#i love the premise also

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[idolomantises]

I… don’t really see myself continuing with the Amazing Digital Circus anymore.

[underpaidimmortal]

the thing about dunmeshi is that they show you a little guy with the SWEETIEST big cutey eyes to have ever existed and then go "you see HIM? with th big EYES? he is the most rotten man to have ever lived on the face of the planet. he is an ALCOHOLIC and DIVORCED and he wants to GO HOME" and well you won't believe what happens next.

[wwillywonka]

rewatching where no man has gone before and it's wild how different spock's characterisation is in this versus the rest of the series. like i know logically (haha) that the episode was so early that the show and nimoy didn't really have a grasp on the character yet (made evident by the "one of my ancestors married a human woman" line), but it also strikes me that this is technically kirk's first episode in timeline (production) order, meaning jim and spock have barely started to get to know each other. it's obvious from the chess game that they're already very close and likely have been joined at the hip since their very first meeting, so i like to think that spock is almost, ya know, giddy at this point, adjusting to the comforting warmth and joy and security he feels just by being around jim all the time because it's all so new, because he's never had anything like this before. spock likes jim so much and so immediately and wants to get to know him better and feels safe enough around him to let jim get to know him better, too. the interaction at the end, "i felt for him, too" and "there might be some hope for you yet, mr. spock." followed by a very not-subtle, fond smile from our dear vulcan first officer, just stands out so much against the rest of the series. young spock and his brand new blossoming crush for his captain and he hasn't gotten to the point where he's afraid of those feelings yet, just basking in how nice it feels to have a proper friend. so damn cute. it fills me with butterflies.

[marypsue]

Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.

However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.

[venacoeurva]

obsessed with these little mouse coin purses again

[graves-doodles]

a gaggle of siblings and their two dads

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[shoot-i-messed-up]

Was always worried about the angst of unrequited love, had never realized the sheer amount of comedic potential that it has.

Imagine one-sided Superbat where Clark is fully aware that Bruce has a crush on him but is being his repressed self about it, and Clark is just like, “I’m not gonna touch that :) you’re going to figure that out for yourself, buddy, and in the meantime, I’m just going to have a good time and be best friends with you as you inevitably pull yourself together enough to either fall out of love or to confess :) and I’ll just let you down gently because I care about you :)” but he absolutely 100% is using it to his advantage in the meantime. His puppy dog eyes had never been so effective before. He’s gotten out of Monitor Duty three times in the past month.

[raticalshoez]

i'm having hyperfixation drought so i did what i did best and created a crossover episode

[poorly-drawn-mdzs]

ORV is about enduring the horrors in real time.

(for @everyonesfavoritebastard)

[renownedtholianpunctualityyyyy]

From my Star Trek 'scrapbook' thing S02E01 Amok Time

I'll transcribe everything into regular text as best as I can because I know my handwriting is a hot mess. ✨ It's mostly descriptions of my favourite things, things I noticed, or my favourite quotes etc. And there's pleeeenty I love about this episode, but man, I could only fit so much in the book per episode. 🥲

[Page 1]

[1] Amok Time

First episode I saw! ❤️

McCoy being the first to notice something is wrong.

"Very impressive. Very diplomatic."

Kirk pleading with spock to tell him what's going on so he can help in some way. He tells Spock how much he cares for him and needs him without directly saying it. It's so tense and beautiful...

Spock resists telling him but eventually breaks town and tells him about the secret Vulcan "Pon Farr — the time of mating."

This episode is basically 98% gay sexual tension. 🌈

"Why must he die? ... Why MUST he die?!"

"I owe him my life a dozen times over. Isn't that worth a career? He's my friend."

This episode originated the 'fuck or die' trope, apparently.

So much tense eye contact and physicality.

[Page 2]

Kirk gentle, but firm. Spock can barely speak.

"How do Vulcans choose their mates? Haven't you wondered?"

Kirk wondering if he's being propositioned:

So much tension

"...Biology." "What kind of biology?" "VULCAN biology." "You mean the biology... of Vulcans? 'Biology' — as in — reproduction?" "..." "...There's no need to be embarrassed about it, Mister Spock..."

One of my favourite shots in the whole show. [Picture of Kirk and Spock close together, but not too close; Spock with his head bowed and his hands in his lap, ashamed for admitting what he has; and Kirk feeling many emotions, including worry.] ((Shame, guilt, tension, yearning, admission, forbidden.))

The way Spock begs: "Captain— lock me away. I do not wish to be seen. No Vulcan could explain further." "I'm trying to help you, Spock."

Spock's wanting/having speech to T'Pring at the end.

The slashed shirt is Iconique

[Page 3]

Kirk reassuring Spock (and admitting) that he's into his 'madness'. Spock surprised McCoy tired of their endless, shameless flirting.

Spock asking Kirk and McCoy to join him for the ceremony

Everyone watching the boys roll around and fight in the sand

Rolling and basically dry-humping as they fight

Poor Spock's mortified face when he thinks he's killed Kirk

The sand has glitter in it

"CAPTAIN!!"

"J I M !!"

Spock grabs Kirk's shoulders and spins him around ❤️

Look at how happy Kirk is ❤️ McCoy and Chapel happy too

Close up of Kirk not believing Spock's hetero-explanation. ("You're gay for me — we'll figure it out later.")

[yume-fanfare]

angels

[wwillywonka]

Set course for Delta Vega.

1 x 04 - Where No Man Has Gone Before

[anghraine]

Further contemplated the femslash Spirk concept while I was going to sleep, inevitably, and concluded:

I am perfectly aware this has been done before in the last, you know, nearly 60 years of this ship's towering fandom influence; I've definitely seen art and cosplay. However, I'm deliberately insulating myself from reading any other versions until the finer details are more nailed down in my own head.

McCoy is definitely still a man (specifically DeForest Kelley c. TOS) because it only later occurred to me that 1) thematically, I definitely prefer this trio as a mixed gender group and 2) the advocate for emotion and instinct and human warmth being a male doctor and the voice of logic and discipline being a woman and technically his superior pleases me greatly. I also like the McCoy-Kirk brotp as a male-female friendship that is intense, complex, and 100% platonic.

I'm still figuring out how Kirk being repeatedly menaced by the woman of the week would pan out with f!Kirk. With m!Kirk it feels like the show pushes him having an irresistible appeal to women in general (regardless of the woman's morality) that is where this ultimately comes from, but he's got a lot of Odysseus tropes to him as a character that make his femme fatale allure and willingness to use it as a tool more interesting than as the inevitable fate of a female space captain. Also, even in a femslash context, it feels homophobic for it to always be women sexually harassing f!Kirk.

Kirk's going to be Jessica instead of my original idea of Deborah. I was thinking of what would be a sturdy, ordinary name in the Midwest comparable to James that would also abbreviate conveniently to a common short form (Jim / Deb / Jess). I wanted the shortened version to be something that could carry the emotional weight of Spock's very occasional "Jim" without feeling that the nickname itself is more significant than Jim is for a dude from Iowa. I also wanted to avoid the -y/-ie endings of so many English nicknames (sorry, Francophones). Deb seemed to work well enough, except I'd forgotten that I have a considerably older family friend who not only uses Deb (and is named Deborah) but happens to have very similar coloring and background to young Shatner. As I was plotting the femslash, the association with her felt increasingly weird and uncomfortable, so I switched to Jessica (chosen for reasons largely unrelated to it also beginning with J, but that helps!).

Does Jessica Kirk wear the miniskirt and go-go boots while issuing non-negotiable orders from her captain's chair? Definitely.

[ponytailzuko]

Tell me, is there anything about Miraculous Ladybug that you wish had gone differently?

everything