#i love them so much but they hurt me

[corundumyuri]

I think more people need to really explore the eternity aspect of aziracrow because I find it incredibly interesting in many aspects

because one of these two beings main bonding points is how they love the humans, what are they to do when there is no humans, or earth for that matter, to protect. that's the whole point of season one, them avoiding this, but we know it's inevitable eventually, even if it's billions of years in future. How will they cope. I don't know it's just kinda heartbreaking

and in more directly angsty way if one of them was destroyed the other would have to deal with that fate quite literally forever. At least in humans if one dies the other can know they have the chance to meet again in an afterlife. They do not get this same opportunity.

[aidoxl]

Congrats, I saw this fanart on Pinterest and it was the nail in the coffin for me listening to the podcast. It's been a week of binging and I'm on episode 41 with no spoilers at all somehow and I'm billing you for my therapy sessions :(

boys in NYC

[corpsentry]

pick your battles

[egophiliac]

well, I can't say I expected the new chapter to feature Idia (metaphorically) going to (metaphorical) hell, getting a pep talk from his (metaphorical) Phantom brother which helps him finally move on once and for all from his brother's death, and (metaphorically) overblotting again to fight his way back out of (metaphorical) hell, only to have his darkest fear (non-metaphorically) come true when his mom goes through his computer and finds all his secret files. but I am glad it did!

also this is all a flashback for the purpose of explaining to our group what the heck is going on (whether or not any of it is getting through is another matter)

[jknox11]

they love each other so much. i feel so sick. guys they love each other SO much what the hell

[lazylittledragon]

ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:

i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???

[bertoyana]

charles and erik with each other: oh dear, oh dear. gorgeous 🥺👐 charles and erik with the villain of the week/the x-men: K1LL YOURSELF 🔥🔥🔥

X-Men: First Class (2011) | X-Men Apocalypse (2016)

[iooiu]

good to know all casey jones’ are the same

[crustyfloor]

My night was going so wonderfully.

The headshot of this cover is just PAINFUL. They're actually acknowledging each other, they're the only ones on a cover to do that. And it's the prominent detail that Mizi looks horrified staring at Sua, even though they're clutching each other so... like they can't let go, while Sua looks reverent in the lane of that gaze, even blushing, slightly, savoring the moment. This also looks like their kiss scene...

To me, she looks just the same as the day she died because I think this cover is Sua's haunting of Mizi, because Sua's singing is just that, haunting and distant the longer she sings, she's fading out, but so gently despite its gruesomeness. And Mizi is grieving.

She's as angelic as she is in Mizi's memories..

But there's a cruelty to this because Mizi will never forget what she saw in round 1, that's why seeing Sua over and over and over again terrifies her, hence why the tone of this song is SO dark, especially in the second half when they're coming to a close, they get desperate to keep each other close, and there is a certain, but familiar ignorance to Sua's presence as if she can't see Mizi's pain even though Mizi is crying right in front of her--childish egos, Sua becomes a more honest character after her death, and in more expressive formats like this, and I like how she takes on that position in this song, the taker. (Like Till, he wanted a security blanket out of Mizi; Sua is similar in that sense.) as she takes and wants from Mizi for her own sanity.

And this newest illustration, oh my god. EXPRESSES THIS IDEA PERFECTLY, Sua looks so utterly distant, ghostly, dead.

In contrast to Ivan and Till's cure, Mizi and Sua's cure is more of a duet, and they switch places often. Mizi starts the song, she ends the song (just like in my clematis), and Sua supports it. Whereas Ivan and Till take turns leading and harmonizing, Mizi and Sua both participate.

And I believe they're interacting? Ivan and Till's cure wasn't a message to each other, something a lot more complicated than that--but Mizi and Sua transition frequently and it feels like they're singing to each other, It's more intimate.

Mizi - Allow me, to the tips of your finger

Allow me, to the ends of your feet

Dissolve me in your gaze

I don't want to let you go.

Sua - Please, leave me scars

Please, hurt me so that not a singly drop of me remains

Let me drown in you.

(The backing vocals mean so much to me, it's like a choir(?))

Mizi - Until these falling stars

Are buried in the blur of time

On your icy lips

Read my soul, yes, my soul

It wasn't spontaneous for the sake of it either, because this is a call-and-response

Sua - Even if your cold words

Carve scars beneath my eyes

May they linger on your tongue

You can break me apart

Mizi - Notice my pain

And mend me right now

To quiet my fears

I'll drown in you

-

Mizi is directly asking Sua, or the version of her she can't forget, to stay with her, calm her like she used to, as she wishes to have remained in the dark, to drown in her, or to have just not been left alone and, because even now Sua's death is not something she can accept, the portrayal of her feelings as she expresses her pain and desire to keep Sua close, even the false presence of her "On your icy lips" and "notice my pain and mend me right now" even though It's terrifying her, she doesn't want to let go.

Sua acknowledges Mizi's pain, and their shared pains after she died for her, the blame and the betrayal. Interestingly, Sua takes on the metaphorically self-destructive lyrics, Sua lives in fear, anxiety, and utter gloominess, she didn't want to be hurt by Mizi in the literal sense, but she would've rather been warmed in Mizi's soft light, her false hope and optimism, to be destroyed and to destroy Mizi's hope, even dying as the penalty of their love was far better.

Then Sua goes on to sing through the perspective of Mizi and her loneliness and grief after losing her with perfect clarity, it takes me back to the comic where Ivan scolded Sua about her plan, saying that she'd be nothing more than a trauma to Mizi after everything is said and done, she got upset at Ivan because she knew that, was devastated by the fact that she would be a burden just as she always feared, but then, what's a life without Mizi by her side, her only safety net? Her every reason for living?

This song displays their deep love and devotion, they sound melancholic but even in these horrific circumstances, Mizi's pain and hesitance, they don't drown each other out, they move together in perfect harmony just like they always do, in this way, it also feels like an apology of sorts from both sides before the bitter end, and a final goodbye.

AND THEN AT THE END WITH THE PERFECT SYNCHRONIZING OF THEIR VOICES ARGHH

And a new Sua illustration for the occasion 😭💔 (I'm gonna catch you soon Vivinos just wait.)

[galedekarios]

emmrich: i've wanted to say, davrin. assan performed magnificently last fight. davrin: he did, didn't he? emmrich: you were almost of one mind. perfectly focused. davrin: well. maybe assan needed a little guidance. bit of discipline. davrin: by the way, was manfred exploring on his own in the courtyard? emmrich: not too far out, i hope! emmrich: but... yes. he'll need some independence now, as a mage. davrin: (chuckling) what've we signed up for? emmrich: love, i think.

emmrich and davrin learning from each other and finding common ground, both of them growing because of it, and letting that benefit manfred and assan in turn, is what makes them my absolute favourite party in the game.

[obsob]

there he is......the man of the house

[demaparbat-hp]

“Zuko?” Ming searched for the Prince in his silence. He was staring intently out of the window, mouth blown wide open, eyes distant and awed and sincere. Oh. His whisper was a fragile, breathless thing.

“We're here.”

Ming’s doubts and concerns are hers alone, but that doesn't mean the rest of the Crew doesn't share them. This sudden mission, Zuko's change in attitude, his obsession with the Water Tribes...

Ming tries to discover the root of it all in For the Spirits Chapter VIII: Make You Stay, but will Zuko let her in?

[kentuckyfriedmegumi]

i have made a comprehensive list as to why i think that itadori yuuji and fushiguro megumi love each other and are soulmates (platonic or otherwise)

edit: i also may or may not have an entire stanza by stanza analysis of the first year trio’s songs if anyone wants that too….

i read the entire series from start to finish in one sitting for this. here it is:

saving each other without question or second thought (volume 1)

megumi: “i don’t want to let him die.” gojo: “personal?” megumi: “yes.”

yuuji eats the finger to save megumi.

note: in the manga he is not trapped in a curse’s mouth

their entire interaction during the detention center (cursed womb arc)

yuuji: “fushiguro! please.”

 yuuji to megumi before fighting finger bearer alone

Megumi: “it was a selfish, emotional decision.”

megumi telling yuuji why he saved him

megumi running back to grab the name off the body of one of the inmates because it’s what yuuji would have wanted

“what kind of woman is your type?” “as long as the person is compassionate (see also: has unshakable character, unwavering kindness, etc.), i can’t ask for more.” (chapter 17)

yuuji’s kanji quite literally translates to unwavering humanity. could be a stretch, but an interesting connection considering that gege does not just throw things around like that

not necessarily a moment where i think they love/care for each other, i just love it, but… (chapter 33)

“i don’t know what he was up to while he was gone, but if it comes down to a brawl without any cursed energy involved… itadori would win.”

nothing special, just megumi appreciating and acknowledging yuuji lol

before the exchange event, megumi noticing something happened to yuuji (junpei’s death) (chapter 33)

megumi: “itadori, you okay?” yuuji: “well, it’s a big job but i should be fine.” megumi: “no, something happened, didn’t it?” yuuji: “huh, what are you talking about?”

megumi can tell that something has been/is bothering yuuji, even after his insistence that he’s fine

megumi being worried about the kyoto students trying to kill yuuji; specifically, he’s the one who figured it out (chapter 36)

yuuji stepping into the fight with hanami after fushiguro gets the bud curse (chapter 48)

yuuji: “fushiguro, don’t worry”

btw, this is a direct parallel of point two, back in the detention center

megumi: “if you die again, i’ll kill you” yuuji: “i guess i can’t go dying on ya then”

yuuji checking on megumi at yasohachi bridge when tsumiki was mentioned to have gone to the bridge and being worried when megumi tried to send him and nobara back to the school so he could exorcise the curse by himself (chapter 56)

megumi telling yuuji to go after kugisaki from the domain, parallel of the detention center when yuuji told megumi to go after kugisaki (chapter 57)

yuuji: “if you get in trouble, you better get out too!”

after the fight at yasohachi bridge, both megumi and yuuji are protecting each other from their burdens (chapter 63)

megumi: “don’t tell him.”

explaining to nobara that yuuji eating the finger caused curses to start killing people

yuuji: “hey! don’t tell fushiguro. don’t you dare tell him”

yuuji to sukuna after being told that because of him people were going to die.

see: cursed womb arc; “why’d you bother saving me then?

this one is just another funsie thing that i wanted to add, but in It’s Like That, megumi is the first person that yuuji notices when he arrives at the diner, completely bypassing nobara and ozawa (chapter 64)

the entire fight with the inverse guy was just peak duo-ism, you can’t even deny it, there is so much content in there (chapter 94–98)

megumi: “itadori!” yuuji: “no worries, it’s just a scratch!!!”

giving parallels with gojo and geto when toji first snuck up on gojo

megumi, using rabbit escape: “let’s retreat for now.” yuuji picks up a bunny, bc of course he does

inverse guy: “man up and come at me!” megumi, pointing at yuuji: “that’s really more his style.” yuuji: throwing a fucking car

yuuji: “i’m heading into the station” megumi: “fine, but–” yuuji: “’if you die, i’ll kill you,’ right”

them just working together in general, we love to see it

fellas, is it gay to think of your friend during your last moments? (chapter 117)

“i’ll see you later!” “sorry… itadori…” megumi summons mahoraga and apologizes to yuuji.

post-shibuya arc, yuuji spends the entire time between shibuya and the culling games avoiding megumi in order to protect him (volume 16)

megumi and yuuji taking on the burden of the deaths in shibuya arc together (chapter 143)

yuuji: “i killed people! because of me, lots of people died!” megumi: “it’s our fault, don’t be selfish and give up all alone.”

megumi tries to explain to yuuji that they need to save who they can

parallels grandpa itadori’s last wish

yuuji: “no, fushiguro, it’s because… as long as i’m around… you will suffer!” megumi: “so start by saving me, itadori! … i’m begging you, itadori. i need your strength.”

yuuji has a purpose and a reason to keep going (see chapter 212: “thank you for giving me a role to play”)

yuuji telling yuuta to kill him if he ever switches to sukuna, without hesitation, in order to protect megumi (chapter 144)

yuuji: “sukuna is plotting something involving fushiguro”

megumi not caring about the dangers of sukuna so he can stick with yuuji (chapter 146)

megumi: “if that happens and i die, just have him (yuuta) kill you” yuuji: the point is to not let that happen

they just care about each other, your honor

yuuji trying to avoid megumi once again before the culling games (chapter 146)

megumi panicking at yuuji getting beat by hakari (more so than panda was) to the point where he was about to jump over the rail and start interfering (chapter 157)

megumi: oh no! if he gets hurt anymore… “itadori! that’s enough!”

yuuji (again) trying to avoid being with megumi during the culling games in order to protect him from sukuna (chapter 160)

yuuji: “i’m just worried!” megumi: “are you going to say that every time? it’s annoying a waste of time!” (he is stubborn, refuses to be separated from yuuji)

they are bickering like an old married couple here imo

megumi and yuuji are split up and start working to find higuruma. they are each told different locations and immediately think of each other (chapter 162)

megumi: “shinjuku…” i hope itadori is on his way there too… yuuji: “ikebukuro?!” is fushiguro there too?

another cutesy one that i just wanted to add: megumi smiling when he realized that yuuji got the points to add a rule to the culling games (chapter 168)

megumi waking up and immediately speaking to yuuji (he doesn’t acknowledge hana or anyone else in any way, shape, or form for like an hour (chapter 199)

megumi immediately notices something is up with yuuji when they learn about “the disgraced one,” and this has one of my fave duo interactions with them (chapter 200)

megumi: “itadori, what’s wrong”

always so akin to yuuji’s feelings bruh

yuuji switches with hana to communicate to megumi that sukuna is the disgraced one. hana is just staring lovingly at megumi, megumi is only concerned about yuuji

their cute little charades act, oh my god they are so fucking silly bro

megumi: i don’t get it. what’s he trying to say?

oh my god bro pls

yuuji: *nod nod* did he get it?

yuuji is fully resolved in dying because megumi and tsumiki (as far as they knew) are safe, so he is okay with dying as long as they can live

megumi is immediately worried about yuuji killing himself and dying to end sukuna

my god they are both so worried about each other all the time

megumi is quick to notice yuuji’s disposition towards hana (chapter 210)

megumi: “this isn’t like you.” yuuji: “you sure about that?”

megumi: “don’t be dumb.” yuuji: “i’ll apologize later…”

can they stop flirting in dire times?

yuuji thinking of both gojo and megumi as they gave him a role in the world (chapter 212)

maybe i should have done it sooner. i could have helped fushiguro and disappeared. thank you for giving me a role to play

megumi suppresses sukuna’s technique when he first incarnates in his body (chapter 214)

literally any point during the fight with sukuna where yuuji is locked in on saving megumi (shinjuku showdown arc)

“wake up, fushiguro.” (chapter 251)

i’ll do it as many times as it takes! “wake up, fushiguro!” (chapter 263)

“you’re right, sukuna. i have the ability to end your life. if you release fushiguro and return to me, i will spare your life.” (chapter 265)

literally all of chapter 266 bro this entire fucking chapter hurts me so fucking bad??????

megumi just wanting a peaceful life with his sister and yuuji

yuuji knowing and understanding megumi’s pain to the point where he knows it isn’t fair to force or expect him to want to live

“i’ve started to understand and emphathize with the decisions made by people who encounter unavoidable realities, like grandpa. for that reason… for that reason, i can’t tell you to continue living, fushiguro.”

megumi: “huh? what’s with that face?” yuuji: “nothing, it’s just that… it’ll be lonely without you, fushiguro.”

what if i was suicidal?????

megumi hears yuuji telling him it’ll be lonely when he’s gone and sees one (1) tear form in his eyes and immediately locks in, using his technique to throw sukuna off guard and allow yuuji to land a hit

yuuji smiling when he realized that megumi was fighting back

see chapter 168: megumi smiling when he realized yuuji got the points for the games

EDIT: OH MY GOD CHAPTER 268????????

megumi: “i think i’ll try to live for someone else.”

also, see yuuji and megumi’s theme songs that were selected by gege:

yuuji’s songs:

heart ni hi o tsukete by 9mm parabellum bullet – a song about two people struggling to recover from their traumas and pain and wondering if they will find love within each other.

the last line of the song is “will we love each other? will we not love each other? will we turn to ashes?”

itsuka dokoa de by kuchiroro – this song overall seems to be a sort of conversation that the narrator is having with an unknown person. there is mentions of belief, love, and a desire for a simple, mundane life.

love is mentioned a lot throughout this song (it’s 13 minutes long and translations are hard to find online though)

megumi’s songs:

hakujitsumu by uchujin – the song is about wanting to save someone, but also battling with their own internal struggles as they try to navigate their trauma.

“don’t disappear yet, i’ll rescue you.”

island in the sun by weezer – this song is about a narrator and their desire to run away with someone and live a peaceful life, away from their troubles so they will “never feel bad anymore.”

this song i feel reflects most with that idyllic life that megumi wanted to build for tsumiki and yuuji

[elfcollector]

DRAGON AGE: ORIGINS (2009) — developed by bioware.

[beefywizard]

older sister and little baby alien thing...

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.