turned in mbav because they has a bigger sense of freedom to do whatever they want to due to all the power they now have at their disposal. We see this more in the show, because of the need to defeat Jesse takes precedent in the movie. In a lot of Erica's s1 plotlines, she's doing things because she's "hot now", or didn't have the courage to do, or just because she wants to. And with Rory, part of the reason he didn't change all that much is because prior to being turned, he already did whatever he wanted, and his wants are more aligned with publicly being a nerd rather getting more power. Like in the movie, he talked about his interests with Ethan and Benny, but as a vampire he's broadcasting those interests in the hallways in addition to that.

Sarah is a bit of a different case, especially as a fledgling, because she feels held back by her vampirism rather than her humanity. The thing Sarah wants is one of the few things her vampiric powers can't do: go away. she sees them as a shackle instead of as freeing. and she acts like a normal human should act like to cope, trying out for sports and getting a job or two. Scarfing down human food to stave off her bloodthirst. But in season 2, when she's fully a vampire, we see her sense of doing whatever she wants pop up a few times. it happens a lot in episode 1, when she dunks VP Hicks in the trash can, and especially when she's resistant to the Vampire Counsil. We also see her join activities that she's actually interested in, similar to Rory being even more outward about his interests after being turned. she joins the talent show and the school play, and she starts dating again. ironically, i think that's pretty similar to things she would've done as a human. hell, we even see her being best friends with Erica again, which hadn't happened since before Jesse turned her.

and speaking of getting turned, vampirism started as an allegory for like, losing your virginity before getting married. and it's not really present as a metaphor in the show(again, made for pre-teens), but there are a few moments that it's hinted at. Like Rory calling his vampire bite a "wicked hickey" or Erica leaving a bedroom with Gord looking really disheveled. It's the closest to a legitimate allegory with Sarah and Jesse, because the way he phrased him turning her into a fledgling is very very similar to that of sexual assault. it's very clear that Sarah did not consent to being turned, even if Jesse was her boyfriend at the time. its less an allegory for loss of virginity and more one for the importance of giving consent, and even then, it's not that exact of a metaphor.

away from that, also interesting is how different Erica is from Rory and Sarah. there were hints of her desire to rebel in the beginning("if i had a hot boyfriend, i'd totally ditch class too. what? i would!"), but they feel understated after everything she does after being turned. while in the movie, it's because she was one of Jesse's followers, but her morals also skew towards the gray area in the show, sometimes having Rory as a henchman to have do her bidding/hep her. it could be attributed to her vampirism, except the fact that Sarah and Rory don't often share that muted sense of morality is odd, especially since she was introduced as a straight As good girl that's really into canon's twilight. And in season 2, we see she still has some of her nerdy aspects in there that she's hiding, like when she geeks out to Ethan that the star of dusk is in town, or her chemistry knowledge, or her following instructions for vampire rituals on halloween. also, the way she acted around David in the werewolf episode seemed to call back to her nerdier side. idk it just fascinates me the ways that erica acts, because she will wholeheartedly do things that are at least kinda questionable morally, but hesitates when it feels nerdy or sees the guys are also doing it.

anyway, those were some of my thoughts mbav that i've kinda just had in the back of my mind.

[arson-09]

Tamlin fanfics on a tuesday afternoon

i originally posted this in the pro tamlin community but honestly this deserves to go on main

[the-darkestminds]

Someone write a fanfic that starts at the beginning of ACOSF and Nesta chooses to be dropped in the human world instead of going to the house of wind and then Eris finds her there and takes her to the autumn court. Please?

[fizzy-watches-and-listens]

been writing a dnd session for three and a half hours and OH MY GOD IM SO EXCITED

i only just got to the really juicy stuff but omg it’s so good, i literally cannot wait to play it

[juminies]

in order to get to the heart

marriage of convenience, on occasion, is not so convenient.

♡ — jumin x original female character. small amounts of canon compliant jumin x reader, but mostly canon divergent (jumin is unhappily married prior to the start of the game). 1600 words. title from heartlines by florence + the machine.

They just say anything to each other these days.

“This façade drains me beyond comprehension,” Jumin confesses the minute he walks through the door. His fingers loop into the knot of his tie and pull it looser around his neck.

“So you say,” murmured half into a cushion tucked up to a woman’s chest as she types on her phone. “It’s not for our benefit though, is it?”

On some level, this is always how it was going to be for Jumin, he thinks. In a marriage stripped to its fragile bones. A sacrificial lamb for the sake of the corporation, for mutual social and financial gain.

He leans down to untie his shoes.

It would be untrue to say there weren’t veiled attempts, in the beginning, to love. When that didn’t work there were attempts to like. None successful, of course. Lately it’s becoming more difficult to believe this arrangement is better than any alternative. Between the two of them there is a lot of nothing.

The woman remains quiet—focused—but nods easily against the woven fabric she’s leaning into when Jumin asks, “Do you not get tired of coming home from work to find me occupying your space?”

He knows that in public they look good together. He knows that their careers slot together effortlessly. Despite what the media may suggest, however, they are human. Jumin included. The way he feels nothing for her does not match the way she feels nothing for him. The way she yells that he is robotic does not match the way he stoically calls her irresponsible.

They do not sleep together, or eat together, or do any of the romantic things Jumin wishes he hadn’t let himself privately indulge in the idea of. And it’s not that she’s not nice—she’s intelligent and beautiful and kind, when it suits her. Perfect on paper until she wasn’t. When she laughs with her chest Jumin can almost imagine a world where she smiles at him like she does others and it makes his heart weak. Part of him wishes, truly, that that was the case. In reality it feels like nothing.

It could be worse, he tells himself—repeats it like a mantra.

Concealed beneath it is fear. You could be like him. You could repeat his mistakes.

She throws her phone haphazardly onto the sofa beside her and looks up to where Jumin is standing in the doorway. He’s mostly backlit from the light in the hall, the lamp beside his wife barely grazing his features but lighting up hers in all the wrong ways. The orange glow casts unpleasant shadows over places she’s usually pretty. He should have the bulb changed to something less harsh.

“Not much we can do if you don’t want the press to kick up a huge fuss, sweetie,” she says.

The pet names are a jest he has learned to tune out.

“Will they not make a fuss over our divorce in three years’ time nonetheless?” Jumin asks. It’s hypothetical, of course. They will.

“Maybe we’ll have grown on each other by then.” Her tone is disinterested; feels almost mocking. Her phone chimes to let her know her driver is outside. “I’m going out. Shall I take my card or yours?”

“It makes little difference to me.” Jumin looks at his watch. It’s almost 10pm but he doesn’t ask where she’s going. A bar, perhaps.

“Could you adjust my necklace?”

She holds her hair up messily, and he does.

“Let me know if you need anything,” he tells her, then briefly wonders if she’ll meet someone tonight and sleep with them. He pictures her naked beneath a stranger. It feels like nothing.

She takes her own card and squeezes his bicep softly as she walks by him on the way out. She shuts the door more forcefully than is ever really necessary.

At some point Jumin suggests she move out of their—his—apartment and into the one directly below; just recently made vacant. He probably would have suggested it earlier had the apartment been available earlier, but their district of Seoul tends to be under high demand.

“I thought we agreed it was a bad idea to live separately,” she says. It’s a statement, not a question. They had done exactly that.

Jumin hums, tired. Tired from his trip and tired from trying and at some point, it seems, he has lost an indistinguishable part of himself to her for good.

“We did. Although I would say that that was long enough ago now for us both to have become quite aware that we do not do particularly well sharing the same space for considerable periods of time.”

“You’re gone a lot anyway. The place is big enough for us to avoid each other if needed, and I like it here.”

She exhales sharply; amused.

Jumin has no idea why until she adds, “More so when you’re not around, to be fair.” And that explains it, just about.

“Stay here when I am travelling if you must,” he tells her. Somewhere along the way his suggestion has morphed into more of an instruction.

“Fine. Don’t tell your father, though. Or mine.”

“I wouldn’t dream of it.”

They buy it outright in her name, the cost split fifty-fifty. Jumin tells her to keep it all when she sells it later. She tells him she won’t.

They argue tonight, as usual, about who will be chauffeuring them to a company gala. They had agreed that Jumin’s driver would take them only for her to assert for the hundredth time at the last minute that she doesn’t trust him, though she has not legitimately spoken to him more than once and he has been working for Jumin’s family longer than she has been alive.

It’ll cause a stir if the two of them show up separately so they end up in her car, as usual. Jumin apologises to Driver Kim via text for requesting him when he wasn’t needed on the way there, and they arrive late.

The venue reminds Jumin of the last RFA party. His wife had not attended despite her invitation, so it is not proper grounds for conversation. However, when they are out like this they are a happy couple like the legal drabble says, so he says it anyway—if just to appear interested in her.

“I’m sure this is nicer than your friends’ charity get togethers,” she replies lightheartedly, and they are called over by her father before Jumin can retaliate.

The façade stays firm for the remainder of the event. Jumin can easily distinguish her fake laugh from her real one, and he can tell when she forgets who he is for a moment and touches him a little more tenderly than either of them really mean.

They are silent on the drive home. They are silent in the elevator, until it stops one floor below Jumin’s penthouse. “Goodnight,” he says. “Sleep well.”

“You don’t have to say that, you know,” she counters, and smiles softly as the doors slide shut between them. “Not when it’s just me.”

Elizabeth the 3rd is snoring softly when he unlocks his door, and it is the only sound he can hear. He basks in the bliss of having nobody around when he is already so mentally exhausted, and takes out his phone to see it’s just after midnight and Yoosung has opened a chat room.

He enters it, multitasking as he changes his clothes and brushes his teeth. His cat patters into the room and jumps up beside him when he perches on the edge of his bed. She smells frustratingly like perfume and something oddly like guilt threatens Jumin with a dull blade.

Wait!! says Luciel. Think someone entered the chat room.

Jumin checks. There is a name on his screen he doesn’t recognise.

Odd.

Who are you? Identify yourself.

“Jumin. It’s me,” your voice is soft and bubbly; maybe a little nervous but still pleasant on his ears. An intriguing introduction. He almost finds himself chuckling.

Jumin moves the phone from his ear and glances down at your name again, just to be certain he’s not imagining things, then focuses in on the plainness of the wall in front of him.

“I hope you realise blurting out ‘It’s me’ is not a proper way to identify yourself to the person on the other end of the line.”

He had hesitated briefly before telling you he is married. Now he has known you for five days and whatever he’s feeling is somehow, ridiculously, already far greater than any emotion he has ever felt towards his wife.

He invites her out for dinner at their usual restaurant the following evening, and she tells him if he has something to discuss with her she would rather keep it simple. As an alternative he invites her to the penthouse and opens a bottle of wine he knows she likes. When she arrives her hair is tied up experimentally and she is wearing a new shade of lipstick. She surprises him when she actually accepts his offer to pour her a glass.

“I am going to talk with my father,” Jumin says, and she knows what he means. It’s only later that he will find out she had already brought it up with hers. “For what it’s worth, however, I apologise that it ended up like this.”

“Me too,” she agrees. Jumin notices the light catch a glassiness in her eyes as she continues, “If I could have loved you, I would have.”

She stays for a few hours and it is the most sincere time they have spent together in three years.

That night, Zen has a dream.